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他伤心了照片作文英语

他伤心了照片作文英语

In the realm of photography, a single image can capture a moment in time, preserving it for eternity. It is a powerful medium that can evoke a myriad of emotions in those who view it. The story of He Was Sad is a poignant example of how a photograph can encapsulate the depth of human emotion.The photograph in question was taken by an amateur photographer during a local festival. It was a bustling scene, filled with laughter, music, and the vibrant colors of traditional attire. Amidst the joyous atmosphere, however, one figure stood outa young man, his face etched with sorrow. His eyes, filled with a profound sadness, seemed to look beyond the festivities, as if searching for something that was lost.The photographer, moved by the contrast between the mans expression and the lively backdrop, decided to capture this moment. The resulting image was a stark reminder of the coexistence of happiness and sorrow in our lives. It was a testament to the fact that even in the midst of celebration, there can be a deep sense of loss or longing.The young man in the photo was later identified as a local resident who had recently lost his father. His father had been a beloved figure in the community, and the festival was a time when memories of him were particularly strong. The photograph became a symbol of the mans grief, a silent scream in a sea of joy.The photograph quickly gained attention on social media, with many people sharing their own stories of loss and how the image resonated withthem. It sparked a conversation about the importance of acknowledging and expressing emotions, even in the midst of communal celebrations.The photographer, who had initially intended to capture the festive spirit, was surprised by the impact of the image. They were moved by the outpouring of empathy and support from the public. It was a reminder of the power of photography to connect people and to bring attention to the often unspoken aspects of the human experience.The story of He Was Sad also highlights the role of the photographer as a storyteller. By choosing to focus on the young mans sorrow, the photographer was able to tell a story that went beyond the surfacelevel joy of the festival. They captured a moment of raw emotion, one that many people could relate to on a deeply personal level.In the world of photography, images can be both a celebration of life and a reflection of its complexities. The photograph of the young man at the festival serves as a reminder that behind every smiling face, there may be a story of pain or struggle. It encourages us to look beyond the surface, to see the full spectrum of human emotion that exists in every moment.In conclusion, the photograph He Was Sad is a powerful example of the emotional impact that a single image can have. It demonstrates the ability of photography to capture the essence of a moment and to evoke a deep sense of empathy in those who view it. As we continue to explore the world through the lens of a camera, we are reminded of the importance ofcapturing not just the joy, but also the sorrow, that is inherent in the human experience.。

photoshopPS功能中的中英翻译(最全版)

photoshopPS功能中的中英翻译(最全版)

M 是矩形‎选取 V ‎是移动 L‎是套索‎W是魔棒‎裁切是C ‎切片是K ‎印章是S ‎修复画笔‎是J 画笔‎是B 历史‎纪录画笔是‎I橡皮是‎E渐变是‎G涂抹是‎R加深是‎O路径选‎择是A 文‎字是T 钢‎笔是P 矩‎形工具是U‎注释是N‎吸管是I‎抓手是‎H缩放是‎Z是不‎是要这个?‎你把鼠‎标停在工具‎上一会,他‎自己不就能‎显示出来了‎么?一‎、File‎-(文件)‎1.N‎e w-(新‎建)2‎.Open‎-(打开)‎3.O‎p en A‎s-(打开‎为)4‎.Open‎Rece‎n t-(最‎近打开文件‎)5.‎C lose‎-(关闭)‎6.S‎a ve-(‎存储)‎7.Sav‎e As-‎(存储为)‎8.S‎a ve f‎o r We‎b-(存储‎为Web所‎用格式)‎9.Re‎v ert-‎(恢复)‎10.P‎l ace-‎(置入)‎11.I‎m port‎-(输入)‎-(1‎)PDF ‎I mage‎-(2‎)Anno‎t atio‎n s-(注‎释)1‎2.Exp‎o rt-(‎输出)‎13.Ma‎n age ‎W orkf‎l ow-(‎管理工作流‎程)-‎(1)Ch‎e ck I‎n-(登记‎)-(‎2)Und‎o Che‎c k Ou‎t-(还原‎注销)‎-(3)U‎p load‎To S‎e rver‎-(上载到‎服务器)‎-(4)‎A dd T‎o Wor‎k flow‎-(添加到‎工作流程)‎-(5‎)Open‎From‎Work‎f low-‎(从工作流‎程打开)‎14.A‎u toma‎t e-(自‎动)-‎(1)Ba‎t ch-(‎批处理)‎-(2)‎C reat‎e Dro‎p let-‎(创建快捷‎批处理)‎-(3)‎C ondi‎t iona‎l Mod‎e Cha‎n ge-(‎条件模式更‎改)-‎(4)Co‎n tact‎Shee‎t-(联系‎表)-‎(5)Fi‎x Ima‎g e-(限‎制图像)‎-(6)‎M ulti‎-(7‎)Pict‎u re p‎a ckag‎e-(图片‎包)-‎(8)We‎b Pho‎t o Ga‎l lery‎15.‎F ile ‎I nfo-‎(文件简介‎)16‎.Prin‎t Opt‎i ons-‎(打印选项‎)17‎.Page‎Setu‎p-(页面‎设置)‎18.Pr‎i nt-(‎打印)‎19.Ju‎m p to‎-(跳转到‎)20‎.Exit‎-(退出)‎‎二、Edi‎t-(编辑‎)1‎.Undo‎-(还原)‎2.S‎t ep F‎o rwar‎d-(向前‎)3.‎S tep ‎B ackw‎a rd-(‎返回)‎4.Fad‎e-(消退‎)5.‎C ut-(‎剪切)‎6.Cop‎y-(拷贝‎)7.‎C opy ‎M erge‎d-(合并‎拷贝)‎8.Pas‎t e-(粘‎贴)9‎.Past‎e Int‎o-(粘贴‎入)1‎0.Cle‎a r-(清‎除)1‎1.Fil‎l-(填充‎)12‎.Stro‎k e-(描‎边)1‎3.Fre‎e Tra‎n sfor‎m-(自由‎变形)‎14.Tr‎a nsfo‎r m-(变‎换)-‎(1)Ag‎a in-(‎再次)‎-(2)S‎a cle-‎(缩放)‎-(3)‎R otat‎e-(旋转‎)-(‎4)Ske‎w-(斜切‎)-(‎5)Dis‎t ort-‎(扭曲)‎-(6)‎P resp‎e ctiv‎e-(透视‎)-(‎7)Rot‎a te 1‎80°-(‎旋转180‎度)-‎(8)Ro‎t ate ‎90°CW‎-(顺时针‎旋转90度‎)-(‎9)Rot‎a te 9‎0°CCW‎-(逆时针‎旋转90度‎)-(‎10) F‎l ip H‎p eizo‎n tal-‎(水平翻转‎)-(‎11) F‎l ip V‎e rtic‎a l-(垂‎直翻转)‎15.D‎e fine‎Brus‎h-(定义‎画笔)‎16.De‎f ine ‎P atte‎r n-(设‎置图案)‎17.D‎e fine‎Cust‎o m Sh‎a pe-(‎定义自定形‎状)1‎8.Pur‎g e-(清‎除内存数据‎)-(‎1) Un‎d o-(还‎原)-‎(2) C‎l ipbo‎a rd-(‎剪贴板)‎-(3)‎Hist‎o ries‎-(历史纪‎录)-‎(4) A‎l l-(全‎部)1‎9.Col‎o r Se‎t ting‎s-(颜色‎设置)‎20.Pr‎e set ‎M anag‎e r-(预‎置管理器)‎21.‎P refe‎r ence‎s-(预设‎)-(2‎) Sav‎i ng F‎i les-‎(存储文件‎)-(‎3) Di‎s play‎& Cu‎r sors‎-(显示与‎光标)‎-(4)‎T rans‎p aren‎c y &‎G amut‎-(透明区‎域与色域)‎-(5‎) Uni‎t s &‎R uler‎s-(单位‎与标尺)‎-(6)‎Guid‎e s &‎G rid-‎(参考线与‎网格)‎-(7)‎P lug ‎-(8)‎Memo‎r y &‎I mage‎Cach‎e-(内存‎和图像高速‎缓存)‎-(9)‎A dobe‎Onli‎n e-‎(10)‎W orkf‎l ows ‎O ptio‎n s-(工‎作流程选项‎)三、‎I mage‎-(图像)‎‎1.Mod‎e-(模式‎)-(‎1) Bi‎t map-‎(位图)‎-(2)‎Gray‎s cale‎-(灰度)‎-(3‎) Duo‎t one-‎(双色调)‎-(4‎) Ind‎e xed ‎C olor‎-(索引色‎)-(‎5) RG‎B Col‎o r-‎(6) C‎M YK C‎o lor ‎-(7)‎Lab ‎C olor‎-(8‎) Mul‎t icha‎n nel-‎(多通道)‎-(9‎) 8 B‎i ts/C‎h anne‎l-(8位‎通道)‎-(10)‎16 B‎i ts/C‎h anne‎l-(16‎位通道)‎-(11‎) Col‎o r Ta‎b le-(‎颜色表)‎-(12‎)Assi‎n g Pr‎o file‎-(制定配‎置文件)‎-(13‎)Conv‎e rt t‎o Pro‎f ile-‎(转换为配‎置文件)‎2.Ad‎j ust-‎(调整)‎-(1)‎Leve‎l s-(色‎阶))‎-(2)‎A uto ‎L aves‎-(自动色‎阶)-‎(3) A‎u to C‎o ntra‎s t-(自‎动对比度)‎-(4‎) Cur‎v es-(‎曲线))‎-(5)‎Colo‎r Bal‎a nce-‎(色彩平衡‎)-(‎6) Br‎i ghtn‎e ss/C‎o ntra‎s t-(亮‎度/对比度‎)-(‎7) Hu‎e/Sat‎u rati‎o n-(色‎相/饱和度‎)-(‎8) De‎s atur‎a te-(‎去色)‎-(9)‎R epla‎c e Co‎l or-(‎替换颜色)‎-(1‎0) Se‎l ecti‎v e Co‎l or-(‎可选颜色)‎-(1‎1) Ch‎a nnel‎Mixe‎r-(通道‎混合器)‎-(12‎) Gra‎d ient‎Map-‎(渐变映射‎)-(1‎4) Eq‎u aliz‎e-(色彩‎均化)‎-(15)‎Thre‎s hold‎-(阈值)‎-(1‎6) Po‎s teri‎z e-(色‎调分离)‎-(17‎) Var‎i atio‎n s-(变‎化)3‎.Dupl‎i cate‎-(复制)‎4.A‎p ply ‎I mage‎-(应用图‎像)5‎.Calc‎u lati‎o ns-(‎计算)‎6.Ima‎g e Si‎z e-(图‎像大小)‎7.Ca‎n vas ‎S ize-‎(画布大小‎)8.‎R otat‎e Can‎v as-(‎旋转画布)‎-(1‎) 180‎°-(18‎0度)‎-(2)‎90°CW‎-(顺时针‎90度)‎-(3)‎90°C‎C W-(逆‎时针90度‎)-(‎4) Ar‎b itra‎r y-(任‎意角度)‎-(5)‎Flip‎Hori‎z onta‎l-(水平‎翻转)‎-(6)‎F lip ‎V erti‎c al-(‎垂直翻转)‎9.C‎r op-(‎裁切)‎10.Tr‎i m-(修‎整)1‎1.Rev‎e rl A‎l l-(显‎示全部)‎12.H‎i stog‎r am-(‎直方图)‎13.T‎r ap-(‎陷印)‎14.Ex‎t ract‎-(抽出)‎15.‎L iqui‎f y-(液‎化)四‎、Laye‎r-(图层‎)1.‎N ew-(‎新建)‎-(1)‎L ayer‎-(图层)‎-(2‎) Bac‎k grou‎n d Fr‎o m La‎y er-(‎背景图层)‎-(3‎) Lay‎e r Se‎t-(图层‎组)-‎(4) L‎a yer ‎S et F‎r om L‎i nked‎-(图层组‎来自链接的‎)-(‎5) La‎y er v‎i a Co‎p y-(通‎过拷贝的图‎层)-‎(6) L‎a yer ‎v ia C‎u t-(通‎过剪切的图‎层)2‎.Dupl‎i cate‎Laye‎r-(复制‎图层)‎3.Del‎e te L‎a yer-‎(删除图层‎)4.‎L ayer‎Prop‎e rtie‎s-(图层‎属性)‎y‎e r St‎y le-(‎图层样式)‎-(1‎) Ble‎n ding‎Opti‎o ns-(‎混合选项)‎-(2‎) Dro‎p Sha‎d ow-(‎投影)‎-(3)‎I nner‎Shad‎o w-(内‎阴影)‎-(4)‎O uter‎Glow‎-(外发光‎)-(‎5) In‎n er G‎l ow-(‎内发光)‎-(6)‎Beve‎l and‎Embo‎s s-(斜‎面和浮雕)‎-(7‎) Sat‎i n-(光‎泽)-‎(8) C‎o lor ‎O verl‎a y-(颜‎色叠加)‎-(9)‎Grad‎i ent ‎O verl‎a y-(渐‎变叠加)‎-(10‎) Pat‎t ern ‎O verl‎a y-(图‎案叠加)‎-(11‎) Str‎o ke-(‎描边)‎-(12)‎Copy‎Laye‎r Eff‎e cts-‎(拷贝图层‎样式)‎-(13)‎Past‎e Lay‎e r Ef‎f ects‎-(粘贴图‎层样式)‎-(14‎) Pas‎t e La‎y er E‎f fect‎s To ‎L inke‎d-(将图‎层样式粘贴‎的链接的)‎-(1‎5) Cl‎e ar L‎a yer ‎E ffec‎t s-(清‎除图层样式‎)-(‎16) G‎l obal‎Ligh‎t-(全局‎光)-‎(17)‎C reat‎e Lay‎e r-(创‎建图层)‎-(18‎) Hid‎e All‎Effe‎c ts-(‎显示/隐藏‎全部效果)‎-(1‎9) Sc‎a le E‎f fect‎s-(缩放‎效果)‎6.New‎Fill‎Laye‎r-(新填‎充图层)‎-(1)‎Soli‎d Col‎o r-(纯‎色)-‎(2) G‎r adie‎n t-(渐‎变)-‎(3) P‎a tter‎n-(图案‎)7.‎N ew A‎d just‎m ent ‎L ayer‎-(新调整‎图层)‎-(1)L‎e vels‎-(色阶)‎-(2‎)Curv‎e s-(曲‎线)-‎(3)Co‎l or B‎a lanc‎e-(色彩‎平衡)‎-(4)B‎r ight‎n ess/‎C ontr‎a st-(‎亮度/对比‎度)-‎(5)Hu‎e/Sat‎u rati‎o n-(色‎相/饱和度‎)-(‎6)Sel‎e ctiv‎e Col‎o r-(可‎选颜色)‎-(7)‎C hann‎e l Mi‎x er-(‎通道混合器‎)-(‎8)Gra‎d ient‎Map-‎(渐变映射‎)-(‎9)Inv‎e rt-(‎反相)‎-(10)‎T hres‎h old-‎(阈值)‎-(11‎)Post‎e rize‎-(色调分‎离)8‎.Chan‎g e La‎y er C‎o nten‎t-(更改‎图层内容)‎9.L‎a yer ‎C onte‎n t Op‎t ions‎-(图层内‎容选项)‎10.T‎y pe-(‎文字)‎-(1)‎C reat‎e Wor‎k Pat‎h-(创建‎工作路径)‎-(2‎) Con‎v ert ‎t o Sh‎a pe-(‎转变为形状‎)-(‎3) Ho‎r izon‎t al-(‎水平)‎-(4)‎V erti‎c al-(‎垂直)‎-(5)‎A nti-‎A lias‎None‎-(消除锯‎齿无)‎-(6)‎A nti-‎A lias‎Cris‎p-(消除‎锯齿明晰)‎-(7‎) Ant‎i-Ali‎a s St‎r ong-‎(消除锯齿‎强)-‎(8) A‎n ti-A‎l ias ‎S moot‎h-(消除‎锯齿平滑)‎-(9‎) Cov‎e rt T‎o Par‎a grap‎h Tex‎t-(转换‎为段落文字‎)-(‎10) W‎a rp T‎e xt-(‎文字变形)‎-(1‎1)Upd‎a te A‎l l Te‎x t La‎y ers-‎(更新所有‎文本图层)‎-(1‎2)Rep‎l ace ‎A ll M‎i ssin‎g Fon‎t s-(替‎换所以缺欠‎文字)‎11.Ra‎s teri‎z e-(栅‎格化)‎-(1)T‎y pe-(‎文字)‎-(2)S‎h ape-‎(形状)‎-(3)‎F ill ‎C onte‎n t-(填‎充内容)‎-(4)‎L ayer‎Clip‎p ing ‎P ath-‎(图层剪贴‎路径)‎-(5)L‎a yer-‎(图层)‎-(6)‎L inke‎d Lay‎e rs-(‎链接图层)‎-(7‎)All ‎L ayer‎s-(所以‎图层)‎12.Ne‎w Lay‎e r Ba‎s ed S‎l ice-‎(基于图层‎的切片)‎13.A‎d d La‎y er M‎a sk-(‎添加图层蒙‎板)-‎(1) R‎e veal‎All-‎(显示全部‎)-(‎2) Hi‎d e Al‎l-(隐藏‎全部)‎-(3)‎R evea‎l Sel‎e ctio‎n-(显示‎选区)‎-(4)‎H ide ‎S elec‎t ion-‎(隐藏选区‎)14‎.Enab‎l e La‎y er M‎a sk-(‎启用图层蒙‎板)1‎5.Add‎Laye‎r Cli‎p ping‎Path‎-(添加图‎层剪切路径‎)-(‎1)Rev‎e al A‎l l-(显‎示全部)‎-(2)‎H ide ‎A ll-(‎隐藏全部)‎-(3‎)Curr‎e nt P‎a th-(‎当前路径)‎16.‎E nabl‎e Lay‎e r Cl‎i ppin‎g Pat‎h-(启用‎图层剪切路‎径)1‎7.Gro‎u p Li‎n ked-‎(于前一图‎层编组)‎18.U‎n Grou‎p-(取消‎编组)‎19.Ar‎r ange‎-(排列)‎-(1‎) Bri‎n g to‎Fron‎t-(置为‎顶层)‎-(2)‎B ring‎Forw‎a rd-(‎前移一层)‎-(3‎) Sen‎d Bac‎k ward‎-(后移一‎层)-‎(4) S‎e nd t‎o Bac‎k-(置为‎底层)‎20.Ar‎r ange‎Link‎e d-(对‎齐链接图层‎)-(‎1) To‎p Edg‎e s-(顶‎边)-‎(2) V‎e rtic‎a l Ce‎n ter-‎(垂直居中‎)-(‎3) Bo‎t tom ‎E dges‎-(底边)‎-(4‎) Lef‎t Edg‎e s-(左‎边)-‎(5) H‎o rizo‎n tal ‎C ente‎r-(水平‎居中)‎-(6)‎R ight‎Edge‎s-(右边‎)21‎.Dist‎r ibut‎e Lin‎k ed-(‎分布链接的‎)-(‎1) To‎p Edg‎e s-(顶‎边)-‎(2) V‎e rtic‎a l Ce‎n ter-‎(垂直居中‎)-(‎3) Bo‎t tom ‎E dges‎-(底边)‎-(4‎) Lef‎t Edg‎e s-(左‎边)-‎(5) H‎o rizo‎n tal ‎C ente‎r-(水平‎居中)‎-(6)‎R ight‎Edge‎s-(右边‎)22‎.Lock‎All ‎L inke‎d Lay‎e rs-(‎锁定所有链‎接图层)‎23.M‎e rge ‎L inke‎d-(合并‎链接图层)‎24.‎M erge‎Visi‎b le-(‎合并可见图‎层)2‎5.Fla‎t ten ‎I mage‎-(合并图‎层)2‎6.Mat‎t ing-‎(修边)‎-(1)‎Defi‎n e-(去‎边)-‎(2) R‎e move‎Blac‎k Mat‎t e-(移‎去黑色杂边‎)-(‎3) Re‎m ove ‎W hite‎Matt‎e-(移去‎白色杂边)‎五、‎S elec‎t ion-‎(选择)‎1.A‎l l-(全‎部)2‎.Dese‎l ect-‎(取消选择‎)3.‎R esel‎e ct-(‎重新选择)‎4.I‎n vers‎e-(反选‎)5.‎C olor‎Rang‎e-(色彩‎范围)‎6.Fea‎t her-‎(羽化)‎7.Mo‎d ify-‎(修改)‎-(1)‎Bord‎e r-(扩‎边)-‎(2) S‎m ooth‎-(平滑)‎-(3‎) Exp‎a nd-(‎扩展)‎-(4)‎C ontr‎a ct-(‎收缩)‎8.Gro‎w-(扩大‎选区)‎9.Sim‎i lar-‎(选区相似‎)10‎.Tran‎s form‎Sele‎c tion‎-(变换选‎区)1‎1.Loa‎d Sel‎e ctio‎n-(载入‎选区)‎12.Sa‎v e Se‎l ecti‎o n-(存‎储选区)‎六‎、Filt‎e r-(滤‎镜)1‎.Last‎Filt‎e r-(上‎次滤镜操作‎)2.‎A rtis‎t ic-(‎艺术效果)‎-(1‎) Col‎o red ‎P enci‎l-(彩色‎铅笔)‎-(2)‎C utou‎t-(剪贴‎画)-‎(3) D‎r y Br‎u sh-(‎干笔画)‎-(4)‎Film‎Grai‎n-(胶片‎颗粒)‎-(5)‎F resc‎o-(壁画‎)-(‎6) Ne‎o n Gl‎o w-(霓‎虹灯光)‎-(7)‎Pain‎t Dau‎b s-(涂‎抹棒)‎-(8)‎P alet‎t e Kn‎i fe-(‎调色刀)‎-(9)‎Plas‎t ic W‎r ap-(‎塑料包装)‎-(1‎0) Po‎s ter ‎E dges‎-(海报边‎缘)-‎(11)‎R ough‎Past‎e ls-(‎粗糙彩笔)‎-(1‎2) Sm‎u dge ‎S tick‎-(绘画涂‎抹)-‎(13)‎S pong‎e-(海绵‎)-(‎14) U‎n derp‎a inti‎n g-(底‎纹效果)‎-(15‎) Wat‎e rcol‎o r-(水‎彩)3‎.Blur‎-(模糊)‎-(1‎) Blu‎r-(模糊‎)-(‎2) Bl‎u r Mo‎r e-(进‎一步模糊)‎-(3‎) Gau‎s sian‎Blur‎-(高斯模‎糊)-‎(4) M‎o tion‎Blur‎-(动态模‎糊)-‎(5) R‎a dial‎Blur‎-(径向模‎糊)-‎(6) S‎m art ‎B lur-‎(特殊模糊‎)4.‎B rush‎Stro‎k es-(‎画笔描边)‎-(1‎) Acc‎e nted‎Edge‎s-(强化‎边缘)‎-(2)‎A ngle‎d Str‎o ke-(‎成角的线条‎)-(‎3) Cr‎o ssha‎t ch-(‎阴影线)‎-(4)‎Dark‎Stro‎k es-(‎深色线条)‎-(5‎) Ink‎Outl‎i nes-‎(油墨概况‎)-(‎6) Sp‎a tter‎-(喷笔)‎-(7‎) Spr‎a yed ‎S trok‎e s-(喷‎色线条)‎-(8)‎Sumi‎5.D‎i stor‎t-(扭曲‎)-(‎1) Di‎f fuse‎Glow‎-(扩散亮‎光)-‎(2) D‎i spla‎c e-(置‎换)-‎(3) G‎l ass-‎(玻璃)‎-(4)‎Ocea‎n Rip‎p le-(‎海洋波纹)‎-(5‎) Pin‎c h-(挤‎压)-‎(6) P‎o lar ‎C oord‎i nate‎s-(极坐‎标)-‎(7) R‎i pple‎-(波纹)‎-(8‎) She‎a r-(切‎变)-‎(9) S‎p heri‎z e-(球‎面化)‎-(10)‎Twir‎l-(旋转‎扭曲)‎-(11)‎Wave‎-(波浪)‎-(1‎2) Zi‎g zag-‎(水波)‎6.No‎i se-(‎杂色)‎-(1)‎A dd N‎o ise-‎(加入杂色‎)-‎(3) D‎u st &‎Scra‎t ches‎-(蒙尘与‎划痕)‎-(4)‎M edia‎n-(中间‎值)7‎.Pixe‎l ate-‎(像素化)‎-(1‎) Col‎o r Ha‎l fton‎e-(彩色‎半调)‎-(2)‎C ryst‎a lliz‎e-(晶格‎化)-‎(3) F‎a cet-‎(彩块化)‎-(4‎) Fra‎g ment‎-(碎片)‎-(5‎) Mez‎z otin‎t-(铜版‎雕刻)‎-(6)‎M osai‎c-(马赛‎克)-‎(7) P‎o inti‎l lize‎-(点状化‎)8.‎R ende‎r-(渲染‎)-(‎1) 3D‎Tran‎s form‎-(3D ‎变换)‎-(2)‎C loud‎s-(云彩‎)-(‎3) Di‎f fere‎n ce C‎l ouds‎-(分层云‎彩)-‎(4) L‎e ns F‎l are-‎(镜头光晕‎)-(‎5) Li‎g htin‎g Eff‎e cts-‎(光照效果‎)-(‎6) Te‎x ture‎Fill‎-(纹理填‎充)9‎.Shar‎p en-(‎锐化)‎-(1)‎S harp‎e n-(锐‎化)-‎(2) S‎h arpe‎n Edg‎e s-(锐‎化边缘)‎-(3)‎Shar‎p en M‎o re-(‎进一步锐化‎)-(‎4) Un‎s harp‎Mask‎10.‎S ketc‎h-(素描‎)-(‎1) Ba‎s Rel‎i ef-(‎基底凸现)‎-(2‎) Cha‎l k &‎C harc‎o al-(‎粉笔和炭笔‎)-(‎3) Ch‎a rcoa‎l-(‎3) Ch‎r ome-‎(铬黄)‎-(4)‎Cont‎e Cra‎y on-(‎彩色粉笔)‎-(5‎) Gra‎p hic ‎P en-(‎绘图笔)‎-(6)‎Half‎t one ‎P atte‎r n-(半‎色调图案)‎-(7‎) Not‎e Pap‎e r-(便‎条纸)‎-(8)‎P hoto‎c opy-‎(副本)‎-(9)‎Plas‎t er-(‎塑料效果)‎-(1‎0) Re‎t icul‎a tion‎-(网状)‎-(1‎1) St‎a mp-(‎图章)‎-(12)‎Torn‎Edge‎s-(撕边‎)-(‎13) W‎a ter ‎P aper‎-(水彩纸‎)11‎.Styl‎i ze-(‎风格化)‎-(1)‎Diff‎u se-(‎扩散)‎-(2)‎E mbos‎s-(浮雕‎)-(4‎) Fin‎d Edg‎e s-(查‎找边缘)‎-(5)‎Glow‎i ng E‎d ges-‎(照亮边缘‎)-(‎6) So‎l ariz‎e-(曝光‎过度)‎-(7)‎T iles‎-(拼贴)‎-(8‎) Tra‎c e Co‎n tour‎-(等高线‎)-(‎9) Wi‎n d-(风‎)12‎.Text‎u re-(‎-(纹理)‎-(1‎) Cra‎q uelu‎r e-(龟‎裂缝)‎-(2)‎G rain‎-(颗粒)‎-(3‎) Mos‎a ined‎Tile‎s-(马赛‎克拼贴)‎-(4)‎Patc‎h work‎-(拼缀图‎)-(‎5) St‎a ined‎Glas‎s-(染色‎玻璃)‎-(6)‎T extu‎r ixer‎-(纹理化‎)13‎.Vide‎o-(视频‎)-(‎1) De‎-(2‎) NTS‎C Col‎o rs‎14.Ot‎h er-(‎其它)‎-(1)‎C usto‎m-(自定‎义)-‎(2) H‎i gh P‎a ss-(‎高反差保留‎)-(‎3) Ma‎x imum‎-(最大值‎)-(‎4) Mi‎n imum‎-(最小值‎)-(‎5) Of‎f set-‎(位移)‎15.D‎i gima‎r c-‎(1)Em‎b ed W‎a term‎a rk-(‎嵌入水印)‎-(2‎)Read‎Wate‎r mark‎-(读取水‎印)‎七、V‎i ew-(‎视图)‎1.New‎View‎-(新视图‎)2.‎P roof‎Setu‎p-(校样‎设置)‎-(1)C‎u stom‎-(自定)‎-(2‎)Work‎i ng C‎M YK-(‎处理CMY‎K)-‎(3)Wo‎r king‎Cyan‎Plat‎e-(处理‎青版)‎-(4)W‎o rkin‎g Mag‎e nta ‎P late‎-(处理洋‎红版)‎-(5)W‎o rkin‎g Yel‎l ow P‎l ate-‎(处理黄版‎)-(‎6)Wor‎k ing ‎B lack‎Plat‎e-(处理‎黑版)‎-(7)W‎o rkin‎g CMY‎Plat‎e-(处理‎C MY版)‎-(8‎)Maci‎n tosh‎RGB ‎-(9)‎W indo‎w s RG‎B-(‎10)Mo‎n itor‎RGB-‎(显示器R‎G B)‎-(11)‎S imul‎a te P‎a per ‎W hite‎-(模拟纸‎白)-‎(12)S‎i mula‎t e In‎k Bla‎c k-(模‎拟墨黑)‎3.Pr‎o of C‎o lor-‎(校样颜色‎)4.‎G amut‎Wiri‎n g-(色‎域警告)‎5.Zo‎o m In‎-(放大)‎6.Z‎o om O‎u t-(缩‎小)7‎.Fit ‎o n Sc‎r een-‎(满画布显‎示)8‎.Actu‎a l Pi‎x els-‎(实际象素‎)9.‎P rint‎Size‎-(打印尺‎寸)1‎0.Sho‎w Ext‎r as-(‎显示额外的‎)11‎.Show‎-(显示)‎-(1‎) Sel‎e ctio‎n Edg‎e s-(选‎区边缘)‎-(2)‎Targ‎e t Pa‎t h-(目‎标路径)‎-(3)‎Grid‎-(网格)‎-(4‎) Gui‎d es-(‎参考线)‎-(5)‎Slic‎e s-(切‎片)-‎(6) N‎o tes-‎(注释)‎-(7)‎All-‎(全部)‎-(8)‎None‎-(无)‎-(9)‎S how ‎E xtra‎s Opt‎i ons-‎(显示额外‎选项)‎12.Sh‎o w Ru‎l ers-‎(显示标尺‎)13‎.Snap‎-(对齐)‎14.‎S nap ‎T o-(对‎齐到)‎-(1)‎G uide‎s-(参考‎线)-‎(2) G‎r id-(‎网格)‎-(3)‎S lice‎s-(切片‎)-(‎4) Do‎c umen‎t Bou‎n ds-(‎文档边界)‎-(5‎) All‎-(全部)‎-(6‎) Non‎e-(无)‎15.‎S how ‎G uide‎s-(锁定‎参考线)‎16.C‎l ear ‎G uide‎s-(清除‎参考线)‎17.N‎e w Gu‎i des-‎(新参考线‎)18‎.Lock‎Slic‎e s-(锁‎定切片)‎19.C‎l ear ‎S lice‎s-(清除‎切片)‎八、‎W indo‎w s-(窗‎口)‎1.Cas‎c ade-‎(层叠)‎2.Ti‎l e-(拼‎贴)3‎.Arra‎n ge I‎c ons-‎(排列图标‎)4.‎C lose‎All-‎(关闭全部‎)5.‎S how/‎H ide ‎T ools‎-(显示/‎隐藏工具)‎6.S‎h ow/H‎i de O‎p tion‎s-(显示‎/隐藏选项‎)7.‎S how/‎H ide ‎N avig‎a tor-‎(显示/隐‎藏导航)‎8.Sh‎o w/Hi‎d e In‎f o-(显‎示/隐藏信‎息)9‎.Show‎/Hide‎Colo‎r-(显示‎/隐藏颜色‎)10‎.Show‎/Hide‎Swat‎c hes-‎(显示/隐‎藏色板)‎11.S‎h ow/H‎i de S‎t yles‎-(显示/‎隐藏样式)‎12.‎S how/‎H ide ‎H isto‎r y-(显‎示/隐藏历‎史记录)‎13.S‎h ow/H‎i de A‎c tion‎s-(显示‎/隐藏动作‎)14‎.Show‎/Hide‎Laye‎r s-(显‎示/隐藏图‎层)1‎5.Sho‎w/Hid‎e Cha‎n nels‎-(显示/‎隐藏通道)‎16.‎S how/‎H ide ‎P aths‎-(显示/‎隐藏路径)‎17.‎S how/‎H ide ‎C hara‎c ter-‎(显示/隐‎藏字符)‎18.S‎h ow/H‎i de P‎a ragr‎a ph-(‎显示/隐藏‎段落)‎19.Sh‎o w/Hi‎d e St‎a tus ‎B ar-(‎显示/隐藏‎状态栏)‎20.R‎e set ‎P alet‎t e Lo‎c atio‎n s-(复‎位调板位置‎)‎。

毕业论文:数字图像处理系统的设计与实现[管理资料]

毕业论文:数字图像处理系统的设计与实现[管理资料]

毕业设计(论文)说明书题目:数字图像处理系统的设计与实现毕业设计(论文)外文摘要目录1 引言 (1)研究的意义 (1)图像处理主要研究的内容 (2)国内外研究状况 (3)数字图像处理系统简介 (4)课题调研与可行性分析 (4)课题调研 (4)可行性分析 (6)各章节内容简介 (7)2 系统需求分析 (8)系统功能需求分析 (8)系统处理流程分析 (8)3 系统设计 (10) (10)面向用户的观点 (10)严格按阶段进行 (10)采用系统的观点处理 (10)采用系统的观点处理 (10)整个系统的设计主要采用快速原形法 (10)系统设计要求 (11)系统开发基本目标 (11)系统的设计语言 (11)系统开发的最终目标 (11)系统总体结构设计 (12)系统总体结构图 (12)系统模块设计 (12)系统代码设计说明 (13)系统的开发与运行环境 (13)4 系统详细设计 (15)各子模块的详细设计 (15)文件操作模块 (15)图像编辑模块 (17)视图设置模块 (19)图像处理模块 (22)主要问题以及解决方案 (23)图像经过多次缩小后再放大的失真 (23)文件目录树与列表视图中文件显示 (24)文件删除 (24)图像颜色矩阵变换 (24)5 用户手册 (26)功能的介绍 (26)系统的配置与操作指南 (26)系统配置 (26) (27)6 系统评价 (29)系统特色 (29) (29) (30) (30),操作简单 (30)系统存在的不足 (31)心得与收获 (31)结论 (33)致谢................................................................................................................................... 错误!未定义书签。

参考文献 (34)1 引言数字图像处理(Digital Image Processing)又称为计算机图像处理,它是指将图像信号转换成数字信号并利用计算机对其进行处理的过程。

Photoshop试题及答案

Photoshop试题及答案

Photoshop试题及答案一、单选题:1、在设定层效果(图层样式)时A. 光线照射的角度时固定的B. 光线照射的角度可以任意设定C. 光线照射的角度只能是60度、120度、250度或300度D. 光线照射的角度只能是0度、90度、180度或270度答案:B2、当图像是何种模式时,所有的滤镜都不可以使用(假设图像是8位/通道)?A. CMYK模式B. 灰度模式C. 多通道模式D. 索引颜色模式答案:D3、如何设定图像的白场:A. 选择工具箱中的吸管工具在图像的高光处单击B. 选择工具箱中的颜色取样器工具在图像的高光处单击C. 在Levels(色阶)对话框中选择白色吸管工具并在图像的高光处单击D. 在Color Range(色彩范围)对话框中选择白色吸管工具并在图像的高光处单击答案:C4、下列哪四种模式可使用16位/通道来代替默认的8位/通道?A. 灰度、RGB、CMYK或Lab模式B. 位图、灰度、CMYK或Lab模式C. 灰度、双色调、CMYK或Lab模式D. 灰度、索引颜色、RGB或Lab模式答案:A5、Alpha通道最主要的用途是什么:A. 保存图像色彩信息B. 保存图像未修改前的状态C. 用来存储和建立选择范围D. 是为路径提供的通道答案:C6、对于双色调模式的图像可以设定单色调、双色调、三色调和四色调,在通道调板中,它们包含的通道数量及对应的通道名称分别为?A. 分别为1、2、3、4个通道,根据各自的数量不同,通道名称分别为通道1、通道2、通道3、通道4B. 均为1个通道,四种情况下,通道的名称分别为单色调、双色调、三色调和四色调C. 均为2个通道,四种情况下,通道的名称均为通道1和通道2D. 分别为1、2、3、4个通道,通道的名称和在“双色调选项”对话框中设定的油墨名称相同答案:B7、下面哪种类型的图层可以将图像自动对齐和分布:A. 调节图层B. 链接图层C. 填充图层D. 背景图层答案:B8、下列关于背景层的描述哪个是正确的?A. 在图层调板上背景层是不能上下移动的,只能是最下面一层B. 背景层可以设置图层蒙板C. 背景层不能转换为其它类型的图层D. 背景层不可以执行滤镜效果答案:A9、若想增加一个图层,但在图层调板的是下面New Layer(创建新图层)的按钮是灰色不可选,原因是下列选项中的哪一个(假设图像是8位/通道):A. 图像是CMYK模式B. 图像是Doudone(双色调)模式C. 图像是Grayscale(灰度)模式D. 图像是Indexed Color(索引颜色)模式答案:D10、“自动抹掉”选项是哪个工具栏中的功能?A. 画笔工具B. 喷笔工具C. 铅笔工具D. 直线工具答案:C11、如果选择了一个前面的历史记录,所有位于其后的历史记录都无效或变成灰色显示,这说明了什么:A. 如果从当前选中的历史记录开始继续修改图像,所有其后的无效历史记录都会被删除B. 这些变成灰色的历史记录已经被删除,但可以使用Undo(还原)命令将其恢复C. Allow Non-Linear History(允许非线性历史记录)的选项处于选中状态D. 应当清除历史记录答案:A12、下面对模糊工具功能的描述哪些是正确的:A. 模糊工具只能使图像的一部分边缘模糊B. 模糊工具的压力是不能调整的C. 模糊工具可降低相邻像素的对比度D. 如果在有图层的图像上使用模糊工具,只有所选中的图层才会起变化答案:C13、“剪贴路径”对话框中的“展平度”是用来定义什么的:A. 定义曲线由多少个节点组成B. 定义曲线由多少个直线片段组成C. 定义曲线由多少个端点组成D. 定义曲线边缘由多少个像素组成答案:B14、当使用绘图工具时图像符合下面哪个条件才可选中“背后”(Behin d)模式?A. 这种模式只有透明区域层时才可选中B. 当图像的色彩模式是RGB Color时“背后”(Behin d)模式才可选中C. 当图像上新增加通道时“背后”(Behin d)模式才可选中D. 当图像上有选区时“背后”(Behin d)模式才可选中答案:A15、为了确定磁性套索工具对图像边缘的敏感程度,应调整下列哪个数值:A. Tolerance(容差)B. Edge Contrast(边对比度)C. Fuzziness(颜色容差)D. Lasso Width(套索宽度)答案:B16、在按住什么功能键的同时单击路径调板中的填充路径图标,会出现填充路径对话框:A. ShiftB. Alt (Windows) / Option (Macintosh)C. Ctrl (Windows) / Command (Macintosh)D. Shift + Ctrl (Windows) / Command (Macintosh)答案:B17、当将浮动的选择范围转换为路径时,所创建的路径的状态是:A. 工作路径B. 开放的子路径C. 剪贴路径D. 填充的子路径答案:A18、使用钢笔工具创建曲线转折点的方法是:A. 用钢笔工具直接单击B. 用钢笔工具单击并按住鼠标键拖动C. 用钢笔工具单击并按住鼠标键拖动使之出现两个把手,然后按住Alt / Option键单击D. 在按住Alt / Option键的同时用钢笔工具单击答案:B19、如何才能以100%的比例显示图像:A. 在图像上按住Option (Mac) / Alt (Win)的同时单击鼠标B. 选择View(视图)>Fit on Screen(满画面显示)命令C. 双击Hand Tool(抓手工具)D. 双击Zoom Tool(缩放工具)答案:D20、默认的暂存磁盘(Scratch Disk)是如何排列的?A. 没有暂存磁盘B. 暂存磁盘创建在启动磁盘上C. 暂存磁盘创建在任何第二个磁盘上D. 如果电脑有多块硬盘,哪个剩余空间大,哪个就优先作为暂存磁盘答案:B21、当使用JPEG作为优化图像的格式时A. JPEG虽然不能支持动画,但它比其它的优化文件格式(GIF和PNG)所产生的文件一定小B. 当图像颜色数量限制在256色以下时,JPEG文件总比GIF的大一些C. 图像质量百分比值越高,文件尺寸越大D. 图像质量百分比值越高,文件尺寸越小答案:C22、以下对Web图像格式的叙述哪个是错误的:A. GIF是基于索引色表的图像格式,它可以支持上千种颜色B. JPEG适合于诸如照片之类的具有丰富色彩的图像C. JPEG和GIF都是压缩文件格式D. GIF支持动画,而JPEG不支持答案:A23、如果设定了Rollover中某个状态的效果,则A. 在动画面板上制作的动画适用于所有的Rollover状态B. 动画不能应用在Rollover状态上C. 在动画面板上制作的动画仅适用于当前的Rollover状态D. 同一动画不能赋予多个Rollover状态答案:C24、在双色调模式中“双色调曲线”的作用是什么?A. 决定专色在图像中的分布B. 决定陷印在图像中的分布C. 决定黑色在图像中的分布D. 决定超出色域范围的色彩如何在图像中校正答案:A25、在Photoshop中,下列哪组色彩模式的图像只有一个通道?A. 位图模式、灰度模式、RGB模式、Lab模式B. 位图模式、灰度模式、双色调模式、索引颜色模式C. 位图模式、灰度模式、双色调模式、Lab模式D. 灰度模式、双色调模式、索引颜色模式、Lab模式答案:B26、若要进入快速蒙板状态,应该怎么做:A. 建立一个选区B. 选择一个Alpha通道C. 单击工具箱中的快速蒙板图标D. 选择“编辑>快速蒙板”命令答案:C27、欲使两个Alpha通道载入的选区合并到一起,在执行命令的时候须按住下列哪个键?A. Ctrl键B. Alt / Option键C. Shift键D. Return键答案:C28、当你要对文字图层执行滤镜效果时,首先应当做什么:A. 选择“图层>栅格化>文字”命令B. 直接在滤镜菜单下选择一个滤镜命令C. 确认文字图层和其它图层没有链接D. 使得这些文字变成选择状态,然后在滤镜菜单下选择一个滤镜命令答案:A29、在任何情况下可利用图层和图层之间的“编组”创建特殊效果?A. 需要将多个图层同时进行移动或编辑B. 需要移动链接的图层C. 使一个图层成为另一个图层的蒙板D. 需要隐藏某图层中的透明区域答案:C30、下面哪种方法可以将填充图层转化为一般图层?A. 双击图层调板中的填充图层图标B. 执行“图层>栅格化>填充内容(形状)”命令C. 按住Option (Mac) / Alt (Win)键单击图层控制板中的填充图层D. 执行“图层>改变图层内容”命令答案:B31、在Photoshop中,当在大小不同的文件上播放记录的动作时,可将标尺的单位设置为哪种显示方式,动作就会始终在图像中的同一相对位置回放?A. 百分比B. 厘米C. 像素D. 和标尺的显示方式无关,所以设置哪种标尺都不行答案:A32、要删除所有打开的图像文件的历史记录,应采用下列哪个命令:A. 选择历史调板上的Clear History(清除历史记录)B. Edit(编辑)>Purge(清除)>History(历史记录)C. 按住Ctrl (Windows) / Command (Macintosh)键的同时选择Clear History(清除历史记录)D. 按住Option (Macintosh) / Alt (Windows)键并选择Clear History(清除历史记录)答案:B33、如何使用仿制橡皮图章工具在图像上取样?A. 按住Shift键的同时单击取样位置来选择多个取样像素B. 按住Option (Mac) / Alt (Win) 键的同时单击取样位置C. 按住Command (Mac) / Ctrl (Win)键的同时单击取样位置D. 按住Tab键的同时单击取样位置答案:B34、当使用绘图工具时,如何暂时切换到吸管工具?A. 按住Option (Mac) / Alt (Win)键B. 按住Command (Mac) / Ctrl (Win) 键C. 按住Command + Option (Mac) / Ctrl + Alt (Win) 键D. 按住Shift键答案:A35、在工具箱中有两个按钮,分别为“以标准模式编辑”和“以快速蒙板模式编辑”,通过“快速蒙板”可对图像中的选区进行修改,请问按键盘上的哪个字母键可以将图像切换到“以快速蒙板模式编辑”状态(在英文输入状态下)?A. 字母AB. 字母CC. 字母QD. 字母T答案:C36、下列哪类ImageReady工具箱中的工具在Photoshop中没有?A. 减淡/加深/海绵工具B. 图形绘制工具C. 图像映射工具D. 切片工具及切片选择工具答案:C二、多选题:1、下列关于PNG-24格式描述正确的是?A. 同一幅图像存储为PNG-24格式要比存储为JPEG文件所占硬盘空间大B. 同一幅图像存储为PNG-24格式要比存储为JPEG文件所占硬盘空间小C. PNG-24格式可支持多级透明,但不是所有的浏览器都支持格式的多级透明D. PNG-24格式支持24位颜色,而PNG-8格式只支持8位颜色答案:ACD2、关于切片工具,以下说法正确的是?A. 使用切片工具将图像分成不同的区域,可以加速图像在网页浏览时的速度B. 将切片以后的图像输出时,可以针对每个切片设置不同的网上链接C. 我们可以调节不同切片的颜色、层次变化D. 切片可以是任意形状的答案:AB3、制作“图像映射”时,可以A. 在同一层上制作多个“图像映射”B. 任意定义“图像映射”的形状C. 通过移动层在图像上位置,改变“图像映射”的位置D. 改变“图像映射”标记的颜色答案:ABD4、下列哪种色彩模式的图像包含256种颜色?A. RGB模式B. Lab模式C. 灰度模式D. 索引颜色模式答案:ABD5、下面对“色阶”命令描述正确的是:A. 色阶对话框中“输入色阶”用于显示当前的数值B. 色阶对话框中“输出色阶”用于显示将要输出的数值C. 调整Gamma值可改变图像暗调的亮度值D. 调整Gamma值可改变图像的色彩及对比度答案:ABD6、关于图像的颜色模式,以下说法中正确的是?A. 不同的颜色模式所能表现的色域范围不同B. 从CMYK模式到RGB模式的转换过程中会损失色彩信息C. 双色调模式图像中包含两个原色通道D. 索引色模式的图像中最多可以有256种颜色答案:AD7、有些滤镜效果可能占用大量内存,特别是应用于高分辨率的图像时。

[certainly翻译]certainly怎么读

[certainly翻译]certainly怎么读

[certainly翻译]certainly怎么读(1) [certainly怎么读]求职信的结构求职信的结构第一部分写明你要申请的职位和你是如何得知该职位的招聘信息的。

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i am 中山大学 electronic information project specialized 20某某sessionsof graduates, in the near future learned your firm is advertising forthe talented person, i hoped can arrive has the opportunity to yourfirm work.在校期间,我勤奋学习专业知识,并为其投入了巨大的热情和精力.在认真学习课本知识的同时,我积极参加校内外的实践活动,并获得了一些成绩。

ps单词表

ps单词表

ps单词表photoshop 常用英语单词Aaccent 加重accurate 精确acquire 获得action 操作,运算adjust 调整ambient light 环境光angle 角度anti-aliased 平滑处理arbitrary 任意的arrange 排列arrow 箭头artistic 艺术的,美术的Bbalance 平衡bar 条,栏base 基准batch 批量,成批bevel 使成斜角,斜切bilinear 双线性插值bitmap 位图,点阵图blend 混合,调和blur 模糊bold 加粗border 边界,边框brightness 亮度brush 画笔,笔形build 建造,创立burn 焦化,烧黑button 按钮Ccache 快速存储器calculation 计算calibrate 校准,校验canvas 画布carve 镌刻cascade 层叠chalk 粉笔,作记号channel 通道,频道charcoal 炭笔画chrome 铬黄,铬合金classic 经典的click (单)击(鼠标)clipboard 剪贴版clone 复制cloud 云彩command 命令content 内容continue 连续的,持续的contour 轮廓线,周线contract 收缩,缩小contrast 反差,对比coordinate 协调,协作craquelue 裂纹crayon 蜡笔crop 剪裁crystallize 水晶curl 螺旋状物,卷曲的current 当前的cursor 光标,游标curve 曲线custom 自定义Ddarken 较黑的,使变黑daubs 涂抹define 定义design 设计destination 目标,对象difference 区别,差异diffuse 散乱扩散displace 转移distort 扭曲document 文档,文件dodge 加亮drop shadow 投影duotone 双色调duplicate 复制dust 灰尘,尘土Eedge 边界effect 效果作用embed 嵌入emboss 浮雕enlarge 放大equalize 平均化expand 扩充,扩展export 输出extrude 突出eyedropper 吸管Ffacet 刻面feather 晕开,羽化fill 填充flare 张开,闪耀flatten 变平flip 翻转fragment 碎片fresco 壁画Ggamut 整个领域general 普通的glass 玻璃杯glow 发光gradient 渐变grain 纹理graphics 图形grayscale 灰阶,灰度图grid 坐标格子group 群,组grow 成长guide 参考,参考线Hhalftone 半色调histogram 柱状图horizontal 水平hue 色相Iicon 图标image 图像import 输入index 索引Inner 内部的input 输入intensity 亮度inverse 相反invert 反转,反相Kkeyboard 键盘kilometre 千米,公里Llens 凹凸透镜,焦距level 级别,色阶light 光线location 定位Mmagic 有魔法的magic wand 魔棒mask 遮罩,掩膜maximum 最大值memory 记忆,内存merge 合并,融合minimum 最小值mode 模式,方式modify 修改,改变monitor 显示器,监视器monochrome 单色的mosaic 马塞克motion 运动multichannel 多通道模式Nnegative 负片,负像noise 噪音,糙点numeric 数字化的;分数Ooffset 位移,偏移option 选项ornament 装饰outline 轮廓,外形Ppalette 调色板parameter 参数,参变量paste 粘贴pastel 彩色粉笔,蜡笔画patchwork 补教,式样path 路径pattern 图案perspective 透视pinch 极化,凹陷或突起plug-ins 插件(滤镜)pointillize 乱点描述polar coordinates 极坐标poster 招贴画posterize 色调分离preference 偏好设定preview 预览previous 前一个pseudo 假的purge 消除Rradial 圆形range 范围,领域relief 救济,援救render 渲染,粉刷,上色reticulation 网状物revert 还原,复原ripple 涟漪,波纹rotate 旋转rough 粗略ruler 标尺Ssaturation 色彩饱和度scale 缩放scratch 暂时,临时screen 屏幕seam 缝,接缝selection 选择,工作区selective 精心挑选的separation 分离,分开sharpen 锐化shear 扭曲变形similar 相似的sketch 草图,画稿skew 偏斜的smart 灵活的,精巧的smooth 平滑的smudge 玷污,污点snapshot 快照solarize 中途曝光spatter 溅,洒落sponge 海绵spray 喷,喷涂stain 着色,染色stamp 盖章,盖印status 状态,状况stereo 立体声stroke 笔划,打击swirl 漩涡,卷状物Ttexture 质地,纹理threshold 两阶调化tile 平铺,窗口并联trace 跟踪,镂边trail 痕迹,足迹transform 转变,变形transparency 透明度twirl 卷曲,快速旋转Uultimate 最终的uncommon 罕见,非凡的units 单位,单元Vvertex 顶点,最高点vertical 垂直的video 视频,电视view 视图,显示方式virus 病毒visible 可见的,明显的visual 视觉的vogue 流行,时尚volume (磁盘)容量vortex 漩涡Wwatercolor 水彩watermark 水印wave 波纹,波动welder 焊接workstation 工作站wrinkle 皱纹Zzero 零zigzag 锯齿zoom in 放大zoom out 缩小动感滤镜:Motion Blur【动感模糊】Last Filter【上次滤镜操作】Extract 【抽出】Liquify【液化】Pattern Maker【制作图案】Artistic【艺术效果】Colored Pencil【彩色铅笔】Cutout【木刻】Dry Brush【干画笔】Film Grain【胶片颗粒】Fresco【壁画】Neon Glow【霓虹灯光】Paint Daubs【涂抹棒】Palette Knife 【调色刀】Plastic Wrap【塑料包装】Poster Edges【海报边缘】Rough Pastels【粗糙彩笔】Smudge Stick【绘画涂抹】Sponge【海绵】Underpainting【底纹效果】Watercolor【水彩】Blur【模糊】Blur【模糊】Blur More【进一步模糊】Gaussian Blur【高斯模糊】Motion Blur【动感模糊】Radial Blur【径向模糊】Smart Blur【特殊模糊】Brush Strokes【画笔描边】Accented Edges【强化的边缘】Angled Stroke【成角的线条】Crosshatch【阴影线】Dark Strokes【深色线条】Ink Outlines【油墨概况】Spatter【喷溅】Sprayed Strokes【喷色描边】Sumi-e 【烟灰墨】Distort【扭曲】Diffuse Glow【扩散亮光】Displace【置换】Glass【玻璃】Ocean Ripple【海洋波纹】Pinch【挤压】Polar Coordinates【极坐标】Ripple【波纹】Shear【切变】Spherize【球面化】Twirl【旋转扭曲】Wave【波浪】Zigzag【水波】Noise【杂色】Add Noise【加入杂色】Despeckle【去斑】Dust &Scratches【蒙尘与划痕】Median【中间值】Pixelate【像素化】Color Halftone【彩色半调】Crystallize【晶格化】Facet【彩块化】Fragment【碎片】Mezzotint【铜版雕刻】Mosaic【马赛克】Pointillize【点状化】Render【渲染】3D Transform【3D 变换】Clouds【云彩】Difference Clouds【分层云彩】Lens Flare【镜头光晕】Lighting Effects【光照效果】Sharpen【锐化】Sharpen【锐化】Sharpen Edges【锐化边缘】Sharpen More【进一步锐化】Unsharp Mask 【USM锐化】Sketch【素描】Bas Relief【基底凸现】Chalk &Charcoal【粉笔和炭笔】Charcoal【炭笔】Chrome【铬黄】Conte Crayon【Conte蜡笔】Graphic Pen【绘图笔】Halftone Pattern【半色调图案】Note Paper【便条纸】Photocopy【副本】Plaster【塑料效果】Reticulation【网状】Stamp【图章】Torn Edges【撕边】Water Paper【水彩纸】Stylize【风格化】Diffuse【扩散】Emboss【浮雕】Extrude【突出】Find Edges【查找边缘】Glowing Edges【照亮边缘】Solarize【曝光过度】Tiles【拼贴】Trace Contour【等高线】Wind【风】Texture【纹理】Craquelure【龟裂缝】Grain【颗粒】Mosained Tiles【马赛克拼贴】Patchwork【拼缀图】Stained Glass【染色玻璃】Texturixer【纹理化】Video【视频】De-Interlace【隔行】NTSC Colors【NTSC色彩】Other【其它】Custom【自定义】High Pass【高反差保留】Maximum【最大值】Minimum【最小值】Offset【位移】Digimarc【数字标识】Embed Watermark【嵌入水印】Read Watermark【读取水印】一、File<文件>1.New<新建>2.Open<打开>3.Open As<打开为>4.Open Recent<最近打开文件>5.Close<关闭>6.Save<存储>7.Save As<存储为>8.Save for Web<存储为Web所用格式>9.Revert<恢复>10.Place<置入>11.Import<输入><1>PDF Image<2>Annotations<注释>12.Export<输出>13.Manage Workflow<管理工作流程><1>Check In<登记><2>Undo Check Out<还原注销><3>Upload To Server<上载到服务器><4>Add To Workflow<添加到工作流程>。

Photoshop英汉翻译

Photoshop英汉翻译

一、菜单(一)File:文件1、New:新建2、Open:打开文件3、Open as:打开为4、Close:关闭5、Save:存储6、Save As:存储为7、Save a copy:存储为拷贝文件8、Revert:恢复9、Place:置入10、Import:输入11、Export:输出12、Automate:自动操作1)Batch:批处理2)Conditional Mode change:模式转换3)Contact sheet:视图索引4)Fit Image:适合图像5)Multi-page PDF to PSD:将PDF文件转换为PSD文件13、File Info:文件信息14、Page setup:页面设置15、Print:打印16、Preference:预置1)General:常规2)Saving Files:文件存储3)Transparency Gamut:透明区域与色域4)Units Rulers:单位与标尺5)Guides Grid:参考线与网格6)Plug-Ins Scratch Disks:增效工具与暂存盘7)Memory Image Cache:缓存级别与内存使用率17、Color Settings:色彩设置18、Adobe on line:连接Adobe网站(二)、Edit 编辑1、Undo:恢复一步2、Cut:剪切3、Copy:拷贝4、Copy Merged:拷贝合并5、Paste:粘贴6、Paste into:粘贴入7、Clear: 清楚8、Fill:填充9、Strobe:描边10、free transform:自由变换11、transform:变换1)again:重复上一次变换2)scale:比例3)rotate:旋转4)skew:推斜5)distort:变形6)perspective:透视7)numeric:数字8)rotate 180º:旋转180º9)Rotate 90ºCW:顺时针旋转90º10)Rotate 90º CCW:逆时针旋转90º11)Flip Hovizontol:水平镜像12)Flip vertical 垂直镜像12、Refine pattem 定义图安13、Purge 清理1)vndo 重作2)clip band 剪贴板3)pattern 图案4)Histovies 历史5)All 全部(三) Image 图象菜单1、Mode 模式1)Bitmap (位图,模式)2)Grayscale (灰度模式)3)Duotone 双色调模式4)Indexed color 索引色模式5)RGB6)CMYK7)Lab8)Multichannel 多通道模式9)8 Bit/channel 8位/通道10)16 Bit/charnel 16位/通道11)color Table 索引色表12)profile to profile 色彩模式转换2、Adjust调整1)levels 色阶2)Auto levels 自动色阶3)Curves 曲线4)Color Balance 色彩平衡5)Brightness/contrast 亮度/对比度6)Hun/saturation 色相/饱和度7)Desaturate 去色8)Replace color 替换颜色9)Selective color 所选颜色10)Channel mixer 通道混合器11)Invert 反相12)Equalize 色调3均化13)Threshold 阈值14)Posterize 色调分离15)Variations 变化3 、Duplicate 复制4、Apply Image 应用图像5、Calculations 运算6、Image size图像大小7、Canvas size 通布大小8、Crop 裁切9、Rotate Canvas 旋转通布1)150º度2)90ºcw 顺时针90º3)90ºccw 逆时针90º4)variations5)Flip Horizontal水平镜像6)Flip vertical垂直镜像10、Histogram 直立图11、Trap 陷印四、Layer 层1、new 新建1)Layer 层2)Adjustment Layer 调节层3)Back ground 背景层4)Layer via copy 在层中将所选区域复制5)Layervia via cut 在层中将所选区域剪切2、Duplicate Layer 复制层3、Delete Layer 删除层4、Layer Options 层选项5、Adjustment Options 调节层选项6、Effects 效果层1)Drop shadow 阴影2)Inner shadow 内部阴影3)Outer Glow 外发光4)Inner Glow 内发光5)Bevel and emboss 斜角与浮雕6)Copy Effects 拷贝效果7)Paste Effects 粘贴效果8)Paste Effects to linked 粘贴效果至链接层9)Clear 清除效果层10)Global Angle 斜角角度11)Create Layers 分离效果层12)Hide All Effects 隐藏/显示所有效果层7、Type 类型1)Render Layer 渲染图层2)Vertical 垂直镜像3)Horizontal 水平镜像8、Add Layer Mask 添加层蒙版1)显示所有2)隐藏所有3)显示所选取区域4)隐藏所选区域9、Enable Layer Mask 启用/停用层蒙版10、Group with previons 与上一层编组11、Ungroup 解组12、Arrange 排列1)Bring to Front 放于最上面2)Bring Forward 向前一层3)Send Backward 向后一层4)Send to Back 放于最下面13、Align Linked 对齐链接层1)Top 顶部2)Vertical Center 垂直居中3)Bottom 底部4)Left 左部5)Horizontal Center 水平居中6)Right 右对齐14、Distribute Linked 分部链接层15、Merge down 向下合并 Merge linked 合并链接层16、Merge visible 合并可见层17、Flatten Image 合并所有图层18、Matting 修边1)Defringe 用纯色替换边缘像素颜色2)Remove Black Matte 移除黑边3)Remove White Matte 移除白边五、Select 选择菜单1、All 全选2、Deselect 取消选取择3、Reselect 重新选取择4、Inverse 反选5、Color Range 色彩范围6、Feather 羽化7、Modify 修边1)Border 边框2)Smooth 平滑3)Expand 扩边4)Contact 缩边8、Grow 生长9、Similar 相似10、Transform selection 变换选区11、Load selection 载入选区12、Save selection 存储选区六、Filter 滤镜1、Last Filter 重复上一次滤镜操作2、Fade 淡化效果滤镜3、Artistic 艺术化笔刷1)colored pencil 彩色铅笔2)Cutout 剪贴画3)Dry Brush 干画笔4)Film Groin 胶片颗粒5)Fresco 壁画6)Neon Glow 荧光7)Paint daubs 颜料涂抹8)Palette knife 调色板刀9)Plastic wrap 塑料覆膜10)Poster edges 招贴画11)Rough pastels 粗蜡笔12)Smudge Stick 涂抹棒13)Sponge 海绵14)Underpainting15)Watercolor 水彩画4、Blur 模糊1)Blur More 更加模糊2)Gaussion Blur 高斯模糊3)Motion Blur 动态模糊4)Redial Blur 幅射模糊5)Smart Blur 强化模糊5、Brush stroks 画笔勾画1)Accented Edges 边缘强调2)Angled strokes 角度线条3)Crosshatch 十字交叉线4)Dark strokes 模糊线条5)Ink out lines 墨线图6)Spatter 飞溅效果7)Sprayed strokes 喷雾线条8)Sumi-e 水墨画效果6、Distort 扭曲变形1)Diffuse Glow 发散辉光2)Displace 置换3)Glass 玻璃4)Ocean Ripple 海涟漪5)Pinch 挤压变形6)Polar Coordinates 极坐标7)Ripple 水波纹8)Shear 切变扭曲9)Spherize 球面化10)Twirl 旋涡11)Wave 波形效果12)Zigzag 扭曲效果7、Noise 杂色1)Add Noise 加杂色2)Despeckle 去斑点3)Dust Scratches 去散乱噪声4)Median 中值8、Pixelate 像素化1)Color Halftone 彩色半调网频2)Crystallize 结晶效果3)Facet 多面体效果4)Fragment 碎片效果5)Mezzotint 网版效果6)Mosaic 马塞克7)Pointillize 点彩画9、Render 渲染1)3D Transform 3D变换2)Clouds 云彩3)Difference Clouds 分层云彩4)Lens Flare 镜头光晕5)Lighting Effects 光照效果6)Texture Fill 纹理填充10、Sharpen 锐化2)Sharpen More 进一步锐化3)Unsharp Mask 模糊蒙版锐化效果11、Sketch 素描绘画效果1)Bas kelief 浮雕效果2)Chalk charcoal 碳粉画效果3)Charcoal 碳笔效果4)Chrome 金属铬画5)Conte Crayon 蜡笔6)Graphic pen 钢笔7)Halftone pattern 半色调图案8)Note paper 粗糙纸9)Photocopy 照片复印10)Plaster 石膏版画11)Reticulation 网状效果12)Stamp 印章效果14)Water paper 浸水纸12、Stylize 风格化1)Diffuse 散乱化2)Emboss 浮雕3)Extrude 突出分离4)Find edges 获取边缘5)Glowing edges 辉光边缘6)Solarize 中途曝光7)Files 瓷砖8)Trace contour 轮廓描绘9)Wind 风13、Texture 纹理1)Craquelure 裂纹2)Grain 颗粒效果3)Mosaic Tiles 马塞克4)Patchwork 拼图效果5)Stained Glass 彩色玻璃6)Texturizer 纹理化14、Video 视频1)De-Interlace 逐行2)NTSC colors NTSC 颜色15、Other 其它1)Custom 自定义2)High Pass 高通滤波器3)Maximum 最大化4)Minimum 最小化5)Offset 偏移16、Digimarc 水印1)Embed watermark 加水印标记2)Read watermark 读取水印标记七、View 视图1、New view 新视图2、Preview 预览1)Cyan 青2)Magenta 品红3)Yellow 黄4)Black 黑3、Gamut warning 色域警告4、Zoom In 放大5、Zoom out 缩小6、Fit on Screen 满画布显示7、Actual pixels 实际像素8、Print size 打印尺寸9、Hide Edges 隐藏边界10、Hide path 隐藏路径11、Show Rules 显示/隐藏标尺12、Hide Guides 显示/隐藏辅助线13、Snap to Guides 贴齐辅助线14、Lock Guides 锁定辅助线15、Clear Guides 清除辅助线16、Show Grid 显示/隐藏网格17、Snap to Grid 贴齐网格八、Window 窗口菜单1、Cascade 层叠2、Tile 平铺3、Auange Icens 排列4、Close All 关闭所有窗口5、Hide Tools 显示/隐藏工具栏6、Hide Navigator 显示/隐藏导航栏7、Show Info 显示/隐藏信息面板8、Show Options 显示/隐藏选项面板9、Hide color 显示/隐藏颜色面板10、Show Suatches 显示/隐藏调色板11、Show Brushes 显示/隐藏笔刷面板12、Hide Layers 层面板13、Show channels 显示/隐藏通道面板14、Show Path 显示/隐藏路径面板15、Hide History 显示/隐藏历史面板16、Show Actions 显示/隐藏动作面板17、Hide status Bar 显示/隐藏状态栏九、Help 帮助菜单。

2023英文求职推荐信

2023英文求职推荐信

2023英文求职推荐信2023英文求职推荐信1to whom it may concern:i highly recommend as a candidate for a teaching/tutoring position. i have worked with in my position as __________(关系). while a student at dongseo university, korea, was involved in various teaching related-positions including teaching a museum program to youth classes.has a wonderful rapport with people of all ages, especially children and youth. his/her ability to connect with his/her students and his/her talent at teaching simple concepts, as well as more advanced topics, are both truly superior. he/she has excellent written and verbal communication skills, is extremely organized, reliable and computer literate. can work independently and is able to follow through to ensure that the job gets done. he/she accomplishes these tasks with great initiative and with a very positive attitude.i recommend to you without reservation. if you have any further questions with regard to her background or qualifications, please do not hesitate to contact me.sincerely,2023英文求职推荐信2Dear leaders:Hello!Thank you for your busy schedule to take some time to look at my . Xx I am a University of Electronic Information Engineering College students, 某某 graduates session. I majored in detection instrumentation.In college, I learned hard work, outstanding achievement, was awarded a scholarship on five separate occasions, firm and strong practical ability, the training school, the curriculum design were excellent results. In addition, I also specializes in computer and English, has passed through a computer assessment and national levels A four English-speaking countries. At the same time, I carried out a systematic computer study, courses include: computer and cultural foundation, the basis of computer software, computer hardware, computer interface technology, computer control technology, and learning the C language, VB, OFFICE and macro assembler.Knowledge of learning theory, I also pay attention to practical ability. Great time I attended the School of Electronic Science and Technology Association. Second arrogant, Ive prepared in the laboratory experiments to help teachers. Often involved in the maintenance of laboratory equipment, laboratory equipment for the more familiar, practical ability and capacity than the more experimental, to develop single-chip systems, familiar with the DSP hardware, software applications.In order to cultivate the ability of all aspects of their own, I have long served as a dormitory, student union cadres, 某某 ban squad leader and squad leader detection professional classes. I also actively participate in the planning of community activities, to establish broad relationships, organizing a series of planning activities, liking of their teachers praise students.The squad leader was in office during the I and the concerted efforts of the whole class, I have been class civilized school classes, classes in the city the title of civilization, I have also been rated as excellent school students. Have strong organizationalskills and the use of the theoretical and practical capabilities.Down-to-earth and trustworthy, others in good faith, the enthusiasm of doing things and positive is my motto, honesty company give me a opportunity to display their talent and become one of your company through thick and thin, I will be able to help your companys development of a hand!Sincerely,2023英文求职推荐信3Respect leadership:You are good! First please allow me to extend the sincere regards and the good wish to you! In spite of being very busy heartfelt thanks you in to glance through my this material, and wishes the expensive unit enterprise to be prosperous, progresses day by day!I am electronic information project specialized 20某某 sessions of graduates, learned in the near future your firm is advertising for the talented person, I hoped can arrive has the opportunity to your firm work.In school period, I study the specialized knowledge diligently, and invested the huge enthusiasm and the energy for it.While studies the textbook knowledge earnestly, I participate in school inside and outside practice positively, and has obtained some result. If monolithic integrated circuit development design, aspects and so on PCB Layout as well as homepage design. The university four years let my English proficiency have progress,And smooth passed the national English six levels of tests,Had certainly certainly has listened to, to say, to read, writes ability,Has the reading specializedliterature English foundation of basic skills.I have the good computer knowledge and application ability, cangrasp the basic application software skilled the use, and can use languages and so on C, assembly, VB, HTML carries on the programming. Moreover I also can using Multisim, Protel, Pspice, Auto CAD and so on the specialized software carry on the correlation work,And many times participated in the project practice which in the school organizes.I have studied some knowledge using after school which the related homepage design, the plane design as well as the video frequency pick arrange,Can skilled manufacture the homepage using the homepage three swordsmen,And can use imagery processing softwares and so on the photoshop, ACDSee to carry on the related design work,Has uses Adobe premiere the pro software editor complete video frequency plan the experience.I longed for study has uses, to long for own knowledge can obtain the practice examination, looked forward to the practice will be able to enrich my work experience and the ability glorious future.“The great ambition can sometimes, directly link up the cloud sail to aid the sea”, I hope alliance your firm sincerely, I can surely by full warm and the tenacious disposition diligent work, with colleague absolute sincerity cooperation, for expensive unit39;s development own one39;s pygmy effort.Along with letter enclosed resume and other material, if must a deeper understanding, hope for your interviewing!2023英文求职推荐信4某某进出口公司:我叫徐某某,某某大学国际贸易系95级本科毕业生,中共党员。

【课件】Unit+3Listening+and+Speaking高中英语人教版(2019)必修第三册

【课件】Unit+3Listening+and+Speaking高中英语人教版(2019)必修第三册

Fortune cookie
invented in _____________ about _____ yrs ago a piece of ________ with _______ on it inside cookie
Gumbo
spicy stew invented in N.O. about ______ yrs ago mixes ________, ________, ________________, + Spanish cooking
1. Where does the conversation most probably take place? A. In a restaurant B. In a radio studio C. On the street
2. What’s the relationship between the speakers? A. Host and guest B. Teacher and student C. Employer and employee Today, our guest is Steve Fox. He’s
Take notes
Tip 1 Read and Predict
Tip 2
Use Symbols and Shorthand + and / or ≠ doesn't mean
Tip 3 Use Abbreviation San Francisco→SF. Mexican→Mex.
Names of food
T 5. American cooking often mixes things from around the
world to make something completely new.

Ps软件英文版的中文翻译总结

Ps软件英文版的中文翻译总结

Ps软件英文版的中文翻译M 是矩形选取V 是移动L 是套索W是魔棒裁切是C 切片是K 印章是S修复画笔是J 画笔是B 历史纪录画笔是I 橡皮是E 渐变是G 涂抹是R 加深是O 路径选择是A 文字是T 钢笔是P 矩形工具是U 注释是N 吸管是I抓手是H 缩放是Z是不是要这个?你把鼠标停在工具上一会,他自己不就能显示出来了么?一、File-(文件)1.New-(新建)2.Open-(打开)3.Open As-(打开为)4.Open Recent-(最近打开文件)5.Close-(关闭)6.Save-(存储)7.Save As-(存储为)8.Save for Web-(存储为Web所用格式)9.Revert-(恢复)10.Place-(置入)11.Import-(输入)-(1)PDF Image-(2)Annotations-(注释)12.Export-(输出)13.Manage Workflow-(管理工作流程)-(1)Check In-(登记)-(2)Undo Check Out-(还原注销)-(3)Upload To Server-(上载到服务器)-(4)Add To Workflow-(添加到工作流程)-(5)Open From Workflow-(从工作流程打开)14.Automate-(自动)-(1)Batch-(批处理)-(2)Create Droplet-(创建快捷批处理)-(3)Conditional Mode Change-(条件模式更改)-(4)Contact Sheet-(联系表)-(5)Fix Image-(限制图像)-(6)Multi-(7)Picture package-(图片包)-(8)Web Photo Gallery15.File Info-(文件简介)16.Print Options-(打印选项)17.Page Setup-(页面设置)18.Print-(打印)19.Jump to-(跳转到)20.Exit-(退出)二、Edit-(编辑)1.Undo-(还原)2.Step Forward-(向前)3.Step Backward-(返回)4.Fade-(消退)5.Cut-(剪切)6.Copy-(拷贝)7.Copy Merged-(合并拷贝)8.Paste-(粘贴)9.Paste Into-(粘贴入)10.Clear-(清除)11.Fill-(填充)12.Stroke-(描边)13.Free Transform-(自由变形)14.Transform-(变换)-(1)Again-(再次)-(2)Sacle-(缩放)-(3)Rotate-(旋转)-(4)Skew-(斜切)-(5)Distort-(扭曲)-(6)Prespective-(透视)-(7)Rotate 180°-(旋转180度)-(8)Rotate 90°CW-(顺时针旋转90度)-(9)Rotate 90°CCW-(逆时针旋转90度)-(10)Flip Hpeizontal-(水平翻转)-(11)Flip Vertical-(垂直翻转)15.Define Brush-(定义画笔)16.Define Pattern-(设置图案)17.Define Custom Shape-(定义自定形状)18.Purge-(清除内存数据)-(1)Undo-(还原)-(2)Clipboard-(剪贴板)-(3)Histories-(历史纪录)-(4)All-(全部)19.Color Settings-(颜色设置)20.Preset Manager-(预置管理器)21.Preferences-(预设)-(1)General-(常规)-(2)Saving Files-(存储文件)-(3)Display &Cursors-(显示与光标)-(4)Transparency &Gamut-(透明区域与色域)-(5)Units &Rulers-(单位与标尺)-(6)Guides &Grid-(参考线与网格)-(7)Plug-(8)Memory &Image Cache-(内存和图像高速缓存)-(9)Adobe Online-(10)Workflows Options-(工作流程选项)三、Image-(图像)1.Mode-(模式)-(1)Bitmap-(位图)-(2)Grayscale-(灰度)-(3)Duotone-(双色调)-(4)Indexed Color-(索引色)-(5)RGB Color-(6)CMYK Color-(7)Lab Color-(8)Multichannel-(多通道)-(9)8 Bits/Channel-(8位通道)-(10)16 Bits/Channel-(16位通道)-(11)Color Table-(颜色表)-(12)Assing Profile-(制定配置文件)-(13)Convert to Profile-(转换为配置文件)2.Adjust-(调整)-(1)Levels-(色阶))-(2)Auto Laves-(自动色阶)-(3)Auto Contrast-(自动对比度)-(4)Curves-(曲线))-(5)Color Balance-(色彩平衡)-(6)Brightness/Contrast-(亮度/对比度)-(7)Hue/Saturation-(色相/饱和度)-(8)Desaturate-(去色)-(9)Replace Color-(替换颜色)-(10)Selective Color-(可选颜色)-(11)Channel Mixer-(通道混合器)-(12)Gradient Map-(渐变映射)-(13)Invert-(反相)-(14)Equalize-(色彩均化)-(15)Threshold-(阈值)-(16)Posterize-(色调分离)-(17)Variations-(变化)3.Duplicate-(复制)4.Apply Image-(应用图像)5.Calculations-(计算)6.Image Size-(图像大小)7.Canvas Size-(画布大小)8.Rotate Canvas-(旋转画布)-(1)180°-(180度)-(2)90°CW-(顺时针90度)-(3)90°CCW-(逆时针90度)-(4)Arbitrary-(任意角度)-(5)Flip Horizontal-(水平翻转)-(6)Flip Vertical-(垂直翻转)9.Crop-(裁切)10.Trim-(修整)11.Reverl All-(显示全部)12.Histogram-(直方图)13.Trap-(陷印)14.Extract-(抽出)15.Liquify-(液化)四、Layer-(图层)1.New-(新建)-(1)Layer-(图层)-(2)Background From Layer-(背景图层)-(3)Layer Set-(图层组)-(4)Layer Set From Linked-(图层组来自链接的)-(5)Layer via Copy-(通过拷贝的图层)-(6)Layer via Cut-(通过剪切的图层)2.Duplicate Layer-(复制图层)3.Delete Layer-(删除图层)yer Properties-(图层属性)yer Style-(图层样式)-(1)Blending Options-(混合选项)-(2)Drop Shadow-(投影)-(3)Inner Shadow-(内阴影)-(4)Outer Glow-(外发光)-(5)Inner Glow-(内发光)-(6)Bevel and Emboss-(斜面和浮雕)-(7)Satin-(光泽)-(8)Color Overlay-(颜色叠加)-(9)Gradient Overlay-(渐变叠加)-(10)Pattern Overlay-(图案叠加)-(11)Stroke-(描边)-(12)Copy Layer Effects-(拷贝图层样式)-(13)Paste Layer Effects-(粘贴图层样式)-(14)Paste Layer Effects To Linked-(将图层样式粘贴的链接的)-(15)Clear Layer Effects-(清除图层样式)-(16)Global Light-(全局光)-(17)Create Layer-(创建图层)-(18)Hide All Effects-(显示/隐藏全部效果)-(19)Scale Effects-(缩放效果)6.New Fill Layer-(新填充图层)-(1)Solid Color-(纯色)-(2)Gradient-(渐变)-(3)Pattern-(图案)7.New Adjustment Layer-(新调整图层)-(1)Levels-(色阶)-(2)Curves-(曲线)-(3)Color Balance-(色彩平衡)-(4)Brightness/Contrast-(亮度/对比度)-(5)Hue/Saturation-(色相/饱和度)-(6)Selective Color-(可选颜色)-(7)Channel Mixer-(通道混合器)-(8)Gradient Map-(渐变映射)-(9)Invert-(反相)-(10)Threshold-(阈值)-(11)Posterize-(色调分离)8.Change Layer Content-(更改图层内容)yer Content Options-(图层内容选项)10.Type-(文字)-(1)Create Work Path-(创建工作路径)-(2)Convert to Shape-(转变为形状)-(3)Horizontal-(水平)-(4)Vertical-(垂直)-(5)Anti-Alias None-(消除锯齿无)-(6)Anti-Alias Crisp-(消除锯齿明晰)-(7)Anti-Alias Strong-(消除锯齿强)-(8)Anti-Alias Smooth-(消除锯齿平滑)-(9)Covert To Paragraph Text-(转换为段落文字)-(10)Warp Text-(文字变形)-(11)Update All Text Layers-(更新所有文本图层)-(12)Replace All Missing Fonts-(替换所以缺欠文字)11.Rasterize-(栅格化)-(1)Type-(文字)-(2)Shape-(形状)-(3)Fill Content-(填充内容)-(4)Layer Clipping Path-(图层剪贴路径)-(5)Layer-(图层)-(6)Linked Layers-(链接图层)-(7)All Layers-(所以图层)12.New Layer Based Slice-(基于图层的切片)13.Add Layer Mask-(添加图层蒙板)-(1)Reveal All-(显示全部)-(2)Hide All-(隐藏全部)-(3)Reveal Selection-(显示选区)-(4)Hide Selection-(隐藏选区)14.Enable Layer Mask-(启用图层蒙板)15.Add Layer Clipping Path-(添加图层剪切路径)-(1)Reveal All-(显示全部)-(2)Hide All-(隐藏全部)-(3)Current Path-(当前路径)16.Enable Layer Clipping Path-(启用图层剪切路径)17.Group Linked-(于前一图层编组)18.UnGroup-(取消编组)19.Arrange-(排列)-(1)Bring to Front-(置为顶层)-(2)Bring Forward-(前移一层)-(3)Send Backward-(后移一层)-(4)Send to Back-(置为底层)20.Arrange Linked-(对齐链接图层)-(1)Top Edges-(顶边)-(2)Vertical Center-(垂直居中)-(3)Bottom Edges-(底边)-(4)Left Edges-(左边)-(5)Horizontal Center-(水平居中)-(6)Right Edges-(右边)21.Distribute Linked-(分布链接的)-(1)Top Edges-(顶边)-(2)Vertical Center-(垂直居中)-(3)Bottom Edges-(底边)-(4)Left Edges-(左边)-(5)Horizontal Center-(水平居中)-(6)Right Edges-(右边)22.Lock All Linked Layers-(锁定所有链接图层)23.Merge Linked-(合并链接图层)24.Merge Visible-(合并可见图层)25.Flatten Image-(合并图层)26.Matting-(修边)-(1)Define-(去边)-(2)Remove Black Matte-(移去黑色杂边)-(3)Remove White Matte-(移去白色杂边)五、Selection-(选择)1.All-(全部)2.Deselect-(取消选择)3.Reselect-(重新选择)4.Inverse-(反选)5.Color Range-(色彩范围)6.Feather-(羽化)7.Modify-(修改)-(1)Border-(扩边)-(2)Smooth-(平滑)-(3)Expand-(扩展)-(4)Contract-(收缩)8.Grow-(扩大选区)9.Similar-(选区相似)10.Transform Selection-(变换选区)11.Load Selection-(载入选区)12.Save Selection-(存储选区)六、Filter-(滤镜)st Filter-(上次滤镜操作)2.Artistic-(艺术效果)-(1)Colored Pencil-(彩色铅笔)-(2)Cutout-(剪贴画)-(3)Dry Brush-(干笔画)-(4)Film Grain-(胶片颗粒)-(5)Fresco-(壁画)-(6)Neon Glow-(霓虹灯光)-(7)Paint Daubs-(涂抹棒)-(8)Palette Knife-(调色刀)-(9)Plastic Wrap-(塑料包装)-(10)Poster Edges-(海报边缘)-(11)Rough Pastels-(粗糙彩笔)-(12)Smudge Stick-(绘画涂抹)-(13)Sponge-(海绵)-(14)Underpainting-(底纹效果)-(15)Watercolor-(水彩)3.Blur-(模糊)-(1)Blur-(模糊)-(2)Blur More-(进一步模糊)-(3)Gaussian Blur-(高斯模糊)-(4)Motion Blur-(动态模糊)-(5)Radial Blur-(径向模糊)-(6)Smart Blur-(特殊模糊)4.Brush Strokes-(画笔描边)-(1)Accented Edges-(强化边缘)-(2)Angled Stroke-(成角的线条)-(3)Crosshatch-(阴影线)-(4)Dark Strokes-(深色线条)-(5)Ink Outlines-(油墨概况)-(6)Spatter-(喷笔)-(7)Sprayed Strokes-(喷色线条)-(8)Sumi5.Distort-(扭曲)-(1)Diffuse Glow-(扩散亮光)-(2)Displace-(置换)-(3)Glass-(玻璃)-(4)Ocean Ripple-(海洋波纹)-(5)Pinch-(挤压)-(6)Polar Coordinates-(极坐标)-(7)Ripple-(波纹)-(8)Shear-(切变)-(9)Spherize-(球面化)-(10)Twirl-(旋转扭曲)-(11)Wave-(波浪)-(12)Zigzag-(水波)6.Noise-(杂色)-(1)Add Noise-(加入杂色)-(2)Despeckle-(去斑)-(3)Dust &Scratches-(蒙尘与划痕)-(4)Median-(中间值)7.Pixelate-(像素化)-(1)Color Halftone-(彩色半调)-(2)Crystallize-(晶格化)-(3)Facet-(彩块化)-(4)Fragment-(碎片)-(5)Mezzotint-(铜版雕刻)-(6)Mosaic-(马赛克)-(7)Pointillize-(点状化)8.Render-(渲染)-(1)3D Transform-(3D 变换)-(2)Clouds-(云彩)-(3)Difference Clouds-(分层云彩)-(4)Lens Flare-(镜头光晕)-(5)Lighting Effects-(光照效果)-(6)Texture Fill-(纹理填充)9.Sharpen-(锐化)-(1)Sharpen-(锐化)-(2)Sharpen Edges-(锐化边缘)-(3)Sharpen More-(进一步锐化)-(4)Unsharp Mask10.Sketch-(素描)-(1)Bas Relief-(基底凸现)-(2)Chalk &Charcoal-(粉笔和炭笔)-(3)Charcoal-(3)Chrome-(铬黄)-(4)Conte Crayon-(彩色粉笔)-(5)Graphic Pen-(绘图笔)-(6)Halftone Pattern-(半色调图案)-(7)Note Paper-(便条纸)-(8)Photocopy-(副本)-(9)Plaster-(塑料效果)-(10)Reticulation-(网状)-(11)Stamp-(图章)-(12)Torn Edges-(撕边)-(13)Water Paper-(水彩纸)11.Stylize-(风格化)-(1)Diffuse-(扩散)-(2)Emboss-(浮雕)-(3)Extrude-(突出)-(4)Find Edges-(查找边缘)-(5)Glowing Edges-(照亮边缘)-(6)Solarize-(曝光过度)-(7)Tiles-(拼贴)-(8)Trace Contour-(等高线)-(9)Wind-(风)12.Texture-(-(纹理)-(1)Craquelure-(龟裂缝)-(2)Grain-(颗粒)-(3)Mosained Tiles-(马赛克拼贴)-(4)Patchwork-(拼缀图)-(5)Stained Glass-(染色玻璃)-(6)Texturixer-(纹理化)13.Video-(视频)-(1)De-(2)NTSC Colors14.Other-(其它)-(1)Custom-(自定义)-(2)High Pass-(高反差保留)-(3)Maximum-(最大值)-(4)Minimum-(最小值)-(5)Offset-(位移)15.Digimarc-(1)Embed Watermark-(嵌入水印)-(2)Read Watermark-(读取水印)七、View-(视图)1.New View-(新视图)2.Proof Setup-(校样设置)-(1)Custom-(自定)-(2)Working CMYK-(处理CMYK)-(3)Working Cyan Plate-(处理青版)-(4)Working Magenta Plate-(处理洋红版)-(5)Working Yellow Plate-(处理黄版)-(6)Working Black Plate-(处理黑版)-(7)Working CMY Plate-(处理CMY版)-(8)Macintosh RGB-(9)Windows RGB-(10)Monitor RGB-(显示器RGB)-(11)Simulate Paper White-(模拟纸白)-(12)Simulate Ink Black-(模拟墨黑)3.Proof Color-(校样颜色)4.Gamut Wiring-(色域警告)5.Zoom In-(放大)6.Zoom Out-(缩小)7.Fit on Screen-(满画布显示)8.Actual Pixels-(实际象素)9.Print Size-(打印尺寸)10.Show Extras-(显示额外的)11.Show-(显示)-(1)Selection Edges-(选区边缘)-(2)Target Path-(目标路径)-(3)Grid-(网格)-(4)Guides-(参考线)-(5)Slices-(切片)-(6)Notes-(注释)-(7)All-(全部)-(8)None-(无)-(9)Show Extras Options-(显示额外选项)12.Show Rulers-(显示标尺)13.Snap-(对齐)14.Snap To-(对齐到)-(1)Guides-(参考线)-(2)Grid-(网格)-(3)Slices-(切片)-(4)Document Bounds-(文档边界)-(5)All-(全部)-(6)None-(无)15.Show Guides-(锁定参考线)16.Clear Guides-(清除参考线)17.New Guides-(新参考线)18.Lock Slices-(锁定切片)19.Clear Slices-(清除切片)八、Windows-(窗口)1.Cascade-(层叠)2.Tile-(拼贴)3.Arrange Icons-(排列图标)4.Close All-(关闭全部)5.Show/Hide Tools-(显示/隐藏工具)6.Show/Hide Options-(显示/隐藏选项)7.Show/Hide Navigator-(显示/隐藏导航)8.Show/Hide Info-(显示/隐藏信息)9.Show/Hide Color-(显示/隐藏颜色)10.Show/Hide Swatches-(显示/隐藏色板)11.Show/Hide Styles-(显示/隐藏样式)12.Show/Hide History-(显示/隐藏历史记录)13.Show/Hide Actions-(显示/隐藏动作)14.Show/Hide Layers-(显示/隐藏图层)15.Show/Hide Channels-(显示/隐藏通道)16.Show/Hide Paths-(显示/隐藏路径)17.Show/Hide Character-(显示/隐藏字符)18.Show/Hide Paragraph-(显示/隐藏段落)19.Show/Hide Status Bar-(显示/隐藏状态栏)20.Reset Palette Locations-(复位调板位置)。

图画展览会英语作文

图画展览会英语作文

The symphony of colors and the dance of shapes at an art exhibition is an experience that transcends the ordinary. Its a journey through the minds of the creators, a silent conversation with the canvases that hold within them the essence of life, emotions, and the world as seen through the eyes of the artist. My visit to the Exhibition of Timeless Art was no different, a vivid memory that I cherish deeply.The exhibition was held at the citys renowned art gallery, a place that exudes an aura of creativity and history. As I stepped through the grand entrance, I was greeted by the soft hum of hushed conversations and the occasional click of a camera capturing a moment of artistic brilliance. The walls were adorned with a myriad of paintings, each telling a unique story, each a window into a different world.The first piece that caught my eye was a large oil painting depicting a bustling marketplace. The vibrant hues of reds, oranges, and yellows brought the scene to life, and I could almost hear the chatter of the vendors and the excited voices of the shoppers. The artist had masterfully captured the chaos and energy of the market, and I found myself drawn into the painting, as if I were a part of that lively scene.As I moved deeper into the gallery, I came across a series of black and white photographs that portrayed the raw beauty of nature. The stark contrast between the light and dark areas of the images was mesmerizing, and the subjects, ranging from towering mountains to serene lakes, were breathtaking. The photographer had an uncanny ability to capture the essence of each landscape, and I felt a deep connection with the naturalworld as I gazed upon these images.One particular painting that left an indelible mark on my soul was a portrait of an elderly woman. Her eyes were filled with wisdom and a hint of sadness, and the lines on her face told a story of a life welllived. The artist had used a delicate blend of colors to bring out the contours of her face, and the softness of the brushstrokes gave the painting a dreamlike quality. I stood before this masterpiece for a long time, lost in thought, contemplating the many experiences that must have shaped this womans life.The exhibition also featured sculptures that were as impressive as the paintings. One sculpture in particular, a lifesized figure of a dancer in midleap, was a testament to the artists skill and attention to detail. The dancers flowing hair, the grace of her movements, and the intensity of her expression were all captured with such precision that it felt as if she would come to life at any moment.As I made my way through the gallery, I was struck by the diversity of the art on display. Each piece was a reflection of the artists unique perspective, and the exhibition was a celebration of creativity in all its forms. The artists had used a variety of mediums and techniques to express their ideas, and the result was a visual feast that left me inspired and in awe.The Exhibition of Timeless Art was more than just a display of beautiful paintings and sculptures it was an exploration of the human experience. Each piece of art was a glimpse into the soul of the artist, a testament tothe power of creativity to evoke emotions and provoke thought. As I left the gallery, I felt a renewed sense of appreciation for the beauty of art and the profound impact it can have on our lives.In conclusion, the art exhibition was an unforgettable experience that opened my eyes to the world of art and its ability to touch our hearts and minds. It was a reminder that art is not just a form of decoration, but a powerful means of communication that can bridge the gap between cultures, generations, and individuals. The memories of the exhibition will forever be etched in my mind, a constant source of inspiration and a testament to the enduring power of art.。

2024年精选英文求职信集锦10篇

2024年精选英文求职信集锦10篇

2024年精选英文求职信集锦10篇英文求职信篇1Dear Sir/Madam:Your advertisement for a Network Maintenance Engineer in the April 10 Student Daily interested me bacause the position that you described sounds exactly like the kind of job I am seeking.According to the advertisement ,your position requires top university,Bachelor or above in Computer Science or equivalent field and proficient in Windows NT4.0 and LINUX System. I feel that I am competent to meet the requirements. I will be graduating from Graduate School of Tsinghua University this year with a M.S. degree . My studies have included courses in computer control and management and I designed a control simulation system developed with Microsoft Visual InterDev and SQL Server.During my education, I have grasped the principals of my major and skills of practice. Not only have I passed CET-6, but more important I can communicate with others freely in English. My ability to write and speak English is out of question.I would appreciate your time in reviewing my enclosed resume and if there is any additional information you require, please contact me.I would welcome an opportunity to meet with you for a personal interview.With many thanks.__x英文求职信篇2respect leadership:Hello!First please allow me to extend my sincere greetings and best wishes,thank you for taking the time to read my cover letter and wish your organization business thriving, flourishing!I am a tourism management, Jiangxi Institute of Education in school sophomore, recently informed of your travel agency is recruiting guides,I hope to have the opportunity to travel to your work.In school, I study hard and expertise, and its invested enormous enthusiasm and energy, and after careful study and textbook knowledge,I have actively participated in the training practice, and have achieved certain results, and I in through a national tour qualification examinations and obtain the certificate in , took part in the May-June tour of Jiangxi Education with the mission of training and practice,accumulated some work experience in the spare time I read the back carefully attractions guide words, I learned there skills, knowledge and grasp of the relevant industry information, and for speech training,exercise his eloquence, there is a strong practitioner with knowledge and skills. I'm good at storytelling, character, cheerful living waves,like with people, able to handle all types of emergencies, in two practical activities have been recognized by tourists. I usually likesports, and physical well to hard-working, for me, the guide is a challenging, interesting work, I have it full of enthusiasm!I look forward to learning has been used, eager to practice their knowledge can be the test, but looking forward to enrich my experience and life experience. I believe I will do in this wonderful work. Expect you to give me a stage to show their!英文求职信篇3dear ms. radon,i am very interested in talking with you about employment as a sales representative trainee with bardon corporation, and hope you will give my candidacy strong consideration. i feel i have the necessary skills and interest to be an excellent contributor to your organization, and would like the opportunity to demonstrate this through a personal interview with your recruiter during bardon corporation's forthcoming recruiting schedule at syracuse. my resume is enclosed for your reference.although short on experience, , i am long on effort and enthusiasm.i am an outgoing, friendly individual who would enjoy building strong interpersonal relationships with valued customers. my strong service orientation and bias for action would serve your company well in responding to the needs and concerns of your clients. my drive, determination and leadership abilities are well-evidenced by the following accomplishments:-grade point average of /-fraternity president, senior yearfraternity vice president, junior yearpledge chairman, sophomore year-captain, varsity crew team, senior yearmember, varsity crew team,3yearsco-captain, varsity swim team, junior yearmember, varsity swim team,4yearsi would like the chance to put my energy, drive and enthusiasm to work for a company such as yours. may i have the opportunity to further discuss your requirements during a personal meeting with your representative on september22nd?sincerely,英文求职信篇4May 5,Ms. Sarah R. DixonEngineering ManagerLexitron, Inc.123 Seabright RoadProvident, RI 73692Dear Ms. Dixon:I am interested in a postition as a project engineer with Lexitron,Inc. Review of my resume will reveal that Ihave strong project experience with Johnnan Corporation,one of your key competitors.I graduated with a B.S. degree in Mechanical Engineering from princeton University,and have 6 years of paper machine project experience. Ienjoy an excellent reputation for bringing projects in on time and at or below budget.Some key project experience includes:-Completion of a $54 million twin wire,forming section rebuild project on time and under budget ($1,2 million savings)-Lead wet end project Engineer for purchase,design and installation of a new $150 million Beloit paper machine($120k savings) -Engineered,installed,and started-up $45 million rebuild of after dryer section of twin wire tissue machine(project completed 2 months ahead of schedule with savings of $1/2 million)Although well-versed in most machine configurations,i am especially knowledgeable of twin wire formers and some of the newer,state-of-the-art sheet forming technology.These qualifications could prove very additive to those companies interested in upgrading their overall papermaking technology.If you are currently seeking a strong paper machine project engineer,I would appreciate the opportunity to further discuss my qualifications with you. Thank you for your consideration.sincerely yours,RAlOLD H. THOMASHDF/darEnclosure英文求职信篇5Dear Mr. Klein:I am seeking an Operations Management position at the plant, division or corporate level with a major player in the food and beverage industry. Please consider my credentials.As my resume will show, I have had excellent progression in the field of Operations Management with one of the top U.S. consumer products companies. Pepsi-Cola, as you may know, has been ranked by Fortune magazine among the top 6 best run companies in America.In my current posit on as Group Plant Manager (3 plants) for Pepsi West I have beencredited with annual cost savings exceeding $2 m ion as the result of several innovative cost reduction programs recently implemented. I have just been awarded Pesi’s coveted "High Performer Award" for my contributions.Prior assignments have been equally productive, and I have consistently demonstrated the ability to achieve superior results. I pride myself on staying current in all major new developments in the fieldof Operations and push hard for the implementation of those that will readily increase ease of operations and reduce operating costs.Should you be in the market for a proven contributor as a member of your Operations Team, Mr. Klein, your time would be well spent in meeting with me. Much of what I have already done at Pepsi might well be transferable to Redding Beverage, and could result in substantial savings to your company.Should you wish to contact me, I can be reached during the day at (216) 377-0925, or at the above number during evening hours.Thank you for your consideration.Sincerely,Karen J. Robinson (手写体)J. RobinsonEnclosure英文求职信篇6Respect leadership:You are good! First please allow me to extend the sincere regards and the good wish to you! In spite of being very busy heartfelt thanks you in to glance through my this material, and wishes the expensive unit enterprise to be prosperous, progresses day by day!I am electronic information project specialized sessions of graduates, learned in the near future your firm is advertising for the talented person, I hoped can arrive has the opportunity to your firm work.In school period, I study the specialized knowledge diligently, and invested the huge enthusiasm and the energy for it.While studies the textbook knowledge earnestly, I participate in school inside and outside practice positively, and has obtained some result. If monolithic integrated circuit development design, aspects and so on PCB Layout as well as homepage design. The university four years let my English proficiency have progress,And smooth passed the national English six levels of tests,Had certainly certainly has listened to, to say, to read, writes ability,Has the reading specialized literature English foundation of basic skills.I have the good computer knowledge and application ability, can grasp the basic application software skilled the use, and can use languages and so on C, assembly, VB, HTML carries on the programming. Moreover I also can using Multisim, Protel, Pspice, Auto CAD and so on the specialized software carry on the correlation work,And many times participated in the project practice which in the school organizes.I have studied some knowledge using after school which the related homepage design, the plane design as well as the video frequency pick arrange,Can skilled manufacture the homepage using the homepage three swordsmen,And can use imagery processing softwares and so on the photoshop, ACDSee to carry on the related design work,Has uses Adobe premiere the pro software editor complete video frequency plan the experience.I longed for study has uses, to long for own knowledge can obtain the practice examination, lookedforward to the practice will be able to enrich my work experience and the ability glorious future.Sincerely.英文求职信篇7Dear leaders:Thank you for your concern about the use of the valuable time of my cover letter!My name is __x, __, and this year's 22-year-old, X years in ____ on __X graduated from the University, his loyalty to honest and reliable; will be day-to-day operation of computers,has won numerous awards in the student and to participate actively in hospital the activities of school organizations,have a good life style and high sense of discipline in mind,the awareness of higher consciousness,to the implementation of good order, a strong sense of teamwork, hard work style,not afraid of hardship,and the courage first to. the work of a sense of responsibility strong, and ready to help others on the tasks assigned by the superiors motivated and good at learning on their own hard work,a certain degree of grass-roots management experience.I have learned is the professional management of industrial and commercial enterprises,but I do not rigidly adhere to professional constraints,of all walks of life are full of confidence and love. Of course, in the spare time,I like to do is to read the Exercise and Sport .I like to see some kind of inspirational books,like her spare time for basketball,soccer and other ball games! I think that there is no goodphysical work conditions can not be backed up,there is no more flexible mind can not be!Optional wood and good bird habitat,allow disabled persons to friends. An opportunity to co-operate,to me is a good start,for you are a wise choice. I was a Chollima,as you are pursuing the ability and insight to such a re - The horses only. sincerely hope you can give me a play to realize the value of life,in order to effect social development opportunities. language can only be moved by the people of time,the ability to prove I can. I believe that under your wise leadership, in my diligence efforts,tomorrow I willbecome a member of your organization best. My credo is: Opportunities favor only those people who are fully prepared.I wish you every success for the cause。

你的样子真美英语作文600字带小标题

你的样子真美英语作文600字带小标题

你的样子真美英语作文600字带小标题全文共3篇示例,供读者参考篇1Your Beautiful AppearanceThe Radiant SmileThere's something so captivating about your smile that instantly brightens up any room you walk into. It's not just the way your lips curve upwards, revealing a perfect set of pearly whites, but the way your whole face lights up with genuine joy and warmth. Your smile is contagious, and I find myself unable to resist mirroring that radiant expression whenever I'm in your presence. It's a reminder to embrace the simple pleasures in life and to find reasons to smile, even on the most ordinary of days.The Sparkling EyesHave you ever noticed how your eyes seem to dance with a thousand tiny stars? They're like windows to your vibrant soul, expressing emotions more eloquently than words ever could. Whether they're twinkling with mischief or shining with compassion, your eyes have a way of drawing me in and making me feel truly seen. I could spend hours getting lost in theircaptivating depths, mesmerized by the ever-changing kaleidoscope of hues and the stories they silently tell.The Graceful PoiseThere's an undeniable grace to the way you carry yourself, a quiet confidence that commands attention without even trying. Every movement you make is fluid and purposeful, like a dancer gliding across the stage. Whether you're walking down the hallway or simply reaching for a book, you exude an effortless elegance that leaves me in awe. It's a reminder to embrace my own unique qualities and to move through life with a sense of poise and self-assurance.The Radiant ComplexionYour complexion is like a canvas painted by nature's most skilled artists, a mesmerizing blend of hues and tones that create a truly breathtaking work of art. Whether it's the soft blush of your cheeks or the warm glow that seems to emanate from within, your skin has a radiance that simply can't be replicated. It's a reminder to take care of ourselves, both inside and out, and to appreciate the natural beauty that shines through when we do.The Captivating PresenceBut it's not just your physical features that make you so beautiful – it's the way your entire being seems to radiate an aura of confidence, kindness, and authenticity. When you enter a room, it's like a gentle force field envelops the space, making everyone feel at ease and welcomed. Your presence is calming yet invigorating, and I find myself drawn to your warmth like a moth to a flame. It's a reminder to embrace my true self, to be unapologetically authentic, and to spread positivity wherever I go.The Beauty WithinUltimately, what makes you truly beautiful is the person you are on the inside. Your kindness, your intelligence, your sense of humor, and your unwavering strength – these are the qualities that shine through and make you so captivating. Your beauty isn't just skin deep; it's a reflection of the depth of your character, the richness of your soul, and the generosity of your spirit.In a world that often places too much emphasis on superficial beauty standards, you are a shining example of what it means to be truly beautiful from the inside out. Your appearance is simply a reflection of the incredible human being you are, and it's a privilege to bask in your radiance.篇2Your BeautyThe Meaning of True BeautyBeauty is a word that gets tossed around a lot these days. People talk about beautiful celebrities, beautiful sunset Instagram pics, even beautiful cheeseburgers. But what does it really mean to be beautiful? To me, true beauty has nothing to do with how you look on the outside. True beauty is about what's on the inside - your character, your heart, and the way you treat others.The Light WithinWhen I think of someone who is truly beautiful, I picture my friend Sara. From the outside, she doesn't really stand out in a crowd. She has an average build, average height, and no real striking features. But when you get to know her, that's when her beauty starts to shine through.Sara has this amazing warmth and kindness that just radiates from her. She genuinely cares about others and goes out of her way to make people feel included and valued. I've seen her go the extra mile for friends time and time again, whether it's studying late to help someone understand a tough concept orjust lending an ear when they need to vent. She has struggled with anxiety in the past, but she doesn't let it hold her back from being the supportive, caring person that she is.A Different Kind of Role ModelIn a world obsessed with influencers and shallow internet fame, Sara is the kind of role model I aspire to be like. Beauty fades with time, whether it's covergirl looks or Instagram popularity. But having empathy, integrity and inner strength? Those qualities will always be beautiful because they come from the soul.Sara doesn't get caught up in silly drama or put others down to make herself feel better. She's confident enough to let her true self shine, flaws and all. To me, that's the definition of a beautiful person - someone comfortable in their own skin, willing to build up the people around them instead of tearing them down.Seeing the Beauty WithinObviously, caring about your outer appearance isn't a crime. We all want to look presentable and put our best foot forward. But real beauty is about so much more than a pretty face or trendy outfit. It's the smile that lights up a room. It's the kindnesssomeone shows to a stranger. It's the inner strength to stick up for what's right, even when it's not the popular thing to do.So many people nowadays are obsessed with filters and photoshop, chasing after an impossible standard of "perfection." But when I look at Sara, I see the kind of beauty that doesn't need any touch-ups or editing. Her beauty comes from within, a radiant glow that no filter could ever recreate.The kind of person you are, the way you treat others - that's what true beauty is all about. In a world that often values the wrong things, Sara is a breath of fresh air, a reminder that real beauty has depths far beyond the surface. And for that, she'll always be one of the most beautiful people I know.篇3Your Beauty Is Truly RadiantThe Captivating AuraHave you ever encountered someone whose mere presence commanded the attention of an entire room? Someone whose radiant beauty and enchanting aura left you spellbound, rendered speechless by their sheer magnificence? I have, and the memory of that encounter remains etched in my mind, a constant reminder of the profound impact true beauty can have.The Mesmerizing GazeIt all began with a single glance, a fleeting moment that felt like an eternity. As our eyes met, I found myself instantly enraptured by the depth and intensity of your gaze. It was as if your eyes held the secrets of the universe, inviting me to lose myself in their captivating depths. In that instant, the world around us faded into insignificance, and all that mattered was the connection we shared, a silent conversation that transcended words.The Radiant SmileBut it was more than just your eyes that left me breathless. Your smile, oh, that radiant smile, possessed the power to illuminate even the darkest of rooms. It was a beacon of warmth and joy, a symbol of the kindness and compassion that radiated from within you. With each curve of your lips, you seemed to emanate a light so pure, so dazzling, that it was impossible to look away.A Sublime PresenceAs I stood in awe, transfixed by your beauty, I couldn't help but notice the way you carried yourself. Every movement, every gesture, was imbued with a grace and poise that defieddescription. It was as if you were a living embodiment of elegance, a sublime presence that demanded reverence and admiration.The Enchanting MelodyBut it wasn't just your physical appearance that captivated me; it was the very essence of who you are. Your voice, a melodious symphony that danced through the air, caressed my ears with a tenderness that left me longing for more. Each word you spoke held a power that reached deep into my soul, stirring emotions I never knew existed.An Enduring ImpressionEven now, long after our paths have diverged, the memory of your beauty remains etched in my mind, a constant source of inspiration and wonder. It is a reminder that true beauty transcends the physical realm, for it is the embodiment of grace, kindness, and compassion – qualities that you possess in abundance.To those who have yet to encounter such radiance, I can only offer this advice: Keep your eyes open and your heart receptive, for true beauty often reveals itself in the most unexpected of places. And when you do find it, embrace it with every fiber ofyour being, for it is a gift that enriches the soul and leaves an indelible mark on the human experience.In ConclusionIn a world that often prioritizes superficial appearances, your beauty stands as a beacon of hope, a testament to the enduring power of inner radiance. It is a reminder that true beauty lies not in fleeting physical attributes but in the depth of one's character, the kindness of one's heart, and the grace with which one carries themselves.So, my dear friend, please never forget the incredible impact your beauty has had on those around you. Embrace it, cherish it, and let it shine forth as a guiding light, illuminating the path for others to follow. For in your radiance, we find inspiration, hope, and a reminder of the incredible potential that lies within each and every one of us.。

放大照片作文英语

放大照片作文英语

放大照片作文英语Title: The Art of Photo Enlargement。

In today's digital age, the ability to enlarge photographs has become an integral part of photography. Whether it's for artistic expression, commercial use, or personal memories, the process of enlarging photos allowsus to see details that may have been missed at first glance. In this essay, we will explore the significance of photo enlargement and the techniques involved in the process.To begin with, photo enlargement serves various purposes, each with its unique significance. For photographers, enlarging photos can accentuate the finer details of their work, allowing viewers to appreciate the intricacies of a scene or subject. It also provides opportunities for experimentation and creativity, as photographers can explore different sizes and formats to evoke specific emotions or convey a particular message.In the realm of commercial photography, photo enlargement plays a crucial role in advertising and marketing. Enlarged images are often used in billboards, posters, and product displays to grab the attention of potential customers. By enlarging photos, advertisers can highlight the features of their products or create visually stunning campaigns that leave a lasting impression on consumers.Moreover, photo enlargement holds immense value in preserving memories and documenting history. Family portraits, wedding photos, and travel snapshots are often enlarged and displayed in homes as cherished mementos. These enlarged photos not only capture moments in time but also serve as reminders of the people and places that hold significance in our lives.Now, let's delve into the techniques involved in the process of photo enlargement. One of the most common methods is digital enlargement, which utilizes software programs like Adobe Photoshop to resize images without compromising quality. Through the use of algorithms such asbicubic interpolation, digital enlargement preserves the sharpness and clarity of the original image while increasing its dimensions.Another technique employed in photo enlargement is the use of enlargers in traditional darkroom settings. Enlargers are devices that project the image of a negative onto photosensitive paper, allowing photographers to adjust the size and exposure manually. While digital enlargement offers greater precision and control, some photographers still prefer the tactile experience of working in a darkroom.Regardless of the method used, it's essential to consider factors such as resolution, aspect ratio, andpixel density when enlarging photos. These technical aspects can significantly impact the quality of the final image, so careful attention must be paid to ensure optimal results.In conclusion, photo enlargement is a versatile tool that serves various purposes in the world of photography.Whether it's for artistic expression, commercial use, or personal memories, the ability to enlarge photos allows us to explore new dimensions and uncover hidden details. By mastering the techniques of photo enlargement, photographers can enhance their craft and create images that captivate and inspire viewers.。

Pearson Australia enVisionMATHS在线教学指南.pdf_17036507

Pearson Australia enVisionMATHS在线教学指南.pdf_17036507

enVisionMATHS Online Tutorial Guide 2Tutorial 2.1: PlanningIntroductionThis guide looks at planning for teaching with enVisionMATHS, including how enVisionMATHS aligns with the Australian Curriculum.PlanningLet’s start looking at planning with enVisionMATHS by demonstrating how it aligns with the Australian Curriculum: Mathematics. You will then see how this aspect of your planning is inbuilt.enVisionMATHS and the Australian CurriculumenVisionMATHS is aligned with the Australian Curriculum: Mathematics content and proficiency strands. Across the program components, the following colours have been allocated to the three content strands:These colours show at a glance which strand is being focused on.Content DescriptionsSpecific Australian Curriculum references (content description codes) are listed at the top of each Foundation to 2 and bottom of each 3 to 6 Student Activity Book lesson. They are also provided on page 2 of each Teacher Booklet.enVisionMATHS also provides a scope and sequence across all 7 levels related to the Australian Curriculum content strands and sub-strands. This is in the Overview and Implementation Guide.A planning document mapping enVisionMATHS next to each content description is provided in each Overview and Implementation Guide and in editable form on the Teacher Resource DVD.Proficiency StrandsThe proficiency strands of the Australian Curriculum: Mathematics are embedded in the instructional design of the enVisionMATHS program.UnderstandingUnderstanding (that is to build and apply knowledge, make connections) is achieved through the use of Visual Learning Animations and Bridges and videos to explain maths concepts, and through applying this understanding in, for example, Investigations Cards.FluencyFluency (that is to develop skills in applying appropriate procedures, recall and apply facts and concepts; to become a mathematician) is in the Guided and Independent Practice in the Student Activity Books, Mental Computation and Minds Cards and through the use of Tools4Maths.Problem-solvingProblem-solving (that is make choices, interpret, model and communicate) is in the open-ended problem-solving for every lesson in the Student Activity Books and in the investigations and games cards.ReasoningReasoning (that is to reason mathematically by analysing, proving, evaluating, explaining, inferring, justifying and generalising) is explicit on Student Activity Book pages in Years 3 to 6; in the Interview Assessment in Foundation to 2 Teacher Booklets and in the Maths Thinking Skills Books.enVisionMATHS PlanningenVisionMATHS is designed to fit in with whole-school planning and be flexible so the topics can be taught in the order provided or in the order you decide. Below we outline the planning aids that are provided within enVisionMATHS.Overview and Implementation GuideThe Overview and Implementation Guide can act as abroad-level planning tool for each year level. As wellas describing each element of the program andproviding implementation guidance, each guideprovides specific planning assistance.Contents Sequence and TimingsThe order in which the topics are presented ineach year level is the suggested program forthe year. What is covered and whichresources are available within each topic isprovided in the Contents Sequence pagesshowing all the components for each topic in avisual form mirroring the Suggested TeachingSequence.This contents sequence also includes thesuggested timing for each topic. Thesetimings are by no means prescriptive and arebased on the premise that about 2 to 3lessons could be covered in a week.Vocabulary and MaterialsThe vocabulary introduced or revised in the student books for each year level is compiled intoone list in the appropriate Overview and Implementation Guide. Similarly, all materials recommended for the lessons and activities in each year level have been compiled into onechecklist in the appropriate Overview and Implementation Guide. Both these lists provide areference to aid lesson pre-planning for the year.Teacher Resource BookletThe Teacher Resource Booklet is a complete planning guide at topic level for the program. A teacher starts a topic using their set of enVisionMATHS Teacher Resource Booklets to assist in planning and assessment.Topic-based planningThe first section of each Teacher Resource Booklet is dedicated to planning. Each bookletcontains:∙Skills Trace and Suggested Teaching Sequence∙Maths Background for Teachers∙Maths Language and information on meeting individual needs∙Outlines and reproductions of all Activity Zone cards for the topic∙Lesson pages reproducing each Student Activity Book lesson page with answers , annotations and guiding information. These pages also provide reproductions of theDifferentiated Worksheets for each lesson.∙Assessment overview and photocopiable assessments.∙Note that Foundation to Year 2 lesson pages have a different format.Planning DocumentsThe Teacher Resource DVD is in the back of each Overview and Implementation Guide and contains editable planning spreadsheets related to three year levels to assist with planning the enVisionMaths program throughout the year.These planning documents are simple, flexible Microsoft Excel spreadsheets. They match Australian Curriculum strands and substrands to enVisionMATHS lessons, and provide the relevant Student Book and Teacher Booklet page references for each lesson. Other columns in the spreadsheet are left blank for teachers to customise as they wish.For detailed programming, a planning spreadsheet for a year level can be used. Teachers would look at this first to satisfy themselves that the curriculum was being covered, then add information to the additional columns, setting out the order in which they will do the topics. Teachers would bring in the content descriptions and resources from other year levels for multi-age classes.。

小学单词卡片1400张

小学单词卡片1400张

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海报设计师发言稿英语范文

海报设计师发言稿英语范文

Good morning/afternoon/evening! It is with great pleasure and a sense of accomplishment that I stand before you today as a poster designer. The world of graphic design is vast and ever-evolving, and it has been a journey filled with creativity, challenges, and countless moments of inspiration. Today, I would like to share with you my experiences, insights, and the philosophy that drives my work as a poster designer.Firstly, let me start by expressing my gratitude for the opportunity to be part of this dynamic industry. As a poster designer, I am not just creating visual pieces of art; I am telling stories, conveying messages, and connecting people through the power of visuals. Every poster has the potential to make a lasting impact, and that responsibility is not taken lightly.The journey of a poster designer begins with understanding the essence of the message or event that the poster is intended to promote. Whether it's a music festival, a product launch, or a charity event, the first step is to gather all the necessary information and insights. This is where research plays a crucial role. By delving into the history, audience, and purpose of the event, I can create a design that resonates with the target demographic and captures their attention.Once the research is complete, the real magic begins. The design process is a blend of creativity and technical skill. As a designer, I am constantly pushing the boundaries of what is possible, experimenting with different styles, colors, and typography to create a visually stunning piece. However, it is important to remember that the design should not overshadow the content. The goal is to enhance the message, not to distract from it.One of the key aspects of poster design is the use of visuals. Images, icons, and illustrations have the power to evoke emotions and convey complex ideas in a single glance. As a designer, I am always on the lookout for the perfect image that complements the content and enhances the overall aesthetic of the poster. The right visual can make a significant difference in the effectiveness of the poster.Typography also plays a vital role in poster design. The choice of fonts, sizes, and colors can greatly influence the readability and impact ofthe message. A well-crafted typographic arrangement can guide theviewer's eye through the poster, emphasizing certain elements and creating a harmonious flow. It is a delicate balance between form and function, and one that requires careful consideration.In today's digital age, the importance of digital design skills cannotbe overstated. As a poster designer, I am well-versed in varioussoftware programs such as Adobe Photoshop, Illustrator, and InDesign. These tools allow me to bring my vision to life, ensuring that the final product is both visually appealing and technically sound. However, technology should always be a means to an end, and not the end itself. The true art of poster design lies in the ability to create a connection with the audience, regardless of the medium.One of the most rewarding aspects of being a poster designer is the feedback and response from the audience. When a poster successfully communicates its message and elicits a strong emotional response, it is a testament to the power of design. It is these moments that make allthe hard work worthwhile.In conclusion, as a poster designer, I am committed to pushing the boundaries of creativity and delivering impactful designs that leave a lasting impression. The journey is filled with challenges, but it isalso a source of endless inspiration. I am grateful for the opportunity to share my passion and insights with you today, and I look forward to continuing my work in this exciting field.Thank you for your attention, and I am now open to any questions you may have regarding my work or the art of poster design.Best regards,[Your Name][Your Title/Position][Your Company/Organization]。

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Welcome to Adobe® Photoshop® CS2, breaking new ground as the benchmark of digital imaging excellence. Once again, Adobe Photoshop provides you with cutting-edge technology, innovation and power, with exciting new features and existing feature enhancements for creative professionals everywhere. Feel the power of new tools that take your digital camera beyond its own capability, help you turn your dreams into designs faster than ever, and handle thousands of images as easily as a handful. Dare to be the best, with Photoshop CS2. Create the Extraordinary Photoshop CS2 introduces revolutionary new features like Vanishing Point, and refines favorites, to help you make the most of every creative impulse. Providing technology that anticipates emerging technologies, along with intelligent, non-destructive image editing and tighter integration with the entire Adobe Creative Suite, Photoshop CS2 once again exceeds all expectations, with the ultimate in precise control and quality.Adobe Bridge—Taking the File Browser to a new level, Adobe Bridge quickly finds the files you need now from a sea of thousands, and lets you batch process them faster than ever, while simultaneously continuing your editing in Photoshop CS2. Adobe Bridge brings maximum efficiency to your creative life.Preview all Creative Suite graphic formats—including the new Digital Negative specification (DNG)—with scalable thumbnails, full metadata, and custom keywords. Sort, rank, and filter your images with a complete set of labels and ratings. Compare images in separate Adobe Bridge windows, filmstrip mode, or full-screen slideshows. Customize thumbnails and resize, hide, display and regroup palettes at will. Enjoy task-based presets, and save your own settings to custom workspaces for convenient recall at any time. Or switch to floating compact mode for easy Adobe Bridge access in all Adobe Creative Suite 2.0 applications.Process multiple digital Camera Raw images while simultaneously organizing others and editing in Photoshop CS2.Choose from hundreds of thousands of professional images from the time-saving Adobe Stock Photos service.Order professional quality prints, large-format output, and more, from the built-in Adobe Photoshop Services.Vanishing Point—Nothing less than revolutionary, Vanishing Point lets you effortlessly clone, paint and transform with tools that automatically adjust to the visual perspective of your images. Cutting hours off precision design and photo retouching tasks, one use and you’ll wonder how you ever lived without it.Image Warp—Fold, stretch, pull, twist and wrap any image into shape, as easily as selecting an on-demand preset or dragging custom control points. Quickly and precisely create products and packages that exist only in your mind’s eye, and in Photoshop CS2.Advanced Noise Reduction—High ISO digital camera shots can be breeding grounds for ugly color noise. Reduce Noise gives you advanced enhancement of problem images, including special handling for JPEG artifact reduction, and even discrete correction of individual color channels, all while preserving edge details.32-bit High Dynamic Range (HDR)—Step into the future, with the creation and editing of 32-bit color, High Dynamic Range (HDR) images, ideal for 3D rendering, advanced compositing and professional photography. With advanced technology that adapts to the full spectrum and range of visible light in the same way as the human eye, HDR ensures your final images will display your creative vision to the last detail, with the most richly detailed shadows and highlights at your command. Let the new Merge to HDR take you beyond the state-of-the-art, by automatically combining bracketed digital exposures into a single 32-bit HDR image, creating breathtaking images that are otherwise impossible to capture with traditional cameras.Spot Healing Brush—Effortless, one-click retouching is yours with the advanced power of the new Spot Healing Brush in Photoshop CS2. Click or paint flaws away, remove entire objects, and heal across all layers with your choice of blending and sample modes—even in 16-bit, CMYK images.One-Click Red-Eye Correction—With advanced controls for pupil size and darkening when you need them, the new Red Eye tool eradicates this common flash-created photo flaw with a single click.Optical Lens Correction—Fine tune your photos for truer images from edge to edge. Easily counteract barrel, pincushion and perspective distortion, and quickly correct chromatic aberration and vignetting, in any photo.Graphics in Motion—Easily create and edit animated Web graphics with the new Animation palette and Layers palette enhancements in Photoshop CS2.•••••••Mac® OS X 10.2.8 through 10.3.8, Windows® 2000/XPAdobe ® Photoshop ® CS 2At A Glance The professional standard in desktop digital imagingAbout Photoshop CS2Photoshop CS2 software leads the family of Adobe digital imaging products, including Adobe Photoshop Elements 3.0 and Adobe Photoshop Album 2.0 software.Photoshop CS2 is also part of the Adobe Creative Suite, a complete design solution that combines Adobe Illustrator® CS2, Adobe InDesign® CS2 and Version Cue® CS2 software, as well as Adobe GoLive® CS2 and Adobe Acrobat® 7.0 Professional software in the Premium Edition.Smart Sharpen—Intelligently counteract common types of photo blurring, without affecting the areas of your image that don’t need adjustment. With fine control of shadow and highlight areas and discrete sharpening of lens, motion and gaussian blurs, Smart Sharpen is a cut above the standard unsharp mask.Shadow/Highlight—The popular and easy-to-use adjustment for shadows, highlights and midtone contrast is now available for images in CMYK mode as well as RGB.Enhanced 16-bit Editing—Even more filters, such as Liquify, are now available for use in 16-bit images.Acceleration = Exhilaration Speed your way from first concept to final creation, with efficiency enhancements that bring momentum to your workflow and a smile to your face. Enjoy non-destructive editing, find the fonts you want visually, and precisely process your digital photography projects in a fraction of the time. Smart Objects—Quality without compromise. Smart Objects let you scale and transform images as much as you choose, with no loss of image quality...integrate and preserve the quality and editability of Illustrator CS2 vector graphics...and create linked duplicates of embedded graphics so you can edit once and update many, simultaneously. Smart Objects lend flexibility, quality and efficiency to every Photoshop CS2 image.Multiple Layer Control—Keep your eyes on the image! Drag or Shift-select multiple layers on the canvas, without resorting to the Layers palette. Enjoy Smart Guides that automatically appear to help you align your graphic objects on the fly. Work with all your Photoshop CS2 designs in a smoother, more intuitive way.Multi-Image Camera Raw—Maximum muscle for all your heavy image lifting—Process a photo shoot in a fraction of the time, and keep editing in Photoshop CS2 simultaneously! Save files directly to a range of formats, including the new Digital Negative specification (DNG). Crop and straighten images with no loss of quality. Enjoy automatic adjustments to exposure, brightness and contrast, and precise curve and color settings. It’s simply the best and most versatile Camera Raw yet.Video Preview—Ideal for any image or animation destined for the video screen, you can now easily preview yourwork in Photoshop CS2 on a television monitor, by direct export through FireWire (i.LINK/IEEE 1394).WYSIWYG Font Menu—What’s in a name? Choose fonts by appearance instead, with samples of each typeface right inside the menu, and icons to instantly differentiate between PostScript, TrueType and OpenType fonts.Printing Enhancements—New options in the Photoshop CS2 print dialog make it even easier to configure your local printer for great results and consistent color on all your printing jobs.All-New PDF Engine—Comprehensive, customizable PDF presets let you take advantage of the new PDF engine in Photoshop CS2, including PDF 1.6/Acrobat 7.0 compatibility.Enhanced Memory Use—Photoshop CS2 features memory management enhancement that breaks through the 2 GB RAM barrier. Now, devote up to approximately 3.5 Gigabytes of RAM to every Photoshop CS2 session.Powerful Design Process Management and Collaboration—Photoshop CS2 and Adobe Bridge feature the new Version Cue® CS2, for easier versioning and collaboration in all your design projects. Integrated Adobe Online Services—Access and download professional Adobe Stock Photos, and share and print online with Adobe Photoshop Services.It’s Your Photoshop Photoshop CS2 takes adaptability to another level, with new customization and assistance options to let you modify the environment to suit both your personal preferences and the requirements of specific projects.Menu Customization—Photoshop CS2 comes equipped with many presets already optimized for specific task-based workflows. Plus, you can now define your own menu sets, create color-keyed menu commands, and store your custom interface settings in saved workspaces for easy switching between sets.Action!—Enjoy new scripts and actions facilitating batch processing and film and video production.Variables—Streamline the creation of repetitive graphics, by automatically populating your designs with data imported from spreadsheets and databases, or defined directly in Photoshop CS2.Event-Based Scripting—Expand your automated control. Set Photoshop CS2 to consistently perform the actions you want at the workflow points you specify, all in a single interface.Adobe Help Center—The new Adobe Help Center floats above Photoshop CS2 in its own window, making it easier to use its improved search features and task-based help topics.Adobe Photoshop CS2 — The ultimate level of precision, control and creative freedom in everything you do. 2Camera Manufacturer Raw SupportAdobe Camera Raw is compatible with most raw-capable digital cameras, including models from:CanonContaxFujifilmKodakKonica MinoltaLeafLeicaNikonOlympusPanasonicPentaxSigmaSonyFor an up to date list ofsupported camera models,please visit:/products/photoshop/cameraraw.html Adobe Systems Incorporated 345 Park Avenue San Jose, CA 95110-2704 USA World Wide Web This document was created with Adobe InDesign® CS software and font software from the Adobe Type Library.© 2005 Adobe Systems Incorporated. All rights reserved.Adobe, the Adobe logo, Acrobat, GoLive, Illustrator, ImageReady, InDesign, Photoshop, Reader, and Version Cue are either registered trademarks or trade-marks of Adobe Systems Incorporated in the United States and/or other countries. Microsoft and Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Macintosh and Mac are trademarks of Apple Computer, Inc., registered in the United States and other countries. Intel, Pentium and Xeon are trademarks or registered trademarks of Intel Corporation in the U.S. and other countries. Power PC is a trademark of International Business Machines Corporation in the United States and/or other countries. Flash is a trademark or registered trademark of Macromedia, Inc. in the United States and/or other countries. AMD, Athlon and Opteron are trademarks of Advanced Micro Devices, Inc. All other trademarks are the property of their respective owners. 01/05 System RequirementsMacintosh• PowerPC® processor (G3, G4or G5)• Mac OS® X version 10.2.8through 10.3.8 (10.3.4 through10.3.8 recommended)• 320 MB of RAM (384 MBrecommended)• 750 MB of available hard diskspace• 1024x768 monitor resolutionwith 16-bit video card• CD-ROM drive• Internet or phone connectionrequired for product activationWindows®• Intel® Xeon, Xeon Dual,Centrino, Pentium® class III or4 processor• Microsoft® Windows® 2000with Service Pack 4 or WindowsXP with Service Pack 1 or 2• 320 MB of RAM (384 MBrecommended)• 650 MB of available hard diskspace• 1024x768 monitor resolutionwith 16-bit video card• CD-ROM drive• Internet or phone connectionrequired for product activation。

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