英语演讲稿-经典名人英语演讲稿74：汤姆.克鲁斯第74届奥斯卡颁奖典礼开幕词mp3

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国际名人的演讲英语作文

国际名人的演讲英语作文1. "Life is what happens when you're busy making other plans." John Lennon。

Life is unpredictable, isn't it? We often find ourselves caught up in our plans and ambitions, forgetting to live in the present moment. John Lennon, the legendary musician, once said, "Life is what happens when you're busy making other plans." It's a powerful reminder to embrace the spontaneity of life and appreciate the little moments that make it worth living.2. "The only way to do great work is to love what you do." Steve Jobs。

Passion is the key to success. Steve Jobs, the co-founder of Apple Inc., believed that "the only way to do great work is to love what you do." When we are truly passionate about our work, it becomes more than just a job; it becomes a source of joy and fulfillment. It motivates usto push boundaries, think creatively, and achieve greatness.3. "In the end, it's not the years in your life that count. It's the life in your years." Abraham Lincoln。

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿以下这篇由应届毕业生演讲稿网站整理提供的是《阿凡达》、《泰坦尼克号》的导演詹姆斯·卡梅隆(james cameron)的一篇ted演讲。

在这个演讲里，卡梅隆回顾了自己从电影学院毕业后走上导演道路的故事。

卡梅隆告诉你，不要畏惧失败，永远不要给自己设限。

更多演讲稿范文，欢迎访问应届毕业生演讲稿网站!i grew up on a steady diet of science fiction. in high school, i took a bus to school an hour each way every day. and i was always absorbed in a book, science fiction book, which took my mind to other worlds, and satisfied, in a narrative form, this insatiable sense of curiosity that i had.and you know, that curiosity also manifested itself in the fact that whenever i wasn't in school i was out in the woods, hiking and taking "samples" -- frogs and snakes and bugs and pond water -- and bringing it back, looking at it under the microscope. you know, i was a real science geek. but it was all about trying to understand the world, understand the limits of possibility.and my love of science fiction actually seemed mirrored in the world around me, because what was happening, this was in the late '60s,we were going to the moon, we were exploring the deep oceans.jacques cousteau was coming into our living rooms with his amazing specials that showed us animals and places and a wondrous world that we could never really have previously imagined. so, that seemed to resonate with the whole science fiction part of it.and i was an artist. i could draw. i could paint. and i found that because there weren't video gamesand this saturation of cg movies and all of this imagery in the media landscape, i had to create these images in my head. you know, we all did, as kids having to read a book, and through the author's description, put something on the movie screen in our heads. and so, my response to this was to paint, to draw alien creatures, alien worlds, robots, spaceships, all that stuff. i was endlessly getting busted in math class doodling behind the textbook. that was -- the creativity had to find its outlet somehow.and an interesting thing happened: the jacques cousteau shows actually got me very excited about the fact that there was an alien world right here on earth. i might not really go to an alien world on a spaceship someday -- that seemed pretty darn unlikely. but that was a world i couldreally go to, right here on earth, that was as rich and exotic as anything that i had imagined from reading these books.so, i decided i was going to become a scuba diver at the age of 15. and the only problem with that was that i lived in a little village in canada, 600 miles from the nearest ocean. but i didn't let that daunt me. i pestered my father until he finally found a scuba class in buffalo, new york, right across the border from where we live. and i actually got certified in a pool at a ymca in the dead of winter in buffalo, new york. and i didn't see the ocean, a real ocean, for another two years, until we moved to california.since then, in the intervening 40 years, i've spent about 3,000 hours underwater, and 500 hours of that was in submersibles. and i've learned that that deep-ocean environment, and even the shallow oceans,are so rich with amazing life that really is beyond our imagination. nature's imagination is so boundlesscompared to our own meager human imagination. i still, to this day, stand in absolute awe of what i see when i make these dives. and my love affair with the ocean is ongoing, and just as strong as it ever was.but when i chose a career as an adult, it was filmmaking. and that seemed to be the best way to reconcile this urge i had to tell stories with my urges to create images. and i was, as a kid, constantly drawing comic books, and so on. so, filmmaking was the way to put pictures and stories together, and that made sense. and of course the stories that i chose to tell were science fiction stories: "terminator," "aliens" and "the abyss." and with "the abyss," i was putting together my love of underwater and diving with filmmaking. so, you know, merging the two passions.something interesting came out of "the abyss," which was that to solve a specific narrative problem on that film, which was to create this kind of liquid water creature, we actually embraced computer generated animation, cg. and this resulted in the first soft-surface character, cg animation that was ever in a movie. and even though the film didn't make any money -- barely broke even, i should say -- i witnessed something amazing, which is that the audience, the global audience, was mesmerized by this apparent magic.you know, it's arthur clarke's law that any sufficiently advanced technology is indistinguishable from magic. they were seeing somethingmagical. and so that got me very excited. and i thought, "wow, this is something that needs to be embraced into the cinematic art." so, with "terminator 2," which was my next film, we took that much farther. working with ilm, we created the liquid metal dude in that film. the success hung in the balance on whether that effect would work. and it did, and we created magic again, and we had the same result with an audience -- although we did make a little more money on that one.so, drawing a line through those two dots of experience came to, "this is going to be a whole new world," this was a whole new world of creativity for film artists. so, i started a company with stan winston, my good friend stan winston, who is the premier make-up and creature designer at that time, and it was called digital domain. and the concept of the company was that we would leapfrog past the analog processes of optical printers and so on, and we would go right to digital production. and we actually did that and it gave us a competitive advantage for a while.but we found ourselves lagging in the mid '90s in the creature and character design stuff that we had actually founded the company to do.so, i wrote this piece called "avatar," which was meant to absolutely push the envelope of visual effects, of cg effects, beyond, with realistic human emotive characters generated in cg, and the main characters would all be in cg, and the world would be in cg. and the envelope pushed back, and i was told by the folks at my company that we weren't going to be able to do this for a while.so, i shelved it, and i made this other movie about a big ship that sinks. (laughter) you know, i went and pitched it to the studio as "'romeo and juliet' on a ship: "it's going to be this epic romance,passionate film." secretly, what i wanted to do was i wanted to dive to the real wreck of "titanic." and that's why i made the movie. (applause) and that's the truth. now, the studio didn't know that. but i convinced them. i said, "we're going to dive to the wreck. we're going to film it for real. we'll be using it in the opening of the film. it will be really important. it will be a great marketing hook." and i talked them into funding an expedition. (laughter)sounds crazy. but this goes back to that theme about your imagination creating a reality. because we actually created a realitywhere six months later, i find myself in a russian submersible two and a half miles down in the north atlantic, looking at the real titanic through a view port. not a movie, not hd -- for real. (applause)now, that blew my mind. and it took a lot of preparation, we had to build cameras and lights and all kinds of things. but, it struck me how much this dive, these deep dives, was like a space mission. you know, where it was highly technical, and it required enormous planning. you get in this capsule, you go down to this dark hostile environment where there is no hope of rescue if you can't get back by yourself. and i thought like, "wow. i'm like, living in a science fiction movie. this is really cool."and so, i really got bitten by the bug of deep-ocean exploration. of course, the curiosity, the science component of it -- it was everything. it was adventure, it was curiosity, it was imagination. and it was an experience that hollywood couldn't give me. because, you know, i could imagine a creature and we could create a visual effect for it. but i couldn't imagine what i was seeing out that window. as we did some of our subsequent expeditions, i was seeing creatures at hydrothermal vents and sometimes things that i had never seen before, sometimesthings that no one had seen before, that actually were not described by science at the time that we saw them and imaged them.so, i was completely smitten by this, and had to do more. and so, i actually made a kind of curious decision. after the success of "titanic," i said, "ok, i'm going to park my day job as a hollywood movie maker, and i'm going to go be a full-time explorer for a while." and so, we started planning theseexpeditions. and we wound up going to the bismark, and exploring it with robotic vehicles. we went back to the titanic wreck. we took little bots that we had created that spooled a fiber optic. and the idea was to go in and do an interior survey of that ship, which had never been done. nobody had ever looked inside the wreck. they didn't have the means to do it, so we created technology to do it.so, you know, here i am now, on the deck of titanic, sitting in a submersible, and looking out at planks that look much like this, where i knew that the band had played. and i'm flying a little robotic vehiclethrough the corridor of the ship. when i say, "i'm operating it," but my mind is in the vehicle. i felt like i was physically present inside the shipwreck of titanic. and it was the most surreal kind of deja vuexperience i've ever had, because i would know before i turned a corner what was going to be there before the lights of the vehicle actually revealed it, because i had walked the set for months when we were making the movie. and the set was based as an exact replica on the blueprints of the ship.so, it was this absolutely remarkable experience. and it really made me realize that the telepresence experience -- that you actually can have these robotic avatars, then your consciousness is injected into the vehicle, into this other form of existence. it was really, really quite profound. and it may be a little bit of a glimpse as to what might be happening some decades out as we start to have cyborg bodies for exploration or for other means in many sort of post-human futures that i can imagine, as a science fiction fan.so, having done these expeditions, and really beginning to appreciate what was down there, such as at the deep ocean vents where we had these amazing, amazing animals -- they're basically aliens right here on earth. they live in an environment of chemosynthesis. they don't survive on sunlight-basedsystem the way we do. and so, you're seeinganimals that are living next to a 500-degree-centigradewater plumes. you think they can't possibly exist.at the same time i was getting very interested in space science as well -- again, it's the science fiction influence, as a kid. and i wound up getting involved with the space community, really involved with nasa, sitting on the nasa advisory board, planning actual space missions, going to russia, going through the pre-cosmonaut biomedical protocols, and all these sorts of things, to actually go and fly to the international space station with our 3d camera systems. and this was fascinating. but what i wound up doing was bringing space scientists with us into the deep. and taking them down so that they had access -- astrobiologists, planetary scientists, people who were interested in these extreme environments -- taking them down to the vents, and letting them see, and take samples and test instruments, and so on.so, here we were making documentary films, but actually doing science, and actually doing space science. i'd completely closed the loop between being the science fiction fan, you know, as a kid, and doing this stuff for real. and you know, along the way in this journey of discovery, ilearned a lot. i learned a lot about science. but i also learned a lot about leadership. now you think director has got to be a leader, leader of, captain of the ship, and all that sort of thing.i didn't really learn about leadership until i did these expeditions. because i had to, at a certain point, say, "what am i doing out here? why am i doing this? what do i get out of it?" we don't make money at these damn shows. we barely break even. there is no fame in it. people sort of think i went awaybetween "titanic" and "avatar" and was buffing my nails someplace, sitting at the beach. made all these films, made all these documentary films for a very limited audience.no fame, no glory, no money. what are you doing? you're doing it for the task itself, for the challenge --and the ocean is the most challenging environment there is -- for the thrill of discovery, and for that strange bond that happens when a small group of people form a tightly knit team. because we would do these things with 10, 12 people, working for years at a time, sometimes at sea for two, three months at a time.and in that bond, you realize that the most important thing is therespect that you have for them and that they have for you, that you've done a task that you can't explain to someone else. when you come back to the shore and you say, "we had to do this, and the fiber optic, and the attentuation, and the this and the that, all the technology of it, and the difficulty, the human-performance aspects of working at sea," you can't explain it to people. it's that thing that maybe cops have, or people in combat that have gone through something together and they know they can never explain it. creates a bond, creates a bond of respect.so, when i came back to make my next movie, which was "avatar," i tried to apply that same principle of leadership, which is that you respect your team, and you earn their respect in return. and it really changed the dynamic. so, here i was again with a small team, in uncharted territory, doing "avatar," coming up with new technology that didn't exist before. tremendously exciting. tremendously challenging. and we became a family, over a four-and-half year period. and it completely changed how i do movies. so, people have commented on how, "well, you know, you brought back the ocean organisms and put them on the planet of pandora." to me, it was more of a fundamental way of doing business,the process itself, that changed as a result of that.so, what can we synthesize out of all this? you know, what are the lessons learned? well, i think number one is curiosity. it's the most powerful thing you own. imagination is a force that can actually manifest a reality. and the respect of your team is more important than all the laurels in the world. i have young filmmakers come up to me and say, "give me some advice for doing this." and i say, "don't put limitations on yourself. other people will do that for you -- don't do it to yourself, don't bet against yourself, and take risks."nasa has this phrase that they like: "failure is not an option." but failure has to be an option in art and in exploration, because it's a leap of faith. and no important endeavor that required innovation was done without risk. you have to be willing to take those risks. so, that's the thought i would leave you with, is that in whatever you're doing, failure is an option, but fear is not. thank you. (applause)译文：我是看科幻小说长大的。

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿_演讲稿

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿以下这篇由站整理提供的是《阿凡达》、《泰坦尼克号》的导演詹姆斯·卡梅隆(James Cameron)的一篇TED演讲。

在这个演讲里，卡梅隆回顾了自己从电影学院毕业后走上导演道路的故事。

卡梅隆告诉你，不要畏惧失败，永远不要给自己设限。

更多演讲稿范文，欢迎访问站!I grew up on a steady diet of science fiction. In high school, I took a bus to school an hour each way every day. And I was always absorbed in a book, science fiction book, which took my mind to other worlds, and satisfied, in a narrative form, this insatiable sense of curiosity that I had.And you know, that curiosity also manifested itself in the fact that whenever I wasn't in school I was out in the woods, hiking and taking "samples" -- frogs and snakes and bugs and pond water -- and bringing it back, looking at it under the microscope. You know, I was a real science geek. But it was all about trying to understand the world, understand the limits of possibility.And my love of science fiction actually seemed mirrored in 1 / 19the world around me, because what was happening, this was in the late '60s, we were going to the moon, we were exploring the deep oceans.Jacques Cousteau was coming into our living rooms with his amazing specials that showed us animals and places and a wondrous world that we could never really have previously imagined. So, that seemed to resonate with the whole science fiction part of it.And I was an artist. I could draw. I could paint. And I found that because there weren't video gamesand this saturation of CG movies and all of this imagery in the media landscape, I had to create these images in my head. You know, we all did, as kids having to read a book, and through the author's description, put something on the movie screen in our heads. And so, my response to this was to paint, to draw alien creatures, alien worlds, robots, spaceships, all that stuff. I was endlessly getting busted in math class doodling behind the textbook. That was -- the creativity had to find its outlet somehow.And an interesting thing happened: The Jacques Cousteau shows actually got me very excited about the fact that there was an alien world right here on Earth. I might not really go to an alien world on a spaceship someday -- that seemed pretty 2 / 19darn unlikely. But that was a world I could really go to, right here on Earth, that was as rich and exotic as anything that I had imagined from reading these books.So, I decided I was going to become a scuba diver at the age of 15. And the only problem with that was that I lived in a little village in Canada, 600 miles from the nearest ocean. But I didn't let that daunt me. I pestered my father until he finally found a scuba class in Buffalo, New York, right across the border from where we live. And I actually got certified in a pool at a YMCA in the dead of winter in Buffalo, New York. And I didn't see the ocean, a real ocean, for another two years, until we moved to California.Since then, in the intervening 40 years, I've spent about 3,000 hours underwater, and 500 hours of that was in submersibles. And I've learned that that deep-ocean environment, and even the shallow oceans,are so rich with amazing life that really is beyond our imagination. Nature's imagination is so boundlesscompared to our own meager human imagination. I still, to this day, stand in absolute awe of what I see when I make these dives. And my love affair with the ocean is ongoing, and just as strong as it ever was.3 / 19But when I chose a career as an adult, it was filmmaking. And that seemed to be the best way to reconcile this urge I had to tell stories with my urges to create images. And I was, as a kid, constantly drawing comic books, and so on. So, filmmaking was the way to put pictures and stories together, and that made sense. And of course the stories that I chose to tell were science fiction stories: "Terminator," "Aliens" and "The Abyss." And with "The Abyss," I was putting together my love of underwater and diving with filmmaking. So, you know, merging the two passions.Something interesting came out of "The Abyss," which was that to solve a specific narrative problem on that film, which was to create this kind of liquid water creature, we actually embraced computer generated animation, CG. And this resulted in the first soft-surface character, CG animation that was ever in a movie. And even though the film didn't make any money -- barely broke even, I should say -- I witnessed something amazing, which is that the audience, the global audience, was mesmerized by this apparent magic.You know, it's Arthur Clarke's law that any sufficiently advanced technology is indistinguishable from magic. They were 4 / 19seeing something magical. And so that got me very excited. And I thought, "Wow, this is something that needs to be embraced into the cinematic art." So, with "Terminator 2," which was my next film, we took that much farther. Working with ILM, we created the liquid metal dude in that film. The success hung in the balance on whether that effect would work. And it did, and we created magic again, and we had the same result with an audience -- although we did make a little more money on that one.So, drawing a line through those two dots of experience came to, "This is going to be a whole new world," this was a whole new world of creativity for film artists. So, I started a company with Stan Winston, my good friend Stan Winston, who is the premier make-up and creature designer at that time, and it was called Digital Domain. And the concept of the company was that we would leapfrog past the analog processes of optical printers and so on, and we would go right to digital production. And we actually did that and it gave us a competitive advantage for a while.But we found ourselves lagging in the mid '90s in the creature and character design stuff that we had actually 5 / 19founded the company to do. So, I wrote this piece called "Avatar," which was meant to absolutely push the envelope of visual effects, of CG effects, beyond, with realistic human emotive characters generated in CG, and the main characters would all be in CG, and the world would be in CG. And the envelope pushed back, and I was told by the folks at my company that we weren't going to be able to do this for a while.So, I shelved it, and I made this other movie about a big ship that sinks. (Laughter) You know, I went and pitched it to the studio as "'Romeo and Juliet' on a ship: "It's going to be this epic romance,passionate film." Secretly, what I wanted to do was I wanted to dive to the real wreck of "Titanic." And that's why I made the movie. (Applause) And that's the truth. Now, the studio didn't know that. But I convinced them. I said, "We're going to dive to the wreck. We're going to film it for real. We'll be using it in the opening of the film. It will be really important. It will be a great marketing hook." And I talked them into funding an expedition. (Laughter)Sounds crazy. But this goes back to that theme about your imagination creating a reality. Because we actually created a reality where six months later, I find myself in a Russian 6 / 19submersible two and a half miles down in the north Atlantic, looking at the real Titanic through a view port. Not a movie, not HD -- for real. (Applause)Now, that blew my mind. And it took a lot of preparation, we had to build cameras and lights and all kinds of things. But, it struck me how much this dive, these deep dives, was like a space mission. You know, where it was highly technical, and it required enormous planning. You get in this capsule, you go down to this dark hostile environment where there is no hope of rescue if you can't get back by yourself. And I thought like, "Wow. I'm like, living in a science fiction movie. This is really cool."And so, I really got bitten by the bug of deep-ocean exploration. Of course, the curiosity, the science component of it -- it was everything. It was adventure, it was curiosity, it was imagination. And it was an experience that Hollywood couldn't give me. Because, you know, I could imagine a creature and we could create a visual effect for it. But I couldn't imagine what I was seeing out that window. As we did some of our subsequent expeditions, I was seeing creatures at hydrothermal vents and sometimes things that I had never seen 7 / 19before, sometimes things that no one had seen before, that actually were not described by science at the time that we saw them and imaged them.So, I was completely smitten by this, and had to do more. And so, I actually made a kind of curious decision. After the success of "Titanic," I said, "OK, I'm going to park my day job as a Hollywood movie maker, and I'm going to go be a full-time explorer for a while." And so, we started planning theseexpeditions. And we wound up going to the Bismark, and exploring it with robotic vehicles. We went back to the Titanic wreck. We took little bots that we had created that spooled a fiber optic. And the idea was to go in and do an interior survey of that ship, which had never been done. Nobody had ever looked inside the wreck. They didn't have the means to do it, so we created technology to do it.So, you know, here I am now, on the deck of Titanic, sitting in a submersible, and looking out at planks that look much like this, where I knew that the band had played. And I'm flying a little robotic vehiclethrough the corridor of the ship. When I say, "I'm operating it," but my mind is in the vehicle. I felt like I was physically present inside the shipwreck of Titanic.8 / 19And it was the most surreal kind of deja vu experience I've ever had, because I would know before I turned a corner what was going to be there before the lights of the vehicle actually revealed it, because I had walked the set for months when we were making the movie. And the set was based as an exact replica on the blueprints of the ship.So, it was this absolutely remarkable experience. And it really made me realize that the telepresence experience -- that you actually can have these robotic avatars, then your consciousness is injected into the vehicle, into this other form of existence. It was really, really quite profound. And it may be a little bit of a glimpse as to what might be happening some decades out as we start to have cyborg bodies for exploration or for other means in many sort of post-human futures that I can imagine, as a science fiction fan.So, having done these expeditions, and really beginning to appreciate what was down there, such as at the deep ocean vents where we had these amazing, amazing animals -- they're basically aliens right here on Earth. They live in an environment of chemosynthesis. They don't survive on sunlight-basedsystem the way we do. And so, you're seeing 9 / 19animals that are living next to a 500-degree-Centigradewater plumes. You think they can't possibly exist.At the same time I was getting very interested in space science as well -- again, it's the science fiction influence, as a kid. And I wound up getting involved with the space community, really involved with NASA, sitting on the NASA advisory board, planning actual space missions, going to Russia, going through the pre-cosmonaut biomedical protocols, and all these sorts of things, to actually go and fly to the international space station with our 3D camera systems. And this was fascinating. But what I wound up doing was bringing space scientists with us into the deep. And taking them down so that they had access -- astrobiologists, planetary scientists, people who were interested in these extreme environments -- taking them down to the vents, and letting them see, and take samples and test instruments, and so on.So, here we were making documentary films, but actually doing science, and actually doing space science. I'd completely closed the loop between being the science fiction fan, you know, as a kid, and doing this stuff for real. And you know, along the way in this journey of discovery, I learned a lot. I learned 10 / 19a lot about science. But I also learned a lot about leadership. Now you think director has got to be a leader, leader of, captain of the ship, and all that sort of thing.I didn't really learn about leadership until I did these expeditions. Because I had to, at a certain point, say, "What am I doing out here? Why am I doing this? What do I get out of it?" We don't make money at these damn shows. We barely break even. There is no fame in it. People sort of think I went awaybetween "Titanic" and "Avatar" and was buffing my nails someplace, sitting at the beach. Made all these films, made all these documentary films for a very limited audience.No fame, no glory, no money. What are you doing? You're doing it for the task itself, for the challenge --and the ocean is the most challenging environment there is -- for the thrill of discovery, and for that strange bond that happens when a small group of people form a tightly knit team. Because we would do these things with 10, 12 people, working for years at a time, sometimes at sea for two, three months at a time.And in that bond, you realize that the most important thing is the respect that you have for them and that they have for you, that you've done a task that you can't explain to someone 11 / 19else. When you come back to the shore and you say, "We had to do this, and the fiber optic, and the attentuation, and the this and the that, all the technology of it, and the difficulty, the human-performance aspects of working at sea," you can't explain it to people. It's that thing that maybe cops have, or people in combat that have gone through something together and they know they can never explain it. Creates a bond, creates a bond of respect.So, when I came back to make my next movie, which was "Avatar," I tried to apply that same principle of leadership, which is that you respect your team, and you earn their respect in return. And it really changed the dynamic. So, here I was again with a small team, in uncharted territory, doing "Avatar," coming up with new technology that didn't exist before. Tremendously exciting. Tremendously challenging. And we became a family, over a four-and-half year period. And it completely changed how I do movies. So, people have commented on how, "Well, you know, you brought back the ocean organisms and put them on the planet of Pandora." To me, it was more of a fundamental way of doing business, the process itself, that changed as a result of that.12 / 19So, what can we synthesize out of all this? You know, what are the lessons learned? Well, I think number one is curiosity. It's the most powerful thing you own. Imagination is a force that can actually manifest a reality. And the respect of your team is more important than all the laurels in the world. I have young filmmakers come up to me and say, "Give me some advice for doing this." And I say, "Don't put limitations on yourself. Other people will do that for you -- don't do it to yourself, don't bet against yourself, and take risks."NASA has this phrase that they like: "Failure is not an option." But failure has to be an option in art and in exploration, because it's a leap of faith. And no important endeavor that required innovation was done without risk. You have to be willing to take those risks. So, that's the thought I would leave you with, is that in whatever you're doing, failure is an option, but fear is not. Thank you. (Applause) 译文：我是看科幻小说长大的。

诺贝尔生理学奖得主约翰·奥基夫在颁奖晚宴上英语演讲稿

诺贝尔生理学奖得主约翰·奥基夫在颁奖晚宴上英语演讲稿Your Majesties,Your Royal Highnesses,Your Excellencies,Ladies and GentlemenOn behalf of my colleagues May-Britt and Edvard Moser, and myself, I would like to express ourgratitude to the Nobel Foundation for hosting this magnificent banquet. I would also like toexpress our gratitude to the Nobel Committee and Assembly for deeming our research worthyof this distinguished accolade. I think it’s fair to say that the Nobel Prize is the highest honorany scientist or artist can achieve. We are pleased and delighted.We see the awards as a recognition not only of ourselves and our accomplishments but also ofour collaborators in the study of the spatial functions of the hippocampus, and our colleagues inthe wider field of cognitive and behavioural neuroscience. Cognitive neuroscience is entering anexciting era in which new technologies and ideas are making it possible to study the neuralbasis of cognition, perception, memory and emotion at the level of networks of interactingneurons, the level at which we believe many of the important operations ofthe brain take place.We know a considerable amount about how individual neurons work and how two cells cancommunicate with each other but the way in which entire networks of hundreds andthousands of neurons cooperate, interact with each other, and are orchestrated to create ourideas and concepts is an underexplored area of neuroscience. It is probably at this level thatnetwork failure occurs and leads to some of our most disturbing and intractable diseases ofthe mind and brain.This new area of neuroscience has been made possible by the development of new optical,computer-based electronic, and molecular biological tools which will allow us tomonitor theactivity of many thousands of cells simultaneously and to manipulate their activity. We willmove from looking at correlations between brain activity and behaviour to studying how thebrain causes mental states and behaviour. It is fitting therefore that our fellow laureates thisyear in physics and chemistry are world’s leaders in providing us with some of these tools. Weare eager to begin to use some of the laser-based optical techniques being developed by ourchemistry co- laureates.We are also pleased to be receiving the prize with laureates from so many different countries.Science is the quintessentialinternational endeavour and the sterling reputation of the Nobelawards is partly due to the widely-perceived lack of national and other biases in the selection ofthe laureates. We believe that the future great contributions to our understanding of thebiological and physical world can come from citizens of any country in any part of the world. It isto the credit of the Nobel committees that they have steadfastly endeavoured to follow AlfredNobel’s wishes that the prizes recognise contributions to the welfare of humanity regardless ofcountry of origin, gender, race or religious affiliation.I want to end by recognising and thanking our many collaborators and colleagues toonumerous to mention in this short speech, our universities, UCL and NTNU, and our generousfunders.Thank you for your attention. Tack.。

奥斯卡颁奖典礼致辞

奥斯卡颁奖典礼致辞第一篇：奥斯卡颁奖典礼致辞Academy Awards Speech奥斯卡颁奖典礼致辞I'm very grateful to receive this award for “Best Actress.” I can't begin to tell you how much I appreciate this great honor.There are many people I'd like to thank.First of all, I want to thank my parents for bringing me into this world.I also want to express my gratitude to all of my teachers over the years, but especially to my acting teacher, Jim Jones.who taught me everything I know.I want to thank my husband for his understanding and kindness.And finally, I want to express my appreciation to all of my friends for their support, especially to Martin Miller, for being there when I needed him.This award means a great deal to me.Words can't express how honored I feel at this moment.I will remember this night for the rest of my life!Thank you very much.获此“最佳女主角”奖的荣誉，我深表感谢。

名人正能量演讲英语作文

名人正能量演讲英语作文英文：As a famous public speaker, I have had the opportunity to deliver many inspirational speeches that have touched the hearts of my audience. One of my most memorable speeches was about the power of perseverance and determination. I shared the story of my own struggles and how I overcame them to achieve success. I emphasized the importance of never giving up, even when faced with seemingly insurmountable challenges. I used the example of a famous athlete who overcame a serious injury to win a championship, to illustrate the point that with determination, anything is possible.I also spoke about the importance of staying positive and maintaining a strong mindset, even in the face of adversity. I shared personal anecdotes of times when I faced setbacks but refused to let them defeat me. I encouraged my audience to adopt a similar attitude and toalways believe in themselves, no matter what obstacles may come their way. I used the famous quote "When life gives you lemons, make lemonade" to drive home the message that it's important to make the best of any situation and find the silver lining in every cloud.I also emphasized the value of hard work and dedication in achieving one's goals. I shared the story of a successful entrepreneur who started from humble beginnings and built a thriving business through sheer determination and relentless effort. I stressed the importance of setting clear goals and working tirelessly towards them, even when faced with obstacles and setbacks.Overall, my speech was aimed at motivating andinspiring my audience to believe in themselves and their ability to overcome any challenges they may encounter. I used a combination of personal stories, inspirational quotes, and practical advice to drive home the message of perseverance, positivity, and hard work.中文：作为一名著名的公共演讲者，我有机会发表许多鼓舞人心的演讲，触动了听众的内心。

中英双语外国名人优秀演讲精选范文

外国名人都有哪些优秀的英语演讲下面为大家分享外国名人的优秀英语演讲片段。

乔布斯英语演讲稿,odon'twateitivingomeoneee''tbetraa—whichiivingwiththereutofotherthatUnitedArtiteecwho,earbef ore,,“Michae,I'。

”Youeethewhentheteouhowbadouareorhowte rribeourideaare,butao,don'',ohe,don',dutourefoff,'theonwa toachieveourgoainife。

你必须相信你自己，对自己的工作充满信心。

当我们的第一部电影《蝙蝠侠》创下史无前例的票房纪录时，我接到了艺术家联合会会长的，他在数年之前曾说我疯了。

如今他说：“迈克尔，我给你打祝贺《蝙蝠侠》的成功。

我总说你是一位有远见的人。

”你看，关键在这里，当他们说你有多差，你的想法有多糟的时候，不要信他们的话，同时，当他们告诉你你有多么了不起，你的想法多美妙时，也不要相信他们。

你就只相信你自己，这样你就能做好。

还有，那就是，不要忘记推销你自己和你的想法。

左右大脑你都得用。

要能经受得住挫败。

这是被好莱坞每一家制片厂拒绝过的人的经验。

你必须去敲一扇扇的门，直到指关节流血。

大门会在你面前砰然关上，你必须重振旗鼓，弹去身上的灰尘，再敲下一扇门。

这是实现你人生目标的唯一办法。

伍迪·海耶斯英语演讲稿Infootbaweawaaidthattheotherteamcoudn''’whataeurethe don'tbeatthemeveou',。

在橄榄球场上，我们总是说其他队战胜不了我们。

我们必须做到不把自己打垮。

所有人也都必须这么做，确保自己不要被自己打垮。

……你会发现，来得容易的东西总是一文不值。

名人经典英文演讲演讲稿中英对照

名人经典英文演讲-托尼·帕克演讲稿I'm very happy here,to be here,tonight，on the Manu's night, I'm so happy for you, well deserved,well deserved.非常高兴今晚站在这里，在马努之夜。

我是如此的为你高兴，对于这样的夜晚，你当之无愧。

Before i start though,i want to set the record with Argentina，because，as to Argentina media，Argentina，because you know we have a rough beginning where Manu and i first started my career，whole Argentina was mad at me because they think i dont pass the ball to Manu，that i never pass the ball to Manu. I can never really understand that because Pop made the plays，he called the plays. And its not my fault he called all the plays for Timmy,and Timmy took all the shots. I'm just a point guard, especially my first two years, but i think we did really good,win the best trio in the NBA history, playoff wins, so 132wins i think we did ok. So,i just wanna tell Argentina, i still love you, but thank god, Pop made you come off the bench so get you mad at pop so then i was good, then i was good.在我开始之前，我想和阿根廷媒体做个澄清。

名人演讲英文开头作文

名人演讲英文开头作文英文：As a public figure, I have had the opportunity to give speeches on various occasions. Each speech requires careful preparation and delivery to effectively convey my message to the audience. In my experience, the opening of a speech is crucial in capturing the audience's attention andsetting the tone for the rest of the speech.One effective way to start a speech is with a quote or a personal story that relates to the topic. For example, if I were giving a speech about the importance of education, I might start with a quote from a famous scholar or share a personal story about how education has impacted my life.Another approach is to ask a thought-provoking question that engages the audience and encourages them to think about the topic. This can be a powerful way to get the audience involved and interested in what I have to say.Finally, I might start with a startling statistic orfact that highlights the importance of the topic. This can be a great way to grab the audience's attention and emphasize the urgency of the issue.中文：作为一名公众人物，我有机会在各种场合发表演讲。

英文名人演讲稿

英文名人演讲稿篇一：名人英文演讲稿Hello,every body !thank you .thank you ,every body!All right,every body go ahead and have a is everybody doing todayi am here with students at wakefield higt we have students tuning in from all across america,from kindergraten through 12th I am just so glad that all could join us today .and I want to thank wakefield for being such an outstanding host .give yourselves a big round of appluse.I know that for many of you ,today is the first day of for thoses of you in kindengraten ,or starting middle or high school ,is you first day in a new school,so is understandable if you are a little imagine there are some seniors out there who are felling pretty good right now,with just one more year to go .and no matter grade you are in,some of you are probably wishing it were still sumer and you could have stayed in bed just a little bit longer this morning.I know that felling ,when I was young,my family lived lived in indonesia for a few my mothor,she didn’t have the money to send me where all the american kids went to school ,but she thought it was important for me to keep up with an american education,so she decided to teach me extra lessons herself ,Monday though firday ,but she had to go to only time she could do it was at 4:30 in the morning .Now,as you may imagine,I wasn’t too happy about getting up that early ,a lot of times,I’d fall asleep rigth there at the kitchen table .but whenever I’d complain ,my mother would just give me one of thouses looks and she’d say,this is no picnic for me either,buster.篇二：英语名人演讲稿名人英语演讲稿tribute to diana致戴安娜——查尔斯·斯宾塞在全世界，戴安娜是同情心、责任心、风度和美丽的化身，是无私和人道的象征，是维护真正被践踏的权益的旗手，是一个超越国界的英国女孩，是一个带有自然的高贵气质的人，是一个不分阶层的人。

世界名人英语演讲稿

世界名人英语演讲稿下面是范文大全小编为大家推荐的世界名人英语演讲稿以及翻译，欢迎大家的阅读。

Vice President Johnson，Mr. Speaker，Mr. Chief Justice，President Eisenhower，Vice President Nixon，President Truman，reverend clergy，fellow citizens:We observe today not a victory of party，but a celebration of freedom -- symbolizing an end，as well as a beginning -- signifying renewal，as well as change. For I have sworn before you and Almighty God the same solemn oath our forebears prescribed nearly a century and three-quarters ago.The world is very different now. For man holds in his mortal hands the power to abolish all forms of human poverty and all forms of human life. And yet the same revolutionary beliefs forwhich our forebears fought are still at issue around the globe -- the belief that the rights of man come not from the generosity of the state，but from the hand of God.We dare not forget today that we are the heirs of that first revolution. Let the word go forth from this time and place，to friend and foe alike，that the torch has been passed to a new generation of Americans -- born in this century，tempered by war，disciplined by a hard and bitter peace，proud of our ancient heritage，and unwilling to witness or permit the slow undoing of those human rights to which this nation has always been committed，and to which we are committed today at home and around the world.Let every nation know，whether it wishes us well or ill，that we shall pay any price，bear any burden，meet any hardship，support any friend，oppose any foe，to assure the survival and the success of liberty. This much we pledge -- and more.To those old allies whose cultural and spiritual origins we share，we pledge the loyalty of faithful friends. United there is little we cannot do in a host of cooperative ventures. Divided there is little we can do -- for we dare not meet a powerful challenge at odds and split asunder. To those new states whom we welcome to the ranks of the free，we pledge our word that one form of colonial control shall not have passed away merely to be replaced by a far more iron tyranny. We shall not always expect to find them supporting our view. But we shall always hope to find them strongly supporting their own freedom -- and to remember that，in the past，those who foolishly sought power by riding the back of the tiger ended up inside.To those people in the huts and villages of half the globe struggling to break the bonds of mass misery，we pledge our best efforts to help them help themselves，for whatever period is required -- not because the Communists may be doing it，not because we seek their votes，but because it is right. If a free society cannot help the many who are poor，it cannot save the few who are rich.To our sister republics south of our border，we offer a special pledge: to convert our good words into good deeds，in a new alliance for progress，to assist free men and free governments in casting off the chains of poverty. But this peaceful revolution of hope cannot become the prey of hostile powers. Let all our neighbors know that we shall join with them to oppose aggression or subversion anywhere in the Americas. And let every other power know that this hemisphere intends to remain the master of its own house.To that world assembly of sovereign states，the United Nations，our last best hope in an age where the instruments of war have far outpaced the instruments of peace，we renew our pledge of support -- to prevent it from becoming merely a forum for invective，to strengthen its shield of the new and the weak，and to enlarge the area in which its writ may run. Finally，to those nations who would make themselves our adversary，we offer not a pledge but a request: that both sides begin anew the quest for peace，before the dark powers of destruction unleashed by science engulf all humanity in planned or accidental self-destruction.We dare not tempt them with weakness. For only when our arms are sufficient beyond doubt can we be certain beyond doubt that they will never be employed. But neither can two great and powerful groups of nations take comfort from our present course -- both sides overburdened by the cost of modern weapons，both rightly alarmed by the steady spread of the deadly atom，yet both racing to alter that uncertain balance of terror that stays the hand of mankind's final war.So let us begin anew -- remembering on both sides that civility is not a sign of weakness，and sincerity is always subject to proof. Let us never negotiate out of fear，but let us never fear to negotiate.Let both sides explore what problems unite us instead of belaboring those problems which divide us. Let both sides，for the first time，formulate serious and precise proposals for the inspection and control of arms，and bring the absolute power todestroy other nations under the absolute control of all nations.Let both sides seek to invoke the wonders of science instead of its terrors. Together let us explore the stars，conquer the deserts，eradicate disease，tap the ocean depths，and encourage the arts and commerce.Let both sides unite to heed，in all corners of the earth，the command of Isaiah -- to "undo the heavy burdens，and [to] let the oppressed go free.And，if a beachhead of cooperation may push back the jungle of suspicion，let both sides join in creating a new endeavor -- not a new balance of power，but a new world of law -- where the strong are just，and the weak secure，and the peace preserved. All this will not be finished in the first one hundred days. Nor will it be finished in the first one thousand days; nor in the life of this Administration; nor even perhaps in our lifetime on this planet. But let us begin.In your hands，my fellow citizens，more than mine，will restthe final success or failure of our course. Since this country was founded，each generation of Americans has been summoned to give testimony to its national loyalty. The graves of young Americans who answered the call to service surround the globe. Now the trumpet summons us again -- not as a call to bear arms，though arms we need -- not as a call to battle，though embattled we are -- but a call to bear the burden of a long twilight struggle，year in and year out，"rejoicing in hope; patient in tribulation，a struggle against the common enemies of man: tyranny，poverty，disease，and war itself. Can we forge against these enemies a grand and global alliance，North and South，East and West，that can assure a more fruitful life for all mankind? Will you join in that historic effort? In the long history of the world，only a few generations have been granted the role of defending freedom in its hour of maximum danger. I do not shrink from this responsibility -- I welcome it. I do not believe that any of us would exchange places with any other people or any other generation. The energy，the faith，the devotion which we bring to this endeavor will light our country and all who serve it. And the glow from that fire can truly light the world. And so，my fellow Americans，ask not what your country can do for you; ask what you can do for your country. My fellow citizens of the world，ask not what America will do for you，but what together we can do for the freedom of man.Finally，whether you are citizens of America or citizens of the world，ask of us here the same high standards of strength and sacrifice which we ask of you. With a good conscience our only sure reward，with history the final judge of our deeds，let us go forth to lead the land we love，asking His blessing and His help，but knowing that here on earth God's work must truly be our own.译文：约翰逊副总统，Speaker先生，首席大法官艾森豪威尔总统，总统，尼克松总统，杜鲁门总统，牧师牧师，同胞们：今天我们庆祝的不是政党的胜利，而是自由的庆典象征着一个结束，也是一个开始意味着更新，以及改变。

乔布斯在斯坦福大学毕业典礼上的英文演讲稿(附翻译)

乔布斯在斯坦福大学毕业典礼上的英文演讲稿（附翻译）Ladies and gentlemen,Today marks a special day for all of us gathered here at Stanford University. It is an honor to be standing in front of you all and to share my reflections on life, purpose, and success. Today, I would like to share with you three stories from my life that define who I am, and who I hope to be, and the lessons I've learned along the way. I hope these stories will inspire and motivate you, regardless of where you are in your own journey.First story: Connecting the dotsI was adopted at birth and grew up in a modest family in California.I always had a passion for computers, but I dropped out of college after six months because it seemed too expensive and I wasn't sure what I wanted to do with my life. I was lost, and for the next 18 months, I simply lived day-to-day, learning calligraphy, wandering and taking classes that intrigued me. At the time, it seemed pointless. In retrospect, it was a crucial period of self-discovery. Eventually, I returned to my interest in computers, and because of my experiences with calligraphy, I was drawn to the beauty and elegance of fonts and typefaces. This eventually led to the creation of the first Macintosh computer - which transformed the way weall work and communicate. But the point here is that you can never connect the dots looking forward. You can only connect them looking back. So you need to trust that the dots will connect somehow in your future. You have to trust in something - your gut, destiny, life, karma, whatever - because believing that the dots willconnect down the road will give you the confidence to follow your heart even when it leads you off the well-worn path, and that will make all the difference.第一故事：连接那些点女士们，先生们，今天是斯坦福大学的特别日子。

奥斯卡第74届演讲

背景知识英文中文Tom Cruise (1962-)Facts Birthday: 07/03/1962Major works: Top Gun (1986), Rain Man (1988), Mission Impossible (1996)Awards: The movie Magnolia has already won him a Golden Globe for Best Supporting ActorDid you know:Oliver Stone's Born on the Fourth of July(1989) earned him a Best Actor Oscar nomination for his hard-hitting portrayal of anti-war activist Ron Kovic.提示一：曾作为一代青年偶你的汤姆·克鲁斯，片酬高达1800万，拥有上万的影迷，他的巨大号召力已证明他已成为世界影坛的超级巨星。

提示二：克鲁斯没有天赋的演技，他的成功全靠自己不断地学习与苦练，克服自身的弱点，补充有益的经验。

提示三：外表俊朗的阿汤39岁就奠定了顶级实力派男影星的地位，正如《香草的天空》一片的导演卡梅隆·克劳所说的那样："他就是电影明星的定义"。

太平洋标准时间 2002年3月24日17： 00(北京时间3月25日上午9：00)，第74届奥斯卡金像奖颁奖典礼在美国洛杉矶的柯达剧院隆重揭幕。

汤姆·克鲁斯在揭幕仪式上致开幕词。

英文Opening Remarks for the 74th Oscar Academy AwardsDelivered on March 24, 2002When the great director Billy Wilder was asked what makes a movie unforgettable, his answer was simple, "A little bit of magic!" We're all here tonight or sitting at home watching because something came off a movie screen: a little bit of magic touched our lives. And you always remember where you were: the theater, the popcorn, the people you were with when it happened. It was 1968, my family was living in Ottawa, Canada, the movie was Stanley Kubrick's 2001: a Space Odyssey; I couldn't help stop thinking about what is life, what is space, what is existence? I was 6 years old. And I knew right then and there I wanted to be an astronaut.My family traveled a lot: the white-hot thrill(震撼) of Jaws that was Louisville, Kentucky; senior year, New Jersey Apocalypse Now, Valley Forge, Pennsylvania Raging Bull. I knew I wanted to be an actor. In good times and poor times, movies were my lifesaver. And then last September came an event that would change us. An actor friend said to me: "What are we doing? What are we doing? Is it important? Is it even important what I do?" And what of a night like tonight, should we celebrate the joy andmagic the movies bring? Well, dare I say it? More than ever! A small scene, a gesture, even a glance between characters can cross lines, break through barriers, melt prejudice(偏见), just plain make us laugh, it brings us all together, that little bit of magic. That's just me.Tonight we are going to listen to you. Documentary(纪录片制作者) filmmaker Errol Morris crisscrossed(往来穿越) America asking movie goers and culture-makers a question: "What do movies mean to you?" And you answered. So let's expand this beautiful stage into every one of your homes. And maybe even some of you will answer this question as you stand on this stage tonight, "What do movies mean to you?" So pull up a sofa. It's just us, talking. It's Oscar night.中文第74届奥斯卡颁奖典礼开幕词发表于2002年3月24日当人们问及伟大的导演比利·怀尔德什么可以使一部电影令人难以忘怀时，他的回答非常的简单，"一点点魅力!"今天晚上，出席这个盛会的所有嘉宾或者家庭电视观众都在注视着，因为电影屏幕上曾出现过某些东西。

2019年奥斯卡颁奖典礼-范文word版 (6页)

本文部分内容来自网络整理，本司不为其真实性负责，如有异议或侵权请及时联系，本司将立即删除！== 本文为word格式，下载后可方便编辑和修改！ ==奥斯卡颁奖典礼篇一：第74届奥斯卡颁奖典礼开幕词第74届奥斯卡颁奖典礼开幕词When the great director Billy Wilder was asked what makes a movie unforgettable, his answer was simple, "A little bit of magic!"We're all here tonight or sitting at home watching because something came off a movie screen: a little bit of magic touched our lives.And you always remember where you were:the theater, the popcorn, the people you were with when it happened.1968, my family was living in Ottawa, Canada,the movie was Stanley Kubrick's 201X: A Space Odyssey;I couldn't help stop thinking about what is life, what is space, what is existence?I was 6 years old.And I knew right then and there I wanted to be an astronaut.My family traveled a lot: the white-hot thrill of Jaws that was Louisville, Kentucky; senior year, New Jersey Apocalypse Now, Valley Forge, Pennsylvania Raging Bull. I knew I wanted to be an actor.In good times and poor times, movies were my lifesaver.And then last September came an event that would change us.An actor friend said to me: "What are we doing? What are we doing?Is it important? Is it even important what I do?"And what of a night like tonight,should we celebrate the joy and magic the movies bring?Well, dare I say it?More than ever!A small scene, a gesture, even a glance between characters can cross lines,break through barriers, melt prejudices,just plain make us laugh, it brings us all together,that little bit of magic.That's just me.Tonight we are going to listen to you.Documentary filmmaker Errol Morris crisscrossed America asking movie goers culture-makers a question:"What do movies mean to you?" And you answered.So let's expand this beautiful stage into every one of your homes.And maybe even some of you will answer this question as you stand on this stage tonight, "What do movies mean to you?"So pull up a sofa.It's just us talking.It's Oscar night. and篇二：奥斯卡颁奖流程201X年11月14日：奥斯卡荣誉奖颁奖晚宴 201X年12月30日：提名投票正式启动 201X年1月8日：提名投票截止201X年1月14日：公布第88届奥斯卡提名名单 201X年2月8日：提名者午宴及大合影 201X年2月12日：最终投票正式启动201X年2月13日：奥斯卡科学技术奖颁奖典礼 201X年2月23日：最终投票截止201X年2月28日：第88届奥斯卡颁奖典礼篇三：奥斯卡颁奖词中文奥斯卡金像奖是美国电影艺术学院每年颁发给最佳影片、演员、导演等的奖项。

名人演讲中英文对照

名人演讲中英文对照第一篇：名人演讲中英文对照释放你的创造力比尔盖茨I've been an optimist and I supposed that is rooted in my belief that the power of creativity and intelligence can make the world a better place.For as long as I can remember, I've loved learning new things and solving problems.So when I sat down at a computer for the first time in seventh grade, I was hooked.It's was a clunky and teletype machine that barely do anything compared to the computer we have today.But it changed my life.When my friend Paul Allen and I stared Microsoft 30 years ago, we had a vision of “a computer on every desk and in every home,” which probably sounded a little too optimistic at a time when most computers were the size of refrigerators.But we believe that personal computer would change the world.And they have.And after 30 years, I still inspired by computers as I was back in seventh grade.我天生乐观，坚信人类凭创造力和聪明才智可以让世界日益美妙，这一设想一直根植于我的内心深处。