Steven_Spielberg
斯皮尔伯格的英文介绍
Steven Spielberg
Undoubtedly one of the most influential film personalities in the history of film, Steven Spielberg is perhaps Hollywood‘s best known director
and one of the wealthiest filmmakerss countless biggrossing（大票房）, critically acclaimed credits to his name, as producer, director and writer. （斯皮尔伯格作
1993 a park dinosaurs
Jurassic Park, which Spielberg made in 1993, is about a park where a very rich man keeps different kinds of dinosaurs. When the park is hit by a storm, things start going wrong. The film becomes very exciting when the children are hunted by meat-eating dinosaurs.
When Spielberg was young, his dream was to go to the Film Academy, but he couldn‘t. The reason why he could not go there was that his grades were too low. After studying English, he got a small job at a film studio(电影制片). Here he worked on a short film, which won him a job as the youngest film director in the world. This was the moment when Spielberg's career really
斯蒂芬斯皮尔伯格的简历
谢谢大家！
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每一次的加油，每一次的努力都是为 了下一 次更好 的自己 。20.11.2220.11.22Sunday, November 22, 2020
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天生我材必有用，千金散尽还复来。15:40:2815:40:2815:4011/22/2020 3:40:28 PM
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安全象只弓，不拉它就松，要想保安 全，常 把弓弦 绷。20.11.2215:40:2815:40Nov-2022-Nov-20
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安全象只弓，不拉它就松，要想保安 全，常 把弓弦 绷。20.11.2215:40:2715:40Nov-2022-Nov-20
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得道多助失道寡助，掌控人心方位上 。15:40:2715:40:2715:40Sunday, November 22, 2020
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安全在于心细，事故出在麻痹。20.11.2220.11.2215:40:2715:40:27November 22, 2020
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人生不是自发的自我发展，而是一长 串机缘 。事件 和决定 ，这些 机缘、 事件和 决定在 它们实 现的当 时是取 决于我 们的意 志的。2020年11月22日星期 日3时40分27秒 Sunday, November 22, 2020
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感情上的亲密，发展友谊；钱财上的 亲密， 破坏友 谊。20.11.222020年11月22日 星期日 3时40分28秒20.11.22
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时间是人类发展的空间。2020年11月22日星 期日3时 40分27秒15:40:2722 November 2020
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科学，你是国力的灵魂；同时又是社 会发展 的标志 。下午3时40分 27秒下 午3时40分15:40:2720.11.22
英语故事-Steven Spielberg (1)
英语故事Steven Spielberg (1)青少年时期便崭露头角，而后跻身全球电影艺术大师之林。
让我们走近著名导演斯皮尔伯格与他的影像世界。
Steven Spielberg (1)A man over 50 takes stock of his dwindling physical inventory and starts thinking not of empire building but of simple maintenance in health, family and career — the preservation, for just a few more years of the suddenly precious status quo. Growth is measured in the spreading acreage around the waist, or in that weird cyst on your neck that makes you wonder if you’ve been infiltrated by aliens. The people you work with, who used to be older and as stuffy as your parents, are now younger, as mysterious as your kids, and taking over.Spielberg may be immune to all this. The fellow who makes movies everyone wants to see is not like everyone else. “People like Steven don’t come along every day,” says StarWars creator George Lucas, a friend and collaborator. “And when they do, it’s an amazing thing. It’s like talking about Einstein or Tiger Woods. He’s not in a group of filmmakers his age; he’s far, far away.”Born in Cincinnati on December 18, 1946, and raised in New Jersey and Arizona, Spielberg always had a love and fascination for the movie industry. As a pre-teen, he charged admission to his home movies while his sister sold popcorn. At the age of 13, Spielberg won a prize for a 40-minute war movie he titled Escape to Nowhere. In 1963, at the young age of 16, his 140-minute production of Firelight (which would later inspire Close Encounters) was shown in a local movie theater and brought in $100 profit.After being denied entrance into traditional film schools, Spielberg entered California State University to study English. Steven Spielberg’s professional movie career began the day when he decided to jump off a tour bus at Universal Studios Hollywood and wander around. He found an abandoned closet and turned it into an office. After some time, the security guards had seen him so often that they would wave himthrough the gates, no questions asked.Once inside and settled, Spielberg started production on Amblin. This movie, only 24 minutes long, led to his becoming the youngest director ever to be signed to a long-term deal with a major Hollywood studio (Universal). The movie had a $15,000 budget, provided by a friend who was also trying to achieve his big break in the industry. Amblin won several film festival awards including a showing at the Atlanta Film Festival in 1969. Spielberg was then signed to a 7-year contract under the Television division. After directing a diversity of TV shows, he directed the suspense-filled made-for-TV film Duel which received critical and audience acclaim. Spielberg’s television success was soon parlayed into big screen stardom. His first feature was 1974’s The Surgarland Express, and even then Spielberg was showing signs of excellence. The film won a Cannes Film Festival Award for Best Screenplay. The following year came Jaws. This very successful horror film about a man-eating shark captured the attention of the world. The movie was nominated for Best Picture at the Oscars, and won several Oscars for technical categories. In 1998, the film was named by the American FilmInstitute as one of the 100 best American films of the century.Spielberg followed up the success of Jaws two years later with his next film, Close Encounters of the Third Kind, which received an academy nomination for best director. He next teamed up with George Lucas and produced an action adventure picture, Raiders of the Lost Arc. In 1982, Spielberg’s next film E.T.: The Extra Terrestrial became the biggest domestic moneymaker of all time. E.T. was in fact the first movie to be produced by Amblin Entertainment, a production company formed by Spielberg in 1982 carrying the name of his first big break in the business. Amblin worked together with many other studios such as Universal Pictures, Columbia Pictures and Warner Brothers. With the Amblin name and logo prevalent, many films became immediate successes, including such films as Twister, Gremlins, Jurassic Park and Schindler’s List. Using his tremendous success as a springboard, DreamWorks SKG was formed in 1994. The first new movie studio to form in Hollywood in over 75 years, DreamWorks joined the forces of Spielberg, Jeffery Katzenberg and David Geffen, along with the backing of numerous partners and investors.This year, Spielberg came up with a new movie A.I.: Artificial Intelligence. A love story, a prophecy and a fairy tale (Pinocchio, to be exact) in the guise of a science-fiction film, A. I. represents the collaboration and collision of two master filmmakers: Stanley Kubrick, who spent parts of more than 15 years on the project; and Steven Spielberg, whom Kubrick finally asked to direct it, and who did, from his own screenplay, after Kubrick’s death in 1999. The film, whose genesis and shooting have long been cocooned in secrecy, opens this summer throughout Asia.For his first sci-fi project since 2001, Kubrick had planned, as Spielberg says, “to take a step beyond the relationship that HAL9000 has with Bowman and Poole, and tell a kind of future fairy tale about artificial intelligence.”When he suggested that Spielberg direct it, “I thought he was out of his mind. He was giving up one of the best stories he had ever told. But he said, ‘This story is closer to your sensibilities than my own.’” Once Spielberg began work on the film, at the behest of the director’s widow Christiane and her brother, Kubrick’s producer Jan Harlan, “I felt that Stanley really hadn’t died, that he was with me when I waswriting the screenplay and shooting the movie.”A.I. is fascinating as a wedding of two disparate auteurs. Kubrick took five, seven, a dozen years to make a movie; he optioned Brian Aldiss’s short story Supertoys Last All Summer Long, on which A.I. is based, in 1983. Spielberg has shot multiple films in one year, and in his spare time he helps run the DreamWorks film studio. Spielberg has the warmest of directorial styles; Kubrick’s is among the coolest. One aims to seduce the audience; the other wanted to bend movie-goers to see it his way.In the A.I. world, robots are made to give pleasure and, in David’s case, offer joy. The toy boy’s sole purpose is to give and elicit affection. His obsession (in Kubrick’s term) or dream (in Spielberg’s term) requires him to do everything to achieve Monica’s love — after she renounces him, after she abandons him, after she’s gone. That’s pure Spielberg: the story of a stranded or abandoned child searching for signposts to home, for the reunion of the nuclear family. This motif has been playing from his first feature, The Sugarland Express (two young marrieds struggle to rescue their child fromfoster parents), through a half dozen other films he has directed or produced (Poltergeist, Back to the Future, The Goonies, Empire of the Sun, Hook, Saving Private Ryan). That’s a pretty full gallery of lost boys and girls.That’s an old-fashioned theme, but so is robotics. The Aldiss story (in which a couple contemplate dumping their robo-child as soon as the state allows them to have a real one of their own) was published in 1969 just a year after Kubrick’s 2001 was released. These days, artificial intelligence has been overtaken, as scientific hope and ethical threat, by genetic engineering. A.I., set far in the future, conjures up popular worries 30 years in the past.(from TIME, June, 1997)。
斯蒂芬·斯皮尔伯格中英文介绍
斯蒂芬·斯皮尔伯格生平（experience）Steven spielberg was born in Cincinnation on December 18, 1946, his father is a computer expert, his mother is a well versed(通晓的，有造诣的) classical musician . Spielberg like adventure and fantasy when he was a child. On his 12 years old birthday, his father gave him a pocket camera, which made him more fascinated to a movie.斯蒂芬·斯皮尔伯格1946年12月18日诞生于俄亥俄州的辛辛那提市，其父是个电子计算机专家，其母是位颇有造诣的古典乐演奏家。
斯皮尔伯格自小便喜欢冒险与幻想。
12岁生日那天，其父送给了他一架袖珍摄影机，这使他对拍电影更为着迷。
He enrolled in bachelor of film art During the university, for some reason until he became famous did he obtain relevant degree in 2002. While spielberg do some part-time job as afilm-editor during study, and finailly into a formal director.大学期间它修读的是电影制作艺术学士，由于某种原因一直到成名多年后，于2002年才取得相关学位。
而修读期间斯皮尔伯格由剪辑做起一路转为正式导演。
Early directing （前期执导）In his 40 years of film career, spielberg has hit a variety of themes and types. Spielberg gave priority to science-fiction and adventure films , its sometimes focus on children, regarded as typical modern Blockbuster(大成本)of production of Hollywood.在四十年的电影生涯中，斯皮尔伯格曾触及多种主题与类型。
《2024年从斯皮尔伯格二战电影管窥好莱坞战争片世界》范文
《从斯皮尔伯格二战电影管窥好莱坞战争片世界》篇一引言好莱坞战争片一直是电影史上的重要分支，其中斯蒂文·斯皮尔伯格（Steven Spielberg）的二战电影尤为引人注目。
这些电影不仅展现了战争的残酷与悲壮，更在艺术和情感上给观众带来了深刻的触动。
本文将通过分析斯皮尔伯格的二战电影，探讨好莱坞战争片的世界观、叙事手法和情感表达。
一、斯皮尔伯格的二战电影特色1. 画面与视觉效果斯皮尔伯格的二战电影以其细腻、真实的画面著称。
电影中展现的战场景象、人物形象以及细节描绘都充满了真实感。
如《战马》中的战马“乔伊”与主角之间的情感纠葛，通过逼真的画面和音效，使观众仿佛置身于战场之中。
2. 叙事手法斯皮尔伯格的二战电影往往采用非线性叙事手法，通过多个时间线的交织，使故事更加丰富多元。
例如，《辛德勒的名单》通过描绘二战背景下的犹太人命运，以一个特殊的个体为视角展现了战争的全貌。
3. 人物塑造与情感表达斯皮尔伯格的电影在人物塑造上独具匠心，注重挖掘人性的光辉与阴暗。
他通过细节描绘和情感渲染，使人物形象更加立体。
在《拯救大兵瑞恩》中，各个角色在战争中的成长与变化，让观众对战争与人性有了更深刻的理解。
二、好莱坞战争片的世界观1. 历史观与现实主义好莱坞战争片往往以历史为背景，通过现实主义手法展现战争的残酷与悲壮。
这些电影不仅是对历史的再现，更是对现实世界的反思。
它们通过战争揭示人性的光辉与阴暗，引导观众思考战争与和平的重要性。
2. 英雄主义与人性探讨好莱坞战争片常常以英雄主义为主题，通过对人物形象的塑造和情感表达，探讨人性的复杂与多元。
这些电影中的角色往往在战争中成长与蜕变，最终成为英雄。
如斯皮尔伯格的电影中，主角们不仅在战场上表现出勇敢与坚毅，更在面对人性抉择时展现出人性的光辉。
三、情感表达与社会价值1. 情感表达斯皮尔伯格的二战电影在情感表达上尤为出色，通过对人物情感的细腻描绘和情感渲染，使观众产生强烈的共鸣。
《2024年从斯皮尔伯格二战电影管窥好莱坞战争片世界》范文
《从斯皮尔伯格二战电影管窥好莱坞战争片世界》篇一一、引言好莱坞作为全球电影工业的巨头，其战争片类型一直备受瞩目。
其中，斯蒂文·斯皮尔伯格（Steven Spielberg）执导的二战电影以其精湛的导演技巧、深刻的历史内涵和生动的视觉效果赢得了广大观众的喜爱和认可。
本文旨在通过对斯皮尔伯格的二战电影进行深入分析，探讨好莱坞战争片世界的特色与趋势。
二、斯皮尔伯格二战电影的特色1. 历史真实与艺术加工斯皮尔伯格的二战电影往往以历史真实为基础，通过艺术加工，将战争的残酷、人性的光辉以及历史的厚重感呈现得淋漓尽致。
如《辛德勒的名单》、《战马》等作品，都以真实的历史事件为背景，通过细腻的描绘，让观众感受到战争的残酷与人性的伟大。
2. 视觉效果的震撼斯皮尔伯格在电影制作中善于运用先进的视觉特效技术，将战争场面呈现得震撼人心。
通过大尺度的战争场面、逼真的爆炸效果以及生动的战争细节，让观众仿佛置身于战争之中，感受到战争的残酷与无情。
3. 人性光辉的展现斯皮尔伯格的电影中，人物形象鲜明，个性鲜明的人物在战争中展现出人性光辉。
如《拯救大兵瑞恩》中的瑞恩兄弟，他们在战争中为了拯救一个家庭而英勇奋战，展现了人性的伟大与勇气。
三、好莱坞战争片世界的特色1. 多样化的题材与类型好莱坞战争片涵盖了各种题材与类型，包括二战、越战、朝鲜战争、伊拉克战争等。
这些电影通过不同的角度和视角，展现了战争的不同面貌和影响。
2. 精湛的制作技术与视觉效果好莱坞战争片在制作技术和视觉效果方面一直处于领先地位。
通过先进的特效技术和精良的制作团队，将战争场面呈现得逼真而震撼。
同时，电影中的音效、配乐等也达到了极高的水平，为观众带来了极致的观影体验。
3. 深刻的历史反思与人性探讨好莱坞战争片往往通过对历史事件的再现和人物形象的刻画，引发观众对战争、历史和人性的深刻反思。
这些电影不仅让观众了解历史事件本身，更让观众思考战争对人类社会的影响和意义。
史蒂芬_斯皮尔伯格
• 战争残酷,人性光辉
• 《肖申克的救赎》、《拯救大兵瑞恩》
斯皮尔伯格 更是Biblioteka 位影视奇才！• （我的电影和故事里有很多希望。对于我来说，用乐观鼓 舞荣耀的方式来结束电影非常有意义。因为我们每天都看 新闻，我们知道现在整个经济环境以及我们的国家是怎么 样的。坏消息够多了！电影也许可以使暂时摆脱那些坏消 息的东西 ——斯蒂文 斯皮尔伯格 ）
• 天真乐观主义
• 他的大部分电影表现出了天然的乐观主义。 评论家经常批评他的作品对于感情的表露过于直 白，而斯皮尔伯格则认为感情的直白表露和含蓄 各有好处。他的这种风格来自于弗兰克· 拉和约 翰· 福特的影响。 • 电影《人工智能》中戴维从未被他的人类母 亲接受的命运。而犯罪片《猫鼠游戏》中弗兰 克——这个不断地对权威人物进行反抗的人—— 最后反而成为他反抗的人所代表的系统的一部分， 是对现实的莫大讽刺。
Steven Spielberg
(史蒂芬 斯皮尔伯格)
斯皮尔伯格
他生于1946年12月18日 美国犹太人 著名电影导演、编剧 和电影制片人
童年启迪
父亲是电子机专家
母亲是古典乐演奏家
成功
• 喜欢幻想的斯皮尔伯格最喜欢拍鲨鱼、太空人和蛇之类的 题材。 • 1975年带领摄制队伍和一条机器鲨鱼拍摄了他的成名作 《大白鲨》。赢得了4亿1千万美元的票房收入，让整个电 影界目瞪口呆。 • 1977年开始， 导演了《第三类接触》《外星人ET》、 《夺宝奇兵》系列等大片。其中以《外星人ET》为代表的 讲述地球上的人们与来自外层空间的生物接触的影片更给 了观众以巨大的幻想空间和心理刺激，令斯皮尔伯格在美 国几乎家喻户晓。该片使他被提名为奥斯卡奖最佳导演。 • 1993年《辛德勒名单》奠定了斯皮尔伯格在电影界的地位。
娱乐业揭秘好莱坞最成功的位电影制片人
娱乐业揭秘好莱坞最成功的位电影制片人好莱坞是世界上最著名的电影工业中心之一，每年都会产出许多受全球观众喜爱的电影。
这背后离不开电影制片人的辛勤努力和智慧决策。
在娱乐业中，有一些制片人取得了巨大的成功，为我们揭秘好莱坞最成功的电影制片人，并分析他们背后的成功秘诀。
1. 斯蒂文·斯皮尔伯格（Steven Spielberg）斯皮尔伯格被公认为好莱坞历史上最成功的电影制片人之一。
他以电影《大白鲨》（Jaws）的成功一举成名，随后他执导了一系列喜剧和冒险片，如《ET外星人》（ET The Extra-Terrestrial）和《夺宝奇兵》（Indiana Jones）系列。
斯皮尔伯格的成功秘诀在于他独特的才华和对故事情节、角色发展的把握。
他善于创造紧凑的叙事结构，以及给观众留下深刻印象的场景。
此外，他对技术的追求也是其成功的关键，他曾率先应用许多创新技术和特效，将电影带入了一个新的水平。
2. 约翰·卡彭特（John Carpenter）卡彭特是一位才华横溢的电影制片人和导演，他以执导恐怖片而闻名。
他的电影作品《逃离纽约》（Escape from New York）和《大麻烦校园》（Halloween）都取得了巨大的成功。
卡彭特的成功秘诀在于他独特的视觉风格和对恐怖元素的处理。
他善于利用音乐和气氛烘托来营造紧张的场景，同时他也擅长创造出一系列令人毛骨悚然的角色。
卡彭特对电影制作的热情和专注也是其成功的关键。
3. 詹姆斯·卡梅隆（James Cameron）卡梅隆是一位富有创造力和冒险精神的制片人和导演。
他的电影《阿凡达》（Avatar）和《泰坦尼克号》（Titanic）都成为了全球最成功的电影之一。
卡梅隆的成功秘诀在于他对技术和视觉效果的追求。
他曾引入了许多新的特效技术和制作手法，将电影呈现得更为逼真和壮观。
此外，他对故事情节和角色发展的把握也非常出色。
卡梅隆的电影总是能够引起观众的共鸣，并给人留下深刻的印象。
史蒂文席格电影大全
史蒂文席格电影大全史蒂文席格（Steven Spielberg）是美国著名的电影导演、制片人和编剧，被誉为现代电影史上最伟大的导演之一。
他的作品涵盖了多种题材，包括冒险、科幻、战争、历史等，深受观众喜爱。
在他的职业生涯中，创作了许多经典的电影作品，让人们留下了深刻的印象。
下面将为大家介绍一些史蒂文席格的经典作品。
《侏罗纪公园》（Jurassic Park）是史蒂文席格执导的一部科幻冒险电影，讲述了一群科学家在一个充满恐龙的主题公园中发生的惊险故事。
这部电影以其惊险刺激的情节和惊人的特效成为了当时的票房热门，也成为了科幻电影的经典之作。
《辛德勒的名单》（Schindler's List）是一部讲述二战期间犹太人大屠杀的历史剧情片，该片获得了七项奥斯卡金像奖。
这部电影以其深刻的历史背景和感人至深的故事情节，让观众们深刻反思战争和人性的关系。
《E.T. 外星人》（E.T. the Extra-Terrestrial）是一部家庭科幻片，讲述了一个小男孩与一只外星生物之间的温馨故事。
这部电影以其温情感人的情节和出色的视觉效果，成为了家喻户晓的经典之作。
《救援大兵瑞恩》（Saving Private Ryan）是一部二战题材的战争电影，以其惊心动魄的战争场面和深刻的人性描写而著称。
这部电影不仅在票房上取得了成功，也获得了多项奥斯卡奖的提名。
《夺宝奇兵》（Indiana Jones）系列是史蒂文席格执导的冒险动作电影系列，讲述了一位考古学家与各种危险和宝藏的冒险故事。
该系列以其紧凑的情节和刺激的场面，成为了冒险电影的经典代表之一。
除了以上几部作品外，史蒂文席格还有许多其他优秀的电影作品，如《人工智能》（Artificial Intelligence）、《头号玩家》（Ready Player One）等，都展现了他在不同题材和风格上的出色才华。
总的来说，史蒂文席格是一位备受推崇的电影大师，他的作品不仅在商业上取得了成功，也在艺术上获得了认可。
斯皮尔伯格名词解释
斯皮尔伯格名词解释
斯皮尔伯格（Steven Spielberg）是一位美国电影导演、制片人、编剧以及演员，被认为是现代电影史上最杰出的电影制作人之一。
他凭借多部影片成为了好莱坞的传奇人物，包括《大白鲨》、《E.T.》、《夺宝奇兵》、《辛德勒的名单》等。
以下是一些与斯皮尔伯格相关的术语解释：
1. 导演（Director）：指导电影的全过程，包括拍摄、剪辑、音乐和演员表演。
2. 制片人（Producer）：负责筹备和管理电影制作方面的所有事宜。
3. 编剧（Screenwriter）：创作电影剧本的人。
4. 演员（Actor）：在电影中扮演角色的人。
5. 大白鲨（Jaws）：斯皮尔伯格导演的一部经典电影，讲述了一个巨型鲨鱼袭击海滩的故事。
6. E.T.（E.T. the Extra-Terrestrial）：斯皮尔伯格导演的另一部经典电影，讲述了一个外星人与地球小男孩之间的友谊故事。
7. 夺宝奇兵（Indiana Jones）：斯皮尔伯格创造的一个角色，是一名探险家和
考古学家，有着许多冒险故事。
8. 辛德勒的名单（Schindler's List）：斯皮尔伯格导演的另一部获得巨大成功的电影，讲述了一位纳粹德国工厂主在二战期间拯救犹太人的真实故事。
斯皮尔伯格是一个极具影响力的人物，他的作品不仅在电影史上留下了深刻的印记，而且对整个电影产业产生了深远的影响。
他的作品以其精美的视觉效果、故事情节和情感诉求而闻名，深受大众喜爱。
斯皮尔伯格
一、浅谈史蒂芬·斯皮尔伯格（Steven Allan Spielberg 又译：史蒂芬·阿伦·斯皮尔伯格），生于美国俄亥俄州的辛辛那提市，犹太人血统，美国著名电影导演、编剧和电影制作人。
在四十年的电影生涯中，斯皮尔伯格曾触及多种主题与类型，有犹太人大屠杀、奴隶制度、战争与恐怖主义等题材。
斯皮尔伯格曾两度荣获奥斯卡最佳导演奖，他有三部电影，《大白鲨》(1975) 、《E.T.外星人》(1982) 与《侏罗纪公园》，曾打破票房纪录，成为当时最卖座的电影。
至今，斯皮尔伯格执导的电影收入在全球粗估已超过85亿美元。
在国内，周星驰非常崇拜他，取名为史蒂芬·周。
称史蒂文·斯皮尔伯格(Steven Spielberg)为"电影奇才"一点也不为过，他是以影片《辛德勒名单》而荣获奥斯卡金像奖的大导演，他的《大白鲨》、《E.T.》、《侏罗纪公园》等著名的商业娱乐片却为更多的电影迷们所知，当人们带着这种印象涌向电影院去欣赏那部黑白电影《辛德勒名单》时，却发现了斯皮尔伯格的另一个世界，一个充满智慧和理性的世界，一个真正的电影艺术的世界。
史蒂文·斯皮尔伯格1994年3月2日，第66届奥斯卡颁奖晚会上，影片《侏罗纪公园》(《Jurassc Park》199 3)和《辛德勒名单》(《Schindler's List》1993)囊括了共九项奖项。
当这两部杰作的共同导演斯皮尔伯格登上领奖台时，全场起立，掌声不息，在这个属于斯皮尔伯格的夜晚，一向镇定含蓄的他也不禁潸然泪下。
斯皮尔伯格曾经三次荣获奥斯卡奖，并且是有史以来电影总票房最高的导演（数据截至2009年），他的电影已经创造了接近80亿美元的国际总票房。
《福布斯》杂志估计斯皮尔伯格的净资产大约为30亿美元。
2006年，《首映》将他列为电影业最有权势和影响力的人物。
他位列《时代》"本世纪最伟大的一百人"名单中，并在二十世纪末被《生活》杂志评选为他那个时代最有影响力的人物。
斯蒂芬·斯皮尔伯格中英文介绍
斯蒂芬·斯皮尔伯格生平（experience）Steven spielberg was born in Cincinnation on December 18, 1946, his father is a computer expert, his mother is a well versed(通晓的，有造诣的) classical musician . Spielberg like adventure and fantasy when he was a child. On his 12 years old birthday, his father gave him a pocket camera, which made him more fascinated to a movie.斯蒂芬·斯皮尔伯格1946年12月18日诞生于俄亥俄州的辛辛那提市，其父是个电子计算机专家，其母是位颇有造诣的古典乐演奏家。
斯皮尔伯格自小便喜欢冒险与幻想。
12岁生日那天，其父送给了他一架袖珍摄影机，这使他对拍电影更为着迷。
He enrolled in bachelor of film art During the university, for some reason until he became famous did he obtain relevant degree in 2002. While spielberg do some part-time job as afilm-editor during study, and finailly into a formal director.大学期间它修读的是电影制作艺术学士，由于某种原因一直到成名多年后，于2002年才取得相关学位。
而修读期间斯皮尔伯格由剪辑做起一路转为正式导演。
Early directing （前期执导）In his 40 years of film career, spielberg has hit a variety of themes and types. Spielberg gave priority to science-fiction and adventure films , its sometimes focus on children, regarded as typical modern Blockbuster(大成本)of production of Hollywood.在四十年的电影生涯中，斯皮尔伯格曾触及多种主题与类型。
史蒂文
史蒂文·斯皮尔伯格Steven Spielberg1946年12月18日出生于俄亥俄州Ohio的辛辛那提Cincinnat市一个美国犹太家庭，其父是个电子计算机专家computer expert，其母是位古典乐演奏家Classical music performer。
早在青年时代，斯皮尔伯格就已经和他的朋友开始制作一些冒险电影。
12岁生日那天，父送给了他一架袖珍摄影机，这使他对拍电影更为着迷。
他的第一部电影是在亚利桑那州斯考茨德尔的一家旅馆中拍摄的。
其后，他于1958年加入童子军，因为拍摄了一部名为《最后的枪战》的9分钟8毫秒短片，获得嘉奖。
十三岁时，斯皮尔伯格拍摄了一部40分钟的战争电影——《无处容身》，再次获奖。
1968年，史蒂文·斯皮尔伯格获得一位开光学仪器公司的富翁投资十万美元，让他导演一部用三十五厘米摄影机拍摄的短片《安培林》，讲述一对年轻恋人在莫哈威沙漠相遇后一齐坐车到加州海边的故事，结果在第二届亚特兰大影展上获奖1982年执导了电影《E.T.》，获得奥斯卡奖最佳导演提名。
《拯救大兵瑞恩》重现了诺曼底登陆战的场面。
斯皮尔伯格也因此第二次获得了奥斯卡最佳导演奖。
斯皮尔伯格与梦工厂电影公司签署的协议里，有这样一节条款：即使在电影拍片阶段，也必须每晚给斯皮尔伯格固定的时间回家与家人共进晚餐。
“餐桌上的故事会”是斯皮尔伯格家每天晚餐时间的环节。
斯皮尔伯格会先说出一个故事的主线，然后让孩子一个接一个按这条主线编故事情节，通常在二三十分钟之后，又会轮到斯皮尔伯格来为故事作一个总结或者结尾。
Today is history. Today will be remembered. Years from now the young will ask with wonder about this day. Today is history and you are part of it. 辛特勒名单We all have orders,and we have to follow'em. That superseds everything,including your mothers.拯救大兵瑞恩。
斯皮尔伯格英语小作文
Steven Spielberg, a name synonymous with cinematic brilliance, has been a pivotal figure in shaping the landscape of modern film. His contributions to the industry are as vast as they are varied, spanning from heartwrenching dramas to thrilling adventures and everything in between. Growing up, I was always fascinated by the magic Spielberg could weave with his storytelling, and his films have left an indelible mark on my understanding of what makes a movie truly great.My journey with Spielbergs films began with E.T. the ExtraTerrestrial, a movie that captured the hearts of millions, including my own. The tender relationship between a young boy named Elliott and an alien stranded on Earth was portrayed with such sincerity that it transcended the boundaries of a typical science fiction film. Spielbergs ability to evoke a sense of wonder and empathy in the audience was evident even in this early work of his.As I grew older, my appreciation for Spielbergs work deepened with films like Jurassic Park. The groundbreaking special effects and the thrilling narrative of a theme park gone awry were captivating. But what truly resonated with me was the underlying message about the consequences of playing with nature. Spielberg masterfully balanced the aweinspiring visuals with a cautionary tale that left a lasting impression.One of Spielbergs most powerful works, Schindlers List, is a testament to his ability to tackle the most somber of subjects with grace and sensitivity. The films stark black and white imagery and the haunting portrayal of the Holocaust brought the horrors of that era to life in a way that was botheducational and deeply moving. It was a film that made me reflect on the importance of remembering history and the power of one person to make a difference.Spielbergs Saving Private Ryan further showcased his talent for creating intense, realistic battle scenes that put the viewer in the heart of the action. The films opening DDay sequence is widely regarded as one of the most visceral and accurate depictions of war ever put on screen. Yet, amidst the chaos, Spielberg managed to tell a deeply human story about sacrifice, brotherhood, and the cost of war.In recent years, Spielberg has continued to push the boundaries of filmmaking with visually stunning and emotionally resonant films like The BFG and Ready Player One. These films, while vastly different in content, share Spielbergs signature blend of spectacle and heart, reminding us that at the core of every great film is a compelling story and characters we can connect with.What sets Spielberg apart from other directors is not just his technical prowess, but his unwavering commitment to storytelling. His films are not just visual feasts they are emotional journeys that resonate with audiences long after the credits roll. Spielberg has a unique ability to tap into universal human experiences, making us laugh, cry, and think, often all within the span of a single film.In conclusion, Steven Spielbergs impact on the film industry and my own personal journey as a film enthusiast cannot be overstated. His films havebeen a constant source of inspiration and a reminder of the power of cinema to transport us to new worlds, challenge our perspectives, and ultimately, bring us closer together as a global community. As I continue to explore the world of film, Spielbergs work will always hold a special place in my heart, a testament to the enduring power of storytelling in the moving image.。
英语故事-Steven Spielberg (2)
英语故事Steven Spielberg (2)为何斯皮尔伯格能成为叱咤风云的银幕大师？Steven Spielberg (2)One key to Spielberg’s success is his urge for cost control. With all its effects, The Lost World cost about $75 million, peanuts compared with Speed 2: Cruise Control, heading for $140million, and The Titanic, sailing past the $200 million mark. During an Amistad pre production conference, Spielberg flummoxed Katzenberg and DreamWorks film exec Walter Parkes by demanding that the already relatively frugal $56 million budget be cut an additional $20 million. “I saw The English Patient,” he said. “I know we can do this for less.”Because of weather troubles during the New England location shooting, Spielberg didn’t save quite as much as he wanted. But, as Katzenberg says, “The budget has a three in front of it.”As he prepares a shot on the Amistad set, Spielberg muses,“I’m deciding whether to use my castle or my bishop. How am I being threatened here? How can I advance? Directing is about seeing 20 moves ahead while you’re working on the next five.”He explains that “each scene is like a little movie,” with a beginning, usually a middle and no end. “If there’s an absolute ending to a scene, then the movie can play like a series of camel humps. I want each scene with a great beginning and a really good middle.”Spielberg has always maintained that for him, family is the most important thing. Amy Irving gave him his first child, Max, in 1985. With Kate Capshaw, whom he married in 1991, he has a brood of seven. He was often too preoccupied to be a perfect dad. “It’s full-time work,”Spielberg says of fatherhood, “because every one of our kids is a leader. Seven leaders, no followers — which makes our kitchen at dinnertime look and sound like the House of Commons between the Labor Party and the Tories.” This genial chaos is managed by Capshaw and a live in couple in the Spielberg’s palatial home in the Los Angeles suburb. “I really love the diaper part,” Kate says, “the rocking and the bottle-feeding and the lunch menus. The things Steven does are the things he can do uniquely, liketelling stories and drawing creatures I could never imagine. The two of us blessedly allow each other to do what we do best.”The family room is the food room. “We have about six wasted rooms in our house,”Spielberg says, “because we just live in the kitchen.” There he helps the kids build highways of dominos that wind around the furniture and down the cellar steps. On one wall hangs a large board that notes every-one’s activities, from karate lessons and art classes to Dad’s location shoots. “There’s also this couch,” says Capshaw, “which is Steven Central. He has a bunch of scripts to read, and tapes — casting reels, bits of animation, etc. — that he pops into the VCR. But if one of the kids asks him to build a castle, he’s immediately down on the floor, building that castle. The kid runs away, Steven crawls back on the couch and gets back to business.”“What binds my films together,”he says, “is the concept of loneliness and isolation and being pursued by all the forces of nature. That comes from who I was and how I was raised.”Leah Spielberg is the matriarch everyone knows. “Once Nancy Reagan saw me,”she recalls, “and said, ‘Look,there’s Steven Spielberg’s mother.’” She is the one for whom her son throws a surprise party at the Beverly Hills, and is told to pick out anything she wants. Spielberg adores his mother. Leah doesn’t even pretend to be the shaper of her famous son’s blooming genius. Looking back on his youth, she says, “He scared me! I didn’t know anything about raising children — and it took a concerted effort just to get him past his infancy. Now he has dimensions I can’t even fathom. Most people dream. Steven dreams; then he fulfills.”In Phoenix, where the Spielbergs lived from 1957 to 1964, four kids — Steven and his three younger sisters — filled the house with noise. The boy’s imaginative sense of destruction made him a terror to his sisters. He pulled the head off one of their dolls and set it on a plate garnished with lettuce and tomatoes, like a pig at a luau. “When I was a baby,” says Anne, later a screenwriter (Big), “they had to put chicken wire around the crib so he wouldn’t throw toy cars at me.Arnold, an electrical engineer, played the disciplinarian in the family. “My father would be upset thatSteven got detentiond,”recalls Anne, “while my mother encourage him to play hooky. Dad would ask what we were going to do with our lives, while mom would say, ‘Don’t worry, just live for today.’”Arnold worked hard to be a good, traditional dad. “Steven was terrible in chemistry,”he says, “and I’d try helping him with his homework. Once, when he got a D in the subject, he came home and said, ‘Dad, you flunked.’”But some of Arnold’s teaching took. He had been an Air Force sharpshooter in World War II, and he taught Steven this skill. In a grander game —filmmaking — Arnold was the flight instructor spurring his boy to be top gun. “Arnold turned Steven on to filmmaking,”notes Joseph McBride, author of the new Steven Spielberg. “Arnold helped Steven learn to direct; he was the family storyteller; he was interested in science-fiction. Steven is the combination of two remarkable parents.”The elder Spielbergs divorced when Steven was 19; he remained close to Leah and her new husband Bernie Adler. “Bernie didn’t want me around,” says Arnold. “It becamean uncomfortable situation. The kids suffered, and I just had to ride it out. At the premiere of Jaws, we sat at separate tables.”With his father at a distance, Steven looked for new father figures, finding one in Steven J. Ross, the charismatic boss of Warner Bros. “When my son got his honorary degree at Brandeis, I saw the way he looked at Steve Ross, and I could tell Ross was his surrogate father,” Arnold says. “I’ll admit I had a touch of envy — not enough to make me feel sour, just enough to give me a little itch.”A few years ago, both Ross and Adler died. Says Anne: “It shocked Steven into seeing the fragility of people’s lives.”Deprived of surrogate fathers, he thought more about his real one. “I didn’t want to be as wrapped up in my work as my dad,”says Spielberg, “and yet inexorably I was becoming my dad. So we finally reached out to each other. It was like coming home again, making up for lost time. Now we’re so close, it’s fantastic.”As a major American icon, Spielberg has written, acted in, directed and produced many award-winning, top grossing movies of all time, along with some of the most remembered andloved. He is also the recipient of the Lifetime Achievement Award from the American Film Institute and the prestigious Irving G. Thasberg Award from the Academy of Motion Picture Arts and Sciences. Roger Ebert (Sun-Times film critic) has stated “If Spielberg never directed another film, his place in movie history would be secure. No other director has been more successful at the box office and few have placed more titles on various lists of great films.”(from TIME, July, 2001)。
一个著名的导演或者电影推荐英语作文
一个著名的导演或者电影推荐英语作文One Famous Director: Steven SpielbergSteven Spielberg is one of the most well-known and successful directors in the history of cinema. Born in 1946 in Cincinnati, Ohio, Spielberg showed an early interest in filmmaking and began making amateur films as a teenager. He attended film school at California State University but dropped out to pursue his career in Hollywood.Spielberg's breakout film was the 1975 blockbuster "Jaws," which became the highest-grossing film of all time at that point. He followed up with a string of successful films, including "Close Encounters of the Third Kind," "E.T. the Extra-Terrestrial," and "Raiders of the Lost Ark." Spielberg's ability to tell compelling stories, create memorable characters, and capture the imagination of audiences has made him a household name.One of Spielberg's most iconic films is "Schindler's List," a powerful and moving account of the Holocaust. The film won seven Academy Awards, including Best Picture and Best Director, and solidified Spielberg's reputation as a masterful filmmaker. He has continued to make a wide range of films, from historicaldramas like "Saving Private Ryan" to science fiction adventures like "Jurassic Park."Spielberg's influence on the film industry is undeniable, and his work has inspired countless other filmmakers. His ability to blend spectacle with emotion, to tell stories that resonate with audiences on a deep level, and to push the boundaries of what is possible on screen have set him apart as a true visionary in the world of cinema.In conclusion, Steven Spielberg is a legendary director whose films have left an indelible mark on the history of cinema. Whether you're a longtime fan or new to his work, exploring Spielberg's filmography is a rewarding journey that will take you on a thrilling and emotional ride through some of the greatest stories ever told on screen.。
英语人物传记作文范文
英语人物传记作文范文Title: The Journey of an Icon: The Biography of Steven Spielberg。
Steven Spielberg, a legendary figure in the world of cinema, has etched his name in the annals of filmmakingwith his unparalleled vision and innovative storytelling. Born in 1946 in Cincinnati, Ohio, Spielberg's journey to becoming one of the most successful and influentialdirectors in history is a tale of dedication, perseverance, and boundless creativity.From a young age, Spielberg showed a profound interestin filmmaking. His father, a computer scientist, and mother, a concert pianist, instilled in him a sense of curiosityand a desire to explore new horizons. Spielberg's childhood was spent watching movies, and he quickly developed a fascination with the art of storytelling through the lensof a camera.His first foray into filmmaking was through hisfamily's Super 8 camera, which he used to create short films with his friends. These early efforts were crude but filled with imagination, laying the foundation for Spielberg's future successes. His passion for filmmaking was further nurtured by his involvement in the local Boy Scouts of America, where he directed numerous troop-produced super 8 films.After graduating from high school, Spielberg enrolled at California State University, Long Beach, but soon dropped out to pursue a full-time career in the film industry. His big break came in 1971 when he directed the television pilot for "Columbo," marking his entry into the world of professional。
论斯皮尔伯格电影的艺术魅力
论斯皮尔伯格电影的艺术魅力斯皮尔伯格（Steven Spielberg）是一位享誉全球的电影导演、制片人和编剧，他被誉为现代电影业中最伟大的导演之一。
自他在1975年推出电影《大白鲨》以来，他已经成为电影业的符号和象征。
他的电影广受观众和评论家的喜爱，其中不少作品已成为经典之作。
本文由此着重探讨斯皮尔伯格电影的艺术魅力。
首先，在斯皮尔伯格的电影作品中，最大的魅力是与生俱来的直观性。
他的电影作品非常容易被欣赏和普及观众群体所喜爱。
他的电影作品引人入胜，因为他的影像表现非常清晰，而且容易让人理解。
影片中的情节可以让观众们轻松的感受到情感共鸣。
他的电影作品和人们的日常生活息息相关，因此电影往往引来了大量的观众。
一部电影的魅力不仅在于它的艺术感染力，还在于它是否能与观众产生共鸣。
其次，斯皮尔伯格的电影作品具有非常明显的国际化特征。
虽然他的电影作品几乎都是以美国为背景和主题，但这并不代表他的电影仅仅适用于美国观众。
相反，他的电影非常受到国际观众的追捧。
斯皮尔伯格的作品主题基于人类本质，涵盖着人们的生活、欲望、感情和秘密等方方面面。
他的电影不仅营造了美国文化，还体现了文化的多样性。
他的电影不仅仅普及已经被掌握的美国文化，同时也探索了未知领域，带领观众体验了不同文化的独特魅力。
第三，斯皮尔伯格的电影作品不仅仅是一种视觉享受，同时也是一种音乐享受。
他一直注重电影音乐的配合，并已经与作曲家约翰·威廉斯合作多年。
威廉斯为他的电影作品创作的音乐配乐已经成为斯皮尔伯格作品的经典音乐。
他一直注重音乐与电影主题之间的协调，音乐与影像的契合度令人沉醉。
他的电影音乐充满着情感、演绎、叙事和美学性，充分展示了电影的多元性。
最后，斯皮尔伯格的电影作品非常注重情感表达和内在力量的展示。
他的作品中充满了人性化的因素，让人们在观影过程中直接付出感情，不断探索和发现人类的精神和情感内核。
他的影片无论是在音乐方面还是影像方面，都让观众感受到了电影与情感的紧密联系。
人工智能 斯皮尔伯格
人工智能斯皮尔伯格斯皮尔伯格对于人工智能的探索与影响近年来，随着科技的飞速发展，人工智能成为了一个备受关注的热门话题，受到了社会各界的关注和讨论。
而在这个领域中，斯皮尔伯格（Steven Spielberg）作为一位享誉世界的导演，在他的电影作品中对人工智能也进行了深度的探索与表达。
在本文中，将探讨斯皮尔伯格对人工智能的观点以及他在电影作品中对人工智能带来的影响。
斯皮尔伯格的电影作品从《人工智能》到《她》都涉及到了人工智能这个主题。
其中，电影《人工智能》讲述了一个关于机器人童子大卫与人类情感交织的故事。
这部电影引发了许多观众对人工智能的思考，让人们开始重新审视人工智能和人类之间的边界。
在斯皮尔伯格的电影作品中，他将人工智能描绘成了一种既陌生又亲切的存在。
他不仅展示了机器人具备的高智商和超人类的能力，更强调了他们与人类之间的情感纽带和道德冲突。
斯皮尔伯格通过这种描绘方式，向观众传达出一种关于人工智能的复杂性和存在感。
他试图告诉观众，人工智能并非简单的机器，而是具备思维和情感的存在。
这种情感交织的表达方式也为观众提供了一个思考人工智能与人类关系的窗口。
斯皮尔伯格不仅让观众对机器人的感到畏惧，同时也给他们创造了对人工智能心生同情和理解的机会。
他试图颠覆人们对机器人的先入为主的固有印象，人机关系的讨论让观众思考人工智能是否应该被接受，并对其作用进行深入探索。
另一方面，斯皮尔伯格的电影作品中也展现了人工智能对人类社会的潜在影响。
在《她》这部电影中，人物与一款高级操作系统建立了情感纽带，探讨了虚拟关系对人类情感的冲击。
斯皮尔伯格通过这个情节，向观众传达了现代社交媒体和技术给人类情感带来的冲击和改变。
无疑，斯皮尔伯格的电影作品深刻影响了人们对人工智能的看法。
他通过情感线索和思辨性的情节，激发了观众的思考和讨论。
同时，他也引发了人们对于人工智能伦理和道德的关注，让人们开始反思人工智能如何与人类和谐共存。
然而，斯皮尔伯格对人工智能的探索并非是唯一的声音，因为这个领域还存在着众多不同的观点和理解。
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• There was a time, he was also a longevity drama ER‟ executive producer.
In October 1994, Steven Spielberg and Jeffery Carson Sulzberger, David lattice Finn co-founded their own film company, this is famous “DreamWorks”.
Awards
In 2009, he won the 66th American film TV golden globe lifetime achievement award.
• 1998, of the Saving Private Ryan ( Oscar best directing, film editing, best cinematography, and best sound, and sound editing, and another 8 nominations ; Golden Globe Award Best Director, Best Film, Best clips, Best Photography Prize.
Occupation(职业)：film director、
scriptist scenarist(电影编剧) Graduate institutions：California State University(加州州立大学)
Constellation：Sagittarius(射手座) Stature：171cm Blood type：A
• In 2007, he became the film producer ( 监督；指导)of the famous commercial film „Transformers‟ （《变形金刚》） . Famous commercial directors Michael Bay is the director of the movie. Roberto Orci and Alex Kurtzman write the script(剧本), eventually global boxoffice up to seven billion dollars.
• 2. childlike curiosity and faith
•
This is reflected in Close Encounters of the Third Kind, the Convention et aliens, such as the Hawk, captain and artificial intelligence in the film. There is a topic relating to children's loss of innocence and mature. For example, the Empire Of The Sun tells a day being pampered, much loved English boy in the light of Japan's World War II have been suffering in the war, and finally fade innocence, mature story. Similarly, in the game of cat and mouse, Frank naive to believe that if he can amass enough money to make successful broken homes.
Schindler„s List
Saving Private Ryan
Artificial Intelligence
War of the Worlds
Indiana Jones and the Kingdom of the Crystal Skull
★
Producer career
• From the 1980s up Steven Spielberg's identity, is increased a movie producer.
1993： Schindler„s List
1997：evolution 1997：Amistad
1998：Saving Private Ryan
2001：Artificial Intelligence 2002：Catch Me If You Can
2002：Minority Report
2004：The Terminal 2005：War of the Worlds
2005：Munich
2008：Indiana Jones and the Kingdom of the Crystal Skull、
Jaws
The E.T aliens
Empire of the Sun
Jurassic Park
• 1993, the Schindler's List ( the Oscar for Best Picture, Best Director, Best Adapted Screenplay, Best Art Direction, Best Cinematography, Best clips, seven awards for best score, a total of 13 Nominations )
★
• 1975, the jaws ( Aound, best clips ) • 1993, the Jurassic Park ( Academy Award for best sound, best sound clip, best visual effects ) • 1982, the e.t. ( The Aliens, 1982, Academy Award for Best Visual Effects, Best Sound effects ) • 1981, the raiders' ( Academy Award for Best Art, best sound, best clips, best visual effects award )
• DreamWorks produces the commercial blockbuster “Tailcoat" which is performed by a Chinese famous film star Jackie Chan. Spielberg once visited studios to direct Jackie Chan's how to perform.
1984：《Indiana Jones and the Temple of Doom》 Indiana Jones series B 1985：The Color Purple 1987：Empire of the Sun 1989：The last crusade、《 Indiana Jones and the Temple of Doom》 Indiana Jones series Three 1989：Forever 1991：The captain hook 1993：Jurassic Park
• Spielberg made TV dramas that is Band of Brothers---- a well-known war epic , and mini drama Western History which is to be full of praise in 2005.
DreamWorks‟ products includes live-action movies, TV, animation, video recording, family entertainment, books, toys and consumer products.
• One product/issued live-action movies including “Ring” series（《美版午夜凶铃 》） , “ learned Point ” （《赛末点》 ）, “Vanilla Sky”（《香草的天空》 ）, and other famous films. And for three years in the Oscar for best film:“Beauty”（《 美国丽人》 ）, “Gladiator”（《角斗士》 ） and “A Beautiful Mind” （《美丽心灵》） (72, 73, 74 annual academy) are produced by DreamWorks issued.
style characteristic
• 1. People and nonhuman contact
• This is in the "flywheel Bounty," "Jaws," "Close Encounters", "ET alien", "Empire of the Sun," "Captain Hawk," "Jurassic Park," "Saving Private Ryan , "" Catch Me, "" the Terminal, "" War of the Worlds "and" Munich "is particularly evident in the performance. In August 2000 the American Film Institute (AFI) on Spielberg's interview, he talked about his interest in extraterrestrial organisms and how this affected his interest in film. He describes in childhood he had wanted to be aliens.