考文特花园_郝瑶
俄罗斯诗歌史
俄罗斯诗歌史上篇第一章批判现实主义文学一、写出下列作家的几部重要作品列夫.托尔斯泰: 《战争与和平》《安娜.卡列尼娜》《复活》剧本《活尸》短篇小说《舞会之后》中篇小说《哈吉.穆拉特》《克莱采奏鸣曲》契诃夫: 剧作《海鸥》《万尼亚舅舅》《三姐妹》《樱桃园》短篇小说《套中人》《姚内奇》《带狗的女人》《带阁楼的房子》《新娘》《在塔谷里》柯罗连科: 《奇女子》《盲音乐家》《马卡尔的梦》《嬉戏的河》《瞬间》《火光》安德烈耶夫: 《红笑》《七个绞刑犯得故事》布宁:《安东诺夫卡的苹果》《新路》《乡村》《从旧金山来的先生》《兄弟们》《米佳的爱情》《幽暗的林荫小径》《苏霍多尔》《阿尔谢尼耶夫的一生》库普林: 《决斗》《亚玛街》《莫洛赫》《奥列霞》《石榴手镯》魏列萨耶夫: 《走投无路》《流行病》《在转变中》二、填空1. 俄国三大文体家是普希金、屠格涅夫和契诃夫。
P152. 柯罗连科的全部中篇短篇小说经常写一个主题：对人的爱，对人的恻隐之心，对那些作贱人的势力的愤恨。
P153. 布宁探索永恒的农村问题的作品有《安东诺夫卡的苹果》、《乡村》和《苏霍多尔》等。
P204. 布宁批判资本主义的重要作品是《从旧金山来的先生》和《兄弟们》。
P215. 中篇小说《莫洛赫》的作者是库普林。
P236. 库普林作品《决斗》中的主人公名字叫罗马肖夫。
P237. 库普林描写俄国妓女悲惨血泪史的重要长篇小说是《亚玛街》。
此外，库普林以爱情为主题作品有《奥列霞》、《石榴手镯》等。
P248. 《奥列霞》中的男女主人公分别叫伊万和奥列霞。
P249. 《米佳的爱情》的作者是布宁。
P2710. 长篇自传体小说《阿尔谢尼耶夫的一生》是布宁流亡时期创作的最重要的一部作品，作家因此与1933年获得诺贝尔文学奖。
P2711. 作品《红笑》是安德烈耶夫创作的一篇揭露1904-1905年日俄战争的反人民本质，宣传反战主张的小说。
P3012. 安德烈耶夫的一部被誉为“反死刑”的中篇小说是《七个绞刑犯得故事》。
Chapter 2_4
Chapter 2The village of Marlott lay amid the north-eastern undulations of the beautiful Vale of Blakemore or Blackmoor aforesaid, an engirdled and secluded region, for the most part untrodden as yet by tourist or landscape-painter, though within a four hours' journey from London.It is a vale whose acquaintance is best made by viewing it from the summits of the hills that surround it - except perhaps during the droughts of summer. An unguided ramble into its recesses in bad weather is apt to engender dissatisfaction with its narrow, tortuous, and miry ways.This fertile and sheltered tract of country, in which the fields are never brown and the springs never dry, is bounded on the south by the bold chalk ridge that embraces the prominences ofHambledon Hill, Bulbarrow, Nettlecombe-Tout, Dogbury, High Stoy, and Bubb Down. The traveller from the coast, who, after plodding northward for a score of miles over calcareous downs and corn-lands, suddenly reaches the verge of one of these escarpments, is surprised and delighted to behold, extended like a map beneath him, a country differing absolutely from that which he has passed through. Behind him the hills are open, the sun blazes down upon fields so large as to give an unenclosed character to the landscape, the lanes are white, the hedges low and plashed, the atmosphere colourless. Here, in the valley, the world seems to be constructed upon a smaller and more delicate scale; the fields are mere paddocks, so reduced that from this height their hedgerows appear a network of dark green threads overspreading the paler green of the grass. The atmosphere beneath is languorous, and is so tinged with azurethat what artists call the middle distance partakes also of that hue, while the horizon beyond is of the deepest ultramarine. Arable lands arc few and limited; with but slight exceptions the prospect is a broad rich mass of grass and trees, mantling minor hills and dales within the major. Such is the Vale of Blackmoor.The district is of historic, no less than of topographical interest. The Vale was known in former times as the Forest of White Hart, from a curious legend of King Henry III's reign, in which the killing by a certain Thomas de la Lynd of a beautiful white hart which the king had run down and spared, was made the occasion of a heavy fine. In those days, and till comparatively recent times, the country was densely wooded. Even now, traces of its earlier condition are to be found in the old oak copses and irregular belts of timber that yetsurvive upon its slopes, and the hollow-trunked trees that shade so many of its pastures.The forests have departed, but some old customs of their shades remain. Many, however, linger only in a metamorphosed or disguised form. The May-Day dance, for instance, was to be discerned on the afternoon under notice, in the guise of the club revel, or `club-walking', as it was there called.It was an interesting event to the younger inhabitants of Marlott, though its real interest was not observed by the participators in the ceremony. Its singularity lay less in the retention of a custom of walking in procession and dancing on each anniversary than in the members being solely women. In men's clubs such celebrations were, though expiring, less uncommon; but either the natural shyness of the softer sex, or a sarcastic attitude on the part of male relatives, had denudedsuch women's clubs as remained (if any other did) of this their glory and consummation. The club of Marlott alone lived to uphold the local Cerealia. It had walked for hundreds of years, if not as benefit-club, as votive sisterhood of some sort; and it walked still.The banded ones were all dressed in white gowns - a gay survival from Old Style days, when cheerfulness and May-time were synonyms - days before the habit of taking long views had reduced emotions to a monotonous average. Their first exhibition of themselves was in a processional march of two and two round the parish. Ideal and real clashed slightly as the sun lit up their figures against the green hedges and creeper-laced house-fronts; for, though the whole troop wore white garments, no two whites were among them. Some approached pure blanching; some were all had a bluish pallor; some wornby the older characters (which had possibly lain by folded for many a year) inclined to a cadaverous tint, and to a Georgian style.In addition to the distinction of a white frock, every woman and girl carried in her right hand a peeled willow wand, and in her left a bunch of white flowers. The peeling of the former, and the selection of the latter, had been an operation of personal care.There were a few middle-aged and even elderly women in the train, their silver-wiry hair and wrinkled faces, scourged by time and trouble, having almost a grotesque, certainly a pathetic, appearance in such a jaunty situation. In a true view, perhaps, there was more to be gathered and told of each anxious and experienced one, to whom the years were drawing nigh when she should say, `I have no pleasure in them', than of her juvenilecomrades. But let the elder be passed over here for those under whose bodices the life throbbed quick and warm.The young girls formed, indeed, the majority of the band, and their heads of luxuriant hair reflected in the sunshine every tone of gold, and black, and brown. Some had beautiful eyes, others a beautiful nose, others a beautiful mouth and figure: few, if any, had all. A difficulty of arranging their lips in this crude exposure to public scrutiny, an inability to balance their heads, and to dissociate self-consciousness from their features, was apparent in them, and showed that they were genuine country girls, un-accustomed to many eyes.And as each and all of them were warmed without by the sun, so each had a private little sun for her soul to bask in; some dream, some affection, some hobby, at least some remote and distant hope which, though perhaps starving to nothing, still lived on,as hopes will. Thus they were all cheerful, and many of them merry.They came round by The Pure Drop Inn, and were turning out of the high road to pass through a wicket-gate into the meadows, when one of the women said--`The Lord-a-Lord! Why, Tess Durbeyfield, if there isn't thy father riding hwome in a carriage!'A young member of the band turned her head at the exclamation. She was a fine and handsome girl - not handsomer than some others, possibly - but her mobile peony mouth and large innocent eyes added eloquence to colour and shape. She wore a red ribbon in her hair, and was the only one of the white company who could boast of such a pronounced adornment. As she looked round Durbeyfield was seen moving along the road in a chaise belonging to The Pure Drop, driven by a frizzle-headed brawny damsel withher gown-sleeves rolled above her elbows. This was the cheerful servant of that establishment, who, in her part of factotum, turned groom and ostler at times. Durbeyfield, leaning back, and with his eyes closed luxuriously, was waving his hand above his head, and singing in a slow recitative--`I've-got-a-gr't-family-vault-at-Kingsbere - andknighted-forefathers-in-lead-coffins-there!'The clubbists tittered, except the girl called Tess - in whom a slow heat seemed to rise at the sense that her father was making himself foolish in their eyes.`He's tired, that's all,' she said hastily, `and he has got a lift home, because our own horse has to rest to-day.'`Bless thy simplicity, Tess,' said her companions. `He's got his market-nitch. Haw-haw!'`Look here; I won't walk another inch with you, if you say anyjokes about him!' Tess cried, and the colour upon her cheeks spread over her face and neck. In a moment her eyes grew moist, and her glance drooped to the ground. Perceiving that they had really pained her they said no more, and order again prevailed. Tess's pride would not allow her to turn her head again, to learn what her father's meaning was, if he had any; and thus she moved on with the whole body to the enclosure where there was to be dancing on the green. By the time the spot was reached she had recovered her equanimity, and tapped her neighbour with her wand and talked as usual.Tess Durbeyfield at this time of her life was a mere vessel of emotion untinctured by experience. The dialect was on her tongue to some extent, despite the village school: the characteristic intonation of that dialect for this district being the voicing approximately rendered by the syllable UR,probably as rich an utterance as any to be found in human speech. The pouted-up deep red mouth to which this syllable was native had hardly as yet settled into its definite shape, and her lower lip had a way of thrusting the middle of her top one upward, when they closed together after a word.Phases of her childhood lurked in her aspect still. As she walked along to-day, for all her bouncing handsome womanliness, you could sometimes see her twelfth year in her cheeks, or her ninth sparkling from her eyes; and even her fifth would flit over the curves of her mouth now and then.Yet few knew, and still fewer considered this. A small minority, mainly strangers, would look long at her in casually passing by, and grow momentarily fascinated by her freshness, and wonder if they would ever see her again: but to almost everybody she was a fine and picturesque country girl, and no more.Nothing was seen or heard further of Durbeyfield in his triumphal chariot under the conduct of the ostleress, and the club having entered the allotted space, dancing began. As there were no men in the company the girls danced at first with each other, but when the hour for the close of labour drew on, the masculine inhabitants of the village, together with other idlers and pedestrians, gathered round the spot, and appeared inclined to negotiate for a partner.Among these on-lookers were three Young men of a superior class, carrying small knapsacks strapped to their shoulders, and stout sticks in their hands. Their general likeness to each other, and their consecutive ages, would almost have suggested that they might be, what in fact they were, brothers. The eldest wore the white tie, high waistcoat, and thin-brimmed hat of the regulation curate; the second was the normal undergraduate; theappearance of the third and youngest would hardly have been sufficient to characterize him; there was an uncribbed, uncabined aspect in his eyes and attire, implying that he had hardly as yet found the entrance to his professional groove. That he was a desultory tentative student of something and everything might only have been predicted of him.These three brethren told casual acquaintance that they were spending their Whitsun holidays in a walking tour through the Vale of Blackmoor, their course being south-westerly from the town of Shaston on the north-east.They leant over the gate by the highway, and inquired as to the meaning of the dance and the white-frocked maids. The two elder of the brothers were plainly not intending to linger more than a moment, but the spectacle of a bevy of girls dancing without male partners seemed to amuse the third, and make him in no hurryto move on. He unstrapped his knapsack, put it, with his stick, on the hedge-bank, and opened the gate.`What are you going to do, Angel?' asked the eldest.`I am inclined to go and have a fling with them. Why not all of us - just for a minute or two - it will not detain us long?' `No - no; nonsense!' said the first. `Dancing in public with a troop of country hoydens - suppose we should be seen! Come along, or it will be dark before we get to Stourcastle, and there's no place we can sleep at nearer than that; besides, we must get through another chapter of A Counterblast to Agnosticism before we turn in, now I have taken the trouble to bring the book.'`All right - I'll overtake you and Cuthbert in five minutes; don't stop; I give my word that I will, Felix.'The two elder reluctantly left him and walked on taking theirbrother's knapsack to relieve him in following, and the youngest entered the field.`This is a thousand pities,' he said gallantly, to two or three of the girls nearest him, as soon as there was a pause in the dance.`Where are your partners, my dears?'`They've not left off work yet,' answered one of the boldest. `They'll be here by and by. Till then, will you be one, sir?' `Certainly. But what's one among so many!'`Better than none. 'Tis melancholy work facing and footing it to one of your own sort, and no clipsing and colling at all. Now, pick and choose.'`'Ssh - don't be so for'ard!' said a shyer girl.The young man, thus invited, glanced them over, and attempted some discrimination; but, as the group were all so new to him,he could not very well exercise it. He took almost the first that came to hand, which was not the speaker, as she had expected; nor did it happen to be Tess Durbeyfield. Pedigree, ancestral skeletons, monumental record, the d'Urberville lineaments, did not help Tess in her life's battle as yet, even to the extent of attracting to her a dancing-partner over the heads of the commonest peasantry. So much for Norman blood unaided by Victorian lucre.The name of the eclipsing girl, whatever it was, has not been handed down; but she was envied by all as the first who enjoyed the luxury of a masculine partner that evening. Yet such was the force of example that the village young men, who had not hastened to enter the gate while no intruder was in the way, now dropped in quickly, and soon the couples became leavened with rustic youth to a marked extent, till at length theplainest woman in the club was no longer compelled to foot it on the masculine side of the figure.The church clock struck, when suddenly the student said that he must leave - he had been forgetting himself - he had to join his companions. As he fell out of the dance his eyes lighted on Tess Durbeyfield, whose own large orbs wore, to tell the truth, the faintest aspect of reproach that he had not chosen her. He, tool was sorry then that, owing to her backwardness, he had not observed her; and with that in his mind he left the pasture.On account of his long delay he started in a flying-run down the lane westward, and had soon passed the hollow and mounted the next rise. He had not yet overtaken his brothers, but he paused to get breath, and looked back. He could see the white figures of the girls in the green enclosure whirling about asthey had whirled when he was among them. They seemed to have quite forgotten him already.All of them, except, perhaps, one. This white shape stood apart by the hedge alone. From her position he knew it to be the pretty maiden with whom he had not danced. Trifling as the matter was, he yet instinctively felt that she was hurt by his oversight. He wished that he had asked her; he wished that he had inquired her name. She was so modest, so expressive, she had looked so soft in her thin white gown that he felt he had acted stupidly. However, it could not be helped, and turning, and bending himself to a rapid walk, he dismissed the subject from his mind.在前面说过的美丽的布莱克莫尔谷或者叫做黑荒原谷东北部起伏不平的谷地中间，坐落着马洛特村。
2019西安外国语大学高级翻译学院硕士研究生招生考试一志愿复试名单
英语口译
69
59
113
128
369
76
昌成程
107249141524810
055102
英语口译
58
70
116
122
366
77
兰婷
107249151204806
055102
英语口译
56
69
115
125
365
78
昌亚楠
107249114034844
055102
英语口译
58
70
132
105
365
14
康佳宁
107249114204598
055101
英语笔译
76
66
107
125
374
15
刘天华
107249137074412
055101
英语笔译
60
75
110
127
372
16
王玲
107249137024449
055101
英语笔译
64
76
119
112
371
17
卫璐
107249161251125
055101
英语笔译
65
70
103
119
357
65
张胜男
107249121434511
055101
英语笔译
62
61
111
122
356
66
王碧荣
107249161251130
055101
英语笔译
60
51
129
116
在都市中享受清幽的梦
在都市中享受清幽的梦
小璇
【期刊名称】《女性大世界》
【年(卷),期】2004(000)010
【摘要】阳光的邀请，清泉的轻唤，花香的约定，期待你如约而至。
【总页数】2页(P76-77)
【作者】小璇
【作者单位】无
【正文语种】中文
【中图分类】I207.22
【相关文献】
1.圆别人的梦,也圆自己的梦——访无锡市中山路堂主任牧师张佩富 [J], 袁晓君
2.亦梦亦幻清幽奇秀:黄山西海"魔幻景区"概览 [J], 张和敬
3.“感谢好时代,过去梦都不敢梦的都实现了” 内蒙古赤峰市松山区小庙子村党支部书记赵会杰 [J], 白建平;富丽娟;李睿;
4.让每一棵小草都享受阳光的普照 [J], 向巨涛;
5.千古梦都醉人“梦之味” [J], 贺秋;游小勇(图)
因版权原因，仅展示原文概要，查看原文内容请购买。
英国考文特花园历史背景介绍
英国考文特花园历史背景介绍
嘿，朋友们！今天我要跟你们好好唠唠英国的考文特花园。
说起考文特花园，那可是有好多故事。
在很久很久以前，这地儿原本是个修道院的果园呢。
我记得有一次，我和几个好友专门跑去考文特花园游玩。
那是个阳光灿烂的日子，我们一走进那里，就被热闹的场景给吸引住了。
到处都是人，有街头艺人在表演，那精彩的魔术看得大家眼睛都直了。
还有卖花的小摊，五颜六色的花朵争奇斗艳。
我们在一家小咖啡馆坐了下来，旁边桌是一对老夫妻。
我听到那位老先生跟老太太说：“亲爱的，还记得咱们年轻时候第一次来这儿吗？”老太太笑着回答：“怎么会不记得，那时候这儿可比现在安静多啦。
”
其实呀，考文特花园后来慢慢就变成了蔬果市场。
据说当年，那些商贩们扯着嗓子叫卖，声音此起彼伏，好不热闹。
再后来，经过一系列的改造和发展，它就成了如今这个集购物、餐饮、娱乐于一体的好地方。
不管时代怎么变迁，考文特花园始终充满着独特的魅力，吸引着来自世界各地的人们。
这不，就像我和我的朋友们，来了一次就被深深迷住啦。
总之，考文特花园的历史那真是丰富多彩，每一段都有着独特的韵味。
下次，你们也一定要亲自去感受感受哟！。
211279329_云雀
小世界云 雀文 /李丽娜1史小宝走出校门，从书包里掏出一只脏兮兮的皮球，狠狠摔到地上。
皮球弹起又落下，一路向前滚动。
白晓沙轻轻拍拍他的后背，史小宝躲闪着，吼道：“不给你传小条，我能挨训吗？”白晓沙觉得有点对不住史小宝，跑过去想用脚背带球踢回来，没想到飞起一脚，球滚到马路旁边的壕沟里。
“你倒轻点呀，射门呢。
”史小宝生气地说。
“我也没用多大劲儿。
”白晓沙有点沮丧。
“要控球，脚尖跷起来，脚内侧对准球，教你的全忘脑后了。
”史小宝的话有点恨铁不能钢。
论玩球，他当白晓沙的教练绰绰有余，平时没少像个小老师一样指导白晓沙，所以，白晓沙才屁颠屁颠地跟在他身后。
壕沟的坡面有些陡，他俩把书包抱在怀里，像坐滑梯一样来到沟底。
找了好一会儿，史小宝才发现皮球躺在一堆枯草史小宝小心翼翼握着云雀，他拿捏着手劲，怕用力大它会疼，怕手劲松又掉到地上。
云雀的翅膀在滴血，它的身体像风中的树叶一样抖动，史小宝的心也跟着颤了一下。
它需要照顾，像大人呵护小婴儿一样的照顾。
快走到白晓沙的家时，史小宝突然说：“先放你那儿。
”接着，便是千叮咛万嘱咐。
白晓沙嫌史小宝婆婆妈妈，立刻打断说：“大哥，你一百个放心，别看我做数学题马马虎虎，这事我一定用心。
”看着又蹦又跳的白晓沙，史小宝心里有点空落落的。
2“白晓沙，快点传球。
”史小宝大声喊。
白晓沙把球传给队友，队友看对方防守盯得紧，又把球回传给他。
他用外脚背带球，不一会儿，球被对方抢走，白晓沙拼尽全力追上，飞起一脚，球重重地打在门框上。
史小宝“唉”了一声，心想：再不给你传小条，写的踢球技巧等于嘴抹石灰——白讲。
“臭脚。
”不知谁喊的。
中场休息，史小宝看见白晓沙蔫头耷脑，于是边做动作边说：“别净想直着跑，你能跑过云雀呀？要向对方的身前带球，将他卡里，捡球时，手碰到一个毛茸茸的小东西，他瞪大了眼睛，对着白晓沙“嘘”，压低声音：“快过来，这儿有一只鸟。
”鸟好像听到脚步声，勉强睁开眼睛，不一会儿又闭上了。
它原地蜷缩着，像一个受尽委屈的孩子。
摩洛哥山村社区活动中心
摩洛哥山村社区活动中心
佚名
【期刊名称】《世界建筑导报》
【年(卷),期】2010(025)001
【总页数】2页(P60-61)
【正文语种】中文
【相关文献】
1.社区网站“网”来和谐社区——重庆市大渡口区新山村街道社区信息化建设工作剪影 [J], 史长柱;廖灿勇;张毅成
2.十一次走进人民大会堂的山村教师——记隆回县七江乡建华少儿活动中心辅导员欧阳恩成 [J], 江新军;何宗焕;龚鹏飞;刘芳
3.城市社区文化活动中心改、扩建初探——兼论上海四平社区文化活动中心设计[J], 胡燕颖
4.社区儿童活动中心建筑设计研究
——以新桂东"树袋熊的家"社区儿童活动中心为例 [J], 陶婧
5.设计分析与空间叙事——傅山村青少年活动中心的设计溯源 [J], 支文军
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桃花源里的白天鹅
桃花源里的白天鹅
印葛生
【期刊名称】《林业与生态》
【年(卷),期】2016(0)3
【摘要】寒冬刚刚来临之际，我接到桃源县桃花源旅游管理区工作人员的电话，说是桃花源里最近来了4只白色天鹅，长时间驻留在那里久久不愿离去。
我带着好奇，清点行装，急速驱车赶往那里。
现场观察发现，天鹅栖息地是一片地势低洼的浅水湖，面积约3．33公顷，湖内水质清澈见底，水草丰满，四周低山丘陵，森林茂密，人居分散，空气清新，环境幽静，是天鹅理想的越冬栖息地。
【总页数】1页(P40-40)
【作者】印葛生
【作者单位】
【正文语种】中文
【中图分类】Q959.723
【相关文献】
1.感受桃花源里的秘制神仙鸡——记郑州市桃花源酒店 [J], 江南
2.桃花源里好读书——重庆市酉阳土家族苗族自治县桃花源中学 [J], 夏俪娟;徐顺河;
3.桃花源里的白天鹅 [J], 印葛生
4.“桃花源”里的致富带头人——记梅州市蕉岭县桃花源观光农业专业合作社理事
长钟明雄 [J],
5.桃花源里桃花行——民和《桃花源》杂志正式创刊 [J], 解生才
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SPA，将“破产女工”催生为创富精英
SPA，将“破产女工”催生为创富精英
文格格
【期刊名称】《经纪人》
【年(卷),期】2006(000)001
【摘要】在商场的风吹浪打中，胡新野为实现“将浴场搬到寻常百姓家”的梦想而不懈努力。
2004年。
作为“杰出创业女性”的胡新野被评为厦门市优秀青年企业家，并担任了该市青年企业家协会理事。
其“荣腾”公司产品也陆续获得国内、国际产品交易会大奖。
【总页数】3页(P80-82)
【作者】文格格
【作者单位】无
【正文语种】中文
【中图分类】F272.91
【相关文献】
1.东风日产:“精英创富”下沉渠道 [J], 曹红飞
2.创富精英武昌金农机托起“小康梦” [J], 马云
3.东风日产做“天使”精英创富战略巧拓渠道 [J], 刘辰
4."创富带富,我们骄傲!"--2019年创业精英研修班在浙江成功举办 [J], 本网讯
5.以创富为己任以诚信行天下打造商界精英——记南宁职业技术学院商学院商科类技能竞赛指导教师团队 [J],
因版权原因，仅展示原文概要，查看原文内容请购买。
柏林100路公车胜景
柏林100路公车胜景
王则柯
【期刊名称】《金融管理与研究》
【年(卷),期】2007(000)004
【摘要】@@ 我游览过欧洲大国的首都罗马、柏林、巴黎和伦敦.记得电影《罗马假日》的结尾,记者问公主,在她访问过的城市中,印象最深的是哪一个,公主不由得要说:"罗马,当然是罗马".如果问我,在我游览过的罗马、柏林、伦敦和巴黎之中,最值得再去的是哪一个,我会说:"柏林,当然是柏林".
【总页数】4页(P68-71)
【作者】王则柯
【作者单位】中山大学岭南学院
【正文语种】中文
【相关文献】
1.“公车改革”专题探讨——公车问题的实质与公车改革的逻辑 [J], 赵兴
2.第3章静谧胜景之章——羌区胜景神秘之境 [J], 曾小燕
3.胜景山河·古越楼台湘派黄酒领衔者——对话湖南胜景山河生物科技股份有限公司董事长姚胜 [J], 王科;李燕妮
4.20世纪德语文学中的柏林城市意象与空间话语——以《柏林童年》《柏林,亚历山大广场》《意外之地》为例 [J], 傅琪
5.创业板是谁的胜景？——胜景山河案件解密 [J], 李伟
因版权原因，仅展示原文概要，查看原文内容请购买。
THE DWELLING LAB 这是我们的家
THE DWELLING LAB 这是我们的家
佚名
【期刊名称】《世界汽车》
【年(卷),期】2010(000)006
【摘要】装修恐怕是每个拿到新房的人都要面临的最头痛的事情。
如果我说,现在有一个很简单的方式来装扮你的家,或者你可以把它当成你的家,你会相信吗?如果我是你,我会相信,因为世界这么大,无奇不有。
别以为我在开玩笑,这次是真的要带给你一个意想不到的家。
【总页数】2页(P106-107)
【正文语种】中文
【相关文献】
1.这是艺术家的选择访英国著名编舞家、导演马修·伯恩 [J], 忻颖
2.这是我们的家 THE DWELLING LAB [J], 杨絮
3."看到没,这是我家的大船" [J], 郝红梅
4.这是谁的家 [J], 朗月
5.这是谁的家 [J], 朗月
因版权原因，仅展示原文概要，查看原文内容请购买。
给学生一片空间 还课堂一份精彩
给学生一片空间还课堂一份精彩
章铁英
【期刊名称】《语文天地：小教版》
【年(卷),期】2014(000)002
【摘要】<正>我曾经在杂志上看到过这样一个故事:世界建筑大师格罗培斯设计迪尼斯乐园的最佳路径时,曾苦苦寻觅而没有头绪。
后来看到一位卖葡萄的老太太让路过的行人只要投入5法郎就可以摘一篮葡萄上路。
受此启发,格罗培斯在乐园上撒下草种,任游人踩出许多小道,这些踩出的小道有宽有窄,优雅自然。
第二年,格罗培斯让人按这些踩出的痕迹铺设了人行道,这使迪尼斯乐园的路径设计被评为世界最佳设计。
【总页数】1页(P55-55)
【作者】章铁英
【作者单位】浙江省绍兴市上虞区鹤琴小学
【正文语种】中文
【中图分类】G623.2
【相关文献】
1.给学生一片天空,还课堂一个精彩 [J], 石凤苗
2.给学生一点时间还课堂一份精彩 [J], 钱雪娟
3.给学生一个平台，还课堂一份精彩 [J], 徐萍
4.还学生一片天空，给自己一份惊喜 [J], 于英涛
5.给学生一缕阳光,还课堂一片精彩 [J], 陈玲
因版权原因，仅展示原文概要，查看原文内容请购买。
《特洛特》场景制作探秘杰图造景师
《特洛特》场景制作探秘杰图造景师
佚名
【期刊名称】《数码设计．CG WORLD》
【年(卷),期】2004(000)08M
【总页数】3页(P100-102)
【正文语种】中文
【中图分类】J93
【相关文献】
1.高尔夫球场景观营建及植物造景研究 [J], 许火龙
2.手工啤酒的风潮：品牌宣传在啤酒市场中有多重要--英敏特专业分析师盲品探秘[J], 墨菲
3.洛特布尔广场聚会点——德国斯图加特市业余教育与交往中心 [J], 黄琲斐
4.派特·欧多夫及其生态智慧视角下的高线公园植物造景 [J], 唐桂兰;李小茹
5.基于Unity3D驾考模拟平台的设计与制作——科目三场景制作及碰撞效果实现[J], 苏楠
因版权原因，仅展示原文概要，查看原文内容请购买。
邻家青滕爬过来
邻家青滕爬过来
赵敏
【期刊名称】《花木盆景：花卉园艺》
【年(卷),期】2003(000)005
【摘要】秋天里，我因为工作调动。
全家搬到城里。
单位卖给我一套旧房是在一楼，有一个二十平方米左右的院井．一家人满心欢喜。
将旧房稍加装修后，新家就算安顿好了。
只是人生地异．孩子显得有些失落和孤独。
初采乍到．新交很少．我也就将工作之余的主要精力用于辅导孩子的学习，与孩子
【总页数】1页(P42)
【作者】赵敏
【作者单位】无
【正文语种】中文
【中图分类】I267
【相关文献】
1.沃野青稠良木滕森——云南沃森创新创业发展纪实 [J], 周飞
2.邻家青藤爬过来 [J], 赵敏;刘嵘
3.邻家青藤爬过来 [J], 赵敏
4.让乳酸菌成为健康养殖的助推器——访四川高福记生物科技有限公司总经理滕永青 [J], 张院萍
5.让乳酸菌成为健康养殖的助推器——访四川高福记生物科技有限公司总经理滕永青 [J], 张院萍;
因版权原因，仅展示原文概要，查看原文内容请购买。
两个文明一起抓 园林绿化结硕果
两个文明一起抓园林绿化结硕果
戚海峰
【期刊名称】《发展论坛》
【年(卷),期】1999(000)007
【摘要】威海市园林管理处负责市区３７平方公里的园林绿化建设管理工作。
几年来，该处始终坚持“两手抓，两手都要硬”的工作方针，把创建国家园林城市和创建省级文明单位结合起来，积极探索新形势下精神文明建设的新方法、新途径，有力地推动了两个文明建设的健康发展。
自１９８...
【总页数】2页(P58-59)
【作者】戚海峰
【作者单位】威海市园林管理处
【正文语种】中文
【中图分类】D20
【相关文献】
1.深化改革抓管理两个文明结硕果--记秦岭发电公司九个月增收节支5400万元[J], 史应照;李智
2.“两手抓”结硕果──内蒙古蒙古王酒业有限公司两个文明建设侧记 [J], 古汪;
3.坚持不懈“两手抓” 两个文明建设结硕果——琼山市龙桥镇两个文明建设的成功之路 [J], 政文;
4.十四春秋两手抓两个文明结硕果 [J], 班臻
5.坚持两个文明一起抓实现两个文明一起上 [J],
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特色小镇社区生活的在地营造——白鹭湾樱花小院
特色小镇社区生活的在地营造——白鹭湾樱花小院
杨牧梦;胡泽浩;孙虎
【期刊名称】《风景园林》
【年(卷),期】2024(31)3
【摘要】1项目背景特色小镇是中国新型城镇化建设的重要载体,是贯彻落实乡村振兴战略,推动城乡新旧动能转换的重要举措。
然而,一方面由于缺乏对独特地域优势与文化的充分挖掘,部分特色小镇难显“特色”,千镇一面、重“形”轻“魂”等问题屡见不鲜;另一方面,虽然“三生融合”作为特色小镇的核心建设理念已被广泛认同,但部分特色小镇在建设时仍更加关注GDP、产业规模与税收等经济指标,导致小镇社区承载的功能较少,居民日常生活空间供需不匹配。
这些问题不仅使得中国特色小镇难以形成差异化发展路径和核心竞争力,还不利于推进它高质量发展。
【总页数】5页(P60-64)
【作者】杨牧梦;胡泽浩;孙虎
【作者单位】广州山水比德设计股份有限公司;深圳大学建筑与城市规划学院【正文语种】中文
【中图分类】G63
【相关文献】
1.山东省首批特色小镇五莲县潮河白鹭湾艺游小镇
2.乡村型特色生态小镇规划设计的思路与探索——以融安仙湖黄湾樟特色生态小镇规划设计为例
3.基于地域文脉保护传承的特色小镇风貌塑造策略——以云南丽江长江第一湾石鼓特色小镇详细
规划为例4.文旅特色小镇产业培育中的旅居养老发展路径探索——以云南丽江长江第一湾石鼓特色小镇为例
因版权原因，仅展示原文概要，查看原文内容请购买。
一片静美的记忆
一片静美的记忆
郝晓丽
【期刊名称】《五台山研究》
【年(卷),期】1986(000)003
【摘要】<正> 淡淡的景色往往是美好的。
我在游览明月池时,并没有发出感叹,然而,每每忆起明月池的风光,总不免要陶醉一番,一如嗅着野兰草的香味,又似沐浴着深秋时节那淡淡的月华。
夏天,一场细雨过后,我们一行探访了藏在深山里的明月池。
尽管五台山游人如织,但明月池却鲜为人知,明月池因此而保存了它难得的静谧和幽美。
我为自己能够欣赏这一轴奇妙的自然画卷而洋洋自乐了。
【总页数】3页(P31-33)
【作者】郝晓丽
【作者单位】
【正文语种】中文
【中图分类】G6
【相关文献】
1.记忆中的那一片白墙黑瓦 [J], 张贞莹
2.记忆中的那一片白墙黑瓦 [J], 张贞莹
3.记忆中的那一片白墙黑瓦 [J], 张贞莹;张晓雨(图);温晖明(指导)
4.静美乡村,远离尘嚣--托马斯·哈代小说的生态文学解读 [J], 杜毛毛;姜莉
5.合力创出一片天——天台县九遮“乡村记忆”示范基地建设侧记 [J], 姚慧英
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门罗小说《播弄》的叙事时间及叙事审美
门罗小说叶播弄曳的叙事时间及叙事审美摇鄢摇收稿日期院圆园圆园原员员原园缘基金项目院广西师范大学博士科研启动项目野加拿大原住民文学中的身份意识与民族想象研究冶渊圆园员缘冤作者简介院刘明录渊员怨苑源要冤袁男袁广西师范大学教授袁博士袁博士生导师袁研究方向院中外文学曰杨艳菲渊员怨怨苑要冤袁女袁广西师范大学外国语学院硕士研究生袁研究方向院英语语言文学遥刘明录袁摇杨艳菲渊广西师范大学外国语学院袁广西桂林缘源员园园远冤摘摇要院加拿大短篇小说巨匠门罗以擅长书写女性叙事荣获圆园员猿年诺贝尔文学奖遥叶播弄曳是门罗的代表性短篇小说之一袁讲述一对野陌生冶恋人因命运的播弄袁恋情无法修成正果的悲伤爱情故事遥叙事策略是这篇小说的特色所在袁尤其是叙事时间是该小说的点睛之笔遥运用热奈特的叙事时间理论袁从时序尧时距尧频率方面探讨小说叶播弄曳的叙事时间及叙事审美艺术袁以期更好地理清门罗的写作思路袁欣赏作者安排叙事时间的策略与技巧遥关键词院门罗曰摇叶播弄曳曰摇叙事时间曰摇叙事审美中图分类号院陨员园远援源摇摇摇文献标识码院粤摇摇摇文章编号院员远苑源原园圆怨苑渊圆园圆员冤园远原园员员怨原园远一尧引言圆园员猿年诺贝尔文学奖获得者尧加拿大短篇小说巨匠爱丽丝窑门罗以擅长书写女性叙事荣获叶时代周刊曳之野世界一百名最具有影响力人物冶遥粤援杂援拜厄特曾给予门罗很高的评价袁称她为野作家中的作家冶袁充分认可门罗独特的创作才能遥他指出院野在短篇小说领域袁门罗的创作能力与作品的启发价值足够与福楼拜尧契科夫尧莫泊桑等人相媲美遥冶咱员暂辛西娅窑奥齐克将门罗誉为野当代契科夫冶袁认为她的短篇小说与契科夫的小说一样精湛遥她曾说道院野门罗和契科夫都沉迷时间要素袁沉迷在尝试延缓和阻碍时间流逝时的无力袁一种让人悲伤不已的感觉遥冶咱圆暂从众多评论家对门罗的高度赞扬来看袁她的确是一位不可多得的才女级人物遥门罗的作品以居于小镇的普通女性为题材袁以成长的伤痛及人的生老病死为创作内容遥她的早期作品主要叙述初入家庭的女性袁描写女性在男权社会遭遇的婚姻和家庭方面的不幸曰后期作品则着重刻画处于中年危机与挣扎于生活琐事中的女性角色遥叶逃离曳是门罗最具代表性的短篇小说集之一袁一经出版就广受读者的追捧与青睐袁并于圆园园源年荣获吉勒文学奖遥它共记载了八则短篇小说袁故事设定虽各具特色袁但都围绕着一个共同的主题要要要女性的逃离遥八则故事都不约而同地描写了女主人公追求个性解放和精神独立的心酸历程袁充分展现了当代女性与命运顽强斗争的心路历程遥叶播弄曳是其中的一篇袁讲述一对野陌生冶恋人因命运的播弄而错过彼此袁最终恋情无法修成正果尧共度余生的悲伤爱情故事遥野逃离冶主题在叶播弄曳中的体现在于袁当若冰看到丹尼洛对自己形同陌路时袁她义无反顾地逃离伤心地袁保留了新时代女性最后的尊严遥门罗在叙事时看似云淡风轻袁将两人的相遇及错过轻描淡写袁但每当读者读完小说都会心生惋惜遥正是这种甜蜜相遇与不幸错过的巨大反差给作品增添了叙事上第圆员卷第远期摇摇摇摇摇摇摇重庆交通大学学报渊社会科学版冤摇摇摇摇摇摇摇摇圆园圆员年员圆月灾燥造援圆员晕燥援远允韵哉砸晕粤蕴韵云悦匀韵晕郧匝陨晕郧允陨粤韵栽韵晕郧哉晕陨灾耘砸杂陨栽再渊杂燥糟蚤葬造杂糟蚤藻灶糟藻泽耘凿蚤贼蚤燥灶冤阅藻糟援袁圆园圆员. All Rights Reserved.的美感袁使其在众多短篇小说中脱颖而出遥本文运用热奈特的叙事时间理论袁从时序尧时距尧频率三个方面入手袁分析叶播弄曳的叙事时间及其叙事审美遥这一研究意义在于袁一方面能够帮助读者更好地理清门罗的写作思路袁欣赏作者安排叙事时间的写作技巧袁从而领会隐藏在文本后的写作意图曰另一方面袁从这些视角进行的研究能够填补学界对叶播弄曳的叙事时间和叙事审美领域分析的空白袁完善对门罗小说叶播弄曳的研究网络遥二尧时序的交替与故事悬念的创作时序袁即叙事文本的时间顺序袁是故事展开的时间要素遥热奈特认为院野叙事是一个同时拥有两种时间序列的元素噎噎被叙述之事的时间和叙事的时间遥冶咱猿暂员圆从热奈特的观点中能够知晓院时序可以细分为叙事时序及故事时序袁且两种元素不可分割袁缺一不可遥叙事时序指的是文章叙事的顺序袁是文本从开端到结局的依次排列袁是作者安排文本组合的先后次序遥而故事时序指的是文本中故事发生的自然顺序袁是不受人为控制的时间序列袁是故事从发生到结尾的自然排列遥以往的小说大多遵循传统的叙事策略袁篇章中的叙事时序与故事时序同步进行袁即故事的进展发生到哪一时间袁作者就叙事到哪个时间遥然而门罗一反传统袁改变旧有的历时性叙事方式袁采取顺叙与倒叙交错的叙事手法袁亦称为野时间倒错冶手法遥热奈特把野时间倒错冶现象命名为叙事时间和故事时间之间野不相等尧不平行的呈现方式冶咱猿暂员苑遥换句话说袁时间倒错即把之前已经发生尧现在正在发生尧未来即将发生的事情打乱重组袁通过碎片化的片段重新整合袁以展现故事的来龙去脉遥这样的写作手法达到了巧妙设置情节悬念尧增加故事文本可读性袁以及提高读者阅读兴趣的效果遥叶播弄曳不按套路出牌袁采取顺叙尧倒叙尧插叙尧补叙相结合的方法遥将故事时序与叙事时序打乱袁再将它们按一定规则重组排列袁将重要信息安排在开头袁极大地吸引了读者继续阅读文本的兴趣遥梳理和归纳文章脉络袁可以将叙事时间梳理为四个部分院第一部分叙述若冰与丹尼洛再次相见前一天晚上的故事袁若冰为裙子的事忧心忡忡袁姐姐乔安妮却在一旁冷嘲热讽袁威拉德试图缓和姐妹俩间的气氛遥第二部分讲述若冰与丹尼洛第一次邂逅的场景袁若冰在邻镇斯特拉特福观看莎剧时丢了钱包袁碰巧遇上正在遛狗散步的丹尼洛袁他邀请若冰到家中做客袁还替若冰买了回家的票袁并约定来年六月若冰穿着同样的衣服袁缠着同样的头发再次相见遥第三部分描述的是经过一年相思之苦袁若冰前往赴约的场景遥当若冰心不在焉看完戏剧袁急忙赶往丹尼洛家中时袁发现丹尼洛对她异常冷漠袁甚至还把一直敞开着的店门关上遥她感到受到了羞辱袁于是难过地离开遥第四部分刻画四十年后的若冰在医院遇到了和丹尼洛长相一模一样的人袁他是丹尼洛的双胞胎弟弟袁原来当初对若冰冷眼相对的不是丹尼洛本人袁至此才真相大白遥经过上述故事时间线的梳理袁看出叶播弄曳的故事时间是按照第二部分尧第一部分尧第三部分到第四部分的顺序发生的遥在叙事时间上袁小说将故事时间打乱重组袁并按作者的写作意图重新排列遥小说将主人公若冰的过去尧现在及将来的故事线索穿插在文本中袁为小说不断设置悬念遥首先袁若冰开篇为何反复强调如果不准备好裙子袁我一定会活不下去钥门罗此时并没有介绍裙子的由来袁而是不紧不慢地讲述若冰到斯特拉特福观看莎剧的经历袁使人迫不及待想知道接下来会发生什么事情遥其次袁丹尼洛与若冰再次相遇时为何如此冷漠钥当年他只是逢场作戏袁或者他这一年已另寻别爱钥读者与若冰一起陷入思考袁对丹尼洛拒绝她的原因百思不得其解袁可以说吊足了读者的阅读胃口遥时间倒错的叙事手法将叶播弄曳的故事线索复杂化袁情节跌宕起伏遥正如周庭华所评论的院野门罗采用蒙太奇的写作方法袁打破了故事的时间顺序袁将一个特定的时间点设为中心袁穿插排列人物的各个人生片段袁以创造独特的气氛遥冶咱源暂小说的叙事时间表面看似无章可寻袁但仔细梳理袁可以透过打乱重组的故事情节叙述体会到门罗构思的巧妙遥这样的安排使得故事情节不囿于时间线的束缚袁自由地穿插在过去尧现在及未来的维度中袁进而赋予读者更广阔的想象和思维空间遥野时间倒错冶的写作手法也可以有效规避对故事园圆员重庆交通大学学报渊社会科学版冤摇摇摇摇摇摇摇摇摇摇摇摇第圆员卷. All Rights Reserved.背景尧人物及事件等内容的程序化呈现袁使背景介绍与人物出场别具一格袁却不显得突兀难懂遥三尧时距的变化与叙事节奏的控制时距即时间的跨度袁是叙事时间与故事时间之间长短关系的对比遥时距的变换即故事进行速度的快慢变化袁有利于帮助作者控制和把握文本节奏袁提高作品叙事的丰富性遥热奈特主张院野叙事速度按年尧月尧日尧时尧分尧秒为计量单位的时距与按页尧段尧行计算的时距间的联系决定遥冶咱猿暂缘源他将时距划分为概要尧省略尧停顿尧场景四种模式遥这四种时距模式在叶播弄曳中交错出现袁促使文本叙事张弛有度袁充分彰显了门罗高超的叙事时间技巧遥热奈特指出院野故事叙事虽然容许没有时间上的倒错袁但是不可以没有差异性袁即不可以缺少节奏遥冶咱猿暂缘源一成不变的等时性叙事是不存在的袁非等时性叙事也是必不可少的遥所以袁热奈特充分肯定了文学叙事中节奏变化的地位和作用遥门罗巧妙尧灵活地利用叙事节奏的变化袁给主人公若冰平淡的人生增添了不少戏剧化效果袁使得平凡的故事彰显不平凡遥概要袁即将冗杂的故事内容浓缩到简单扼要的篇幅中遥概要是小说中常用的写作手法之一袁起到加快小说叙事节奏的艺术效果遥正如热奈特所言院野概要是场景间最常见的过渡方式袁故事的叙事节奏由概要进行调节遥冶咱猿暂远员短篇小说受篇幅的限制袁在叙事方面较简明扼要袁常常将冗杂的故事情节概括到较短的篇幅中袁以达到故事短小精悍遥叶播弄曳的整个故事时间跨越四十余年袁而故事的呈现主要集中在三个时间段袁即第一次邂逅尧再次相遇和四十年后袁因此小说多次运用概要的写作手法以省略文本空间遥若冰与丹尼洛第一次相遇后袁她回到了和往常一样按部就班的生活遥离下次相见还有一年时间袁但长达一年的光景被门罗浓缩到两页纸的篇幅中遥虽然这一年的等待时光被简单地概括袁但门罗还是充分交代了若冰在这一年的活动院她总是去图书馆搜集关于门的内哥罗渊丹尼洛的家乡冤的材料袁了解那儿的战争历史尧地理位置尧风俗习惯及宗教活动等遥她和往常一样与乔安妮一起吃晚饭尧在医院照顾病人袁但比以往多了一份小期待遥概要叙事手法的运用将次要的信息做了降低重要性处理袁又不至于直接省略跳过袁向读者做了必要的解释说明袁达到加快叙事节奏尧避免文本赘述的目的遥停顿袁即将故事时间暂停去描写景物或评论事件遥停顿在小说中通常是作为描写的部分存在袁用于交代人物的相关背景尧心理活动和环境的描写等方面遥例如小说第一部分袁开篇讲述赴约前若冰为裙子着急的场景袁乔安妮则在一旁不停讽刺挖苦遥突然笔锋一转袁用大段篇幅介绍乔安妮的性格和经历袁提到她行动不便及性格偏激袁为下文她成为若冰追求幸福路上的绊脚石埋下伏笔遥另一处典型的停顿描写出现在若冰和丹尼洛再次相遇时袁当若冰一年后来到丹尼洛家门外袁丹尼洛只是望着她摇摇头袁没有半点欢迎她的意思袁还将一直开着的店门关上了遥此时门罗将故事的叙述进程暂停袁转而描写若冰当时的心理感受院她感到这是对她莫大的羞辱袁野真是恨不得往他头上撒尿冶咱缘暂圆苑圆遥她认为丹尼洛一年前在车站深情款款对她说过的话只是逢场作戏袁甚至怀疑丹尼洛从门的内哥罗带回了一个老婆袁所以不方便与她相认遥正如热奈特所言院野从居于故事之外的讲述者来展开描写袁这单纯是占据文本的空间袁而不占据故事的时间遥冶咱远暂这些停顿叙事并没有中断故事的叙述进程袁而是从隐性的角度呈现人物的心理活动尧情感态度等袁让读者可以深入了解人物真实的想法袁以达到感同身受的效果遥场景袁即叙事时间和故事时间相等遥场景描写是叶播弄曳中最常见的一种写作手法袁小说中呈现了许多事件场景尧人物对话交流的细节刻画袁使读者有一种身临其境之感遥除了获取故事情节信息之外多了一份参与感袁仿佛事情正在读者面前发生一样遥例如当若冰第一次到丹尼洛家里做客时袁门罗将他们在房间里的一举一动都刻画出来袁从若冰在沙发上看杂志袁到丹尼洛给她续咖啡袁再到他们谈论门的内哥罗这个地区遥整个场景描写的节奏不紧不慢袁一定程度上延长了若冰与丹尼洛相处的时光袁让人不忍心跳过一丁点细节遥另一处扣人心弦的场景描写是在来年若冰看完戏剧袁前往丹尼洛家中赴会的场景遥野若冰走出剧院时雨不下了袁太阳又露头了噎噎若冰现在在路上了噎噎不久袁若冰走到唐尼街的路口了噎噎到达下一个路口就可以瞧见那间有特色的屋子了噎噎若冰距离那里更近一步了袁越来越员圆员刘明录等院门罗小说叶播弄曳的叙事时间及叙事审美. All Rights Reserved.近了噎噎踏上台阶袁若冰已然直立在家门外头了噎噎冶咱缘暂从剧院到丹尼洛家短短几分钟的路程袁门罗用了远个细节动作来描写若冰一路上的一举一动袁将若冰少女怀春的人物形象展现得淋漓尽致遥若冰现在欢欣雀跃尧充满期待的心情也和下文丹尼洛对她冷眼相待时的沮丧心情形成鲜明对比袁为下文埋下伏笔遥细致的场景描写能在一定程度上拖延叙事的时间尧延缓故事发展的进程袁从而引起读者阅读余文的兴趣遥省略袁即将故事中不必要赘述的内容省略而不呈现在文本中遥省略在小说中有两种呈现方式院一种是省略不必要赘述的时间段发生的事袁一种是省略部分文本给读者联想的空间遥对于第一种省略袁由于短篇小说的篇幅较短小袁为了节省叙事的时间和空间袁一些与剧情主线联系不紧密的内容往往一笔带过袁甚至直接省略遥例如谈及若冰五年来坚持每年看一部戏时袁门罗仅仅提及若冰为何会接触戏剧袁即第一次去看剧时的场景遥接下来四年的看戏经历与故事主线间的联系并不密切袁因此忽略不写遥第二种省略是完全省略袁以留给读者自行想象的内容遥经历了再次相遇遭冷落后袁若冰和丹尼洛时隔四十年未见袁但门罗并没有交代这四十年间丹尼洛经历了什么袁他是否还在等待若冰的到来袁或者他是否已经组建了家庭袁这些年他都是怎么过来的遥这些信息都无从得知袁这也正是门罗留给读者独自想象思考的内容袁这种开放式的叙事手法形成了文本对读者的野召唤空间冶袁通过对文本信息的留白处理袁召唤读者参与到文本的主动构建中来遥这部分内容的省略对整个故事的发展没有影响袁这样的叙事安排不仅没有导致故事内容缺失袁还为读者创造了一个更广阔的思考尧解读空间遥四尧频率的变化与信息主次的区分频率是指叙事文本呈现次数和故事发生次数之间的关系袁二者不一定是对等关系遥热奈特给频率命名为院野故事和叙事的频率之间的关系遥冶咱猿暂苑猿此外袁他还将频率分为四种院野发生一次讲述一次尧发生一次讲述多次尧发生多次讲述一次尧发生多次讲述多次遥冶咱猿暂苑源作者在创作时往往不会采取平铺直叙的方式展开叙事袁而是有的放矢袁安排故事进程袁有所侧重地叙述故事内容袁因而文中会出现有的情节仅发生一次而被作者反复叙述袁有的内容发生多次却一笔带过遥叙事频率的变化有利于帮助读者分清作品中的主次关系袁明白作者想要强调哪一方面的内容袁从而更好地把握文章的主旨大意袁领会作者要传达给读者的感情遥门罗运用不同的叙事频率推动小说故事的发展袁提醒读者需要特别留意哪些重要信息袁重复的叙事也方便我们更好地理解故事的主题和中心思想遥根据热奈特的四种叙事频率类型袁发生一次讲述一次和发生多次讲述多次的手法是小说中最常见的叙事方法袁是为了故事进程得以展开而服务的遥而发生一次叙述多次和发生多次叙述一次的两种叙事频率因一反常态袁往往带有特殊的文本含义袁作者喜欢利用野不同寻常冶的东西来引起读者的关注与思考遥例如小说开篇提到若冰不停嘟囔的一句话院野倘若他们不为我准备好那条裙子袁那我一定会活不下去的遥冶咱缘暂圆源怨接着若冰对一旁的乔安妮再次强调院野我跟你说袁我会活不下去的遥假使明天我的裙子还没有准备好的话遥冶咱缘暂圆源怨然而在小说第二部分的开头袁这句话再次成了主角院野我会活不下去的袁万一明天那条裙子还没有给我弄好袁我一定会活不下去的遥冶咱缘暂圆远怨短短一句话被门罗反复强调了猿次袁野裙子冶在小说中更是出现了员缘次之多袁可见这条裙子对若冰来说意义多么重大遥这也使读者不禁疑惑院什么样的裙子这么重要钥为什么主人公缺少它就会野死冶钥什么事情使得这条裙子如此无可替代钥进而为读者提供不断阅读余文的兴致遥这样重复的叙事也起到提醒读者注意关键信息的作用遥门罗开篇就提到若冰的裙子袁直到故事结尾才揭示裙子对若冰爱情线的重要性袁使文本呈现出一种张力袁在一定程度上加重了故事的悲剧色彩遥发生多次叙述一次的写作手法与前文提到的省略手法具有相同的写作效果袁起到弱化不必要情节的作用遥正是由于省略的存在袁给文本叙事带来不确定性袁从而引起读者脑海中的自我构建活动遥例如丹尼洛在与若冰分离后的四十年间经历了什么钥小说没有为读者提供明确的答案遥门罗巧妙地将圆圆员重庆交通大学学报渊社会科学版冤摇摇摇摇摇摇摇摇摇摇摇摇第圆员卷. All Rights Reserved.搜寻答案的任务交给了读者袁读者得以参与到文本的构建中遥恰好是这种具体陈述的缺失袁使得文本蕴含了各种可能性遥读者由此可以展开多种想象袁不同的读者根据自身的生活经历得到的认识并不相同遥阅读袁即读者对文章内容加以重构的过程袁是读者依据文章呈现的已知信息袁将文本空白处进行填充的过程遥在信息重构过程中袁读者的想象力在其中发挥了不可忽视的作用遥它不仅填补了文本在叙事上的空白袁让读者转换角色袁摇身一变袁变成情节的创造者袁从而赋予小说独特的魅力遥省略使文本形成巨大的空白袁为读者提供多种阐释的机会袁极大地激发读者的阅读兴趣遥因此袁门罗通过不断变换叙事的频率袁调整文章的叙事节奏袁使读者的阅读速度多样化袁达到丰富读者阅读体验的效果遥五尧叶播弄曳的叙事审美及意义野门罗的故事中饱含深意院无论在谁的内心深处袁都有一个危险宝藏袁一块价值不菲的宝石袁以及一处内心深处的向往遥冶咱苑暂叶播弄曳延续门罗一贯高超的写作风格袁书写女性追求个性解放和精神独立的心酸历程袁运用多种叙事手法以形成自己专属的女性叙事风格袁具有独特的审美意义遥野门罗犹如演奏大提琴一般展现故事情节袁按照故事的需要若即若离地拉动琴弦袁正由于她的演奏张弛有度袁故事中的人物形象才会显得那么生动有趣遥冶咱愿暂小说中的叙事时间安排在对作品主题的突显方面也具有不可磨灭的贡献袁通过对故事时序的打乱重组尧对叙事时距的准确控制袁以及对情节出现频率的巧妙安排袁门罗向读者呈现出一个野逃离冶男性主导社会的独立女性形象遥若冰离开丹尼洛后的四十年间依然过着自己的生活袁期间不乏其他男性的追求袁但她最终都没有看上遥女主人公若冰不再是以往依靠男性存活的野寄生动物冶袁而是以一个独立的个体存在袁充分体现了门罗的女性主义意识遥首先袁门罗运用时序的交替以创造故事悬念遥小说中袁作家利用顺叙尧倒叙尧插叙和调整叙事节奏等叙事技巧袁给读者带来更加灵活丰富尧富有层次的阅读体验遥门罗并没有直接按照流水线一样将故事全盘托出袁而是采用野时间倒错冶的方法袁将时间打乱重组袁把最吸引人的部分先行展示在文章开头遥小说开篇抛出若冰为一条裙子发愁袁还声称自己没了它就会死的情景袁给平凡的主人公尧平淡的故事情节增添了戏剧性的效果遥这不仅为小说制造悬念尧埋下伏笔袁还很好地激起读者的阅读兴趣和对文章内容的好奇心遥更重要的是袁时序的交替出现还可以深化故事的内涵袁给读者更多的思考尧解读空间遥其次袁门罗运用时距的变化以控制叙事节奏遥概要尧省略尧停顿尧场景四种叙事模式交替出现的写作方式能够改变传统小说单调冗杂的叙事节奏袁使小说的阅读节奏具有多样化的效果遥小说在需要省略和概要的地方没有加入过多的描述袁例如若冰和丹尼洛再次相遇之后的四十年间袁若冰的生活只是简单地交代一下袁丹尼洛的生活甚至一笔带过遥这样的叙事节奏与野留白冶手法的安排能够避免冗余袁也能给予读者更大的想象和解读空间遥另外袁小说在需要场景和停顿的地方加入足够的细节描写袁例如若冰与丹尼洛第一次相遇时运用细微的动作描写袁来延长两人坠入爱河时的甜蜜时光袁这一方面可以将读者带入故事中袁增强小说的代入感及真实感袁真实地再现当时的场景袁另一方面可以将读者与主人公之间的情感距离一再缩短袁增强读者对故事中人物的认同感和同理心遥最后袁门罗运用频率的变化以区分内容的主次遥对于重要内容的重复叙述能够唤起读者对该片段的重视袁了解作者在叙事安排上的轻重缓急遥多次出现的内容即重要内容袁门罗并没有在这些内容中加入过多的个人情感因素袁而是通过重复叙事让读者去品味其中的奥妙袁以达到全面尧深刻尧具体理解小说内涵和作者写作目的遥例如小说中多次出现的野假若那条裙子没有为我处理好袁那我肯定会活不下去的冶一句袁使得读者情不自禁去关注那条裙子的来历袁以及它为何如此重要遥在小说结尾处袁若冰将她和丹尼洛的错过戏谑地归因于裙子袁这不仅缓和了小说悲剧性的结尾袁还一定程度上增强了读者对若冰这一归因的认同感遥因为这条裙子对若冰来说实在是太重要袁裙子的细微不同使她迈入了另一个平行世界袁她和丹尼洛的命运因此而改变袁似乎说裙子的缺席就是破坏二人感情的罪魁祸首也不夸张遥可以称之为野成也裙子袁败也裙子冶咱怨暂遥然而两人的感情仅靠这身裙装重建袁可见二人关系的脆弱和猿圆员刘明录等院门罗小说叶播弄曳的叙事时间及叙事审美. 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1.Neal Street This is the area to head to for a more unique shopping experience. This street has a reputation in London for being one of the coolest shopping areas in the city. This is the area to head to if you would like to find interesting and unique boutiques. It sits at the other side of Long Acre when you leave the Covent Garden tube station.
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LOGO
The History of Covent Garden
Covent Garden took its name because it used to be arable land and orchards of Westminster Abbey.At that time ,It called "the garden of the Abbey and Convent".A regular market grew up and in1670s CharlesⅡ granted a charter to the Earl of Bedford to hold a market there.
LOGO
The Location of Covent Garden
Covent Garden is a district in London on the Eastern fringes of the West End,between St. Matin's Lane and Drury Lane.
4. St Paul’s，the
actors ‘church
The portico of St Paul's was the setting for the first scene of Shaw's Pygmalion, the play that was later adapted as My Fair Lady.
Highlights
LOGO
Highlights
2.Covent
Garden Piazza
This is a large square with the Covent Garden market at the centre of it (see below for more details).It sits at the bottom of James Street as you exit the Covent Garden tube station. The piazza and the streets surrounding it are where you will find restaurants and bars. This is also the place that you should head to if you would like to see some of the street performers that the area is famous for.
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The History of Covent Garden
Until the 18th century,It had became the biggest vegetable and flower whoslesale market.After 1918 the market and its trading rights were sold by the Duke of Bedford to a property company.Eventually the government recognised that public sector involvement would be necessary to mordenise the Market and in1961Covent Garden Market Authority was established.
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Highlights
5.Long Acre This is one of Covent Garden's main shopping streets. It sits just outside Covent Garden tube station and offers a wealth of shopping opportunities. It is where you can find flagship stores and some of your high-street favourites such as Reiss, Mango and Cos.
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Attractions nearby
Covent Garden Royal Opera House This is a venue that offers world-class ballet and opera. Royal Opera House If you are feeling you need a break from culture and shopping, maybe it's time that you took yourself to a spa for some pampering. One of Britain's top spas is located in Covent Garden. Originally built to cater for the ballet dancers at the Royal Opera House, the spa now welcomes all women and offers a wide range of facilities and treatments.
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WPS Office
Make Presentation much more fun
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The History of Covent Garden
The Authority seleted Nine Elms at Vauxhall as the new home for the market and the acquisition of the site and construction began in1971.On Monday 11th November 1974 tradingbegan on the new sale.
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Highlights
3.Stn is a popular spot for street performers particularly outsite the market area and the exit from the tube.
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the Covent Garden
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Covent Garden
Whether you're headed here to check out the multitude of shops, theaters, cafes, pubs, and restaurants, or simply to be among the multitude of people who pass through this pretty part of town, you'll love soaking up the festive and historic atmosphere in and around Covent Garden.