木吉他综合效果器ZOOM A3 Pre-AMP for AC guitar完全中文版说明书
吉他综合效果器使用常识——GT-8初学者调整设置
吉他综合效果器使用常识——GT-8初学者调整设置2006-01-10 tedboy（转）吉他中国论坛点击: 22253吉他综合效果器使用常识——GT-8初学者调整设置GT-8初学者调整设置GT-8终于到手了，怎样才能得到好的音色呢？你可能会花上一两个小时玩遍所有预制音色，却很难找到几个还算满意的，绝大多数音色要么不喜欢，要么根本用不着。
你会觉得困惑，听上去不值得你花的银子，只有那么一点让你满意的，亏大了！因此，你开始自己动手调整音色，可是更糟糕了，简直不忍耳睹，或者只好了那么一点点。
于是你再次开始怀疑银子白花了。
希望这篇文章可以帮你打消疑虑，并且用一种快乐的、内行的方式进行调节，得到你需要的音色。
第一步，基础调节设定电平。
这是最重要的一步。
耐心点，花点时间以免返工。
无须多言，有几点必须牢记。
输入电平的调整。
关掉所有效果，打开电平表 [SYSTEM] [PARAMETER]—METER：INPUT，调整PATCH LEVEL在100（我的建议），然后用力弹琴在METER上得到峰值LEVEL。
接下来，[SYSTEM] [PARAMETER]—METER：OUTPUT，确定二者匹配。
我的值是-3。
这样说可能会有点误导，实际上INPUT LEVEL的调整不会影响INPUT METER。
INPUT METER得到的是吉他的直接输入信号（未经过任何处理），但是可以注意到OUTPUT METER是随着INPUT METER的调整而变化的。
INPUT LEVEL的调整是在效果之前吉他输入之后，而我们的目的是保证INPUT LEVEL和OUTPUT LEVEL之间不产生衰减（保持相同的LEVEL）。
如果你的吉他输入信号的确很弱的话，你可能希望通过提升INPUT LEVEL的电平调整来得到好的、强的信号，这是最重要的设置步骤。
预制INPUT LEVEL设定值为0db。
另外，必须注意的是INPUT LEVEL的调整会影响整体的电平，所以如果你调整了INPUT LEVEL的话，随时应该检查OUTPUT LEVEL，以确保没有衰减信号。
ZOOM电吉他效果器中文说明书.
1、打开电源和使用在装好电池和使用交流电的时候打开开关！（位于电源接口旁边）主屏幕当前显示当前所用的效果，包括效果图像和虚拟旋钮，可以通过每一块显示屏下面对应的旋钮来控制。
编辑效果参数，屏幕显示参数名称，页选项卡，参数值，如果有可调节的参数多于3个将会有多个选项卡！可以通过对应的旋钮来更改参数！2、调整效果确认主屏幕所显示效果，使用踩钉可以打开或关闭效果，当打开效果时踩钉旁边的红灯会亮，否则会灭。
选择效果类型按上下选择键可以更换所选的效果，调整会自动保存，效果列表请参阅33页！若要调整参数，转动对应旋钮改变页面，按PAGE 键，下一个页面会打开！3、选择补丁（patch ）在这里补丁就是预设出厂音色确认首页显示内容要激活补丁选择，按下左起第一个踩钉一秒钟以激活补丁，屏幕将显示补丁库的编号和名称；若要更改补丁按左起第二个踩钉选择前一个补丁，按第三个踩钉选择下一个补丁，旋转中间效果的对应旋钮就能改变补丁编号和名称；如果要更改库同时按下一号踩钉和二号踩钉选择前一个库，同时按下三号四号踩钉选择下一个库，旋转中间效果的对应旋钮可以改变库的编号和名称。
同时按下两个踩钉时可能会感应较早按下的踩钉，要注意避免这种情况。
返回主页按下一号踩钉一秒！4、存储补丁G3自动保存设置时调整的参数要存储或换用不同的补丁，按STORE ／SWAP 键，屏幕显示如下，图见说明书P12第一个图。
通过转动左边效果的最左边旋钮来选择是否存储或交换补丁。
要设置存储或交换新的补丁的位置转动右边效果的二号旋钮给更改的补丁或存储的更换编号。
转动左边效果最左边旋钮更改该库的存储或更换（当前使用的补丁不能作为选择目标）要存储／换用完整补丁按STORE ／SWAP 键，屏幕显示”COMPLETE”后，打开STORE ／SWAP 交换补丁（如果要退出，按除了STORE ／SWAP 以外的任意键。
5、设置特定的补丁参数按TOTAL 键激活总菜单，转动左边效果的第一个旋钮来调整补丁级别，范围0~120。
电吉他效果器篇
Guitar rig5中文版教程-教你使用和调出漂亮的音色1 介绍这本手册会对Guitar Rig 5中的每个效果模块进行更加深入地介绍，会帮助您更好地对声音进行塑形，以及当作是对每个模块每个旋钮参数的工具手册，在以下章节中，将对Guitar Rig 5中的所有放大器、效果器、以及工具模块进行介绍，顺序与在Guitar Rig 5的模块浏览器中的顺序是相同的。
要学习Guitar Rig 5的基础操作，我们推荐您先从Getting Started（快速开始）手册开始，然后可以阅读Application Reference（软件使用手册）来对Guitar Rig 本身的操作功能有更深入地了解。
您可以通过Guitar Rig软件界面的Help（帮助）> Open Manual（打开手册）命令来打开各个英文使用手册。
2 Amplifiers（放大器）除了乐器本身以外，对吉他和贝斯的音色调节通常都是从放大器开始（俗称箱头）。
Guitar Rig 5精挑细选了一些1950年到现在的经典放大器模块。
就像真实的放大器一样，不同的放大器和参数设置会直接影响到其他模块处理后的声音，所以使用放大器来作为探索声音效果的最开始是非常必要的，另外，在每个放大器模块中都有一部分额外的扩展参数，这些参数可以模拟真实世界的各种因素对音色的影响，这些额外的参数在几乎所有的放大器上都是相同的，下一章节会先对这些额外的控制功能进行介绍。
2.1 额外控制功能点击模块界面右上角的三角标志按钮可以展开额外控制面板，这里提供了绝大多数放大器都具有的相同控制功能：·POWER SUPPLY（电源设置）可以将放大器的电源在50Hz和60Hz之间进行切换，用于对放大器电源内部的DC电压进行校正，不正确的电压可以对声音产生一点微妙的调制效果。
·VARIAC（变压器）会尽力模拟一种AC电源中的可调变压器效果，从而实现可变电压的特点（著名的‘brown sound’效果），或者是超过正常电压值（可以让声音显得更加‘凶猛’）。
BOSS ME-33 吉他多效器说明书
ME-33Killer BOSS Effects and COSM Amp Models Made Easy!32q Floor-based guitar multi-effects processor with24-bit sound quality and built-in assignableexpression pedalq Onboard COSM Amp Modeling with 6 distinctguitar amp models plus simultaneous overdriveand distortion effectsq6 Quick Edit knobs for instant, familiar effectstweakingq24 distinct guitar effects (9 simultaneous) includingnew Feedback Modeling, Auto Wah, Humanizer,Harmonist, Auto Riff and Phrase Trainerq EZ Tone settings provide fast access to tones froma variety of musical stylesq Acoustic Guitar Simulator and Pickup Simulatorfor instant acoustic soundsq Large backlit LCD with helpful operationgraphics and iconsq Built-in auto tuner and patches optimized for usewith 7-string guitarsLeave it to the guitar-heads at BOSS to unleash what’s sure to be the most devastating, best-sounding and easy-to-use guitar multi-effects processor on the block. As the successor to the popular ME-30, the new ME-33 Guitar Multiple Effects arrives with an incredible range of killer 24-bit BOSS effects, onboard COSM Amp Modeling, and Quick Edit knobs for fast tweaking. Throw in an onboard expression pedal and new EZTone feature and you’ve got the easiest way to tap into a tonal powerhouse.GuitarMultiple Effects*Product pictured is a prototype model.Actual product appearance may be subject to change.33q AD Conversion AF Method * q DA Conversion ∆∑Method 24-bit DAC q Sampling Frequency 44.1 kHz qPatches 60 (User) + 30 (Preset) q Effects Guitar Simulator, Compressor, Overdrive/Distortion, Auto Wah, T-WahPhaser, Equalizer, Humanizer, Guitar Amp Simulator, Chorus, Flanger, Tremolo/Pan, Pitch Shifter, Harmonist, Auto Riff, Delay, Reverb, Noise Suppressor < Effects for Expression Pedal > Volume Pedal, Pedal Wah, Pitch Bender,Ring Modulator q Nominal Input Level INPUT: -20 dBu, AUX IN: -10 dBu q Input Impedance INPUT: 1 M ohms AUX IN: 47 k ohms q Nominal Output Level OUTPUT: -20 dBu, Output Impedance, OUTPUT: 2 k ohms q Display 7 segments, 1 character LED, Backlit Custom LCD q Jacks INPUT Jack, AUX IN Jack (Stereo Mini Type), OUTPUT Jacks L (MONO) / R, PHONES Jack (Stereo Mini Type), AC Adaptor Jack q Power Supply DC 9 V: Dry batteries(R6/LR6 (AA) type) x 6, AC Adaptor (PSAseries: Optional) q Current Draw 160 mA * Expected battery life under continuous use: Carbon: 3.5 hours, Alkaline: 12 hours, These figures will vary depending on the actual conditions of use. q Dimensions 397.5 (W) x 212 (D) x 63 (H) mm, 15-11/16 (W) x 8-3/8 (D) x 2-1/2 (H) inches q Weight 1.8 kg / 4 lbs (including batteries) q Accessories Owner's Manual, Dry Batteries (Alkaline: LR6 (AA) type) x 6,Roland Service (information Sheet) q Options AC Adaptor (PSA series)*0 dBu = 0.775 Vrms*In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.*AF Method (Adaptive Focus method)*This is a proprietary method from Roland that vastly improves the signal-to-noise (S/N) ratio of the A/D and D/A converters.ME-33 Specifications--------------------------------------------------------------Features that MatterThe ME-33 goes the extra mile by giving you an onboard expression pedal that’s instantly assigned to control a cool-sounding effects parameter. Of course, it can also easily be assigned to control just about anything else you want—from wah to pitch shifting to volume. For 7-string guitarists, it has an auto tuner that can tune a low “B”, as well as patches optimized for bottom-heavy sounds.Optional battery power lets you take it just about anywhere, while a built-in Phrase Trainer and Auxiliary input lets you record and play back riffs from CDs or tapes—the perfect tool for slowing down and learning those difficult riffs.--------------------------------------------------------------Incredible Sounds, Incredibly EasyIt’s no secret that BOSS is known for legendary effects with simple, straightforward designs that let you spend less time tweaking and more time playing. The ME-33 takes this concept to the extreme by putting the full BOSS effects powerhouse at your fingertips using six Quick Edit knobs (Gain, Tone, Modulation,Delay , Reverb and Level) and a large backlit graphic LCD. So getting your sound is now as simple as stomping a pedal and turning a few knobs. Once you’ve got the sound you like, just save it into one of 60 memory locations for instant recall. Don’t want to scroll through effects patches? No problem. A new Easy Tone feature gives you cool settings depending on the style of music you’re playing: Country , Blues, Rock, Hard Rock, Metal or 7-String--------------------------------------------------------------COSM Amp Models and Head-Turning EffectsThanks to the power of COSM Guitar Amp modeling, the ME-33delivers stunning models of six classic and modern amp types—from ultra-clean to bluesy to full-on thrash metal. And unlike some guitar multi-effects processors, you can use these killer amp models and a variety of BOSS overdrive/distortion effects simultaneously .Speaking of effects, there’s 24 in all—nine of which can be used simultaneously—including everything from reverb, chorus and delay to Auto Riff, Harmonist and an Overdrive/Distortion effect with new Feedback Modeling, which can give you realistic ampfeedback at any volume.s ME-33 Rear PanelJC-120, TWIN, MATCH, BG STK, MS STK, METALCOSM Amp Modelsq OverDrive/Distortion (OD, FAT, Blues/DIST, METAL, FUZZ)including Feedback modelingq Guitar Simulator (Pickup Simulator, Acoustic Simulator) q Compressor q Auto W ah q T-W ah q Phaser q Equalizer q Humanizer q Chorus (Mono, Stereo) q Flanger q T remolo/Pan q Pitch Shifter q Harmonist q Auto Riff q Delay (Normal, Pan) q Reverb (Room, Hall) q Noise Suppressor q Pedal W ah q Ring Modulator q Pitch Bend (1-5)Multi Effects。
GuitarPRO使用说明
Guitar-pro(简称GTP，这个软件的一开始格式就是.gtp而得名)是现时网络一个非常火爆的软件，几乎每个吉他网站所提供的吉他谱都有GTP格式。
而且界面很直观地把六线谱为主要输入形式，只要你熟悉纸张的吉他谱上手GTP来说更是得心应手。
对初学者来说，只要在GTP上简单地输入谱例它就会即时为你示范演奏，可以在练习中事半功倍，的确是难得的吉他MIDI制作软件。
Guitra-pro现在已经出了5.2版，向下的还有3.0版,2.16版，2.2版。
老琴友们可能还记得一个很出色的吉他网站——吉他扒手。
可以说，GTP在国内发扬光大在一定程度上和这个网站有很大的关系！相当年，我也是吉他扒手的粉丝，可惜后来关闭了。
现在我们就对GTP5.2版从安装到设置和简单打谱作简单的介绍！GTP5.2和一般软件的安装没什么分别，首先选择安装语言，我们就选U.S.English就行了！安装完后选择Chinese(GB)，OK！重启计算机！GTP就可以正常动行了！GTP5.2在下边有提供下载（附注册码）。
GTP5.2第一次运行时会自动弹出MIDI设置窗口。
这里必须要进行简单的设置，否则可能会有不发声的问题！我们在Port Device一定选择你系统的声卡，Instrument Patch选择General MIDI 把后一项打钩，设置好后按一下中间那个喇叭，如果有发出一段琴声就证明设置完成了！如果没有音乐发出把选项交替设置试试，直至成功！在这里要提醒大家，GTP播放的音乐其实就是MIDI，效果的好坏与硬件中的声卡有直接关系，GTP5.2自带出色的软波表，提升播放MIDI音乐的效果！以下是gtp下载地址本站提供下载地址：Guitarpro5.2精简版下载(11.2M)视频教学以下就对GTP的操作进行简单介绍GTP本身也自带了很多示范歌谱的。
现在你就可以用GTP将它们打开，熟悉的六线谱就会出现在你的眼前。
当然了，GTP还可以为你演奏歌谱，如上图，按下从开头演奏键，GTP马上为你演奏一份歌谱就这么简单。
rp50效果器中文说明书
RP50吉他效果器使用说明简介由于在音乐科技领域不断的开拓进取，DIGITECH的RP50为你带来了更为广阔的实用性，更为强大的处理能力，使创造更为卓越的效果的能力达到了一个前所未有的境界。
建议你在使用RP50之前，仔细阅读本“用户指南”，以方便使用。
前面板1.Footswitches（脚踏控制开关）：两个脚踏控制开关用于选择预置音色、校音器或旁通功能。
使用上/下脚踏开关可选择预置音色；同时踩下两个开关可进入效果器旁通状态；同时踩下两个开关并保持几秒可进入校音器功能。
2.Value Buttons（数值键）：两个数值键根据所处的模式不同，而执行不同的功能。
在“PLAY（演奏）”模式下，这两个键控制RP50的总音量；在“EDIT（编辑）”模式下，这两个键用于调整所选用的效果项的参数值。
当鼓机功能打开时，它们还可以用于调整鼓花、速度、电平。
在使用校音器功能时，它们可用于选择“参考基准音”。
3.Effect/Edit Buttons（效果/编辑键）：按任何一个编辑键都可进入编辑模式，并且已经选择了一个“效果项”进入编辑状态。
按左、右编辑键选择“效果项”，如果哪个“效果项”被选中进入编辑状态，哪个“效果项”的LED 指示灯就会点亮。
4.Drums（鼓机）：此键用于打开或关闭 RP50上的鼓机功能。
当鼓机的功能被激活后，鼓机的三个LED指示灯中的“Pattern（鼓花）”灯就会点亮，并且鼓花就会不停的循环播放。
5.Effect LEDs（效果项LED）：LED指示灯可提供当前预置是由哪些效果构成的。
在编辑模式中，点亮的LED指示灯显示出哪个效果项被选，且正处于编辑状态下。
在校音器功能中，LED指示灯显示音调的高低。
6.Display（显示屏）：显示屏根据所选用的模式不同而提供不同的信息。
在演奏模式下，显示屏显示所选用的预置号码。
在编辑模式中，显示屏显示效果项的参数值。
在校音器功能中它显示所弹琴弦的音高。
7.Store（储存）：储存键用于储存拥护编辑过的音色。
迪莫克斯迪-可移植吉他效果器说明书
Precautions Preset Selection Tone Setting Tone Saving Quick Recall Buttons Tap Tempo Rhythm Setting TunerAUX INSystem SettingMain Features Panel layoutOperational GuidanceConnections BatteriesEffects Explanation Specifications Troubleshooting Patch List01010204040506070708080909111213151516*Please read carefully before proceeding*Power Supply:Please connect the designated AC adapter to an AC outlet of the correct voltage. Please be sure to use only an AC adapter which supplies 9V DC(±10%), , 300mA,center negative. Unplug the AC power adapter when not in use or during electrical storms.Connections:Always turn off the power and all other equipment before connecting or disconnecting.This will help prevent malfunction and damage to any of the devices. Make sure to unplug all connection cables and power cords before moving this unit. Location:To avoid deformation, discoloration, or other serious damage, do not expose Direct sunlightMagnetic fieldsExcessively dusty or dirty locationStrong vibration or shockInterference with other electrical devices and Cleaning:Radios and televisions placed nearby may experience reception interference. Operate this unit at a suitable distance from radios and televisions.Clean only with a soft, dry cloth.FCC certificationThis device complies with Part 15 of the FCC Rules. Operation is subjectto the following two conditions:This device may not cause harmful interference.This device must accept any interference received, including interferencethat may cause undesired operation.99 Factory presets and 99 user presets2 Auto wah effects10 Overdrive and distortion effects7 Amp models11 Modulation effects5 Different delays4 Reverb types40 Drums patterns and 10 metronomesTap tempo functionality02 0304 05 06 0708 09MODE:Control for scrolling through the various pages in the menu LCD Display: Displays the User Interface and provides all informationfor presets and parametersVALUE:Control for adjusting various parameters and selections within the User Interface.SAVE: Press to enter preset saving pageRHYTHM:Press to access Drum machine and MetronomeTUNER: Press to access guitar tunerEFFECTS CHAIN:Indicates the operational status of the differenteffect blocks and the currently selected page within the User Interface Quick Recall buttons:Quickly recalls 4 of your favorite presetsTAP:Tap tempo control for use with the drum machine, metronome and delay effects0110 11 12 13 1415 16INPUT:1/4” mono audio jack for connecting instrumentOUTPUT:Audio output 1/4” mono audio jackAUX IN:Stereo line in for connection to external devices such as mp3 player for audio playback.HEADPHONES: Stereo line out for connecting to a headset or other external audio equipmentDC IN:Connects to the supplied power adaptor(DC 9V, 300mA, )Master Volume: Adjusts the master output volume of the device Battery hatch: Insert 2 x AAA batteries for battery operationPowerMaster of Guitar Volume02Preset name Preset number 12Drum speed4Battery capacity301(9V, 300mA Preset Selection03Rotate the MODE control until "PL " is highlighted brightly on the "EFFECTS CHAIN' panel. The LCD Display will indicate the information of the current preset(P or U) . P stands for factory preset, U stands for user Preset. Rotating the Value control whilst on the Preset page will scroll through the various presets.Adjust the master output volumeMore details will be listed on page 16.Effect ChainRotate the 'MODE' control to scroll through the Edit pages of the various Effect blocks within the 'Effect Chain’Effect editing Effect On/Off010203Note:The effects chain display panel will illuminate to indicate which effects blocks are currently active within the selected presetThere are 6 effect blocks containing 39 types of effects in PE100's effect Chain. Each effect block provides a different kind of effect.PL = Preset Mode SY = System settingsAfter selecting the effect block you wish to edit using the MODE control, the LCD screen will display the effect model, the on/off status, all of the various settings and parameters of that effect.While on an effect blocks edit page, press the D quick recall button to switch that effect block on or off within the preset.Rotate the VALUE control to select your desired model.Press the VALUE control to scroll through the parameters.After selecting the parameter you wish to edit, rotate the VALUE control to adjust it's value. WAH = Wah Wah effectsREV = Reverb effects AMP = Amplifier Simulation models R.S = Rhythm(Drum machine and Metronomes)MOD = Modulation effects DS = Overdrive and Distortion effects DLY = Delay effectsThe tone can be saved as a User preset01 0203 04 05Press the SAVE buttonRotate the VALUE knob to select which preset number you wish to save your tone in. You can save your tone in any user preset U01 to U99. When you have selected your desired preset slot press the VALUE control to continue.Once you have finished entering the preset name press the SAVE button again to save the preset.Now you can edit the name of the preset. Rotate the VALUE control toscroll through the characters. Press the VALUE control to select acharacter and move onto the next character in the preset name.If you wish to cancel the saving procedure at any time during this process, simply rotate the MODE control to exit the saving page.Notes: P01 to P99 are for factory presets only and can not be used to store customuser presets. You can only save custom tones in U01-U99.TAP TEMPOTap Tempo has 2 operationsNotes: If the screen shows UNSAVED in PL mode, the quick recall button can notsave the tone.0102The QUICK RECALL buttons A,B,C,D provide an easy way to instantly store and recall 4 of your favorite presets.To store a preset in a quick recall slot make sure that PL is highlighted using the MODE control.Navigate to the preset you wish to store in the quick recall slot using the VALUE controlHold the quick recall button (A,B,C,D) where you wish to save the preset, for more than 1 second.The quick recall button will flash 3 times to confirm you have successfully stored the preset within that slot.To quickly recall that preset at any time just press the corresponding "quick recall button" whilst PL is highlighted on the EFFECTS CHAIN display.While you are using the RHYTHM function TAP is highlighted blue. Pressing theTAP button two or more times will synchronize the drum patterns and metronomes speed with your inputted tempoWhile you are not using the RHYTHM function TAP is highlighted red. Pressing theTAP button two or more times will synchronize the Delay time with your inputted tempo.Tuner010*********The PE100 contains 40 drum patterns and 10 metronomes .Pressing the RHYTHM button at any time will start or stop the drum patternsand metronomes.Rotate the MODE control until R.S is highlightedRotate the VALUE control to choose the DRUM or METRONOME.Press the VALUE control to highlight the rhythm parameter and rotate theVALUE knob to choose which rhythm you want.Press the VALUE control again and rotate it to edit the speed, the range isBPM40 to BPM260.Press the VALUE control once more and rotate it to edit the playback volume ofthe rhythm.Press the TUNER button at any time to access the tuning function page. The tuner is set to A=440Hz as stock, rotate the VALUE control to change this calibration.Press the VALUE control to highlight the bypass/mute parameter, rotate the VALUE control to switch between muted tuning and bypassed tuning.Pressing the TUNER button again will return you to the same page you were in whenyou first accessed the tuning function page.Select OUTPUT using the VALUE control, you can choose line out or ampout depending on what equipment you wish to connect your PE100 to.01Connect the output of your favorite external audio device, such as mp3 player, to this input using a mini stereo jack.Rotate the MODE control until SY is selected. The system settings include theOUTPUT type, LCD B (brightness), LCD M (invert colors), RESET (factory RESET).To perform a full factory reset of the PE100 rotate the VALUE control to highlight RESET and press it. Next you will be asked "are you sure to restore factory setting" select “YES” to perform a factory reset. Select “No” to cancel and return to the system settings page.04 Rotate the VALUE control to LCD M, press it. Rotate the VALUE control to invert the LCD display screens colors.03 Rotate the VALUE control to LCD B, press it. Rotate the VALUE control to edit the brightness of the LCD display screen.02Equip two AAA size batteries and close the battery compartment.Turn off PE100 and open the battery compartment.010203input JackThe PE100 will power on using batteries when something is connected to theWAH01NameSpecificationsTOUCH WAH FUNKY MONKEY A dynamically responsive autowah effect Time based Auto Wah effect.*NOTES: All product name called their company, here is only used in this product simulation effect of tone types.DLY05REV06DIGITAL ANALOG DYNAMIC ECHO TAPE ECHO NameSpecificationsRepeats the signal with no special processing, creates the most clean delay sound.Simulates analog delay equipment, produces a warm and vintage delay sound.The delay sound is low while playing, but increases when playing stops.Simulates the sound of a real Echo, authentic and natural delay sound.Simulates a vintage Tape Echo machineROOM HALL CHURCH PLATENameSpecificationsSimulates the acoustics of a room Simulates the acoustics of a concert hall.Simulates the acoustics of a big church.Simulates Plate reverberation.No. of Effect Modules: 6 modulesNo. of Effect Types: 39 Effect typesPreset Patch Memory:99 patchesUser’s Preset Patch Memory:99 patchesInput Jack：1/4” mono audio jackOutput Jack：1/4” mono audio jackHeadphone out：1/8” stereo audio jackAUX IN: 1/8” stereo audio jackPower requirements：AC adapter 9V DC，300mA，Dimensions：137mmX81mmX32mmWeight：230gAccessories：Owner’s Manual，AC adapter 9V DC.Can not power on：Check power connection——Make sure the power is connected correctly. Check the adapter——Make sure the adapter’s type is DC 9V/300mA/No sound or low volume：Check connection of cables——Make sure all the cables are connected firmly. Check the on/off switch and the volume setting of amp——Make sure each equipment’s volume is set to an appropriate level.High noise:Check the adapter——Make sure the adapter’s type is DC 9V/300mA/Check the cables——Make sure the cables are connected firmly and have no quality problemP01 P02 P03 P04 P05 P06 P07 P08 P09 P10 P11 P12 P13 P14 P15 P16 P17 P18 P19 P20 P21 P22 P23 P24 P25DS CLEANGREENBLACKOC FUZZFL FUZZPH FUZZLOST FUZZLOST 1LOST 2SLOW DANCECLASSIC PURPLEGLASSBIG HAIRBLUE SPRINGOLD BRIT METALCHORUS ORGANSENSUOUSSUMMER 6969 LEADTUMBLEWEEDCOWBOY LEADVOCAL INDUSTRWALK IN THE WOCOCK ROCKBREATHEP26P27P28P29P30P31P32P33P34P35P36P37P38P39P40P41P42P43P44P45P46P47P48P49P50DAVE FLAVORSURFING RHYTHMSURFING LEADRANDYAGGRESSIVEAMANI RHYTHMAMANI SOLOGARY TRACKNO HESITATETRUE LOVEGOLDEN AGE RHYTHMGOLDEN AGE SOLOLOVEROCEAN SKYBRITISH METAL of preset of presetJTM45JTM45 SOLOJTM45 ELECTRONJTM45 WAHBRITISHBRITISH ODBRITISH DELAYBRITISH CHBRITISH SOLOBSMP51 P52 P53 P54 P55 P56 P57 P58 P59 P60 P61 P62 P63 P64 P65 P66 P67 P68 P69 P70 P71 P72 P73 P74 P75P76P77P78P79P80P81P82P83P84P85P86P87P88P89P90P91P92P93P94P95P96P97P98P99JC CHORUSTWIN REV1TWIN REV2TWIN REV3TWIN REV4REVERB ONLYCH CLEANFINECONFUSIONPH CLEANBP REVERBHOT WAHELANGER WAHLASER WAHCICADAFLUTTERINGAURORAELECTRICPOP CLEANVOODOO CHILDHAPPY BLUESHAIR METALJUST PUNKROTATING WINDROCK MONKEYJAZZ CLUBROCK SOUNDJST FIGHTERMEMORYCRUNCHERNARROWCOLLAPSEMID-NIGHTDREAM STREAMSWEET TALKINGCLOCK TOWER of preset of preset BSM SOLOBSM SOLO2BSM WAHBSM CRUNCHBSM ODBSM VIBBSM RHYTHMJC SOLOJC ODJC POSTJC CLEANTWIN REV SOLOJC METALMOOER AUDIO CO.,LTD Shenzhen, China。
Ample Guitar PF主面板用户手册说明书
主面板用户手册Ample Guitar PF北京博声音元科技有限公司目录1乐器面板 (4)1.1乐器面板概述（O VERVIEW OF I NSTRUMENT P ANEL） (4)1.2采样库切换（S AMPLE L IBRARY S WIT CH） (4)1.3预制文件读取/保存（S AVE/L OAD P RESET） (4)1.4卷弦器（A LT ERNAT E T UNER） (5)2主面板 (6)2.1主面板概述（O VERVIEW OF M AIN P ANEL） (6)2.2吉他技巧与复音连奏（A RTICULATIONS&P OLY L EGAT O） (7)2.2.1技巧列表（Articulation List） (7)2.2.2标准音（Sustain） (7)2.2.3自然泛音（Natural Harmonic） (7)2.2.4手掌闷音（Palm Mute） (8)2.2.5无头滑音与无尾滑音（Slide In from below&Slide Out downwards） (8)2.2.6连奏滑音(复音连奏)-Legato Slide(Poly Legato) (9)2.2.7击钩弦(复音连奏)-Hammer-On&Pull-Off(Poly Legato) (12)2.2.8滑棒吉他（Slide Guitar） (14)2.2.9双演奏法功能（Doubled Keyswitches） (14)2.3声音模式（S OUND M ODE） (14)2.4双吉他模式（D OUBLED G UIT ARS） (14)2.5丰富的左手演奏噪音（R ICH F RET S OUND） (14)2.6变调夹（C APO） (15)2.7指法逻辑切换（C APO L OGIC M ODE） (15)2.8空弦优先（O PEN S TRING F IRST） (15)2.9演奏模式切换（P LAY M ODE S WIT CH） (15)2.10自动连奏模式切换（A UT O L EGAT O M ODE S WIT CH） (16)2.11自动扫弦噪音（S TROKE N OISE） (16)2.12颤音（V IBRAT O W HEEL） (16)2.13弦指定与把位指定（S TRING F ORCE&C APO F ORCE） (16)2.13.1弦指定（String Force） (16)2.13.2把位指定（Capo Force） (17)2.14效果音组（FX S OUND G ROUP） (17)2.15复音重复键（P OLY R EPEAT ER） (18)2.16延音踏板开关（H OLD P EDAL T OGGLE） (18)1乐器面板1.1乐器面板概述（Overview of Instrument Panel）1.采样库切换（Sample Library Switch）2.预制文件读取/保存（Save/Load Preset）3.卷弦器（Alternate Tuner）4.把位显示（Capo Force Display）5.弦指定显示（String Force Display）1.2采样库切换（Sample Library Switch）AGPF有Neck、Both、Bridge三档采样库。
ZOOM效果器的使用
ZOOM效果器的使用1,音量钮和音箱模拟器钮.通过音量钮可以控制效果器的输出音量,通过音箱模拟器钮可选择7种不同的音箱模拟效果,来使用所有预制完毕的30个用户和30个原厂的音色.2,用户音色和原厂音色的选择.通过上行和下行两个选择踏板,可选择A,B,C,D,E,F六组30个可编辑的用户音色及0,1,2,3,4,5六组不可编辑的原厂音色!通过上下踩动多功能程序踏板,可发出由踏板控制的不同效果.3,自动节奏的使用.按一下节奏开始键,可打开效果器预制的15种不同的鼓节奏,通过多功能钮1,可选择15种不同的节奏型;通过多功能钮2,可以选择所选节奏的速度;通过多功能钮3,可以选择节奏的音量.4,录音功能的使用.按一下录音程序键,可打开效果器的录音功能(ZOOM-707效果器可进行5秒的录音),通过多功能钮1,可选择EF(带效果的录音)和BP(不带效果的录音),当我们演奏时,按下上行选择踏板时,效果器开始录音,这时调音显示灯开始依次闪亮,当5个灯依次闪亮完毕后,效果器将停止录音,进入自动播放状态,我们可以通过下行选择踏板来控制所录音乐的播放或停止.通过多功能钮2,可选择NML(正常速度)和SLW(慢速)两种不同速度的播放形式.一般正常速度用来播放演奏者所录制的伴奏音乐,这样可以配合伴奏来进行练习.慢速播放主要用于录制一些磁带或CD中的独奏音乐,把着些快速演奏的音乐,用慢速播放,以便进行扒带学习.当我们再次按下录音程序键时,效果器自动进入正常的使用状态.(二),效果器的编辑方法1,效果的编辑按下编辑键使效果器进入编辑状态,通过左向和右向两个效果栏选择键,可选择六个不同的效果栏,他们分别是:1,COMP-DIST(压缩与失真);2,ZNR/EQ(噪音门与均衡);3,MOD(常用效果);4,REV(混响);5,TOTAL(效果名称与整体音量);6,PEDAL(踏板程序).通过上行和下行两个效果栏中的效果选择键,可选择每个效果栏中所预制的不同的效果,同时按下左向和右向两个效果栏选择键,可关闭所选的效果栏.(1)COMP-DIST(压缩与失真)这个效果栏包括压缩,失真和压缩与失真的混合效果,压缩有三种形式,它们分别是: CMP FSCMP SKCMP CR多功能钮1:控制压缩色彩;多功能钮2:控制压缩音调;多功能钮3:控制压缩音量.失真有8种,它们分别是:OD1 (轻度失真1)OD2 (轻度失真2)DIST1 (失真1)DIST2 (失真2)FUZZ (法兹)WILDFZ (高增益法兹)LEAD (失真主音)METAL (重金属)PWR DRV (过驱动失真)多功能钮1:控制失真程度;多功能钮2:控制失真音调;多功能钮3:控制失真音量.压缩与失真的混合效果有3种,它们是:CMP+OD (压缩+轻度失真)CMP+DS (压缩+失真)CMP+FZ (压缩+法兹)多功能钮1:控制失真程度;多功能钮2:控制压缩程度;多功能钮3:控制音量.着个效果栏中,还包括一种木吉他效果,它是ACOSIM (木吉他)多功能钮1:控制效果参数;多功能钮2:控制效果参数;多功能钮3:控制音量.(2)ZNR/EQ(噪音门与均衡)当调到着个效果栏时,它的指示灯会有三种颜色:黄,噪音门,通过调整多功能钮1可控制噪音门的量.红,可控制均衡中的高音和中音.多功能钮1:控制现场效果;多功能钮2:控制高音;多功能钮3:控制中音.绿,可控制均衡中的低音.多功能钮1:控制低音;多功能钮2:控制低音增益;多功能钮3:控制均衡音量.(3)MOD(常用效果)常用效果栏中,包括:CHORUS(合唱)V-CHO(超级合唱)FLANGE(飘忽)PHASE(相移)TREMOL(传统颤音)A-PHN(自动琴品弯曲)A-WHA(自动哇音)P-WHA(踏板哇音)STEP(步进)PITCH(附加音程)P-PITCH(踏板控制附加音程)RING-M(电子效果)SOLW-A(慢发音)FILTER()DELAY(延迟)ECHO(回响)T-TRIP()TRMCHO(传统颤音+合唱)RINVIB(电子效果+揉弦效果)VIBE(揉弦效果)这些不同的效果都是通过三个多功能钮来控制它们不同的效果参数.(4)REV(混响)这个效果栏中,包括:HALL(山谷混响)ROOM(房间混响)PP-DLY(踏板延迟)DLY HAL(延迟+山谷混响)DLY ROM(延迟+房间混响)多功能钮1:控制时间;多功能钮2:控制返回次数;多功能钮3:控制音量.(5)TOTAL(效果名称与正题音量)这个效果栏,可编辑所编效果的名称.多功能钮1:可选择字母的位置;多功能钮2:可选择不同的字母;多功能钮3:可控制整体音量.(6)PEDAL(程序踏板)这个效果栏,可选择踏板所控制的不同效果.多功能钮1:可选择踏板所控制的效果.OF是关闭踏板UL可使踏板控制音量DS可使踏板控制COMP-DIST效果栏中任意效果的效果程度ND可使踏板控制MOD效果栏中任意效果的效果程度RU可使踏板控制REV效果栏中任意效果的效果程度多功能钮2:可选择踏板不同的控制类型.UP是使踏板上行控制DN可使踏板下行控制HF使踏板的控制程度最大LO使踏板的控制程度最小多功能钮3:可控制当踏板处在最小状态时,所控制效果的音量.在使用踏板时,应注意所要控制的效果必须打开,如要使踏板控制哇音,踏板效果栏必须处在ND的位置, MOD效果栏中必须调到哇音效果,再把踏板的控制类型和参数调整到合适的位置,就可以发出标准的哇音效果,如果需要带失真的哇音效果,还必须选择一种合适的失真效果.当所有的效果编辑完毕之后,按一下存储键,这时所有的指示灯开始闪烁,在这种状态下,我们可以选择所编效果所要存储的位置,这个位置我们可以通过上行和下行两个选择踏板来选择,当位置选择完毕后,再按一下储存键,所编辑的效果就可以储存在所选择的位置上,以便随时调用这个效果.。
BOSS GT-3中文说明书
第一部分功能介绍 ................................................................... 错误!未定义书签。
主要效果种类介绍.................................................................... 错误!未定义书签。
1. SFX模块：......................................................................... 错误!未定义书签。
2．COMPRESSOR/LIMITER模块........................................ 错误!未定义书签。
3．WAH模块 ......................................................................... 错误!未定义书签。
4．OVERDRIVE/DISTORTION模块.................................... 错误!未定义书签。
5、PREAMP/SPEAKER SIMULATOR模块 ......................... 错误!未定义书签。
6、EQUALIZER模块 ............................................................ 错误!未定义书签。
7、MODULATION模块........................................................ 错误!未定义书签。
8、DELAY模块...................................................................... 错误!未定义书签。
BBE BMAX Bass Guitar Pre-amp 用户指南与参考手册说明书
User Guideand Reference Manual®TABLE OF CONTENTSPrecautions (i)Table of Contents/ Product Description (1)Features (2)Controls/Connections..................................................................................................................3-5 Specifications (6)General Operation/Applications...................................................................................................6-8 Service/Maintenance (9)Warranty Information (9)Congratulations on your purchase of the BBE BMAX Bass Guitar Pre-amp!The BBE BMAX is an extremely versatile pre-amp which is capable of achieving a wide arrayof tones while conveniently configuring itself into any application. No extra devices are neededto get flawless performance out of the BBE BMAX.The BMAX is a high quality bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. The BMAX has the warmth and dynamic range usually found in all-tube designs and will deliver the punch and clarity of the best all-tube preamplifiers. The fit and finish is solid with a professional feel that will appealto professional Bassists and semi-pro players alike.It features a class A/B front-end, the input of which emulates the loading effect that the input of a “classic-design” tube preamp would present to the bass pickups, this is one of the key aspects in the “warmth” and “punch” of all-tube preamp designs.The BBE Process—"What it Is" Loudspeakers have difficulty working with the electronic signals supplied by an amplifier.These difficul-ties cause such major phase and amplitude distortion that the sound reproduced by speaker differs sig-nificantly from the sound produced by the original source.In the past, these problems proved unsolvable and were thus delegated to a position of secondary impor-tance in audio system design. However,phase and amplitude integrity is essential to accurate sound reproduction. Research shows that the information which the listener translates into the recognizable characteristics of a live performance are intimately tied into complex time and amplitude relationships between the fundamental and harmonic components of a given musical note or sound. These relation-ships define a sound's “sound”.When these complex relationships pass through a speaker, the proper order is lost. The higher frequen-cies are delayed. A lower frequency may reach the listener's ear first or perhaps simultaneously with thatof a higher frequency. In some cases, the fundamental components may be so time-shifted that they reach the listener's ear ahead of some or all of the harmonic components.This change in the phase and amplitude relationship on the harmonic and fundamental frequencies is technically called “envelope distortion.” The listener perceives this loss of sound integrity in the repro-duced sound as "muddy" and “smeared.” In the extreme, it can become difficult to tell the difference between musical instruments, for example, an oboe and a clarinet.BBE Sound, Inc. conducted extensive studies of numerous speaker systems over a ten year period. With this knowledge, it became possible to identify the characteristics of an ideal speaker and to distill the cor-rections necessary to return the fundamental and harmonic frequency structures to their correct order. While there are differences among various speaker designs in the magnitude of their correction, the overall pattern of correction needed is remarkably consistent.BMAX FEATURES AND APPLICATIONS•The BMAX is perfect anywhere an extremely high-quality, pristine preamplifier is required for the bass guitar•It can be used in the recording studio where a bass amplifier is impractical due to space or loudnessconsiderations•In performance applications, players will find the BMAX’ ergonomics intuitive and easy to use•All players will find the BMAX’ EQ and Dynamics controls, as well as our patented Sonic Maximizer™ Process, afford a wide palette of tonal experiences•Full Function BBE® Sonic Maximizer™•Solid-state, Class A/B front-end with interactive 3-band EQ and “bright” switch•Optical “soft knee” compressor•Transformerless electronically balanced DI output•Inputs for both passive pickup and active pickup instruments•1meg ohm input impedance (Passive input), 100Kohm (Active input)•Ground lift switch•Balanced XLR and 1/4" unbalanced output•Mil-spec circuit boards•Extra thick, extra wide circuit board traces for unequaled electron flow•1% metal film resistors throughout•Solid 1/4" thick aluminum extrusion front panel for extreme ruggednessIMPORTANTBefore you begin, please check the contents within this box to insure that included are:1. The BBE BMAX Bass Guitar Pre-amp.2. The BBE BMAX User's manual.If either of these items are found to be missing, immediately contact the BBE dealer from whom the unit was purchased immediately.FRONT PANEL CONNECTIONSInput1. PASSIVE:This jack allows for the connection of a bass guitar with passive-pickups to the BMAX.2. ACTIVE:This jack allows for the connection of a bass guitar with active-pickups to the BMAX. It is attenu-ated, with respect to the “passive input” by about 12dB to allow for the higher level output of active-pickup systems.Pre-amp3. BRIGHT:The Bright Switch connects a capacitor to the GAIN circuit creating an 8dB boost @ 5KHertz.4. GAIN:This controls the output of the preamp section post EQ.5. 3-BAND INTERACTVE EQUALIZER:The Bass and Treble controls are mainly “boost” and the Mid controlonly “cut”. While there is no absolutely flat position, the response is reasonably flat with the controls set at TREBLE: 2, MID: 0, BASS: 2, with the bright switch off. The circuit can be described as interacting, such that when the TREBLE and BASS tone controls are turned to 0 and the MID tone control is turned to -10, then no signal is passed at all.Para-mids6. FREQ:A range from 250hz to 1000hz is adjustable with the FREQ knob.7. GAIN:Plus or minus 12dB.Compressor8. LEVEL:This is a “soft-knee” compressor using a photo-optical cell as it’s attenuating element for control-ling gain-reduction. The single-knob LEVEL control will lower the threshold at which gain reduction begins and increase the ratio of input vs. output, simultaneously, as it is rotated in the clockwise direction from “0” to “10”.9. IN/OUT:When switched to the “IN” position, the compressor circuit will be engaged as indicated by thegreen LED. When the incoming signal reaches the threshold, determined by the position of the LEVEL con-trol, the yellow LED indicates that compression is taking place. This switch is superceded by the use of the optional FS-BMAX footswitch.BBE Process10. LO CONTOUR:This control is a low frequency adjustment for the BBE Process. It provides a boost of 10dBuwhen turned to its maximum position (clockwise) at 50Hz. When turned to its minimum position (counter-clockwise) it would be flat or no change.11. PROCESS:When the knob is in its minimum position, completely counterclockwise, no process is takingeffect and the circuit is in its noise suppression mode. Turning the knob clockwise will introduce the BBE Process. Adjust the knob to mix the desired amount of process to suit your taste. Use the BBE as an exten-sion of the tone controls. Generally a good place to start the BBE process is to set the knob to it’s 12 o’clock position, then adjust accordingly. Note: The BBE process is applied after the effects return.12. BBE IN/OUT:This switch engages the BBE Process as indicated by the green LED. When in the “OUT” posi-tion, the green LED will not illuminate, indicating that the BBE Process has been disengaged. This switch is superceded by the use of the optional FS-BMAX footswitch.Output13. MASTER:This control simultaneously adjusts the signal level of both the Balanced and Unbalancedoutputs.14. POWER:This switch applies AC power to the BBE BMAX. The green power switch will illuminate when thepower switch is in the “ON” position.712 inREAR PANEL CONNECTIONS1. AC POWER CORD: This is a standard two-pronged AC power cable.2. FUSE:Replace ONLY with same type Fastblow fuse.U.S., Canada & Japan models: .5A, 250VAC fast-blow typeAll others: .250A, 250VAC fast-blow typeFootswitch3. BBE:This jack allows remote in/out switching for the BBE Sonic Maximizer section of the BMAX. Please useour (optional) FS-BMAX dual footswitch.4. COMP:This jack allows remote in/out switching for the COMP section of the BMAX. Please use our (optional)FS-BMAX dual footswitch.Ground lift5. GROUND LIFT:In the “up” position, use this switch to disable the ground pin of the XLR connector. This isa useful feature in eliminating a ground loop between the BMAX and any subsequent component in thesignal chain.Output6. DI OUT: This is a transformerless electronically balanced low impedance output. Use this output to feedlong cable runs or microphone level inputs on a mixing console or recorder7. MAIN OUT:This unbalanced output is used to connect the BBE BMAX Pre-amp to the next subsequentcomponent in the system, i.e. power amplifier.Effects8. RETURN:Use this jack to connect the BMAX to an effects processor's output.9. SEND:Use this jack to connect the BMAX to an effects processor's input. The send jack can also be used asto feed the input of a guitar tuner.SpecificationsFrequency Response:………………………15Hz – 30kHz +/-3dBSignal to Noise:………………………………100dB@unityTHD:…………………………………………less than 0.02%Maximum Output:…………………………+22dBuNoise:…………………………………………-77 dBu @ unity gain, eq flatInput Impedance:Passive………………………………1 Meg OhmActive…………………………………100 K OhmOutput Impedance:Balanced XLR………………………600 Ohms, Pin #2 hot or “+”Unbalanced 1/4”…………………1K OhmsInteractive EQ:Treble (boost only)………………18dB@ 6kHzMid (cut only)………………………12dB@ 300HzBass (boost only)…………………16db@ 40HzBright Switch:………………………………+8dB@ 5kHz, eq flatPara-mids:……………………………………+/- 12dB from 250Hz to 1kHz* 0dBu = 0.775mVrmsPower Requirements:………………………U.S., Canada & Japan models: 120VAC, 50/60Hz, 8 WATTSStandard model: 220VAC, 50/60Hz, 8 WATTS Fuse:……………………………………………Replace with the same type FASTBLOW fuseU.S., Canada & Japan models: .5A, 250VAC fast-blow typeAll others: .250A, 250VAC fast-blow type Dimensions: …………………………………19"(W) x 5.5"(D) x 1.7"(H)Shipping Weight:……………………………7 lbs.Note: Due to continuing product improvement, specifications and design are subject to change without notice. General OperationIn order to reduce the risk of damage to any equipment, properly connect all audio and power cables before turning on any components in the system. Most important of all, ALWAYS TURN ON THE POWER AMPLIFIER LAST TO AVOID DAMAGING THE SPEAKERS OR THE AMP.The Bass and Treble controls are mainly "boost" and the Mid control only "cut". While there is no absolutely flat position, the response is reasonably flat with the controls set at TREBLE:2, MID:10, BASS: 2, with the bright switch off. The circuit can be described as interacting, such that the frequencies affected by each control is affected somewhat by the settings of the others.When all 3 tone controls are turned to 0 then no signal is passed at all.BBE’s exclusive "PARA-MID" midrange equalization offers even further control over the crucial mid-band of the Bass’ overall tonal characteristics.Compression is a feature that will be welcomed by any bass player. Adjust the LEVEL knob to eliminate any volume peaks. An increase in sustain is also a desired result of large amounts of compression as deter-mined by the LEVEL control.The BBE Process is a unique feature that only the BBE series of pre-amps possess. The BBE Process will pro-duce a clear, crisp, full-bodied sound without adding any noise or harmonic distortion to the signal. The BBE Process should be used as an extension of the Equalization controls to improve the overall quality of the bass guitar's tone.The Volume control will simultaneously adjust the BMAX's output volume from both outputs: The Bal-anced and Unbalanced outputs. Use either the Unbalanced or the Balanced output to connect to a power amp or a mixing console. The Unbalanced outputs are 1/4" monaural phone plugs while the Balanced output is a male XLR connector with a Ground Lift switch to eliminate any multiple ground connections.LIVE APPLICATIONSMixing consoleCombo amp or power amp and speakersRECORDING APPLICATIONS Mixing console Recorder Combo afrom DI Out to Mic Input-or-Main Out to Line Input01020304050Computer recording interface ComputerCombo afrom Main Out to Line Input-or-DI Out to Mic InputService We recommend that if at all possible, a BBE BMAX which requires service be sent to our facility in Huntington Beach, California. We request that a “RETURN AUTHORIZATION” be issued by the dealer from whom you purchased the unit. If this is not possible, call BBE Sound, Inc. directly at (714) 897-6766, extension 116 to obtain a “RETURN AUTHORIZATION”. Include a copy of the bill of sale with the unit when it is shipped to BBE Sound, Inc. so that the service can be expedited.As the repair turnaround time is minimal, we request that the unit be sent to BBE Sound, Inc. We also need to add reliability data to our files so that future revisions may be undertaken, if necessary, to improve the prod-uct. If unit has been purchased outside the US, please contact your national distributor.Warranty Warranty registration of the unit to BBE Sound, Inc. is not necessary. It is strongly recommended that you retain a copy of the bill of sale for future reference.IT IS THE SOLE RESPONSIBILITY OF THE END USER TO PROVIDE THE BILL OF SALE OR OTHER MEANS OF PROOF OF PURCHASE TO VALIDATE THE WARRANTY IF WARRANTY SERVICE IS REQUESTED.The BBE BMAX is warranted against defects in material and workmanship for a period of five (5) years from date of purchase from BBE Sound Inc. or from an authorized dealer. During this period, we will repair units free of charge providing that they are shipped prepaid to BBE Sound, Inc., 5381 Production Drive, Huntington Beach, CA 92649. We will pay return UPS shipping charges within the USA. All charges relatedto non-UPS shipping, including customs clearance, will be billed. The warranty will be honored for the longer of either 90 days from the date of any service or the remainder of the original 5 Year factory warranty.This warranty will be consider null and void by BBE Sound, Inc. if any of the following is found:1. The equipment has been physically damaged.2. The equipment shows signs of abuse.3. The equipment has been electrically damaged by improper connection or attempted repair by the customer or a third party.4. The equipment has been modified without authorization.5. The bill of sales indicates that the purchase date of the equipment is not within the warranty period.All non-warranty repairs are warranted for a period of 90 days from the date of service.BBE Sound, Inc. is NOT LIABLE FOR CONSEQUENTIAL DAMAGES. Should the unit fail to operate for any reason, our sole obligation is to repair it as described above.DO NOT RETURN ANY PRODUCT TO THE ABOVE ADDRESS WITHOUT INSTRUCTIONS AND AUTHORIZATION ISSUED BY THE ABOVE LOCATION.Maintenance Maintenance of the BBE BMAX is limited to proper cleaning of the unit with mild household cleaner such as Formula 409™ or Windex™. The chassis and cover are steel finished with a durable polyurethane paint, while the front panel is an anodized aluminum extrusion.There are no user replaceable parts and the unit should not be opened for any reason unless you are a qualified technician. Calibration should be performed if parts are replaced or if a performance check-out indicates a problem with calibration. Long term use has shown that over the life of this unit there is littleor no drift of the components in the BBE BMAX which would cause a change in calibration. A very con-servative design philosophy has resulted in a piece of equipment which runs very cool and should give years of trouble-free service.95381 Production DriveHuntington Beach,CA 92649714-897-6766 • FAX 714-896-0736Covered by U.S.Patent 5,736,897 and other U.S.and foreign patents pending.BBE is the registered trademark of BBE Sound,Inc.®rev.3 9/2010。
弦乐吉他 Fender 音频效果器 Acoustic Preverb 说明书
1. Reverb Footswitch/LED2. Output Jack3. Tilt4. Type Switch5. Level6. Damping7. Time 8. Gain Control/LED9. Polarity Switch10. Notch Switch/Control11. Input Jack12. Mute Footswitch/LED13. LED Kill Switch14. DC Power ConnectorACOUSTIC PREVERB Reverb enhances the tone and natural beauty of an acoustic guitar, and Fender’s Acoustic Preverb provides that and more. Featuring three reverb settings distinctly voiced for acoustic guitar,plus a high-fidelity preamp, this pedal is the ultimate ambience machine. A notch filter and polarity switch help eliminate feedback, while the “tilt” knob delivers overall EQ balance control .Designed by our in-house team of experts, the Acoustic Preverb is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the LED-backlit knobs easily show your control settings at a glance on dark stages.DESIGNED IN CALIFORNIA, U.S.A.Reverb Footswitch/LEDActivates reverb effect; LED illuminates.Output JackLow-impedance output jack connects to amp or to next effect pedal in signal chain.TiltAdjusts tonal balance from more bass heavy to more treble heavy. Response is flat when control is centered, and there are more high frequencies and less low frequencies as the control is rotated clockwise, and vice-versa.Type SwitchSelects active reverb algorithm, or sound.LevelControls overall output level.DampingControls how fast high frequencies decay in the reverb sound. Increasing this control will make the reverb tail darker as it fades out. TimeControls reverb decay time.Gain Control/LEDSets overall pedal sensitivity and allows for a broadrange of instruments to be used. Peak LED will flicker when unit is close to distorting. Polarity SwitchInverts signal polarity (or “phase”), and is sometimes useful in reducing or eliminating unwanted feedback.Notch Switch/ControlSwitch engages or bypasses notch filter; control knob adjusts notch frequency. Notch filter can be used to reduce loudest feedback tone; try sweeping control slowly while instrument is feeding back until feedback stops.Input JackHigh-impedance input suitable for electric guitar, bass, acoustic guitars with pickup systems, keyboards and other instruments.Mute Footswitch/LEDMutes audio and is useful when changing instruments or when taking a break. LED indicates mute status.LED Kill SwitchDeactivates control-knob illumination.DC Power ConnectorStandard center-negative 9VDC jack for use with appropriate power supplies.A PRODUCT OFFENDER MUSICAL INSTRUMENTS CORPORATIONCORONA, CALIFORNIA, U.S.A.Fender is a registered trademark of FMIC.Copyright © 2020 FMIC. All rights reserved.PN 7720602000 REV. AIMPORTANT SAFETY INSTRUCTIONS•WARNING: To prevent damage, fire or shock hazard, do not expose the unit or its AC power to rain or moisture.•Do not alter the AC plug of the connected power adapter•Do not drip or splash liquids on the unit.•No user serviceable parts inside, refer servicing to qualified personnel only.•WARNING: The unit must only be connected to a safety agency certified, regulated, power source (adapter), approved for use and compliant with applicable local and national regulatory safety requirements.•Unplug AC power adapter before cleaning unit exterior. Use only a damp cloth for cleaning; wait until unit is completely dry before reconnecting to power.•Amplifiers and loudspeaker systems, and ear/headphones (if equipped) are capable of producing very high sound pressure levels, which may cause temporary or permanent hearing damage. Use care when setting and adjusting volume levels during use.ADDITIONAL LANGUAGESManual available in additional languages at/support Product specifications subject to change without notice SPECIFICATIONS IMPEDANCES POWER SUPPLY POWER REQUIREMENTSDIMENSIONS WEIGHT Input: 820KΩ Output: 1KΩ9VDC regulated adapter, 5.5 x 2.1 mm barrel connector, center negative 130mA @ 9VDC 4.84” x 3.74” x 1.77” (123mm x 95mm x 45mm)1.32 lbs. (0.6kg)NOTES© FENDER MUSICAL INSTRUMENTS 2020。
ZOOM电吉他效果器中文说明书
1、打开电源和使用在装好电池和使用交流电的时候打开开关！（位于电源接口旁边）主屏幕当前显示当前所用的效果，包括效果图像和虚拟旋钮，可以通过每一块显示屏下面对应的旋钮来控制。
编辑效果参数，屏幕显示参数名称，页选项卡，参数值，如果有可调节的参数多于3个将会有多个选项卡！可以通过对应的旋钮来更改参数！2、调整效果确认主屏幕所显示效果，使用踩钉可以打开或关闭效果，当打开效果时踩钉旁边的红灯会亮，否则会灭。
选择效果类型按上下选择键可以更换所选的效果，调整会自动保存，效果列表请参阅33页！若要调整参数，转动对应旋钮改变页面，按PAGE键，下一个页面会打开！3、选择补丁（patch）在这里补丁就是预设出厂音色确认首页显示内容要激活补丁选择，按下左起第一个踩钉一秒钟以激活补丁，屏幕将显示补丁库的编号和名称；若要更改补丁按左起第二个踩钉选择前一个补丁，按第三个踩钉选择下一个补丁，旋转中间效果的对应旋钮就能改变补丁编号和名称；如果要更改库同时按下一号踩钉和二号踩钉选择前一个库，同时按下三号四号踩钉选择下一个库，旋转中间效果的对应旋钮可以改变库的编号和名称。
同时按下两个踩钉时可能会感应较早按下的踩钉，要注意避免这种情况。
返回主页按下一号踩钉一秒！4、存储补丁G3自动保存设置时调整的参数要存储或换用不同的补丁，按STORE／SWAP键，屏幕显示如下，图见说明书P12第一个图。
通过转动左边效果的最左边旋钮来选择是否存储或交换补丁。
要设置存储或交换新的补丁的位置转动右边效果的二号旋钮给更改的补丁或存储的更换编号。
转动左边效果最左边旋钮更改该库的存储或更换（当前使用的补丁不能作为选择目标）要存储／换用完整补丁按STORE／SWAP键，屏幕显示”COMPLETE”后，打开STORE／SWAP交换补丁（如果要退出，按除了STORE／SWAP以外的任意键。
5、设置特定的补丁参数按TOTAL键激活总菜单，转动左边效果的第一个旋钮来调整补丁级别，范围0~120。
ZOOM GFX效果器中文说明书
ZOOM GFX-5吉他综合效果器中文说明书2008年05月16日星期五下午 10:05GFX-8 说明书第一部分:安全与使用须知! 本章大部分内容都没什么意思,建议使用原配的AC 电源!不要放在潮湿的地方,灰多的地方和震动强烈的地方它特别提到不要用力地去踩按键(哈哈),还有就是不论差拔任何效果器上的线头,都要求把GFX8先断电.第二部分:总介介绍了它的如下功能: 1.效果的多种排列: 变量建模系统(VAMS)可以适应单元的内在结构以达到正确的所需模式.GFX8提供69个效果包括各种著名的吉他音箱和其他早期设备的音色的超现代处理功能.可以自由地同时使用九种效果.调制(周边)效果和延时混响效果允许两种用户设置所有需要的设置都能轻易解决 2.有经验的失真技术: 使用了ZOOM发展的新技术,GFX8可以真实地是著名音箱及前级的特色重现,包括从传统的OVERDRIVE到高增益的FUZZ.内建音箱模拟,这使你能建立起更加真实的失真效果.此外也包括两种用户时针,让你可以建立自己的声音! 3"简易编辑"特色在这一系列的功能中,简易编辑是让你能够简单地使用面板上的各个单元来编辑.你可以切换效果,整理四段均衡,控制失真度,控制延时/混响效果的主要参数.操作快速直观,就像用单块一样(TMD,如果真这样我还翻译个P) 4.MIDI功能提供MIDI输入和输出,允许使用MIDI音序器或者键盘来进行微调,或者控制MIDI兼容的吉他音箱或者GFX8的其他设备.数据能通过MIDI连接来传输 5.支持编辑软件支持编辑软件,使你可以在电脑(WIN或MAC系统)编辑音色.它也能更细致地调节用户面板上的设置 6.广阔的音色图书馆一个音色是储存在存储器里的效果和参数的集合,及一个八字的名字.GFX8可以有空间放下80个可读写的用户音色,加上160个只读的赠送音色,总共有240个音色 7.内建取样器和重放功能总共可以录制25秒,此外,回放功能可以让你有12秒的录音在普通,倒放,自由方式下重复播放.并且可以控制方法的速度.这个功能可以让你录制动机,AUXIN接口可以让你把CD,磁带或者MD连接上,让你可以同步进行练习.8.演出使用的设计强硬的金属底盘可以让你在一些恶劣的环境下使用,踏板和按键适合你在演出时使用,你很容易能看到各个音色的名字,输出更加专业!NAMING OF PARTS首先显示器分成两部分，左边是显示音色名，右边是显示音色所在的组（GROUP）和页（BANK），比如U6表示U（用户音色组）组第6页（每一页又有4个音色，由4个小踏板控制）。
吉他效果器软件 Guitar rig 3使用说明
Guitar rig 3使用说明大家知道，传统录制电吉他是使用话筒直接拾吉他音箱的声音。
这种录音方法声音自然而真实。
但是好的音色未必录的出来，没有好的音箱、话筒和周边设备，想录好电吉他声音是很困难的，更重要的是我们一般没有很好的录音环境。
现在流行一些硬件的音箱模拟器，比如BOSS GT系列，LINE6 POD系列等等，可以直接连接到调音台录音，节省了很多时间。
不过我要告诉你的是，我们的电脑也能作这些硬件音箱模拟器的工作.今天门子讲的Guitar rig 正是软件吉他效果的顶级“设备”。
Guitar rig是NI公司出品的一款仿机架式软效果器，包括软件和一个脚蹋控制器（同时也是一个DI），能够组成超强的模块化吉他效果系统。
它能够仿真我们在专业录音棚能够找到的各种高级设备。
Guitar rig有两种工作母模式，它可以独立运行，直接演奏。
也可以作为一个Audio Units、VST、RTAS、DXi插件被各种流行的音乐制作软件调用。
其最新版本是3.X.X 版。
下面我们就打开NUENDO，建立一个音轨，将guitar rig作为一个插入式效果调入：具体的方法就不再介绍了。
看！这是Guitar rig主界面，它主要有4部分组成：1．机架界面，这是仿照录音棚标准机架而制作的效果器模块“盒”，失真，均衡，过载，失真等等都在这里被调入，值得一说的是箱体和话筒摆位也被抽象成了“效果器”加载在这个盒子里。
这是后话，一会再说2．效果保存与读取界面，这个顾名思义，预设的效果和调好的效果都可以存在这里。
3．节拍器，校音器和录音机都在这里调，它上方是input和output的电平这是很重要的东西。
4．调整模式用的3个按钮，分别是“预设效果”“机架效果器调入”“系统设置”。
好啦，相信大家已经等不及了，我们先来调一个音色玩玩，先把它默认的一个箱体和话筒摆放“效果器”关掉：关掉箱体和话筒摆放“效果器”按效果器旁边的小“叉叉”即可关闭这个效果器。
ZOOM GFX-4效果器参数设置
ZNR = 0 presence = 5 trebble 1.6kHz = 4 middle 1.2kHz = 6 bass 125Hz = -8 eq level = 24 amp type = off cabinet = offcabt dept = off AccousticTop = 9Body = 8Tone = 5Level = 30CE Chorus Depth = 30Rate = 25Tone = 35CE Mix = 28Rev HallTime = 10Pre-dly = 40 Tone = 5Hall Mix = 6ZNR = 10 presence = 9 trebble = 9, f1.6 middle = 0, f80 bass = 2, f16eq level = 25 amp type = LS cabinet = Stcabt dept = 0Fdr CleanGain = 26Pre Gain = 7 Tone = 5Level = 25StepDepth = 50Step Rate = 33Feedback = 40 Stereo Cho Depth = 35 Rate = 25 Tone = 17 StCh Mix = 29ZNR = 10 presence = 9 trebble = 9, f1.6 middle = 0, f80 bass = 2, f16 eq level = 25 amp type = LS cabinet = St cabt dept = 0 Fdr Clean Gain = 26Pre Gain = 7 Tone = 5Level = 25 PhaseReso = 46Pha Rate = 31 Char = 4Pos = bFPP Delay Timex100 = 4 Timex1= 7 Feedback= 15 PPD Mix = 23ZNR = 3 presence = 3 trebble = 0 middle = -3eq level = 25amp type = accabinet = lscabt dept = 1Compsens = 2attack = 3Tone = 4Level = 22CE Chorusmix = 12rate = 1 or 2tone = neutral or lesslevel= 25Rev Halldelay =14pre delay = 20tone = neutral or lesshall mix = 15 ish depending on venueZNR = 4presence = 5trebble = 3middle = 2bass = -6eq level = 25amp type = LScabinet = Stcabt dept = 0AccousticTop = 8Body = 10Tone = 5Level = 10PhaseReso = 41Pha Rate = 14Char = 2Position = AfRev RoomPre Dly = 40Tone = 5Mix= 30ZNR = 10presence = 1trebble = -3middle = 4bass = 6eq level = 25amp type = Ascabinet = Stcabt dept = 4Comptone =3comp sns = 5attack = 7level = 30CE Chorusdepth = 24rate = 26tone = 6ce mix = 37Dly+Halldly time = 30dly fb = 14dly mix = 25hall mix = 30效果器参数（更新中。
ZoomG3综合效果器评测
Zoom G3综合效果器评测作者：Sagy核心提示：这款G3拥有坚固的金属底盘，耐用的踏钉开关，所以它非常适合你在演出中使用。
在这里，实用性尤为重要：金属踏钉可以很轻松的用脚踩下，旋钮采用的凹入式的配置，所以它们几乎无法被某些外来的力量而移动位置导致参数不经意间的改变，而三个单独的显示窗看起来也非常直观。
Zoom一直在不断地推出G系列综合效果器踏板，不过这台G3似乎与它们之前推出的效果器有些不同。
然而G2Nu和G2.1Nu还是遵循着以前的传统，安排了九个模块一组的设置，而G3则只是由三个模块组成，每个都包含有94种单块模拟或13种音箱模拟。
这三个模块的每个模块都可以通过其自身的脚踏开关，来看到其详细的音色参数，并使用相对应的旋钮和按钮对它们进行调节。
G3的内部提供了一百种不同的音色（10个Bank,每个Bank里有10个音色），都是由这三个模块通过不同的模拟组合制作而成的。
另外，G3还拥有40秒的循环Loop功能，内置40种不同风格节奏的鼓点，并配有两进两出的USB接口，可以让你把它连接在电脑上进行操作。
它的整个面积为203 x 254mm，不会比普通的三个单块占用更多的空间。
这款G3拥有坚固的金属底盘，耐用的踏钉开关，所以它非常适合你在演出中使用。
在这里，实用性尤为重要：金属踏钉可以很轻松的用脚踩下，旋钮采用的凹入式的配置，所以它们几乎无法被某些外来的力量而移动位置导致参数不经意间的改变，而三个单独的显示窗看起来也非常直观。
打开它之后，我们可以通过它的三个踏板立刻得到三种效果，你可以通过一对音色选择按钮来通过上下滚动选择音色，或者可以通过脚踏开关进行选择。
踩住第一个踏钉，那么其它的两个踏钉就可以代替面板上的上下选择按键来使用了。
这时，踩下第二个踏钉是向下选，第三个踏钉则是向上选（你也可以通过同时踩踏钉1和踏钉2或者踏钉2和踏钉3来改变音色组，从而快速的找到音色）。
在这种模式下，音色的序号会在中间的窗口显示，右侧的窗口将显示该音色的名称。
Voodoo Lab Guitar Preamp使用手册说明书
PREAMP MANUALOWNER’S MANUALD I G I T A L M U S I C C O R P O R A T I O NCongratulations on your choice of product! The three channel, all tube V oodoo Lab Guitar Preamp was designed to be simply the most effective and organic direct recording tool available for guitar, as well as a centerpiece to the live rig of any tone connoisseur. Careful attention was paid in the design stage to provide tighter and more even bass response than you find in many vintage circuits, with an emphasis on string definition and picking dynamics. Most important was capturing the elusive feel and “vibe” of a vintage tube amp.UNP ACKINGY our V oodoo Lab Guitar Preamp box should contain the following:1. Guitar Preamp2.Footswitch3. AC power cord4. This manual5. Warranty cardPlease take a moment to fill out and mail in your warranty card. This will register your warranty, make you eligible for technical support, and allow us to notify you with updates and new product information. Don’t worry, we respect your privacy and never sell our mailing list.SAFETY PRECAUTIONSY our Preamp is a professional piece of equipment. Always use common sense and observe these precautions:Always make sure the unit is properly grounded.Shut the unit off and disconnect AC power before changing fuse or tubes.Always insure adequate air circulation around Preamp.Always turn off the power of all related equipment before making connections.Do not use excessive force in handling buttons, switches, or controls.FRONT P ANEL1.Power switch2.Cabinet Simulator – In/Out3.Cabinet Simulator – 2x12 Open/4x12 Closed4.Green V olume – volume control for Clean channel5.Green Treble – treble EQ control for Clean channel6.Green Mid – midrange EQ control for Clean channel7.Punch Switch – changes EQ curve of Clean channel to accentuate the lower-mid frequencies8.Green Bass – bass EQ control for Clean channel9.Green Bright Switch – enhances high frequencies in the Clean channel10.Green Gain – gain control for Clean channel11.Channel Select – Select between Clean and Rhythm/Lead12.Channel Select – Select Rhythm or Lead13.Y ellow V olume – volume control for Rhythm channel14.Red V olume – volume control for Lead channel15.Red/Y ellow Treble – treble EQ control for both Rhythm and Lead channels16.Red/Y ellow Mid – midrange EQ control for both Rhythm and Lead channels17.Shift Switch – shifts EQ curve of both Rhythm and Lead channels to accentuate thelower-mid and lower-high frequencies18.Red/Y ellow Bass – bass EQ control for both Rhythm and Lead channels19.Y ellow Bright Switch – enhances high frequencies in the Rhythm channel20.Y ellow Gain – gain control for the Rhythm channel21.Red Bright Switch – enhances high frequencies in the Lead channel22.Red Gain – gain control for the Lead channel23.Input jack – standard 1⁄4"instrument level inputBACK P ANEL1.Footswitch Jack – 1⁄4"TRS input jack for footswitch2.Direct Out 1 – balanced XLR with Cabinet Simulator3.Direct Out 2 – unbalanced 1⁄4"with Cabinet Simulator4.Preamp Out (2) – standard 1⁄4"outputs5.AC In – AC power input jack – this is a standard “IEC-style” connector CONNECTIONSHere are some of the possible ways that your Preamp can be configured into your setup: RECORDING:Direct out to recording console setupLIVE:Pre-amp/power amp setupPre-amp/power amp/effects setupLIVE (continued):Pre-amp/amplifier head setupPre-amp/power amp/PA setupY our Preamp comes equipped with a footswitch for channel selection. To use it, simply plug the 1⁄4" jack from the captured cord into the footswitch jack on the back panel. Plugging into this jack dis-ables the channel select switches on the front panel.SWITCHING CHANNELS WITH A GCX AUDIO SWITCHERY ou can also switch the channels of your Guitar Preamp with an external switching device like the Digital Music GCX Guitar Audio Switcher. In order to do this you will need an insert point cable, which goes from a stereo 1⁄4"plug on one end to two mono 1⁄4"plugs on the other. One of the mono jacks will be ring/sleeve and the other will be tip/sleeve. Y ou will need to have two loops open in your GCX to switch channels.Take the stereo end of the cable and plug it into the Footswitch jack on the back panel. Then tale the two mono ends and plug them into the OUT/N.O. jacks of two free GCX loops like this:When Loop 3 is open and Loop 4 is closed, the Clean channel will be selected. When both loops are closed the Rhythm channel will be selected, and when Loop 3 is closed and Loop 4 is open the Lead channel will be selected.Y our Guitar Preamp is designed to bring the warmth of an all tube signal path to any musical situation. Here is a brief description of the character of each channel:CLEAN CHANNELThe Clean channel is modeled after the legendary “black face era” American amps of the mid-60’s. It’s airy and open sounding, with lots of spank and headroom for clean guitar sounds of many flavors –from rhythmic funk to sparkly pop to country twang. Higher gain settings will reveal a slightly compressed and meatier sound that will start to break up when the Gain knob is turned up all the way. The Punch switch will add a more throaty, punchier element to your sound by accentuating the lower-mid frequencies, while the Bright switch will bring out the highs and let you dial in as much high-end sheen as you could ever want without thinning out your tone or sounding tinny. RHYTHM CHANNELThe Rhythm channel is extremely versatile! A fertile source for a wide palette of earthy, crunchy tones that recall the “plexi era” British amps of the late 60’s, the Rhythm channel is also a great choice for blues and country players who want a little bit of grind behind their sound. One of the most desirable characteristics of the Rhythm channel is the way it cleans up as you back off the volume on your guitar,yielding a rich and full tone that is subtle yet clear.Higher gain settings reveal a saturated grind with plenty of sustain for single-note playing and solos. The Shift switch (shared with the Lead channel) shifts the whole curve of the EQ section down, which tends to accentuate both the lower midrange and the lower high frequencies. In addition to adding a bit of bottom end “oomph”, the Shift switch makes the Treble control more active, and will push your signal into saturation with a little more urgency. The Bright switch brings out the high-end frequencies, and is particularly valuable if you are going for that scooped-mid type of tone.LEAD CHANNELThe Lead channel is the side of the Preamp that is the most modern and aggressive. It saturates even at lower Gain settings, and gives you that searing, “violin-like” lead tone with long and smooth sustain that has become the signature of many prog-rock and heavy metal guitar styles. The Lead channel is also great for heavy riffs and rhythm parts; the tightness and definition in the low end that characterizes the Preamp overall really comes into it’s own for heavier playing styles.CABINET SIMULATIONY our Preamp is also equipped with our Cab Tone analog speaker emulation circuitry. The Cabinet Simulator offers accurate and punchy emulations of either 2x12 open back or 4x12 closed back speaker cabinets, and is the icing on the cake of the Preamp when it comes to direct recording. Y our signal goes through the Cabinet Simulator when you use either the XLR or the 1⁄4"direct outputs on the back panel. The XLR output is balanced and should always be used for longer cable runs. The1⁄4"output is unbalanced and can be used any time it’s more convenient to use that style connection. The Cabinet Simulator is also great when you are using one of the direct outs to feed the P.A. in a live situation.Digital Music warrants this product against defects that are due to faulty material or workmanship for a period of five years from the date of original retail purchase. This warranty does not include vacuum tubes or damage to the product from accident or misuse. This warranty is given to the origi-nal purchaser only and is not assignable to any other person.If the product should become defective within the warranty period, Digital Music will repair it or replace it free of charge, provided it’s returned freight prepaid to Digital Music with a valid RMA (return material authorization) number.This warranty shall not apply to any goods that have been repaired or altered by anyone other than the manufacturer. There are no warranties which extend beyond the terms described herein.Should you experience any difficulty with this Digital Music product, contact us as described below. If it’s determined that the product must be returned to the factory for repair, you will be issued an RMA and given shipping and packaging instructions.Y ou can reach us by any of the following:Tel:707 545 0600Fax:707 545 9777Mail:V oodoo Lab3165 Coffey Lane, Santa Rosa, CA 95403Email:******************Website:。
Zoom505-2效果Zoom505-2效果器使用说明书
Zoom505-2效果Zoom505-2效果器使用说明书Zoom505-2效果Zoom505-2效果器使用说明书一、原厂的24种音色尽管鲜有人使用，但还是有必要说明一下，这是你进行各类音色设置的最直接参照，在此基础上修改会事半功倍。
A组：1-适合于SOLO的失真2-带延迟效果的原音3-适合于节奏的失真4-极度失真的重金属B组：1-适合SOLO的浅失真2-带哇音的过载失真3-带飘忽效果的原音4-带和声效果的原音C组：1-适合节奏的浅失真2-带和唱效果的原音3-重金属效果的失真4-略带飘忽的电原音D组：1-另外一种过载失真2-带飘忽效果的FUNK3-闪烁回音的浅失真4-木吉他的仿真效果E组：F组：（因进行了复杂设置，原厂音色记不清了，懒的再恢复，呵呵，大伙多原谅。
）二、演奏中变换音色的方法：1、基本的：连接好以后，接通电源（或装电池，接上吉他即开。
505没有电源开关。
）根据需要踩（踩一下即可）踏板1或踏板2，你将看到组、号的逐次变换，这时，就出现了相应的音色。
非演奏中，比如分段录音时，还可以使用图1中的“组的更换键”，这样，每次按一下，将变换一个组，而组号不变。
2、锁定音色A、锁定一组：进入该组，按住“编辑键”，1秒钟后进入锁定组的状态，再次按住，1秒钟后自动解锁。
B、缩定单一音色：同上，所不同的是按住“存储键”。
三、直通和调弦功能将踏板1和踏板2同时踩下后，进入直通状态，此状态中可以调弦。
弹响一个音后，505将自动显示该音的首调唱名，同时，有一个闪烁的小灯，这是该音的标准位置指示灯，其他闪动的灯与此平齐时，显示的唱名和你的弹奏音音高一致。
我个人通常使用12品泛音+7品音调弦。
结束直通：随意踩下踏板1或踏板2（无须同时踩下）。
四、外接踏板的使用（图2-3的插孔说明）这是一个很容易被忽视的地方，大伙普遍都认为505不值得外接踏板，其实，它在这方面的性能还是很不凡的。
因我的条件有限，只借了个踏板简单的玩了一次，可能说的有错漏。