唐太宗文艺美学思想研究
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The structure of this paper is as follows: The introduction part explains the content and significance of this study, and introduces the related research of Taizong's literature. The first part: Three clues about the development of literary aesthetics in Wei, Jin and Chastity dynasties.
Key Words: Taizong；Literary Aesthetics Thought；Literary Creation；Influence
IV
目录
摘 要 ........................................................................................................................... I Abstract........................................................................................................................... III 目 录 ........................................................................................................................... I 绪 论 .......................................................................................................................... 1
Through the classification of the content of Taizong's poems and the collation of the time of poetry creation, this chapter concludes that Taizong's literary and artistic aesthetics are basically in line with the fact that we mentioned above in the dynamic relationship, and its literary creation practice is not contradictory with its literary and artistic ideology, but the emphasis is different in different periods. Part IV: The influence of Taizong's literary aesthetics thought.
In the middle and late period of chastity, because of the relationship between political merit, the emotion of luxury and conceit began to rise, and began to pay more attention to the aesthetics of literature and art. The third part: The literary aesthetics thought reflected by Taizong's creative practice.
本文结构如下：绪论部分说明本文研究内容及意义，并介绍了唐太宗文学方 面的相关研究。
第一部分：魏晋至贞观时期文艺美学发展的三条线索。本章通过对魏至唐初 产生具有代表性的文艺批评作品进行了梳理，把其分为三类，其一为注重政教功 能，注重道德风范的思想；其二是注重审美规律和艺术形式的思想；其三主张文 质兼美思想，以期为唐太宗的文艺美学思想的源头提供线索。
This chapter starts from two aspects, one is his implementation of the national literary and artistic policy, the other is his influence on the literary and artistic activities of the literati, and strive to make a comprehensive judgment on his literary and artistic aesthetics thought
第二部分：各类史料中所反映出的唐太宗文艺美学思想。本章通过对史书、 诏令、书序等材料的归纳整理，认为唐太宗“文质并重”的文艺思想主要来源于 《文心雕龙》和《颜氏家训·文章》，且唐太宗文艺美学思想处于一种动态变化 的关系中，贞观前期注重文艺的政教功能，贞观中后期因为政治功业的关系，骄 奢自负的情绪开始抬头，开始更为注重文艺的审美性。
第三部分：唐太宗的创作实践所反映出的文艺美学思想。本章通过对唐太宗 诗歌内容的分类，诗歌创作时间的整理，总结得出唐太宗的文艺美学思想基本符 合我们上文所提到的处于动态关系这一事实，其文学创作实践与文艺思想体系并 不矛盾，只是不同时期侧重点不同罢了。
I
第四部分：唐太宗文艺美学思想的影响。本章从两方面入手，一是他对国家 文艺政策的实施，二是他对文人文艺活动的影响，力求对他的文艺美学思想作出 全面的判断。
摘要
自古以来，影响中国文艺发展的因素众多，帝王凭借中央集权制赋予的权力， 作为文艺政策的主要制定者和推广者，对文艺的发展走向具有决定作用。唐太宗 虽是唐王朝的第二任帝王，其实际上是唐王朝的真正缔造者，其父李渊功绩主在 建国，使唐王朝初期并不关注文事建设，自太宗始，唐代才有意识的开展文化建 设，施行文艺政策。可以说唐太宗的文艺美学思想为整个大唐王朝设立了基本的 文艺基调，他的文艺美学思想对唐初甚至整个唐王朝的文艺的发展都具有重要的 指引作用。
III
thought of literature and beauty, in order to provide clues for the source of The second part: Taizong's literary aesthetics thought reflected by all kinds of historical materials. Through the induction and collation of historical books, Dahir, book Order and other materials, this chapter think that Taizong's literary thought of "equal emphasis on literature" mainly comes from "Wen Xin sculpture Dragon" and "Yan's teaching and article", and Taizong's literary aesthetics thought is in a dynamic and changing relationship, which pays attention to the church function of literature and art in the early period.
This chapter combs the representative literary criticism works produced in the Wei, Jin, two and early Tang dynasties, and divides them into three categories, one is to pay attention to the function of politics and morality, and the other is to pay attention to the thought of aesthetic law and art form, and the other is to advocate the
研究生学号：7201500100
密
级：公开
唐太宗文艺美学思想研究
Research on Emperor Taizong of Tang Literary Aesthetics Thought
学科专业：中国古代文学 研究方向：唐宋文学研究 学位类型：学术硕士 作者姓名：龙 禹 指导教师：孙 博 教 授 培养单位：文学院 答辩日期：2019 年 5 月 29 日
关键词：唐太宗；文艺美学思想；文学创作；影响
II
Abstract
Since ancient times, there are many factors affecting the development of Chinese literature and art, and the emperors ' rights granted by centralized systems, as the main makers and promoters of literary and artistic policies, have a decisive influence on the development trend of literature and art. Although Tyson was the second emperor of the Tang Dynasty, it was actually the true founder of the Tang Dynasty, and his father, Li Yuan, was in the founding of the nation, so that the early Tang Dynasty did not pay attention to the construction of the literary affairs, since the beginning of Taizong, the Tang Dynasty only consciousness to carry out cultural construction, the implementation of literary and artistic.
ｅ ｓ ｔｈ ｅ ｔ ｉ ｃｓ ｈ ｏ ｕ ｇ ｈ ｔ
学科 专业 ： 中 国 古代文 学 研 究 方 向 ： 宋 文学 研 究 学 位类 型 ： 学 术硕士 作 者姓 名 ： 龙 禹 指 导 教师 ： 孙 博 教 授 培 养单位 ： 文学 院
二 〇＿ 九 年 六 月
学校代码：10205 分 类 号：I206
As the guiding Taizong to carry out the literary and artistic policy is its literary and artistic aesthetics thought, it can be said that Taizong's literary and artistic aesthetic thought has set up the basic literary tone for the whole Datang dynasty, and his literary and artistic aesthetics thought plays an important guiding role in the development of literature and art in the early Tang Dynasty and even the whole Tang dynasties.
学校代 码 ： １０２０ ５ 分 类 号 ： Ｉ ２ ０６
研 究 生 学 号 ： ７２ ０ １ ５ ００ １ ０ ０
密
级 ： 公 开
却 疤 Ａ ＃
硕 士 学 位 论 文
唐 太 宗 文 艺美 学思想研究
Ｒ Ｔ Ａ Ｔ Ｅ Ｔ Ｌ ｅ ｓ ｅａ ｒｃ ｈ ｏ ｎ ｍ ｐ ｅｒ ｏ ｒ ａ ｉｚ ｏ ｎ ｇｏｆ ａ ｎ ｇ ｉ ｔｅ ｒ ａ ｒｙ
Key Words: Taizong；Literary Aesthetics Thought；Literary Creation；Influence
IV
目录
摘 要 ........................................................................................................................... I Abstract........................................................................................................................... III 目 录 ........................................................................................................................... I 绪 论 .......................................................................................................................... 1
Through the classification of the content of Taizong's poems and the collation of the time of poetry creation, this chapter concludes that Taizong's literary and artistic aesthetics are basically in line with the fact that we mentioned above in the dynamic relationship, and its literary creation practice is not contradictory with its literary and artistic ideology, but the emphasis is different in different periods. Part IV: The influence of Taizong's literary aesthetics thought.
In the middle and late period of chastity, because of the relationship between political merit, the emotion of luxury and conceit began to rise, and began to pay more attention to the aesthetics of literature and art. The third part: The literary aesthetics thought reflected by Taizong's creative practice.
本文结构如下：绪论部分说明本文研究内容及意义，并介绍了唐太宗文学方 面的相关研究。
第一部分：魏晋至贞观时期文艺美学发展的三条线索。本章通过对魏至唐初 产生具有代表性的文艺批评作品进行了梳理，把其分为三类，其一为注重政教功 能，注重道德风范的思想；其二是注重审美规律和艺术形式的思想；其三主张文 质兼美思想，以期为唐太宗的文艺美学思想的源头提供线索。
This chapter starts from two aspects, one is his implementation of the national literary and artistic policy, the other is his influence on the literary and artistic activities of the literati, and strive to make a comprehensive judgment on his literary and artistic aesthetics thought
第二部分：各类史料中所反映出的唐太宗文艺美学思想。本章通过对史书、 诏令、书序等材料的归纳整理，认为唐太宗“文质并重”的文艺思想主要来源于 《文心雕龙》和《颜氏家训·文章》，且唐太宗文艺美学思想处于一种动态变化 的关系中，贞观前期注重文艺的政教功能，贞观中后期因为政治功业的关系，骄 奢自负的情绪开始抬头，开始更为注重文艺的审美性。
第三部分：唐太宗的创作实践所反映出的文艺美学思想。本章通过对唐太宗 诗歌内容的分类，诗歌创作时间的整理，总结得出唐太宗的文艺美学思想基本符 合我们上文所提到的处于动态关系这一事实，其文学创作实践与文艺思想体系并 不矛盾，只是不同时期侧重点不同罢了。
I
第四部分：唐太宗文艺美学思想的影响。本章从两方面入手，一是他对国家 文艺政策的实施，二是他对文人文艺活动的影响，力求对他的文艺美学思想作出 全面的判断。
摘要
自古以来，影响中国文艺发展的因素众多，帝王凭借中央集权制赋予的权力， 作为文艺政策的主要制定者和推广者，对文艺的发展走向具有决定作用。唐太宗 虽是唐王朝的第二任帝王，其实际上是唐王朝的真正缔造者，其父李渊功绩主在 建国，使唐王朝初期并不关注文事建设，自太宗始，唐代才有意识的开展文化建 设，施行文艺政策。可以说唐太宗的文艺美学思想为整个大唐王朝设立了基本的 文艺基调，他的文艺美学思想对唐初甚至整个唐王朝的文艺的发展都具有重要的 指引作用。
III
thought of literature and beauty, in order to provide clues for the source of The second part: Taizong's literary aesthetics thought reflected by all kinds of historical materials. Through the induction and collation of historical books, Dahir, book Order and other materials, this chapter think that Taizong's literary thought of "equal emphasis on literature" mainly comes from "Wen Xin sculpture Dragon" and "Yan's teaching and article", and Taizong's literary aesthetics thought is in a dynamic and changing relationship, which pays attention to the church function of literature and art in the early period.
This chapter combs the representative literary criticism works produced in the Wei, Jin, two and early Tang dynasties, and divides them into three categories, one is to pay attention to the function of politics and morality, and the other is to pay attention to the thought of aesthetic law and art form, and the other is to advocate the
研究生学号：7201500100
密
级：公开
唐太宗文艺美学思想研究
Research on Emperor Taizong of Tang Literary Aesthetics Thought
学科专业：中国古代文学 研究方向：唐宋文学研究 学位类型：学术硕士 作者姓名：龙 禹 指导教师：孙 博 教 授 培养单位：文学院 答辩日期：2019 年 5 月 29 日
关键词：唐太宗；文艺美学思想；文学创作；影响
II
Abstract
Since ancient times, there are many factors affecting the development of Chinese literature and art, and the emperors ' rights granted by centralized systems, as the main makers and promoters of literary and artistic policies, have a decisive influence on the development trend of literature and art. Although Tyson was the second emperor of the Tang Dynasty, it was actually the true founder of the Tang Dynasty, and his father, Li Yuan, was in the founding of the nation, so that the early Tang Dynasty did not pay attention to the construction of the literary affairs, since the beginning of Taizong, the Tang Dynasty only consciousness to carry out cultural construction, the implementation of literary and artistic.
ｅ ｓ ｔｈ ｅ ｔ ｉ ｃｓ ｈ ｏ ｕ ｇ ｈ ｔ
学科 专业 ： 中 国 古代文 学 研 究 方 向 ： 宋 文学 研 究 学 位类 型 ： 学 术硕士 作 者姓 名 ： 龙 禹 指 导 教师 ： 孙 博 教 授 培 养单位 ： 文学 院
二 〇＿ 九 年 六 月
学校代码：10205 分 类 号：I206
As the guiding Taizong to carry out the literary and artistic policy is its literary and artistic aesthetics thought, it can be said that Taizong's literary and artistic aesthetic thought has set up the basic literary tone for the whole Datang dynasty, and his literary and artistic aesthetics thought plays an important guiding role in the development of literature and art in the early Tang Dynasty and even the whole Tang dynasties.
学校代 码 ： １０２０ ５ 分 类 号 ： Ｉ ２ ０６
研 究 生 学 号 ： ７２ ０ １ ５ ００ １ ０ ０
密
级 ： 公 开
却 疤 Ａ ＃
硕 士 学 位 论 文
唐 太 宗 文 艺美 学思想研究
Ｒ Ｔ Ａ Ｔ Ｅ Ｔ Ｌ ｅ ｓ ｅａ ｒｃ ｈ ｏ ｎ ｍ ｐ ｅｒ ｏ ｒ ａ ｉｚ ｏ ｎ ｇｏｆ ａ ｎ ｇ ｉ ｔｅ ｒ ａ ｒｙ