论1930－1937年间的左翼戏剧（上）

论1930－1937年间的左翼戏剧（上）
陈红旗
【期刊名称】《重庆三峡学院学报》
【年(卷),期】2016(032)005
【摘要】“左联”成立前后，中国戏剧运动出现了难得的盛况，而戏剧大众化和大众化戏剧问题也受到了进步戏剧界的空前重视。

反帝情绪的高涨和戏剧大众化的合力让中国左翼戏剧运动充满了“活气”。

在1930－1937年间的左翼文艺界看来，褒善贬恶、鼓吹革命、歌咏工农运动和移风易俗就是左翼戏剧家的天职。

出于教诲民众的启蒙理路，左翼戏剧工作者经常从工农兵那里寻找可供建构新的革命伦理道德和抗日民族英雄形象的舞台叙事或曰演出内容。

%Back to the establishment of the League of Leftist Writers, some rare boom occurred in the movement of Chinese drama. Besides, the prevalence and the popularization of drama received a magnificent attention from the progressive playdom. The movement of Chinese drama was full of vitality because the anti-imperialists were then at fever pitch, which made a resultant force together with the prevalence of drama. During 1930 to 1937, from the literary and art circles’ point of views, it’s an inevitable duty of the leftist writers to focus on praising good and criticizing evil, to be a force for revolutionizing, to make odes for the movement of working class and peasant, and to make changes in customs and traditions. Basing on the enlightenment, the men of the Left-wing theatre were willing to seek the stage narrative or performance contents, from the worker-
peasant-soldiers, which can be provide to be the materials of new revolutionary ethics and anti-Japanese hero images.
【总页数】7页(P20-26)
【作者】陈红旗
【作者单位】嘉应学院文学院，广东梅州 514015
【正文语种】中文
【中图分类】I207.3
【相关文献】
1.政治情势与狂狷诗风：1930-1937年间的左翼诗歌（下） [J], 陈红旗;
2.底层叙事与民族认同:1930-1937年间的左翼小说 [J], 陈红旗
3.论1930-1937年间的左翼戏剧（下） [J], 陈红旗
4.游击谋略、骂世心态与抗争立场——1930-1937年间左翼作家的杂文创作(上) [J], 陈红旗
5.游击谋略、骂世心态与抗争立场:1930-1937年间左翼作家的杂文创作(中) [J], 陈红旗
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