Editor R. de la Llave Existence of Ground State Configurations

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关于什么是慷慨的英语作文

关于什么是慷慨的英语作文

In the tapestry of human virtues, generosity stands out as a vibrant thread, weaving together the rich fabric of our communities. It is a quality that transcends cultural, social, and economic boundaries, touching the lives of individuals in profound and meaningful ways. My journey through the understanding of generosity has been a personal odyssey, marked by experiences that have shaped my perspective on this noble attribute.Growing up, I was fortunate to be surrounded by people who exemplified the spirit of giving. My parents, with their quiet yet consistent acts of kindness, taught me the value of sharing without expecting anything in return. They would often donate to charities, volunteer at local shelters, and help neighbors in need. Their actions were not grand gestures designed for public recognition but small, everyday acts of compassion that spoke volumes about their character.One incident that stands out in my memory is when a family in our neighborhood faced a devastating house fire. Overnight, they lost everything they owned. The community rallied around them, and my family was at the forefront, offering not just material support but emotional solace as well. I remember my mother spending hours consoling the distraught family, while my father and I helped sort through donations and organize a fundraiser. It was a humbling experience that opened my eyes to the power of generosity in times of crisis.As I grew older, my understanding of generosity expanded beyond the confines of my immediate community. Through books, documentaries, and news, I learned about individuals who had made significant contributionsto society, not for personal gain but for the collective good. Figures like Mother Teresa, who dedicated her life to serving the poor and the sick, and Bill Gates, who pledged a substantial portion of his wealth to philanthropy, inspired me to think about generosity on a global scale.In high school, I had the opportunity to participate in a student exchange program, which allowed me to travel to a different country and experience a new culture. This exposure broadened my horizons and deepened my appreciation for the diversity of human experiences. I was struck by the warmth and generosity of the host family, who welcomed me into their home with open arms despite our cultural differences. They shared their traditions, stories, and even their limited resources with me, showing that generosity is a universal language that knows no borders.The concept of generosity is not limited to material giving. It encompasses emotional, intellectual, and even spiritual forms of sharing. I have seen friends offer a listening ear to someone in distress, teachers dedicate extra hours to help a struggling student, and strangers give up their seats on public transport for the elderly or pregnant women. These acts, though seemingly small, are testaments to the human capacity for empathy and selflessness.In my own life, I have tried to embody the spirit of generosity. Whether its volunteering at a local food bank, helping a classmate with their homework, or simply offering a word of encouragement to someone who needs it, I strive to make a positive impact on the lives of those around me.I have found that in giving, I receive an immeasurable sense of fulfillmentand joy.Generosity is not without its challenges. It requires a willingness to look beyond ones own needs and consider the wellbeing of others. It demands humility, as it often involves putting others before oneself. Yet, the rewards of living a generous life are immeasurable. It fosters a sense of community, strengthens social bonds, and contributes to a more harmonious society.In conclusion, generosity is a multifaceted virtue that enriches our lives in countless ways. It is a testament to our humanity, our capacity to care for one another, and our desire to make the world a better place. As I continue on my journey, I am committed to nurturing this quality within myself and encouraging others to do the same. For in the end, it is through our collective acts of generosity that we can truly make a difference in the lives of those around us and leave a lasting legacy of kindness and compassion.。

literature的英语作文

literature的英语作文

Literature is an integral part of human culture,reflecting the thoughts,emotions,and experiences of individuals and societies.It is a medium through which we can explore the complexities of the human condition,gain insights into different cultures and histories, and understand the world from various perspectives.Here are some key aspects to consider when writing an essay on literature:1.Themes and Motifs:Discuss the central themes and recurring motifs in the work.How do these elements contribute to the overall meaning of the text?Consider how the author uses these themes to convey messages or explore universal human experiences.2.Character Analysis:Delve into the characters of the work,examining their personalities,motivations,and development throughout the narrative.How do the characters interact with one another,and how do their relationships drive the plot?3.Plot and Structure:Analyze the plot of the work,including the sequence of events, conflicts,and resolutions.Consider the structure of the narrative,such as whether it is linear or nonlinear,and how this affects the readers engagement with the story.4.Setting and Atmosphere:Explore the setting of the work and how it contributes to the atmosphere.Discuss the importance of the time period,location,and social context in which the story takes place,and how these elements influence the characters and events.5.Style and Language:Examine the authors use of language,including diction,syntax, and rhetorical devices.How does the style of writing affect the tone and mood of the work?Consider the use of imagery,symbolism,and figurative language.6.Narrative Perspective:Discuss the point of view from which the story is told.Is it firstperson,thirdperson,or omniscient?How does the narrative perspective affect the readers understanding of the events and characters?7.Cultural and Historical Context:Place the work within its cultural and historical context.How does the work reflect the values,beliefs,and social issues of the time in which it was written?Consider any historical events or cultural practices that may have influenced the authors writing.8.Symbolism and Allegory:Analyze any symbols or allegorical elements in the work. How do these contribute to the deeper meanings of the text?Discuss how the author uses these devices to convey complex ideas or critique society.9.Influence and Legacy:Consider the influence of the work on later literature and itslasting impact on readers.How has the work been received by critics and audiences,and what makes it enduring or significant?10.Personal Response:Reflect on your personal response to the work.How did the work affect you as a reader?What emotions or thoughts did it evoke,and why do you think the authors choices were effective or ineffective?When writing your essay,ensure that you provide specific examples from the text to support your analysis.Engage with the work critically,but also express your own interpretations and insights.Remember to structure your essay logically,with a clear introduction,body paragraphs that explore each aspect in depth,and a conclusion that summarizes your main points and offers a final reflection on the work.。

介绍郁达夫的书籍英文作文

介绍郁达夫的书籍英文作文

介绍郁达夫的书籍英文作文"English:"Yu Dafu, a prominent figure in modern Chinese literature, has left an indelible mark on the literary landscape with his profound and poignant works. Born in 1896 in Fuyang, Zhejiang Province, Yu Dafu's literary career blossomed during the early 20th century, a time of great social and cultural upheaval in China.One of Yu Dafu's most celebrated works is his novella "Sinking." This poignant tale delves into the complexities of human relationships and the existential struggles faced by individuals in a rapidly changing society. Through vivid imagery and lyrical prose, Yu Dafu explores themes of love, loss, and alienation, striking a chord with readers both in China and abroad.Another notable work by Yu Dafu is his short story "Spring in a Small Town." Set in the aftermath of theSecond Sino-Japanese War, this poignant tale revolves around the lives of characters grappling with the devastation of war and the challenges of rebuilding their lives amidst the ruins. The story's exploration of love, betrayal, and forgiveness has earned it a place as one of the masterpieces of modern Chinese literature.Yu Dafu's writing style is characterized by its emotional depth, lyrical language, and keen insight into the human condition. His ability to capture the complexities of human emotions and the nuances of interpersonal relationships has earned him a reputation as one of China's foremost literary talents.In addition to his fiction writing, Yu Dafu was also a prolific essayist, exploring a wide range of topics including literature, society, and culture. His essays are marked by their intellectual rigor and thought-provoking insights, shedding light on the cultural and intellectual currents of his time.Overall, Yu Dafu's contributions to Chinese literatureare immense, and his works continue to resonate withreaders today, offering profound insights into the human experience."中文,"郁达夫,现代中国文学的重要人物,以他深邃而感人的作品在文学领域留下了不可磨灭的印记。

EDITOR’S_LETTER

EDITOR’S_LETTER

industry. We tackle overpackaging—a ubiquitous yet overlooked problem in China’s consumer economy—and find out what spooked China’s domestic movie market from making good horror films, and more.Copyright©博看网. All Rights Reserved.COVER STORY26While young singles bemoan the lack oftime and money to find a mate, Beijing’s Changpuhe Park hosts a different group of lonely hearts: retirees who’ve fulfilled their family duties, want company and mutual care in their old age, and hold some surprising views on love and relationships.TWILIGHT LOVE48 相亲公园里的寻爱老人们CopyrightWALKING ON FIREThe harvest is a time of thanksgiving all around rural China, but the villagers of Zhongtuan, Fujian province, prefer to show gratitude in a peculiar way: byperforming dangerous acrobatics of ancient origins, such as walking barefoot on hot coals and climbing 18 KALEIDOSCOPE“上刀山下火海”:福建武平独特的民俗绝技Copyright286 ZOETROPE54 ON THE ROADWHERE EMPIRES MEETA CHINESE HORROR STORYOn rating platforms, China’s top-ranked horror movie dates from 1935, while neighbors like Japan and Korea havebecome powerhouses in the genre. What’s spooked China’s homegrown horrormarket, and can it ever make an original, culturally distinct, and truly terrifying film?大连旅顺游:不只是打卡景点Formerly a seaport contested by three empires, Lüshunkou is now a district of Dalian boasting century-old colonial architecture. But as the photogenic中国特色恐怖片Copyright ©博看网. All Rights Reserved.。

Pound,Ezra(1920)HughSelwynMauberley…

Pound,Ezra(1920)HughSelwynMauberley…

Pound, Ezra (1920) Hugh Selwyn MauberleyHugh SelwynMauberleyBYE. P.THE OVID PRESS 1920"VOCAT ÆSTUS IN UMBRAM"Nemesianus Ec. IV.H. S. Mauberley(LIFE AND CONTACTS)Transcriber's note: Ezra Pound’s Hugh Selwyn Mauberley contains accents, diphthongs and Greek characters. Facsimile images of the poems as originally published are freely available online from the Internet Archive. Please use these images to check for any errors or inadequacies in this electronic text.MAUBERLEYCONTENTSPart I.________Ode pour l'élection de son sepulcher II. III. IV. V. Yeux Glauques "Siena mi fe', disfecemi Maremma" Brennbaum Mr. Nixon X. XI. XII.____________ENVOI1919____________Part II. 1920 (Mauberley)I.II.III. "The age demanded"IV.V. MedallionE.P. ODE POUR SELECTION DE SON SEPULCHREFOR three years, out of key with his time,He strove to resuscitate the dead artOf poetry; to maintain "the sublime"In the old sense. Wrong from the start—No hardly, but, seeing he had been bornIn a half savage country, out of date;Bent resolutely on wringing lilies from the acorn;Capaneus; trout for factitious bait;ἴδµενγάρτοιπάνπάνθ', όσ' ένιΤροίηCaught in the unstopped ear;Giving the rocks small lee-wayThe chopped seas held him, therefore, that year.His true Penelope was Flaubert,He fished by obstinate isles;Observed the elegance of Circe's hairRather than the mottoes on sun-dials. Unaffected by "the march of events,"He passed from men's memory in l'an trentiesme De son eage; the case presentsNo adjunct to the Muses' diadem.II.THE age demanded an imageOf its accelerated grimace,Something for the modern stage,Not, at any rate, an Attic grace;Not, not certainly, the obscure reveriesOf the inward gaze;Better mendacitiesThan the classics in paraphrase!The "age demanded" chiefly a mould in plaster, Made with no loss of time,A prose kinema, not, not assuredly, alabasterOr the "sculpture" of rhyme.III.THE tea-rose tea-gown, etc.Supplants the mousseline of Cos,The pianola "replaces"Sappho's barbitos.Christ follows Dionysus,Phallic and ambrosialMade way for macerations;Caliban casts out Ariel.All things are a flowing,Sage Heracleitus says;But a tawdry cheapnessShall reign throughout our days.Even the Christian beautyDefects—after Samothrace;We see τοκαλόνDecreed in the market place.Faun's flesh is not to us,Nor the saint's vision.We have the press for wafer;Franchise for circumcision.All men, in law, are equals.Free of Peisistratus,We choose a knave or an eunuchTo rule over us.O bright Apollo,τίν' άνδρα, τίν' ήρωα, τίναθεον,What god, man, or heroShall I place a tin wreath upon!IV.THESE fought, in any case, and some believing, pro domo, in any case . . Some quick to arm, some for adventure, some from fear of weakness, some from fear of censure, some for love of slaughter, in imagination, learning later . . .some in fear, learning love of slaughter; Died some "pro patria, non dulce non et decor". .walked eye-deep in hell believing in old men's lies, then unbelieving came home, home to a lie, home to many deceits, home to old lies and new infamy;usury age-old and age-thick and liars in public places.Daring as never before, wastage as never before.Young blood and high blood,Fair cheeks, and fine bodies;fortitude as never beforefrankness as never before, disillusions as never told in the old days, hysterias, trench confessions, laughter out of dead bellies.V.THERE died a myriad,And of the best, among them,For an old bitch gone in the teeth,For a botched civilization,Charm, smiling at the good mouth,Quick eyes gone under earth's lid,For two gross of broken statues,For a few thousand battered books.YEUX GLAUQUESGLADSTONE was still respected,When John Ruskin produced"Kings Treasuries"; SwinburneAnd Rossetti still abused.Fœtid Buchanan lifted up his voiceWhen that faun's head of hersBecame a pastime forPainters and adulterers.The Burne-Jones cartonsHave preserved her eyes;Still, at the Tate, they teachCophetua to rhapsodize;Thin like brook-water,With a vacant gaze.The English Rubaiyat was still-bornIn those days.The thin, clear gaze, the sameStill darts out faun-like from the half-ruin'd fac Questing and passive …."Ah, poor Jenny's case"…Bewildered that a worldShows no surpriseAt her last maquero'sAdulteries."SIENA MI FE', DISFECEMI MAREMMA" AMONG the pickled foetuses and bottled bones, Engaged in perfecting the catalogue,I found the last scion of theSenatorial families of Strasbourg, Monsieur Verog. For two hours he talked of Gallifet;Of Dowson; of the Rhymers' Club;Told me how Johnson (Lionel) diedBy falling from a high stool in a pub . . .But showed no trace of alcoholAt the autopsy, privately performed—Tissue preserved—the pure mindArose toward Newman as the whiskey warmed.Dowson found harlots cheaper than hotels;Headlam for uplift; Image impartially imbuedWith raptures for Bacchus, Terpsichore and the Church. So spoke the author of "The Dorian Mood",M. Verog, out of step with the decade,Detached from his contemporaries,Neglected by the young,Because of these reveries.BRENNBAUM.THE sky-like limpid eyes,The circular infant's face,The stiffness from spats to collarNever relaxing into grace;The heavy memories of Horeb, Sinai and the forty years, Showed only when the daylight fellLevel across the faceOf Brennbaum "The Impeccable".MR. NIXONIN the cream gilded cabin of his steam yachtMr. Nixon advised me kindly, to advance with fewer Dangers of delay. "Consider"Carefully the reviewer."I was as poor as you are;"When I began I got, of course,"Advance on royalties, fifty at first", said Mr. Nixon, "Follow me, and take a column,"Even if you have to work free."Butter reviewers. From fifty to three hundred"I rose in eighteen months;"The hardest nut I had to crack"Was Dr. Dundas."I never mentioned a man but with the view"Of selling my own works."The tip's a good one, as for literature"It gives no man a sinecure."And no one knows, at sight a masterpiece.And give up verse, my boy,There's nothing in it.* * *Likewise a friend of Bloughram's once advised me:Don't kick against the pricks,Accept opinion. The "Nineties" tried your game And died, there's nothing in it.X.BENEATH the sagging roofThe stylist has taken shelter,Unpaid, uncelebrated,At last from the world's welterNature receives him,With a placid and uneducated mistressHe exercises his talentsAnd the soil meets his distress.The haven from sophistications and contentions Leaks through its thatch;He offers succulent cooking;The door has a creaking latch.XI."CONSERVATRIX of Milésien"Habits of mind and feeling,Possibly. But in EalingWith the most bank-clerkly of Englishmen? No, "Milésien" is an exaggeration.No instinct has survived in herOlder than those her grandmotherTold her would fit her station.XII."DAPHNE with her thighs in barkStretches toward me her leafy hands",— Subjectively. In the stuffed-satin drawing-room I await The Lady Valentine's commands, Knowing my coat has never beenOf precisely the fashionTo stimulate, in her,A durable passion;Doubtful, somewhat, of the valueOf well-gowned approbationOf literary effort,But never of The Lady Valentine's vocation: Poetry, her border of ideas,The edge, uncertain, but a means of blending With other strataWhere the lower and higher have ending;A hook to catch the Lady Jane's attention,A modulation toward the theatre,Also, in the case of revolution,A possible friend and comforter.* * *Conduct, on the other hand, the soul"Which the highest cultures have nourished"To Fleet St. whereDr. Johnson flourished;Beside this thoroughfareThe sale of half-hose hasLong since superseded the cultivationOf Pierian roses.ENVOI (1919)GO, dumb-born book,Tell her that sang me once that song of Lawes; Hadst thou but songAs thou hast subjects known,Then were there cause in thee that should condone Even my faults that heavy upon me lieAnd build her glories their longevity.Tell her that shedsSuch treasure in the air,Recking naught else but that her graces giveLife to the moment,I would bid them liveAs roses might, in magic amber laid,Red overwrought with orange and all madeOne substance and one colourBraving time.Tell her that goesWith song upon her lipsBut sings not out the song, nor knowsThe maker of it, some other mouth,May be as fair as hers,Might, in new ages, gain her worshippers,When our two dusts with Waller's shall be laid, Siftings on siftings in oblivion,Till change hath broken downAll things save Beauty alone.1920(MAUBERLEY)I.TURNED from the "eau-fortePar Jaquemart"To the strait headOf Mcssalina:"His true PenelopeWas Flaubert",And his toolThe engraver'sFirmness,Not the full smile,His art, but an artIn profile;ColourlessPier Francesca,Pisanello lacking the skillTo forge Achaia.II."Qu'est ce qu'ils savent de l'amour, et gu'est ce qu'ils peuvent comprendre? S'ils ne comprennent pas la poèsie, s'ils ne sentent pas la musique, qu'est ce qu'ils peuvent comprendre de cette pas- sion en comparaison avec laquelle la rose est grossière et le parfum des violettes un tonnerre?" CAID ALIFOR three years, diabolus in the scale,He drank ambrosia,All passes, ANANGKE prevails,Came end, at last, to that Arcadia.He had moved amid her phantasmagoria,Amid her galaxies,NUKTIS AGALMADrifted….drifted precipitate,Asking time to be rid of….Of his bewilderment; to designateHis new found orchid….To be certain….certain…(Amid aerial flowers)..time for arrangements—Drifted onTo the final estrangement;Unable in the supervening blanknessTo sift TO AGATHON from the chaffUntil he found his seive…Ultimately, his seismograph:—Given, that is, his urgeTo convey the relationOf eye-lid and cheek-boneBy verbal manifestation;To present the seriesOf curious heads in medallion—He had passed, inconscient, full gaze,The wide-banded irisesAnd botticellian sprays impliedIn their diastasis;Which anæsthesis, noted a year late,And weighed, revealed his great affect, (Orchid), mandateOf Eros, a retrospect.. . .Mouths biting empty air,The still stone dogs,Caught in metamorphosis were,Left him as epilogues."THE AGE DEMANDED"VIDE POEM II.FOR this agility chance foundHim of all men, unfitAs the red-beaked steeds ofThe Cytheræan for a chain-bit.The glow of porcelainBrought no reforming senseTo his perceptionOf the social inconsequence.Thus, if her colourCame against his gaze,Tempered as ifIt were through a perfect glazeHe made no immediate applicationOf this to relation of the stateTo the individual, the month was more temperate Because this beauty had been……The coral isle, the lion-coloured sandBurst in upon the porcelain revery:Impetuous troublingOf his imagery.……Mildness, amid the neo-Neitzschean clatter,His sense of graduations,Quite out of place amidResistance to current exacerbationsInvitation, mere invitation to perceptivity Gradually led him to the isolationWhich these presents placeUnder a more tolerant, perhaps, examination.By constant eliminationThe manifest universeYielded an armourAgainst utter consternation,A Minoan undulation,Seen, we admit, amid ambrosial circumstances Strengthened him againstThe discouraging doctrine of chancesAnd his desire for survival,Faint in the most strenuous moods,Became an Olympian apatheinIn the presence of selected perceptions.A pale gold, in the aforesaid pattern,The unexpected palmsDestroying, certainly, the artist's urge,Left him delighted with the imaginaryAudition of the phantasmal sea-surge,Incapable of the least utterance or composition, Emendation, conservation of the "better tradition", Refinement of medium, elimination of superfluities, August attraction or concentration.Nothing in brief, but maudlin confession Irresponse to human aggression,Amid the precipitation, down-floatOf insubstantial mannaLifting the faint susurrusOf his subjective hosannah.Ultimate affronts to human redundancies;Non-esteem of self-styled "his betters" Leading, as he well knew,To his finalExclusion from the world of letters. IV.SCATTERED MoluccasNot knowing, day to day,The first day's end, in the next noon; The placid waterUnbroken by the Simoon;Thick foliagePlacid beneath warm suns,Tawn fore-shoresWashed in the cobalt of oblivions;Or through dawn-mistThe grey and roseOf the juridicalFlamingoes;A consciousness disjunct,Being but this overblottedSeriesOf intermittences;Coracle of Pacific voyages,The unforecasted beach:Then on an oarRead this:"I wasAnd I no more exist;Here driftedAn hedonist."MEDALLIONLUINI in porcelain!The grand pianoUtters a profaneProtest with her clear soprano.The sleek head emergesFrom the gold-yellow frockAs Anadyomene in the opening Pages of Reinach.Honey-red, closing the face-ovalA basket-work of braids which seem as if they wereSpun in King Minos' hallFrom metal, or intractable amber;The face-oval beneath the glaze,Bright in its suave bounding-line, asBeneath half-watt raysThe eyes turn topaz.THIS EDITION OF 200 COPIES IS THE THIRD BOOK OF THE OVID PRESS: WAS PRINTED BY JOHN RODKER: AND COMPLETED APRIL 23RD. 1920OF THIS EDITION:—15 Copies on Japan Vellum numbered 1-15 & not for sale. 20 Signed copies numbered 16-35 165 Unsigned copies numbered 36-200The initials & colophon by E. Wadsworth.The · OVID · PRESS43 BELSIZE PARK GARDENSLONDON N.W.3End of the Project Gutenberg EBook of Hugh Selwyn Mauberley, by Ezra Pound*** END OF THIS PROJECT GUTENBERG EBOOK HUGH SELWYN MAUBERLEY ***。

留下史书照尘寰用在英语作文里

留下史书照尘寰用在英语作文里

留下史书照尘寰用在英语作文里In the tapestry of human history, countless individuals have woven their unique threads, leaving behind legacies that continue to inspire and guide generations to come. Amidst the vast panorama of such luminaries, there stands a figure whose writings have cast an enduring light upon the annals of our civilization, his words illuminating the corridors of time with their wisdom and eloquence.This literary titan, a master of language and a keen observer of the human condition, has etched his name upon the pages of history with an imprint as indelible as the stars in the night sky. His writings, characterized bytheir profound insights, incisive wit, and timeless relevance, have transcended the boundaries of time and space, captivating readers across continents and centuries alike.Through the lens of his masterful prose, he has laid bare the intricate workings of the human heart, exposingthe frailties, aspirations, and paradoxes that define our collective existence. His characters, drawn with unparalleled depth and nuance, leap from the page as if imbued with a life of their own, their struggles and triumphs resonating with readers from all walks of life.Furthermore, his works extend beyond the realm of mere storytelling, delving into the complexities of history, politics, and the human psyche. With a keen eye for detail and an unwavering commitment to truth, he has chronicled the rise and fall of empires, laid bare the machinations of power, and challenged the prevailing norms of his time.His writings have served as a beacon of enlightenment, casting a discerning light upon the foibles and triumphs of human nature. They have shaped our understanding of ourselves, our world, and our place within the grand tapestry of history. Through his words, we have gained a deeper appreciation for the beauty of language, the power of imagination, and the enduring legacy of human thought.Generations of scholars, writers, and thinkers havedrawn inspiration from his works, finding solace, wisdom, and guidance within his prose. His words have been translated into countless languages, reaching audiences far and wide, transcending cultural and linguistic barriers to touch the hearts and minds of people from all corners of the globe.In the face of adversity and changing times, his writings have remained an unwavering source of strength and resilience. They have provided solace during periods of turmoil, ignited revolutions, and inspired countless individuals to strive for a better world. His words have become synonymous with truth, justice, and the indomitable spirit that resides within each of us.As the echoes of his words continue to reverberate through the corridors of time, his legacy endures as a testament to the transformative power of literature. His writings have left an indelible mark upon the hearts and minds of humanity, shaping our collective consciousness and inspiring us to reach for the stars.In the tapestry of human history, his name is woven with threads of gold, a testament to his enduring brilliance. His words, like an eternal flame, continue to illuminate the path forward, guiding us towards a future where the human spirit reigns supreme.。

what is it famous for的意思

what is it famous for的意思

what is it famous for的意思What Is It Famous For?IntroductionWhen encountering the question "What is it famous for?", we are invited to explore and uncover the unique aspects or achievements for a particular subject. This could be a person, a landmark, a city, or even a country. In this article, we will dive into the significance and distinguishing characteristics that make something or someone famous without explicitly stating the subject. By delving into its history, cultural contributions, and unparalleled features, we aim to discover its essence and understand why it has garnered fame and recognition.Historical SignificanceThe subject's historical significance plays a pivotal role in establishing its fame. Through significant events and outstanding achievements, it becomes engraved in the annals of history. This subject has a remarkable past that has shaped its influence and garnered international recognition. The historical heritage it holds resonates with people from various backgrounds, making it a treasure trove of cultural significance.Cultural ContributionsBeyond its historical value, the subject is renowned for its rich cultural contributions. It has given birth to a plethora of artistic talents, whose works have transcended time and continue to captivate audiences globally. Whether it be literature, music, visual arts, or performing arts, this subjecthas become a muse for countless influential creatives. Its vibrant cultural scene and contributions have made a lasting impact on the world's artistic landscape.Natural and Architectural WondersNotably, this subject boasts breathtaking natural and architectural wonders that have become iconic symbols. Its natural landscapes showcase an awe-inspiring blend of mountains, rivers, forests, and coastlines, offering a picturesque backdrop for visitors and locals alike. These natural wonders have not only attracted tourists but have also provided researchers and scientists with valuable environmental and ecological resources.The architectural wonders that dot the subject's landscape further boost its fame. From ancient temples and palaces to modern skyscrapers, the subject embodies a harmonious mix of tradition and innovation. These architectural marvels not only serve as remarkable structures but also represent the subject's unwavering commitment to preserving its rich heritage while embracing the future.Culinary DelightsAnother aspect that has contributed to the subject's fame is its culinary delights. Its cuisine is renowned for its unique flavors, diverse ingredients, and meticulous preparation techniques. Each dish tells a story, reflecting the subject's cultural heritage and regional specialties. Food enthusiasts from around the world flock to experience the subject's gastronomic treasures, as its cuisine continues to tantalize taste buds and leave a lasting impression.Global InfluenceThe subject's significant influence extends far beyond its borders. It has left an indelible mark on various aspects of society, spanning politics, economics, technology, and sports. Through its notable figures, inventions, and international events, the subject has become a global reference point, continuously shaping and influencing the course of history.Tourism MagnetLastly, the fame of this subject is partly due to its allure as a tourism magnet. People from all corners of the globe visit to witness its marvels firsthand. The subject's fame has turned it into a bustling tourist destination, with visitors seeking to immerse themselves in its vibrant culture, explore its historical sites, indulge in its cuisine, and witness its natural wonders. Tourism not only contributes to the subject's economy but also fosters cultural exchange and cross-cultural understanding.ConclusionIn conclusion, we have delved into the various factors that contribute to the fame of a subject without explicitly mentioning what it is. Through its historical significance, cultural contributions, natural and architectural wonders, culinary delights, global influence, and allure as a tourism magnet, this subject has garnered international recognition. While the specific subject remains undisclosed, we have explored the universal elements that can make anything or anyone famous.。

蝴蝶与少女观后感英语作文

蝴蝶与少女观后感英语作文

Butterflies and the Maiden is a film that has captivated audiences with its enchanting narrative and visual splendor.Here are some reflections on the film that could be included in an English essay:1.Introduction to the Film:The essay could begin by introducing the film,mentioning its director,the year of release,and the genre.It could also provide a brief overview of the plot without giving away too many spoilers.2.Character Analysis:One of the most engaging aspects of the film is its characters.The essay could delve into the main character,the maiden,and her journey of selfdiscovery and growth.The transformation she undergoes throughout the film can be analyzed in detail.3.Symbolism of Butterflies:Butterflies are often used as a symbol of change and transformation.The essay could explore how this symbolism is woven into the narrative and how it reflects the themes of the film.4.Cinematography and Visual Effects:The films stunning visuals are a highlight.The essay could discuss the cinematography,the use of color,and the visual effects that contribute to the dreamlike quality of the film.5.Soundtrack and Music:Music plays a significant role in setting the mood of a film. The essay could comment on the films soundtrack,how it complements the scenes,and the emotional impact it has on the audience.6.Themes and Messages:The essay could explore the deeper themes and messages of the film,such as the struggle between conformity and individuality,the power of dreams,and the importance of embracing change.7.Cultural and Historical Context:If the film is set in a specific cultural or historical context,the essay could discuss how this setting influences the story and the characters actions.8.Personal Reflection:The essay could include a personal reflection on how the film resonated with the writer,what lessons were learned,and how the film might influence their perspective on life.9.Conclusion:The conclusion could summarize the main points discussed in the essay and offer a final thought on the films impact and significance.10.Recommendation:Ending with a recommendation for others to watch the film, especially if its thoughtprovoking or has a unique artistic vision.Remember to maintain a formal tone throughout the essay and to provide specific examples from the film to support your analysis.。

关于皮埃尔狄盖的英语作文

关于皮埃尔狄盖的英语作文

关于皮埃尔狄盖的英语作文Pierre Dugua de Mons, also known as Sieur de Mons, was a French merchant, explorer, and colonizer who played a significant role in the early French colonization of North America. Dugua was born in the city of Royan, France, in 1558. He was a Protestant, and his religious beliefs led to his involvement in the Huguenot struggles in France. In the late 16th century, Dugua became involved in the fur trade in North America, and he eventually formed a partnership with the explorer Samuel de Champlain.In 1604, Dugua and Champlain were granted a fur trade monopoly in New France, which included the territory of Acadia (present-day Nova Scotia, New Brunswick, and Prince Edward Island). Dugua established the first French settlement in North America at Île-Saint-Croix (in present-day Maine), but the harsh winter and lack of supplies led to the loss of many lives. In 1605, the settlement was relocated to Port-Royal (in present-day Nova Scotia), where it thrived as a center for fur trading and exploration.Dugua's most significant contribution to the French colonization of North America was his establishment of thefirst permanent French settlement in North America at Port-Royal. This laid the foundation for future French exploration and settlement in the region. Dugua also played a key role in establishing friendly relations with the Indigenous peoples of the region, which was essential for the success of French colonization efforts.In 1608, Dugua and Champlain founded the city of Quebec, which became the capital of New France. Dugua continued to be involved in the fur trade and exploration in North America, but financial difficulties led to the revocation of his fur trade monopoly in 1607. Despite this setback, Dugua remained involved in French colonial ventures and continued to support exploration and settlement in North America.Dugua's legacy in the history of North American colonization is significant. His efforts laid the groundwork for the establishment of French settlements and the fur trade in the region, and his friendly relations with the Indigenous peoples set a positive example for future interactions between Europeans and Indigenous peoples. Dugua's contributions to the early French colonization of North America are an important part of the history of the region and continue to be remembered and studied today.皮埃尔·迪格瓦·德·蒙斯,又称蒙斯先生,是一位法国商人,探险家和殖民者,他在北美的早期法国殖民化中起了重要作用。

劳雷尔的黄金时代-首位法裔加拿大首相的外交事务 The Golden Age of Laurier

劳雷尔的黄金时代-首位法裔加拿大首相的外交事务 The Golden Age of Laurier

Two major views on the issue
1)
The English-Canadian view Most supported imperialism Supporting imperialism did not necessarily mean they did not support Nationalism
Loyalty to one’s country


See reasons on page #40 Of course, some felt Canada should either be fully independent, or perhaps, even join the USA. However, they were minority English-Canadians.

French-English Relations Pre-Laurier

French always worried about losing their language/culture & being assimilated (justified?) Mé and Louis Riel tis
Laurier-Greenway Compromise



After election - Laurier-Greenway Compromise ~ “The Sunny Way” ½ hour of religious instruction at the end of the school day Teacher in the language of choice would be provided if 10 or more students French-Canadians very disappointed – view it as significant loss of French and catholic rights outside Quebec 1916 – Manitoba again makes English only language of instruction Let‟s read about this on page #41 - 42

创新力英语作文

创新力英语作文

Innovation is the driving force behind progress in any field,and in the realm of English composition,it plays a pivotal role.Here are some key elements that can enhance the innovativeness of an English essay:1.Originality of Ideas:Start with a fresh perspective or a unique angle on a common topic.This can be achieved by exploring lessdiscussed aspects or by applying a novel theoretical framework.2.Cultural Insights:Incorporate elements from different cultures to enrich the content. This not only makes the essay more interesting but also showcases the writers global outlook.3.Interdisciplinary Approach:Blend knowledge from various disciplines such as science, arts,or social sciences to create a multidimensional analysis of the topic.e of Metaphors and Similes:Employing figurative language can make abstract concepts more tangible and engaging for the reader.5.Innovative Structure:Instead of following the traditional introductionbodyconclusion format,experiment with different structures like a narrative,dialogue,or a series of short vignettes.6.Creative Use of Language:Play with language by using alliteration,assonance,or other literary devices to create a rhythmic and memorable writing style.7.Incorporation of Multimedia:If the medium allows,integrating visual or auditory elements can add a new dimension to the essay.8.Research and Evidence:Support your innovative ideas with solid research and evidence.This lends credibility to your arguments and makes your essay more persuasive.9.Personal Experiences:Weave personal anecdotes or experiences into the essay to give it a unique flavor and make it relatable to the reader.10.Critical Thinking:Challenge conventional wisdom and provoke thought by presenting counterarguments and engaging in a critical analysis of the topic.11.Humor:When appropriate,using humor can make the essay more enjoyable and memorable,while also demonstrating the writers wit.12.Visual Elements:If the platform supports it,consider using graphs,charts,or illustrations to support your points visually.13.Interactive Elements:For digital essays,consider incorporating interactive elements such as quizzes or polls to engage the reader.14.Reflection and SelfCritique:Show your thought process by including moments of reflection and selfcritique,which can make the essay more authentic and relatable.15.Call to Action:End the essay with a call to action that encourages the reader to think or act in a certain way,leaving a lasting impression.By incorporating these elements,your English composition can stand out for its innovative approach,engaging the reader in a thoughtprovoking and memorable way.。

真情慷慨流露的英语作文

真情慷慨流露的英语作文

In the realm of human emotions,generosity of spirit stands out as a beacon of light, illuminating the path of compassion and understanding.It is a virtue that transcends cultural and linguistic barriers,a universal language that speaks volumes without uttering a single word.The essence of true generosity lies in the selflessness with which it is offered.It is not the act of giving that defines generosity,but the intention behind it.When one gives without expecting anything in return,the act becomes a pure expression of love and kindness. This selfless giving is often referred to as giving without expecting,a concept that resonates deeply with the human spirit.In the context of relationships,generosity of spirit fosters deep bonds of trust and respect. It is the willingness to listen,to understand,and to empathize with anothers struggles and joys.It is the ability to put oneself in anothers shoes,to see the world through their eyes, and to respond with an open heart.Generosity also manifests in the small,everyday acts of kindness that make a significant difference in someones life.A warm smile,a helping hand,or a few words of encouragement can brighten someones day and remind them that they are not alone in their journey.Moreover,generosity of spirit is not limited to our interactions with other people.It extends to our relationship with the world around us.It is the recognition of our shared responsibility to care for the environment,to protect the vulnerable,and to work towards a more just and equitable society.In conclusion,the act of giving from a place of genuine generosity enriches not only the lives of those who receive but also the lives of those who give.It is a testament to the power of love and compassion to transform lives and to bring about positive change in the world.By cultivating a generous spirit,we can create a ripple effect of goodwill that touches the lives of many and leaves a lasting legacy of kindness and understanding.。

Editor’s notes

Editor’s notes

Journal of Landscape ResearchEditor’s notes“Chinese culture consists of southern school and northern school, Xu-Chuculture is a core of the southern school and has exerted direct infl uence on Wu andYue culture”, said Guo Moruo.For the prosperity of economic and social sectors, gardening activities in Xuzhouor of Xu people, that is, Xu-style gardens have had a long history. As early as theSpring and Autumn Period and the Warring States Period, many early forms ofgarden appeared in ancient Xuzhou region, imperial gardens and private gardens hadgrown in parallel during Qin and Han dynasties, and the fruits of Xu-style gardensspread wide to northern and southern China from the Three Kingdoms Period,Western and Easter Jin Dynasties, to Southern and Northern Dynasties. Since thenthe gardening concepts of “master nature” and “artistic concept” were summarizedon the basis of gardening practices, which was also the earliest written record ofChinese gardening concept of “master nature”. After the Tang and Song dynasties,Xu-style gardens dominated by folk gardens had grown mature, in addition to thesplendid and rough style of gardens in the Qin and Han dynasties, they had becomemore exquisite.Since the twenty-first century, Xuzhou City has devoted a lot to “ecologicalrestoration and city repair”. During the promotion of this project, Xu-style gardenshave inherited and developed the free natural landscape style and the honest,traditional and generous humanistic character, formed the properties of “natural,open-minded, solemn and elegant”, by taking Xuzhou style as the soul, solemnnessas the root, natural landscape as the shape, magnificence and elegance as theappearance. Study on the history, characteristics and culture of Xu-style gardensenables us to learn its outstanding features, apply these features in modern gardeningactivities and serve people in a better way.1。

法国科幻小说作文格式模板

法国科幻小说作文格式模板

法国科幻小说作文格式模板英文回答:Template for a French Science Fiction Essay。

I. Introduction。

Begin with a brief hook to grab the reader's attention.Introduce the topic of the essay and state its main argument or thesis statement.II. Body Paragraphs。

Develop each body paragraph around a specific point or subtopic related to the thesis.Provide evidence to support your claims, such as examples from the text, background information, or personal experiences.Use clear and concise language, transitioning smoothly between paragraphs.III. Conclusion。

Summarize the main points of the essay.Restate the thesis statement and reinforce its importance.Offer a closing thought or call to action.Formatting。

Use 12-point font, Times New Roman or Arial.Double-space the text.Indent the first line of each paragraph.Include page numbers.Use MLA or Chicago citation style for references.中文回答:法国科幻小说作文格式模板。

作家的原型英语作文

作家的原型英语作文

作家的原型英语作文The Prototype of a Writer。

Writers are often seen as mysterious and enigmatic figures, cloaked in the shadows of their own imagination. They are the architects of worlds, the weavers of dreams, and the creators of characters that live on long after the last page has been turned. But what is the prototype of a writer? What qualities and traits define those who are called to put pen to paper and bring their innermost thoughts and ideas to life?One of the most essential qualities of a writer is creativity. Writers are constantly searching for new and innovative ways to tell stories, to capture the imagination of their readers, and to convey their own unique perspective on the world. They are able to see beauty and meaning in the mundane, and to transform ordinary experiences into extraordinary works of art.Another key trait of a writer is empathy. Writers have the ability to put themselves in the shoes of others, to understand their struggles and triumphs, and to give voiceto those who are often silenced. They are able to create characters that are fully realized and complex, with their own hopes, dreams, and fears. Through their writing,writers are able to build bridges of understanding and compassion between people from all walks of life.Persistence is also a vital quality for a writer. The path to success in the world of writing is often long and arduous, filled with rejection and self-doubt. But writers are able to persevere in the face of adversity, to keep pushing forward even when the odds are stacked against them. They understand that failure is a necessary part of the creative process, and that each rejection is simply a stepping stone on the path to success.Lastly, writers possess a deep love of language and storytelling. They are captivated by the power of words, by the way they can evoke emotion, create images, andtransport the reader to far-off lands. Writers areconstantly honing their craft, seeking to improve their skills and find new ways to express themselves. They are voracious readers, always on the lookout for new voices and fresh perspectives to inspire their own work.In conclusion, the prototype of a writer is a complex and multifaceted individual, driven by a deep passion for storytelling and a desire to make sense of the world through the written word. Writers are creative, empathetic, persistent, and deeply in love with language. They are the architects of our dreams, the weavers of our stories, and the keepers of our most cherished memories.。

电影种类英语作文

电影种类英语作文

When discussing the various genres of films in English,its important to understand the wide range of categories that exist to cater to different tastes and preferences.Here is an overview of some of the most common film genres:1.Action Films:These movies are characterized by fastpaced,thrilling sequences,often involving physical feats,fights,and chases.They usually feature heroes who save the day through their physical prowess.edies:Comedies are designed to make audiences laugh.They can be slapstick, situational,or witty,and often involve humorous dialogue and characters.3.Dramas:Drama films are serious narratives that deal with reallife situations and emotions.They often explore deep themes and character development.4.Horror Films:These films aim to scare and unsettle the audience,often involving supernatural elements,monsters,or psychological terror.5.Science Fiction SciFi:SciFi movies explore imaginative and futuristic concepts,often involving space travel,time travel,or advanced technology.6.Fantasy Films:Fantasy films are set in worlds where magic and supernatural elements are common.They often feature mythical creatures and heroes on grand quests.7.Romance:Romance films focus on the development of a romantic relationship between characters,often culminating in a happy or tragic ending.8.Thrillers:Thrillers keep audiences on the edge of their seats with suspense,tension, and often a race against time to solve a mystery or prevent a disaster.9.Westerns:A genre that originated in the early20th century,Westerns are set in the American Old West and often involve cowboys,lawmen,and outlaws.10.Documentaries:These are nonfiction films that provide a factual record or report on a particular subject,often exploring social,political,or historical issues.11.War Films:War films depict war stories or military history.They can be actionpacked or introspective,focusing on the human side of war.12.Animation:Animated films use a variety of techniques to bring characters and stories to life,often appealing to both children and adults.13.Musicals:Musicals are films that integrate song and dance into the narrative,with characters often expressing their emotions through song.14.Adventure Films:Adventure movies often involve exploration or a quest,with characters facing challenges and obstacles in exotic locations.15.Mystery Films:Mystery films revolve around a puzzle that the characters must solve, often involving a detective or amateur sleuth.16.Biographical Films:These films tell the story of a real persons life,often focusing on significant events or periods in their life.17.Historical Films:Historical films are set in the past and aim to depict historical events, cultures,or people accurately.18.Crime Films:Crime films focus on criminal activities,often involving heists,law enforcement,or the criminal underworld.19.Family Films:Family films are suitable for all ages and often contain themes of adventure,friendship,and moral lessons.20.Superhero Films:Superhero films feature characters with extraordinary abilities, often battling villains to save the world.Each genre has its own conventions and tropes,and filmmakers often blend elements from different genres to create unique and engaging cinematic experiences. Understanding these genres can help you better appreciate the art of filmmaking and the diverse stories that can be told through the medium of film.。

关于书种类的英语作文初中

关于书种类的英语作文初中

Books are the treasures of human knowledge and wisdom, and they come in a variety of types to cater to different interests and needs. Here is a brief overview of some common types of books that one might encounter:1. Fiction: Fiction books tell madeup stories that can be based on real events or purely imaginative scenarios. They are often divided into genres such as mystery, romance, science fiction, and fantasy. Examples include Harry Potter by J.K. Rowling and To Killa Mockingbird by Harper Lee.2. Nonfiction: These books present factual information about real events, people, or concepts. They can include biographies, autobiographies, history books, and scientific texts. Steve Jobs by Walter Isaacson and A Brief History of Time by Stephen Hawking are popular examples.3. Poetry: Poetry books contain collections of poems, which are compositions written in a special rhythmic and expressive form. They can evoke emotions and provoke thought. Classic poetry collections include Leaves of Grass by Walt Whitman and The Waste Land by T.S. Eliot.4. Drama: Drama books contain plays, which are written to be performed by actors on stage. They are dialoguedriven and often explore complex themes and emotions. Shakespeares Hamlet and Romeo and Juliet are timeless examples.5. Graphic Novels and Comics: These books use a combination of text and illustrations to tell a story. They can range from superhero adventures to more serious narratives. Watchmen by Alan Moore and Maus by Art Spiegelman are notable graphic novels.6. Picture Books: Picture books are designed for younger readers and use illustrations to tell a story or explain a concept. They often have simple text to accompany the images. The Very Hungry Caterpillar by Eric Carle is a beloved picture book.7. Textbooks: Textbooks are educational books used in schools to teach specific subjects. They are comprehensive and cover a wide range of topics from mathematics to literature.8. Selfhelp Books: These books aim to provide guidance and advice to help readers improve their lives in various ways, such as personal development, relationships, or career advancement. The 7 Habits of Highly Effective People by Stephen Covey is a wellknown selfhelp book.9. Travel Guides: Travel guides provide information about destinations, including history,culture, attractions, and practical travel tips. The Lonely Planet series is a popular choice for travelers.10. Cookbooks: Cookbooks contain recipes and cooking instructions, often with additional information about ingredients and techniques. The Joy of Cooking by Irma S. Rombauer is a classic example.Each type of book offers a unique experience and can enrich our lives in different ways. Whether youre looking to be entertained, educated, or inspired, theres a book out there for everyone.。

作为重写的翻译

作为重写的翻译
• 但对文体理解阐释及表达时发挥的能动性方面论述较少。把翻译中的重写都归结到 翻译环境因素上,而译者能动性方面的因素却少能得到探查。
第14页/共16页
Thank you!
第15页/共16页
感谢您的欣赏!
第16页/共16页
第4页/共16页
重写的动机 • 意识形态性的(顺应或反叛主流意识形态) • 诗学性的(顺应或反叛主流诗学)
• eg:勒菲弗尔翻译俄默.伽亚姆的作品 • 认为自己应该译文中展现自由,同时使之更符合当时的西方文学的
规范
第5页/共16页
• 1.文学系统内的专业人员
翻译的功用 决定因素:
• 批判家
• 评论家
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诗学、意识形态与翻译
• 勒菲弗尔认为在翻译过程的每一个阶段,假如语言学方面 的考虑与意识形态或诗学的本质发生冲突的话,后者往往 占上风
• 译者的意识形态 • 目的语文化的主流诗学 • eg:阿里斯托芬的《利西斯塔》、安妮.弗兰克的日记
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• 勒菲弗尔的作为重写的翻译研究开启了新的视角,使研究者从仅仅关注文本内部因 素转向对文本外部因素的研究,拓展了翻译研究的视野,把翻译的研究从文本拓宽 到文化的领域。
本章简介
• 作为重写的翻译 • 翻译与性别 • 翻译与后殖民主义 • 理论家的意识形态
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作为重写的翻译
多元系统理论
理论来源 操纵学派
著作:勒菲弗尔《翻译、重写和文学名声的操控》 勒菲弗尔提出把翻译研究纳入多种重写和折射研究 的范畴之内,并在他的著作中指明翻译是译者对文 本的操纵,并系统论述了翻译的操纵观
• 勒菲弗尔将主流诗学剖析成两种成分 • 文学方法 • 文学作用的概念
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M P E JM P E JMathematical Physics Electronic JournalISSN1086-6655Volume10,2004Paper6Received:Mar10,2004,Accepted:Apr18,2004Editor:R.de la LlaveExistence of Ground State ConfigurationsCharles Radin1Department of Mathematics,University of Texas,1University Station C1200,Austin,TX78712-0257Abstract.We prove the existence of ground state configurations for systems of infinitely many particles interacting,in d-dimensional Euclidean space,through many-body potentials with hard core.1.IntroductionWe are concerned with systems of interacting particles in d-dimensional Eu-clidean space E d,d≥1,with particles of one or more species.We assume the interaction includes a hard core,which need not be spherically symmetric,so the system is perhaps better described as interacting molecules or bodies.We will assumefixed some Euclidean invariant interaction potentialφ,which associates an energyφ(C),in R∪+∞,to anyfinite collection C⊂E d of at least two bodies, subject to the weak conditions listed in the next section.Heuristically,we are looking for configurations x,spatially extended throughout E d,which minimize a global energy H(x)which is a sum of contributions,one for each particle/body b in x,of amount(1)ˆL(x;b)=−µ(b)+ C⊂x,C bφ(C),whereµ(b)is the chemical potential of b.There is no direct meaning to H(x)since in interesting cases it is infinite;instead we will use the traditional criterion for ground state configurations based on a form of local optimality for all local regions. To give a proper definition of ground state configurations wefirst need some notation.For each particle species i,of which there are M≥1,we assume given some body b i(that is,a compact,connected set with dense interior and boundary of zero volume,representing the hard core for that species)and chemical potential µi.We define X as the space of all possible packings of E d by congruent copies of the bodies,with the usual metrizable topology in which two packings are close if,within a large ball around the origin of E d,the two packings are uniformly close:that is,close in the Hausdorffmetric on compact sets[Ra1].(A collection of bodies forms a packing if their interiors do not intersect.)X is compact in that topology.Assume given a cube B⊂E d,and two packings x,y∈X.Then: N i[B;(y,x)]will denote the sum of the relative volumes vol(b∩B)/vol(b)of all those bodies b,of species i,such that either b∈y,or b∈x and the interior of b intersects the boundary∂B of B;¯N[B;(y,x)]={N i[B;(y,x)]};¯µ={µi};and ¯µ·¯N[B;(y,x)]= iµi N i[B;(y,x)].A related but more complicated quantity is the local potential energy defined as follows,using the notation v[A]to denote the volume,and i(A)the interior,of A⊂E d:E[B;(y,x)]= b∈y:b⊂B C bφ(C)+ b∈x:i(b)∩∂B=∅v[b∩B]This(traditional)criterion for a configuration x to be a minimizer for the global H is simply that it be locally stable:no change in x in afinite region can lower the contribution to H(x)associated with thatfinite region.One consequence is that a minimizing configuration has the lowest possible energy density,as computed by averaging over an expanding sequence of regions.The existence of such ground state configurations x is by no means obvious,and proof of their existence is our main result.(We compare this problem with the parallel one for lattice gas models in Section3.)The special cases of our result in whichφonly takes the values+∞and0and the chemical potentialsµi are taken to have special values(appropriate to the bodies b i),reduces to a theorem of Bowen[B]on completely saturated packings in E d.One example of this type to which we will refer is the following.Example1.Consider configurations in the plane of only one type of body,a unit square,with energy functionφconsisting only of the hard core,andµ=1.For this example it is easy to construct ground state configurations,for instance tilings of the plane.The example will be useful below in testing general strategies of proving the existence of ground state configurations.2.Statement and Proof of ResultsWe assume our Euclidean invariant interaction potentialφsatisfies the following general properties:i)There is some R,larger than twice the diameter of any of the b i,such thatφ(C)=0if there is no ball of radius R containing all the bodies of C;ii)φisfinite and continuous when restricted to the manifold of(positions and orientations of)packings of any givenfinite number,greater than2,of bodies of given species;iii)For pairs of bodies,φ=+∞if their interiors intersect,φisfinite and continuous when the pair does not intersect,and either:a)φisfinite and continuous on all packings of pairs;orb)φis bounded below,has value+∞for touching pairs,andφ→+∞as the separation of the pair vanishes.Our main result is the following.Theorem1.For any system of interacting particles/bodies with given interaction φsatisfying conditions i)–iii)and given chemical potentials¯µthere exists a trans-lation invariant probability measure mL ,on the space X of possible packings of thebodies,for which a set of full measure consists of ground state configurations. Proof.First we define a function p on X by:(4)p(x)= c(x),if the interior of a body˜b(x)of x contains O0,if no body of x contains O in its interior3where O is the origin in E d and c(x)=1/volume[˜b(x)].Then we define the function L on X,a density forˆL of(1),by(5)L(x)=p(x) −µ(x)+ C⊂x,C b(x)φ(C)where b(x)is any body in x nearest to O,andµ(x)is the chemical potential for that species of particle/body.(For completeness,in case one factor in(5)is0and the other is+∞we define the product to be0,except in those cases where O is on a boundary of a body in x,in which case we define the product to be+∞.)Note that although b(x)may not specify a particular body,this ambiguity,and therefore that ofµ(x),is irrelevant to L(x)because of the factor p(x);L(x)is nonzero only if some body b of x contains O,and then represents the total energy of interactionof b with the rest of the bodies in x.Note that ifχB is the characteristic functionfor B(6) χB(g)L(x−g)dg=E[B;(x,x)]−¯µ·¯N[B;(x,x)].Let M(X)be the set of Borel probability measures on X in the weak-∗topology, which makes M(X)compact,and let M I(X)be the subset of those measures which are invariant under the natural action of the translation group G d(≈R d)of E d. (M I(X)is easily seen to be a nonempty closed subset of M(X).)Lemma1.There exists mL in M I(X)such that mL(L)=inf{m(L)|m∈M I(X)}.Proof.We begin by smoothing out a bit the function L.Define˜L(x)as sup{f(x)|f continuous,and f(y)≤L(y),at all y∈X}.It follows that˜L is lower semicontinuous on X and bounded below.We consider Borel probability measures as functionals on the space of continuous functions on X,which one ex-tends(with the possible value of+∞)first to over functions and then integrable functions in the usual way[T].In this sense˜L is an over function,and,as a function on M(X),and therefore also M I(X),it is easy to see it is again lower semicontinuous.Therefore by compactness there is some˜m∈M I(X)such that ˜m(˜L)=inf{m(˜L)|m∈M I(X)}.We claim that m(L)=m(˜L)for all m∈M I(X). To see this wefirst note that L and˜L only differ where L is not lower semicontin-uous,and therefore only on the closed set K of packings x such that the origin O lies on a boundary of a body in x.That this set K has measure zero with respect to any m∈M I(X)follows easily by applying Birkhoff’s pointwise ergodic theorem [W],considered with respect to the action of the translation group on the space X of packings,to the characteristic function of K.This proves the claim,and we can then take mL=˜m to complete the proof of Lemma1.Let B s,for s>0,be the cube in E d centered at O and with faces which are distance s from O and perpendicular to coordinate axes.4Lemma2.For each j≥1there exists a function f j:X→X such that:a)for every x∈X,every v∈E d with integer coordinates,and with B j,vdefined as B j−v(2j+R),we have inf y{E[B j,v;(y,x)]−¯µ·¯N[B j,v;(y,x)]}= E[B j,v;f j(x),x]−¯µ·¯N[B j,v;f j(x),x];b)f j commutes with all translations v(2j+R),v∈E d having integer coordi-nates;c)f j is Borel measurable.Proof.Intuitively,what f j will do to x is replace those bodies of x which are (fully)in any of the regions B j,v by a collection of bodies which minimizes the energy associated with that region,while leaving the other bodies of x as they were.Such an energy minimum exists for a given region because of the continuity ofφand N;the only difficulty therefore is to ensure conditions b)and c).We can ensure b)by simply choosing the replacement for B j for each x and then extending to the translated regions appropriately.It is harder to see how to ensure condition c).An example which illustrates the essence of our difficulty with condition c)is Example1above,in which the body is B1.Take the region B=B1and let x consist of the single body B1+(2,0).The minimum of E[B;(y,x)]−¯µ·¯N[B;(y,x)] is then−µ,while for the translated packings x−( ,0)the minimum would be− µ(for arbitrarily small >0).In other words,in choosing how to optimize the bodies in B the dependence on those not in B must be taken into account and condition c)requires that this be done measurably.This is a standard selection problem in optimization.From the lower semicontinuity of E[B;(y,x)]−¯µ·¯N[B;(y,x)]as a function of(y,x)∈X×X,and the obvious fact that the equation(7){(y,x)|E[B;(y,x)]−¯µ·¯N[B;(y,x)]=infyE[B;(y,x)]−¯µ·¯N[B;(y,x)]}is equivalent to(8){(y,x)|E[B;(y,x)]−¯µ·¯N[B;(y,x)]≤infyE[B;(y,x)]−¯µ·¯N[B;(y,x)]},it follows that for given x(9){y |E[B;(y ,x)]−¯µ·¯N[B;(y ,x)]=infyE[B;(y,x)]−¯µ·¯N[B;(y,x)]}is closed.It then follows by the theorem of Kuratowski and Ryll-Nardzewski[Ro] that there exists a Borel measurable function(selection)y=y(x)such that (10)E[B;(y(x),x)]−¯µ·¯N[y(x),x)]=infyE[B;(y,x)]−¯µ·¯N[B;(y,x)]}, which gives us condition c).This completes the proof of Lemma2.Returning to the proof of Theorem1,for each j≥1we define the measure˜m jL ,on continuous functions h on X,by˜m jL (h)=mL(h◦f j)using the composition(h◦f j)[x]=h[f j(x)].We note that˜m jL is invariant under the group G d j consistingof translations by v(2j+R)for v∈E d with integer coordinates:using the notationh g(x)=h(x−g),˜m jL (h g)=˜mL(h g◦f j)=mL([h◦(f j)g])=mL(h◦f j)=˜m jL(h)for g∈G d j,where we used(f j)g[x]=(f j[x])−g from b)to get the second equality5and the invariance of m L for the third.Now we define m jLby averaging ˜m j Lover(the flat torus)B j ,which clearly makes m j L invariant under all of G d .We thenhave m jL (L )= χB j (g )L g (x )dν(g)χB j (g )dν(g )dmL (x ).(11)Let U j,n be the set of packings x for which (12)inf y {E [B j ;(y,x )]−¯µ·¯N [B j ;(y,x )]}≤E [B j ;(x,x )]−¯µ·¯N [B j ;(x,x )]−1χB j (g )dν(g )χU j,n (x )dm L (x )+ χB j (g )(L g ◦f j )(x )dν(g )nχB j (g )dν(g )χU cj,n (x )dm L (x )≤m L (L )−m L (χU j,n )setting than the crystallographic groups for a general understanding of the geomet-ric symmetry of solids[Ra1]-[Ra4],[BHRS].Coupled with this is the tantalizing, but unsatisfactory,well-known argument[Pi]to explain the experimental nonex-istence of a critical point separating the solid andfluid phases of matter,based on a supposed geometric symmetry for solids.There are indeed many ways in which the symmetry of ground state configurations are significant,for which the above existence theorem should be a useful step.AcknowledgmentsIt is a pleasure to thank Klaus Bichteler and Charles Holton for useful discus-sions.References[B]L.Bowen,On the existence of completely saturated packings and completely reducedcoverings,Geometria Dedicata98(2003)211–226.[BHRS]L.Bowen,C.Holton,C.Radin and L.Sadun,Uniqueness and symmetry in problems of optimally dense packings.Preprint,University of Texas at Austin,available fromftp:///pub/papers/radin/unique.pdf[I]R.Israel,Convexity in the Theory of Lattice Gases,Princeton University Press,Prince-ton,1979.[Pi] A.Pippard,The Elements of Classical Thermodynamics,Cambridge University Press, Cambridge,1979,p.122.[Ra1] C.Radin,Orbits of orbs:sphere packing meets Penrose tilings,Amer.Math.Monthly 111(2004)137–149.[Ra2] C.Radin,Global Order from Local Sources,Review-Expository Paper,Bull.Amer.Math.Soc.25(1991)335–364.[Ra3] C.Radin,Low temperature and the origin of crystalline symmetry,Intl.J.Mod.Phys.B1(1987)1157–1191.[Ra4] C.Radin,Symmetries of quasicrystals,J.Stat.Phys.95(1999)827–833.[Ro]R.Rockafellar,Measurable dependence of convex sets and functions on parameters,J.Math.Anal.Appl.28(1969)4–25.[Ru] D.Ruelle,Statistical Mechanics;Rigorous Results,Benjamin,New York,1969. [Sc]R.Schrader,Ground states in classical lattice systems with hard core,Commun.Math.Phys.16(1970)247–264.[Si]Ya.Sinai,Theory of Phase Transitions:Rigorous Results,Pergamon,Oxford,1982. [T] A.Taylor,General Theory of Functions and Integration,Blaisdell,Waltham,1965. [W]P.Walters,An Introduction to Ergodic Theory,Springer-Verlag,New York,1982.7。

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