中国书法介绍(英文)
中国书法英文介绍
Good afternoon everyone,Today, our team’s topic is Chinese calligraphy and painting.First of all, let me introduce the first half of the Chinese calligraphy.开篇视频翻译：Calligraphy is traditionally been regarded in China as the highest form of visual art.书法，传统上被视为视觉艺术的最高形式。
The four treasures……文房四宝，笔墨纸砚pine soot（松烟）Calligraphy in social dimension……self-cultivation emulation of moral exemplars书法在社会层面上，孔子：自我修养，效仿道德模范老子：内心自我认识的表达直到今天，中国书法依然在中国人生活中保持着强大力量。
Chinese calligraphy, the four ancient Chinese artistic forms are called qin, chess, penmanship, and painting; and penmanship particularly refers to Chinese calligraphy. (中国古代四大艺术“琴棋书画”的“书”特指书法)Chinese calligraphy is a kind of art using a brush to write seal script, official script, regular script, running script, and cursive script, and other various writing styles of Chinese characters.（它是用毛笔书写篆、隶、楷、行、草等各体汉字的艺术）The writing techniques of Chinese calligraphy are highlighted by the manner of using a brush, the way ink is used, the art of composition, and so on. （中国书法在技法上讲究笔法、墨法、章法等）Its harmonious beauty of art is reflected in between the lines. （它艺术的和谐之美体现在字里行间）Chinese calligraphy exhibits（iɡˈzibits）its beauty in different poses, such as the uniqueness （jʊ'niknɪs）of the official script ―silkworm head and swallow tail(隶书的蚕头燕尾),the regular script requirement to ―stick to the norm and rules(楷书的中规中矩),the characteristic of cursive script ―flying dragon and dancing phoenixes(草书的龙飞凤舞), and the distinctive ―natural grace of the running script(行书的潇洒飘逸).可谓异彩纷呈，千姿百态Indeed, Chinese calligraphy reflects the personality of Chinese people’s straightforwardness, dignity, and reticence('retɪsns).(中国书法体现了中华民族的豪爽大气、端庄含蓄的特点)Chinese characters were initially meant to be simple pictures use to help people remember things. After a long period of development, it finally became a unique character system that embodies phonetic sound, image, idea, and rhyme(raɪm) at the same time.(汉字是从原始人用以记事的简单图画，经过不断演变发展最终成为一种兼具音、形、意、韵的独特文字) The writing system, which was extremely advanced in ancient times, began with inscriptions on bones and tortoise shells, and these are regarded as the original forms of Chinese characters. (现存中国古代最早成熟的文字是甲骨文，被认为是现代汉字的初形)Afterwards, Chinese characters went through numerous calligraphic styles: bronze inscriptions, official script, regular script, cursive script, running script, etc. (此后，汉字又经历了金文、隶书、楷书、草书、行书等不同的阶段)Chinese characters are usually round outside and square inside, which is rooted in ancient Chinese beliefs of an orbicularsky and a rectangular Earth. (汉字结构“内圆外方”，源于古人“天圆地方”的观念)The five basic strokes of Chinese characters are 一(the horizontal stroke), 丨(the vertical stroke), 丿(the left-falling stroke), 捺(the right-falling stroke), and 乙(the turning stroke). (汉字有五种基本笔画，即：横、竖、撇、捺、折)The four treasures of the study.文房四宝The writing brush, ink stick, ink stone, and paper were requisite（'rekwɪzɪt）treasures in the study of the scholars of ancient China, and they are often referred to as the ―Four Treasures of the Study.（笔墨纸砚是中国古代文人书房当中必备的宝贝，被称为“文房四宝”）The writing brush and ink stick have been used by the Chinese to write and paint since 5,000 years ago.（用笔墨书写绘画在中国可追溯到五千年前）In the Qin Dynasty (221BC-206BC), people already used feathers（'fɛðɚ）of different hardness and bamboo trunks to make brushes.（秦朝时已用不同硬度的毛和竹管制笔）During the Han Dynasty (206BC-220AD), man-made ink was used instead of natural ink. （汉代以人工制墨替代了天然墨）After paper was invented by the Chinese, bamboo slips, wooden tablets, brocade and silk, which originally functioned as writing surfaces, gradually faded out. （有了纸张以后，简牍锦帛逐失其用）The ink stone was first developed with the use of writing brushes and ink. （砚台则随笔墨的使用而发展）After the Song Dynasty(960AD-1279AD), the ―Four Treasures of the Study，particularly referred to hubi, the writing brush produced in Huzhou, Zhejiang province; huimo, the instick produced in Huizhou, Anhui province; xuan paper, a kind of paper produced in Xuanzhou, Anhui province; and duanyan, the ink stone made in Zhaoqing, Guangdong province(Zhaoqing was earlier called Duanzhou).Indeed, the ―Four Treasures of the Study have written the whole Chinese civilization, as it is.“文房四宝”到宋朝（960-1279）以后特指湖笔（浙江湖州）、徽墨（安徽徽州）、宣纸（安徽宣州）、端砚（广东肇庆，古称端州）。
介绍中国书法英语作文
介绍中国书法英语作文介绍中国书法英语作文在平日的学习、工作和生活里，大家都有写作文的经历，对作文很是熟悉吧，通过作文可以把我们那些零零散散的思想，聚集在一块。
相信写作文是一个让许多人都头痛的问题，以下是小编为大家收集的介绍中国书法英语作文，仅供参考，欢迎大家阅读。
介绍中国书法英语作文篇1Calligraphy is the essence of Chinese culture,which has developed into a special high-level art apart from satisfying theneeds of daily writing. It has been flourishing for thousands of years inChina.Shopswith strong commercial atmosphere will gain some elegance if they are decoratedwith some quaint cultural calligraphic works. Sitting rooms, studies andbedrooms can be nice-looking with calligraphy works decorated.As a kind of artwork, the writing of calligraphy is particular.The Chinese characters arewritten on Xuan paper which absorbs ink very well and then are mounted to hangon a wall.The calligraphy works are mostly a poem or a motto that the host ofthe room likes it much; if it is written by the host himself, it willdemonstrate more his aspiration and interest as well as his talent.书法是中国文化的精粹，除了满足日常书写外，它已经上升成为一门特别的高等艺术。
中国书法英文介绍
中国书法英文介绍Title:Chinese CalligraphyChinese calligraphy is a unique and profound art form in China. It has a long history that can be traced back thousands of years.Chinese calligraphy originated from the inscriptions on oracle bones in the Shang Dynasty. These inscriptions were mainly used for divination and recording important events. As time passed, different styles of calligraphy gradually emerged. For example, during the Qin Dynasty, the official script (Lishu) became popular, which was more standardized compared to the previous styles. In the Han Dynasty, calligraphy continued to develop, and the cursive script (Caoshu) started to take shape.The basic tools for Chinese calligraphy are the brush, ink, paper, and inkstone, which are collectively known as the “Four Treasures of the Study”. The brush is made of animal hair, such as wolf hair or sheep hair. The ink is usually made from soot and glue, which can produce different shades of black when diluted with water. The paper, especially the rice paper(Xuanzhi), has a special texture that is suitable for ink absorption. The inkstone is used for grinding the ink.There are five main styles of Chinese calligraphy, namely, seal script (Zhuanshu), official script (Lishu), regular script (Kaishu), running script (Xingshu), and cursive script (Caoshu). Seal script is often used for seals and has a very archaic and solemn appearance. Official script is more square - shaped and has clear strokes. Regular script is the most standardized style, with each stroke having a fixed shape and position. Running script is a combination of regular script and cursive script, with a flowing and natural rhythm. Cursive script is the most free - style, with the strokes often connected and abbreviated, showing the calligrapher's strong emotions and creativity.Chinese calligraphy is not only a form of writing but also a way of expressing the calligrapher's personality, mood, and aesthetic taste. It reflects Chinese philosophy and cultural values. For example, the balance and harmony in calligraphy strokes are in line with the concept of “Yin - Yang”in Chinese philosophy. Moreover, calligraphy is also an important part of Chinese cultural heritage. It has influenced other Asian countries' calligraphy and art forms.In conclusion, Chinese calligraphy is a remarkable art form that combines writing, art, and cultural connotations. It is a precious treasure of Chinese culture and has attracted the attention and admiration of people all over the world.。
中国书法介绍英语
中国书法介绍英语Chinese Calligraphy: An Artistic MasterpieceChinese calligraphy is a unique and captivating art form that has been practiced for centuries in China. It is a visual representation of the written language, where the strokes and compositions of the characters are not merely a means of communication but a form of artistic expression. This ancient art form has evolved over time, reflecting the cultural, historical, and philosophical aspects of Chinese civilization.At the heart of Chinese calligraphy lies the concept of "qi," which refers to the vital energy or life force that permeates the universe. Calligraphers strive to capture this essence through their brushstrokes, imbuing each character with a sense of rhythm, balance, and emotional resonance. The art of calligraphy is not merely about the technical execution of the characters but rather the artist's ability to convey their inner state of mind and personal interpretation of the written word.One of the most striking features of Chinese calligraphy is the diverse range of styles that have emerged over the centuries. Fromthe bold and commanding "Kaishu" (regular script) to the fluid and expressive "Xingshu" (cursive script), each style reflects the unique aesthetic sensibilities and personal preferences of the calligrapher. The choice of script, the thickness and rhythm of the strokes, and the overall composition of the characters all contribute to the distinct character of a calligraphic work.The materials used in Chinese calligraphy are equally significant. The traditional tools include the brush, ink, paper, and inkstone, each of which plays a crucial role in the creative process. The brush, in particular, is an extension of the calligrapher's hand, allowing them to effortlessly manipulate the ink and create a wide range of expressive strokes. The quality of the paper, with its subtle textures and absorbent properties, also influences the final outcome, as it interacts with the ink to produce unique visual effects.The practice of Chinese calligraphy is not merely a technical exercise but a deeply introspective and spiritual process. Calligraphers often engage in meditative practices to cultivate a calm and focused state of mind, which is then reflected in the fluidity and harmony of their brushstrokes. The act of creating a calligraphic work is seen as a journey of self-discovery, where the artist's personal experiences, emotions, and philosophical beliefs are woven into the fabric of the artwork.Beyond its aesthetic appeal, Chinese calligraphy also serves as a window into the rich cultural heritage of China. The evolution of calligraphic styles is closely tied to the development of Chinese literature, history, and social customs. Each dynasty and region has its own distinctive calligraphic traditions, reflecting the unique cultural influences and artistic preferences of the time.In recent years, Chinese calligraphy has gained increasing global recognition, with artists and enthusiasts around the world exploring and appreciating this captivating art form. Contemporary calligraphers have also embraced new mediums and techniques, blending traditional practices with modern sensibilities to create innovative and thought-provoking works.In conclusion, Chinese calligraphy is a profound and multifaceted art form that continues to captivate and inspire audiences worldwide. From its deep-rooted cultural significance to its mesmerizing visual aesthetics, this ancient art form is a testament to the enduring creativity and spiritual essence of the Chinese people. Whether one is a seasoned connoisseur or a curious newcomer, the world of Chinese calligraphy offers a rich and rewarding journey of discovery and appreciation.。
(完整word)中国书法英文介绍
Good afternoon everyone，Today, our team’s topic is Chinese calligraphy and painting。
First of all， let me introduce the first half of the Chinese calligraphy。
开篇视频翻译:Calligraphy is traditionally been regarded in China as the highest form of visual art.书法，传统上被视为视觉艺术的最高形式。
The four treasures……文房四宝，笔墨纸砚 pine soot（松烟)Calligraphy in social dimension……self-cultivation emulation of moral exemplars书法在社会层面上,孔子:自我修养,效仿道德模范老子：内心自我认识的表达直到今天,中国书法依然在中国人生活中保持着强大力量。
Chinese calligraphy, the four ancient Chinese artistic forms are called qin, chess， penmanship，and painting; and penmanship particularly refers to Chinese calligraphy. (中国古代四大艺术“琴棋书画”的“书”特指书法)Chinese calligraphy is a kind of art using a brush to write seal script， official script， regular script, running script, and cursive script, and other various writing styles of Chinese characters。
中国书法英文介绍
Outline
Brief introduction Tools we need Categories
The rules of brush writing
Brief Introduction
An art dating back to the earliest day of Chinese history.
Running Hand
行书 (xing shu)
The most popular style of Chinese characters. Itrokes. So it’s very convenient to write. Many calligrapher are good at writing this style.
Official Script
隶书 (li shu)
An ancient style of calligraphy current in the Han Dynasty. It usually starts with a spissated stroke and ended with an extended tail.
The other tools
• Desk pad 画毡 • Paperweight 镇石 • Seal 印章 • Ink stick 墨条
Categories
Seal Character
篆书 (zhuan shu)
An ancient style of Chinese calligraphy used officially in Qin Dynasty. The lines making up every character are symmetric and fluent.
中国书法英文介绍
柳公权(778－865)—Tang dynasty
• Liu Gongquan, a master of kaishu and cursive(行草) who is oftened mentioned with Yan Zhenqing. Kaishu: vigorous and rigorous Running-cursive: fluent and flowing
dominant rightward or downward diagonal stroke.
Popular styles
• 楷书 楷书Regular script/kǎishū
• Regular script came into being between the Eastern Hàn and Cáo Wèi dynasties, and its first known master was Zhōng Yáo(钟繇) known as “father of regular script”. • It is most common in modern writings and publications.
黄庭坚 (1045-1105) Huang Tingjian
• A calligrapher and poet in Song dynasty. • His works are fancy and firm, leading change of the trend.
Popular styles
• 隶书The clerical script
Popular styles
• 行书Semi-cursive script/running script/xíngshū
• It belongs to a cursive style of Chinese characters. • Easy to read compared to cursive
中国书法介绍英文版CalligraphyIntroduction
CalligraphyCalligraphy is understood in China as the art of writing a good hand with the brush or the study of the rules and techniques of this art. As such it is peculiar to China and the few countries influenced by ancient Chinese culture.In the history of Chinese art, calligraphy has always been held in equalimportance to painting. Great attention is also paid today to itsdevelopment by holding exhibitions of ancient and contemporary works andby organizing competitions among youngsters and people from various walksof life. Sharing of experience in this field often makes a feature inSino-Japanese cultural exchange.Chinese calligraphy, like the script itself, began with the hieroglyphs and, over the long ages of evolution, has developed various styles and schools, constituting an important part of the heritage of national culture.ClassificationChinese scripts are generally divided into five categories:The seal character (zhuan), the official or clerical script (li), theregular script (kai), the running hand (xing) and the cursive hand (cao).1) The zhuan script or seal character was the earliest form of writing afterthe oracle inscriptions, which must have caused great inconvenience becausethey lacked uniformity and many characters were written in variant forms.The first effort for the unification of writing, it is said, took placeduring the reign of King Xuan (827-782 B. C.) of the Western Zhou Dynasty,when his taishi (grand historian) Shi Zhou compiled a lexicon of 15chapters, standardizing Chinese writing under script called zhuan. It isalso known as zhouwen after the name of the author. This script, often usedin seals, is translated into English as the seal character, or as the "curlyscript" after the shape of its strokes.Shi Zhou's lexicon (which some thought was written by a later author of the state of Qin) had long been lost, yet it is generally agreed that the inscriptions on the drum-shaped Qin stone blocks were basically of the same style as the old zhuan script.When, in 221 B. C., Emperor Qin Shi Huang unified the whole of China under one central government, he ordered his Prime Minister Li Si to collect and sort out all the different systems of writinghitherto prevalent in different parts of the country in a great effort to unify the written language under one system. What Li did, in effect, was to simplify the ancient zhuan (small seal) script.Today we have a most valuable relic of this ancient writing in the creator Li Si's own hand engraved on a stele standing in the Temple to the God of Taishan Mountain in Shandong Province. The2,200-year-old stele, worn by age and weather, has only nine and a half characters left on it.2) The lishu (official script) came in the wake of the xiaozhuan in the same short-lived Qin Dynasty (221 - 207 B. C.). This was because the xiaozhuan, though a simplified form of script, was still too complicated for the scribes in the various government offices who had to copy an increasing amount of documents. Cheng Miao, a prison warden, made a further simplification of the xiaozhuan, changing the curly strokes into straight and angular ones and thus making writing much easier. A further step away from the pictographs, it was named lishu because li in classical Chinese meant "clerk" or "scribe". Another version says that Cheng Miao, because of certain offence, became a prisoner and slave himself; as the ancients also called bound slaves "li", so the script was named lishu or the "script of a slave".3) The lishu was already very close to, and led to the adoption of, kaishu, regular script. The oldest existing example of this dates from the Wei (220-265), and the script developed under the Jin (265-420). The standard writing today is square in form, non-cursive and architectural in style. The characters are composed of a number of strokes out of a total of eight kinds-the dot, the horizontal, the vertical, the hook, the rising, the left-falling (short and long) and theright-falling strokes. Any aspirant for the status of calligrapher must start by learning to write a good hand in kaishu.4) On the basis of lishu also evolved caoshu (grass writing or cursive hand), which is rapid and used for making quick but rough copies. This style is subdivided into two schools: zhangcao and jincao.The first of these emerged at the time the Qin was replaced by the Han Dynasty between the 3rd and 2nd centuries B. C. The characters, though written rapidly, still stand separate one from another and the dots are not linked up with other strokes.Jincao or the modern cursive hand is said to have been developed by Zhang Zhi (?-c. 192 A. D.) of the Eastern Han Dynasty, flourished in the Jin and Tang dynasties and is still widely popular today.It is the essence of the caoshu, especially jincao, that the characters are executed swiftly with the strokes running together. The characters are often joined up, with the last stroke of the first merging into the initial stroke of the next. They also vary in size in the same piece of writing, all seemingly dictated by the whims of the writer.A great master at caoshu was Zhang Xu (early 8th century) of the Tang Dynasty, noted for the complete abandon with which he applied the brush. It is said that he would not set about writing until hehad got drunk. This he did, allowing the brush to "gallop" across the paper, curling, twisting or meandering in one unbroken stroke, thus creating an original style. Today one may still see fragments of a stele carved with characters in his handwriting, kept in the Provincial Museum of Shaanxi.The best example and model for xingshu, all Chinese calligraphers will agree, is the Inscription on Lanting Pavilion in the hand of Wang Xizhi (321-379) of the Eastern Jin Dynasty. To learn to write a nice hand in Chinese calligraphy, assiduous and persevering practice is necessary. This has been borne out by the many great masters China has produced. Wang Xizhi, the great artist just mentioned, who has exerted a profound influence on, and has been held in high esteem by, calligraphers and scholars throughout history, is said to have blackened in his childhood all the water of a pond in front of his house by washing the writing implements in it after his daily exercises. Another master, Monk Zhiyong of the Sui Dynasty (581-618) was so industrious in learning calligraphy that he filled many jars with worn-out writing brushes, which he buried in a "tomb of brushes".Renewed interest in brush-writing has been kindled today among the pupils in China, some of whom already show promises as worthy successors to the ancient masters.Four Treasures of the StudyTo produce Chinese characters one will need a brush, paper, ink stickand ink stone, commonly referred to as the "Four Treasures of theStudy". To learn calligraphy, it is necessary to learn about thesetools.While brushes are varied, white-goat-hair, black-rabbit-hair and yellow-weasel-hair brushes are the main ones. On the basis of function, brushes are classified into three groups: hard, soft and both. Brush handles are usually made of bamboo, wood, lacquer or porcelain; ivory or jade handles are rare and precious.The ink stick is a unique pigment used for Chinese traditional painting and calligraphy. The most famous ink stick ishui mo(Anhui ink stick), made of pines that grow on Huangshan Mountain in Anhui Province. Clean water is needed to grind the ink stick, which must be balanced in the hand during the grinding or rubbing process. Press hard and rub lightly, slowly and evenly against the ink slab until a thick, liquid-ink forms.Paper was invented by Cai Lun in the Eastern Han Dynasty (25-220). While paper comes in many varieties, Xuan paper, produced in the Jing Prefecture of Xuanzhou (today's Anhui Province), is considered the best for Chinese calligraphy. The paper is soft and fine textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting. With a good tensile strength and mothproof quality, the paper can be preserved for a long time.Ink stones or ink slabs have been classified into three categories:Duan,SheandTao. Features common to all three ink slabs are the stone's hardness and fineness. Although the stone is hard and fine, it is not dry or slippery. Using a hard, smooth stone, liquid ink can be produced easily by rubbing the ink stick against the stone.By controlling the flexibility of the brush, the concentration of the ink and the absorbency of the paper, the artist can produce an infinite variety of calligraphic styles and forms.Calligraphy: Leader of All Art FormsFew nations in the world have calligraphy as a form of art. In China, calligraphy has maintained a close rapport with the country's cultural development.Calligraphy is an expressive art. According to an old Chinese saying, "the way characters are written is a portrait of the person who writes them." Expressing the abstract beauty of lines and rhythms, calligraphy is a reflection of a person's emotions, moral integrity, character, educational level, accomplishments in self-cultivation, intellectual tastes and approach to life. Chinese characters, which convey ideas, are regarded as the most abstract and sublime art form.Calligraphy is also a practical fine art. Exotic calligraphic inscriptions written on paper, wooden plaques or stone tablets serve as decorations of a deep artistic value.Calligraphy manifests the basic characteristics of all Chinese arts. Closely associated with paintings -- the two leaders of Chinese art forms -- calligraphy takes precedence over painting since it greatly inspired the art of painting. Moreover, calligraphy has influenced other typically Chinese art forms like classical poetry, seal-cutting, sculpture, traditional music and dance, architecture and handicrafts.Calligraphy is a mental exercise that coordinates the mind and body. It is a most relaxing yet highly disciplined exercise for physical and spiritual well-being. Historically, many calligraphic artists lived to a ripe, old age.An Art of the OrientChinese calligraphy is an Oriental art. Like chopsticks, calligraphy was once entirely Chinese, but as Chinese culture spread to Korea, Japan, and Singapore, calligraphy became a unique feature of the Oriental art.Calligraphy is even wildly accepted by the West; as once Picasso said, "Had I been born Chinese, I would have been a calligrapher, not a painter." Many calligraphic elements are being adopted by modern western art.。
(完整word版)中国书法介绍(英文版)CalligraphyIntroduction
CalligraphyCalligraphy is understood in China as the art of writing a good hand with the brush or the study of the rules and techniques of this art. As such it is peculiar to China and the few countries influenced by ancient Chinese culture.In the history of Chinese art, calligraphy has always been held in equalimportance to painting. Great attention is also paid today to itsdevelopment by holding exhibitions of ancient and contemporary worksand by organizing competitions among youngsters and people fromvarious walks of life. Sharing of experience in this field often makes afeature in Sino-Japanese cultural exchange.Chinese calligraphy, like the script itself, began with the hieroglyphs and, over the long ages of evolution, has developed various styles and schools, constituting an important part of the heritage of national culture.ClassificationChinese scripts are generally divided into five categories:The seal character (zhuan), the official or clerical script (li), the regularscript (kai), the running hand (xing) and the cursive hand (cao).1) The zhuan script or seal character was the earliest form of writing afterthe oracle inscriptions, which must have caused great inconveniencebecause they lacked uniformity and many characters were written invariant forms. The first effort for the unification of writing, it is said, tookplace during the reign of King Xuan (827-782 B. C.) of the Western ZhouDynasty, when his taishi (grand historian) Shi Zhou compiled a lexicon of15 chapters, standardizing Chinese writing under script called zhuan. It isalso known as zhouwen after the name of the author. This script, oftenused in seals, is translated into English as the seal character, or as the"curly script" after the shape of its strokes.Shi Zhou's lexicon (which some thought was written by a later author of the state of Qin) had long been lost, yet it is generally agreed that the inscriptions on the drum-shaped Qin stone blocks were basically of the same style as the old zhuan script.When, in 221 B. C., Emperor Qin Shi Huang unified the whole of China under one central government, he ordered his Prime Minister Li Si to collect and sort out all the different systems of writing hitherto prevalent in different parts of the country in a great effort to unify the written language under onesystem. What Li did, in effect, was to simplify the ancient zhuan (small seal) script.Today we have a most valuable relic of this ancient writing in the creator Li Si's own hand engraved on a stele standing in the Temple to the God of Taishan Mountain in Shandong Province. The2,200-year-old stele, worn by age and weather, has only nine and a half characters left on it.2) The lishu (official script) came in the wake of the xiaozhuan in the same short-lived Qin Dynasty (221 - 207 B. C.). This was because the xiaozhuan, though a simplified form of script, was still too complicated for the scribes in the various government offices who had to copy an increasing amount of documents. Cheng Miao, a prison warden, made a further simplification of the xiaozhuan, changing the curly strokes into straight and angular ones and thus making writing much easier. A further step away from the pictographs, it was named lishu because li in classical Chinese meant "clerk" or "scribe". Another version says that Cheng Miao, because of certain offence, became a prisoner and slave himself; as the ancients also called bound slaves "li", so the script was named lishu or the "script of a slave".3) The lishu was already very close to, and led to the adoption of, kaishu, regular script. The oldest existing example of this dates from the Wei (220-265), and the script developed under the Jin(265-420). The standard writing today is square in form, non-cursive and architectural in style. The characters are composed of a number of strokes out of a total of eight kinds-the dot, the horizontal, the vertical, the hook, the rising, the left-falling (short and long) and the right-falling strokes. Any aspirant for the status of calligrapher must start by learning to write a good hand in kaishu.4) On the basis of lishu also evolved caoshu (grass writing or cursive hand), which is rapid and used for making quick but rough copies. This style is subdivided into two schools: zhangcao and jincao.The first of these emerged at the time the Qin was replaced by the Han Dynasty between the 3rd and 2nd centuries B. C. The characters, though written rapidly, still stand separate one from another and the dots are not linked up with other strokes.Jincao or the modern cursive hand is said to have been developed by Zhang Zhi (?-c. 192 A. D.) of the Eastern Han Dynasty, flourished in the Jin and Tang dynasties and is still widely popular today.It is the essence of the caoshu, especially jincao, that the characters are executed swiftly with the strokes running together. The characters are often joined up, with the last stroke of the first merging into the initial stroke of the next. They also vary in size in the same piece of writing, all seemingly dictated by the whims of the writer.A great master at caoshu was Zhang Xu (early 8th century) of the Tang Dynasty, noted for the complete abandon with which he applied the brush. It is said that he would not set about writing until he had got drunk. This he did, allowing the brush to "gallop" across the paper, curling, twisting ormeandering in one unbroken stroke, thus creating an original style. Today one may still see fragments of a stele carved with characters in his handwriting, kept in the Provincial Museum of Shaanxi.The best example and model for xingshu, all Chinese calligraphers will agree, is the Inscription on Lanting Pavilion in the hand of Wang Xizhi (321-379) of the Eastern Jin Dynasty. To learn to write a nice hand in Chinese calligraphy, assiduous and persevering practice is necessary. This has been borne out by the many great masters China has produced. Wang Xizhi, the great artist just mentioned, who has exerted a profound influence on, and has been held in high esteem by, calligraphers and scholars throughout history, is said to have blackened in his childhood all the water of a pond in front of his house by washing the writing implements in it after his daily exercises. Another master, Monk Zhiyong of the Sui Dynasty (581-618) was so industrious in learning calligraphy that he filled many jars with worn-out writing brushes, which he buried in a "tomb of brushes".Renewed interest in brush-writing has been kindled today among the pupils in China, some of whom already show promises as worthy successors to the ancient masters.Four Treasures of the StudyTo produce Chinese characters one will need a brush, paper, inkstick and ink stone, commonly referred to as the "Four Treasures ofthe Study". To learn calligraphy, it is necessary to learn about thesetools.While brushes are varied, white-goat-hair, black-rabbit-hair and yellow-weasel-hair brushes are the main ones. On the basis of function, brushes are classified into three groups: hard, soft and both. Brush handles are usually made of bamboo, wood, lacquer or porcelain; ivory or jade handles are rare and precious.The ink stick is a unique pigment used for Chinese traditional painting and calligraphy. The most famous ink stick ishui mo(Anhui ink stick), made of pines that grow on Huangshan Mountain in Anhui Province. Clean water is needed to grind the ink stick, which must be balanced in the hand during the grinding or rubbing process. Press hard and rub lightly, slowly and evenly against the ink slab until a thick, liquid-ink forms.Paper was invented by Cai Lun in the Eastern Han Dynasty (25-220). While paper comes in many varieties, Xuan paper, produced in the Jing Prefecture of Xuanzhou (today's Anhui Province), is considered the best for Chinese calligraphy. The paper is soft and fine textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting. With a good tensile strength and mothproof quality, the paper can be preserved for a long time.Ink stones or ink slabs have been classified into three categories:Duan,SheandTao. Features common to all three ink slabs are the stone's hardness and fineness. Although the stone is hard and fine, it is notdry or slippery. Using a hard, smooth stone, liquid ink can be produced easily by rubbing the ink stick against the stone.By controlling the flexibility of the brush, the concentration of the ink and the absorbency of the paper, the artist can produce an infinite variety of calligraphic styles and forms.Calligraphy: Leader of All Art FormsFew nations in the world have calligraphy as a form of art. In China, calligraphy has maintained a close rapport with the country's cultural development.Calligraphy is an expressive art. According to an old Chinese saying, "the way characters are written is a portrait of the person who writes them." Expressing the abstract beauty of lines and rhythms, calligraphy is a reflection of a person's emotions, moral integrity, character, educational level, accomplishments in self-cultivation, intellectual tastes and approach to life. Chinese characters, which convey ideas, are regarded as the most abstract and sublime art form.Calligraphy is also a practical fine art. Exotic calligraphic inscriptions written on paper, wooden plaques or stone tablets serve as decorations of a deep artistic value.Calligraphy manifests the basic characteristics of all Chinese arts. Closely associated with paintings -- the two leaders of Chinese art forms -- calligraphy takes precedence over painting since it greatly inspired the art of painting. Moreover, calligraphy has influenced other typically Chinese art forms like classical poetry, seal-cutting, sculpture, traditional music and dance, architecture and handicrafts.Calligraphy is a mental exercise that coordinates the mind and body. It is a most relaxing yet highly disciplined exercise for physical and spiritual well-being. Historically, many calligraphic artists lived to a ripe, old age.An Art of the OrientChinese calligraphy is an Oriental art. Like chopsticks, calligraphy was once entirely Chinese, but as Chinese culture spread to Korea, Japan, and Singapore, calligraphy became a unique feature of the Oriental art.Calligraphy is even wildly accepted by the West; as once Picasso said, "Had I been born Chinese, I would have been a calligrapher, not a painter." Many calligraphic elements are being adopted by modern western art.。
中国书法英文介绍
Good afternoon everyone,Today, our team’s topic is Chinese calligraphy and painting、First of all, let me introduce the first half of the Chinese calligraphy、开篇视频翻译:Calligraphy is traditionally been regarded in China as the highest form of visual art、书法,传统上被视为视觉艺术的最高形式。
The four treasures……文房四宝,笔墨纸砚pine soot(松烟)Calligraphy in social dimension……self-cultivation emulation of moral exemplars书法在社会层面上,孔子:自我修养,效仿道德模范老子:内心自我认识的表达直到今天,中国书法依然在中国人生活中保持着强大力量。
Chinese calligraphy, the four ancient Chinese artistic forms are called qin, chess, penmanship, and painting; and penmanship particularly refers to Chinese calligraphy、(中国古代四大艺术“琴棋书画”的“书”特指书法)Chinese calligraphy is a kind of art using a brush to write seal script, official script, regular script, running script, and cursive script, and other various writing styles of Chinese characters、(它就是用毛笔书写篆、隶、楷、行、草等各体汉字的艺术)The writing techniques of Chinese calligraphy are highlighted by the manner of using a brush, the way ink is used, the art of composition, and so on、(中国书法在技法上讲究笔法、墨法、章法等)Its harmonious beauty of art is reflected in between the lines、(它艺术的与谐之美体现在字里行间)Chinese calligraphy exhibits(iɡˈzibits) its beauty in different poses, such as the uniqueness(jʊ'niknɪs) of the official script ―silkworm head and swallow tail(隶书的蚕头燕尾), the regular script requirement to ―stick to the norm and rules(楷书的中规中矩),the characteristic of cursive script ―flying dragon and dancing phoenixes(草书的龙飞凤舞), and the distinctive ―natural grace of the running script(行书的潇洒飘逸)、可谓异彩纷呈,千姿百态Indeed, Chinese calligraphy reflects the personality of Chinese people’s straightforwardness, dignity, and reticence('retɪsns)、(中国书法体现了中华民族的豪爽大气、端庄含蓄的特点) Chinese characters were initially meant to be simple pictures use to help people remember things、After a long period of development, it finally became a unique character system that embodies phonetic sound, image, idea, and rhyme(raɪm) at the same time、(汉字就是从原始人用以记事的简单图画,经过不断演变发展最终成为一种兼具音、形、意、韵的独特文字) The writing system, which was extremely advanced in ancient times, began with inscriptions on bones and tortoise shells, and these are regarded as the original forms of Chinese characters、(现存中国古代最早成熟的文字就是甲骨文,被认为就是现代汉字的初形)Afterwards, Chinese characters went through numerous calligraphic styles: bronze inscriptions, official script, regular script, cursive script, running script, etc、(此后,汉字又经历了金文、隶书、楷书、草书、行书等不同的阶段)Chinese characters are usually round outside and square inside, which is rooted in ancient Chinese beliefs of an orbicularsky and a rectangular Earth、(汉字结构“内圆外方”,源于古人“天圆地方”的观念)The five basic strokes of Chinese characters are 一(the horizontal stroke), 丨(the verticalstroke), 丿(the left-falling stroke), 捺(the right-falling stroke), and 乙(the turning stroke)、(汉字有五种基本笔画,即:横、竖、撇、捺、折)The four treasures of the study、文房四宝The writing brush, ink stick, ink stone, and paper were requisite('rekwɪzɪt) treasures in the study of the scholars of ancient China, and they are often referred to as the ―Four Treasures of the Study、(笔墨纸砚就是中国古代文人书房当中必备的宝贝,被称为“文房四宝”) The writing brush and ink stick have been used by the Chinese to write and paint since 5,000 years ago、(用笔墨书写绘画在中国可追溯到五千年前)In the Qin Dynasty (221BC-206BC), people already used feathers('fɛðɚ) of different hardness and bamboo trunks to make brushes、(秦朝时已用不同硬度的毛与竹管制笔) During the Han Dynasty (206BC-220AD), man-made ink was used instead of natural ink、(汉代以人工制墨替代了天然墨)After paper was invented by the Chinese, bamboo slips, wooden tablets, brocade and silk, which originally functioned as writing surfaces, gradually faded out、(有了纸张以后,简牍锦帛逐失其用)The ink stone was first developed with the use of writing brushes and ink、(砚台则随笔墨的使用而发展)After the Song Dynasty(960AD-1279AD), the ―Four Treasures of the Study,particularly referred to hubi, the writing brush produced in Huzhou, Zhejiang province; huimo, the instick produced in Huizhou, Anhui province; xuan paper, a kind of paper produced in Xuanzhou, Anhui province; and duanyan, the ink stone made in Zhaoqing, Guangdong province(Zhaoqing was earlier called Duanzhou)、Indeed, the ―Four Treasures of the Study have written the whole Chinese civilization, as it is、“文房四宝”到宋朝(960-1279)以后特指湖笔(浙江湖州)、徽墨(安徽徽州)、宣纸(安徽宣州)、端砚(广东肇庆,古称端州)。
介绍中国传统技艺的英语作文书法
介绍中国传统技艺的英语作文书法全文共3篇示例，供读者参考篇1The Ancient Art of Chinese CalligraphyHave you ever seen those beautiful Chinese characters that look like delicate paintings? That's calligraphy - the art of beautiful writing! Calligraphy has been a famous Chinese tradition for thousands of years. Let me tell you all about this amazing art form.Calligraphy is way more than just normal handwriting. The characters have to be perfectly formed with thick and thin brushstrokes that flow together gracefully. The ink has to be applied just right, not too light or too dark. The whole piece has to create a sense of rhythm, balance, and harmony. It's like the characters are dancing across the page!The tools used in calligraphy are really neat. You use a brush made of animal hair like goat, rabbit, or weasel fur. The brushes come in different sizes for different sized characters. The ink is made from sticks of pine soot mixed with glue and water. Yougrind the ink stick against a special stone slab to make the liquid ink. So cool, right?There are different calligraphy styles you can learn, each with its own fancy name. Some styles use thinner brushstrokes that look very delicate and elegant. Other styles are bolder with dramatic thick strokes. My favorite is the "grass" style which kind of looks like grass or seaweed flowing across the page. So pretty!Learning calligraphy takes a ton of practice. You have to train your hand movements over and over to get the brushstrokes just right. You practice on special paper or fabric stretched over a wooden frame. It can take years and years to become a true master calligrapher.The best calligraphers can make the characters seem to dance and swirl across the page. Their brushwork is filled with life and energy. Just looking at a great calligraphy piece can make you feel calm and relaxed. The characters look so perfect, but also free and natural at the same time.Calligraphy is considered one of the highest art forms in China, just as important as painting. Many famous artists were calligraphers too. Their calligraphy pieces could be just as famous and valuable as their paintings. Crazy, right?In ancient times, only rich nobles and scholars got to learn and practice calligraphy. They would show off their skills by hanging beautiful calligraphy scrolls in their homes. Calligraphy was a way to display your education, taste, and even your character. Someone with poor calligraphy skills was seen as uncultured.Today, anyone can learn calligraphy if they want to. Kids like me practice it in calligraphy club at school. We start out tracing characters and doing drill exercises. My teacher is always telling me to relax my grip and let my wrist flow smoothly. "The brush is an extension of your arm, not a pencil!" she'll say.Calligraphy is a lot harder than it looks. You have to concentrate so hard on each stroke. If your mind wanders for even a second, you could mess up the whole character! My hand gets really sore after just a little bit of practice. My calligraphy never turns out as beautiful as my teacher's. But I'm getting better and better the more I practice. Hopefully I can become a calligraphy master one day!I love calligraphy because it combines art, writing, and discipline all into one. It's a way to create something unique and beautiful through your own hand movements. I find it reallyrelaxing and meditative once I get into the flow of the brushstrokes. Time just seems to slip away.The craziest thing about calligraphy is that it's remained almost unchanged for thousands of years! Most of the basic techniques and tools are identical to ancient times. When I write out characters using centuries-old methods, it's like I'm connected to all the calligraphers throughout Chinese history. I'm continuing an unbroken tradition that goes back over 2,000 years! How amazing is that?Calligraphy is such an important part of Chinese culture. You see beautiful calligraphy everywhere - on scrolls, writings, paintings, even on sculptures and buildings! No matter where you go in China, the tradition and spirit of calligraphy surrounds you.I'm so glad I get to learn this ancient art. Practicing calligraphy has taught me to be patient, focused, and appreciative of the small details in life. It connects me to my cultural roots in such a creative way. Even though it's super challenging, I'm going to keep studying calligraphy and maybe even master it someday. This amazing tradition deserves to be continued and celebrated for thousands of years more!篇2The Art of Chinese CalligraphyHave you ever seen those beautiful Chinese characters on scrolls or paintings? They look so elegant and graceful, like little works of art themselves. That is the ancient art of Chinese calligraphy!Calligraphy has been an important part of Chinese culture for thousands of years. It's not just about writing characters neatly - it's an art form that takes a lot of skill and practice to master.Let me tell you a bit about the history of this amazing art. Calligraphy first began in China during the Shang Dynasty waaaay back in 1600 BC! Can you believe something so old is still practiced today? At first, words and symbols were carved into bones or bronze objects using a special tool. Over time, a brush made from animal hair was invented for writing on silk or paper.Calligraphy really became seen as a major art around the Han Dynasty from 202 BC to 220 AD. This was a peaceful time in China when arts like music, poetry and calligraphy were able to flourish. The emperor and nobles were huge patrons of calligraphy and it became a required study for the educated elite.From then on, calligraphy was integral to Chinese culture and academics. Students had to master calligraphy along with subjects like philosophy and literature. It was seen as a visible expression of your knowledge, skills, and even your personality! Imagine how your handwriting would look if you were judged by it for getting into college.There are five major calligraphic script styles that developed over the centuries in China: seal, clerical, cursive, running, and regular. Each one has strict rules about the structure of characters, spacing between strokes, thickness of lines, and more. Some scripts are more artistic while others are more practical for writing.Every work of calligraphy starts out with four core elements: the writing brush, the ink, the paper, and the ink stone. A calligrapher has to spend years mastering things like the exact firmness and flexibility of their brush, the precise ratio of ink to water, the seizing of the paper so it can absorb the ink properly, and how to grind the inkstick into the richest, most opaque black ink on the stone. Doesn't that sound complicated?When writing calligraphy, the position of your entire body is crucial - how you sit, how you hold the brush, the angle of your wrist and arm. Even your breathing and state of mind affect howthe characters will look! Calligraphers have to be completely focused yet relaxed in order to create their best work.There are so many tiny details that make calligraphy incredibly difficult to perfect. The shapes of characters, varying thickness of strokes, amount of ink used, speed of writing - everything combines to give each calligrapher's work its own unique style and rhythm. It's like your handwriting but a billion times more artistic!A true master calligrapher can write complex characters with just a single brushstroke. Their works have a harmonious energy flow across the paper or silk. When I look at examples of calligraphy masterpieces, I feel a sense of peace and power behind the strokes. It's almost like the characters have come to life through the artist's spirit.Calligraphy is not just about making the characters look pretty either. The words and phrases are often poems, stories, proverbs or philosophical thoughts that give deeper meaning to the work. The art combines striking visuals with profound ideas. How cool is that?While calligraphy was traditionally seen as a practice for men and scholars, there have been plenty of renowned female calligraphers too over the centuries. Probably the most famouswas Madam Zheng from the 8th century Tang Dynasty. She was one of the greatest calligraphers in Chinese history and invented her own unique "St St style. Her works were so valuable that centuries later, people would peel off plaster walls if they had her calligraphy underneath!Today, calligraphy is still a hugely respected art in China and around the world. Many schools in China require students to take calligraphy classes from a young age. I can imagine how hard it would be to get your hand and fingers to make such perfect, beautiful strokes when you're just a little kid!Calligraphy clubs, associations, and competitions are super popular. People of all ages practice this ancient art either for cultural appreciation, personal enjoyment, or with hopes of becoming a master one day. I've seen videos of calligraphers doing enormous works on the ground using buckets of ink and mops as brushes!While calligraphy used to be just for writing Chinese characters, modern artists have gotten creative and used brushes to create amazing abstract artworks too. I saw one piece that looked like a fierce dragon made out of sweeping brush strokes. So wild!Chinese calligraphy is a true blend of technical skill, artistic talent, and philosophical depth going back thousands of years. To me, that's what makes it such a special and meaningful art form. Every work of calligraphy is like a little window into ancient Chinese traditions.I think learning calligraphy would not only help me understand my cultural roots better, but also teach me discipline, focus, and how to find artistry within myself. While it looks incredibly difficult, I'd love to give it a try someday. You never know, maybe I'll become the next grand master calligrapher! A kid can dream, right?篇3The Beautiful Art of Chinese CalligraphyHave you ever seen those amazing Chinese decorations with beautiful characters that almost look like drawings? That is the traditional art of Chinese calligraphy! Calligraphy has been an important part of Chinese culture for thousands of years. Let me tell you all about this incredible art form.Calligraphy means "beautiful writing." In Chinese calligraphy, the characters aren't just written down quickly. Each character is drawn carefully with different brushstrokes to make it lookbeautiful and artistic. The characters are drawn with a special brush dipped in black ink. The brush has a bamboo handle and soft hair bristles that can make very thin or thick lines depending on how you move the brush.The characters used in calligraphy are the same ones used to write Chinese words and phrases. But in calligraphy, they are drawn much larger and paid special attention to make each one a tiny work of art. A skilled calligrapher can make the characters look bold, graceful, flowing, or strong just by how they draw the brushstrokes.Calligraphy has been practiced in China for over 2,000 years! It is considered one of the highest art forms. Children in ancient China had to practice calligraphy as an important part of their education. Emperors, scholars, and nobles all spent a lot of time perfecting their calligraphy skills. Having beautiful calligraphy showed you were cultured and educated.There are many different calligraphy styles that developed over the centuries. Some of the most famous are the Seal Script, Clerical Script, Regular Script, and Cursive Script styles. The Seal Script has the most ancient looking characters that were originally carved into stone seals. The Cursive Script flows elegantly like water or clouds drifting by.Learning calligraphy takes a lot of patience and practice. You have to learn the correct technique for drawing each stroke –thick, thin, straight, curved. You practice by copying over stamp imprints of perfectly inked characters over and over again. Your brush strokes have to be spaced just right and in the proper order. It takes years of training to become a skilled calligrapher.Throughout Chinese history, many famous calligraphers have been celebrated for creating works that are now national treasures. One of the most respected was Wang Xizhi who lived over 1,600 years ago. He is famous for perfecting the Regular Script and his beautiful flowing cursive style. Another calligraphy master was Yan Zhenqing almost 1,400 years ago. He made the Regular Script elegant and graceful while still looking strong.Calligraphy is considered such a high art form because of the difficulty in making it look perfect. The spacing, brushstrokes, thickness, and artistic flair all have to come together seamlessly. One little mistake can ruin the entire look of the character. Plus, the characters have to flow together in a balanced, harmonious way when written in phrases or poetry.The tools used in calligraphy are almost as artistic as the brushstrokes themselves. The brushes are carefully crafted with bamboo handles and soft animal hair bristles, usually from goats,rabbits, or weasels. The bristles have to be trimmed and treated just right for the ink to flow properly.The paper used is special too - It has to be firm, absorbent, and able to handle all the ink without bleeding. Many calligraphers use a specific type of paper called Xuan paper which has been made in China for over 1,500 years! It is so durable that ancient calligraphy works on Xuan paper still exist today.The ink is also made from a special recipe. Traditionally it was a mixture of pinewood smoke lampblack and animal glue. This gave the perfect rich black color and the right thickness to glide smoothly off the brush. The ink is ground into a solid stick that has to be rubbed with water to get the correct dark, velvety consistency.Creating calligraphy isn't just about writing characters, it is an artistic expression. The rhythm, movement, and energy given to each stroke is important. Characters can be made to embody strength, elegance, fluidity, or stillness just from the calligrapher's hand. It's like dancing or meditation with a brush.Today, calligraphy is still a beloved artform in China. Many Chinese families will have calligraphy scrolls or artworks tastefully hung as decorations. Calligraphy classes are populartoo, as both children and adults enjoy learning this traditional craft.Works by famous calligraphers can fetch millions at auctions. Their brushstrokes have become just as valuable as paintings. People appreciate the incredible control, skill, and artistry required to create beautiful, flawless calligraphy pieces.Some creative calligraphers today have even started experimenting with new styles. They might use colored inks, blend Eastern and Western styles, or incorporate calligraphy into modern artworks. This ancient art continues to develop and stay relevant.Wherever you see examples of Chinese calligraphy, you are witnessing thousands of years of cultural history and artistic mastery. From the selection of brushes and ink, to the graceful strokes that curve, hook, dot and stretch - true mastery of calligraphy is awe-inspiring. Every work is a tiny glimpse into the mind and spirit of the calligrapher through the simple act of drawing characters on paper. It is one of the most celebrated and revered forms of art to come from the rich culture of China.。
用英语介绍中国文化书法
用英语介绍中国文化书法Chinese calligraphy, also known as "Shufa" in Chinese,is a traditional art form that has been practiced for thousands of years in China. It is considered one of the highest forms of Chinese visual art and is admired for its beauty, elegance, and cultural significance.The history of Chinese calligraphy can be traced back to ancient China, where it was used as a means of communication and expression. Over the centuries,calligraphy has evolved into a highly respected art form, with its own set of techniques, styles, and principles.One of the most distinctive features of Chinese calligraphy is the use of brush and ink to create characters. Calligraphers use a variety of brushes,typically made from animal hair, and black ink to write on paper or silk. The strokes of the brush are carefully controlled to create a harmonious balance of form, rhythm, and space.Chinese calligraphy is not just about writing characters, but also about expressing the calligrapher's emotions andpersonality. Each stroke is infused with the calligrapher's energy and spirit, making each piece of calligraphy aunique work of art.There are several major styles of Chinese calligraphy, each with its own unique characteristics and history. These styles include Seal Script, Clerical Script, Regular Script, Running Script, and Cursive Script. Each style has its own rules and conventions, and calligraphers often spend years mastering a particular style.In addition to its artistic value, Chinese calligraphy also holds significant cultural and philosophical meanings. It is often associated with concepts such as harmony, balance, and discipline, reflecting the core principles of traditional Chinese culture.Chinese calligraphy has also had a profound influence on other forms of art and culture, such as painting, poetry, and even martial arts. Many famous Chinese artists, scholars, and poets have also been skilled calligraphers, and their works have greatly enriched the cultural heritage of China.In modern times, Chinese calligraphy continues to thrive as a cherished art form, with many enthusiasts and practitioners around the world. It is often practiced as a form of meditation and mindfulness, offering a way to cultivate inner peace and self-expression.Overall, Chinese calligraphy is a rich and profound art form that embodies the essence of Chinese culture. It is a testament to the creativity, wisdom, and spiritual depth of the Chinese people, and it continues to inspire andinfluence artists and admirers around the world.中国书法，又称“书法”，是中国传统艺术形式之一，已有数千年的历史。
中国书法简介英语版-chinese calligraphy(完整版)
Learn to appreciate calligraphy and choose your own style of calligraphy
QUESTIONS
1.Who created Ouyang style(欧体)? Ouyang Xun(欧阳询) or Ouyang Xiu（欧阳修） 2.Can you say several people good at running script? 2.Why did Su Shi create his masterpiece Cold food observance（寒食帖）?
If you learn from these people, you are lucky
Tian Yingzhang(田英章) Lu Zhongnan(卢中南)
Sima Yan(司马彦)
QUESTIONS
1.Who created Ouyang(欧体) Ouyang Xun(欧阳询) or Ouyang Xiu（欧阳修） Ouyang Xun 2.Can you say several person good at running script? Wang Xizhi; Yan Zhenqing; Su Shi 3.Why did Su Shi create his masterpiece Cold food observance? It is created to express his depression. In the third year in Huangzhou, he spent Cold food observance alone, and wrote it with mixed feeling
中国书法英语作文：ChineseCalligraphy
中国书法英语作文：ChineseCalligraphy关于中国书法英语作文：Chinese Calligraphy（精选8篇）在日常生活或是工作学习中，大家对作文都不陌生吧，根据写作命题的特点，作文可以分为命题作文和非命题作文。
那么你有了解过作文吗？以下是店铺为大家收集的关于中国书法英语作文：Chinese Calligraphy，供大家参考借鉴，希望可以帮助到有需要的朋友。
中国书法英语作文：Chinese Calligraphy 篇1Calligraphy is the essence of Chinese culture, which has developed into a special high-level art apart from satisfying the needs of daily writing. It has been flourishing for thousands of years in China. Shops with strong commercial atmosphere will gain some elegance if they are decorated with some quaint cultural calligraphic works. Sitting rooms, studies and bedrooms can be nice-looking with calligraphy works decorated. As a kind of art work, the writing of calligraphy is particular. The Chinese characters are written on Xuan paper which absorbs ink very well and then are mounted to hang on a wall. The calligraphy works are mostly a poem or a motto that the host of the room likes it much; if it is written by the host himself, it will demonstrate more his aspiration and interest as well as his talent.书法是中国文化的精粹，除了满足日常书写外，它已经上升成为一门特别的高等艺术。
介绍中国书法五种字体作文英语
介绍中国书法五种字体作文英语Chinese calligraphy, often referred to as the "soul of the Chinese character," is an essential art form that has been practiced for thousands of years. It is not just about writing characters but also about expressing one's thoughts, emotions, and personality through strokes and ink. The beauty of Chinese calligraphy lies in its variety and complexity, with five distinct styles that each have their unique characteristics and histories.1. **Shufa (Regular Script)**The earliest style of Chinese calligraphy, Shufa is the most basic and recognizable style, used primarily forofficial documents and texts. Its strokes are even and balanced, creating a sense of orderliness and clarity.Shufa is often seen as the foundation for learning calligraphy, as it teaches beginners the importance of control and precision.2. **Kaishu (Regular Handwriting)**Kaishu, also known as "running script," is a more fluid and dynamic style that emerged during the Tang Dynasty. Itsstrokes are connected, creating a sense of continuity and flow. Kaishu is widely used for official documents, poems, and inscriptions, and its elegant yet readable nature makes it popular with calligraphy enthusiasts.3. **Xingshu (Cursive Script)**Xingshu, meaning "running script," is a highly stylized and abstract form of calligraphy that was popular duringthe Han and Tang dynasties. Its strokes are quick and loose, often intertwining and overlapping, creating a sense of rhythm and dynamism. Xingshu is known for its freestyle and spontaneity, making it a favorite among calligraphers who enjoy expressing their creativity through their writing.4. **Grass Script**Grass script, as its name suggests, is a style of calligraphy that resembles brushstrokes made in grass. Its strokes are fast and agile, often skipping and skippingover paper, creating a sense of freshness and vitality.This style was popular during the Tang and Song dynasties and is often used for writing on silk and paper.5. **Seal Script**The oldest style of Chinese calligraphy, Seal Script dates back to the Zhou Dynasty (1046-256 BC). Its strokes are thick and rounded, often with loops and swirls, creating a sense of antiquity and mystery. Seal Script is often used for inscriptions on ancient bronzes, jade, and other artifacts, and its unique aesthetic value makes it a prized possession for collectors and calligraphy enthusiasts.In conclusion, the five styles of Chinese calligraphy each have their unique beauty and charm, reflecting therich history and culture of China. From the orderly and precise Shufa to the freestyle and abstract Xingshu, each style offers a different experience and feeling when practiced. Whether you are a beginner or an experienced calligrapher, exploring these styles can be a rewarding and enriching journey.**中国书法五种字体简介**中国书法，被誉为“汉字的灵魂”，是一种历经数千年仍然生机勃勃的艺术形式。
中国书法介绍英文版CalligraphyIntroduction
C a l l i g r a p h yCalligraphy is understood in China as the art of writing a good hand with the brush or the study of the rules and techniques of this art. As such it is peculiar to China and the few countries influenced by ancient Chinese culture.In the history of Chinese art, calligraphy has always been held in equalimportance to painting. Great attention is also paid today to its development byholding exhibitions of ancient and contemporary works and by organizingcompetitions among youngsters and people from various walks of life. Sharingof experience in this field often makes a feature in Sino-Japanese culturalexchange.Chinese calligraphy, like the script itself, began with the hieroglyphs and, over the long ages of evolution, has developed various styles and schools, constituting an important part of the heritage of national culture.ClassificationChinese scripts are generally divided into five categories:The seal character (zhuan), the official or clerical script (li), the regular script(kai), the running hand (xing) and the cursive hand (cao).1) The zhuan script or seal character was the earliest form of writing after theoracle inscriptions, which must have caused great inconvenience because theylacked uniformity and many characters were written in variant forms. The firsteffort for the unification of writing, it is said, took place during the reign of KingXuan (827-782 B. C.) of the Western Zhou Dynasty, when his taishi (grandhistorian) Shi Zhou compiled a lexicon of 15 chapters, standardizing Chinesewriting under script called zhuan. It is also known as zhouwen after the name ofthe author. This script, often used in seals, is translated into English as the sealcharacter, or as the "curly script" after the shape of its strokes.Shi Zhou's lexicon (which some thought was written by a later author of the state of Qin) had long been lost, yet it is generally agreed that the inscriptions on the drum-shaped Qin stone blocks were basically of the same style as the old zhuan script.When, in 221 B. C., Emperor Qin Shi Huang unified the whole of China under one central government, he ordered his Prime Minister Li Si to collect and sort out all the different systems of writing hitherto prevalent in different parts of the country in a great effort to unify the written language under one system. What Li did, ineffect, was to simplify the ancient zhuan (small seal) script.Today we have a most valuable relic of this ancient writing in the creator Li Si's own hand engraved on a stele standing in the Temple to the God of Taishan Mountain in Shandong Province. The 2,200-year-old stele, worn by age and weather, has only nine and a half characters left on it.2) The lishu (official script) came in the wake of the xiaozhuan in the same short-lived Qin Dynasty (221 - 207B. C.). This was because the xiaozhuan, though a simplified form of script, was still too complicated for the scribes in the various government offices who had to copy an increasing amount of documents. Cheng Miao, a prison warden, made a further simplification of the xiaozhuan, changing the curly strokes into straight and angular ones and thus making writing much easier. A further step away from the pictographs, it was named lishu because li in classical Chinese meant "clerk" or "scribe". Another version says that Cheng Miao, because of certain offence, became a prisoner and slave himself; as the ancients also called bound slaves "li", so the script was named lishu or the "script of a slave".3) The lishu was already very close to, and led to the adoption of, kaishu, regular script. The oldest existing example of this dates from the Wei (220-265), and the script developed under the Jin (265-420). The standard writing today is square in form, non-cursive and architectural in style. The characters are composed of a number of strokes out of a total of eight kinds-the dot, the horizontal, the vertical, the hook, the rising, the left-falling (short and long) and the right-falling strokes. Any aspirant for the status of calligrapher must start by learning to write a good hand in kaishu.4) On the basis of lishu also evolved caoshu (grass writing or cursive hand), which is rapid and used for making quick but rough copies. This style is subdivided into two schools: zhangcao and jincao.The first of these emerged at the time the Qin was replaced by the Han Dynasty between the 3rd and 2nd centuries B. C. The characters, though written rapidly, still stand separate one from another and the dots are not linked up with other strokes.Jincao or the modern cursive hand is said to have been developed by Zhang Zhi (?-c. 192 A. D.) of the Eastern Han Dynasty, flourished in the Jin and Tang dynasties and is still widely popular today.It is the essence of the caoshu, especially jincao, that the characters are executed swiftly with the strokes running together. The characters are often joined up, with the last stroke of the first merging into the initial stroke of the next. They also vary in size in the same piece of writing, all seemingly dictated by the whims of the writer.A great master at caoshu was Zhang Xu (early 8th century) of the Tang Dynasty, noted for the complete abandon with which he applied the brush. It is said that he would not set about writing until he had got drunk. This he did, allowing the brush to "gallop" across the paper, curling, twisting or meandering in one unbroken stroke, thus creating an original style. Today one may still see fragments of a stele carved with characters inhis handwriting, kept in the Provincial Museum of Shaanxi.The best example and model for xingshu, all Chinese calligraphers will agree, is the Inscription on Lanting Pavilion in the hand of Wang Xizhi (321-379) of the Eastern Jin Dynasty. To learn to write a nice hand in Chinese calligraphy, assiduous and persevering practice is necessary. This has been borne out by the many great masters China has produced. Wang Xizhi, the great artist just mentioned, who has exerted a profound influence on, and has been held in high esteem by, calligraphers and scholars throughout history, is said to have blackened in his childhood all the water of a pond in front of his house by washing the writing implements in it after his daily exercises. Another master, Monk Zhiyong of the Sui Dynasty (581-618) was so industrious in learning calligraphy that he filled many jars with worn-out writing brushes, which he buried in a "tomb of brushes".Renewed interest in brush-writing has been kindled today among the pupils in China, some of whom already show promises as worthy successors to the ancient masters.Four Treasures of the StudyTo produce Chinese characters one will need a brush, paper, ink stick andink stone, commonly referred to as the "Four Treasures of the Study". Tolearn calligraphy, it is necessary to learn about these tools.While brushes are varied, white-goat-hair, black-rabbit-hair andyellow-weasel-hair brushes are the main ones. On the basis of function, brushes are classified into three groups: hard, soft and both. Brush handles are usually made of bamboo, wood, lacquer or porcelain; ivory or jade handles are rare and precious.The ink stick is a unique pigment used for Chinese traditional painting and calligraphy. The most famous ink stick ishui mo(Anhui ink stick), made of pines that grow on Huangshan Mountain in Anhui Province. Clean water is needed to grind the ink stick, which must be balanced in the hand during the grinding or rubbing process. Press hard and rub lightly, slowly and evenly against the ink slab until a thick, liquid-ink forms.Paper was invented by Cai Lun in the Eastern Han Dynasty (25-220). While paper comes in many varieties, Xuan paper, produced in the Jing Prefecture of Xuanzhou (today's Anhui Province), is considered the best for Chinese calligraphy. The paper is soft and fine textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting. With a good tensile strength and mothproof quality, the paper can be preserved for a long time.Ink stones or ink slabs have been classified into three categories:Duan,SheandTao. Features common to all three ink slabs are the stone's hardness and fineness. Although the stone is hard and fine, it is not dry orslippery. Using a hard, smooth stone, liquid ink can be produced easily by rubbing the ink stick against the stone.By controlling the flexibility of the brush, the concentration of the ink and the absorbency of the paper, the artist can produce an infinite variety of calligraphic styles and forms.Calligraphy: Leader of All Art FormsFew nations in the world have calligraphy as a form of art. In China, calligraphy has maintained a close rapport with the country's cultural development.Calligraphy is an expressive art. According to an old Chinese saying, "the way characters are written is a portrait of the person who writes them." Expressing the abstract beauty of lines and rhythms, calligraphy is a reflection of a person's emotions, moral integrity, character, educational level, accomplishments inself-cultivation, intellectual tastes and approach to life. Chinese characters, which convey ideas, are regarded as the most abstract and sublime art form.Calligraphy is also a practical fine art. Exotic calligraphic inscriptions written on paper, wooden plaques or stone tablets serve as decorations of a deep artistic value.Calligraphy manifests the basic characteristics of all Chinese arts. Closely associated with paintings -- the two leaders of Chinese art forms -- calligraphy takes precedence over painting since it greatly inspired the art of painting. Moreover, calligraphy has influenced other typically Chinese art forms like classical poetry,seal-cutting, sculpture, traditional music and dance, architecture and handicrafts.Calligraphy is a mental exercise that coordinates the mind and body. It is a most relaxing yet highly disciplined exercise for physical and spiritual well-being. Historically, many calligraphic artists lived to a ripe, old age.An Art of the OrientChinese calligraphy is an Oriental art. Like chopsticks, calligraphy was once entirely Chinese, but as Chinese culture spread to Korea, Japan, and Singapore, calligraphy became a unique feature of the Oriental art.Calligraphy is even wildly accepted by the West; as once Picasso said, "Had I been born Chinese, I would have been a calligrapher, not a painter." Many calligraphic elements are being adopted by modern western art.。
介绍中国书法五种字体作文英语
The Five Styles of Chinese CalligraphyChinese calligraphy, an art form deeply rooted in the country's rich cultural heritage, encompasses five distinct styles that reflect the evolving tastes and techniques of various historical periods. These styles — seal script, clerical script, regular script, running script, andcursive script — each possess unique characteristics and aesthetics, making them stand out in the vast realm of Chinese calligraphy.Seal script, also known as zhuanshu, is the oldest and most primitive style among the five. Its lines are thickand rounded, resembling the carvings on seals, hence its name. This style, often seen in inscriptions on oraclebones and bronze vessels from ancient times, exudes a sense of primitivism and power.Clerical script, or lishu, emerged during the Han Dynasty and is characterized by its upright and orderly appearance. Its lines are smoother and more refined thanseal script, giving it a more elegant and dignified quality. Clerical script is often used in official documents andinscriptions, reflecting its association with formality and authority.Regular script, known as kaishu, represents the standardization of calligraphic forms. Developed during the Eastern Jin Dynasty, it combines the simplicity of clerical script with the dynamism of running script. Regular script is widely recognized as the most formal and legible style of Chinese calligraphy, often used in books and newspapers. Running script, or xingshu, is a more casual and flowing variant of regular script. Its lines are connected in a continuous and rhythmic manner, creating a sense of motion and vitality. Running script is often employed in letters and daily writing, as it allows for greater expression and personal style.Lastly, cursive script, or caoshu, is the most freely expressive and abstract style. Its lines are highly simplified and compressed, often to the point ofillegibility for the untrained eye. Cursive script is prized for its spontaneity and individuality, reflecting the calligrapher's unique personality and emotional state.Collectively, these five styles of Chinese calligraphy offer a comprehensive and diverse picture of the art form's rich history and evolving techniques. Each style possesses its own unique charm and aesthetics, appealing to different tastes and occasions. Whether one prefers the primal powerof seal script, the elegance of clerical script, the formality of regular script, the fluidity of running script, or the freedom of cursive script, there is a style of Chinese calligraphy that resonates with every individual.**中国书法五种字体**中国书法，这一深深植根于中华民族丰富文化遗产的艺术形式，包含了五种独特的字体，它们反映了不同历史时期不断变化的审美观念与技巧。
介绍中国书法英语作文
介绍中国书法英语作文Calligraphy is an elegant art form that has been cherished in China for centuries. It is not merely the act of writing characters but a reflection of the writer's spirit and emotions.The strokes of Chinese calligraphy are fluid and graceful, embodying the principles of balance and harmony. Each character is crafted with precision, revealing the artist's control and finesse.From the ancient script of Oracle Bone to the flowing lines of Running Script, Chinese calligraphy has evolved through various styles, each with its unique beauty and historical significance.The art of calligraphy requires patience and dedication. It is a meditative process where the calligrapher must focus their mind and channel their inner energy into the brush strokes.In modern times, calligraphy remains an integral part of Chinese culture, often used for decoration and as a means of personal expression. It is a testament to the enduring legacy of Chinese tradition and the timeless appeal of its artistic practices.Learning calligraphy is a journey of self-cultivation. Itteaches discipline, enhances aesthetic appreciation, and fosters a deeper connection with the rich heritage of Chinese civilization.The tools of calligraphy—the brush, ink, paper, and inkstone—are simple yet essential. They are the foundation upon which the calligrapher builds their art, creating works that are both functional and deeply expressive.In conclusion, Chinese calligraphy is more than an art; it is a spiritual practice that connects the individual with the profound cultural heritage of China. It is a treasure that continues to inspire and captivate those who take the time to appreciate its subtle complexities and profound depth.。
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Regular script
Fame, is based on the regular script calligraphy, cursive script is the best combination of practicality and artistry of the font. So, running from its birth to now, more than 1000 years, and has been popular for centuries. Wang Xizhi's Lanting Ji Xu was known as the best in the running script. Yan Zhenqing's article-nephew of manuscripts, known as the second book in the world. In the art of calligraphy, seal, Li, Kai, grass script, there are certain rules, but the cursive scripts were not necessarily written. Fame is a versatile font, written in script component in some more, commonly known as "Xingkai"; with cursive elements more, commonly known as "free". Fame doesn't follow a set pattern, but share a common characteristic, that is: less writing pen collection Office, Lu feng, hidden front; turn round stroke conversion, less discount.
• What is "calligraphy"? • We can source from its nature and characteristics, and personal approach to understanding. Calligraphy is based on Chinese characters, written with a brush, with four feature abstract symbols of art, it reflects everything "unity of opposites" the basic law reflects the spirit, disposition, education, and training.
Official script is evolved from the ancient zhuanwen gradually, is said to be created by Qin Cheng Miao. Official script is divided into "Qin" and "ancient calligraphy." "Qin" structure of rounded, similar to zhuanwen, multi-purpose, termed "ancient scribe". "Ancient calligraphy" people also known as the "eight points" body curve is straight, others flat against dash, Bo zhe show such fonts, evolved into Chinese, it is called "ancient calligraphy."alligraphy (Shang dynasty to Han dynasty and the three kingdoms), experienced by Oracle, the prose (Clementi), the large seal script (Zhou), seal, Li (eight points), cursive and cursive scripts, books and other stages, and evolution. • In the uncertain period of calligraphy (Jin southern and Northern dynasties to the Sui and Tang dynasties), entered a new realm of the art of calligraphy. Made from seal scribe from the simplicity of line and a real book, they become the dominant style of the period. Great calligrapher Wang Xizhi's calligraphy appears to shine, his highly regarded artistic achievement to the Tang dynasty. Meanwhile, a group of calligraphers of the Tang dynasty are quickly turning up, such as: Yu shinan, Ouyang Xun, Chu suiliang, Yan Zhenqing and Liu gongquan, large master. On the calligraphy as a gift is different and eclectic.
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Regular script is one of the main style of Chinese calligraphy art, also known as the "scribe today", "books", "book", "print", and so on. Because of its founder, an exemplary and hence the name. It came from the late Han dynasty, prevailing in Wei, Jin, southern and Northern Dynasties period, the Tang dynasty was a golden age of regular script. Regular script is formed by the official script evolution over a long period can be slowly degraded. Characteristics of regular script, from the overall perspective, kaishu oblong structure than the script close, also very rich and delicate with a pen. Writes than flexible script you has, from the script after the establishment, it replaces the script the Orthodox position, after a long period of trial proves that it is a better a combination of practical and artistic style. For thousands of years has been the official the official font used, also became a calligrapher in the history of the bulk. We often speak of "truth, grass, Li, fragrance" good examples, regular script ranks first in four bodies.
Chinese calligraphy is extensive and profound, it is a witness of the history of Chinese civilization and undertaker is a cultural treasure of the Chinese nation, China and jointly owned by the world's great spiritual wealth.
Cursive writing is convenient in order to write a stroke is continuous, the structure will be created in the province of Jane font. Grass, and in the olden days premature, the anxious, initial, draft, and informal meaning of immaturity. Cursive grass, jīn cǎo, cursive and chapter points. Dài zhāng grass is jīn cǎo. Traditionally, we just called jīn cǎo cursive script. According to historical records, jīn cǎo founded in the late Han dynasty, Zhang Zhi. However, come down from his works, is not reliable. Widely thought, Jin Wang Xizhi, who is a master of Cursive, as Wang Xizhi, calligrapher in the history of merit, to be regarded as "Holy". His seventh son Wang Xianzhi, was also a renowned calligrapher, traditionally they are father and son, known as the "second King"