浅析理智与情感中的女性主义
《理智与情感》中简·奥斯汀的女性主义观

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"夂学教育《理智与情感》中简•奥斯汀的女性主义观□!"#内容摘要:《理智与情感》是英国著名作家简•奥斯汀的小说代表作之一。
小说以18世纪末英国乡村生活为背景,讲述了一对姐妹花O折的择偶经历,塑造了个性鲜明的女性形象,展现了作者对理智与情感的态度,对女性婚恋的态度。
本文将从解读简•奥斯汀在这部作品中展现出的女性主义观入手,以期让大众更好地理解这部作品的内涵;关键词:理智与情感简•奥斯汀女性主义婚恋观!•引言《理智与情感》是19世纪英国著名女作家简奥斯汀的小说代表作,小说问世以来,广受好评,并被多次搬上荧幕,李安版的更是斩获多项大奖,使得这部小说影响力进一步加深。
恋爱婚姻一直都是简•奥斯汀作品的主题<这部小说塑造了两个性格迥异的姐妹花,在情感路上的曲折故事<体现岀了简奥斯汀初期的女性主义观,表达了她认为理智对于女性的重要性,能够最终让女性看清真相,收获幸福。
2理智的天使:埃莉诺维多利亚时代背景下的女性地位低下,女性作为第二性,日常生活,社会关系,社会地位都是完全依附于男性的,以男性为中心,个代的使述那些得体的女性,一个好妻子<一个好母亲。
弗吉尼亚•伍尔夫曾在自己的作品里讽刺这样的天使:“她具有强烈的同情心,具有非常的魅力,绝对的无私。
她擅长于家庭生活中的那种困难的艺术。
每一天她都在做岀牺牲。
如果餐桌上有一只鸡,她拿的是脚;如果屋里有穿堂风,她就坐在那儿挡着。
总之,她就是这样一个人,没有她自己的愿望$从没有想到过自己a更重要的是——我无须多说——她极其纯洁a她的纯洁被看做是她主要的美——她羞涩、她无比的优雅a在那些日子里维多利亚女王的最后时期——每一幢房子都有她的天使a”⑴这样的社会背景下,女性是绝对的弱势群体,是“父权制”“男权制”下的被俯视的一方,无法拥有决定权的自由a两位姐妹花的经历也反映了她们作为女性的被动a在那个时代背景下,财产的继承人只能是男性,也就意味着父亲达什伍德的离世,女儿们的处境将会面临贫困,没有金钱上的保证,她们无法再拥有原有生活的舒适<这也就为家庭中的继母和两位姐妹花的未来生活困境埋下了伏笔a为了过上舒适无忧的生活,女性必须依靠男性,依靠婚姻,男性的财产和地位直接决定了女性的生活质量a18世纪婚姻变得比以往任何时候都更有商业色彩a[2]姐姐埃莉诺能深刻地意识到女性在那个大时代环境中的真实地位<懂得用理智去看待生活,看待爱情a尽管她只有19岁,但理智,冷静,隐忍,懂得怎么去控制制的情a小说一展示了埃莉诺比母亲和妹妹更充满理智与智慧a父亲离世,母亲和妹妹完全由情绪主导自己,哭泣悲伤<面对财产分割,寄人篱下<母亲和妹妹早就想离开诺兰庄园,而埃莉诺却是一边冷静地安慰母亲与妹妹,一边与视财如命的兄嫂周旋,不失礼数,不想随便决定一家的未来a姐姐埃莉诺是个岀夂学教育策,打消不切实际念头的人,俨然家里的顶梁柱,理智面对问题,显得更有远见。
《理智与情感》中简奥斯汀的女性主义解析

《理智与情感》中简奥斯汀的女性主义解析《理智与情感》中简·奥斯汀的女性主义解析简·奥斯汀是18世纪末19世纪初英国著名女作家,被誉为“女权主义先驱”。
她的作品《理智与情感》以女性视角剖析爱情婚姻和社会地位等问题,涉及到许多女性主义的议题。
本文将从女性角度解析《理智与情感》中简·奥斯汀的女性主义思想。
首先,简·奥斯汀通过书中的女性角色呈现了婚姻中的权力关系。
一方面,她对婚姻时代女性所受的限制持批判态度。
例如,埃莱诺和玛丽安两姐妹遇到的困境令人深思,她们必须依赖男性的经济支持,缺乏自主权与选择权。
奥斯汀通过描写两位姐妹的处境,暗示了当时女性所受的社会限制对自由发展的阻碍。
另一方面,简·奥斯汀通过独立坚强的女性形象而展示了女性的力量。
玛丽安是个意志坚定、具有自己独立思考和追求的女性形象。
她深情热烈地爱着威拉比,但她也保持着自己的独立性和尊严。
她不愿意委屈自己,而是勇敢地为自己的爱情权益而奋斗。
奥斯汀通过塑造这样的女性角色,表达了她对女性力量和主动权的呼唤。
其次,简·奥斯汀关注女性的自我认知与成长。
小说中的女性角色在经历爱情挫折后,开始反思自己所追求的幸福。
例如,埃莱诺最初对爱情的理解偏向现实主义,但通过经历失恋和困境后,她逐渐学会了平衡理智与情感,最终找到了真正的幸福。
奥斯汀通过描写她们的成长过程,强调了女性自我认知和独立性的重要性,呼吁女性在婚姻中保持自己的独特性格和追求。
此外,简·奥斯汀通过《理智与情感》探讨了女性友谊的重要性。
小说中,埃莱诺和玛丽安姐妹之间的深厚友谊贯穿了整个故事。
她们互相支持、理解和鼓励,成为彼此在逆境中的精神支柱。
奥斯汀通过塑造这种坚实的女性关系,展现了女性间互帮互助的力量,强调了女性之间的情感纽带和友谊的重要性。
最后,简·奥斯汀通过小说的结局传递了女性解放的乐观信息。
小说中,女主人公们最终得到了她们应有的幸福和尊重。
《理智与情感》中的女性形象与自由意志

理智与情感中的女性形象与自由意志引言《理智与情感》是英国作家简·奥斯汀于1811年出版的一部经典小说,通过描述女性角色在当时社会中的地位、选择和自由意志来探讨人类情感和心理状态。
这篇文章将聚焦于小说中女性形象与自由意志之间的关系,以及女性如何突破当时社会对她们角色设定所带来的限制。
一、女性形象与社会束缚在19世纪早期的英国社会,女性受到了严格限制和束缚。
她们通常被限定在婚姻、家庭和家务劳动中,并且要遵循当时的道德规范。
《理智与情感》中的女性角色也不例外:1.埃莉诺:作为主要角色之一,埃莉诺被描绘为一个理智和成熟的年轻女子。
尽管她拥有睿智和判断力,但她仍然受到了家族财产传承制度和父权制度的影响。
2.玛丽安:玛丽安是一个富有热情和感情的角色,她通常充满了激情和冲动。
然而,她也受到了约束,被迫在爱情和责任之间做出选择。
二、女性角色的自由意志尽管受到社会束缚,但《理智与情感》中的女性角色仍然展示了自己的自由意志和个人特质。
1.埃莉诺:虽然埃莉诺为了家庭利益而隐藏了自己对爱情的感受,但她最终还是勇敢地表达了自己真实的感情,并且不依赖他人来获得幸福。
2.玛丽安:尽管玛丽安在爱情方面经历了痛苦和挫折,但她通过磨练自己逐渐学会平衡理智与情感,并最终找到了属于自己的幸福。
三、女性角色对社会变革的作用《理智与情感》中的女性形象也对当时英国社会进行了隐含的批判,并预示着一种变革。
1.埃莉诺和玛丽安作为独立思考和追求真爱的女性代表,挑战了当时的传统观念和限制。
她们展示了女性在自我实现和幸福追求方面的重要性。
2.通过描绘女性角色在家庭、爱情和事业之间的选择,小说探讨了当时社会对女性自由意志的压抑,并为后来的社会变革创造了条件。
结论《理智与情感》中的女性形象与自由意志之间展示了一种激励人心的解放故事。
尽管受到当时社会对女性角色设定的限制,但这些角色仍然通过坚持自己的理智和情感,并追求真爱和自我实现来体现个人权利和自由意志。
《理性与情感的角逐:《理智与情感》中的女性形象》

理性与情感的角逐:《理智与情感》中的女性形象介绍《理智与情感》是简·奥斯汀创作的一部经典小说,被广泛认为是英国文学史上最为重要的作品之一。
这部小说以女性主义视角展示了19世纪英国社会中女性们所经历的困境和挑战。
本文将通过分析小说中几位突出的女性形象,探讨理性与情感在她们生活中的互动和碰撞。
1. 埃莉诺·达许伍德(Elinor Dashwood)埃莉诺是本书的主要女主角之一,她被描述为一个理智、深思熟虑且负责任的人。
她以冷静和稳定的个性闻名,常常忍耐自己对于爱情和欲望的渴望。
然而,在面对姐妹玛丽安遭遇感情问题时,她也表现出了对危机和困扰的同情心。
2. 玛丽安·达许伍德(Marianne Dashwood)相比于姐姐埃莉诺,玛丽安更加情感丰富和冲动。
她宣扬着热烈的爱情观,对浪漫和激情充满了渴望。
然而,她也因为这种过度的情感而遭受挫折和苦难。
小说通过玛丽安的角色展示了理性思考和忍耐在面对挑战时的重要性。
3. 纳韦尔夫人(Mrs. Jennings)纳韦尔夫人是一个充满活力、善解人意的中年寡妇。
她以幽默和胸怀广阔赢得了人们的喜爱。
作为一个社交达人,纳韦尔夫人展示了女性在时代背景下如何运用自己的智慧与情感来影响周围的人。
4. 菲儿·菲灵(Fanny Ferrars)菲儿是埃莉诺的友好竞争者,同时也是小说中一位复杂、有权势、富有且未现身于故事中实际场景的女性形象。
菲儿通过她追求切里先生作为配偶并驱使他与埃莉诺疏远,揭示了社会地位与婚姻之间的关系。
5. 安·斯蒂尔(Anne Steele)安是一个善良但愚蠢、不修边幅的女性角色。
她以自私和缺乏考虑他人感受闻名,然而,她的形象突出了对情感和约束力平衡的无知和需求。
结论在《理智与情感》中,简·奥斯汀通过这些多样化的女性形象展示了理性和情感之间的冲突和平衡。
每个角色都代表着不同方面的女性经验和对社会期望的回应。
试析《理智与情感》中的女性主义意识

2522019年20期总第460期ENGLISH ON CAMPUS试析《理智与情感》中的女性主义意识文/李未妍质,同时以辛辣讽刺这一典型奥斯汀笔锋来与物化女性、贬低女性的传统守旧思想形成对立。
两位女性主人公敢于在家庭思想上挣脱牢笼、逆风追梦,更是书中所述女性意识觉醒的最佳体现之一。
3.个人之压。
当时,主流婚姻观只以门第为重,女性姻缘只为累积财富、提高社会地位,不掺杂任何情感因素,此种有悖人伦的思想主导了女性的爱情、婚姻与家庭生活,因此,女子在择偶过程中不仅被他人当作等价交换的货品,甚至因为社会舆论与家庭熏陶的影响,自己也将自己视作椟中之珠、坐待高价,所以在当时女性承受的重压之中,除社会之压与家庭之压之外,更有来自自身的思想重压。
而在本书中,奥斯汀恰恰抓住了这种女性个人重压,并将其和两位女性主人公在此方面的不群进行比较,由此达到对比衬托、思想升华、情感启迪的作用。
二、觉醒1.思想觉醒。
本书主导理念之一即为在男权社会中追逐自身价值、实现女性意识觉醒,这种觉醒首先体现在女性主人公的思想之上,在埃莉诺与玛丽安的逐爱之旅的种种思想转变中皆有所体现。
例如:玛丽安原本将自身幸福全然寄托于威勒比,“女附于男”,但随着故事情节的推进,她逐渐意识到幸福只能依靠自身,渐渐摒弃需求与依赖,自身谋求幸福,这种思想转变看似是向男权现实妥协,实则是在理智中寻得真我的女性主义思想觉醒,亦昭示了当时女性由依附转向独立、由被动转向主动、由从夫转向从己的深刻思想觉醒,2.行为觉醒。
由于位处劣势,当时女性在实现思想意识的觉醒与独立之后,行动从心亦为难事,要想求得个人幸福,在很大程度上仍只能倚靠婚姻,但奥斯汀恰着眼于此,通过女主人公的行动觉醒寄托其希望女性实现行动觉醒甚至行为独立的美好愿望,在弱势地位中重拾行动主权、将自身由弱转强,就要从根本上实现行为的觉醒与蜕变,本书的故事情节也可从宏观上理解为两位主人公重得人生自主权与实现人生觉醒之路。
《理智与情感》中简·奥斯汀的女性主义观

作者简介:王玲玲,研究生,副教授。
研究方向:外国文学研究。
实的想法。
这些人物虽然都是作家虚构的,但却充分代表了简·奥斯汀个人对爱情与婚姻的态度与价值观念。
简·奥斯汀超前的女性主义观和女性独立意识,对其所生活的那个时代,乃至今天都有着极为深远的影响和现实意义。
1 简·奥斯汀生活的时代背景简·奥斯汀生活的时代,正是英国“感伤小说”和“哥特小说”风靡之时,因而,当简·奥斯汀将未受资本主义革命冲击、还保留着原貌的英国乡村生活和田园风光一一呈现于笔端时,这种破旧立新的创作风格,立即便得到英国文坛的极高赞誉(韩营,2017)。
当时的英国正处于社会转型的重要阶段,以男性为主导的权力核心下,女性只是男权社会的附属品,无论是在社会地位上还是在政治领域中,女性都处于弱势,比如当时的英国女性没有选举权,而已婚女性则从属于丈夫,不能拥有自己的财产,她们的价值与婚姻息息相关,女性即使凭借自己的劳动也无法得到其合法权益。
也正是在这种情形下,简·奥斯汀才不得不与其他女性作家一样,以男性的名字署名来发表作品。
此外,在父权制度的影响下,女性不得不依附于男性,这也使得世人认为女性不仅在体力上不如男性,就连智力也是低于男性的。
正是基于这一认知,当时很多女性并没有对这种被歧视、被压迫的生活状态表示反抗,而是一味地让自己去适应与顺从,把自己囿于丈夫这一方小小的天地,认同并安于现状。
2 《理智与情感》中简·奥斯汀的女性主义观2.1 男女平等意识2.1.1 理性的抉择小说《理智与情感》中的埃莉诺,在父亲去世后,被扫地出门,她与母亲、妹妹不得不另觅居所。
而且由于家中遗产全部被同父异母的哥哥继承,埃莉诺丧失经济来源。
这时的她已十分清醒地认识到,女性要想实现人格的独立与精神的自由,必须要先要获得经济上的独立与自由。
只有这样,她才能实现自尊与自爱,进而能够让自己对情感有足够理性的判断,使自己无论身处何种境况都有自我调节的能力。
破解《理智与情感》中的女性角色的发展

破解《理智与情感》中的女性角色的发展引言《理智与情感》是18世纪英国作家简·奥斯汀创作的经典小说,被认为是英国文学史上最伟大的作品之一。
这部小说以描绘女性在当时社会中的地位和困境为主题,通过塑造不同类型的女性角色,探讨了爱情、婚姻和社会约束等话题。
本文将深入分析《理智与情感》中的女性角色发展,并透露其中隐含的深层意义。
1. 埃莲娜 - 刻板印象之外埃莲娜(Elinor)是故事中一个充满理智和冷静思考的女性角色。
尽管她被整个故事刻画得相对平淡无奇,但她在面对爱情与责任时展现出了坚强和果断的一面。
通过埃莲娜,我们可以看到作者试图挑战社会对女性角色的刻板印象,表达了女性也有独立思考和做出决策的能力。
2. 玛丽安 - 爱情盲目与成长相比埃莲娜,玛丽安(Marianne)是一个更加感性和冲动的女性角色。
她对爱情充满热情,并常常为此陷入困境。
然而,在经历了挫折和受伤后,玛丽安逐渐明白了爱情需要与现实相结合,也学会了从失败中成长。
通过描写玛丽安的发展过程,作者深刻地揭示了女性在追求爱情道路上必须面对并克服的困难。
3. 芬妮 - 反抗社会压力芬妮(Fanny)这个角色在故事中可能被忽视,但她却承载着强大的意义。
作为一个贫苦的姨娘,芬妮饱受家庭虐待和社会歧视之苦。
然而,尽管她身处逆境中,芬妮仍保持着自己内心的正直和坚定。
她的坚守和勇气呼应着女性们在当时社会中反抗专制与压迫的呼声。
4. 女性自主与生存通过三位女主角的塑造,《理智与情感》探讨了女性在当时社会中的自主性和生存策略。
奥斯汀用她精湛的笔触,描绘了不同类型女性角色面对困境时的不同选择和决策。
通过这些角色,读者可以看到女性在那个时代尽管受到限制,但仍然能够以自己独特的方式追求幸福和独立。
结论《理智与情感》中的女性角色展示了优秀文学作品中多样而丰富的形象塑造。
每一位女主角都有着自己鲜明的特点和成长轨迹,向读者展示了女性在爱情、婚姻和社会压力下所面临的挑战和机遇。
《理智与情感》中简奥斯汀的女性主义解析

《理智与情感》中简·奥斯汀的女性主义解析[摘要] 小说《理智与情感》是英国女作家简·奥斯汀的经典之作,也是她的第一部长篇小说。
她新颖独特的女性观点对当时及现代均影响颇深。
本文从简·奥斯汀所处的社会及时代背景出发,探析简·奥斯汀的女性主义思想在当时社会中的影响以及对现代女性思想的启迪。
[关键词] 简·奥斯汀;女性主义;《理智与情感》简·奥斯汀作为18—19世纪英国著名的女作家,以将其女性主义观点融入作品,作为新时期女性主义代表而被世人所喜爱。
其作品通常以乡村为背景,从女性角度表现婚姻爱情观、生活中琐事等内容,引领了英国19世纪文学的新方向。
她所传递的女性主义思想至今仍然适用。
其代表作《理智与情感》就是从女性主义角度出发,主要描述了简·奥斯汀理想中的两位女性形象,以及她们对于爱情、生活、婚姻的态度和想法。
一、简·奥斯汀所处的社会及时代背景(一)18—19世纪英国女性地位18世纪末及19世纪初的英国虽然处在社会转型期,但是仍然以男性为中心,女性甚至只作为男性的附属品而存在,因此女性的价值取决于她们的婚姻。
在这种社会背景下,女性被迫学习唱歌跳舞,为了取悦男性并得到男性的喜爱而去打扮自己。
男女性别的不平等致使女性的地位大都很低,女性不论在生活方面还是政治上都处于弱势地位。
19世纪初的英国女性不享有选举权,法律规定,已婚妇女的法律地位归于其丈夫的法律地位,她们不能拥有财产,不能起诉或被起诉,甚至在劳动方面都得不到合法权益。
这一时期的女性没有独立的人格和思想,完全听从男性的指挥和命令。
在文学方面,当时的英国主要流行“哥特小说”和“感伤小说”,18世纪初时,小说在英国被认为是下等人用来消遣的东西。
不仅如此,由于男性对女性而言占据主导地位,因此在文学方面女性也受到打压。
在这种情况下,简·奥斯汀和其他很多著名的女性作家都只能以男性名字发表作品。
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Research on the Feminism in Sense and SensibilityA paper submitted in partial fulfillment ofthe requirements for literature classto the College of Foreign LanguagesHebei United UniversityOctober 2011A BSTRACTJane Austen was a quite renowned English writer in the 19th Century, who is also the representative of English romanticism. Her writing focused on middle-classe life with humor and understanding. Austen was in many ways a realist, and the England she depicted was one in which social mobility was limited and class-consciousness was strong. Many of her works were very influential to the world, especially to the academy world. Sense and Sensibility is the one of her famous works, although it was the first work of Jane Austen, its writing skill was quite good. And from the timeit was published, people have begun to research on it. They make the research on different themes embodied in it: the author’s attitude on marriage, the symbolism writing skill, the femininism in the novel. This paper mainly will discuss the femininism in the novel, and probe into the femininism contained in the two main characters, as well the femininism displayed by the symbolism.KEY WORDS:Femininism Symbolism Jane Austen Sense and Sensibility摘要简·奥斯汀是英国十九世纪杰出的作家,是英国浪漫主义小说创作的代表。
她的小说以中产阶级的生活为主要题材,在对主人公生活描写反应当时社会状态和人们对婚姻的态度。
其多部作品耐人寻味,对世界产生了很大影响,托·巴·麦考莱评价她“作家当中其手法最接近于(莎士比亚)这位大师的,无疑就要数简·奥斯汀了,这位女性堪称是英国之骄傲”。
《理智与情感》是简·奥斯汀小说创作的第一部作品,其娴熟的写作手法,巧妙的故事情节安排,自其出版之日期就在英国乃至世界产生了很大的反响。
在对简·奥斯汀及其作品的研究中,学者们多从作者对婚姻的观念,作品创作中象征主义手法和作品中女性主义等方面入手。
本论文主要研究《理智与情感》中体现的女性主义,谈谈小说中两位主人公在大胆追求幸福过程中体现的女性主义。
关键词:女性主义象征主义简·奥斯汀《理智与情感》1.IntroductionJane Austen was one of the most influential writers in the 19th century English, and as the prier of English romanticism, her works demonstrated new flavor to the academy world, and also the whole world, she was thus honored forever by the world. Sense and Sensibility as one of his representative works, since the publication of it, it has aroused the readers’great interest, for the multi themes displayed in it , and the writer’s unique writing skill. Until now, people from all over the world have been making research on it., which showed the lasting reading value of the works.1.1Jane AustenWriting in the first two decades of the nineteenth century, Jane Austen appears historically, both in her social attitudes and formally in her art, as a kind of connecting link or hinge. Her attitude to society was still an eighteenth-century one, but in her attitude to the individual she looks forward to the later nineteenth century. She was born in Steventon, Hampshire, on 16 December 1775. Her mother was Cassandra Leigh Austen and her father was George Austen, rector of Steven. They belonged to the class known as ‘lesser gentry’, a rank some way below that of most of her fictional heroiness. At the age of seven Jane, along with her sister Cassandra, was plucked from her home enviroment and sent away to boarding school run by a Mrs Crawley, first in Oxford and then later in Southampton. By all accounts it was not a happy exerpience.Pride and Prejudice went begging, as we have sold for sixteen years; and Northanger Abbey(1798) was sold for a trivial sum to a publisher, who laid it aside and forgot it, until the appearance and moderate success of Sense and Sensibility in 1811. An anonymous article in the Quarterly Review,following the appearance of Emma in 1815, full of generous appreciation of the charm of the new writer, was the beginning of Jane Austen’s fame. She died, quietly as she had lived, at the Winchester, in 1817, and was buried in the cathedral. She was a bright, attractive little woman, whose sunny qualites are unconsciously reflected in all her books.1.2Jane Austen’s WorksHer artistic apprenticeship lasted from her teenage years until she was about 35 years old. During this period, she experimented with various literary forms, including the epistolary novel which she tried then abandoned, and wrote and extensively revised three major novels and began a fourth. From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it.1.3Sense and SensibilitySense and Sensibility is a novel by the English novelist Jane Austen. Published in 1811, it was Austen's first published novel, which she wrote under the pseudonym "A Lady".The story is about Elinor and Marianne, two daughters of Mr Dashwood by his second wife. They have a younger sister, Margaret, and an older half-brother named John. When their father dies, the family estate passes to John, and the Dashwood women are left in reduced circumstances. The novel follows the Dashwood sisters to their new home, a cottage on a distant relative's property, where they experience both romance and heartbreak. The contrast between the sisters' characters is eventually resolved as they each find love and lasting happiness. Through the events in the novel, Elinor and Marianne encounter the sense and sensibility of life and love.The book has been adapted for film and television a number of times, including a 1981 serial for TV directed by Rodney Bennett; a 1995 movie adapted by Emma Thompson and directed by Ang Lee; a version in Tamil called Kandukondain Kandukondain released in 2000; and a 2008 TV series on BBC adapted by Andrew Davies and directed by John Alexander. An upcoming adaption is an American drama-romantic comedy film titled From Prada to Nada which was adapted by Luis Alfaro, Craig Fernandez, and Fina Torres to be a Latina version of the novel with an expected release date of January 28, 2011.2. Reasons of feminisim in Sense and Sensibility2.1 Social and cultural backgrounds of the novelJane Austen wrote her novels during the first two decades of the ninitheenth century. This is a peiord of Romanticism in English literature. It was also a time that saw the end of the Agricultural Revolution and the beginning of the Industrial Revolution. It was a period of the great estates owned by wealthy families. During this time people emphasis the nature rights of man and the abolition of class sistinction. The political writings of the time also reflected the acute struggle. The English people became more and more dissatisfied with the reality of the their country. And at that time women had little rights, espically they had no right to choose their lovers. Women’s marriage is deterimind by the males in the family. People believed that the girl marry a man who can improve the family condition should be very gracious. Sense andSensibility was written at this time.2.2 Feminisim on Jane AustenThe most remarkable characteristic of Jane Austen as a novelist is her recognition of the limits of her knowledge of life and her determination never to go beyond these limits in her books. She describes her own class, in the part of the country with which she was acquainted; and both the types of character and the events are such as she knew from first-hand observation and experience. But to the portrayal of these she brought an extraordinary power of delicate and subtle delineation.Gilbert and Gubar suggest that Austen was able to write from within such a male-dominated culture was by defining a small space separate from the world at large( it,s that little bit of ivory again ). Austen, they argued, admits and accepts the discomforts of a patriarchal culture yet manages to both use and subvert the limitations that it imposes. Margaret Kirkham sees Austen as highly sympathetic to the rational feminisim movement of the Englishtenment.3. Feminisim in Sense and Sensibility—the Two Main Characters3.1 MatianneMatianne is left a deep impression to the readers. Matianne is a woman, who has great courage to devote to real love and a woman who experiences hard life and final got ture love. She never can cover her emotion. She don’t care others’ common and find the ture love. She is beautiful, kind and full of passion.“ I should expect in the man who could seriously attach my sister. His eyes want all that spirit, that fire, which at once announce virtue and intelligence”“To satisfy me, those characters must be united. I could not be haappy with a man whose taste did not in every point coincide with my own.”From the words we can know that Marianne is a lady who have the courage to choose her own lover.When MRS JENNINGS introduce her to Colonel Brandon she refused to marriy him.“But at least, Mamma, you cannot deny the absuidity of the accusation, though you may not think it intentionally ill-natured. Colonel Brandon is certainly younger than Mrs.Jennings, but he is old enough to be my father; and if he were ever animated enough to be in love, must have long outlived every sensation of the kind”“In my eyes it would be no marriage at all”As long as she fall in love she pursue it without any diffculties.The first time she met Willoughby, she is eager to know about him and can’t cover her emotion.“But what are hia manners on more intimate acquaintance? What his pursuits, his talents, and genius?”Erred against common-place notion of decorum, she engaged to Willoughby without permittion.3.2 ElionrElionr is a woman who is always be sensd. She always can hide her enmotions very well. Athough she never do against the tration, she has her determine to believe in love and pursue it.After hearing the new that Edward has got engagement to Lucy she still love him and hide her sorrow.“Certainly,” answered Elinor, without konwing what she said; but after a moment’s reflection, she added, with revived security of Edward’s honour and love, and her companion’s falsehood.”“His affection was all her own. She could not be deceived in that. Her mother, sisters, Fanny, all had been conscious of his regard for her own vanity. He certainly loved her. What a softener of the heart was this persuasion!”4. ConclusionSense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme:the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic——a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting onEdward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister.Soon however, Marianne meets a man who measures up to her ideal:Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her;meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired;a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure.BILIOGRAPHYCHRISTOPHER GILLIE ,2000,A Preface to JANE AUSTEN, Beijing University. JAN E·AUSTEN,2003,SENSE AND SENSIBILITY,beijing, Beijing Foreign Langue University.吴伟仁,2005,《英国文学史及选读》,北京,外语教学与研究出版社。