son and Lovers[1]

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Sons-and-Lovers-(1)

Text Appreciation
• What does the following sentence reveal about Gertrude’s and Morel’s personality? 1. She had a curious, receptive mind which found much pleasure and amusement in listening to others. She loved ideas, and was considered very intellectual. What she liked most of all was an argument on religion or philosophy or politics with some educated man. (P. 12) 2. the dusky, golden softness of this man’s sensuous flame of life, that flowed off his flesh like the flame from a candle, not baffled and gripped by thought and spirit as her life was, seemed to her something wonderful, beyond her. (P. 14)
• SБайду номын сангаасnce they are quite the opposite in personality, what initially draws them together?
• What does this sentence reveal to the reader, “His nature was purely sensuous, and she strove to make him moral, religious (P. 22)”?

儿子与情人翻译

Sons and lovers《儿子与情人》导读《儿子与情人》是英国作家劳伦斯的成名作。

小说叙述一个经典爱情故事。

书中的第一代是瓦尔特·莫雷尔和格特鲁德夫妇。

瓦尔特原本充满了活力，乐观、讨人喜欢；后来却脾气变坏，酗酒打人，对丈夫失望的妻子遂将希望寄托在儿子身上。

但是她钟爱的长子威廉不幸早夭，随之对次子保罗产生了强烈的感情。

而保罗的两个女朋友却有不同的爱情观，让他无所适从。

母亲去世后，保罗决定离开家乡，到城市去。

单词Wordserect [ɪ'rekt] vt. 使竖立；建造；安装vigorous /ˈvɪɡərəs/ adj. 有力的；精力充沛的animation /ˈænɪˈmeɪʃən/ n. 活泼，生气；激励；卡通片绘制grotesque /ɡrəʊˈtɛsk/ n. 奇异风格；怪异的东西adj. 奇形怪状的；Intellectual /ˈɪntɪˈlɛktʃʊəl/ adj. 智力的；聪明的；理智的subdued /səbˈdjuːd/ adj. 减弱的；被制服的；被抑制的ornament /ˈɔːnəmənt/ n. 装饰；[建][服装] 装饰物；教堂用品vt. 装饰，修饰candour /ˈkændə/ n. 正直，公正；直率；洁白refugee /ˈrɛfjʊˈdʒiː/ n. 难民，避难者；流亡者，逃亡者sensuous /ˈsɛnsjʊəs/ adj. 感觉上的，依感观的；诉诸美感的Words and EpressionsWhen she was twenty-three years old, she met, at a Christmas party, a young man from the Erewash Valley. Morel was then twenty-seven years old. He was well set-up, erect, and very smart. He had wavy black hair that shone again, and a vigorous black beard that had never been shaved. His cheeks were ruddy, and his red, moist mouth was noticeable because he laughed so often and so heartily. He had that rare thing, a rich, ringing laugh. Gertrude Coppard had watched him, fascinated. He was so full of colour and animation, his voice ran so easily into comic grotesque, he was so ready and so pleasant with everybody. Her own father had a rich fund of humour, but it was satiric. This man's was different: soft, non-intellectual, warm, a kind of gambolling.She herself was opposite. She had a curious, receptive mind which found much pleasure and amusement in listening to other folk. She was clever in leading folk to talk. She loved ideas, and was considered very intellectual. What she liked most of all was an argument on religion or philosophy or politics with some educated man. This she did not often enjoy. So she always had people tell her about themselves, finding her pleasure so.In her person she was rather small and delicate, with a large brow,and dropping bunches of brown silk curls. Her blue eyes were very straight, honest, and searching. She had the beautiful hands of the Coppards. Her dress was always subdued. She wore dark blue silk, with a peculiar silver chain of silver scallops. This, and a heavy brooch of twisted gold, was her only ornament. She was still perfectly intact, deeply religious, and full of beautiful candour.Walter Morel seemed melted away before her. She was to the miner that thing of mystery and fascination, a lady. When she spoke to him, it was with a southern pronunciation and a purity of English which thrilled him to hear. She watched him. He danced well, as if it were natural and joyous in him to dance. His grandfather was a French refugee who had married an English barmaid--if it had been a marriage. Gertrude Coppard watched the young miner as he danced, a certain subtle exultation like glamour in his movement, and his face the flower of his body, ruddy, with tumbled black hair, and laughing alike whatever partner he bowed above. She thought him rather wonderful, never having met anyone like him. Her father was to her the type of all men. And George Coppard, proud in his bearing, handsome, and rather bitter; who preferred theology in reading, and who drew near in sympathy only to one man, the Apostle Paul; who was harsh in government, and in familiarity ironic; who ignored all sensuous pleasure:--he was very different from the miner. Gertrude herself was rather contemptuous of dancing; she had not theslightest inclination towards that accomplishment, and had never learned even aRoger de Coverley. She was puritan, like her father, high-minded, and really stern. Therefore the dusky, golden softness of this man's sensuous flame of life, that flowed off his flesh like the flame from a candle, not baffled and gripped into incandescence by thought and spirit as her life was, seemed to her something wonderful, beyond her.长难句解析Walter Morel seemed melted away before her. She was to the miner that thing of mystery and fascination,沃尔特莫雷尔似乎在她之前为她着迷，她对于矿工来说是神秘和充满吸引力的。

Sons and Lovers儿子与情人部分课件1

Lawrence's father, a hot-tempered alcoholic, often bullied his wife and children. His mother, however, was an educated and sensitive woman who was extremely disappointed with her husband. To avert her attention, she began to devote all her life to her children, hoping that they would in future earn their position in upper class. Lawrence suffered a lot from this overpowering love, which was considered by some critics to be a typical illustration of Sigmund Freud's theory of Oedipus Complex.
Question: Why did Lawrence change the title from Paul Morel to Sons and Lovers?
Plot Review
Who are the main characters in the story? What are the characteristics of each character? What may cause Paul's inability to establish a healthy and harmonious relationship with his lovers?

sons and lovers

内容简介 · · · · · ·《儿子与情人(Sons and Lovers)》是劳伦斯以他的童年和青少年时代生活为蓝本而写成的一部成名作。

小说主人公保罗的父母莫瑞尔夫妇在一次舞会上一见钟情，缔结婚姻。

但莫瑞尔是矿工，而莫瑞尔太太出身中产阶级。

两人的生活理念截然不同，妻子面对丈夫的浑浑噩噩，深感希望破灭。

对丈夫的失望、不满和怨恨使莫瑞尔太太把自己的感情和希望都倾注到儿子身上。

她先是寄希望于长子威廉，然而长子早逝。

她又寄希望于次子保罗，希望他能够出人头地，实现她的理想。

她爱儿子，鼓励他成名成家，跻身于上流社会；她又从精神上控制儿子，使他不能钟情于别的女人。

这使得保罗在以后的感情问题上迷茫、困惑、无所适从。

和女友米莉安的交往使年轻的保罗经历了精神痛苦的过程。

然而和他的母亲一样，米莉安也试图从精神上占有保罗，使保罗感到窒息。

后来他们分手了。

保罗身边还有一个与丈夫分居的名叫克拉拉的女人。

保罗从她那里得到了肉体上的满足。

不过最终克拉拉结束了和保罗的感情生活，回到丈夫身边。

最后莫瑞尔太太病逝，保罗和米莉安也未能重归于好。

他依旧孑然一人，四处漂流，继续着他精神上的挣扎。

The Wordsworth Classics covers a huge list of beloved works of literature in English and tr anslations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.This semi-autobiographical novel explores the emotional conflicts through the protagonist, Pa ul Morel, and the suffocating relationships with a demanding mother and two very different lovers. It is a Freudian exploration of love and possessiveness.Sons and Lovers was the first modern portrayal of a phenomenon that later, thanks to Freu d, became easily recognizable as the Oedipus complex. Never was a son more indentured to his mother's love and full of hatred for his father than Paul Morel, D.H. Lawrence's young protagoni st. Never, that is, except perhaps Lawrence himself. In his 1913 novel he grappled with the disc ordant loves that haunted him all his life--for his spiritual childhood sweetheart, here called Miria m, and for his mother, whom he transformed into Mrs. Morel. It is, by Lawrence's own account, a book aimed at depicting this woman's grasp: "as her sons grow up she selects them as lovers --first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother--urged on and on. But when they come to manhood, they can't love, because their moth er is the strongest power in their lives."Of course, Mrs. Morel takes neither of her two elder sons (the first of whom dies early, wh ich further intensifies her grip on Paul) as a literal lover, but nonetheless her psychological snare is immense. She loathes Paul's Miriam from the start, understanding that the girl's deep love of her son will oust her: "She's not like an ordinary woman, who can leave me my share in him. She wants to absorb him." Meanwhile, Paul plays his part with equal fervor, incapable of committ ing himself in either direction: "Why did his mother sit at home and suffer?... And why did he ha te Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mot her suffering, then he hated her--and he easily hated her." Soon thereafter he even confesses to his mother: "I really don't love her. I talk to her, but I want to come home to you."The result of all this is that Paul throws Miriam over for a married suffragette, Clara Dawes, who fulfills the sexual component of his ascent to manhood but leaves him, as ever, without a complete relationship to challenge his love for his mother. As Paul voyages from the working-clas s mining world to the spheres of commerce and art (he has fair success as a painter), he accep ts that his own achievements must be equally his mother's. "There was so much to come out ofhim. Life for her was rich with promise. She was to see herself fulfilled... All his work was hers. "The cycles of Paul's relationships with these three women are terrifying at times, and Lawr ence does nothing to dim their intensity. Nor does he shirk in his vivid, sensuous descriptions of the landscape that offers up its blossoms and beasts and "shimmeriness" to Paul's sensitive spir it. Sons and Lovers lays fully bare the souls of men and earth. Few books tell such whole, com plicated truths about the permutations of love as resolutely without resolution. It's nothing short of searing to be brushed by humanity in this manner.--Melanie ReFrom Kirkus ReviewsWhen Sons and Lovers was first seen by its reading public in 1913, its publishers had in f act, out of caution and timidity, shortened Lawrence's originally submitted version by about ten p ercent--cuts that are restored in this new "uncensored and uncut" edition. Complexity of character ization, intensity of characters' confrontations, and sexual frankness are now, say the publishers, as the author intended them. Example: "He could smell her faint perfume" returns to its original, "He could smell her faint natural perfume, and it drove him wild with hunger."The Merriam-Webster Encyclopedia of LiteratureSemiautobiographical novel by D.H. Lawrence, published in 1913. His first mature novel, it i s a psychological study of the familial and love relationships of a working-class English family. T he novel revolves around Paul Morel, a sensitive young artist whose love for his mother, Gertrud e, overshadows his romances with two women: Miriam Leivers, his repressed, religious girlfriend, and Clara Dawes, an experienced, independent married woman. Unable to watch his mother die slowly of cancer, Paul kills her with morphine. Despite losing her and rejecting both Miriam and Clara, Paul harbors hope for the future.From AudioFileLawrence's first major novel is unstintingly, passionately autobiographical. Set in a Nottingha mshire mining town, it concerns the high-minded wife of a brutal miner who puts all hopes into h er artistic son, Paul. Copley brings the workingclass milieu to life. His north country accent enhan ces the author's regional "sound," which may not be apparent on the page to American readers, but which is a prominent feature of the book's aesthetic. By shaving off a bit too much of the co lor, the abridgment reinforces the novel's starkness. Therefore, one should hear this recording bef ore, not instead of, reading the full work. Y.R.一个时代和一个家庭的悲剧也来说说劳伦斯的《儿子与情人》吧。

Sons-and-Lovers-儿子与情人

➢ Paul is afraid to leave his mother but wants to go out on his own, and needs to experience love. Gradually, he falls into a relationship with Miriam, a farm girl who attends his church. The two take long walks and have intellectual conversations about books but finally Paul resists, partially because his mother looks down on her.
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Paul Morel: Paul is the protagonist of the novel. He is sensitive, temperamental, artistic, and unceasingly devoted to his mother. They are inseparable; he confides everything in her, works and paints to please her, and nurses her as she dies. Paul has ultimately unsuccessful romances with Miriam and Clara, always alternating between great love and hatred for each of them.
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Miriam Leiver: Miriam is a virginal, religious girl who lives on a farm near the Morels, and she is Paul's first love. However, their relationship takes ages to move beyond the Platonic and into the romantic. She loves Paul deeply, but he never wants to marry her and "belong" to her, in his words. Rather, he sees her more as a sacrificial, spiritual soul mate and less as a sensual, romantic lover. Mrs. Morel, who feels threatened by Miriam's intellectuality, always reinforces his disdain for Miriam.

sons and lovers 爱情观PPT教学课件

• Miriam
• female is of less status
• religious zeal
• afraid of any thought relating to sex, including marriage and having a baby
• Paul • delicate • sensitive • moody • quiet • shy
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Paul and Miriam
• share common interest • cannot release sexual passion • suffocating • she wants to possess his soul
just spiritual love
failure
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Lawrence' s views on love
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Lawrence' s views on love
• A day or two after his mother died, Lawrence took Jessie for a walk and told her: “You know, J., I’ve always loved mother.”
Spiritual communication
“ I know you have.” She replied.
“I don’t mean that.” He answered.” “I’ve loved her---live a love---that’s why I could never love you.”
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(精品)劳伦斯《儿子与情人》读书报告 (英文版)

The Book Report - A Sample劳伦斯生于一八八五年九月十一日，一九三零年三月二日死于肺痨，终年四十四岁，是世界文学史上重要得不能再重要的人物。

最重要的作品有：《儿子和情人》，《虹》，《恋爱中的妇女》和《查太莱夫人的情人》。

《儿子和情人》是劳伦斯的成名之作，小说写尽恋母情节。

美国现代图书馆的二十世纪百部小说排名上，《儿子和情人》远远比劳伦斯其他入选小说靠前。

劳伦斯是能于无声处听见惊雷的人。

人最大的悲剧不在外部世界，不是地震，不是海啸，而在他的内心。

劳伦斯临死前将自己的一生概括为：A savage enough pilgrimage（残酷的朝圣之旅）。

或许就是这种苦难，这种对自己的心灵绝不放过的苛求，造就了文字的力量。

Sons and Lovers is a novel written by David Herbert Lawrence and it was first published in 1913 in London by Wyman & Sons.D. H. Lawrence was born at Eastwood, Notts, on September 11, 1885, the fourth child of a miner who had been employed at Brinsley Colliery since he was 7 years old. In 1911, his first novel The White Peacock was published.Sons and Lovers is divided into two parts and is composed of 15 chapters altogether. The story, set in England, can be interpreted as an autobiographical novel of Lawrence. The hero of the book, Paul Morel, is the second son of a miner's family. His mother, Mrs. Morel, is a daughter of a mid-class family. Because of the differences in family background and education, a shadow is soon cast upon the married life of Mrs. Morel. And this shadow is darkened by Mr. Morel's laziness and alcoholism. By misfortune or bad luck, Mr. Morel has an accident and becomes a cripple, which changes him into a man of bad temper. As a result, the couple shares less and less the things in common and is driven farther and farther apart from each other. Little by little, Mrs. Morel transports her attention and love to her children, especially her two sons, William and Paul. She encourages them to leave the small mining region for a big city to find opportunities for a better life. After the death of her first son, William, because of hard work and pneumonia(肺炎), Mrs. Morel's divided attention and love is poured completely upon Paul. The mother's abnormal love robs Paul of his normal love for his girl friend.Sons and Lovers has always been claimed since its publication to be another version of Oedipus complex*. But D. H. Lawrence is in no sense an imitator. Sons and Lovers is trulyan autobiographical novel. It describes an ordinary life of a coal miner's family. The abnormal love from the mother deprives Paul of his independent personality and mental health. It is perhaps because of this true picture of life that the novel has won Lawrence everlasting reputation.Oedipus complex: (psych) love of an infant for the parent of the opposite sex, with jealousyof the other parent. The term originated from a Greek myth in which King Oedipus killed his father and married his mother.（心理学上）（儿子对母亲的）恋母情结（及对父亲的嫉妒）；（女儿对父亲的）恋父情结（及对母亲的嫉妒）。

sons And Lovers (儿子和情人)01

William appeared at half-past twelve. He was a very active lad,fair-haired, freckled, with a touch of the Dane or Norwegianabout him.
About this time the notorious Hell Row, which through growingold had acquired an evil reputation, was burned down, and much dirtwas cleansed away.
Carston, Waite & Co. found they had struck on a good thing,so, down the valleys of the brooks from Selby and Nuttall, new mineswere sunk, until soon there were six pits working. From Nuttall,high up on the sandstone among the woods, the railway ran, past theruined priory of the Carthusians and past Robin Hood's Well, down toSpinney Park, then on to Minton, a large mine among corn-fields;from Minton across the farmlands of the valleyside toBunker's Hill, branching off there, and runningnorth to Beggarlee and Selby, that looks over at Crich and the hillsof Derbyshire: six mines like black studs on the countryside,linked by a loop of fine chain, the railway.

Sons And Lovers 读书报告

Sons And Love 读书报告潘坤2015081069书中与男主人公Paul交往过的Mariam和Clara，就像张爱玲笔下的红玫瑰与白玫瑰。

“也许每一个男子全都有过这样的两个女人，至少两个。

娶了红玫瑰，久而久之，红的变了墙上的一抹蚊子血，白的还是"床前明月光"；娶了白玫瑰，白的便是衣服上沾的一粒饭黏子，红的却是心口上一颗朱砂痣。

”她们仅仅是为勾勒男主人公形象而塑造的形象，而女主人公——Paul母亲的存在，让小说更加精彩。

Paul一直生活在母亲Mrs Morel以爱之名的阴影下。

母亲失望于与父亲精神世界的不和；哥哥William的去世更让母亲将全部精力都倾注在Paul身上。

不知何时，这种单纯的亲情，混杂了一种说不清道不明的情感。

没有精神寄托的人是无助和痛苦的，他们需要情感的释放和心灵的沟通。

而能给以母亲最大安慰的，只有Paul，于是一段不伦之恋悄悄萌芽。

希腊神话中，俄狄浦斯在命运的安排下，弑父娶母。

而在这本书中，Paul 与母亲的不伦之恋，或许也是命运安排的另一种俄狄浦斯式的悲剧。

社会，家庭，周遭的一切让母亲与儿子越来越相互依赖，直到一种不可分离的地步。

到后来，这种微妙的关系甚至让人觉得他们的精神世界是扭曲的，但在那种环境下，也是合理存在的。

这种现象通常被认为是恋母情结造成的。

恋母情结深埋于每个人心底，但因为后天的原因，被激发出来。

就如Paul 和其母亲之间的情感，一种介于亲情与爱情之间的情感，像一张看不透的窗户纸，其中的各番滋味，或许只有作者自己才能深刻体会。

每一部文学作品都不是作者凭空想出来的，其中或多或少有作者生活的影子。

而作者Lawrence就是一个像主人公Paul一样的人，具有恋母情节，最终无依无靠，孑然一身，四处漂流。

文中写到，“I hope so; but love should give a sense of freedom, not of prison.”这也是作者内心真实的独白吧。

儿子与情人人物分析

Sons and loversA major theme in "Sons and Lovers" is bondage and escape. Every major character is held hostage by another character or by their environment. Her husband, her family and her anger at the family's social status hold Mrs. Morel hostage. She has no friends to be seen or money of her own to use. Her escape from her bondage is her death. She was unhappy her whole life and lived though another human as a source of happiness. She essentially lived her life through William and, after his death, through Paul, which in a twist of irony; by doing so she is essentially keeping them in bondage. She wants William to move to town to get a good job and a good wife to help up their social status. When he does move and bring home a woman, she thinks she has finally arrived, only to be pushed back down with his death. William, who found a good upper class woman with Lily, brings her back to his family's home. He loves Lily, until he sees her behavior to his sister; Lily treats Annie like a servant. Although his mother likes Lily, he cannot stay with her and soon leaves her and then falls ill and dies. William's death is his great escape from the bonds of his mother.When William dies Paul replaces him as Mrs. Morel's dummy; Paul leads his life as his mother wants him to, she keeps him in check, approves who he dates and even goes with him and speaks for him on his first job interview. The only thing redeeming Paul in this is that he knows that he is being tied down by his mother and is fighting a silent fight against her for his whole life. Although Mrs. Morel doesn't like Miriam, he keeps his relationship with her. Although Mrs. Morel doesn't want Paul to stay out late, on most occasions he breaks this rule also. The only thing that ever releases Paul from Mrs. Morel's grasp is her death.。

sons and lovers读后感

sons and lovers读后感一、概述作品《Sons and Lovers》《儿子与情人》是英国作家wrence的一部长篇小说，创作于1913年。

该书以保罗·莫瑞尔为主人公，讲述了他从童年到成年的成长历程。

作品通过描述保罗与母亲、女友米丽安之间的关系，探讨了亲情、爱情、自我认知等多个方面的问题。

二、分析主人公保罗的性格特点及其与母亲的关系保罗出生在一个工人家庭，他的母亲性格强烈，对两个儿子有着深深的关爱。

保罗从小到大，与母亲的关系非常密切，甚至产生了强烈的依赖心理。

这种关系使得他在面对外部世界时，总是充满矛盾和挣扎。

一方面，他渴望独立，追求自己的生活和事业；另一方面，他又无法摆脱对母亲的依赖，这种矛盾心理成为他成长过程中的一大困扰。

三、探讨保罗与女友米丽安的爱情纠葛在保罗的成长过程中，米丽安是他最重要的一位女友。

米丽安出身于中产阶级家庭，性格独立，充满智慧。

她热爱艺术，与保罗共同分享对文学和音乐的热爱。

然而，保罗与米丽安的爱情并非一帆风顺。

由于两人性格的差异和外部压力的影响，他们的感情时好时坏，分分合合。

最终，保罗在米丽安的帮助下，逐渐找到了自我，走出了对母亲的依赖，但两人最终还是因为理想与现实的矛盾而分手。

四、揭示作品中的心理现实主义手法《儿子与情人》作为一部心理现实主义小说，深刻揭示了人物内心的矛盾和挣扎。

作者通过细腻的笔触，描绘了保罗成长过程中所面临的种种困境，以及他与母亲、米丽安之间的感情纠葛。

这部作品以其独特的心理分析手法，成为了探讨人性、成长和自我认知的经典之作。

五、总结读后感及作品对个人成长的影响阅读《儿子与情人》，让我深刻认识到成长过程中所面临的种种挑战和困境。

作品通过保罗的故事，告诉我们，要在成长的道路上找到自我，必须先面对内心的矛盾，勇敢地去追求自己的生活和事业。

同时，我们还需要学会处理与亲人、爱人的关系，找到合适的相处之道。

sons and lovers经典语录

Sons and Lovers经典语录介绍《Sons and Lovers》是英国作家D·H·劳伦斯于1913年出版的一部小说。

这部小说深入描绘了人性、家庭关系以及爱情的复杂性。

其中包含了许多经典的语录，这些语录展示了作品中的主题和人物的内心世界。

本文将通过整理这些语录的方式，全面、详细、完整地探讨《Sons and Lovers》中的核心主题。

爱的种类1. 母爱•“The loving is like the skin, flexible, and with fine nerves, everywhere sensitive.”（“爱就像皮肤，灵活而敏感。

”）•“She had a curious way of showing her pure, strong affection.”（“她表达纯洁而坚定的感情的方式很奇特。

”）2. 恋人间的爱•“Then came that dangerous tense state between lovers, when nei ther will give way.”（“恋人之间出现了那种不容忽视的紧张状态，双方都不肯退让。

”）•“Paul looked at her, and their eyes met…”（“保罗看着她，他们的目光相遇……”）3. 父爱•“And very tender he was over his children.”（“他对孩子们非常温柔。

”）•“She preferred that her children should identify themselves with their father.”（“她希望孩子们更多地认同他们的父亲。

”）人物内心世界的展示1. 保罗•“A poison-fly was gnawing his heart.”（“一只毒蝇正在啃噬着他的心脏。

”）•“The inward conflict of her son had sometimes taken her breath away.”（“儿子内心的冲突有时让她窒息不已。

sonsandlovers观后感

sonsandlovers观后感《儿子与情人》是英国作家D·H·劳伦斯的一部著名小说，被誉为20世纪最伟大的小说之一。

故事发生在英国的一个工业小镇，主要讲述了保罗·莫瑞的成长经历及其与母亲之间的复杂关系。

小说以保罗·莫瑞的童年为起点，通过描写他对母亲的依赖、对父亲的厌恶和对姐姐的爱慕来展现他内心世界的纷繁复杂。

保罗和他的姐姐威廉明因为父亲的严苛教育而对他产生了恐惧和憎恶之情，而对母亲则有一种特殊的依赖和迷恋。

母亲对保罗的疼爱和关怀使他沉浸在一种矛盾的情感中，既渴望得到母亲的爱，又希望她摆脱对他的束缚。

保罗的母亲是一个充满情感和欲望的女性，她渴望自由和独立，却又无法摆脱对儿子的依赖。

她对保罗情感的表达既有亲情的关怀，又有某种超越亲情的欲望。

特别是在保罗长大后，母亲对他的占有欲和控制欲变得越来越强烈，使他感到无法自由地生活和追求自己的爱情。

保罗的内心世界受到了外界的局限和压抑，他渴望摆脱小镇的庸俗和狭隘，追求一种纯粹的爱情和艺术的追求。

同时，他对母亲的情感也逐渐从依赖转变为一种复杂的爱慕和欲望，他试图通过追求其他女性来解脱自己对母亲的束缚，却始终无法忘记母亲给予他的温暖和关怀。

小说通过对保罗的情感描写和思想分析，深入探讨了个体与社会、家庭关系、爱情与性欲等主题。

作者通过对保罗的人物刻画和心理描写，展示了一个追求自由和独立的个体在现实社会中所遭遇的各种局限和困扰，以及他对于情感和欲望的执着和追求。

小说的描写风格独特，语言简练而富有诗意，情感的表达细腻而真实。

作者通过细腻的描写和对细节的关注，使读者能够深入了解保罗的内心思想和情感变化。

同时，小说中情节的发展紧凑而又自然，使人读之不觉得拖沓或无聊。

《儿子与情人》是一部充满现实主义色彩的小说，通过对普通人生活的描写展示了社会的种种问题和不公正现象。

作者通过对保罗及其家庭的描写，呈现了工业化时代小镇的压抑和庸俗，以及人们在这种环境中所遭受的各种痛苦和困扰。

儿子与情人读后感英文500字

儿子与情人读后感英文500字英文回答："Sons and Lovers" by D.H. Lawrence is a complex and emotionally charged novel that explores the relationship between a mother and her sons. Lawrence's vivid prose and insightful characterization bring to life the struggles and passions of the Morel family in early 20th-century England.The novel revolves around Paul Morel, a young man torn between his love for his mother, Gertrude, and his desire for independence. Gertrude is a possessive and manipulative woman who smothers Paul with her affection, hindering his emotional and sexual development. As Paul grows older, he becomes increasingly frustrated by his mother's suffocating embrace and seeks refuge in relationships with other women.Lawrence does an exceptional job of portraying the complexities of Paul's character. Paul is sensitive, intelligent, and ambitious, but he is also weak-willed andindecisive. His inability to reconcile his love for his mother with his desire for freedom leads him into a cycle of self-destruction.In addition to its exploration of familial relationships, "Sons and Lovers" also delves into themes of social class and economic hardship. The Morel family is working-class, and they struggle to make ends meet. This economic pressure further exacerbates the tensions within the family, as Paul feels trapped by his circumstances and yearns for a better life.Lawrence's writing is rich in symbolism and imagery, which adds depth and resonance to the novel. The setting of the Midlands, with its industrial landscapes and bleak mining towns, reflects the emotional struggles of the characters. The recurring motif of birds and animals symbolizes Paul's longing for freedom and his entrapment within his family.Overall, "Sons and Lovers" is a powerful and moving novel that offers a profound exploration of humanrelationships, desire, and the struggle for independence. Lawrence's masterful storytelling and psychological insight make this a classic work of English literature that continues to resonate with readers today.中文回答：D.H.劳伦斯的《儿子与情人》是一部复杂而充满情感色彩的小说，探讨了母亲与儿子之间的关系。

儿子与情人揭示爱与道德的美国现代主义小说

儿子与情人揭示爱与道德的美国现代主义小说美国现代主义小说中的《儿子与情人》（Sons and Lovers）一书，以其独特的叙事风格和深刻的主题，深深地触动了读者。

本文将通过对小说情节和人物形象的剖析，探讨小说如何揭示爱与道德在美国现代主义文学中的重要性。

在《儿子与情人》中，作者达·赫伦百利通过对主人公保罗·莫莱的心灵和情感变化的描绘，展示了爱与道德对一个人成长和感情发展的深刻影响。

小说以保罗与他的母亲莫莉之间的关系为中心，呈现了一个母子间纠结复杂的爱恋情感。

莫莉为了保护自己的儿子无私地奉献了很多，但她却无法让保罗摆脱她的控制，进而影响了保罗与其他女性的感情关系。

小说中，保罗与母亲的纠结关系反映了现代社会中爱与道德的冲突。

母亲爱子的同时，又迫切希望自己的孩子能够独立成长，成为一个独立自主的个体。

然而，却也忍受不了儿子与其他女性建立感情关系。

这种矛盾使得保罗与母亲之间的关系变得复杂而互相依赖。

小说通过描写他们之间的相互牵制与亲密关系，捕捉到了现代社会中的伦理冲突和人际关系的复杂性。

小说中的情感纠缠不仅体现了爱与道德的观念，还呈现了现代社会中个体意识的觉醒与迷茫。

保罗作为一个正在成长的年轻人，面临着对于自我实现与个性解放的渴望，却又被爱和道德所束缚。

他的感情纠葛使得他在亲情和爱情之间游离，追求着内心的真实感受。

小说通过揭示保罗内心的挣扎和矛盾，展现了现代社会中个体意识的觉醒与迷茫。

在这部小说中，作者达·赫伦百利不仅展示了家庭关系的纠葛，还通过对主人公的情感世界的描写，阐述了现代主义文学对于爱与道德的关注。

小说探讨了个体在现代社会中的心理困境，并表达了对于道德观念的怀疑和反思，呼吁人们对爱与道德的定义和追求进行深入思考。

综上所述，《儿子与情人》通过其独特的叙事风格和对人物内心世界的深入探索，揭示了爱与道德在美国现代主义文学中的重要性。

小说中展现的复杂人物关系和道德困境，引发了读者对于个体意识和伦理观念的思考。

儿子与情人英国作家DH劳伦斯的作品探讨家庭与性欲

儿子与情人英国作家DH劳伦斯的作品探讨家庭与性欲儿子与情人：英国作家DH劳伦斯的作品探讨家庭与性欲DH劳伦斯是20世纪英国著名作家，他的作品以深入的情感描写和对性关系的探讨而闻名。

其中，他的小说《儿子与情人》（Sons and Lovers）尤为著名，深入剖析了家庭与性欲之间的复杂关系。

本文将从不同角度解读《儿子与情人》，探讨劳伦斯如何通过这部作品探讨家庭与性欲之间的纠葛。

一、父子关系的冲突《儿子与情人》以保罗与他的母亲莉叶为中心，表现了他们之间复杂的纠葛。

小说中，保罗对母亲怀有过于亲密的情感，甚至有些过分依赖。

这导致他与父亲之间产生了矛盾与冲突。

劳伦斯通过细腻的描写，展现了家庭关系中潜藏的性欲成分，以及因此引发的家庭纠纷。

二、母爱的占有欲与性欲莉叶对保罗的爱超出了一般母亲的范畴，可以说是一种占有欲的母爱。

她通过对儿子细腻的呵护和无微不至的关怀，满足了自己的性欲需求。

而保罗由于缺乏和母亲以外的女性接触，对母爱逐渐产生了异样的情感，这使得母子关系变得扑朔迷离。

三、性欲对家庭和谐的破坏劳伦斯通过描写莉叶与其他男性的关系，以及保罗与一位年轻女子的爱情纠葛，展现了性欲对家庭和谐的破坏力。

性欲的存在使得家庭成员无法真正实现精神上的交流和理解，造成心理上的分离与隔阂。

同时，性欲也使得人们无法保持对家庭的忠诚，难以遵守传统的家庭规范，进一步加剧了家庭的矛盾。

四、性欲与自我意识的觉醒小说中的主要人物保罗逐渐从与母亲的关系中觉醒出来，开始追求自己的独立与自由。

他通过与一位名为米兰达的女性的爱情关系，发现了自己与其他女性之间的性吸引力。

他开始探索自己的性欲，并找到了性爱与自我意识觉醒之间的联系。

综上所述，《儿子与情人》是DH劳伦斯对家庭与性欲关系探讨的重要作品。

通过对主人公保罗与其母亲、情人之间关系的描写，劳伦斯深入探讨了家庭与性欲之间的纠葛。

这一作品不仅仅是对个体情感的描述，更是对当时英国社会的一种抨击与反思。

劳伦斯以其独特的方式展现了人性复杂的一面，引起了人们对家庭与性欲关系的深思。

Sons and Lovers 英文读书报告

Possessive Love—Sons and LoversSons and Lovers, first published in 1913, is a classic written by D.H. Lawrence. Although Sons and Lovers deals with the possessive love with candor and gave rise to a fierce controversy then, it is still one of the greatest autobiographical novels of the 20th centuryThe story occurs in Britain back to the 19th century, when the UK was undergoing the Industrial Revolution. The author presents us a vivid picture of the life of a typical working-class family living in a community of a mining company. With roaring engines and the smoky sky, the story begins.Gertrude Coppard, an elegant middle-class woman, marries Walter Morel, a vulgar working-class miner on an impulse. As the love dies down gradually and chores haunt her frequently, Mrs. Morel’s mental attachment to her husband eventually yields to possessive love on her sons—William and Paul. By and by, the love is growing so overwhelming that the sons have no chance to escape from this entanglement nor, even, can Mrs. Morel get rid of the obsession with her sons. When the two sons are, however, confronted with the chance to pursue their own love, they tend to be fragile, sensitive and awkward. William lavishes on his relationship with Miss Western, a light-hearted young girl, only to find love is no more than money to her and he is totally forgotten by the girl soon after his death; Paul seesaws between Miriam and Clara, finding no way to love pure Miriam completely for her belief in platonic love nor married Clara for their adultery and Mrs. Morel, in addition, makes every effort to prevent her power over Paul from being grabbed by the lovers. As Mrs. Morel passes away, the shackle upon Paul is removed. Insecure and exhausted, hewanders alone, finally.In the eyes of D.H. Lawrence, love is no longer merely a soothing rub; when it grows too possessive, it turns to a heavy punch knocking down everyone.It is the lack of husband’s love actually that gives rise to the possessive love. At first, Mrs. Morel has good management of her love, e.g., on the one hand, she is receiving love from her husband and children; on the other hand she loves them unconditionally in return. Then, however, as the gap between her and Mr. Morel becomes increasingly unbridgeable, this equilibrium is broken that husband’s love is no longer available. As a result, Mrs. Morel decides to do investment of love in order to compensate for the loss of husband’s love.She withdraws her love from her husband who turns out to be an “unfavorable share”and invests it in her two sons. Under the disguise of maternal love, her excessive devotion to the sons is taken as no more than the responsibility of a mother and soon begins to make profits on William: he turns against his father, burns the love letters from young ladies and wins an anvil—all the things the decent young man does only for her. Though she is quite clear that she can never marry William, she regards him as her real husband whose caring deeds are taken as gestures of affection and brings her satisfaction as husband’s love ever did.She should have been content with what she has already gained from this practice of investment, but, unfortunately, she becomes too obsessed to stop and after the death of William she descends to an incurable love speculator finally. Her possessive love reaches its peak.After the death of William, Mrs. Morel has no choice but to put all her devotion to Paul for fear that all her previous efforts should be in vain. And Paul, the poor boy, is totally trapped but cannot figure out why it is so. The confusion is elaborated by Lawrence frequently.” He knew she suffered badly, but why should she? And why did he hate Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mother suffering, then he hated her—and he easily hated her. Why did he make him…”As a lonely woman, Mrs. Morel wins sound profits from her love investment and then speculation, for her needs of husband’s love are amply met. As a mother, however, she is selfish and her possessive love finally ruins William and Paul despite her great devotion to them.。

Sons_and_Lovers 英文简介

Sons and Lovers--Plot introductionThe third published novel of D.H. Lawrence, taken by many to be his earliest masterpiece tells the story of Paul Morel, a young man and a budding artist. This autobiographical novel is a brilliant evocation of life in a working class mining community. The original 1913 edition was heavily edited by Edward Garnett who removed eighty passages, roughly a tenth of the text. Despite this the novel is dedicated to Garnett. It was not until the 1992 Cambridge University Press edition that the missing text was restored.Explanation of the novel's titleLawrence rewrote the work four times until he was happy with it. Although before publication the work was usually called Paul Morel, Lawrence finally settled on Sons and Lovers. Just as this changed title makes the work less focused on a central character, many of the latter additions broadened the scope of the work thereby making the work less autobiographical. While some of the edits by Garnett were on the grounds of propriety or style, others would once more narrow the emphasis back upon Paul.Plot summaryPart I:The refined daughter of a "good old burgher family," Gertrude Coppard meets a rough-hewn miner at a Christmas dance and falls into a whirlwind romance. But soon after her marriage to Walter Morel, she realizes the difficulties of living off his meager salary in a rented house. The couple fight and drift apart and Walter retreats to the pub after work each day. Gradually, Mrs. Morel's affections shift to her sons, beginning with the oldest, William.As a boy, William is so attached to his mother that he doesn't enjoy the fair without her. As he grows older, he defends her against his father's occasional violence. Eventually, he leaves home for a job in London, where he begins to rise up into the middle class. He is engaged, but he detests the girl's superficiality. He dies, and Mrs. Morel is heartbroken, but when Paul catches pneumonia, she rediscovers her love for her second son.Part II:Both repulsed by and drawn to his mother, Paul is afraid to leave her but wants to go out on his own, and needs to experience love. Gradually, he falls into a relationship with Miriam, a farm girl who attends his church. The two take long walks and have intellectual conversations about books, but Paul resists, in part because his mother looks down on her. At work, Paul meets Clara Dawes, who has separated from her husband, Baxter.Paul leaves Miriam behind as he grows more intimate with Clara, but even she cannot hold him,and he returns to his mother. When his mother dies soon after, he is alone.Lawrence summarised the plot in a letter to Edward Garnett on 12 November 1912:It follows this idea: a woman of character and refinement goes into the lower class, and has no satisfaction in her own life. She has had a passion for her husband, so her children are born of passion, and have heaps of vitality. But as her sons grow up she selects them as lovers — first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother —urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives, and holds them. It's rather like Goethe and his mother and Frau von Stein and Christiana — As soon as the young men come into contact with women, there's a split. William gives his sex to a fribble, and his mother holds his soul. But the split kills him, because he doesn't know where he is. The next son gets a woman who fights for his soul — fights his mother. The son loves his mother —all the sons hate and are jealous of the father. The battle goes on between the mother and the girl, with the son as object. The mother gradually proves stronger, because of the ties of blood. The son decides to leave his soul in his mother's hands, and, like his elder brother go for passion. He gets passion. Then the split begins to tell again. But, almost unconsciously, the mother realises what is the matter, and begins to die. The son casts off his mistress, attends to his mother dying. He is left in the end naked of everything, with the drift towards death.This is the most autobiographical of all Lawrence's works as the author himself had a similar relationship with his own mother. The use of this oedipal theme is one of a number of Freudian concepts he used throughout his books. Like many of his works, Sons and Lovers was criticized when first published for obscenity and one publisher called it "the dirtiest book he had ever read" but compared to his later works it is quite constrained.。

儿子与情人英文介绍简介

About the book
There are six main characters . Mr. Morel --- father Mrs. Morel --- mother William --- brother Paul --- hero Miriam --- girlfriend Clara --- girlfriend
However, Paul fells in love with Miriam later. Mrs. Morel is very angry and not allows Paul to marry Miriam. She thinks Miriam is a bad woman who wants to take her son away.
As his growing up, the emotion between Paul and his mother becomes deep day after day, so that Paul loves Miriam, but he can’t marry her, then he only can keep ambiguous relationship with Clara who has a husband. Finally, Paul leaves the city after his mother dies.
Sons And LoHerbert Lawrence
About the Author
An famous English writer and poet.
A member of a mining family
• The love, the sex between women and men. • The height of philosophy and aesthetics.