Nancy Drew

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女巫介绍

赫敏·简·格兰杰 Hermione Jane Granger
Heroine is one of the main characters of the Harry Potter series which is written by Joanne Kathleen, Harry and Ron's friends.
How are the witches going to be ?
Long time ago...
• In the early Christian centuries, the church was relatively tolerant of magical practices.
• But in the late Middle Ages European people began to look upon those women who tried to cure diseases by using magic as witches, or the followers of Satan.
When crops failed, horses ran away, cattle sickened, wagon broke, women miscarried, or storms destroyed house, a witch was always found to blame. Some of these reputed witches were thought to hold yearly ceremonies called “Witches Sabbath”, a midnight meeting of 12 witches and the Devil.
Who is she?

伊藤由奈

早年经历
伊藤由奈出生于美国洛杉矶，父亲为日本人，母亲为韩裔美国人，家中还有一个比他小五岁的弟弟。在她三个月大的时候，全家搬到了夏威夷。她自小视玛丽亚·凯莉为偶像，5岁时就已经学习以多个八度的广音域唱歌，并曾在夏威夷当地50间高中的歌唱比赛中夺魁。
13岁时，伊藤由奈决定要成为歌手，开始模仿自己喜欢的歌手的唱法，并在一年后首次登台演出。16岁时，伊藤由奈得到了一次与音乐公司签约的机会，但条件是让她做一个组合的成员，这让她感到失望，便拒绝了这个机会。2004年6月，伊藤由奈参加索尼音乐公司举办的试音活动，演唱了玛丽亚·凯莉的出道曲《Vision Of Love》，获得了在场评委的肯定。随后，伊藤由奈与索尼音乐公司签约。
演艺经历
封面(19张)2005年，被选拔出演电影《NANA》，饰演Trapnest乐队的主唱芹泽蕾拉，并以“REIRA starring YUNA ITO”的名义发行了首张个人单曲《ENDLESS STORY》。该曲改编自道恩·汤马斯的歌曲《If I'm Not in Love》，发行后连续8周维持在公信榜单曲榜前五名、连续10周维持在公信榜单曲榜前十名，实体销量近50万张，下载次数突破200万次。同年，登上第56届NHK红白歌会，演唱《ENDLESS STORY》。
伊藤由奈
日韩混血女歌手
01 早年经历
03 个人生活
目录
02 演艺经历 04 人物评价
伊藤由奈，1983年9月20日出生于美国加利福尼亚州洛杉矶市，日韩混血女歌手，所属唱片公司为索尼音乐娱乐公司。
2005年，凭借单曲《ENDLESS STORY》出道。2007年，发行首张个人专辑《HEART》。2008年，与席琳·迪翁合作，演唱歌曲《あなたがいる限り〜A WORLD TO BELIEVE IN〜》；同年发行第2张个人专辑《WISH》。2009年，为电视动画《机动战士高达00》演唱片尾曲《trust you》；同年发行第3张个人专辑《DREAM》。2010年，发行精选辑《LOVE 〜Singles Best 2005-2010〜》。2011年，与索尼唱片解约，此后逐渐淡出乐坛。

南希德鲁和隐藏的楼梯英文介绍

南希德鲁和隐藏的楼梯英文介绍Nancy Drew and the Hidden Staircase is a popular children's book by the American writer Carolyn Keene. With over 70 years of history, the series is among the most beloved of all time for young readers. It tells the story of a teenage sleuth named Nancy Drew, who is known for her intelligence, bravery, and resourcefulness. This particular book is the second in the series and was first published in 1930.The story takes place in a town called River Heights, where Nancy lives with her father, lawyer Carson Drew. One day, Nancy receives a call from a woman called Rosemary Turnbull, who lives in a large and spooky old mansion called Twin Elms. Rosemary is convinced that the house is haunted, as she has been hearing strange noises and seeing inexplicable occurrences. Nancy is intrigued and agrees to help.As Nancy begins her investigation, she discovers that there are indeed hidden staircases and secret passageways in Twin Elms. She followsthese pathways to uncover the truth about the haunting, which turns out to be a clever plot by a group of criminals who are trying to scare Rosemary out of her house. Nancy uses her intelligence and bravery to foil their plan and bring the criminals to justice.The book has remained popular for nearly a century, spawning a number of adaptations and spin-offs. There have been several different television series and films based on the character of Nancy Drew, as well as a number of video games. The character has become iconic, inspiring generations of young readers with her can-do attitude and determination.Nancy Drew herself is a fascinating character. She is intelligent, resourceful, and courageous, yet also kind-hearted and empathetic. Her adventures are always exciting and full of suspense, yet also contain important life lessons about perseverance, responsibility, and honesty.The novel is not only a thrilling mystery, but it also serves as an incredible piece of literaturefor children. Keene uses descriptive language,vivid imagery, and strong characterization tocreate a completely immersive environment that captures the reader's imagination. She expertly weaves the plot and the characters together, building up suspense and mystery that will keep the reader engaged until the very end.Overall, Nancy Drew and the Hidden Staircase is a classic children's book that has stood the testof time. It is an exciting adventure that not only captivates the reader's imagination but alsoimparts important life lessons. It is definitely a must-read for any young reader who loves a good mystery story, and who wants to be inspired by a strong and independent heroine.。

George-Bernard-Shaw

爱情观
萧伯纳说过：“此时此刻在地球上，约有两万个人适合当你的人生伴侣，就看你先遇到哪一个，如果在第二个理想伴侣出现之前，你已经跟前一个人发展出相知相惜、互相信赖的深层关系，那后者就会变成你的好朋友，但是若你跟前一个人没有培养出深层关系，感情就容易动摇、变心，直到你与这些理想伴侣候选人的其中一位拥有稳固的深情，才是幸福的开始，漂泊的结束。
George Bernard Shaw (1856-1950)
The Dramatist
Irish dramatist, literary critic, a socialist spokesman, and a leading figure in the 20th century theater.
During the 19th century, many more Englishmen could vote. This also brought the introduction of women’s suffragette妇
女参政权论者 organizations. Increased political participation further prompted a shift in
爱上一个人不需要靠努力，只需要靠“际遇”，是上天的安排，但是“持续地爱一个人”就要靠“努力”，在爱情的经营中，顺畅运转的要素就是沟通、体谅、包容与自制 (面临诱惑有所自制)。有许多人总是被“际遇”所迷惑与苦恼，意念不停、欲念不断、争逐不散，而忘了培养经营感情的能力才是幸福的关键。所以不要去追问到底谁才是我的Mr.Right，而是问在眼前的伴侣关系中，我能努力到什么程度、成长到什么程度，若没有培养出经营幸福的能力，就算真的Mr.Right出现在你身边，幸福依然会错过的，而活在犹豫与遗憾当中，这不就是许多“爱情虚无症”的遭遇与心态吗？

Oprah Winfrey

• She is interviewing Obamas on her own talk show • 她正在她自己的脱口秀中采访奥巴马夫妇
Oprah Winfrey-----a great woman
• Oprah at the Oscar ceremony • 奥普拉在奥斯卡颁奖典礼上
Oprah Winfrey-----a great woman
• In popular culture, her influence, except maybe the Pope, is bigger than any other university professors, politicians and religious leaders • 在大众文化中，她的影响力，可能除了教皇以外，比任何大学教授、政治家或者宗教领袖都大
Oprah Winfrey---Her
present life
• Now, she was ranked first in more than $1400000000 in black American billionaires; she was nearly 8 years 5 times in a row was named America's most popular TV host; she was reading program recommended book will soon become a bestseller; University of Illinois opened a course devoted to the study of the Oprah as a symbol of the "American culture" • 如今，她以超过14亿美元的身价在美国黑人亿万富翁中名列第一；她在近8年里连续5次被评为全美最受欢迎主持人；她在电视读书会节目推荐过的新书转眼就会成为畅销书；美国伊利诺伊大学开设了一门课程专门研究这种以奥普拉为标志的“美国文化现象”

《卖花女》剧本全本 1st

Pygmalion 之老阳三干创作Act 1Covent Garden at 11.15 p.m. Torrents of heavy summer rain. Cab whistles blowing frantically in all directions. Pedestrians running for shelter into the market and under the of St. Paul's Church, where there are already several people. They are all peering out gloomily at the rain, except one man with his back turned to the rest, who seems wholly preoccupied with a notebook in which heis writing busily. The church clock strikes the first quarter.A young man of twenty, in evening dress, opens his umbrella and dashes off onto the street to stop a passing taxi, but comes into collision with a flower girl, who is hurrying in for shelter, knocking her basket out of her hands. A blinding flash of lightning, followed instantly by a rattling peal of thunder, orchestrates the incident.] THE FLOWER GIRL:Nah then, look wh' y' gowin, deah.The YOUNG MAN:Sorry [he rushes off].THE FLOWER GIRL:[picking up her scattered flowers and replacing themin the basket] There's menners f' yer! Te-oo banches o voylets trod into the mad. [She sits down onthe of the column, sorting her flowers, on theright of an old lady. She is not at all anattractive person. She is perhaps eighteen, perhapstwenty, hardly older. She wears a little sailor hat of black straw that has long been exposed to thedust and soot of London and has seldom if ever beenbrushed. Her hair needs washing rather badly: itsmousy color can hardly be natural. She wears a shoddy black coat that reaches nearly to her knees and is shaped to her waist. She has a brown skirt with a coarse apron. Her boots are much the worse for wear. She is no doubt as clean as she can afford to be; but compared to the ladies she is very dirty.Her features are no worse than theirs; but their condition leaves something to be desired; and she needs the services of a dentist].[An elderly gentleman of the amiable military type rushes into shelter, and closes a dripping umbrella. He is in the same plight as Freddy, very wet about the ankles. He is in evening dress, with a light overcoat. He takes the place left vacant by the daughter's retirement.]THE GENTLEMAN:Phew!The OLD LADY:[to the gentleman]Oh, sir, is there any sign ofits stopping?THE GENTLEMAN:I'm afraid not. It started worse than ever about two minutes ago. [He goes to the plinth beside theflower girl; puts up his foot on it; and stoops toturn down his trouser ends].THE OLD LADY:Oh, dear! [She retires sadly].THE FLOWER GIRL:[taking advantage of the military gentleman'sproximity to establish friendly relations withhim].If it's worse it's a sign it's nearly over.So cheer up, Captain; and buy a flower off a poorgirl.THE GENTLEMAN:I'm sorry, I haven't any change.THE FLOWER GIRL:I can give you change, Captain,THE GENTLEMAN:For a sovereign? I've nothing less.THE FLOWER GIRL:Garn! Oh do buy a flower off me, Captain. I canchange half-a-crown. Take this for tuppence.THE GENTLEMAN:Now don't be troublesome: there's a goodgirl. [Trying his pockets]I really haven't anychange—Stop: here's three hapence, if that's anyuse to you [he retreats to the other pillar].THE FLOWER GIRL:[disappointed, but thinking three halfpence betterthan nothing]Thank you, sir.THE BYSTANDER A [a vigilant, eccentric middle-aged man in a long raining jacket]:[to the girl]You be careful: give him a flower for it. There's a man here behind taking down every word you're saying. [All turn to the man who is takingnotes].THE FLOWER GIRL:[springing up terrified]I ain't done nothing wrong by speaking to the gentleman. I've a right to sell flowers if I keep off the kerb. [Hysterically]I'm a respectable girl: so help me, I never spoke to him except to ask him to buy a flower off me. [General hubbub, mostly sympathetic to the flower girl, but deprecating her excessive sensibility. Cries of Don't start hollerin. Who's hurting you?Nobody's going to touch you. What's the good of fussing? Steady on. Easy, easy, etc., come from the elderly staid spectators, who pat her comfortingly.Less patient ones bid her shut her head, or ask her roughly what is wrong with her. A remoter group, not knowing what the matter is, crowd in and increase the noise with question and answer: What's the row?What she do? Where is he? A tec taking her down.What! him? Yes: him over there: Took money off the gentleman, etc. The flower girl, distraught andmobbed, breaks through them to the gentleman, cryingmildly]Oh, sir, don't let him charge me. You dunnowhat it means to me. They'll take away my characterand drive me on the streets for speaking togentlemen. They—THE NOTE TAKER:[coming forward on her right, the rest crowdingafter him]There, there, there, there! Who'shurting you, you silly girl? What do you take me for? THE FLOWER GIRL:[still hysterical]I take my Bible oath I neversaid a word—THE NOTE TAKER:[overbearing but good-humored]Oh, shut up, shut up.Do I look like a policeman?THE FLOWER GIRL:[far from reassured]Then what did you take down mywords for? How do I know whether you took me downright? You just show me what you've wrote aboutme. [The note taker opens his book and holds itsteadily under her nose, though the pressure of themob trying to read it over his shoulders would upseta weaker man].What's that? That ain't properwriting. I can't read that.THE NOTE TAKER:I can. [Reads, reproducing her pronunciationexactly]“Cheer ap, Keptin; n' haw ya flahr orf apore gel.”THE FLOWER GIRL:[much distressed]It's because I called him Captain.I meant no harm.[To the gentleman]Oh, sir, don'tlet him lay a charge agen me for a word like that.You—THE GENTLEMAN:Charge! I make no charge. [To the notetaker]Really, sir, if you are a detective, youneed not begin protecting me until I ask you.Anybody could see that the girl meant no harm.THE BYSTANDERS GENERALLY:[demonstrating against police espionage]Coursethey could. What business is it of yours? You mindyour own affairs. Girl never said a word to him.What harm if she did? Nice thing a girl can'tshelter from the rain without being insulted, etc.,etc., etc. [She is conducted by the moresympathetic demonstrators back to her plinth, whereshe resumes her seat and struggles with her emotion]. THE BYSTANDER B:He ain't a tec. He's a blooming busybody: that'swhat he is. I tell you, look at his boots.THE NOTE TAKER:[turning on him ]And how are all your people down at Selsey?THE BYSTANDER B:[suspiciously]Who told you my people come fromSelsey?THE NOTE TAKER:Never you mind. They did. [To the girl]How do you come to be up so far east? You were born in LissonGrove.THE FLOWER GIRL:[appalled]Oh, what harm is there in my leavingLisson Grove? It wasn't fit for a pig to live in;and I had to pay four-and-six a week. [Intears]Oh, boo—hoo—oo—THE NOTE TAKER:Live where you like; but stop that noise.THE GENTLEMAN:[to the girl]Come, come! he can't touch you: youhave a right to live where you please.THE FLOWER GIRL:[subsiding into a brooding melancholy over herbasket, and talking very low-spiritedly toherself]I'm a good girl, I am.THE BYSTANDER B:[not attending to her]Do you know where thisgentleman comes from?THE NOTE TAKER:Cheltenham, Harrow, Cambridge, and India.[Titterings. Popular interest in the note taker's performance increases.]THE GENTLEMAN:Quite right. [Great laughter. Reaction in the notetaker's favor. Exclamations of He knows all aboutit. Told him proper. Hear him tell the where hecome from? etc.].May I ask, sir, do you do thisfor your living at a music hall?THE NOTE TAKER:I've thought of that. Perhaps I shall some day. [The rain has stopped; and the persons on the outside of the crowd begin to drop off.]THE FLOWER GIRL:[resenting the reaction]He's no gentleman, he ain't, to interfere with a poor girl.[still preoccupied with her wounded feelings]He's no right to take away my character. My character is the same to me as any lady's. THE NOTE TAKER:I don't know whether you've noticed it; but the rainstopped about two minutes ago.THE BYSTANDER B:So it has. Why didn't you say so before? and uslosing our time listening to your silliness. [Hewalks off. With some grumbles, other bystanders also walk off the stage separately].THE FLOWER GIRL:Poor girl! Hard enough for her to live without being worrited and chivied.THE GENTLEMAN:[returning to his former place on the note taker'sleft]How do you do it, if I may ask?THE NOTE TAKER:Simply phonetics. The science of speech. That's myprofession; also my hobby. Happy is the man who canmake a living by his hobby! I can place any manwithin six miles. I can place him within two milesin London. Sometimes within two streets.THE FLOWER GIRL:Ought to be ashamed of himself, unmanly coward!THE GENTLEMAN:But is there a living in that?THE NOTE TAKER:Oh yes. Quite a fat one. This is an age of upstarts.Men begin in Kentish Town with 80 pounds a year, andend in Park Lane with a hundred thousand. They wantto drop Kentish Town; but they give themselves awayevery time they open their mouths. Now I can teachthem—THE FLOWER GIRL:Let him mind his own business and leave a poorgirl—THE NOTE TAKER:[explosively]Woman: cease this horrible boohooinginstantly; or else seek the shelter of some otherplace.THE FLOWER GIRL:[with feeble defiance]I've a right to be here if Ilike, same as you.THE NOTE TAKER:A woman who utters such depressing and disgustingsounds has no right to be anywhere—no right to live.Remember that you are a human being with a soul andthe divine gift of articulate speech: that yournative language is the language of Shakespear andMilton and The Bible; and don't sit there like apigeon.THE FLOWER GIRL:[quite overwhelmed, and looking up at him in mingled wonder and deprecation without daring to raise herhead]Ah—ah— ah—ow—ow—oo!THE NOTE TAKER:[whipping out his book]Heavens! what a sound! [He writes; then holds out the book and reads,reproducing her vowels exactly]Ah—ah—ah—ow—ow—ow—oo!THE FLOWER GIRL:[tickled by the performance, and laughing in spiteof herself]Garn!THE NOTE TAKER:You see this creature with her gutter English: theEnglish that will keep her in the gutter to the endof her days. Well, sir, in three months I could pass that girl off as a duchess at an ambassador's garden party. I could even get her a place as lady's maidor shop assistant, which requires better English.[The flower girl listens attentively and was shocked by his remarks. She repeats with noticeablecuriosity, “duchess”? “lady’s maid”? “shopassistant”? ]THE GENTLEMAN:I am myself a student of Indian dialects; and—THE NOTE TAKER:[eagerly]Are you? Do you know Colonel Pickering,the author of Spoken Indian Dialects?THE GENTLEMAN:I am Colonel Pickering. Who are you?THE NOTE TAKER:Henry Higgins, author of Higgins's UniversalAlphabet.PICKERING:[with enthusiasm]I came from India to meet you. HIGGINS:I was going to India to meet you.PICKERING:Where do you live?HIGGINS:27A Wimpole Street. Come and see me tomorrow. PICKERING:I'm at the Carlton Hotel. Come with me now andlet's have a talk over some supper.HIGGINS:Right you are.THE FLOWER GIRL:[to Pickering, as he passes her]Buy a flower, kind gentleman.PICKERING:I really haven't any change. I'm sorry [he goesaway].HIGGINS:[shocked at girl's ]Liar. You said you couldchange half-a-crown.THE FLOWER GIRL:[rising in desperation]You ought to be stuffedwith nails, you ought.[Flinging the basket at hisfeet]Take the whole blooming basket for sixpence. [The church clock strikes the second quarter.]HIGGINS:[hearing in it the voice of God, him forhis to the poor girl] A reminder. [He raiseshis hat solemnly; then throws a handful of moneyinto the basket and follows Pickering].THE FLOWER GIRL:[picking up a half-crown]Ah—ow—ooh! [Picking upa couple of florins]Aaah—ow—ooh! [Picking upseveral coins]Aaaaaah—ow—ooh![Picking upa ]Aaaaaaaaaaaah—ow—ooh!!![With ecstasy, theFlower Girl runs off the stage. End of Act 1 ]Act 2[Next day at 11 a.m. Higgins's laboratory in Wimpole Street. The middle of the room is clear. Besides the easy chair, the piano bench, and two chairs at the phonograph table, there is one stray chair. It stands near the fiWordStr. Pickering is seated at the table, putting down some cards and a tuning-fork which he has been using. Higgins is standing up near him, closing two or three file drawers that are hanging out. He appears in the morning light as a robust, vital, appetizing sort of man of forty or thereabouts, dressed in a professional-looking black frock-coat with a white linen collar and black silk tie. He is of the energetic, scientific type, heartily, even violently interested in everything that can be studied as a scientific subject, and careless about himself and other people, including their feelings. He is, in fact, but for his years and size, rather like a very impetuous baby “taking notice” eagerly and loudly, and requiring almost as much watching to keep him out of unintended mischief. His manner varies from genial bullying when he is in a good humor to stormy petulance when anything goes wrong; but he is so entirely frank and void of malice that he remains likeable even in his least reasonable moments.] HIGGINS:[as he shuts the last drawer]Well, I think that'sthe whole show.PICKERING:It's really amazing. I haven't taken half of it in,you know.HIGGINS:Would you like to go over any of it again? PICKERING:[rising and coming to the fiWordStr, where he plants himself with his back to the fire]No, thank you;not now. I'm quite done up for this morning.HIGGINS:[Mrs. Pearce looks in: she is Higgins'shousekeeper]What's the matter?MRS. PEARCE:[hesitating, evidently perplexed] A young womanwants to see you, sir.HIGGINS:A young woman! What does she want?MRS. PEARCE:Well, sir, she says you'll be glad to see her whenyou know what she's come about. She's quite a common girl, sir. Very common indeed. I should have senther away, only I thought perhaps you wanted her totalk into your machines. I hope I've not done wrong;but really you see such queer people sometimes—you'll excuse me, I'm sure, sir—HIGGINS:Oh, that's all right, Mrs. Pearce. Has she aninteresting accent?MRS. PEARCE:Oh, something dreadful, sir, really. I don't knowhow you can take an interest in it.HIGGINS:[to Pickering]Let's have her up. Show her up, Mrs.Pearce [he rushes across to his working table andpicks out a cylinder to use on the].MRS. PEARCE:[only half resigned to it]Very well, sir. It's for you to say. [She goes downstairs].HIGGINS:This is rather a bit of luck. I'll show you how Imake records. We'll set her talking; and I'll takeit down --MRS. PEARCE:[returning]This is the young woman, sir.[The flower girl enters in state. She has a hat with three ostrich feathers, orange, sky-blue, and red. Shehas a nearly clean apron, and the shoddy coat has been tidied a little. The of this figure, with its innocent vanity and consequential air, touches Pickering, who has already straightened himself in the presence of Mrs. Pearce. But as to Higgins, the only distinction he makes between men and women is that when he is neither bullying nor exclaiming to the heavens against some featherweight cross, he coaxes women as a child coaxes its nurse when it wants to get anything out of her.] HIGGINS:[brusquely, recognizing her with unconcealeddisappointment, and at once, babylike, making anintolerable grievance of it]Why, this is the girlI jotted down last night. She's no use: I've got allthe records I want of the Lisson Grove lingo; andI'm not going to waste another cylinder on it.[Tothe girl]Be off with you: I don't want you.THE FLOWER GIRL:Don't you be so saucy. You ain't heard what I comefor yet. [To Mrs. Pearce, who is waiting at thedoor for further instruction]Did you tell him Icome in a taxi?MRS. PEARCE:Nonsense, girl! what do you think a gentleman likeMr. Higgins cares what you came in?THE FLOWER GIRL:Oh, we are proud! He ain't above giving lessons, not him: I heard him say so. Well, I ain't come here toask for any compliment; and if my money's not goodenough I can go elsewhere.HIGGINS:Good enough for what?THE FLOWER GIRL:Good enough for ye—oo. Now you know, don't you? I'm come to have lessons, I am. And to pay for em too:make no mistake.HIGGINS:[stupent]WELL!!! [Recovering his breath with agasp]What do you expect me to say to you?THE FLOWER GIRL:Well, if you was a gentleman, you might ask me tosit down, I think. Don't I tell you I'm bringing you business?HIGGINS:Pickering: shall we ask this baggage to sit down orshall we throw her out of the window?THE FLOWER GIRL:[running away in terror to the piano, where sheturns at bay]Ah—ah—ah—ow—ow—ow—oo! [Wounded and whimpering]I won't be called a baggage whenI've offered to pay like any lady.[Motionless, the two men stare at her from the other side of the room, amazed.]PICKERING:[gently]What is it you want, my girl?THE FLOWER GIRL:I want to be a lady in a flower shop stead ofselling at the corner of Tottenham Court Road. Butthey won't take me unless I can talk more genteel.He said he could teach me. Well, here I am ready topay him—not asking any favor—and he treats me asif I was dirt.MRS. PEARCE:How can you be such a foolish ignorant girl as tothink you could afford to pay Mr. Higgins?THE FLOWER GIRL:Why shouldn't I? I know what lessons cost as well as you do; and I'm ready to pay.HIGGINS:What's your name?THE FLOWER GIRL:Liza Doolittle.HIGGINS:[declaiming gravely]Eliza, Elizabeth, Betsy andBess,They went to the woods to get a birds nes': PICKERING:They found a nest with four eggs in it:HIGGINS:They took one apiece, and left three in it.[They laugh heartily at their own wit.]LIZA:Oh, don't be silly.MRS. PEARCE:You mustn't speak to the gentleman like that.LIZA:Well, why won't he speak sensible to me?HIGGINS:Come back to business. How much do you propose topay me for the lessons?LIZA:Oh, I know what's right. A lady friend of mine getsFrench lessons for eighteenpence an hour from a real French gentleman. Well, you wouldn't have the faceto ask me the same for teaching me my own languageas you would for French; so I won't give more than a shilling. Take it or leave it.HIGGINS:[walking up and down the room, rattling his keys and his cash in his pockets]You know, Pickering, ifyou consider a shilling, not as a simple shilling,but as a percentage of this girl's income, it worksout as fully equivalent to sixty or seventy froma millionaire.PICKERING:How so?HIGGINS:Figure it out. A millionaire has about 150 pounds aday. She earns about.LIZA:[haughtily]Who told you I only—HIGGINS:[continuing]She offers me two-fifths of her day'sincome for a lesson. Two-fifths of a millionaire'sincome for a day would be somewhere about 60 pounds.It's handsome. By George, it's enormous! it's thebiggest offer I ever had.LIZA:[rising, terrified]Sixty pounds! What are youtalking about? I never offered you sixty pounds.Where would I get—HIGGINS:Hold your tongue.LIZA:[weeping]But I ain't got sixty pounds. Oh—MRS. PEARCE:Don't cry, you silly girl. Sit down. Nobody is goingto touch your money.HIGGINS:Somebody is going to touch you, with a broomstick,if you don't stop snivelling. Sit down.PICKERING:Higgins: I'm interested. What about the ambassador'sgarden party? I'll say you're the greatest teacheralive if you make that good. I'll bet you all theexpenses of the experiment you can't do it. And I'llpay for the lessons.HIGGINS:[carried away]Yes: in six months—in three if shehas a good ear and a quick tongue—I'll take heranywhere and pass her off as anything. We'll starttoday: now! this moment! Take her away and clean her, Mrs. Pearce. Monkey Brand, if it won't come off anyother way. Is there a good fire in the kitchen?MRS. PEARCE:[protesting].Yes; but—HIGGINS:[storming on]Take all her clothes off and burnthem. Ring up Whiteley or somebody for new ones.Wrap her up in brown paper till they come.LIZA:You're no gentleman, you're not, to talk of suchthings. I'm a good girl, I am; and I know what thelike of you are, I do.MRS. PEARCE:But I've no place to put her.HIGGINS:Put her in the dustbin.LIZA:Ah—ah—ah—ow—ow—oo!MRS. PEARCE [dragging Eliza off with Eliza struggling a while]: Good girl! Don’t be frightened. We won’t hurt you for sure. [Mrs. Pearce and Eliza exit!]PICKERING:Oh come, Higgins! be reasonable. Although I am interested in this experiment, all I propose is that we should be kind to this poor girl. We need to help her to prepare and fit herself for her new station in life. We can't take a girl up like that as if we were picking up a pebble on the beach. [He continues with hesitation less he should hurt Higgins’s feelings.] Excuse the straight question, Higgins. Are you a man of good character where women are concerned?HIGGINS:[moodily]Have you ever met a man of good characterwhere women are concerned?PICKERING:Yes: very frequently.HIGGINS:[dogmatically, lifting himself on his hands to thelevel of the piano, and sitting on it with abounce]Well, I haven't. I find that the moment Ilet a woman make friends with me, she becomesjealous, exacting, suspicious, and a damned nuisance.I find that the moment I let myself make friendswith a woman, I become selfish and tyrannical. Women upset everything.[Mrs. Pearce returns.]MRS. PEARCE:If you please, sir, the trouble's beginning already.There's a dustman downstairs, Alfred Doolittle,wants to see you. He says you have his daughter here. PICKERING:[rising]Phew! I say! [He retreats to thehearthrug].HIGGINS:[promptly]Send the rascal up.MRS. PEARCE [embarrassed]:Oh, very well, sir. [She goes out].PICKERING:He may not be a rascal, Higgins.HIGGINS:Nonsense. Of course he's a rascal.PICKERING:Whether he is or not, I'm afraid we shall have sometrouble with him.MRS. PEARCE:[at the door]Doolittle, sir. [She admitsDoolittle and retires].[Alfred Doolittle is an elderly but vigorous dustman, clad in the costume of his profession, including a hat with a back brim covering his neck and shoulders. He has well marked and rather interesting features, and seems equally free from fear and conscience. He has a remarkably expressive voice, the result of a habit of giving vent to his feelings without reserve. His present pose is that of wounded honor and stern resolution.] DOOLITTLE:[at the door, uncertain which of the two gentlemenis his man]Professor Higgins?HIGGINS:Here. Good morning. Sit down.DOOLITTLE:Morning, Governor. [He sits down ]I come about avery serious matter, Governor.HIGGINS:[to Pickering]Brought up in Hounslow. Mother Welsh,I should think.[Doolittle opens his mouth, amazed.Higgins continues]What do you want, Doolittle? DOOLITTLE:[menacingly]I want my daughter: that's what I want.See?HIGGINS:Of course you do. You're her father, aren't you? Youdon't suppose anyone else wants her, do you? I'mglad to see you have some spark of family feelingleft. She's upstairs. Take her away at once. DOOLITTLE:[rising, fearfully taken aback]What!HIGGINS:Take her away. Do you suppose I'm going to keep yourdaughter for you?DOOLITTLE:[remonstrating]Now, now, look here, Governor. Isthis reasonable? Is it fairity to take advantage ofa man like this? The girl belongs to me. You got her.Where do I come in? [He sits down again].HIGGINS:Your daughter had come to my house and ask me toteach her how to speak properly so that she couldget a place in a flower-shop. This gentleman and myhousekeeper have been here all the time. [Bullyinghim]How dare you come here and attempt toblackmail me? You sent her here on purpose. DOOLITTLE:[protesting]No, Governor.HIGGINS:You must have. How else could you possibly know that she is here?DOOLITTLE:[“most musical, most melancholy”]I'll tell you,Governor, if you'll only let me get a word in. I'mwilling to tell you. I'm wanting to tell you. I'mwaiting to tell youIGGINS:Pickering: this chap has a certain natural gift oflecturing.DOOLITTLE:It was like this, Governor. The girl sent a boy back for her luggage when she heard you was willing forher to stop here. I met the boy and knew where shewas.HIGGINS:So you came to rescue her from worse than death, eh? DOOLITTLE:[appreciatively: relieved at being understood]Just so, Governor. That's right.PICKERING:But why did you bring her luggage if you intended to take her away?DOOLITTLE:Have I said a word about taking her away? Have Inow?[rising]No, Governor. Don't say that. I'mnot the man to stand in my girl's light. Here's acareer opening for her, as you might say; and—HIGGINS:Mrs. Pearce: this is Eliza's father. He has come totake her away. Give her to him. [He goes back tothe piano, with an air of washing his hands of thewhole affair].DOOLITTLE:[To Higgins, who takes refuge on the piano bench, a little overwhelmed by the proximity of his visitor;for Doolittle has a professional flavor of dustabout him].No. This is a misunderstanding. Listen here— Regarded in the light of a young woman, she'sa fine handsome girl. All I ask is my rights as afather; and you're the last man alive to expect me to let her go for nothing; for I can see you're one of the straight sort, Governor. Well, what's a five pound note to you? And what's Eliza to me? [He returns to his chair and sits down judicially]. PICKERING:I think you ought to know, Doolittle, that Mr.Higgins's intentions are entirely honorable. DOOLITTLE:Course they are, Governor. If I thought they wasn't, I'd ask fifty.HIGGINS:[revolted]Do you mean to say, you rascal, thatyou would sell your daughter for £50?DOOLITTLE:Don't say that, Governor. Don't look at it that way. What am I, Governors both? I ask you, what am I? I'm one ofthe undeserving poor: that's what I am.HIGGINS:Pickering: if we listen to this man another minute,we shall have no convictions left. [ToDoolittle]Five pounds I think you said. DOOLITTLE:Thank you kindly, Governor.HIGGINS:You're sure you won't take ten?DOOLITTLE:Not now. Another time, Governor.HIGGINS:[handing him a five-pound note]Here you are. DOOLITTLE:Thank you, Governor. Good morning. [He hurries tothe door, anxious to get away with his booty. Whenhe opens it he is confronted with a and clean。

Donthaveacow,man

Donthaveacow,manThe only time a woman really succeeds in changing a man is when he is a baby.Natalie WoodIn mathematics you don't understand things. You just get used to them.John Von NeumannA woman is only a woman, but a good cigar is a smoke.Rudyard KiplingIf at first you don't succeed... So much for skydiving. Henry Youngman.Software Engineering is that part of Computer Science which is too difficult for the Computer Scientist.F. L. BauerYou can't say that civilization don't advance, however, for in every war they kill you in a new way.Will RogersSex at age 90 is like trying to shoot pool with a rope.George BurnsDon't be so humble - you are not that great.Golda MeirIt's not our fault our generation has short attention spans, Dad. We watch an appalling amount of TV.Lisa SimpsonI'd rather have Lockheed deliver the mail than ride around in a plane built by the post office.I've had a perfectly wonderful evening. But this wasn't it.Groucho MarxBetween two evils, I always pick the one I never tried before.Mae WestEngland and America are two countries divided by a common language. George Bernard ShawI'll bet living in a nudist colony takes all the fun out of Halloween. Charles Swartz.There are no good girls gone wrong - just bad girls found out.Mae WestBiology is the least of what makes someone a mother. Oprah Winfrey.Know your limitations and be content with them. Too much ambition results in promotion to a job you can't do.David Brent Be able to go shopping for a bathing suit and not become depressed afterward.Marilyn vos SavantIntellectuals are like the mafia; they only kill their own.WoodyAllenI cook with wine, sometimes I even add it to the food.W. C. FieldsI'm at the age now where just putting my cigar in its holder is a thrill.George BurnsI always say, keep a diary and some day it'll keep you.Mae WestI cant even get three weeks off to have cosmetic surgery.Paul LyndeBy all means marry; if you get a good wife, you'll be happy; if you get a bad one, you'll become a philosopher.Socrates Java is C++ without the guns, knives, and clubsJames Gosling, co-inventor of JavaGood girls go to heaven, bad girls go everywhere.Mae WestProgramming today is a race between software engineers striving to build bigger and better idiot-proof programs, and the Universe trying to produce bigger and better idiots. So far, the Universe is winning. Rich Cook.Base eight is just like base ten really, if you're missing two fingers.Tom LehrerI'm all in favor of keeping dangerous weapons out of the hands of fools. Let's start with typewriters.Solomon ShortI do not belong to any organised political party: I'm a democrat.Will Rogers.The most important job is not to be Governor, or First Lady in my case. George W BushIn mathematics you don't understand things. You just get used to them.John Von NeumannMen like to barbecue. Men will cook if danger is involved.Rita RudnerNobody ever went broke underestimating the taste of the American public.H. L. MenckenI do not believe in an afterlife, although I am bringing a change of underwear.Woody AllenElizabeth Taylor has more chins than the Chinese telephonedirectory.Joan Rivers.In politics, if you want anything said, ask a man; if you want anything done, ask a woman.Margaret ThatcherChaos Theory is a new theory invented by scientists panicked by the thought that the public were beginning to understand the old ones. Mike Barfield.Work is the curse of the drinking class.A good sermon should be like a woman's skirt: short enough to rouse the interest, but long enough to cover the essentials.Ronald KnoxThey spell it Vinci and pronounce it Vinchy; foreigners always spell better than they pronounce. Mark TwainUSA Today has come out with a new survey: Apparently three out of four people make up 75 percent of the population. David Letterman.In America any boy may become President and I suppose it's just one of the risks he takes. Adlai Stevenson.Any time there's a scandal, we always try and get /doc/c9bd666c0029bd64793e2c38.html rry FlyntIn Russia we only had two TV channels. Channel One was propaganda. Channel Two consisted of a KGB officer telling you: Turn back at once to Channel One.Yakov Smirnoff.They called it golf because all the other four letter words were taken. Walter Hagen.What would I do if I had only six months left to live? I'd type faster.Isaac Assimov.I never got along with my dad. Kids used to come up to me and say, My dad can beat up your dad. I'd say, Yeah? When? Bill Hicks.My reputation grows with every failure.Bernard ShawI went to watch Pavarotti once. He doesn't like it when you joinin.Mick Miller.Submitted by Jensen HallSquares are scary, but hearts are worthlovingMy fake plants died because I did not pretend to water them.Mitch HedbergThe Internet is a gateway to get on the net. Bob Dole.If it weren't for electricity we'd all be watching television by candlelight.George Gobol.The day I made that statement, about the inventing the internet, I was tired because I'd been up all night inventing the Camcorder.Al GoreI have never taken any exercise, except sleeping and resting.Mark TwainThe future isn't what it used to be.Well-timed silence hath more eloquence than speech.Martin Fraquhar TupperWhen Peter Beardsley appears on television, daleks hide behind the sofa. Nick Hancock.I generally avoid temptation unless I can't resist it.Mae WestAll are lunatics, but he who can analyse his delusions is called a philosopher.Ambrose BierceBefore software can be reusable it first has to be usable.Ralph JohnsonWhen the President does it, that means it's not illegal.Richard NixonOnly one thing is impossible for God: To find any sense in any copyright law on the planet.Mark TwainModeration is a virtue only in those who are thought to have an alternative.Henry A. KissingerLouis Pasteur's theory of germs is ridiculous fiction. Pierre Pachet, Professor of Physiology at Toulouse, 1872 .Do not worry about your problems with mathematics, I assure you mine are far greater. Albert EinsteinI like children - fried.W.C. FieldsIt's clearly a budget. It's got a lot of numbers in it.George W BushHarold Wilson is going around the country stirring up apathy.William Whitelaw.Sex is like having dinner: sometimes you joke about the dishes, sometimes you take the meal seriously.Woody Allen Critics are to authors what dogs are to lamp-posts.Jeffrey Robinson.All you need in this life is ignorance and confidence, and then success is sure.Mark TwainWhat would men be without women? Scarce, sir, mighty scarce.Mark TwainI am a marvelous housekeeper. Every time I leave a man I keep his house.Zsa Zsa GaborWhen the President does it, that means that it's not illegal.Richard Nixon.I have orders to be awakened at any time in the case of a national emergency, even if I'm in a cabinet meeting.Ronald Reagan.I haven't spoken to my wife in years. I didn't want to interrupt her.Rodney DangerfieldTo err is human--and to blame it on a computer is even more so. Robert Orben.Men who have pierced ears are better prepared for marriage. They've experienced pain and bought jewelry.Rita RudnerA high-brow is someone who looks at a sausage and thinks ofPicasso.AP Herbert.Dad always thought laughter was the best medicine, which I guess is why several of us died of tuberculosis. Jack Handy. Last week I stated that this woman was the ugliest woman I had ever seen. I have since been visited by her sister and now wish to withdraw that statement. Mark TwainThe one function TV news performs very well is that when there is no news we give it to you with the same emphasis as if there were.David BrinkleyYesterday was the deadline on all complaints.驾校⼀点通365⽹/doc/c9bd666c0029bd64793e2c38.html /xizang/西藏驾校⼀点通Help!! I'm covered in beeeeeeees!!Eddie IzzardI installed a skylight in my apartment...The people who live above me are furious.Steven WrightMoney couldn't buy you friends, but you get a better class of enemy.Spike MilliganMy classmates would copulate with anything that moved, but I never saw any reason to limit myself.Emo PhilipsComedy always works best when it is mean-spirited.John CleeseElectricity is actually made up of extremely tiny particles called electrons, that you cannot see with the naked eye unless you have been drinking.Dave BarryI'm a one-man idiotEddie IzzardI ran three miles today. Finally I said, "Lady take your purse.Emo PhilipsA blind bloke walks into a shop with a guide dog. He picks the Dog up and starts swinging it around his head. Alarmed, a shop assistant calls out: 'Can I help, sir?' 'No thanks,' says the blind bloke.'Just looking.'Tommy CooperI went to the bank and asked to borrow a cup of money. They said, "What for?" I said, "I'm going to buy some sugar.Steven WrightWhen someone is impatient and says, "I haven't got all day," I always wonder, How can that be? How can you not have all day?George CarlinOne thing leads to another"? Not always. Sometimes one thing leads to the same thing. Ask an addict.George CarlinI poured spot remover on my dog. Now he's gone.Steven WrightA black cat crossing your path signifies that the animal is going somewhere.Groucho MarxPeople come up to me and say, "Emo, do people really come up toyou?Emo Philips。

分享《隐藏人物》英语作文演讲稿

分享《隐藏人物》英语作文演讲稿Ladies and gentlemen,。

I'm here to talk about a movie that left a deep impression on me, "Hidden Figures." It's not just a story about three brilliant women, but a window into the unseen struggles and triumphs of a generation.Think about Katherine Goble Johnson, the mathematician whose calculations sent men to the moon. But did you know that her genius was hidden behind the scenes for years? She faced challenges and biases, yet she persevered, determined to make her mark.Dorothy Vaughan, the supervisor of the West Area Computing unit, was a trailblazer. She understood the power of organization and leadership, not just in numbers but in people. She empowered women, showing them that they had a voice and a place in the world of science.And Mary Jackson, the aerospace engineer who defied limitations. She faced adversity, but never gave up on her dream of becoming an engineer. She knew that education was the key, and she pursued it relentlessly.This movie is a celebration of resilience, of the human spirit that refuses to be held down. It's a reminder that each of us has the power to change the world, if we are brave enough to face our fears and pursue our dreams.So, when you watch "Hidden Figures," don't just see a.。

安迪·沃霍尔

The evolution of Andy’s painting works
Early painting A period of confusing Started to draw things he loved Work more on a signature style Started to draw with brushes in hands
Before the start (1942~1950)
Andy attended the Carnegie Institute of Technology in 1945, and earned a Bachelor of Fine Arts degree in Pictorial Design with the goal of becoming a commercial illustrator. During the college years, he worked for Home’s department as a display designer.
1980s: last years
In 1984, Warhol collaborated with the young artists JeanMichel Basquiat, Francesco Clemente, and Keith Haring, returning to painting with a brush. During this time Warhol created the Michael Jackson painting signifying his success attributed to his best-selling album Thriller. In the mid-1980s his television shows, Andy Warhol’s T.V. and Andy Warhol’s Fifteen Minutes were broadcast on New York cable television and nationally on MTV. He created work for Saturday Night Live, appeared in an episode of The Love Boat and produced music videos for rock bands such as The Cars. Warhol died from a sudden post-operative cardiac arrhythmia in New York City at 6:32 a.m. on February 22, 1987, after a routine gallbladder surgery at New York Hospital.

KatyPerry英语介绍ppt课件作品

目录
Who? 01
02
Album
05
Katy
04
time line
Break through 03
07
08
Movie
06
About us
Watch！ It’s all
Who? 01
She is Katy Perry!
Billboard's woman of the year
The 1st woman who have 5 No.1 hits on the Billboard Hot 100 from only 1 album
4.Katy enters the Perfume World
Purr," Katy Perry's own fragrance, was launched in November 2010, just as Perry was enjoying her unstoppable run of "Teenage Dream" singles.
6.Katy smurfs it up on the big screen
Perry had flirted with acting before "The Smurfs" was released in July 2011. -- she had made cameos on "The Simpsons" and in "Get Him to the Greek," and had served as a guest judge on "American Idol."
home
5.California Dreamin’ around the globe

电影天才少女点评英语作文

The film Gifted is a heartwarming and thoughtprovoking drama that revolves around the life of a young girl named Mary,who is portrayed as a mathematical prodigy. Directed by Marc Webb,known for his work on The Amazing SpiderMan,this movie takes a deep dive into the complexities of nurturing a childs talent while also considering her emotional and social wellbeing.Plot Overview:The story follows Mary,who is under the care of her uncle Frank,after the loss of her mother,a brilliant mathematician who died under mysterious circumstances.Frank,a repairman by trade,is determined to give Mary a normal childhood,despite her extraordinary abilities.The narrative unfolds as Marys talent is recognized by her school teacher,Evelyn,who believes that Mary should be pushed to her full potential and enrolls her in a specialized school.Character Development:Mary,played by Mckenna Grace,is a delightful character who is both intelligent and innocent.Her interactions with her uncle Frank,portrayed by Chris Evans,showcase a deep bond that is central to the films emotional core.Franks struggle to balance Marys academic needs with her desire for a normal life is a key aspect of the movie.Cinematography and Visuals:The cinematography is simple yet effective,capturing the essence of the coastal town where the story is set.The visuals are not overly dramatic,allowing the audience to focus on the characters and their relationships.Performances:Chris Evans delivers a nuanced performance as Frank,showing a range of emotions from frustration to tenderness.His portrayal of a man torn between doing whats best for his niece and preserving her childhood is both believable and compelling.Jenny Slate,as Marys teacher,brings a sense of warmth and concern that adds depth to her character.Themes:The film explores themes of family,the burden of genius,and the struggle to find a balance between nurturing talent and allowing a child to have a normal life.It raises questions about the ethics of pushing a child to excel and the potential consequences of doing so.Soundtrack:The soundtrack complements the films emotional tone,providing a subtle backdrop to the story without overpowering the narrative.Cultural Impact:Gifted has resonated with audiences for its portrayal of a gifted childs struggles and the dilemmas faced by those who care for her.It has sparked discussions about the education of gifted children and the importance of considering their emotional needs alongside their intellectual development.Conclusion:Gifted is a poignant film that offers a fresh perspective on the challenges faced by exceptionally talented children and their families.It is a testament to the importance of love,understanding,and the pursuit of happiness,even in the face of extraordinary circumstances.The film is a mustwatch for anyone interested in the complexities of human relationships and the delicate balance between potential and personal fulfillment.。

mummies in the morning 单词

mummies in the morning 单词【原创版】目录1.Mummies in the Morning 书籍概述2.作者简介3.内容简介4.主题与价值观5.读者评价与推荐正文1.Mummies in the Morning 书籍概述《Mummies in the Morning》是一本由美国作家 Nancy Drew 创作的青少年侦探小说。

该书于 1994 年首次出版，是“Nancy Drew Mystery Stories”系列的第 119 本。

这本书讲述了主角南希·德鲁以及她的两个朋友乔治和贝丝在参观博物馆时遇到的神秘事件，他们必须揭开谜团并找出真相。

2.作者简介ancy Drew 是一个虚构的作家名字，实际上是由多个作者共同创作的。

这个系列的创始人是 Harriet Stratemeyer Adams，她创造了南希·德鲁这个角色，并写了很多本这个系列的书。

后来的作者包括 Carolyn Keene、Leslie McFarlane、James Landis、Sybil Carpenter、Kathryn Kenny、Marcia Strassman 和 Heather Huffman 等。

3.内容简介在《Mummies in the Morning》中，南希和她的朋友们在参观博物馆时发现了一具木乃伊，而木乃伊上的诅咒似乎让她们陷入了危险之中。

她们开始调查这个神秘事件，并在调查过程中发现了更多的谜团。

南希和她的朋友们必须揭开这些谜团，并找出真相，以保护自己和他们所爱的人。

4.主题与价值观这本书的主题是友谊、勇气和智慧。

南希和她的朋友们通过团结合作和勇敢面对危险，成功地解决了这个谜团。

这本书向读者传达了友谊的力量、勇气的重要性以及智慧的价值。

同时，它还通过揭示神秘事件的真相，让读者对埃及文化产生了兴趣。

5.读者评价与推荐《Mummies in the Morning》是一本备受欢迎的青少年侦探小说，它通过有趣的故事情节和生动的人物形象，吸引了无数读者。

Nancy Drew

This article is about the fictional character. For the film, see Nancy Drew (2007 film).1966 cover of the revised version of The Secret of the Old Clock, the first Nancy Drew mysteryNancy Drew is a fictional young amateur detective in various mystery series for all ages. SheOver the decades the character has evolved in response to changes in American culture and tastes. The books were extensively revised, beginning in 1959, largely torevision process, the heroine's original, outspoken character was toned down and made more2004 the original Nancy Drew Mystery Stories series, begun in 1930, was ended and a new series, Girl Detective, was launched, with an updated version of the character who drivesa hybrid electric vehicle and uses a cell phone. Illustrations of the character have also evolvedThrough all these changes, the character has proved continuously popular worldwide: at least 80 million copies of the books have been sold,[8] and the books have been translated into over 45 languages. Nancy Drew has featured in five films, two television shows, and a number of popular computer games; she also appears in a variety of merchandise sold over the world.A cultural icon, Nancy Drew has been cited as a formative influence by a number of prominent。

大卫科波菲尔人物形象分析英文

大卫科波菲尔人物形象分析英文
s closest friend, Steerforth, who takes advantage of David's kindness and betrays him. Despite this betrayal, David still tries to help Steerforth when he faces trouble later in the novel
大卫科波菲尔人物形象分析英文
One of the most remarkable aspects of David Copperfield is his ability to persevere in the face of adversity. He experiences many hardships and setbacks throughout his life, but never gives up hope or loses his determination to succeed. This is
ome them with wit, charm, and resilience. The novel is filled with rich characters, each with their unique traits and quirks, but David Copperfield himself stands out as the most important and memorable character in the book
大卫科波菲尔人物形象分析英文
Another important trait of David Copperfield is his kindness and generosity. He is always trying to help others and put their needs before his own. This is seen in his relationship with hi

Nancy Drew 20攻1略翻译

Nancy Drew 20: Ransom of the Seven ShipsBy Her InteractiveWalkthrough by MaGtRo July 2009翻译by magicunder（为了便于理解，做了点改动）游戏运行: 这是个鼠标点击式游戏。

Nancy向你展示了她的卧室。

你可以通过‘How to be a Detective’这本书学习如何操作。

她的剪贴簿（scrapebook）包含了过去的游戏信息。

她的卷宗（Case Files）包含了过去她解决的神秘事件。

一旦你准备开始，点击飞机票（plane ticket）开始旅程。

然后你要选择初级和高级两种难度(junior detective or senior detective)我们可以看到主屏幕底部有一些图标。

最左边的包（bag）是物品栏.日记(journal)中包含了nancy当前案件的已知信息。

任务清单(check list)包含了你该完成的事来帮助初级侦探们顺利进行游戏（你选了高级就想都别想）。

齿轮（gear）按钮是选项，你可以进行一些设置。

读取按钮读取游戏。

磁盘按钮进行存储。

最右边的按钮关闭游戏。

Thanks, Becky!Nancy读完文件发现George 和bess已经在bahama的恐惧岛度假，当然，钱都是bess赢来的。

Nancy准备跟着去。

点击飞机票开始我们的旅程。

这个攻略是根据游戏的一条路线所作，此游戏是非线性的，就是说有许多其他路线。

（根据英文攻略翻译，不知道是否有多结局）潜鲨生态旅游胜地（Shark Diving Ecotourism Resort）:Nancy乘水上飞机到了恐惧岛的一个景点区。

George却想阻止飞机返回。

原因竟是Bess被绑架了！！！通过景点区的拥有者Gibsons 留下的字条来看。

Bess 乘了一辆高尔夫车去了桑格拉海滩看日落，然后读了绑架者留下的字条来看。

他们想让她寻找El Toro的t宝藏。

电大英语网考阅读理解

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Getting Burned

“G etting Burned” is written by NANCY DREW.Nancy drew is a girl directive, but she hasn’t a license or anything. This story began with a burning, which at the river heights animal shelter. Nancy came here as a volunteer in the past, so she was angry about this thing. She volunteered to investigate, because she thought it wasn’t a natural event. Justine is a administrator of the animal shelter, fortunately, she has picked up the animals to other place for advance, this is a good idea for all people. At the same time, there was a bad message from Chief McGinnis that this place may be used by a factory, unless rebuild it early, this work need much money. Now, it has been a large problem for Nancy and Justine.Nancy has a boyfriend called Ned, he often follow Nancy to do survey. She also has two fellow called George and Bess. They all agreed to investigate the case. Nancy first suspect David Wells, because he was first to here called 911, when she asked him what was doing here ,he said, “jogging”, but Nancy still a doubt for him because of his wearing. Then they stated a painter for this shelter called Peter Sandover, but they had no idea to find this person, as if no exist. Also, then had to raise a lot of money fast, Nancy put forward her thought, throwing a benefit concert, she can invite Mrs. Diver to join, they would make money off ticket sales, and set up a bake sale. This is a great idea, they all agreed. George advised to invite a famous singer called Nikki Kolista, she is a rock star, because she is from river heights. Thanks to these thoughts, they began to work in cooperation.After this, they put the main part on the investigating, at a night , they went to the animals shelter, find some useful information, they know the painter is David Wells, she told chief, but he didn’t trust her, then she gave him some evidences, he started to believe in. the case was ending. At the same time, they report to the concert successfully, and raise a lot of money, they all very happy.This is a good story, using a burning to express some people’s characters especially Nancy, she is a great amateur detective, she is very independent and inner directed. She loved animals, then she organized her friend to help animals to rebuild the shelter, though had lots of troubles, she didn’t give up. She stick to research withher friends, to her joy, they succeeded. In the concert, Nikki lost, others were pressing, afraid not to held successfully, they are no idea, only Nancy trust she can find Nikki. She found Nikki at last according to a paper, she’s very clever.In this book, burning is a blasting fuse, person is the basic line. From the book, we can know people’s character on the basic of the stating to ending for burning. Nancy is owner of this book, her character is brighter.I admire Nancy very much, I think she is very hard working and serious to her work, in spite of people’s distrust, so she is very great.。