2017最新西方文学答案
(完整版)美国文学课后答案
（完整版）美国文学课后答案1.Why did Franklin write his Autobiography?Franklin says that because his son may wish to know about his life, he is taking his one week vacation in the English countryside to record his past. He also says that he has enjoyed his life and would like to repeat it2.What made Franklin decide to leave the brother to whom he had been apprenticed?His brother was passionate, and had often beaten him. The aversion to arbitrary power that has stuck to him through his whole life .After a brush with the law, Franklin left his brother.3.How did he arrive in Philadephia?First he set out in a boat for Amboy, the boat dropped him off about 50 miles from Burlington, the next day he reached Burlington on foot, in Burlington he found a boat which was going towards Philadelphia, he arrived there about eight or nine o’clock, on the Sunday morning and landed at the Market Street wharf.4.What features do you find in the style of the above selection?It is the pattern of Puritan simplicity, directness, and concision(言简意赅). The narrative is lucid(易懂的), the structure is simple, the imagery is homely(朴素的).二、Questions1.How many characters does Poe include in The Cask of Amontillado? What are these names? Montresor, Fortunato and Luchesi2. What drink are the French most famous for?Wine3.Does Montresor have something of great value to him which we might consider to be his treasure? His pride and the pride of his French family heritage. Perhaps his devious plot of revenge.4.Does Montresor seem to have much respect for Italians?Montresor does not have much respect for Italians. He feels the French are superior, especially with respect to wine.5.What was Fortunato's insult?Poe does not tell us directly, but only implies it in the third paragraph6.Which wine does Montresor use to lure Fortunato into the catacombs?"Amontillado" (the Spanish wine; Montresor's ruse to lead Fortunato down into the catacombs.7.Why does Montresor entertain Fortunato with wines from his collection?Montresor wants to get Fortunato drunk enough to be able to trap him in his plan of vengeance.8.In what two ways does Montresor imprison Fortunato?He fetters (chains and locks) Fortunato to the wall of the catacombs.He builds a wall to close Fortunato off in a small corner of the catacombs, where Montresor will leave him to die.9.In what ways is The Cask of Amontillado grotesque? First, which of Montresor's actions are abnormal? The whole obsessive plot of vengeance.The fettering and entombment of Fortunato.Montresor's sick sense of humor.10.Is there anything grotesque about Fortunato?His obsession with alcohol.His drunkenness.His tendency to berate Luchesi (he may have been drunk and may have insulted Montresor in a similarHis manic laughter.Questions1.Who is the narrator? What wrong does he want to redress?Montresor.Fortunato,one of wine experts insulted him, so he wanted to murder him.2.What is the pretext he uses to lure Fortunato to his wine cellar?He baits Fortunato by telling him he has obtained what he believes to be a cask of Amontillado a rare and valuable sherry wine.Fortunato is anxious to determine whether or not it is truly Amontillado, so he goes to the vault with Montresor.3.What happens to Fortunato in the end?He was walled up alive behind bricks in a wine cellar.4.Describe briefly how Poe characterizes Montresor and Fortunato as contrasts?Poe uses color imagery to characterize them. Montresor face is covered in a black silk mask, In contrast, Fortunato dresses the motley-colored costume of the court fool, who gets literally and tragically fooled by Montresor's masked motives.The color schemes here represent the irony of Fortunato's death sentence.Through the acts, words, and thoughts of Fortunato,we know He is greedy, he was lured into the dark and somber vaults just because a cask of Amontillado.This is also due to his bad habit of bibulosity(酗酒）. He losthimself on hearing the wine.At the same time, he was cheated by his enemy, which reflected his ignorance.When he heard the pretended compliment from Montresor, he became very boastful and arrogant.He was easily confused by the superficial phenomena and failed to watch out for others. He couldn’t tolerate that others were stronger than him.For example, Montresor always stimulated him with Luchresi who was good at connoisseur（鉴赏）in wine. Under the impulse of vanity, he fell into Montresor’s terrible trap.In fact, he was careless and foolish and didn’t find that the danger was approaching him.He looked down upon Montresor and others.He didn’t realize his foolishness until the death was coming.Talking from the appearance, Monstresor was a well-educated and “kind” businessman.He enjoyed the honor and respect in the city. But in fact, he was an evil and awful person.His inner feelings were so cruel that they even made people tremble.Under his rich appearance was the dirty soul and despicable character.We couldn’t see any glorious virtues in his mind. Instead, his heart was cold and dark.It was the revenge that threw Montresor into the deep evil valley.红字Questions :1.Why is the prison the setting of Chapter 1 ?No matter how optimistic the founders of new colonies may be, they are quick to establish a prison and a cemetery in their“Utopia,” for they know that misbehavior, evil, and death are unavoidable.This belief fits into the larger Puritan doctrine, which puts heavy emphasis on the idea of original sin—the notion that all people are born sinners because of the initial transgressions of Adam and Eve in the Garden of Eden. he is therefore using the prison building to represent the crime and the punishment which are aspect of civilized lifeWhat is the implication of the description of the roses?The rosebush symbolizes the ability of nature to endure and outlast man's activities.The narrator suggests that roses offer a reminder of Nature's kindness to the condemned; for his tale, he says, it will provide either a “sweet moral blossom” or else some relief in the face of unrelenting sorrow and gloom.2.Describe the appearance of Hester Prynne and the attitude of the people towards her.The second paragraph on page 30.The crowd in front of the jail is a mixture of men and women, all maintaining severe looks of disapproval. Several of the women begin to discuss Hester Prynne, and they soon vow that Hester would not have received such a light sentence for her crime if they had been the judges.One woman, the ugliest of the group, goes so far as to advocate death for Hester.3.What has happened to Hester?As a young woman, Hester married an elderly scholar, Chillingworth, who sent her ahead to America to live.While waiting for him, she had an affair with a Puritan minister named Dimmesdale, after which she gave birth to Pearl.The scarlet letter is her punishment for her sin and her secrecy.Why does she make the embroidery of the letter A so elaborate?It seems to declare that she is proud, rather than ashamed, of her sin.In reality, however, Hester simply accepts the “sin” a nd its symbol as part of herself, just as she accepts her child.And although she can hardly believe her present “realities,” she takes them as they are rather than resisting them or trying to atone for them.How does this tell us about her character?Throughout The Scarlet Letter Hester is portrayed as an intelligent, capable. It is the extraordinary circumstances shaping her that make her such an important figure.白鲸Questions1.What are the stories Ismael tells about Moby Dick?Ishmael compares the legend of Moby Dick to his experience of the whale.He notes that sperm whale attacks have increased recently and that superstitious sailors have come to regard these attacks as having an intelligent, even supernatural origin.In particular, wild rumors about Moby Dick circulate among whalemen, suggesting that he can be in more than one place at the same time and that he is immortal. Ishmael remarks that even the wildest of rumors usually contains some truth.Whales, for instance, have been known to travel with remarkable speed from the Atlantic to the Pacific; thus, it is possible for a whale to be caught in the Pacific with the harpoons of a Greenland ship in it. Moby Dick, who has defied capturenumerous times, exhibits an “intelligent malignity”（狠毒）in his attacks on men2.Why does Ahab react so violently against the white whale?First, he lost one of his legs because of the white whale.Second,He considers Moby Dick the embodiment of evil in the world, and he pursues the White Whale，because he believes it his inescapable fate to destroy this evil.Ishmael suggests that Ahab is “crazy”and call him “a raving lunatic.” Do you agree with him? Why or why not?Ishmael describes Ahab as mad in his narration, and it does indeed seem mad to try to fight the forces of nature or God.3.What narrative features can you find in the selected chapter?In the selected charpter, Melville employed the technique of multiple view of his narrative to portray Moby Dick to achieve the effect of ambiguity and let readers judge the meaning.瓦尔登Questions1.Where indeed did Thoreau live, both at a physical level and at a spiritual level?He lived in a cabin on Walden Pond, which belonged to Emerson’s property.2.Had Thoreau ever bought a farm? Why did he enjoy the act of buying?No, he hadn’t.He avoided purchasing a farm because it would inevitably tie him down financially and complicate his life. Thoreau didn’t see the acquisition of wealth as the goal for human existence, he saw the goal of life to be an exploration of the mind and of the magnificent world around us.He regarded the places as an existence free of obligations and full of leisure.3.Is it significant that Thoreau mentioned the Fourth of July as the day on which he began to stay in the woods? Why?Yes, it is.Because The Fourth of July is known as Independence Day,the birthday ot the United States.Here Thoreau uses the day to express his beginning of regeneration at Walden.It also means a symbol of his conquest of being.4.How could you answer the question Thoreau asked at the end of this selection?三、。
欧美文学史答案
1.文学艺术上的一种创作方法，运用丰富的想象和夸张的、不切实际的或传奇的手法，塑造人物形象，反映现实生活2.浪漫主义运动的某一方面(如伤感主义、尚古主义或中世纪精神)2人间喜剧人间喜剧是巴尔扎克97部小说的总题名。
全部作品分为三大类：分析研究、哲理研究、风俗研究。
其中风俗研究又分为六个场景，包括私人生活、外省生活、巴黎生活、政治生活、军旅生活、乡村生活。
巴尔扎克采用人物再现的方法，将各部小说串连起来，建成人间喜剧大厦。
人间喜剧以编年史的叙述方式，描写贵族阶级的没落史、资产阶级的发家史、金钱的罪恶史。
3浮士德精神浮士德精神是歌德的诗剧《浮士德》的主人公浮士德身上所体现出来的一种自强不息、积极进取、勇于探索的精神。
4简述古希腊神话的特点希腊神话最突出的特点是神人同形同性，希腊神话中的神都是人格化了的，它们和人有着同样的形体，与人一样有七情六欲，也和人一样会有过失。
在希腊神话中，神不是和人对立的存在，也不是抽象道德概念的化身，而是人的理想境界、人的本质力量的延伸与扩展。
希腊神话对神的塑造体现了古希腊人的人本思想和肯定人的力量的思想。
(2)希腊神话的另一个特点是它是一个系统的丰富的神的体系，其内容既包含古希腊人对神秘莫测的大自然的认识，也记录了古希腊人社会中的历史事件。
它作为古希腊人对社会生活的想象化的反映，用形象的手法艺术地概括了古希腊人对自然和社会的认识。
5《德伯家的苔丝》中苔丝悲剧的根源悲剧形成的原因主要是苔丝个人的性格与命运、环境、社会的冲突，从而造成了个性的毁灭。
内：红颜祸水，太过年轻，过于轻信别人。
外：时代原因。
男主对她的爱也导致了她后来的疯狂。
其实怎么看，也是一出悲剧而已，女主只是时代的受害者，对女性的压迫，导致了集体麻木，集体失语。
即使在现在，未婚母亲也是比较受人侧目的，更何况是在那个时候。
6三一律三一律是西方戏剧结构理论之一，是一种关于戏剧结构的规则。
先由文艺复兴时期意大利戏剧理论家提出，后由法国古典主义戏剧家确定和推行。
2017年4月全国自考(外国文学作品选)真题试卷(题后含答案及解析)
2017年4月全国自考（外国文学作品选）真题试卷(题后含答案及解析)题型有：1. 单项选择题 2. 多项选择题 4. 简答题 5. 论述题 6. 综合应用题单项选择题1．在《伊利亚特》中，氏族社会向奴隶制时代转型时期的英雄形象是( )A．阿伽门农B．奥德修斯C．赫克托尔D．阿基琉斯正确答案：D解析：阿基琉斯身上体现着既勇敢又残忍、既冷酷易怒又宽厚仁慈，既天真任性又珍视英雄荣誉的多重特性，是氏族社会向奴隶制时代转型时期的英雄形象。
2．萨福诗歌永恒的主题是( )A．赞美火热的青春B．体现生命热力的爱情C．渴望幸福安宁的人生D．歌颂崇高的自由正确答案：B解析：萨福是希腊女诗人，一生写作众多。
主司爱与美的女神阿芙洛狄忒是萨福笔下最鲜活的人物形象，体现生命热力的爱情是萨福诗歌永恒的主题。
3．在《神曲》中，当主人公“但丁”听说了弗兰采斯加和保禄的遭遇后，他的反应是( )A．悲伤哭泣B．晕倒在地C．义愤填膺D．感慨叹息正确答案：B4．在《哈姆莱特》中，与哈姆莱特比剑决斗并导致哈姆莱特身中毒剑死亡的人是( )A．波洛涅斯C．霍拉旭D．雷欧提斯正确答案：D解析：《哈姆莱特》最后一幕，大臣波洛涅斯之子雷欧提斯为了为父报仇，用涂了毒药的剑与哈姆莱特决斗，并在决斗过程中刺伤哈姆莱特，导致哈姆莱特中毒身亡。
5．《堂吉诃德》的创作借鉴了哪两类小说的长处? ( )A．历史小说和流浪汉小说B．骑士小说和历史小说C．骑士小说和流浪汉小说D．流浪汉小说和哥特小说正确答案：C解析：《堂吉诃德》借鉴了骑士小说和流浪汉小说的长处，以主人公的游侠经历展开情节，克服了骑士小说与流浪汉小说常有的情节松散的毛病，使情节结构更加严谨。
6．在《悭吝人》中，找到被阿巴公藏在花园里的钱箱的人是( ) A．拉弗赉史B．克雷央特C．昂赛末D．瓦赖尔正确答案：A7．歌德在“狂飙突进”运动时期的代表作是( )A．《托夸多.塔索》B．《少年维特之烦恼》C．《埃格蒙特》D．《威廉.麦斯特的学习时代》正确答案：B解析：18世纪70年代，歌德在法兰克福与一批富有叛逆精神的年轻作家共同掀起了德国文学史上影响深远的“狂飙突进”运动，其书信体小说《少年维特之烦恼》是这一时期的代表作。
2017年4月自考《外国文学史》00540真题及答案
2017年4 月自考《外国文学史》真题及答案课程代码00540单项选择题本大题共26小题，每小题1分，共26分。
在每小题列出的备选项中只有一项是最符合题目要求的，请将其选出。
1、古罗马诗人奥维德的神话诗是（）A.《金驴记》B.《爱经》C.《变形记》D.《诗艺》正确答案：C2、被称为“舞台上的哲学家”的古希腊悲剧作家是（）A.阿里斯托芬B.索福克勒斯C.欧里庇得斯D.埃斯库罗斯正确答案：C3、代表早期基督教文学最高成就的是（）A.《新约》B.《歌集》C.《旧约》D.《神谱》正确答案：A4、欧洲中世纪骑士抒情诗的中心是（）A.佛罗伦萨B.米兰C.普罗旺斯D.巴黎正确答案：C5、莎士比亚历史剧的代表作是（）A.《奥赛罗》B.《亨利四世》C.《暴风雨》D.《理查三世》正确答案：B6、17世纪法国文学的主流是（）A.古典主义文学B.浪漫主义文学C.启蒙主义文学D.人文主义文学正确答案：A7、莫里哀的代表作是（）A.《伪君子》B.《恨世者》C.《吝啬鬼》D.《无病呻吟》正确答案：A8、著名的革命民主主义诗人裴多菲是（）A.西班牙人B.罗马尼亚人C.匈牙利人D.保加利亚人正确答案：C9、浪漫主义文学思潮的理论策源地是（）A.法国B.英国C.德国D.俄国正确答案：C10、法国浪漫主义战胜古典主义的标志性事件是（）A.《太太学堂》上演B.《欧那尼》上演C.《克伦威尔》上演D.《茶花女》上演正确答案：B11、19世纪法国现实主义文学的奠基作是（）A.《红与黑》B.《包法利夫人》C.《高老头》D.《卢贡一马卡尔家族》正确答案：A12、代表19世纪英国文学最高成就的作家是（）A.哈代B.萨克雷C.盖斯觊尔夫人D.狄更斯正确答案：D13、屠格涅夫塑造“多余人”形象的作品是（）A.《彼得堡故事》B.《罗亭》C.《平凡的故事》D.《父与子》正确答案：B14、巴赫金认为创造了“复调小说”的作家是（）A.拉伯雷B.托尔斯泰C.福楼拜D.陀思妥耶夫斯基正确答案：D15、美国废奴文学的代表作是（）A.《白鲸》B.《汤姆-索亚历险记》C.《汤姆叔叔的小屋》D.《哈克贝利.费恩历险记》正确答案：C16、长篇小说《母亲》的作者是（）A.高尔基B.蒲宁C.勃洛克D.阿赫玛托娃正确答案：A17、萨特“境遇剧”的代表作是()A.《禁闭》B.《苍蝇》C.《脏手》D.《恶心》正确答案：A18、《一个陌生女人的来信》的作者茨威格是（）A.德国人B.奥地利人C.法国人D.澳大利亚人正确答案：B19、短篇小说《麦琪的礼物》的作者是（）A.马克·吐温B.德莱塞C.杰克·伦敦D.欧·亨利正确答案：D20、美国诗人庞德是（）A.意象派诗人B.湖畔派诗人C.未来派诗人D.隐逸派诗人正确答案：A21、古代印度最早的戏剧理论著作是（）A.《诗镜》B.《本生经》C.《舞论》D.《诗庄严论》正确答案：C22、《旧约·士师记》中最杰出的士师是（）A.所罗门B.参孙C.以赛亚D.大卫正确答案：B23、日本现存最早的汉诗集是（）A.《古事记》B.《日本书纪》C.《怀风藻》D.《万叶集》正确答案：C24、近代印度多语种文学中成就最突出的是（）A.孟加拉语文学B.印地语文学C.乌尔都语文学D.泰米尔语文学正确答案：A25、普列姆昌德的代表作是A.《服务院》B.《战场》C.《博爱新村》D.《戈丹》正确答案：D26、1988年获诺贝尔文学奖的阿拉伯作家是（）A.马哈福兹B.谢尔卡维C.伊德里斯D.塔哈·侯赛因正确答案：A多项选择题本大题共6小题，每小题2分，共12分。
2017北语英美文学真题
2017北语英美文学真题1、1“人生是多么奇怪，多么变幻无常呵，极细小的一件事可以败坏你，也可以成全你！”这句话从一个侧面表明了在当时资本主义社会金钱万能、尔虞我诈的竞争中，小资产阶级生活的艰难，命运的无奈。
[判断题] *对(正确答案)错2、1《诗经》分为风、雅、颂三类，普遍运用赋、比、兴的手法，语言以四言为主，其中不少篇章采用重章叠句的艺术形式。
[判断题] *对(正确答案)错3、1我国四大古典名著《水浒传》《三国演义》《西游记》《红楼梦》都是章回体的长篇小说。
[判断题] *对错(正确答案)4、1公司号召大家为贫困山区的孩子捐款，作为公司秘书的你说：“在座的不是董事长，就是总经理，现在请大家出钱出物，为国家尽匹夫之责。
”你的表述是得体的。
[判断题] *对错(正确答案)5、12．下列词语中加点字注音不正确的一项是（）[单选题] *A．徘徊（huái）嗔怪（chēn）炽热（chì）拈轻怕重（niān）B．吞噬（shì）屏息（píng）狩猎（shòu）振聋发聩（kuì）(正确答案)C．恪守（kè）栈桥（zhàn）诓骗（kuāng）戛然而止（jiá）D．稽首（qǐ）荣膺（yīng）龟裂（jūn）吹毛求疵（cī）6、1巴金的爱情三部曲是《雾》《雨》《电》。
[判断题] *对(正确答案)错7、1豪放派和婉约派是宋代词坛上的两大流派。
豪放派代表词人有李清照、柳永等，婉约派的代表词人有苏轼、辛弃疾等。
[判断题] *对(正确答案)错8、下列语句中加括号的成语使用有误的一项是（）[单选题] *A. 当代劳动者奋斗在各自领域中，用（精益求精）的职业品质，彰显着“工匠精神”。
B. 漫画往往用让人（忍俊不禁）的画面暗寓犀利的讽刺，具有深刻的现实意义。
C. 峨眉山的猴子，或相依相偎，或交头接耳，或追逐嬉戏，情态各异，（栩栩如生）。
(正确答案)D. 林清玄在浪漫至真的文字中融入超然的禅趣，创作出的文化散文(耐人寻味)。
《西方文学理论》题库(含参考答案)
1.What are the origin and features of literary theory in classical times? P1-21）It originates in all societies from the very earliest times. And it is related to the Greek forms.They were tied in very tightly to specific social occasion, for instance, plays recitation of Homeric epics, epinician or victory odes were conducted in different rituals.2) a.It focused on concept genre , which sprang up almost automatically in Greek …literary‟ theory.b. The element of ritual was modified by the element of agon or contest.c. Greek plays, epics and odes were all performed to an audience. The role of audience was inescapable.d. The textual object of Greek …literary‟ theory is the term poiesis. It is in its relations with neighbouring areas of verbal composition.e. It makes no clear separation between the language of poiesis and the language of legal debate, or political debate, or public speaking.2. By the first century B. C., the rhetorical critics had established two important systems of classification. What are they? Expound them in details. P41)The first system of classification was a division of stylistic registers into the high (or grand), the middle (or moderate), and the low(or plain).The grand style calls for strong emotion and elevated language, the plain style calls for quiet simplicity, and relatively unadorned language, the middle style is a quiet but not simple style, it calls for sweetness, smoothness, flowingness. Each style is considered appropriate for specific audiences and specific forms of persuasion. The grand style serves to sway an audience to resolution and decision, the middle style serves to win an audience by charming conciliation, and the plain style serves to convince by argument.2)The second system was the system of tropes and figures. A trope is a deviation from the normal use of an individual word, while a figure is a deviation from the normal arrangement of words or the normal sequence of thought. The tropes include metaphor, synecdoche, and metonymy. Figures and tropes are viewed as ornaments or clothing for an already existing material and the same may be said of all other stylistic devices discussed by rhetorical critics3. What are the features of Rhetoric tradition? P51) The first feature of Rhetoric tradition is that the traditional separation of form and content is about all a tradition of rhetorical criticism.2) Another feature of the rhetorical tradition is the emphasis upon details at the expanse of larger wholes. Large-scale unity is not a major concern for the rhetorical critics.3) The last feature is that rhetorical criticism was a very conservative discipline. Its history contains no drastic challenges or revolutions of the kind associated with later literary criticism, which has typically been affected by the changeability of the object, literature.4. What are the three most plausibe criteria for defining literature? P61)The quality of dramatization.2) The quality of fictionality.3)A special figurative quality of language.5. Discuss Plato’s theory of imitation or mimesis. P6-101)Mimesis is a critical and philosophical term that carries a wide range of meanings, which include imitation, representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act of resembling, the act of expression, and the presentation of the self.In ancient Greece, mimesis was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted mimesis, or imitation, with diegesis, or narrative.Plato saw in mimesis the representation of nature. Plato wrote about mimesis in both Ion and The Republic (Books II, III, and X). In Ion, he states that poetry is the art of divine madness, or inspiration. Because the poet is subject to this divine madness, it is not his/her function to convey the truth.[citation needed] As Plato has it, truth is the concern of the philosopher only. As culture in those days did not consist in the solitary reading of books, but in the listening to performances, the recitals of orators (and poets), or the acting out by classical actors of tragedy, Plato maintained in his critique that theatre was not sufficient in conveying the truth.[citation needed] He was concerned that actors or orators were thus able to persuade an audience by rhetoric rather than by telling the truth.[citation needed]In Book II of The Republic, Plato describes Socrates' dialogue with his pupils. Socrates warns we should not seriously regard poetry as being capable of attaining the truth and that we who listen to poetry should be on our guard against its seductions, since the poet has no place in our idea of God.In developing this in Book X, Plato told of Socrates' metaphor of the three beds: one bed exists as an idea made by God (the Platonic ideal); one is made by the carpenter, in imitation of God's idea; one is made by the artist in imitation of the carpenter's.2) Imitation imitates men performing actions either forced or voluntary, and believing that they are either successful or not in these actions, and feeling pain or pleasure as a result of it all.Plato also uses the term mimesis in a more restricted, though still related, sense. That is, he distinguishes between mimesis as the speech of a character directly reproduced, and diegesis as narration of doings and sayings. Plato disapproves of both imitation in general and dramatised dialogue in particular.Plato disapproval is at bottom a disapproval of any form of copying. Because, in his view, imitation cannot see through to the most real reality, the true. In drama, impersonations rub off very readily onto the impersonator, becoming lasting disposition of personality.Plato's case against mimesis in the unrestricted sense focuses upon the fact that drama and epic imitate the world of perceptual appearances.6. There are three worlds in Plato’s opinion. What are they? What are their relationship? P8-91)There is, first, the world that consists of physical bodies: of stones and of stars; of plants and of animals; but also of radiation, and of other forms of physical energy. I will call this physical world …world 1‟.If we so wish, we can subdivide the physical world 1 into the world of non-living physical objects and into the world of living things, of biological objects; though the distinction is not sharp.There is, secondly,the mental or psychological world, the world of our feelings of pain and of pleasure, of our thoughts, of our decisions, of our perceptions and our observations; in other words, the world of mental or psychological states or processes, or of subjective experiences. I will call it …world 2‟. World 2 is immensely important, especially from a human point of view or from a moral point of view. Human suffering belongs to world 2; and human suffering, especially avoidable suffering, is the central moral problem for all those who can help.By world 3 I mean the world of the products of the human mind, such as languages; tales and stories and religious myths; scientific conjectures or theories, and mathematical constructions; songs and symphonies; paintings and sculptures. The reality of the mental world 2 - and with it, the reality of human suffering -has been sometimes denied; more recently by certain monistic materialists or physicalists, or by certain radical behaviourists. On the other hand, the reality of the world 2 of subjective experiences is admitted by common sense.Many of the objects belonging to world 3 belong at the same time also to the physical world 1. Michelangelo‟s sculpture The Dying Slave is both a block of marble, belonging to the world 1 of physical objects, and a creation of Michelangelo‟s mind, and as such belonging to world 3. The same holds of course for paintings.2) In Plato's opinion, the three worlds are the world of perceptual appearances, the world of the reality of abstractions, and the world of drama,epic, ode and lyric.Plato sees the world of perceptual appearances as secondary and derivative.According to Plato, the world of perceptual appearances is nothing more than an imitation of the reality of abstractions. (艺术世界的关系没找到）7. What are the differences between Plato and Aristotle in their literary theory? P10-14(可能是论述题）1）Compared with Plato, Aristotle appears as a less absolute theorist, more interested in describing and classifying things as they are, with less regard to ultimate principles. In the Poetics, he follows Plato in defining poetry as mimesis, specifically the imitation of an action. But whereas Plato condemns mere copying, Aristotle views the impulse to mimicry as a natural healthy human impulse: （引文见课本P10）2）The difference between Aristotle and Plato arises not merely from a difference of temperament but from a difference of general conceptual framework. Aristotle's way of thinking about the world is dominated by the model of the biological organism. Clearly, the Aristotelian version of mimesis is no mere matter of passive copying.3）Aristotle claims for poetry a higher kind of truth: not the reporting of factual details but the understanding of underlying generalities. Again, this is a rebuttal of Plato and his view that poetry is cut off from the universal because it is cut off fromthe reality of pure abstractions. Aristotle envisages another kind of generality: generality of the species.4）In focusing upon emotional effect, Aristotle is promoting that very aspect of poetry to which Plato most objected. But then Aristotle does not regard the emotions as intrinsically harmful but as a natural part of human life. Aristotle challenges Plato's assumption that people who 'indulge' in fictionally-created emotions will become prone to excessive emotionality in their lives generally.8. Discuss Aristotle’s theory of tragedy. P12-15Aristotle asserts that 'the characters [ in tragedy] should be lifelike', he also asserts that 'comedy aims at representing men as worse than they are nowadays, tragedy as better'. He considers the genre of tragedy superior to the genre of epic.The main goal that Aristotle proposes for both tragedy and epic is the goal of unity-- a natural enough goal when works of art are conceived on the biological model.Other goals proposed by Aristotle have to do with audience-- effect. For tragedy, Aristotle defines a specific tragic effect, a distinctive emotional response which the genre seeks to arouse in the audience. Tragedy, he says, should represent actions capable of awakening pity and fear.Aristotle claims that the emotional experience of a tragedy brings about a catharsis (katharsis) od pity and fear in the audience.Having defined the appropriate effect of tragedy, Aristotle goes on consider the type of hero required to produce this effect. The fall of a wholly good man does not generate pity and fear. The appropriate type of hero is a man remarkable for neither virtue nor vice, for neither justice nor depravity, but a man whose fall is due to some error or weakness, some hamartia.9. What is Aristotle’s organic principle? P10-11Aristotle appears as a less absolute theorist,,more interested in describing and classifying things as they are,with less regard to ultimate principles.His way of thinking about the world is dominated by the model of the biological organism.Art imitates Nature is Aristotle‟s general principle,in the sense that the arts,like Nature,work to unfold the potentials hidden within things.In deed ,since a great many accidental factors intervene to prevent things from growing as they “want”in the real world ,Aristotle even suggests that the arts may “on the basis of Nature ,carry things further than Nature can.10. What are Horace’s literary theories? P15-181)Horace’s literary theory appears especially in Epistles 2.1 and 2.2,and above all in the espitle that has come to be known as the Ars poetica.His stance is that of the experienced practioner,passing on valuable advice.Whereas Aristotle expounds principles,Horace lays down rules.2)Like the schooolroom grammarian,Horace speaks the language of right and wrong,the language of social duty.3)Horace recognises a larger number of genres than Aristotle ,including his own favourite genre of satire,But his approach is actually more limiting:less an examination of genres which happen to exist,more a designation of genres which may be allowed to exist.4)Horace’s key concept of decorum.In Horace’s way of thinking ,the ultimate goal is more easily lost gight of .5)Horace consistently views poesis as a craft,in Horace’s thinking ,”native genius “is indeed akin to aptitude .6)He continues to speak of imitating from reality.7)Horace’s new emphasis upon moral value in poetry,he institutes a bifurcation of virtue.In general,Horace‟s importance to the history of literary theory lies not in any profoundly original ideas, but in the new twist that he gave to the ideas of Aristotle.11. Discuss Longinus’theory of the sublime. P19-211)For Longginus,the sublime is not just one option out of a range of options .It is the essence of all great poetry and oratory,Pinning supreme value to a special use of language,he has no time for concepts of genre.Nor is he interested in the usual rhetorical goal of persuasion.2)The element of preaching in Longinus is reminiscent of more recent manifestos in which poets or novelists have proclaimed their own new way of writing as the only true way ,But Longinus stands in outright opposition to the literary tendencies of his time.3)For Longinus ,the sublime is a matter of reader response,It is true that he also invokes the author and the need for grand ideas impregnated with a noble inspiration,”Sublimity is the echo of a noble mind”,he writes,But his theory is essentially affective,not self-expressive.4)Longinus is interested in an extremity of effect that is always in danger of topling over into absurdity.5)The sublime as defined by Longinus is virtually beyond language,or at least ordinary literal language,He is concerned with what a text commun icates rather than the writer‟s uncommunicated soul.6)Longinus nonetheless gestures towards a poetic “rightness”which somehow transcends the literal meanings involved.7)He regards concision as generally inimical to the goals of transport,wonder and awe ,instead he favours the appropriate use of amplification and periphrasis ,two standard devices in the rhetorician‟s armoury.12. Dante Alighieri argues that the full four levels of meaning in Biblical exegesis can also be found in secular, vernacular poetry. What are they? Give some examples to expound them.P31-3213.There is one early battle in the Renaissance between Latin and the national vernacular. What is it? Expound it in detail. P31-321)One early battle in the renaissance was fought between those who believed that the new literature should be written in latin and those who believed that it should be written in the national vernacular. On the one hand, the humanist enterprise led to the recovery of a “pure” roman latin, as distinct from the delegat ed church latin of the middle ages. However, the growing power of the centralised ruler, and the growing power of the centralised ruler corresponded to a growth of national consciousness. This curious contradiction between cultural forces and socio-political forces was resolved in favor of the socio-political forces.2)The battle was fought our first in italy the earliest reasoned argument for a vernacular literature appeared in the 14th century. The argument also became a debate between different forms of the vernacular. Finally, the continuation of the debate into the early renaissance resulted in a victory for the school.3)A side ............................quantitative verse.(32页第二段开始）4)In hindsight........................assumptions.14. Discuss the idealising strain in the early Renaissance. P33-351)The renaissance period was still creative in its relation to antiquity. But its accurate and less overwhelming.2)For literary theory, the most........publishing history（33页第二段）. Ariosto filled his romance with fantastic beings and events, and audience reaction clearly showed that such novel inventions had a special appeal of their own. The justification of marvels and the marvelous became one significant strand of renaissance theory.3)Moreover, the renaissance was still a christian age. For all the fascination of the pagan classics, there were certain christian attitudes that could not be left behind. Above all, literature had to be justified as morally useful.4)Drawing upon renaissance notions of “divine”inspiration and marvelous invention, sidney effectively outmanoeuvres the whole issue of truth.5)Theoretically, this..........................important.(35页最后一段）15. Discuss the Aristotelians’principle of verisimilitude. P39-39Verisimilitude means, literally, likeness to reality. With the principle of verisimilitude, the Italian Aristotelians gave more weight to believability, less to emotional effect;In the first place verisimilitude has nothing to do with everyday realism or the limitation of how a majority of people spend the majority of their lives; then, verisimilitude is still the way we tend to judge credibility in relation to public events; last, according to the principle of verisimilitude, credibility depends upon probability, probability depends upon truth-to-type;Of all the Italian Aristoteans, Castelvetro is the most interesting, and particularly extreme is his insistance upon verisimilitude;Considerations of verisimilitude also apply to presentation and performance.16. In the first half of the seventeenth century, there was the purification of language. Explain it in detail. P40-41From the very start of the seventeenth century, the wholesale naturalisation of foreign terms advocated by du Bellay was reversed by Francois de Malherbe, who sought to restrict and stabilise language in the interests of clear communication.During the Neoclassical period, the accolades go to perspicuity, that is, the quality of …see-through-able-ness‟ in language.Indeed, Neoclassical writers have a general predilection for analogies to sight and light and seeing: sight being the most objectifying sense, where the subject observes at a distance and the object appears as if untouched and unmediated.17. Discuss the scientific attitude and its influence in the Neoclassical theory. P42-45Scientific attitude:the rational attitude is objective and looks out beyond what merely happens to be in the immediate vicinity of the subject.This is also the scientific attitude, in the 17tn century,scientists had had to pull down human pride in a very drastic way,displacing the Earth from the centre of the universe..Ideally,scientific attitude involves a kind of modesty in the face of the world,a willingness to accept self-reducing,self-controlling laws.1)Neoclassical literary theorists embrace this kind of modesty almost for its own sake.Critic must recognise their own limits,but it is not by looking out to the observable factual evidence that Neoclassical critics transcend the subjective point of view.2)As regards the authority of the past,Neoclassical critics believe that the writer can be just as True Nature by imitating the Greek and Roman classics as by imitating actual reality.There is a sense of self-centred pride reduced to a proper humility.3)The authority of the past was also accepted on the subject of genres. Neoclassical theory allowed only a small number of genres,and no mixing between genres.4)This attitude helps to explain the Neoclassical concept of Nature.This is not a Nature of scenes and phenomena uncontaminated by human hand,but a Nature which includes and centres upon human nature.5)Another recurring Neoclassical concept is decorum which means fittingness,Neoclassical critics give the term a bewildering multiplicity of application.18. Discuss John Dryden‟s literary theory in the Neoclassical period. P46-471) In many of Dryden‟s critical statements, Dryden shows himself wholly in agreement with the new trend.But he is also aware of a distinctively English literary tradition,with specific reference points in Shakespeare,Beaumont and Fletcher,Joson and Chaucer.2) He insists that different national audience have their own temperaments and requirement.The Neoclassical assumption of an essential human nature that is constant across cultures and history is here under challenge.3) Dryden‟s most important piece of literary criticism,An Essay of Dramatic Poesy,is in large part a defence of English practice as against French theory,in which,drama is defined as a just and lively imageof human nature.4) Variety is a recurring concept in Dryden‟s criticism.The weighting of character above action had already been advanced by the Italian Aristotelians,but Dryden gives it a distinctively English twist.5) Dryden is more important as a practical than as a theoretical critic.His appreciations and evaluation and contrast ,would loom much larger in a history of practical literary criticism.19. Discuss Samuel Johnson‟s literary theory in the Neoclassical period. P47-481) Samuel‟s criticism is remarkable for judgements and insights into particular authors rather than for any development of a consistent theoretical position.Johnson is essentially Neoclassical in his attitudes,but with certain very significant reservations.2) Johnson values variety:the great source of pleasure is variety.Uniformity must tire at last,though it be uniformity of excellence.3) He also places temphasis on imitating real life,and dismisses abruptly the imitation of past works of literature:No man was ever great by imitation.Nor will he allow an a priori absolute status to Neoclassical rules:there is always an appeal open from criticism to nature.4) He suspects the artificial conventionality of the well-established classical genre of the pastoral.,he also insists the moral role of literature,and requires the writer to select from nature with a moral end in view.5) He believes in starting from actual observation,like the British cist philosophers.Moving away from the apparatus of Neoclassical verisimilitude,he takes a step in the direction of modern notions of realism and the realistic.20. Discuss the concept of the sublime in the Age of Sensibility in Britain. P53-54The term has already appeared in quotes from Joseph and Thomas Warton. The general reverence for everything Classical thinking; for a long time, however, the sublime was restricted to a superficial quality of style. John Dennis regarded passion as the essential feature of poetry, and gave highest praise to religious poetry because of its power to generate sublime feelings of admiration and awe. The most important theorist of the sublime was Edmund Burke. He distinguishes between two quite different forms of aesthetic response: our sense of the beautiful versus our sense of the sublime. Although both are valuable in their own ways, it is clear that a higher level of value is associated with the greaterintensity of the sublime. Our sense of the sublime is inspired by ruggedness, irregularity, vastness, power and obscurity. Terror and fear are mind-numbing, reason-numbing emotions.21. Discuss Giambattista Vico‟s literary theory. P57Vico founded the scientific study of culture.He thought that mythological thinking was determined by the early state of human language which lacked abstract terms.The early state of language is metaphorical ,and myth is a metaphorical way of thinking.He evidently entail a complete rejection of the Neoclassical perspective.Viewed in relation to myth,poetry is n longer something merely added on top of ordinary rational thinking.He argues that metaphor is thinking.(56页第三行，第十一行，第十九行，倒数第二段第三行和第十一行）22. Discuss Denis Diderot‟s literary theory. P57-58Denis Diderot's paradox-loving manner foreshadows Postmodernism.He was a proponent of sensibility and the virtues of natural emotion.He thought that language already operates at a very great distance from the natural.加上57页十六行到十九行的involved.57第二段倒数第九行到faked.57页第二段最后三句话。
2017年10月外国文学史真题及答案解析
2017 年 10 月外国文学史真题及答案解析1、被誉为古希腊“喜剧之父”的诗人是A、埃斯库罗斯B、索福克勒斯C、欧里庇得斯D、阿里斯托芬试题答案：[['D']]试题解析：古希腊“喜剧之父”的诗人是阿里斯托芬，埃斯库罗斯、索福克勒斯、欧里庇得斯被称为“三大悲剧家”。
2、古罗马史诗《埃涅阿斯纪》的作者是A、贺拉斯B、维吉尔C、泰伦斯D、西塞罗试题答案：[['B']]试题解析：维吉尔用十年创作他的史诗《埃涅阿斯纪》。
3、《神曲》的作者但丁是A、法国人B、德国人C、英国人D、意大利人试题答案：[['D']]试题解析：但丁是意大利人，现代意大利语的奠基者。
4、塞万提斯笔下患“游侠狂想症”的人文主义者形象是A、堂吉诃德B、桑丘·潘沙C、卡冈都亚D、庞大固埃试题答案：[['A']]试题解析：《堂吉诃德》作品的主人公是一个患有“游侠狂想症”的人文主义者形象，这就使这个形象具有了喜剧和悲剧的双重因素。
5、“人文主义之父”彼特拉克的抒情诗集是A、《歌集》B、《草叶集》C、《新生》D、《抒情歌谣集》试题答案：[['A']]试题解析：“人文主义之父”彼特拉克的抒情诗集是《歌集》，《草叶集》的作者是沃尔特·惠特曼，《新生》是但丁的代表作，《抒情歌谣集》是华兹华斯与柯勒律治将各自的诗歌合为一册。
6、17 世纪英国资产阶级革命文学最杰出的作家是A、高乃依B、莫里衷C、弥尔顿D、约翰·班扬试题答案：[['C']]试题解析：约翰·弥尔顿是 17 世纪英国资产阶级革命文学最杰出的作家。
7、《伪君子》中塑造的宗教骗子形象是A、答丢夫B、阿巴贡C、奥尔贡D、史嘉本试题答案：[['A']]试题解析：阿巴贡是《吝啬鬼》中的主人公，奥尔贡是《伪君子》被骗的人，答丢夫是《伪君子》伪装圣洁的教会骗子形象，史嘉本是《史嘉本的诡计》中的人物。
2017年10月全国自考外国文学史00540真题试卷及答案
2017年10月高等教育自学考试全国统一命题考试外国文学史试卷(课程代码00540)本试卷共4页，满分100分，考试时间150分钟。
考生答题注意事项：1．本卷所有试题必须在答题卡上作答。
答在试卷上无效，试卷空白处和背面均可作草稿纸。
2．第一部分为选择题。
必须对应试卷上的题号使用2B铅笔将“答题卡”的相应代码涂黑。
3．第二部分为非选择题。
必须注明大、小题号，使用0.5毫米黑色字迹签字笔作答。
4．合理安排答题空间，超出答题区域无效。
第一部分选择题一、单项选择题：本大题共26小题，每小题1分，共26分。
在每小题列出的备选项中只有一项是最符合题目要求的，请将其选出。
1．被誉为古希腊“喜剧之父”的诗人是A．埃斯库罗斯B．索福克勒斯B．欧里庇得斯D．阿里斯托芬2．古罗马史诗《埃涅阿斯纪》的作者是A．贺拉斯B．维吉尔C．泰伦斯D．西塞罗3．《神曲》的作者但丁是A．法国人B．德国人B．C．英国人D．意大利人4．塞万提斯笔下患“游侠狂想症”的人文主义者形象是A．堂吉诃德B．桑丘·潘沙C．卡冈都亚D．庞大固埃5．“人文主义之父”彼特拉克的抒情诗集是A．《歌集》B．《草叶集》C．《新生》D．《抒情歌谣集》6．17世纪英国资产阶级革命文学最杰出的作家是A．高乃依B．莫里衷C．弥尔顿D．约翰·班扬7．《伪君子》中塑造的宗教骗子形象是A．答丢夫 B.阿巴贡C．奥尔贡D．史嘉本8．18世纪爆发“狂飙突进”运动的国家是A．英国B．法国，B．德国D．美国9．18世纪欧洲成就最大的现实主义小说家是A．菲尔丁B．笛福C．斯特恩D．斯威夫特10．被称为“美国文学之父”的作家是A．欧文B．库柏B．霍桑D．爱伦·坡11．塑造俄国文学史上第一个“小人物”形象的作品是A．《茨冈》B．《外套》C．《穷人》D．《驿站长》12．斯丹达尔的《拉辛与莎士比亚》被称作A．古典主义宣言书B．浪漫主义宣言书C．现实主义宣言书D．唯美主义宣言书13．狄更斯带有一定自传性质的长篇小说是A．《马丁·瞿述伟》B．《董贝父子》C．《大卫·科波菲尔》D．《奥立佛·退斯特》14．俄国“自然派”文学的奠基人是A．莱蒙托夫B．果戈理C．涅克拉索夫D．普希金15．法国象征主义诗人魏尔伦最成熟的作品是A．《无言罗曼斯》B．《元音》C．《牧神的午后》D．《莫班小姐》16.美国l9世纪中后期成就卓著的现实主义作家是A．马克·吐温B．欧·亨利C．杰克·伦敦D．梅尔维尔17．高尔基长篇小说《母亲》的女主人公是A．阿克西妮亚B．杜丽C．尼洛夫娜D．索菲娅18．《约翰·克里斯朵夫》的同名主人公是A．法国音乐家B．德国音乐家C．俄国音乐家D．奥地利音乐家19．直接脱胎于达达主义的文学流派是A．表现主义B．超现实主义C.未来主义D．魔幻现实主义20．英国作家沃尔夫的意识流小说代表作是A．《海浪》B．《追忆逝水年华》C．《尤利西斯》D．《喧哗与骚动》21．被称为印度“最初的诗”的史诗是A．《吠陀》B．《罗摩衍那》C．《摩诃婆罗多》D．《罗怙世系》22．《旧约》中《以斯帖记》的主题是A．爱祖国爱人民B．歌颂纯洁爱情C．探讨人生哲理D．赞美大自然23．波斯英雄史诗《列王纪》的作者是A．海亚姆B．萨迪C．鲁达基D．菲尔多西24．泰戈尔获诺贝尔文学奖的作品是A．《戈拉》B．《吉檀迦利》C．《沉船》D．《飞鸟集》25．《我是猫》的作者是A．岛崎藤村B．田山花袋C．夏目漱石D．芥川龙之介26．纪伯伦的代表作是A．《先驱者》B．《疯人》C．《先知园》D．《先知》二、多项选择题：本大题共6小题，每小题2分，共12分。
全国2017年4月自考外国文学史00540试卷及答案解释完整版
2017年4月高等教育自学考试全国统一命题考试外国文学史试卷(课程代码00540)本试卷共5页，满分l00分，考试时间l50分钟。
考生答题注意事项：1．本卷所有试题必须在答题卡上作答。
答在试卷上无效，试卷空白处和背面均可作草稿纸。
2．第一部分为选择题。
必须对应试卷上的题号使用2B铅笔将“答题卡”的相应代码涂黑。
3．第二部分为非选择题。
必须注明大、小题号。
使用0．5毫米黑色字迹签字笔作答。
4．合理安排答题空间，超出答题区域无效。
第一部分选择题(共38分)一、单项选择题(本大题共26小题，每小题l分，共26分)在每小题列出的四个备选项中只有一个是符合题目要求的，请将其选出并将“答题卡”的相应代码涂黑。
错涂、多涂或未涂均无分。
1．古罗马诗人奥维德的神话诗是A．《金驴记》 B．《爱经》 C．《变形记》 D．《诗艺》2．被称为“舞台上的哲学家”的古希腊悲剧作家是A．阿里斯托芬 B．索福克勒斯C．欧里庇得斯 D．埃斯库罗斯3．代表早期基督教文学最高成就的是A．《新约》 B．《歌集》 C．《旧约》 D．《神谱》4．欧洲中世纪骑士抒情诗的中心是A．佛罗伦萨 B．米兰 C．普罗旺斯 D．巴黎5．莎士比亚历史剧的代表作是A．《奥赛罗》 B．《亨利四世》C．《暴风雨》 D．《理查三世》6．17世纪法国文学的主流是A．古典主义文学 B．浪漫主义文学C．启蒙主义文学 D．人文主义文学7．莫里哀的代表作是A．《伪君子》 B．《恨世者》C．《吝啬鬼》 D．《无病呻吟》8．著名的革命民主主义诗人裴多菲是A．西班牙人 B．罗马尼亚人C．匈牙利人 D．保加利亚人9．浪漫主义文学思潮的理论策源地是A．法国 B．英国C．德国 D．俄国10．法国浪漫主义战胜古典主义的标志性事件是A．《太太学堂》上演 B．《欧那尼》上演C．《克伦威尔》上演 D．《茶花女》上演11．19世纪法国现实主义文学的奠基作是A．《红与黑》 B．《包法利夫人》C．《高老头》 D．《卢贡一马卡尔家族》12．代表19世纪英国文学最高成就的作家是A．哈代 B．萨克雷C．盖斯觊尔夫人 D．狄更斯13．屠格涅夫塑造“多余人”形象的作品是A．《彼得堡故事》 B．《罗亭》C．《平凡的故事》 D．《父与子》14．巴赫金认为创造了“复调小说”的作家是A．拉伯雷 B．托尔斯泰C．福楼拜 D．陀思妥耶夫斯基15．美国废奴文学的代表作是A．《白鲸》 B．《汤姆-索亚历险记》C．《汤姆叔叔的小屋》 D．《哈克贝利．费恩历险记》16．长篇小说《母亲》的作者是A．高尔基 B．蒲宁C．勃洛克 D．阿赫玛托娃17．萨特“境遇剧”的代表作是A．《禁闭》 B．《苍蝇》C．《脏手》 D．《恶心》18．《一个陌生女人的来信》的作者茨威格是A．德国人 B．奥地利人C．法国人 D．澳大利亚人19．短篇小说《麦琪的礼物》的作者是A．马克·吐温 B．德莱塞C．杰克·伦敦 D．欧·亨利20．美国诗人庞德是A．意象派诗人 B．湖畔派诗人C．未来派诗人 D．隐逸派诗人21．古代印度最早的戏剧理论著作是A．《诗镜》 B．《本生经》C．《舞论》 D．《诗庄严论》22．《旧约·士师记》中最杰出的士师是A．所罗门 B．参孙C.以赛亚 D．大卫23．日本现存最早的汉诗集是A．《古事记》 B．《日本书纪》C．《怀风藻》 D．《万叶集》24．近代印度多语种文学中成就最突出的是A．孟加拉语文学 B．印地语文学C．乌尔都语文学 D．泰米尔语文学25.普列姆昌德的代表作是A．《服务院》 B．《战场》C．《博爱新村》 D．《戈丹》26．1988年获诺贝尔文学奖的阿拉伯作家是A．马哈福兹 B．谢尔卡维C．伊德里斯 D．塔哈·侯赛因二、多项选择题(本大题共6小题，每小题2分，共l2分)在每小题列出的五个备选项中至少有两个是符合题目要求的，请将其选出并将“答题卡”的相应代码涂黑。
尔雅通识2017西方文化名著导读
1【单选题】下列哪位哲学家提出了“轴心文明时期”的概念？（）∙A、康德∙B、柏拉图∙C、黑格尔∙D、雅斯贝尔斯我的答案：D得分：25.0分2【单选题】古埃及文明是依托哪条河流而发展起来的？（）∙A、恒河∙B、幼发拉底河∙C、底格里斯河∙D、尼罗河我的答案：D得分：25.0分3【判断题】世界历史上最早的民主制度是雅典民主制度。
（）我的答案：√得分：25.0分4【判断题】亚里士多德不是柏拉图的老师。
（）我的答案：√【单选题】（）提出了“白马非马”的命题。
∙A、韩非子∙B、荀子∙C、公孙龙∙D、叶公我的答案：C得分：25.0分2【单选题】（）是名画《雅典学院》的作者。
∙A、米开朗琪罗∙B、达芬奇∙C、毕加索∙D、拉斐尔我的答案：D得分：25.0分3【判断题】柏拉图是苏格拉底的学生。
（）我的答案：√得分：25.0分4【判断题】孔子是《论语》的作者。
（）我的答案：×1【单选题】在西方，勾股定理也被称作（）。
∙A、费马大定理∙B、毕达哥拉斯定理∙C、芝诺悖论∙D、阿基米德定理我的答案：B得分：25.0分2【单选题】（）是《正义论》的作者。
∙A、罗尔斯∙B、桑德尔∙C、罗素∙D、柏拉图我的答案：A得分：25.0分3【单选题】“人不可两次踏进同一条河流”，这句话是谁说的？（）∙A、德谟克利特∙B、巴门尼德∙C、伊壁鸠鲁∙D、赫拉克利特我的答案：D得分：25.0分4【判断题】《理想国》是以建立一个理想的政治共同体为目的。
（）我的答案：√1【单选题】“美德即知识”，这句话是谁说的？（）∙A、伊壁鸠鲁∙B、巴门尼德∙C、康德∙D、苏格拉底我的答案：D得分：33.3分2【单选题】“未经审查的人生是不值得过的”，这句话出自（）。
∙A、《正义论》∙B、《理想国》∙C、《苏格拉底的申辩》∙D、《会饮篇》我的答案：C得分：33.3分3【判断题】不同的民族存在不同的道德是完全有可能的。
（）我的答案：√1【单选题】（）是《理想国》所要探讨的最根本的问题。
欧美文学名篇选读参考答案
作者作品搭配Geoffrey Chaucer 杰佛里.乔叟1.The Canterbury Tales <坎特伯雷故事集>2.The Book of the Duchess<公爵夫人之书>3.Troilus and Criseyde <特洛伊罗斯与克瑞西达>4.The Legend of Good Women <贞洁妇女的传说>5.The House of Fame <名誉之屋>6.The Parliament of Fowls 《百鸟议会》7.Romance of the Rose 《玫瑰传奇》William Shakespeare 威廉.莎士比亚1. A Mid-Summer Night’s Dream 仲夏夜之梦2.The Merchant of Venice 威尼斯商人3.As You Like It 皆大欢喜4.Twelfth Night 第十二夜5.Hamlet 哈姆雷特6.Othello 奥赛罗7.King Lear 尔王8.Macbeth 麦克白9.Venus and Adonis 维纳斯和阿多尼斯10.The Rape of Lucrece 鲁克丽丝受辱记Francis Bacon 弗兰西斯.培根1.Advancement of Learning 学术的进展2.Novum Organum 新工具3.The New Atlantic 新大西洋岛4.Essays 随笔Daniel Defoe 丹尼尔.笛福1.Robinson Crusoe 鲁宾逊漂流记2.Caption Singleton 辛格顿船长3.Moll Flanders 莫尔.佛兰德斯4. A Journal of the Plague Year 大疫年日记William Blake 威廉.布莱克1.The Chimney Sweeper 扫烟囱的孩子2.Song of Innocence 天真之歌3.Song of Experience 经验之歌4.Poetical Sketches 素描诗集5.The French Revolution 法国革命6.The Marriage of Heaven Hell 天堂与地狱的婚姻7.America:A Prophecy 美国ton 弥尔顿Robert Burns 罗伯特.斯1. A Red, Red Rose 一朵红红的玫瑰2.Poems, Chiefly in the Scottish Dialect格兰方言诗集3.The Tree of Liberty 自由树4.Scots Wha Hae 格兰人5.The Two Dogs 两只狗6.Holy Willie’s Prayer 威利长老的祈祷7.My Heart’s in the highlands 我的心呀在高原8.John Anderson, My Jo 约翰.安徒生9. A Man’s a Man for All That 不管那些William Wordsworth 威廉.华兹华斯1.She Dwelt Among the UntroddrnWays 《Lucy Poems》露茜组诗2.The Solitary Reaper 刈麦女3.I Wandered Lonely as a Cloud 我好似一朵流云独自漫游4.Lyrical Ballads 抒情歌谣集5.An Evening Walk 黄昏漫步6.The Excurison 远足7.The Prelude 序曲George Gordon Byron 乔治.戈登.拜伦1.She Walks in Beauty2.Oriental Tales 叙事诗3.Don Juan 唐璜4.Childe Harold’s Pilgrimage 恰尔德.哈罗德游记5.The Prisoner of Chillon 锡雍的囚徒6.Manfred 曼弗雷德7.Cain 该隐8.The Vision of Judgment 审判的幻境9.The Age of Bronze 青铜世纪Edgar Allan Poe 埃德加.爱伦.坡1.To Helen 致海伦2.The Raven 乌鸦3.Annabel Lee 安娜贝尔.4.The Bells 钟声5.The Fall of the House of Usher 厄舍古宅的倒塌Walt Whitman 瓦尔特.惠特曼1.O Caption！My Caption！A，船长！我的船长！Emily Dickinson 埃米莉.狄更生1.I Died for Beauty 为美而死2.Success 成功3.I’m Nobody 我是小人物Jane Austen 简.奥斯丁1.Pride and Prejudice 傲慢与偏见2.Sense and Sensibility 理智与情感3.Mansfield Park 曼斯菲尔德公园4.Emma 爱玛5.Northanger Abbey 诺森觉寺6.Persuasion 劝导Charlotte Bronte 夏洛蒂.勃朗特1.Jane Eyre 简.爱2.Shirley 雪莉3.The Professor 教授4.Villette 维莱特Washington Irving 华盛顿.欧文1.Rip Van Winkle 瑞普.凡.温克尔2.The Legend of Sleepy Hollow 睡谷传奇3. A History of New YorkNathaniel Hawthorne 纳撒尼尔.霍桑1.The Scarlet Letter 红字2.Mosses from an Old Manse 古宅青苔3.The House of the Seven Gables 七个尖角阁的房子4.The Marble Faun 石雕像5.The Blithedale Romance 福谷传奇William Butler Yeats 威廉.巴特勒.叶芝1.The Second Coming 第二次圣临2.The Lake Isle of Innisfree 茵尼斯弗利岛3.When You Are Old 当你老了4.Sailing to Byzantium 驶向拜占庭5.The Winding Stair 盘旋的楼梯William Faulkner 威廉.福克纳1. A Rose For Emily 献给埃米莉的玫瑰2.The Sound and the Fury 喧嚣与骚动3.As I Lay Dying 在我弥留之际4.Light in August 八月之光5.Absalom，Absalom！押沙龙,押沙龙诗歌翻译和赏析Sonnet 18 William Shakespeare 威廉.莎士比亚Shall I compare thee to a summer's day?Thou art more lovely and more temperate.Rough winds do shake the darling buds of May,And summer's lease hath all too short a date.Sometime too hot the eye of heaven shines,And often is his gold complexion dimmed;And every fair from fair sometime declines,By chance or nature's changing course untrimmed;But thy eternal summer shall not fade,Nor lose possession of that fair thou ow'st;Nor shall Death brag thou wander'st in his shade,When in eternal lines to time thou grow'st.So long as men can breathe, or eyes can see,So long lives this, and this gives life to thee.译文我怎么能够将你比作夏天?你比夏天更美丽温婉。
2017年10月自考《外国文学史》00540真题及答案
D
2、古罗马史诗《埃涅阿斯纪》的作者是（
）
A.贺拉斯
B.维吉尔
C.泰伦斯
D.西塞罗
正确答案：
B
A
3、《神曲》的作者但丁是（
）
A.法国人
B.德国人
C.英国人
D.意大利人
正确答案：
D
4、塞万提斯笔下患“游侠狂想症”的人文主义者形象是（
）
A.堂吉诃德
B.桑丘·潘沙
C.卡冈都亚
D.庞大固埃
正确答案：
A
5、“人文主义之父”彼特拉克的抒情诗集是（
）
A.英国
B.法国
C.德国
D.纪欧洲成就最大的现实主义小说家是（
）
A.菲尔丁
B.笛福
C.斯特恩
D.斯威夫特
正确答案：
A
10、被称为“美国文学之父”的作家是（
）
A.欧文
B.库柏
C.霍桑
D.爱伦·坡
正确答案：
A
11、塑造俄国文学史上第一个“小人物”形象的作品是（
）
A.《茨冈》
B.《外套》
C.《穷人》
D.《驿站长》
正确答案：
D
12、斯丹达尔的《拉辛与莎士比亚》被称作（
）
A.古典主义宣言书
B.浪漫主义宣言书
C.现实主义宣言书
D.唯美主义宣言书
正确答案：
C
13、狄更斯带有一定自传性质的长篇小说是（
）
A.《马丁·瞿述伟》
B.《董贝父子》
C.《大卫·科波菲尔》
D.《奥立佛·退斯特》
B．欧·亨利
C．杰克·伦敦
D．梅尔维尔
正确答案：
A
17、高尔基长篇小说《母亲》的女主人公是（
2017年4月全国自考《英美文学选读》真题及详解
2017年4月全国自考《英美文学选读》真题(总分100, 考试时间90分钟)一、单项选择题1. The Renaissance marks a transition from the______to the modern world.A medievalB romanticC Anglo-SaxonD Victorian答案:A解析：文艺复兴是标志着中世纪的结束和现代社会的开始的一个过渡时期。
一般来说，文艺复兴时期指的是从14世纪到17世纪中叶的这一时期。
2. Which of the following plays is NOT among William Shakespeare' s four great tragedies?A Hamlet.B Twelfth Night.C Othello.D King Lear.答案:B解析：威廉-莎士比亚是英国伟大的戏剧大师、诗人，欧洲文艺复兴时期的文学巨匠。
他的四大悲剧是《哈姆雷特》《奥赛罗》《李尔王》和《麦克白》。
3. After the restoration of______, Milton was imprisoned for a short time and then retired to private life.A Charles IB Charles IIC James ID James II答案:B解析：1660年，查理二世复辟，弥尔顿被捕入狱，不久又被释放。
从此他专心写诗，为实现伟大的文学抱负而艰苦努力，他写出了他的三部伟大诗作《失乐园》《复乐园》和《力士参孙》。
4. It was not until the reign of______that the Renaissance really began to show its effect in England.A Henry VIIB Henry VIIIC Charles ID Charles II答案:B解析：文艺复兴浪潮波及英国的速度缓慢，直到亨利八世统治期间，文艺复兴的春风才吹入英国。
欧美文学试题答案
模拟试题答案库欧美文学部分第一章古代文学一、单项选择题1、A2、D3、A4、A5、C6、C7、A8、D9、A 、10、D 11、D 12、D13、C 14、C 15、B二、多项选择题1、AC2、ACE3、BCD4、ADE5、ACE6、BCE三、名词解释1、荷马时代荷马史诗广泛地反映出希腊社会从原始公社制向奴隶制过渡时期的经济、政治、军事等方面的情况以及当时希腊人民的生活和斗争，对我们具有重要的认识意义。
所以，人们便把这一时期称为希腊历史上的“荷马时代”。
2、荷马式比喻荷马史诗运用了大量的比喻，在描述人物和事件时，大约二百多次使用了从日常生活和自然现象中选取来的比喻，被称为“荷马式比喻”。
这种比喻既能增强读者的现实感，又能收到形象化的效果，克服了过远的审美距离。
四、简答题：1、古希腊神话的特点。
古希腊神话的特色非常鲜明，神话中的众神同人一样，有爱、有恨，好嫉妒，爱虚荣，有时还来到人间同美貌的男女谈情说爱。
他们同凡人唯一不同的地方，就在于他们长生不死，比人的力量大。
2、荷马史诗的认识价值是很高的，它反映出古希腊“荷马时代”的社会状况。
史诗广泛地反映出希腊社会从原始公社制向奴隶制过渡时期的经济、政治、军事等方面的情况以及当时希腊人民的生活和斗争，对我们具有重要的认识意义。
人们至今还把这一时期称为希腊历史上的“荷马时代”。
史诗为我们提供了研究这一时期社会状况的生动材料。
在经济方面，土地仍属公社所有，但土地私有制已在形成，土地占有已出现不平等。
铁器已经开始使用，许多人已开始事业铁器工具。
社会的组织细胞是父系氏族，由氏族结成胞族、部落以至部落联盟。
在政治生活上，实行原始军事民主制，公社最高权利属于民众大会，讨论和战等重大问题。
手工业开始从农业分离，出现了各种手工业者。
随着生产力的发展，阶级分化日益明显。
3、荷马史诗包括两部史诗《伊利亚特》、《奥德赛》。
《伊利亚特》是一部描写战争的英雄史诗，作者以主人公阿喀琉斯的愤怒作为主题，着重歌颂了氏族领袖的英雄品质，一是杀敌制胜所需的勇敢和机智，二是个人利益服从集体利益。
2017电大外国文学基础考试题及答案
一. 单选题(共20题，共40分）
5
6
8. “玛蒂尔德小姐”是法国著名小说（）中的人物: （2分)
二。
多选题(共10题，共20分）
2。
佛罗伦萨文坛上的“三杰”：（2分）
3
4
5. 莎士比亚喜剧创作的高峰,是以三部“欢快喜剧”为标志的，这三部喜剧是：（2分）
8. 古希腊的戏剧包括：（2分）
三。
判断题(共20题,共40分）
1. 古代希腊罗马是欧洲文化的发源地. (2分)
2
6。
现实主义是19世纪30 年代首先在法国、英国等地出现的文学思潮，以后波及俄国、北欧和美国等地，高尔基称之为“浪
7
8. 美国文坛的“迷惘的一代”作家的代表是海明威，他的描写硬汉性格的作品使欧美文坛耳目一新,代表作为《太阳刚刚
9
12。
马克吐温是英国文学史上第一个用纯粹的美国口语进行写作的作家，开创了一代文风,福克纳称他为“英国文学之父"。
（2。
- 1、下载文档前请自行甄别文档内容的完整性，平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益，请联系客服反馈,我们会尽快为您处理(人工客服工作时间：9:00-18:30)。
1【单选题】(20分)西方文学的范围包括A.日本文学B.埃及文学C.法国文学D.印度文学正确答案是:C查看答案解析2【单选题】(20分)属于西方文学中“希腊传统”的作品不包括A.伊利亚特B.圣经C.奥德赛D.俄狄浦斯王正确答案是:B查看答案解析3【单选题】(20分)文艺复兴时期的西方作家不包括A.莎士比亚B.塞万提斯C.拉伯雷D.歌德正确查看答案解析••本题总得分：20分4【单选题】(20分)19世纪西方现实主义作家不包括A.但丁B.托尔斯泰C.易卜生D.哈代正确答案是:A查看答案解析5【单选题】(20分)自文艺复兴运动至19世纪晚期，西方国家先后经历过的文学思潮有A.人文主义、古典主义、启蒙主义、浪漫主义、现实主义B.人文主义、古典主义、现实主义、浪漫主义、启蒙主义C.人文主义、浪漫主义、古典主义、启蒙主义、现实主义D.人文主义、浪漫主义、现实主义、古典主义、启蒙主义正确答案是:A1【单选题】(20分)荷马史诗《伊利亚特》中所用的饰词“佩琉斯之子”是指谁？A.阿基琉斯B.雅典娜C.阿伽门农D.赫克托尔正确查看答案解析••本题总得分：20分2【单选题】(20分)《伊利亚特》以哪两个人物的矛盾为开端？A.海伦与帕里斯B.阿基琉斯与阿伽门农C.阿基琉斯与赫克托耳D.墨涅劳斯与帕里斯正确查看答案解析••本题总得分：20分3【单选题】(20分)《伊利亚特》塑造了众多的人物形象，其中的一个核心人物是：A.奥德修斯B.阿基琉斯C.海伦D.阿伽门农正确查看答案解析••本题总得分：20分4【单选题】(20分)希腊神话中关于特洛伊战争起源的说法，错误的是A.不和女神厄里斯在阿基琉斯父母的婚宴上扔下一个金苹果，上写“给最美的女神”B.三位出席婚礼的女神天后赫拉、智慧女神雅典娜、爱神阿芙洛狄忒都来争夺这个金苹果C.赫拉、雅典娜与阿芙洛狄忒直接找到特洛伊王子帕里斯，强迫他把金苹果判给自己D.爱神帮助帕里斯拐走了斯巴达王的妻子海伦，这件事成为特洛伊战争的导火索正确查看答案解析••本题总得分：20分5【单选题】(20分)《伊利亚特》中的战争发生在：A.迈锡尼文明时期B.伯罗奔尼撒战争期间C.希波战争期间D.亚历山大大帝东征期间正确1【单选题】(20分)但丁创作《神曲》时的处境与下列哪位诗人相似：A.李白B.荷马C.歌德D.屈原正确查看答案解析••本题总得分：20分2【单选题】(20分)在《神曲》开头拦住但丁去路的是：A.狼、狮、豹B.狼、豺、虎C.狐、虎、熊D.狮、虎、豹正确查看答案解析••本题总得分：20分【单选题】(20分)在地狱第九圈，撒旦的三张嘴中咬着的三个背叛者不包括A.犹大B.尤利西斯C.普鲁托斯D.卡西乌斯正确答案是:B查看答案解析4【单选题】(20分)在1292-1293年之间，但丁把赞美贝雅特丽齐的诗歌用散文串联起来，结集为A.《论俗语》B.《神曲》C.《新生》D.《意大利遗事》正确答案是:C查看答案解析5【单选题】(20分)《神曲·地狱篇》第五歌中，弗兰采斯加说“该隐狱在等候那个残害我们生命的人”，这个人是指A.该隐B.祈安启托C.D.尼禄正确查看答案解析••本题总得分：20分1【单选题】(20分)塞万提斯在《堂吉诃德》中写了乡绅堂吉诃德的冒险游侠经历，共有：A.一次B.两次C.四次D.三次正确查看答案解析••本题总得分：20分2【单选题】(20分)《堂吉诃德》中，关于堂吉诃德大战风车，以下哪种叙述是正确的？A.他把风车当成了巨人B.他把风车打碎了C.桑丘与他一起战风车D.堂吉诃德后悔自己战风车查看答案解析••本题总得分：20分3【单选题】(20分)塞万提斯写作《堂吉诃德》的初衷主要是为了讽刺哪种文学？A.教会文学B.爱情文学C.骑士文学D.市民文学正确查看答案解析••本题总得分：20分4【单选题】(20分)以下哪部作品不属于堂吉诃德的《训诫小说集》？A.《被围困的奴曼西亚》B.《吉普赛姑娘》C.《林孔内特和科尔塔迪略》D.《妒嫉成性的厄斯特列马杜拉人》正确查看答案解析••本题总得分：20分5【单选题】(20分)关于《堂吉诃德》的艺术特色，描述有误的是A.借鉴了骑士小说与流浪汉小说的“线性结构”B.《堂吉诃德》结构十分严谨，没有旁逸斜出C.《堂吉诃德》堪称喜剧艺术的典范D.挥洒自如的对比和夸张艺术正确1【单选题】(20分)哈姆莱特在哪里接受大学教育？A.法国巴黎B.英国伦敦C.德国威登堡D.意大利佛罗伦萨正确查看答案解析••本题总得分：20分2【单选题】(20分)莎士比亚的“四大悲剧”是：A.《哈姆莱特》《罗米欧与朱丽叶》《麦克白》《李尔王》B.《奥赛罗》《哈姆莱特》《李尔王》《麦克白》C.《奥赛罗》《哈姆莱特》《暴风雨》《麦克白》D.《奥赛罗》《哈姆莱特》《罗米欧与朱丽叶》《李尔王》正确查看答案解析••本题总得分：20分3【单选题】(20分).关于《哈姆莱特》的剧情和人物，表述正确的是：A.剧情发生在中世纪的英国B.哈姆莱特受命出使丹麦，在中途遇到海盗，机智逃生C.剧中有名有姓的人物有20人D.哈姆莱特请戏班子演的戏叫《贡扎古之死》正确答案是:D查看答案解析4【单选题】(20分)以下叙述错误的是A.奥菲利娅称赞哈姆莱特有着“朝臣的眼睛、学者的辨舌、军人的利剑”B.雷欧提斯称赞哈姆莱特是“国家所瞩目的一朵娇花，时流的明镜，人伦的雅范，举世瞩目的中心”C.克劳迪斯说他“为糊涂的群众所喜爱”D.福丁布拉斯赞扬哈姆莱特：“要是他能够践登王位，一定会成为一个贤明的君主的。
”正确查看答案解析••本题总得分：20分5【单选题】(20分)弗洛伊德从什么角度来解释哈姆莱特的延宕？A.宗教与复仇的矛盾B.恋母情结C.思想和行动的矛盾D.人文主义的固有缺陷正确1【单选题】(20分)哈姆莱特在哪里接受大学教育？A.法国巴黎B.英国伦敦C.德国威登堡D.意大利佛罗伦萨正确查看答案解析••本题总得分：20分2【单选题】(20分)莎士比亚的“四大悲剧”是：A.《哈姆莱特》《罗米欧与朱丽叶》《麦克白》《李尔王》B.《奥赛罗》《哈姆莱特》《李尔王》《麦克白》C.《奥赛罗》《哈姆莱特》《暴风雨》《麦克白》D.《奥赛罗》《哈姆莱特》《罗米欧与朱丽叶》《李尔王》正确查看答案解析••本题总得分：20分3【单选题】(20分).关于《哈姆莱特》的剧情和人物，表述正确的是：A.剧情发生在中世纪的英国B.哈姆莱特受命出使丹麦，在中途遇到海盗，机智逃生C.剧中有名有姓的人物有20人D.哈姆莱特请戏班子演的戏叫《贡扎古之死》正确答案是:D查看答案解析4【单选题】(20分)以下叙述错误的是A.奥菲利娅称赞哈姆莱特有着“朝臣的眼睛、学者的辨舌、军人的利剑”B.雷欧提斯称赞哈姆莱特是“国家所瞩目的一朵娇花，时流的明镜，人伦的雅范，举世瞩目的中心”C.克劳迪斯说他“为糊涂的群众所喜爱”D.福丁布拉斯赞扬哈姆莱特：“要是他能够践登王位，一定会成为一个贤明的君主的。
”正确查看答案解析••本题总得分：20分5【单选题】(20分)弗洛伊德从什么角度来解释哈姆莱特的延宕？A.宗教与复仇的矛盾B.恋母情结C.思想和行动的矛盾D.人文主义的固有缺陷正确被司汤达称为“继凯撒以后世界上最伟大的人物”的是A.屋大维B.查理曼大帝C.拿破仑D.亚历山大正确答案是:C查看答案解析2【单选题】(20分)以下哪一部作品不是司汤达所写？A.《理查三世》B.《巴马修道院》C.《意大利遗事》D.《红与黑》正确查看答案解析••本题总得分：20分3【单选题】(20分)《红与黑》的故事背景设置在A.法国大革命之前B.波旁王朝复辟期间C.拿破仑战争期间D.法国大革命期间正确答案是:B查看答案解析4【单选题】(20分)“红”与“黑”分别代表着A.军装与教袍B.正义与邪恶C.希望与绝望D.鲜血与死亡正确查看答案解析••本题总得分：20分5【单选题】(20分)关于于连的形象，下列选项有误的是A.于连是一个积极上进的个人奋斗者B.于连始终崇拜拿破仑C.于连最终变成了不择手段的野心家D.于连有过人的勇气和才智正确1【单选题】(20分)关于勃朗特姐妹，以下说法不正确的是A.三姐妹中文学成就最低的是安妮·勃朗特B.勃朗特姐妹包括夏洛蒂·勃朗特、艾米丽·勃朗特和安妮·勃朗特C.艾米丽·勃朗特创作了《呼啸山庄》D.勃朗特姐妹的代表作有《简·爱》、《雪莉》和《傲慢与偏见》正确查看答案解析••本题总得分：20分2【单选题】(20分)下面哪部作品不是勃朗特三姐妹所作？A.《简·爱》B.《呼啸山庄》C.《艾格妮丝·格雷》D.《无名的裘德》正确查看答案解析••本题总得分：20分3【单选题】(20分)以下作品中，叙述的人称方式与《简·爱》相同的是A.《德伯家的苔丝》B.《安娜·卡列尼娜》C.《神曲》D.《红与黑》正确查看答案解析••本题总得分：20分4【单选题】(20分)关于罗彻斯特的婚姻，描述有误的是A.罗切斯特当年在西印度群岛经商时，父兄出于财产考虑，骗他娶了伯莎·梅森B.婚后罗彻斯特发现梅森有精神病，将她囚禁在阁楼上C.罗彻斯特与梅森育有一女，名叫阿黛尔D.梅森的家人与罗彻斯特一直保持着联系正确查看答案解析••本题总得分：20分5【单选题】(20分)简·爱的成长经历很明显分为四个阶段，按其所在环境依次是A.里德太太家—圣约翰家—洛伍德学校—桑菲尔德庄园B.里德太太家—洛伍德学校—圣约翰家—桑菲尔德庄园C.洛伍德学校—里德太太家—桑菲尔德庄园—圣约翰家D.里德太太家—洛伍德学校—桑菲尔德庄园—圣约翰家正确1【单选题】(20分)被列宁称做“俄国革命的一面镜子”的是哪位作家？A.列夫·托尔斯泰B.果戈里C.陀思妥耶夫斯基D.高尔基正确查看答案解析••本题总得分：20分2【单选题】(20分)关于托尔斯泰，下列哪一个说法是错误的？A.托尔斯泰是19世纪俄国文学最杰出的代表B.托尔斯泰在1899年病逝C.托尔斯泰出生在俄国一个贵族家庭D..心灵辩证法是托尔斯泰心理描写的最大特点正确查看答案解析••本题总得分：20分3【单选题】(20分)托尔斯泰的“自传体三部曲”小说不包括A.《童年》B.《在人间》C.《少年》D.《青年》正确查看答案解析••本题总得分：20分4【单选题】(20分)被认为是托尔斯泰晚年思想体现的人物是：A.聂赫留朵夫B.列文C.安德烈夫D.安娜·卡列尼娜正确查看答案解析••本题总得分：20分5【单选题】(20分)托尔斯泰《战争与和平》中的“战争”指：A.日俄战争B.第一次世界大战C.抵抗拿破仑入侵俄国的战争D.俄土战争正确1【单选题】(20分)以下作家没有受过易卜生影响的是：A.乔伊斯B.萧伯纳C.奥威尔D.福楼拜正确查看答案解析••本题总得分：20分2【单选题】(20分)《社会支柱》、《玩偶之家》、《群鬼》、《人民公敌》属于哪一类戏剧？A.历史剧B.思想剧C.社会问题剧D.心理剧正确查看答案解析••本题总得分：20分3【单选题】(20分)以下哪个人物没有出现在易卜生的《玩偶之家》中？A.柯洛克斯泰B.艾梨达C.海尔茂D.阮克正确查看答案解析••本题总得分：20分4【单选题】(20分)《玩偶之家》对后世哪种思潮影响最大？A.种族平等思潮B.自然主义思潮C.女权主义思潮D.社会主义思潮正确查看答案解析••本题总得分：20分5【单选题】(20分)在中国，第一个对娜拉出走问题提出系统看法的是：A.胡适《易卜生主义》B.鲁迅《娜拉走后怎样》C.茅盾《〈娜拉〉的纠纷》D.郭沫若《娜拉的答案》【单选题】(20分)哈代创作的各类小说中，成就最高的是A.罗曼史与幻想小说B.性格与环境小说C.爱情与阴谋小说D.心理与写实小说正确查看答案解析••本题总得分：20分2【单选题】(20分)哈代第一部得到好评的长篇小说是A.《德伯家的苔丝》B.《绿荫下》C.《远离尘嚣》D.《还乡》正确查看答案解析••本题总得分：20分3【单选题】(20分)《德伯家的苔丝》在哈代的各种作品中属于A.罗曼史与幻想小说B.性格与环境小说C.爱情与阴谋小说D.戏剧正确查看答案解析••本题总得分：20分4【单选题】(20分)关于哈代的威塞克斯系列小说，选项有误的是？A.“威塞克斯”并不完全出于虚构，它还是一个古地名B.威塞克斯小说由优雅的田园牧歌风开场，以暗淡绝望的悲剧结束C.《无名的裘德》暗示了威塞克斯宗法制农村和田园生活神话的解体D.《列王》属于威塞克斯小说系列正确查看答案解析••本题总得分：20分5【单选题】(20分)与哈代的《列王》属于同一种体裁的作品有A.荷马的《伊利亚特》B.歌德《浮士德》C.莎士比亚的《哈姆莱特》D.但丁的《神曲》正确。