Running on the Bare Metal with GeekOS
BOSS ME-90 吉他多效器说明书
Press ReleaseFOR IMMEDIATE RELEASEBOSS Announces ME-90 Guitar Multiple EffectsHands-On Guitar Processor with a Compact Design and Premium BOSS Amps and Effects Derived from the Flagship GT-1000Los Angeles, CA, July 6, 2023 announces the ME-90 Guitar Multiple Effects, afavorite of performing guitarists for over three decades, combining multi-effects power with hands-on control for crafting tones in seconds. The ME-90 is the most advanced ME model to date, offering exceptional audio quality with 24-bit AD/DA and 32-bit floating point processing, flagship-grade AIRD amp models, IR loading, an effects loop, and more. Compact, battery-powered, and filled with premium BOSS tones, this all-in-one processor makes it simple to build customized sound setups for every playing situation.With its intuitive interface and diverse effects selection, the ME-90 allows guitarists to create configurations and tweak tones with the ease of a stompbox-filled pedalboard. The panel includes 30 different knobs for selecting categories and dialing in sounds instantly. There are 36 preset patches with ready-to-play pro tones, plus 36 user patches for storing personalized setups.The ME-90 features a massive library of BOSS effects, offering seven different categories filled with selections derived from the flagship GT-1000. There are 60 effect types in total, with access to over 20 more via BOSS Tone Studio. A send/return loop is available for external pedals, complete with the ability to save the on/off status in patches and place the loop before or after amp models in the signal chain.Along with its effects, the ME-90 includes amp models ported from the GT-1000, driven by advanced AIRD technology for authentic tube tone and touch response. Eleven onboard amp types offer everything from clean combo tones to punishing high-gain stacks, and more selections are available in BOSS Tone Studio. Each amp includes a dedicated cab sound for connecting to a PA or recording device, and it’s also possible to load three user speaker IRs with a dedicated software app.The ME-90 features eight footswitches with smooth, quiet operation and an expression pedal with an integrated toe switch. Memory mode allows the player to call up complete patch setups with the footswitches, while Manual mode provides direct on/off control of each effect category within the patch. The footswitch LEDs light in different colors for quick identification in the heat of a performance. There’s also an option to set all LEDs to light in fixed colors for each mode if desired.BOSS Tone Studio for macOS and Windows allows users to organize patches, edit tones, and change out some amp and effect types with alternate selections. It’s also possible to download pro setups at BOSS Tone Central and swap patches with the ME-90 community on BOSS Tone Exchange. The ME-90 supports the optional Bluetooth® Audio MIDI Dual Adaptor, enablingusers to stream music from a mobile device and wirelessly shape tones using the dedicated BTS editor app for iOS and Android.The ME-90 is lighter than its previous generation model while maintaining the rock-solid durability that BOSS is famous for. The expression pedal has been newly redesigned as well for even finer parameter control. The processor can be powered with four AA batteries or an optional AC adaptor, and a rear-panel switch optimizes the outputs for use with a guitar amp or a full-range sound system such as a PA. And along with BOSS Tone Studio communication, the USB-C output provides audio interface functionality for working with music production software on a computer.Availability & PricingThe BOSS ME-90 is available in the U.S. now for $349.99. To learn more about the ME-90 Guitar Multiple Effects, visit /us/.*Price at the time of publishing.---------About BOSSBOSS, a division of Roland Corporation, has achieved legendary status among guitarists, bassists, and vocalists with a diverse, world-leading product lineup of creative tools with exceptional sound, intuitive control, and rugged durability. Since 1977, BOSS's famous compact pedals have been used daily by everyone from beginners to touring professionals, with over 125 unique models introduced and over 16 million units sold to date. BOSS also leads the way with innovative gear in numerous other categories, from amplifiers, multi-effects processors, and loopers to wireless systems, vocal effects, tuners, metronomes, rhythm machines, recorders, and more. For more information, visit . Follow BOSS on Facebook, Twitter (@BOSSInfoGlobal), and Instagram (@BOSSInfoGlobal).Press Contact:Sarah BellingerMax Borges Agency240-483-6671**********************************Company Contact:Rebecca GenelGlobal PR/Media Relations ManagerRoland Corporation+1 (323) 890-3718************************。
Native Instruments MASCHINE MK3 用户手册说明书
The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.8 (02/2019)Hardware version: MASCHINE MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 5F, Shenzhen Zimao Center111 Taizi Road, Nanshan District, Shenzhen, GuangdongChina© NATIVE INSTRUMENTS GmbH, 2019. All rights reserved.Table of Contents1Welcome to MASCHINE (25)1.1MASCHINE Documentation (26)1.2Document Conventions (27)1.3New Features in MASCHINE 2.8 (29)1.4New Features in MASCHINE 2.7.10 (31)1.5New Features in MASCHINE 2.7.8 (31)1.6New Features in MASCHINE 2.7.7 (32)1.7New Features in MASCHINE 2.7.4 (33)1.8New Features in MASCHINE 2.7.3 (36)2Quick Reference (38)2.1Using Your Controller (38)2.1.1Controller Modes and Mode Pinning (38)2.1.2Controlling the Software Views from Your Controller (40)2.2MASCHINE Project Overview (43)2.2.1Sound Content (44)2.2.2Arrangement (45)2.3MASCHINE Hardware Overview (48)2.3.1MASCHINE Hardware Overview (48)2.3.1.1Control Section (50)2.3.1.2Edit Section (53)2.3.1.3Performance Section (54)2.3.1.4Group Section (56)2.3.1.5Transport Section (56)2.3.1.6Pad Section (58)2.3.1.7Rear Panel (63)2.4MASCHINE Software Overview (65)2.4.1Header (66)2.4.2Browser (68)2.4.3Arranger (70)2.4.4Control Area (73)2.4.5Pattern Editor (74)3Basic Concepts (76)3.1Important Names and Concepts (76)3.2Adjusting the MASCHINE User Interface (79)3.2.1Adjusting the Size of the Interface (79)3.2.2Switching between Ideas View and Song View (80)3.2.3Showing/Hiding the Browser (81)3.2.4Showing/Hiding the Control Lane (81)3.3Common Operations (82)3.3.1Using the 4-Directional Push Encoder (82)3.3.2Pinning a Mode on the Controller (83)3.3.3Adjusting Volume, Swing, and Tempo (84)3.3.4Undo/Redo (87)3.3.5List Overlay for Selectors (89)3.3.6Zoom and Scroll Overlays (90)3.3.7Focusing on a Group or a Sound (91)3.3.8Switching Between the Master, Group, and Sound Level (96)3.3.9Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.973.3.9.1Extended Navigate Mode on Your Controller (102)3.3.10Navigating the Software Using the Controller (105)3.3.11Using Two or More Hardware Controllers (106)3.3.12Touch Auto-Write Option (108)3.4Native Kontrol Standard (110)3.5Stand-Alone and Plug-in Mode (111)3.5.1Differences between Stand-Alone and Plug-in Mode (112)3.5.2Switching Instances (113)3.5.3Controlling Various Instances with Different Controllers (114)3.6Host Integration (114)3.6.1Setting up Host Integration (115)3.6.1.1Setting up Ableton Live (macOS) (115)3.6.1.2Setting up Ableton Live (Windows) (116)3.6.1.3Setting up Apple Logic Pro X (116)3.6.2Integration with Ableton Live (117)3.6.3Integration with Apple Logic Pro X (119)3.7Preferences (120)3.7.1Preferences – General Page (121)3.7.2Preferences – Audio Page (126)3.7.3Preferences – MIDI Page (130)3.7.4Preferences – Default Page (133)3.7.5Preferences – Library Page (137)3.7.6Preferences – Plug-ins Page (145)3.7.7Preferences – Hardware Page (150)3.7.8Preferences – Colors Page (154)3.8Integrating MASCHINE into a MIDI Setup (156)3.8.1Connecting External MIDI Equipment (156)3.8.2Sync to External MIDI Clock (157)3.8.3Send MIDI Clock (158)3.9Syncing MASCHINE using Ableton Link (159)3.9.1Connecting to a Network (159)3.9.2Joining and Leaving a Link Session (159)3.10Using a Pedal with the MASCHINE Controller (160)3.11File Management on the MASCHINE Controller (161)4Browser (163)4.1Browser Basics (163)4.1.1The MASCHINE Library (163)4.1.2Browsing the Library vs. Browsing Your Hard Disks (164)4.2Searching and Loading Files from the Library (165)4.2.1Overview of the Library Pane (165)4.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (170)4.2.2.1[MK3] Browsing by Product Category Using the Controller (174)4.2.2.2[MK3] Browsing by Product Vendor Using the Controller (174)4.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (175)4.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (179)4.2.4Selecting a File Type (180)4.2.5Choosing Between Factory and User Content (181)4.2.6Selecting Type and Character Tags (182)4.2.7List and Tag Overlays in the Browser (186)4.2.8Performing a Text Search (188)4.2.9Loading a File from the Result List (188)4.3Additional Browsing Tools (193)4.3.1Loading the Selected Files Automatically (193)4.3.2Auditioning Instrument Presets (195)4.3.3Auditioning Samples (196)4.3.4Loading Groups with Patterns (197)4.3.5Loading Groups with Routing (198)4.3.6Displaying File Information (198)4.4Using Favorites in the Browser (199)4.5Editing the Files’ Tags and Properties (203)4.5.1Attribute Editor Basics (203)4.5.2The Bank Page (205)4.5.3The Types and Characters Pages (205)4.5.4The Properties Page (208)4.6Loading and Importing Files from Your File System (209)4.6.1Overview of the FILES Pane (209)4.6.2Using Favorites (211)4.6.3Using the Location Bar (212)4.6.4Navigating to Recent Locations (213)4.6.5Using the Result List (214)4.6.6Importing Files to the MASCHINE Library (217)4.7Locating Missing Samples (219)4.8Using Quick Browse (221)5Managing Sounds, Groups, and Your Project (225)5.1Overview of the Sounds, Groups, and Master (225)5.1.1The Sound, Group, and Master Channels (226)5.1.2Similarities and Differences in Handling Sounds and Groups (227)5.1.3Selecting Multiple Sounds or Groups (228)5.2Managing Sounds (233)5.2.1Loading Sounds (235)5.2.2Pre-listening to Sounds (236)5.2.3Renaming Sound Slots (237)5.2.4Changing the Sound’s Color (237)5.2.5Saving Sounds (239)5.2.6Copying and Pasting Sounds (241)5.2.7Moving Sounds (244)5.2.8Resetting Sound Slots (245)5.3Managing Groups (247)5.3.1Creating Groups (248)5.3.2Loading Groups (249)5.3.3Renaming Groups (251)5.3.4Changing the Group’s Color (251)5.3.5Saving Groups (253)5.3.6Copying and Pasting Groups (255)5.3.7Reordering Groups (258)5.3.8Deleting Groups (259)5.4Exporting MASCHINE Objects and Audio (260)5.4.1Saving a Group with its Samples (261)5.4.2Saving a Project with its Samples (262)5.4.3Exporting Audio (264)5.5Importing Third-Party File Formats (270)5.5.1Loading REX Files into Sound Slots (270)5.5.2Importing MPC Programs to Groups (271)6Playing on the Controller (275)6.1Adjusting the Pads (275)6.1.1The Pad View in the Software (275)6.1.2Choosing a Pad Input Mode (277)6.1.3Adjusting the Base Key (280)6.1.4Using Choke Groups (282)6.1.5Using Link Groups (284)6.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (286)6.3Playing Tools (287)6.3.1Mute and Solo (288)6.3.2Choke All Notes (292)6.3.3Groove (293)6.3.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (295)6.3.5Tap Tempo (299)6.4Performance Features (300)6.4.1Overview of the Perform Features (300)6.4.2Selecting a Scale and Creating Chords (303)6.4.3Scale and Chord Parameters (303)6.4.4Creating Arpeggios and Repeated Notes (316)6.4.5Swing on Note Repeat / Arp Output (321)6.5Using Lock Snapshots (322)6.5.1Creating a Lock Snapshot (322)6.5.2Using Extended Lock (323)6.5.3Updating a Lock Snapshot (323)6.5.4Recalling a Lock Snapshot (324)6.5.5Morphing Between Lock Snapshots (324)6.5.6Deleting a Lock Snapshot (325)6.5.7Triggering Lock Snapshots via MIDI (326)6.6Using the Smart Strip (327)6.6.1Pitch Mode (328)6.6.2Modulation Mode (328)6.6.3Perform Mode (328)6.6.4Notes Mode (329)7Working with Plug-ins (330)7.1Plug-in Overview (330)7.1.1Plug-in Basics (330)7.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (334)7.1.3Loading, Removing, and Replacing a Plug-in (335)7.1.3.1Browser Plug-in Slot Selection (341)7.1.4Adjusting the Plug-in Parameters (344)7.1.5Bypassing Plug-in Slots (344)7.1.6Using Side-Chain (346)7.1.7Moving Plug-ins (346)7.1.8Alternative: the Plug-in Strip (348)7.1.9Saving and Recalling Plug-in Presets (348)7.1.9.1Saving Plug-in Presets (349)7.1.9.2Recalling Plug-in Presets (350)7.1.9.3Removing a Default Plug-in Preset (351)7.2The Sampler Plug-in (352)7.2.1Page 1: Voice Settings / Engine (354)7.2.2Page 2: Pitch / Envelope (356)7.2.3Page 3: FX / Filter (359)7.2.4Page 4: Modulation (361)7.2.5Page 5: LFO (363)7.2.6Page 6: Velocity / Modwheel (365)7.3Using Native Instruments and External Plug-ins (367)7.3.1Opening/Closing Plug-in Windows (367)7.3.2Using the VST/AU Plug-in Parameters (370)7.3.3Setting Up Your Own Parameter Pages (371)7.3.4Using VST/AU Plug-in Presets (376)7.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (378)8Using the Audio Plug-in (380)8.1Loading a Loop into the Audio Plug-in (384)8.2Editing Audio in the Audio Plug-in (385)8.3Using Loop Mode (386)8.4Using Gate Mode (388)9Using the Drumsynths (390)9.1Drumsynths – General Handling (391)9.1.1Engines: Many Different Drums per Drumsynth (391)9.1.2Common Parameter Organization (391)9.1.3Shared Parameters (394)9.1.4Various Velocity Responses (394)9.1.5Pitch Range, Tuning, and MIDI Notes (394)9.2The Kicks (395)9.2.1Kick – Sub (397)9.2.2Kick – Tronic (399)9.2.3Kick – Dusty (402)9.2.4Kick – Grit (403)9.2.5Kick – Rasper (406)9.2.6Kick – Snappy (407)9.2.7Kick – Bold (409)9.2.8Kick – Maple (411)9.2.9Kick – Push (412)9.3The Snares (414)9.3.1Snare – Volt (416)9.3.2Snare – Bit (418)9.3.3Snare – Pow (420)9.3.4Snare – Sharp (421)9.3.5Snare – Airy (423)9.3.6Snare – Vintage (425)9.3.7Snare – Chrome (427)9.3.8Snare – Iron (429)9.3.9Snare – Clap (431)9.3.10Snare – Breaker (433)9.4The Hi-hats (435)9.4.1Hi-hat – Silver (436)9.4.2Hi-hat – Circuit (438)9.4.3Hi-hat – Memory (440)9.4.4Hi-hat – Hybrid (442)9.4.5Creating a Pattern with Closed and Open Hi-hats (444)9.5The Toms (445)9.5.1Tom – Tronic (447)9.5.2Tom – Fractal (449)9.5.3Tom – Floor (453)9.5.4Tom – High (455)9.6The Percussions (456)9.6.1Percussion – Fractal (458)9.6.2Percussion – Kettle (461)9.6.3Percussion – Shaker (463)9.7The Cymbals (467)9.7.1Cymbal – Crash (469)9.7.2Cymbal – Ride (471)10Using the Bass Synth (474)10.1Bass Synth – General Handling (475)10.1.1Parameter Organization (475)10.1.2Bass Synth Parameters (477)11Working with Patterns (479)11.1Pattern Basics (479)11.1.1Pattern Editor Overview (480)11.1.2Navigating the Event Area (486)11.1.3Following the Playback Position in the Pattern (488)11.1.4Jumping to Another Playback Position in the Pattern (489)11.1.5Group View and Keyboard View (491)11.1.6Adjusting the Arrange Grid and the Pattern Length (493)11.1.7Adjusting the Step Grid and the Nudge Grid (497)11.2Recording Patterns in Real Time (501)11.2.1Recording Your Patterns Live (501)11.2.2The Record Prepare Mode (504)11.2.3Using the Metronome (505)11.2.4Recording with Count-in (506)11.2.5Quantizing while Recording (508)11.3Recording Patterns with the Step Sequencer (508)11.3.1Step Mode Basics (508)11.3.2Editing Events in Step Mode (511)11.3.3Recording Modulation in Step Mode (513)11.4Editing Events (514)11.4.1Editing Events with the Mouse: an Overview (514)11.4.2Creating Events/Notes (517)11.4.3Selecting Events/Notes (518)11.4.4Editing Selected Events/Notes (526)11.4.5Deleting Events/Notes (532)11.4.6Cut, Copy, and Paste Events/Notes (535)11.4.7Quantizing Events/Notes (538)11.4.8Quantization While Playing (540)11.4.9Doubling a Pattern (541)11.4.10Adding Variation to Patterns (541)11.5Recording and Editing Modulation (546)11.5.1Which Parameters Are Modulatable? (547)11.5.2Recording Modulation (548)11.5.3Creating and Editing Modulation in the Control Lane (550)11.6Creating MIDI Tracks from Scratch in MASCHINE (555)11.7Managing Patterns (557)11.7.1The Pattern Manager and Pattern Mode (558)11.7.2Selecting Patterns and Pattern Banks (560)11.7.3Creating Patterns (563)11.7.4Deleting Patterns (565)11.7.5Creating and Deleting Pattern Banks (566)11.7.6Naming Patterns (568)11.7.7Changing the Pattern’s Color (570)11.7.8Duplicating, Copying, and Pasting Patterns (571)11.7.9Moving Patterns (574)11.7.10Adjusting Pattern Length in Fine Increments (575)11.8Importing/Exporting Audio and MIDI to/from Patterns (576)11.8.1Exporting Audio from Patterns (576)11.8.2Exporting MIDI from Patterns (577)11.8.3Importing MIDI to Patterns (580)12Audio Routing, Remote Control, and Macro Controls (589)12.1Audio Routing in MASCHINE (590)12.1.1Sending External Audio to Sounds (591)12.1.2Configuring the Main Output of Sounds and Groups (596)12.1.3Setting Up Auxiliary Outputs for Sounds and Groups (601)12.1.4Configuring the Master and Cue Outputs of MASCHINE (605)12.1.5Mono Audio Inputs (610)12.1.5.1Configuring External Inputs for Sounds in Mix View (611)12.2Using MIDI Control and Host Automation (614)12.2.1Triggering Sounds via MIDI Notes (615)12.2.2Triggering Scenes via MIDI (622)12.2.3Controlling Parameters via MIDI and Host Automation (623)12.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (631)12.2.5Sending MIDI from Sounds (632)12.3Creating Custom Sets of Parameters with the Macro Controls (636)12.3.1Macro Control Overview (637)12.3.2Assigning Macro Controls Using the Software (638)12.3.3Assigning Macro Controls Using the Controller (644)13Controlling Your Mix (646)13.1Mix View Basics (646)13.1.1Switching between Arrange View and Mix View (646)13.1.2Mix View Elements (647)13.2The Mixer (649)13.2.1Displaying Groups vs. Displaying Sounds (650)13.2.2Adjusting the Mixer Layout (652)13.2.3Selecting Channel Strips (653)13.2.4Managing Your Channels in the Mixer (654)13.2.5Adjusting Settings in the Channel Strips (656)13.2.6Using the Cue Bus (660)13.3The Plug-in Chain (662)13.4The Plug-in Strip (663)13.4.1The Plug-in Header (665)13.4.2Panels for Drumsynths and Internal Effects (667)13.4.3Panel for the Sampler (668)13.4.4Custom Panels for Native Instruments Plug-ins (671)13.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (675)13.5Controlling Your Mix from the Controller (677)13.5.1Navigating Your Channels in Mix Mode (678)13.5.2Adjusting the Level and Pan in Mix Mode (679)13.5.3Mute and Solo in Mix Mode (680)13.5.4Plug-in Icons in Mix Mode (680)14Using Effects (681)14.1Applying Effects to a Sound, a Group or the Master (681)14.1.1Adding an Effect (681)14.1.2Other Operations on Effects (690)14.1.3Using the Side-Chain Input (692)14.2Applying Effects to External Audio (695)14.2.1Step 1: Configure MASCHINE Audio Inputs (695)14.2.2Step 2: Set up a Sound to Receive the External Input (698)14.2.3Step 3: Load an Effect to Process an Input (700)14.3Creating a Send Effect (701)14.3.1Step 1: Set Up a Sound or Group as Send Effect (702)14.3.2Step 2: Route Audio to the Send Effect (706)14.3.3 A Few Notes on Send Effects (708)14.4Creating Multi-Effects (709)15Effect Reference (712)15.1Dynamics (713)15.1.1Compressor (713)15.1.2Gate (717)15.1.3Transient Master (721)15.1.4Limiter (723)15.1.5Maximizer (727)15.2Filtering Effects (730)15.2.1EQ (730)15.2.2Filter (733)15.2.3Cabinet (737)15.3Modulation Effects (738)15.3.1Chorus (738)15.3.2Flanger (740)15.3.3FM (742)15.3.4Freq Shifter (743)15.3.5Phaser (745)15.4Spatial and Reverb Effects (747)15.4.1Ice (747)15.4.2Metaverb (749)15.4.3Reflex (750)15.4.4Reverb (Legacy) (752)15.4.5Reverb (754)15.4.5.1Reverb Room (754)15.4.5.2Reverb Hall (757)15.4.5.3Plate Reverb (760)15.5Delays (762)15.5.1Beat Delay (762)15.5.2Grain Delay (765)15.5.3Grain Stretch (767)15.5.4Resochord (769)15.6Distortion Effects (771)15.6.1Distortion (771)15.6.2Lofi (774)15.6.3Saturator (775)15.7Perform FX (779)15.7.1Filter (780)15.7.2Flanger (782)15.7.3Burst Echo (785)15.7.4Reso Echo (787)15.7.5Ring (790)15.7.6Stutter (792)15.7.7Tremolo (795)15.7.8Scratcher (798)16Working with the Arranger (801)16.1Arranger Basics (801)16.1.1Navigating Song View (804)16.1.2Following the Playback Position in Your Project (806)16.1.3Performing with Scenes and Sections using the Pads (807)16.2Using Ideas View (811)16.2.1Scene Overview (811)16.2.2Creating Scenes (813)16.2.3Assigning and Removing Patterns (813)16.2.4Selecting Scenes (817)16.2.5Deleting Scenes (818)16.2.6Creating and Deleting Scene Banks (820)16.2.7Clearing Scenes (820)16.2.8Duplicating Scenes (821)16.2.9Reordering Scenes (822)16.2.10Making Scenes Unique (824)16.2.11Appending Scenes to Arrangement (825)16.2.12Naming Scenes (826)16.2.13Changing the Color of a Scene (827)16.3Using Song View (828)16.3.1Section Management Overview (828)16.3.2Creating Sections (833)16.3.3Assigning a Scene to a Section (834)16.3.4Selecting Sections and Section Banks (835)16.3.5Reorganizing Sections (839)16.3.6Adjusting the Length of a Section (840)16.3.6.1Adjusting the Length of a Section Using the Software (841)16.3.6.2Adjusting the Length of a Section Using the Controller (843)16.3.7Clearing a Pattern in Song View (843)16.3.8Duplicating Sections (844)16.3.8.1Making Sections Unique (845)16.3.9Removing Sections (846)16.3.10Renaming Scenes (848)16.3.11Clearing Sections (849)16.3.12Creating and Deleting Section Banks (850)16.3.13Working with Patterns in Song view (850)16.3.13.1Creating a Pattern in Song View (850)16.3.13.2Selecting a Pattern in Song View (850)16.3.13.3Clearing a Pattern in Song View (851)16.3.13.4Renaming a Pattern in Song View (851)16.3.13.5Coloring a Pattern in Song View (851)16.3.13.6Removing a Pattern in Song View (852)16.3.13.7Duplicating a Pattern in Song View (852)16.3.14Enabling Auto Length (852)16.3.15Looping (853)16.3.15.1Setting the Loop Range in the Software (854)16.4Playing with Sections (855)16.4.1Jumping to another Playback Position in Your Project (855)16.5Triggering Sections or Scenes via MIDI (856)16.6The Arrange Grid (858)16.7Quick Grid (860)17Sampling and Sample Mapping (862)17.1Opening the Sample Editor (862)17.2Recording Audio (863)17.2.1Opening the Record Page (863)17.2.2Selecting the Source and the Recording Mode (865)17.2.3Arming, Starting, and Stopping the Recording (868)17.2.5Using the Footswitch for Recording Audio (871)17.2.6Checking Your Recordings (872)17.2.7Location and Name of Your Recorded Samples (876)17.3Editing a Sample (876)17.3.1Using the Edit Page (877)17.3.2Audio Editing Functions (882)17.4Slicing a Sample (890)17.4.1Opening the Slice Page (891)17.4.2Adjusting the Slicing Settings (893)17.4.3Live Slicing (898)17.4.3.1Live Slicing Using the Controller (898)17.4.3.2Delete All Slices (899)17.4.4Manually Adjusting Your Slices (899)17.4.5Applying the Slicing (906)17.5Mapping Samples to Zones (912)17.5.1Opening the Zone Page (912)17.5.2Zone Page Overview (913)17.5.3Selecting and Managing Zones in the Zone List (915)17.5.4Selecting and Editing Zones in the Map View (920)17.5.5Editing Zones in the Sample View (924)17.5.6Adjusting the Zone Settings (927)17.5.7Adding Samples to the Sample Map (934)18Appendix: Tips for Playing Live (937)18.1Preparations (937)18.1.1Focus on the Hardware (937)18.1.2Customize the Pads of the Hardware (937)18.1.3Check Your CPU Power Before Playing (937)18.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (938)18.1.5Consider Using a Limiter on Your Master (938)18.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (938)18.1.7Improvise (938)18.2Basic Techniques (938)18.2.1Use Mute and Solo (938)18.2.2Use Scene Mode and Tweak the Loop Range (939)18.2.3Create Variations of Your Drum Patterns in the Step Sequencer (939)18.2.4Use Note Repeat (939)18.2.5Set Up Your Own Multi-effect Groups and Automate Them (939)18.3Special Tricks (940)18.3.1Changing Pattern Length for Variation (940)18.3.2Using Loops to Cycle Through Samples (940)18.3.3Using Loops to Cycle Through Samples (940)18.3.4Load Long Audio Files and Play with the Start Point (940)19Troubleshooting (941)19.1Knowledge Base (941)19.2Technical Support (941)19.3Registration Support (942)19.4User Forum (942)20Glossary (943)Index (951)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE Getting Started: This document provides a practical approach to MASCHINE viaa set of tutorials covering easy and more advanced tasks in order to help you familiarizeyourself with MASCHINE.2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:▪Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.▪Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN. We recommend that you follow along with these instructions while the respective ap-plication is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues. The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information can be expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software and paths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in the software is printed in blue. Whenever you see this formatting applied, you will find the same text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you see this formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you see this formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.Unlabeled Buttons on the ControllerThe buttons and knobs above and below the displays on your MASCHINE controller do not have labels.。
2023年we own it 中文歌词
2023年we own it 中文歌词歌曲歌词2 ChainzTauheed Epps(2 Chainz)(生于1977年9月12日),他的艺名为2 Chainz(原艺名Tity Boi),是美国嘻哈艺术家。
他第一次被人了解是作南岸嘻哈二人组Playaz Circle的一员,另一员是与他长期的朋友和同伴说唱歌手Dolla Boy (Earl Conyers)。
他们出名于的签约Ludacris的唱片公司Disturbing tha Peace 以及他们的首张单曲《Duffle Bag Boy》。
在2月,Tauheed Epps签约Def Jam 唱片公司,出于环球音乐集团(Universal Music Group)。
当年8月,他发布了个人首张专辑《Based on a T.R.U. Story》。
专辑催生三个成功的单曲:《No Lie》《Birthday Song》《Im Different》。
这三首歌全部进入公告牌前50名。
《速度与激情6》片头曲《We Own It》获得了很大的成功,与片中的激情与金属元素非常吻合。
Wiz KhalifaWiz Khalifa原名卡梅伦·吉布里尔·托马斯(Cameron Jibril Thomaz),生于1987年9月8日,以其艺名维兹·卡利法(Wiz Khalifa)出名,是美国宾夕法尼亚州匹兹堡出身的说唱歌手。
卡梅伦·吉布里尔·托马斯(Cameron Jibril Thomaz于发行了自己的首张专辑《Show and Prove》,并于签约华纳兄弟唱片公司。
,他欧陆舞曲风格单曲“Say Yeah”,获得城市电台(英语:urban radio)的播放并登上Rhythmic四十佳和热门说唱歌曲榜。
卡利法与华纳兄弟分道扬镳,并于11月发行了自己的第二张专辑《Deal or No Deal》。
他的混音带《Kush and Orange Juice》于4月问世,并提供免费下载;接着,他和大西洋唱片公司签约。
thehitchhikersguidetothegalaxy银河系漫游指南
Searching for the answers to life, the universe, and everything? Well look no further…The Hitchhikers Guide to the GalaxyBy Douglas AdamsPublished by Serious Productions© 1976A Sci-fi thrillerPage Count: 216Your Guide to SurvivalBy ATPlanning on taking a quick stop by Ursa Minor? Just don’t forget the number one rule of thumb when traveling across the galaxy: Always bring a blanket. Tips like these are shared periodically throughout The Hitchhiker’s Guide to the Galaxy, by Douglas Adams. In it, the deepest questions of the universe will at last be answered. The protagonist, Arthur Dent, is the sole survivor of planet Earth since it was destroyed for the means of making an intergalactic highway. Dent finds himself aboard a spaceship with Ford Prefect, his quirky best friend. Together they make their way across the galaxy through a series of highly improbable coincidences: stumbling upon the president of the galaxy, surviving in the vacuum of space, and finding the legendary planet of Magrathea. The novel’s plot revolves around what happens to this unlikely crew as they are the first beings in five million years to reach Magrathea. This concept of life outside of Earth and traveling through great distances of space is what will likely keep the reader reading.In the beginning this world renowned book pulls readers in through Adams unique tone including multiple hilarious scenes that will leave one laughing out loud. The book is comprised of twenty-two chapters, each short in length making the book a quick and easy read. It also has many elements that many teenagers enjoy including humor while maintaining a thought-provoking plot line.The strong suit of The Hitchhiker’s Guide to the Galaxy is definitely its extensive creativity. Within the book there is another book entitled The Hitchhiker’s Guide to the Galaxy, where one will find descriptions of creatures and places throughout the galaxy. Some of its excerpts being literally out of this world! Who could have thought of its description of the Babble Fish: “it feeds on brainwave energy received not from its carrier but from those around it. It absorbs all unconscious mental frequencies from this brainwave energy to nourish itself.” These overly complex ideas put a comic spin on the plot which is another strength. However straying from the plot to explain something can often make readers confused. This drift from the plot resulted in a very disorganized composite of certain scenes in the book. Adams may have chose to include this skipping around to lighten up the more serious parts of the book and remind the reader that it is a comic novel. In other words those looking for an uplifting and humorous book about life’s greatest mysteries will surely find The Hitchhiker’s Guide to the Galaxy very entertaining. After reading this, one can not help but ponder the very insignificance that our whole planet really has.Douglas Adams’ other books exhibit his passion for science fiction, specifically the larger world that exists outside of Earth. The Hitchhiker’s Guide to the Galaxy was adapted into a mini TV series, and a full length feature film, in 2005. Adams has a series of follow up books entitled The Restaurant at the End of the Universe, Life the Universe and Everything, So Long, and Thanks for all the Fish, and many others. These novels include many jokes originating from The Hitchhikers Guide to the Galaxy. Adams’ career of wild success spun off of this one ground breaking novel, a truly remarkable feat.Unfortunately his career came to an abrupt end when he died at the age of forty-nine in2001. His legacy lives on through this, and many other captivating books that will leave one wondering whether or not we are indeed alone in the universe.Below is given annual work summary, do not need friends can download after editor deleted Welcome to visit againXXXX annual work summaryDear every leader, colleagues:Look back end of XXXX, XXXX years of work, have the joy of success in your work, have a collaboration with colleagues, working hard, also have disappointed when encountered difficulties and setbacks. Imperceptible in tense and orderly to be over a year, a year, under the loving care and guidance of the leadership of the company, under the support and help of colleagues, through their own efforts, various aspects have made certain progress, better to complete the job. For better work, sum up experience and lessons, will now work a brief summary.To continuously strengthen learning, improve their comprehensive quality. With good comprehensive quality is the precondition of completes the labor of duty and conditions. A year always put learning in the important position, trying to improve their comprehensive quality. Continuous learning professional skills, learn from surrounding colleagues with rich work experience, equip themselves with knowledge, the expanded aspect of knowledge, efforts to improve their comprehensive quality.The second Do best, strictly perform their responsibilities. Set up the company, to maximize the customer to the satisfaction of the company's products, do a good job in technical services and product promotion to the company. And collected on the properties of the products of the company, in order to make improvement in time, make the products better meet the using demand of the scene.Three to learn to be good at communication, coordinating assistance. On‐site technical service personnel should not only have strong professional technology, should also have good communication ability, a lot of a product due to improper operation to appear problem, but often not customers reflect the quality of no, so this time we need to find out the crux, and customer communication, standardized operation, to avoid customer's mistrust of the products and even the damage of the company's image. Some experiences in the past work, mentality is very important in the work, work to have passion, keep the smile of sunshine, can close the distance between people, easy to communicate with the customer. Do better in the daily work to communicate with customers and achieve customer satisfaction, excellent technical service every time, on behalf of the customer on our products much a understanding and trust.Fourth, we need to continue to learn professional knowledge, do practical grasp skilled operation. Over the past year, through continuous learning and fumble, studied the gas generation, collection and methods, gradually familiar with and master the company introduced the working principle, operation method of gas machine. With the help of the department leaders and colleagues, familiar with and master the launch of the division principle, debugging method of the control system, and to wuhan Chen Guchong garbage power plant of gas machine control system transformation, learn to debug, accumulated some experience. All in all, over the past year, did some work, have also made some achievements, but the results can only represent the past, there are some problems to work, can't meet the higher requirements. In the future work, I must develop the oneself advantage, lack of correct, foster strengths and circumvent weaknesses, for greater achievements. Looking forward to XXXX years of work, I'll be more efforts, constant progress in their jobs, make greater achievements. Every year I have progress, the growth of believe will get greater returns, I will my biggest contribution to the development of the company, believe inyourself do better next year!I wish you all work study progress in the year to come.。
介绍我的宇宙飞船英语六年级作文5句话
介绍我的宇宙飞船英语六年级作文5句话全文共6篇示例,供读者参考篇1My SpaceshipWhooosh! Did you hear that sound? That's the sound of my awesome spaceship blasting off into the great unknown of outer space! I've been dreaming about having my very own spacecraft ever since I was a little kid watching cartoons about cosmic adventures. Now that I'm in 6th grade, I've decided to use my big imagination to design the most epic vessel for interstellar travel. Just you wait until you hear about all the amazing features!To start, my spaceship is absolutely massive. It's like a gigantic metal donut that's as big as a whole city block! The outer hull is made from a special lightweight but super strong alien alloy called Xylopractonium that I invented. This allows the ship to be sturdy enough to withstand asteroid impacts, gamma ray bursts, and black hole gravitational fields. How cool is that?In the very center of the donut shape is the main living area with habitat modules for my crew of astronauts. There are cushy sleeping quarters, a big galley for food prep, recreation roomsfor games and movie nights, science labs for experiments, and even a fully stocked alien zoo! We'll have cute little green Martian mudpuppies as our mascots.Surrounding the main habitat ring are the engines - and boy are they powerful! My spaceship has ion propulsion engines that can reach half the speed of light for fast interstellar journeys. The engines are fueled by dilithium crystals, which provide virtually unlimited power yet produce zero emissions so we don't have to worry about polluting galaxies. Take that greenhouse gases!For really long voyages across the cosmos, my ship can go into hyperdrive by opening up an artificial wormhole to create a shortcut through the fabric of space-time itself. The wormhole projector dish is located right in the middle on the underside of the hull so it has a clear line of sight. Using this method, we could travel millions of light years in just a few days! How insane is that?For defense, the ship is outfitted with powerful laser cannons and compact singularity missile launchers. If we run into any hostile alien spaceships or giant space monsters, we'll be locked and loaded! The shields can deflect anti-matter warheads and survive direct hits from supernova blasts. We're not going to let anything or anyone ruin our big space adventure.And that's not even the best part - check this out! When we make first contact with new intelligent alien civilizations, my spaceship can split apart and transform into a huge robot warrior! Yeah, you read that right - a freaking spaceship Transformer! How awesome is that? The engines detach and become arms and legs, while the main habitat ring separates into different body segments. The whole thing reassembles into a 500 foot tall mechanized battledroid. The lasers and missiles become its main weapons, while it can also smash things with its fists or shoot energy blasts from its eyes!Just imagine the looks on those alien creatures' faces when this towering metal giant touches down on their home planet. "We come in peace" we'll say in a really big booming voice. Then if they turn out to be not so friendly after all, my spaceship robot will kick some major alien butt! Kachow! Take that you little green guys!Hmm, maybe having a transforming warship isn't such a great idea for promoting intergalactic peace and cooperation after all. I should probably keep my awesome battlebot design more of a defensive last resort kind of thing. An exploratory science vessel spreading friendship across the stars is way cooler!There are just so many possibilities for adventure out there among the stars and galaxies waiting to be discovered. Who knows what strange new lifeforms, undreamed of cosmic wonders, and seminal scientific breakthroughs we might encounter? All I know is my indomitable篇2My Incredible SpaceshipImagine soaring through the inky blackness of space, stars twinkling all around you like a billion tiny lights. That's exactly what it feels like aboard my incredible spaceship! This mighty vessel is my own personal gateway to the wonders of the cosmos.Let me tell you all about my awesome ride. It's called the Cosmic Cruiser and it's the most advanced ship in the entire galaxy. The sleek silver hull is made from a superstrong alloy that can withstand meteor showers, cosmic radiation, and anything else the universe throws at it. Bristling with all sorts of high-tech gizmos and torpedoes, the Cruiser is prepared for any danger.The best part is the interior though. As soon as you step through the airlock, you enter a wonderland of flashing lights and bleeping computers. The cockpit is like the control center ofa futuristic video game, with a ginormous windshield providing stunning views of whatever cosmic miracle is outside. All the controls are designed to be used by my small human hands, so I can pilot this bad boy all by myself! How cool is that?With my Amazing Cosmic Cruiser at the helm, the entire universe is my playground. Ever wanted to land on an undiscovered moon? Chill out near a supernova remnant? Or maybe have a massive alien dance party under the light of a double star system? All of that and more is possible with this cosmic hot rod. So strap in, engage the plasma drives, and get ready for the voyage of a lifetime! The mysteries of the cosmos await no one, not when you have a ship as incredible as mine!篇3My Amazing SpaceshipBlast off! My name is Timmy and I'm going to tell you all about my awesome spaceship. It's the coolest thing I've ever seen and I can't wait to show it to you. Just wait until you hear about the awesome features it has!First of all, my spaceship is humongous! It's like 10 times bigger than my house. The main part is this huge silver cylinder, kind of like a giant tin can. But way cooler than that. It hasflashing lights all around the outside in different colors - red, blue, green. At the front there are three big windows so the pilots can see where they're going. Those windows are made of some special material that's super strong and won't break even if we go extremelyfast.The back end of the ship is where all the engine stuff is. There are four ginormous rocket boosters that provide the thrust to push us through space at incredible speeds. When those rockets fire up, the whole thing shakes like crazy and you can feel the power vibrating through the whole ship! The rockets use a brand new type of fuel that's way more powerful than anything they had before. My dad is one of the scientists who helped invent it. Pretty cool, right?But that's just the outside. Want to hear about the inside? It's like a whole other world in there! The main living area is this big open room with comfy chairs and couches. There's a huge viewscreen that takes up one whole wall so we can look out the front windows. Everything inside is white with colorful flashing lights and buttons everywhere. It's kind of a mess actually, with stuff scattered all over. But that's because we're getting ready for our big trip.There's a kitchen with a replicator that can make any food you want. A replicator is this crazy machine that can rearrange molecules to create anything from plain old bread to alien cuisine from across the galaxy. Just tell the computer what you want and boom - it materializes right on the plate! No cooking or anything. That means we never run out of food no matter how long we're in space for. How awesome is that?Down the hallway from the main room are the sleeping quarters where my family stays. They're smaller than the rest of the ship but still plenty big. Mom and Dad's room has a huge bed and their own bathroom. Me and my little sister Amy have to share one but that's ok. She's kind of annoying but not too bad I guess. There are no windows in the bedrooms but we can watch videos on the walls if we want.At the very front is the cockpit where the pilots control everything. There are seats for the pilot and co-pilot with a million different buttons, switches, and screens displaying all kinds of data. That's the nerve center where they steer the ship, control the engines, operate the weapons systems, and do all sorts of high tech stuff I don't really understand. I'm just glad I don't have to sit up there. Seems way too complicated for a kid like me!Oh and I can't forget the most important part - the holodecks! We have two holodecks that create anything you can imagine using a mixture of force fields and photons. You just pick a program and suddenly you're transported to a completely different world. One time we went to the ancient pyramids in Egypt and it felt totally real. Another time we battled dinosaurs on a prehistoric planet. The possibilities are endless for games, adventures, or just chilling out somewhere awesome.So that's my amazing spaceship! I haven't even scratched the surface of how mind-blowingly incredible it really is. Just thinking about taking off and touring the galaxy gives me goosebumps. We're going to visit planets nobody has ever seen before and make brand new discoveries. Maybe we'll even encounter alien civilizations! No matter what though, it's going to be the adventure of a lifetime. I'm so lucky my parents get to be the first explorers on this ship. I'll never forget the first time those rockets fire up and we leave Earth behind. This is just the start of something amazing!篇4My Amazing Spacecraft!Hey everyone! Today I want to tell you all about my totally awesome spacecraft that I designed and built myself. It's the coolest thing ever and I can't wait to share all the incredible details with you.First of all, the outside of my spacecraft looks like a massive silver flying saucer. I decided to make it saucer-shaped because that's the classic design for UFOs and spaceships in all the movies and TV shows. The outer hull is made from a super strong titanium alloy that can withstand extreme temperatures and meteor impacts. Along the circumference are huge thruster engines that allow for incredibly fast acceleration and maneuverability.As you walk up the ramp and enter through the front airlock, you'll come into the main cockpit area. This is mission control central! It has big panoramic windows so I can get an amazing view of deep space while I'm piloting the craft. The cockpit is filled with all sorts of crazy controls, flashing lights, and computer screens showing all kinds of data. There are joysticks for steering, buttons for the weapons systems, and tons of other high-tech gizmos I haven't even figured out yet.Just behind the cockpit is the living quarters where I can sleep, eat, exercise, and hang out. It has a kitchen for heating upfood packets, a bathroom, and even a mini game room with a TV and video games to keep me entertained on long voyages. My sleeping cabin has a huge window built into the ceiling so I can look at the stars as I'm drifting off. How cool is that?One of the most awesome parts of my ship is the Hyperwarp Drive engines. Using experimental quantum technologies, these engines can make the ship jump to light speed and breach the space-time continuum! By generating controlled singularities, the ship can ride on the event horizons and traverse vast distances of the universe in the blink of an eye. No planet, star system, or galaxy will be out of reach!In the back section of the ship is the engineering deck where the antimatter reactor, life support systems, and all the other critical operations are located. There's even a small fabrication bay with 3D printers and robotic assembly arms so I can manufacture any type of tools, equipment, or materials I might need while exploring strange new worlds.I've also got a pretty impressive arsenal of weaponry integrated into the hull of my ship, just in case I need to get into any epic space battles. Dual particle beam cannons, quantum torpedo launchers, anti-proton warhead missiles - you name it, I've got it! The latest in deflector shield technology provides totalprotection too. I'll be completely safe no matter what crazy alien forces I run into out there.With my amazing spacecraft's hyperwarp capabilities, I'm gonna travel all over this galaxy and beyond, exploring every single planet, sun, asteroid field, and anomaly I can find. Who knows what kind of super advanced technologies or bizarre alien life forms are out there waiting to be discovered? No cosmic mystery will be too great for me and my supreme starship to unravel!I've got a bunch of my best friends lined up to join me as my crew too. We'll seek out strange new civilizations, chart unmapped regions of space, and just have an absolute blast on our amazing interstellar adventures. We might run into some trouble out there from hostile aliens, rogue AIs, or nefarious space pirates, but with my incredible piloting skills and my ship's firepower, we'll always find a way to overcome any obstacle.Just you wait, in a couple years I'm gonna be the most famous tween astronaut and spacecraft designer ever! People will be lining up to buy the rights for movies, TV shows, books, and video games all about my legendary voyages across the cosmos. We'll find crazy treasures, meet wild aliens, and have a million thrilling, mind-blowing experiences that will make thestuff you see in Star Wars and Star Trek look boring in comparison!So that's the story of my most excellent personal spacecraft that I篇5My Awesome SpaceshipHi there! I'm so excited to tell you all about my incredible spaceship. It's honestly the coolest thing ever and I can't wait to share all the amazing details with you. Just thinking about blasting off into the inky blackness of space gives me shivers of excitement!First off, my spaceship is absolutely massive. We're talking bigger than a stadium here! It has to be that big to fit all the living quarters, control rooms, engines, and mind-blowing special features. The outer hull is made from a super strong alloy that can withstand scorching heat, brutal impacts, and even laser blasts. Bright silver and gleaming, it looks like a futuristic beetle cruising through the cosmos.To get inside, there's a gigantic airlock with circular vault-like doors. Once the outer doors close behind you, a set of innerdoors opens up and you step into the stunning main corridor. The floors are made of some sort of squishy material that's easy on your feet during those long space walks. All the walls and ceilings are blindingly white and curved for extra sturdiness. Strips of brilliant blue light line the hallways, giving everything a cool spacey glow.As you walk down the main corridor, there are doorways branching off to the left and right. One door leads to the living quarters where the crew sleeps, bathes, and relaxes between shifts. Our private cabins are pretty tiny, just big enough for a bunk, desk, and little bathroom. But they have huge windows to look out at the stars, moons, and planets we pass. How awesome is that?Another doorway opens into the gigantic control room, which is definitely my favorite place on the whole ship. The ceiling has to be three stories tall with a massive curved window at the front. That's where you can see everything out in front of you as we're zooming along through the galaxy. The whole place is lined from floor to ceiling with blinking control panels,neon lights, and high-tech gizmos and gadgets. I'm still just learning what all the different buttons and levers do, but I can't wait until I'm old enough to actually steer this bad boy myself!In the very center of the control room is the commander's chair, a huge leather throne that manually overrides all the automatic systems. You have to be pretty much the coolest, bravest captain ever to get to sit there and take the controls. Just behind it is the hyperdrive terminal, which is like a little enclosed cockpit bristling with nav computers that can plot a shortened route through hyper-space. You'll get to your destination across the universe in no time using those!But that's not even the best part yet. No sirree, the most awesome section is the engineering deck down on the lowest levels. That's where the two main hyper-drive engines are housed, these titanic conical structures jutting vertically through multiple floors. The engines use some classified technology to bend space-time and achieve incredible speeds. I'm not totally sure how it works to be honest, but it's beyond amazing.And right next to the main engines is what I like to call the Fun Zone! Well, it's actually an array of top-secret military starfighters, heavy laser cannons, and missile launchers. You know, just in case we need to defend ourselves against alien threats, asteroid showers, or rogue meteorites. Let's just say you wouldn't want to mess with my ship! We've got enough firepower to take down a small moon if we need to.There's still so much more I could tell you, like the sweet zero-gravity gymnasium, the xenobiology lab to study new lifeforms, and the greenhouse to grow fresh food during long voyages. But I think you get the overall idea - my spaceship is simply out of this world!Just being aboard this technological marvel gets my heart racing with excitement. Cruising through the silent blackness of space, saying hello to new galaxies and planets, looking out for strange alien civilizations - it's a dream come true for an intrepid space explorer like me. With infinite realms to investigate and conquer, no adventure will ever be too big or too crazy. Not when you're the captain of your very own super-spaceship! Buckle up everyone, our journey through the cosmos is just getting started.篇6My Amazing SpaceshipImagine zooming through the inky blackness of space at speeds faster than you can comprehend. Imagine soaring past planets, moons, and stars with just the gentle hum of your spacecraft's engines in the background. That's the life I live every day aboard my incredible spaceship!My ship is truly a marvel of engineering and design. Its sleek exterior is made from a super-tough titanium alloy that can withstand the harshest conditions of deep space. The hull is covered in specialized thermal tiles to protect it from the scorching heat of atmospheric re-entry. And thosesweet-looking rocket boosters? They pack enough thrust to send my ship hurtling from one side of the galaxy to the other in a matter of days!As awesome as the outside is, the interior is even cooler. The main deck is like a spacious apartment with all the comforts of home - a kitchen, living area, bedrooms, and even a gaming station for when I need to blast some alien invaders! The centerpiece is the cockpit, with its wall of viewscreens giving me breathtaking panoramic views of whatever cosmic wonders are outside. All the controls are voice-activated andhyper-responsive to my every command.But wait, there's more! My ship is equipped with an advanced artificial intelligence that handles everything from navigation to life support systems. Her name is A.L.I.C.E. and she's like my own personal robot assistant always looking out for me. If something goes wrong, she's got my back.Every time I gaze out the viewscreen, I'm filled with awe at the vast majesty surrounding me. There are so many worlds and celestial phenomena still left to explore! Black holes warping space and time itself. Rogue planets drifting alone between galaxies without a sun to orbit. Who knows what other incredible sights are waiting?With my trusty spaceship, the possibilities are endless. It's my home away from home, my vessel for mind-blowing adventures across the cosmos. I feel like the luckiest kid in the universe! Sure, galactic travels can get a little lonely at times. But I wouldn't trade this life for anything. Not when I have the entire wonder of creation as my playground.To any other young space explorers out there, I have one piece of advice: Never stop dreaming! Study hard, train hard, and maybe one day you'll find yourself at the controls of an amazing ship like mine. This universe of ours is a vast, fantastic place just waiting to be explored. What are you waiting for? The stars await!。
浙江省宁波市北仑中学2023-2024学年高二上学期期中考试英语试题
浙江省宁波市北仑中学2023-2024学年高二上学期期中考试英语试题学校:___________姓名:___________班级:___________考号:___________一、短对话1.What is the restaurant’s specialty?A.American food.B.Italian food.C.Thai food.2.Why is the man here?A.To have an interview.B.To make an inquiry.C.To visit the woman. 3.What is the woman most excited about?A.Seeing sharks.B.Going to the beach.C.Staying with herrelatives.4.Where are the speakers?A.At a bus stop.B.In a car.C.On a bus.5.What are the speakers talking about?A.Why the electricity bill went up.B.Where they can pay the electricity bill.C.How they can reduce the electricity usage.二、长对话听下面一段较长对话,回答以下小题。
6.What is the woman doing?A.Reserving a room.B.Checking into a hotel.C.Packing her luggage. 7.What will the woman do next?A.Walk in a park.B.Have dinner.C.Go to a bank.听下面一段较长对话,回答以下小题。
8.What is the relationship between the speakers?A.Colleagues.B.Interviewer and interviewee.C.Manager and technician.9.How many candidates are there for the position?A.Two.B.Four.C.Six.10.What does the woman ask?A.What the job requirements are.B.Where the interview will be held.C.Whether the equipment is ready.听下面一段较长对话,回答以下小题。
极限特工3终极回归主题曲歌词
极限特工3终极回归主题曲歌词导读:All the Way Up (Remix)- Fat Joe / French Montana / InfaRed / Remy Ma / David Guetta / Glowinthedark(电影《极限特工:终极回归》预告片插曲)Nothing can stop me I'm all the way up我势不可挡,我旗开得胜All the way up势不可挡I'm all the way up我势不可挡I'm all the way up我无人能敌Nothing can stop me I'm all the way up我无人能挡,我旗开得胜Shorty what you want shorty what you need妹子你要干嘛你想干嘛My niggas run the game we ain't ever leavin'我们主宰一切从未失势Countin' up this money we ain't never sleepin'数不完的钱彻夜狂欢You got v12 I got 12 v's你有引擎我却有豪车Got bottles got weed got molly觥筹交错烟雾萦绕妹子相伴I'm all the way up我无人能及Shorty what you want I got what you need 妹子你想要什么我就有什么Nothing can stop me I'm all the way up我无人能挡无人能敌Nothing can stop me I'm all the way up我无人能挡无人能敌All the way up无人能及I'm all the way up我无人能及I'm all the way up我无人能敌Nothing can stop me I'm all the way up我无人能挡,我旗开得胜Just left the big house to a bigger house房子越换越大Ain't have a girlfriend but the bitch is out我没有女友只有进进出出的妹子Chanel croc bag shit ain't even out想要香奈儿鳄鱼包却还没发售With the gold chains himalayan birkin' cocaine脖带着金链手夹比尔克香烟Lit it up pac shit I hit 'em up抽着香烟我就是焦点I'm talkin' color money purple yen and blue dirham 我有各色各样的钱紫色日元蓝色摩洛哥币I got brown lira I ain't talkin' 'bout ross bitch 我有棕色发的里拉不是上次的罗斯I'm that nigga on viagra dick我精力旺盛That means I'm all the way up我意思是我无人能挡Shorty what you want I got what you need妹子你想要什么我就有什么I'm all the way up我无人能及Nothing can stop me I'm all the way up我无人能挡,我旗开得胜Nothing can stop me I'm all the way up我无人能挡,我高高在上Nothing can stop me I'm all the way up我无人能挡,我无法企及Nothing can stop me I'm all the way up我无人能挡,我众生相拥【极限特工3终极回归主题曲歌词】1.《极限特工3:终极回归》观后感「精选」2.2017电影《极限特工:终极回归》观后感3.动作片《极限特工:终极回归》观后感「精选」4.热血经典《极限特工3:终极回归》观后感5.《极限特工:终极回归》观后感6.好莱坞大片《极限特工3:终极回归》观后感7.2017最刺激的好莱坞影片《极限特工3:终极回归》观后感8.前任3主题曲《说散就散》歌词上文是关于极限特工3终极回归主题曲歌词,感谢您的阅读,希望对您有帮助,谢谢。
广东省广州市铁一中学2023-2024学年高二上学期10月月考英语试题_1
A.admireB.to admireC.admiringD.admired
2.I’m afraid I won’t be available. I ______ a friend off at two o’clock this afternoon.
Astronomy Activity Book for kidsby Aurora Lipper (Author), Victoria Stebleva (Illustrator)
Aimed at ages 5 to 7, this book by a former NASA scientist gives kids an excellent introduction to the sky. They’ll learn through engaging STEM activities that are kidfriendly. The book is also richly illustrated with its 160 pages for young readers to better understand astronomy terms. Youngsters will finish this book being able to find at least some things in the night sky and have a handy entry point for more research.
5.I don’t mean ______ you, but your room is a plete mess. Your clothes need ______.
HKSuperstar(电影《速度与激情6》插曲)歌词-欧阳靖吴彦祖
HK Superstar(电影《速度与激情6》插曲)歌词-欧阳靖/吴彦祖这首《HK Superstar》的名字也叫香港Superstar,是电影《速度与激情6》里面的一首插曲,由欧阳靖和吴彦祖一起合作演唱。
下面是小编整理的HK Superstar歌词,分享给大家!HK Superstar歌词HK Superstar (《速度与激情6》电影插曲) - 欧阳靖/吴彦祖词:欧阳靖曲:Allen Sung/Kevin Nishimura/James Roh/Jae Choung/Stefon Taylor靖:ABCABCABC各位观众有请Hong Kong Superstar做明星我真系想最受欢迎新人奖畀我攞多谢晒未算到至高境界影相签名有我份海报广告等等狗仔队实唔放过越出名是非越多经理人都四五个签合同包冇搞错有咁巧得咁巧我个Friend系明星等佢自己介绍我系Daniel Wu边个够我Cool我系Daniel Wu边个够我Cool我系欧阳靖理想做明星冇错冇错我想做个Hong Kong Superstar好朋友就要珍惜唔理系旧定系新识睇清楚慢慢分析欧阳震华系我亲戚错佢大把剧集做我得个小小知名度Fans见到都围住晒逢系靓仔就偶像派我靠实力你捧我场咪当我系孔庆祥虽然好话唔好听发噩梦都梦见到She Bang She Bang我系Daniel Wu边个够我Cool我系Daniel Wu边个够我Cool我系欧阳靖理想做明星冇错冇错我想做个Hong Kong Superstar做明星好食好住就算刀仔锯大树点都系要搏一舖但系唔好太风骚无论男女高矮肥瘦都可以就只要你有信心爆棚冇错唔系我就系你唔系你就系我每人个目的唔同佢话你发紧白日梦你就笑哈哈大声跟佢哋讲我系Hong Kong Superstar祖:我系Daniel Wu边个够我Cool 我系Daniel Wu边个够我Cool 靖:我系欧阳靖理想做明星冇错冇错我想做个Hong Kong Superstar呢位同学你贵姓吴彦祖同欧阳靖呢个实验最紧要系记性最紧要系记性呢位同学你贵姓吴彦祖同欧阳靖呢个实验最紧要系记性最紧要系记性合:竹昇仔ABCThat's you and meHong Kong SuperstarDaniel Wu靖:喂你系有戏拍记住揾我呀剧集戏广告电视电玩底裤底横你你总之就揾我啦我唔介意我真系唔介意啊你想我卖乜都得女人的胸围我都唔介意我可以做我可以做帮女朋友买胸围喺广告里面我真的想做呀Hong Kong Superstar欧阳靖歌手简介外文名:MC Jin,Jin tha MC,Jin The Emcee100,Grand Jin ABC Jin国籍:美国出生地:美国生日:1982年6月4日职业:演员,歌手代表作:《依家有喜》,《潜行狙击》,《雷霆扫毒》简介:欧阳靖(Mcjin),1982年6月4日出生于美国,演员、歌手。
根据燕子和天鹅仿写啄木鸟的英语作文
根据燕子和天鹅仿写啄木鸟的英语作文全文共3篇示例,供读者参考篇1The Extraordinary Woodpecker: Nature's Skilled CarpenterHave you ever heard the rapid, staccato tapping echoing through the forest and wondered what peculiar creature could be responsible for such a rhythmic sound? If so, you have likely encountered the remarkable woodpecker, a true marvel of nature's engineering. These feathered friends have captured my imagination since childhood, and as I delve deeper into their world, my fascination only grows.Imagine a bird equipped with a specialized beak that functions as a powerful drill, capable of hammering into the toughest of tree bark with astonishing precision and force. This extraordinary tool, coupled with their unique adaptations, allows woodpeckers to thrive in a niche that few other beings can occupy – the world of wood-dwelling insects.One of the most striking features of these avian carpenters is their sturdy, chisel-like beaks. Crafted from a remarkable combination of bone and keratin, these beaks are reinforcedwith an intricate network of spongy bone that acts as a shock absorber, protecting their delicate brain from the jarring impact of each strike. It's as if nature has equipped them with a built-in safety helmet, ensuring their well-being as they relentlessly chip away at the wood.But their adaptations don't stop there. Woodpeckers possess a remarkable ability to grip onto the vertical surfaces of trees with their sharp, curved claws and stiff tail feathers. These feathers, reinforced with rigid shafts, act as a tripod, providing essential support and stability as they hammer away, defying gravity with each strike.As if these physical marvels weren't enough, woodpeckers also possess a unique tongue that can extend far beyond the length of their beak. This incredible appendage, equipped with a barbed tip and a sticky saliva coating, allows them to extract their prey – insects burrowed deep within the crevices of bark and wood – with surgical precision.It's not just their anatomy that fascinates me; their behaviors are equally captivating. Woodpeckers are known for their intricate courtship rituals, where males engage in elaborate drumming displays, using their beaks to create a rapid, resonating beat that can be heard from miles away. Thispercussion performance serves as a dual purpose – attracting potential mates while also marking their territory, warning rivals to keep their distance.But their skills extend far beyond mere drilling and drumming. Woodpeckers are true architects, meticulously excavating cavities within tree trunks to create cozy nesting sites for their offspring. These natural homes offer protection from predators and the elements, ensuring the survival of their young.As I observe these remarkable creatures in action, I can't help but marvel at their resilience and adaptability. Despite the constant threat of habitat loss and environmental challenges, woodpeckers have persevered, carving out their niche and playing a vital role in the intricate web of forest ecosystems.Their ability to control insect populations by feeding on wood-boring pests contributes to the overall health and longevity of countless tree species. In a sense, woodpeckers are nature's arborists, tending to the well-being of our forests with each precise strike of their beaks.To me, the woodpecker represents the pinnacle of evolutionary ingenuity, a true testament to nature's boundless creativity and problem-solving prowess. These remarkable creatures have inspired countless scientific inquiries, artisticendeavors, and a deep appreciation for the wonders of the natural world.As I continue to observe and learn from these feathered marvels, I am reminded of the incredible diversity and complexity that surrounds us. Each species, no matter how seemingly insignificant, plays a crucial role in maintaining the delicate balance of our ecosystems.The woodpecker's story is one of perseverance, adaptation, and an unwavering commitment to carving out their unique niche in this world. Their resilience serves as a powerful reminder that even in the face of adversity, nature finds a way to thrive, constantly evolving and adapting to overcome any obstacle.So, the next time you hear that familiar, rapid tapping echoing through the trees, pause for a moment and appreciate the extraordinary creature responsible for this rhythmic melody –the woodpecker, nature's skilled carpenter, and a true masterpiece of evolution.篇2The Wise WoodpeckerI still remember the day when a peculiar little bird came tapping at my bedroom window. Rat-a-tat-tat, rat-a-tat-tat, aninsistent drumming that roused me from my slumber. Rubbing the sleep from my eyes, I peered out to see a woodpecker perched on the sill, head cocked to one side as it studied me curiously."Good morning, young one," the woodpecker chirped. "I couldn't help but notice you slumbering away while the world awakes to greet the dawn."I must have looked bewildered, for the bird chuckled. "Fear not, I mean you no harm. I am simply a messenger, here to impart a lesson as old as the ancient trees themselves."Intrigued despite my drowsiness, I opened the window to better hear the woodpecker's tale. It cleared its throat and began:"There was once a young woodpecker, freshly taught to fend for itself by its parents. Eager to embark on its own journey, it left its childhood nest and took to the skies, sampling the endless buffet of tree trunks stretching across the forest.The young woodpecker soon grew full and content picking at the plentiful bark of the smaller saplings. 'Why bother with those towering oaks and spruces?' it thought with a smug tilt ofits head. 'These slender meals are enough to keep my belly satisfied.'Weeks turned to months as the woodpecker lazily hopped from one small tree to the next, never straying from the cozy grove where it had been raised. Its beak remained curved and sharp from its parents' lessons, but that was mere muscle memory - for the bird had grown plump and lazy, drunk on its life of ease.One crisp autumn day, as the leaves were turning to fire, the woodpecker heard a commotion deeper in the woods. Its curiosity piqued, it flew forth to investigate, spying a great trunk lying cracked upon the forest floor. A pair of mighty owls, lords of the night, were perched atop the felled oak.'You there, lazy one!' an owl called down sternly. 'Do you know why this giant has fallen?'The woodpecker shook its head meekly, abashed by the accusation yet ignorant all the same.'This oak has succumbed to rot and ruin from within,' the owl tutted. 'A hidden disease we could have篇3The Woodpecker's JourneyI must admit, for a young woodpecker like myself, life seemed rather dull and monotonous. Each day was the same - peck, peck, peck at the oak tree's bark, searching for grubs and insects to feast upon. While my parents assured me this simple routine was the woodpecker's noble calling, something deep inside yearned for more.As the crimson leaves of fall began to blanket the forest floor, I noticed a peculiar gathering in the clearing nearby. Flocks of birds from far and wide converged, chattering excitedly about their plans to escape the impending winter chill. I had never considered leaving my cozy tree before, but their tales of lush, evergreen lands filled me with undying wanderlust.Against my parents' wishes, I decided to join the migration, bidding farewell to the only home I'd ever known. The journey proved treacherous, with hawks constantly threatening from above and merciless winds trying to knock me off course. However, my inner fire burned brighter than ever before.After weeks of strenuous flying, we arrived at our destination - a verdant paradise teeming with tropical flora and fauna I had never dared dream of. Exotic blossoms in kaleidoscopic hues adorned the trees, which were laden with succulent fruits andplump insects. Best of all, the weather remained eternally warm and agreeable.Amongst my new feathered comrades was a boisterous toucan named Tilo. While his ocular plumage initially struck me as comical, I quickly grew enamored by his zest for life and incessant jokes. Tilo introduced me to the whimsical realm of fruit feasting, which I erroneously assumed was unbecoming of a respectable woodpecker."Loosen up, my red-capped amigo!" Tilo would hoot. "There's more to life than grubs and bark!"Though skeptical at first, I indulged in the vibrant mango's succulent flesh and felt reborn. Never had I tasted anything so lusciously sweet and satisfying. My woody persona slowly shed away as the tropical paradise awakened my wild, adventurous spirit.We became a dynamic duo, Tilo and I, exploring every nook and cranny of our new oasis. He taught me the local tongue and all the best fruit-laden trees to frequent. In exchange, I shared my knowledge of nest construction, weaving us cozy roosts from leaves and twigs.Our days were spent soaking in the sun's rays, gorging on exotic treats, and watching the universe of colors unfold across the evening sky. At night, we traded stories, jokes, and dreams beside the riverbank under a blanket of twinkling stars.For the first time, I felt truly liberated from the shackles of monotony and societal pressures. My woodpecker identity was an aspect of myself, not the definitive trait. More importantly, I discovered the profound beauty in following one's heart and wandering off the beaten path.As the seasons changed once more, my feathered amigos began discussing their return to their northern havens. Though part of me longed for the comforting familiarity of my tree, a larger part had been forever transformed by my tropical sojourn.With a heavy heart, I bid Tilo and the others farewell, charting my own path into the unknown. I had caught the incurable wanderlust bug and wished to seek out new lands, new flavors, new experiences. The world called out to my curious spirit.My maiden voyage took me across the vast, cerulean ocean to a land of arid deserts and sprawling canyons. Here, I met the most fascinating of creatures - lizards that defied gravity by walking across sheer rock faces, snakes that could swallow wholeanimals twice their size, and whizzing dervishes of hummingbirds.In time, I grewweary of the scorching, sandy terrain and flew northward where I discovered the majestic, frozen tundra. Equipped with my newfound open-mindedness, I feasted on the strange, briny bounties the frigid sea had to offer - chunks of fatty whale blubber, frozen krill, and slivers of fishy kelp.As the years drifted by in an endless cycle of exploration, I underwent a metamorphosis greater than any I could have imagined back in that oak hollow. My defining obsession was no longer food, but the pursuit of unfamiliar lands, peoples。
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List of Illustrations------------------------------------------------------------- v
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包括条件、惯例和步骤必须谨慎执行, 以防人员伤害和设备损坏。
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包括条件、惯例和步骤必须谨慎执行, 以防人员伤害和设备损坏
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电击或高温部分危险,如不采取适当的 警告,可导致人员伤害。
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静电感应元件,要求正确地触摸,以防 损坏。
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Chapter 4 --------------------------------------------------------------------------17
Installation ....................................................................................................... 17 System Mounting .............................................................................................. 17 Unpacking and Inspection .................................................................... 17 Wall Mount Preparation and Procedure ............................................... 18 Free Standing Mount Instructions ........................................................ 20 Electrical Installation......................................................................................... 21 Gas & Air Supply Installation ........................................................................... 22
[法老][Walkin dad(feat. Viito)]歌词
Walkin dad(feat. Viito)2019-03-05作词:法老/vitto作曲:法老编曲:DJ Carta我们再次回来重掌说唱圈的秩序赶快丢了你的备胎这次不是演习老实人的脸蛋但是攻击招招致命撕掉面膜偶像歌手也得向我致敬Walking dead walking dead walking dead walking dead wow 法老来自walking deadBuzzy来自walking deadViito福克斯杨和苏深蓝儿童龙崎小精灵walking dead我们技术做到顶尖行走的爸爸walking dad帝国时代开始我们先开炮打掉你火祭台我把说唱圈的版图扩大变成国际版直男团体从来不做录音室的豁批犯你的心脏脆弱就像刚出厂的玻璃板别来惹我我是十年铸的滚烫金刚钻几个月不出新歌哦我也能保持热度 yeah 我是你的白T 哦洗不掉的色素 yeah曾经我一无所有wu如今他们叫我叔叔我的起伏人生就像长沙人说塑普就算哥想退役也有万人血书我的烦恼在于明年挑选哪栋别墅天生走上神坛的典型诶识别好坏的眼睛诶高处盯着JK的妖精说唱圈的姚明诶唱着摩擦摩擦的被我踩在地上摩擦女粉人均波霸导致mumble人均脱发一个个的洗白妄图对我今日说法脸皮厚成重型盔甲还好我懂魔法效果拔群我们再次回来重掌说唱圈的秩序赶快丢了你的备胎这次不是演习老实人的脸蛋但是攻击招招致命撕掉面膜偶像歌手也得向我致敬Walking dead walking dead walking dead walking dead wowUnderground or mainstream, we the best【称霸地下和地上】All these other dudes need to reassess【其他这些人该另当别论】Listening to every single word Viito says【认真听我说出的每个字】Swear I kill beats, you better go and get EMS【轻松驾驭伴奏最好找个特快专递】You get a lot money, ain't impressed【都知道你赚的盆满钵盈】Have so many followers, on the internet【也有数不清的粉丝】All know they could never disrespect【但都知道他们不会不尊重文化】They recognize, who spit better in the end【最终他们会分清谁才是胜者】Straight up, musically speaking, know that I own this【音乐上来说早已拥有这些】They quote this, my slogan, beat up a beat till it's swollen【他们记下我的语录吞下每段伴奏】Opponents, none, every component of my flow, explosive【难逢对手竞争者全都气炸】Condolences, to any rapper who think they have a chance to dethronehim【给所有妄图对抗者予以慰问】Atonement, chop your head, turn you into the walking dead【赎罪式断头将你转化成活死人】You don't want any problems, be better off jumping off the ledge【不想惹麻烦就赶快退下山巅】I'm the best, spitting out words you can't comprehend【就是最强吐露的文字你都无法理解】Prophet pen, watch how you speak to your dad, there's consequence 【如先知执笔最好注意怎么和爸爸说话小心后果】Walking 走着我在walking 玻璃心被我给戳心多么过瘾 yeah Walking 走着我在walking 我不听对我的攻击早已过敏 yeah Walking 走着我在walking 我的资历叫我说唱圈的霍金 yeah Walking 走着我在walking 几个世纪之后还听我的魔音 yeah我的语速可慢可快让你无法掌握 yeah早晚我要清华教授解析我歌词讲座 yeah不屑烂歌即使歌迷断我右臂强迫yeah我是你行走的爸爸说唱圈的杨过 yeah我们再次回来重掌说唱圈的秩序赶快丢了你的备胎这次不是演习老实人的脸蛋但是攻击招招致命撕掉面膜偶像歌手也得向我致敬Walking dead walking dead walking dead walking dead wow。
我最喜欢的亚洲国家是韩国的英语作文
我最喜欢的亚洲国家是韩国的英语作文My Favorite Asian Country is South KoreaHave you ever wanted to visit an amazing country filled with so many cool things? For me, that country is South Korea! South Korea is an incredible nation in East Asia. It has captured my heart and imagination in so many ways. Let me tell you all the reasons why I love South Korea so much!First of all, South Korea has the most delicious food ever. My mouth waters just thinking about the tasty Korean dishes. You've probably heard of Korean barbeque before - thick slices of marinated beef, pork, or chicken grilled right at your table over burning hot coals. It's so yummy, especially when you wrap it in a crisp lettuce leaf with rice, spicy gochujang sauce, and other banchan side dishes.But Korean food goes way beyond just barbecue. I'm obsessed with tteokbokki, those delightful, chewy rice cakes smothered in a sweet and spicy gochujang sauce. Kimbap rolls filled with beef, carrots, spinach and rice wrapped in dried seaweed are so portable and fun to eat. And jjajangmyeon, with its thick potato noodles coated in a savory black bean sauce, is probably my ultimate Korean comfort food.Honestly, I could go on and on about the amazing Korean cuisine. From piping hot jjigae stews to crispy Korean fried chicken to bubbly, stretchy hotteok stuffed with brown sugar - it's all incredibly flavorful and delicious. I have such an appreciation for all the amazing foods that come from this East Asian culinary powerhouse!Speaking of powerhouses, can we talk about the incredibly talented Korean pop music artists? Korean pop music, known as K-pop, has taken the world by storm in recent years. K-pop idols like BTS, Blackpink, Twice, EXO, and Red Velvet have millions of fans across the globe, including me!These K-pop groups work so hard, training for years as kids to sing, dance, and perform at the highest levels. Their music videos are like movies - extravagant sets, precise choreography, and memorable visuals. And the songs themselves are like magical gems - catchy melodies, rap verses, and vocals that send chills down my spine.I've become such a K-pop stan over the past couple of years. I've lost count of how many times I've watched the "Boy With Luv" and "Dynamite" music videos. Seeing BTS perform live at a stadium concert is literally on my childhood bucket list. K-pop isa full-scale cultural phenomenon that brings me so much pure joy.Another thing I absolutely love about South Korea is its vibrant history and traditions that still thrive today. Despite being such a modern, high-tech nation, Korean people deeply value their ancient cultural roots and beliefs that stretch back thousands of years.I'm utterly fascinated by the ornate palaces like Gyeongbokgung and Changdeokgung that were home to the Joseon dynasty kings and queens. With their colorful pavilions, secluded gardens, and imposing gates, they seem plucked straight out of a historical fantasy drama. I could spend hours wandering the vast palace grounds, imagining what life was like centuries ago.Korean folk villages like the ones preserved in Jeonju Hanok Village give you a window into more humble traditional lifestyles. The cozy hanok houses with their tiled roofs and courtyards make you feel embraced by a sense of antiquity. I love seeing the vendors in traditional hanbok dresses demonstratingold-fashioned Korean handicrafts and games.And let's not forget about breathtaking temples and shrines like Bulguksa and Seokguram that showcase the beauty ofKorean Buddhist architecture. The sight of those magnificent stone pagodas, bridges, and statues tucked into misty mountain landscapes is enough to take your breath away. You can't help but feel a profound reverence in these sacred spaces.I may be just a kid, but I have a deep appreciation for the long, storied history behind all of Korea's ancient palaces, villages, and religious monuments. They're like real-life remnants of Korea's spiritual past coming alive in the present day. How amazing is that?Of course, South Korea isn't just eating, singing, and appreciating old stuff - it's also a cutting-edge, cosmopolitan country at the forefront of technology and innovation. I'm blown away by South Korea's advancements, especially in fields like electronics, automotive manufacturing, telecommunications, and more.Whenever a new smartphone, laptop, or twisted tech gadget launches, you can pretty much guarantee a Korean company like Samsung, LG or Hyundai is behind it. These corporations are global titans, yet they all grew out of humble roots in South Korea. That's the magic of the persevering Korean spirit and work ethic on display.I'm particularly fascinated by Korean's integral role in the development of blazing-fast 5G wireless communication networks as well as cutting-edge semiconductor chips. Maybe I'll grow up to be a engineer working for a Korean tech firm at the forefront of 6G or even 7G!And who can forget Korean domination in eSports and video games? Players from South Korea are among the world's elite gamers in professional leagues for games like League of Legends, Overwatch, and StarCraft. I may never achieve that level of skill, but I certainly daydream about becoming a pro gamer showered in pixel glory while representing the Korean flag!Whether it's the tastiest dishes, the biggest K-pop acts, the most striking historical sites, or the dopest tech innovations, South Korea absolutely overflows with amazing cultural exports that brighten up my world. This small peninsula nation is truly a global superpower when it comes to sharing its rich heritage and creative spirit with the rest of the planet.That's not even covering Korea's natural splendor, from the soaring peaks of Seoraksan National Park to the subtropical Jeju Island and its waterfalls, beaches, and lava tube caves. Or the legendary drama, beauty, and high-stakes intensity of Korea'sprofessional baseball and soccer sports leagues. Basically, I could go on for ages about South Korea's charms.At the end of the day, what makes me love South Korea most of all is how the country combines its storied past with an exciting future - without forgetting to celebrate all the incredible cultural gifts of the present day. Everywhere you look in South Korea, there's an amazing duality of antiquity and modernity happily coexisting.Strolling down the bustling streets of Seoul, you cantime-travel from neon-bathed K-pop hologram ad displays to serene Buddhist temples to pulsing nightlife districts in the span of just a few city blocks. It's this seamless intermixing ofdeep-rooted heritage and cutting-edge trendiness that makes South Korea feel like a wondrous universe unto itself.As an elementary school student, I may not have experienced South Korea firsthand yet. But through television, movies, music, books, video games, and the incredible Korean people I've met, I've had my eyes opened to the boundless wonders of this dazzling peninsular nation.I hope I can visit South Korea for myself one day to ride the sleek subway system in Seoul, shop in the fashionable Myeongdong district, and sample all the amazing cuisine. Fornow, I'll keep absorbing Korean culture from afar, letting its vibrant history, modern spirit, and unstoppable creativity wash over me.South Korea truly is my favorite Asian country - a electrifying place where the past and future collide in a single nonstop K-pop audiovisual experience. I can't wait to experience more of its marvels for myself. Maybe I'll even become fluent in the Korean language someday! For this kiddo, the Korean dream is only just beginning.。
假如我变成了什么英语作文600字初一
假如我变成了什么英语作文600字初一全文共3篇示例,供读者参考篇1If I Became Something/Someone ElseHave you ever wondered what it would be like to become something or someone else entirely? I think about it all the time! There are so many fascinating possibilities out there in this vast universe of ours. Just imagine shapeshifting into a majestic lion, soaring through the skies as a fearless eagle, or even transforming into a famous celebrity like Taylor Swift or LeBron James. How crazy and exciting would that be?First off, let's talk about becoming an animal. I've always been in awe of the incredible strength and power that lions possess. With their mighty roars that shake the earth and their remarkable hunting abilities, they truly are the kings of the jungle. If I could morph into a male lion for just one day, I would relish the chance to experience that unparalleled sense of dominance and authority over my territory. Stalking through the tall savannah grass, leading my pride in search of our next prey, would be an absolute thrill! The sheer rush of adrenalinecoursing through my veins during an intense hunt would be simply unmatched.On the other hand, perhaps it would be more exhilarating to take to the skies as a magnificent eagle. Can you even fathom the feeling of your powerful wings slicing through the air currents, propelling you ever higher into the boundless blue expanse above? With my razor-sharp eyesight, I would be able to spot the tiniest of movements on the ground below, swooping down with incredible speed and precision to snatch up an unsuspecting rodent or fish. The ultimate sense of freedom that comes with being able to soar effortlessly among the clouds is something I can only dream about as a human. Just thinking about it gives me an indescribable rush!While becoming a wild animal would be an adventure like no other, I can't deny that part of me is intensely curious about what it would be like to walk a mile in the shoes of a globally renowned celebrity. Imagine waking up as Taylor Swift, one of the most popular and influential musicians of our time. I would suddenly find myself living a life of unimaginable luxury, hopping from one sold-out concert venue to the next, performing in front of tens of thousands of adoring fans every night. Can you picture the sheer euphoria of having an entirestadium full of people singing along passionately to every word of your songs? It would be a performer's ultimate fantasy!Then again, maybe becoming a world-famous athlete like LeBron James would be even more enthralling. As a basketball prodigy with his otherworldly talents and skills on the court, I would get to experience the electrifying rush of sinking a game-winning buzzer-beater in front of a roaring crowd. The feeling of utter triumph and elation in that moment would be absolutely unparalleled. Who wouldn't want to trade places with a revered sports icon like King James, if only for a day?No matter which incredible form I hypothetically transformed into – be it a ferocious lion, a soaring eagle, Taylor Swift, or LeBron James himself – I know one thing is certain: it would be an experience quite unlike anything this world has to offer. To have the opportunity to step outside the confines of my ordinary human existence and catch an extraordinary glimpse into another's reality would be simply mind-blowing. While being a person is pretty great and all, I can't help but wonder what amazing secrets and perspectives I would unlock by becoming something entirely different, even if just for a brief period. Maybe one day I'll get the chance to find out!篇2If I Became...Have you ever imagined what it would be like to transform into something completely different? To experience the world through new eyes, new senses, and a totally different form? I certainly have, and let me tell you, my imagination has taken me on some wild journeys!If I became a superhero, oh the adventures I could have! Soaring through the skies with the greatest of ease, using incredible powers to fight evil and protect the innocent. I'd swoop in, cape billowing behind me, and face off against dastardly villains with outrageous schemes. With superhuman strength, I could lift cars and shatter concrete with my bare hands. Maybe I'd have the ability to shoot lasers from my eyes or freeze enemies in their tracks with a blast of icy breath. The possibilities are endless when you're a superhero!Of course, with great power would come great responsibility. I'd have to be ever vigilant, ready to spring into action at a moment's notice to stop crimes and avert disasters. No more lazy days lounging around - the safety of the city would rest on my shoulders. But I think the feeling of making a real difference, of being a true hero to those in need, would make any sacrifices worthwhile.On the other hand, maybe I'd opt for a less dramatic transformation and become something from the natural world instead. A mighty eagle, soaring majestically above snowy mountain peaks with razor-sharp vision and wings spanning over 7 feet wide. I'd ride the wind currents effortlessly, spotting tiny prey from unimaginable distances. Then I'd tuck my wings and plummet like a feathery missile before snatching an unlucky critter in my wicked talons. As an eagle, I'd be royalty in the skies, both revered and feared wherever I flew.Or perhaps I'd become a great white shark, one of the ocean's most fearsome apex predators. In that powerful, streamlined body, I'd slice through the waves like a living torpedo with jaws packed full of serrated teeth made for shredding. I'd patrol the depths, sensing the faintest electrical impulses that could lead me to my next meal. And with that cold, unblinking shark's eye, I'd strike without mercy, going into a feeding frenzy at the first taste of blood in the water. It would be an unending struggle to survive, but also an incredible thrill unlike anything I've ever known.Pondering these incredible hypotheticals never fails to set my imagination soaring. Yet for all the enticing possibilities, I know I'm truly lucky just to be me - a kid who gets to daydreamabout amazing transformations while retaining all the unique experiences that come with being human. We may not have superpowers or razor-sharp teeth, but we have the special gifts of hope, empathy, and understanding that no fantasy creature could ever match.Those are just some of the places my mind has traveled when I ask myself "If I became..." Who knows where my imagination will take me next? Maybe I'll be a powerful wizard, or a Jedi knight, or even explore leaving this world altogether and becoming something from an entirely different reality. All I know is, with the boundless reaches of the imagination, anything is possible if you keep asking yourself, "What if?" The most incredible adventures are still out there, waiting to be imagined.篇3If I Became Something ElseHave you ever wondered what it would be like to be something completely different? To experience the world from an entirely new perspective? That's a question I've spent a lot of time thinking about lately. I'm just an ordinary middle school student, but my imagination runs wild with the possibilities of transforming into something else entirely.Let's say I became a soaring eagle, gliding effortlessly through the vast blue skies. With my razor-sharp eyesight, I could spot even the tiniest of movements on the ground below, scanning the landscapes for my next meal. The wind would ruffle through my feathers as I spread my wings and took flight, leaving the earth far behind me. No longer bound by the constraints of the human world, I would be free to explore the heights that few ever reach. How liberating it would be to escape the pressures of school, homework, and expectations, instead embracing the primal instincts of a majestic bird of prey.Or perhaps I could become a towering oak tree, my roots buried deep within the earth's soil. With each passing year, I would grow taller and stronger, my branches reaching higher towards the heavens. Birds would build their nests among my sturdy limbs, and small animals would scurry across the thick bark that served as my protective coat. In the spring, my bare branches would sprout a lush canopy of green leaves, providing shade and shelter to all who sought it. As autumn arrived, my leaves would transition into a brilliant blend of reds, oranges, and yellows before gracefully falling to create a colorful carpet below. Through the harsh winters, I would stand resilient, patiently awaiting the return of warm sunlight and new growth. In a world that moves far too quickly, it would be grounding toexperience the cycles of nature from the steady, unwavering perspective of a tree.Maybe instead of becoming something from the natural world, I could transform into a shooting star, streaking across the inky black canvas of the night sky. I would blaze through the darkness at unimaginable speeds, illuminating the heavens with my brilliant tail of fire. For just a fleeting moment, I would capture the attention and awe of anyone fortunate enough to witness my cosmic beauty. Though my life as a shooting star would be incredibly brief, I would burn brighter than anyone could dream, leaving an indelible mark on all who gazed upon my majesty. In those few seconds, I would be the most dazzling, breathtaking sight in the universe.Or what if I turned into a raindrop, one of billions in a passing rain shower? I would begin my journey high in the clouds, formed from condensed water vapor. As the clouds grew heavy and dark, I would become part of an enormous group, joining together until our collective weight could no longer be contained. Then we would tumble towards the earth, picking up speed until we shattered upon impact with the ground below. For those few exhilarating moments of freefall, with the windwhipping past me, I would be one tiny piece of a mighty natural force. Our descent would bring life-giving hyd。
就是做一个手工活的过程英语作文写日记
就是做一个手工活的过程英语作文写日记全文共3篇示例,供读者参考篇1Dear Diary,Today in art class, we started a really cool new project - making our own dream catchers! I've always loved the look of dream catchers with their intricate webbed designs and dangling feathers. Not only are they beautiful decorations, but they have such a meaningful cultural significance too.Our art teacher, Ms. Kinley, explained that dream catchers originated from the Ojibwe people, one of the Native American tribes. The traditional belief is that dream catchers filter out bad dreams and only allow good dreams to pass through. The good dreams slip through the hole in the center, while the bad dreams get trapped in the web and disappear with the first light of dawn. How poetic is that?We began by choosing a circular ring to form the base of our dream catcher. Most people opted for wooden rings, but some went for metal ones or even made their own rings from twigsand vines. I picked a medium-sized wooden ring, sanded it down to make it nice and smooth.Next came the "web" part, which is honestly the trickiest step. Ms. Kinley demonstrated how to anchor the string at the ring, going back and forth to create an intricate, radial pattern. We used colorful embroidery floss, and I opted for shades of turquoise and teal. It was quite fiddly trying to keep the strands taut and evenly spaced."Don't worry if it's not perfect," Ms. Kinley said as she came by my desk. "Dream catchers are supposed to have little imperfections and character." I tried not to be too much of a perfectionist as I carefully wove the delicate web.After an hour of intense concentration, my dream catcher web was finally complete! Ms. Kinley then showed us how to make the hanging loop at the top using more thread or thin leather strips. I braided together some pretty blue and green embroidery floss for mine.The final step was adding decorative elements and feathers. We had an array of colorful beads, shells, and feathers to choose from. I selected a few wispy white feathers along with some small turquoise beads to hang from the bottom ring.Tying on those last embellishments felt so satisfying, like putting the finishing touches on a masterpiece. I held up my completed dream catcher and just marveled at it. The intricate web glistened with subtle color variations, and the feathers dangled so perfectly from the bottom.This dream catcher is definitely going to have a special spot in my bedroom. Every night as I drift off to sleep, I'll smile at the meaningful decoration hanging beside my bed. Who knows, maybe it really will help filter out any bad dreams!I can't wait to learn about the histories and cultural meanings behind some of our other art projects this year. Art class has quickly become one of my favorite parts of the school day. Creating pieces like this dream catcher with my own two hands is such a rewarding experience.I'm so grateful to have the opportunity to explore different artistic traditions from around the world. It really opens your eyes to the rich diversity of human cultures and their unique crafts and folklores. I have a newfound appreciation for the ancient art of dream catcher making.Well, diary, I'm off to carefully wrap up my dream catcher masterpiece. I wouldn't want all my hard work to get ruined! Iabsolutely cannot wait to show this beauty off to my family. Imagine if it really does catch me some fantastic dreams tonight!Catch you later,[Your Name]篇2Journal Entry - Crafting DayToday in art class, we started a really cool project that I'm excited about. Ms. Reynolds told us we'd be making dreamcatchers! I've seen dreamcatchers before - they're those circular woven things with feathers and beads hanging down. Some people believe they catch bad dreams in the web while letting good dreams pass through the hole in the center. Even if you don't believe in that, they're just really pretty and intricate looking.Ms. Reynolds passed out all the supplies we'd need - thick bunches of string, bundles of feathers in different colors and sizes, bags of assorted beads and charms, and willow branches bent into circle shapes. She said we could customize our dreamcatchers however we wanted once we got the basic web part done.First, we had to wrap the willow ring tightly with string, going around and around until it was completely covered. That took longer than I expected! My fingers started cramping up from pulling the string so taut. A few people didn't wrap theirs tight enough and the rings were lopsided. Mackenzie's broke when she tried tightening it further.Once the ring was covered, that's when the real fun began - weaving the web! Ms. Reynolds showed us the pattern. You take the string and loop it through, then loop it under and through again, working in a spiral from the center out. It was tricky getting the spacing right at first so it didn't bunch up or have gaps. A few times I had to undo some rows to fix mistakes.I decided to use three different colored strings - turquoise, purple and yellow - to make a cool geometric pattern on mine. Some people just used one solid color, but that looked a little boring to me. Katerina used ALL the neon colors and it looks crazy, like a demented rainbow exploded.Weaving the web was the most time-consuming part. My fingers got all tangled in the strings and strained from the repetitive motions. A few guys complained it was too much work and half-did theirs, but I kept at it, determined to make mineperfect. Towards the middle, I switched to a thinner string so the web would have a denser, more intricate look.By the end of class, most people's webs were done and we could start adding decorations. I tied on a mixture of brown, turquoise and purple feathers in varying lengths around the outer ring. For the hanging part, I used the beads and charms to string a long, elegant-looking mix of carved wooden shapes, metal diamond charms, and turquoise stones. For the final touch, I attached a quartz crystal point to dangle in the center.Jessica complained that all the feathers and beads were too plain, so she glued on dried flowers, ribbons, yarn scraps - you name it. It looks like a hot craft-store mess. But hey, to each their own!Overall, I'm really proud of how my dreamcatcher turned out. It has a cohesive color scheme, pretty patterns, and nice flow to the hanging decorations. Not the most traditional looking, but very "me." I can't wait to hang it over my bed and have peaceful, dulcet dreams!Making it was tedious at times and my fingers are sore, but there's a real sense of accomplishment that comes with crafting something so intricately by hand. Knowing how much effort went into every knot and loop makes me appreciate it even more.I'll definitely treasure this dreamcatcher and maybe make some more as gifts. Tonight's art class was a dream!篇3Journal Entry - Making a DreamcatcherToday in art class, we learned how to make dreamcatchers. I've always loved the look of those handmade willow hoop dreamcatchers decorated with feathers and beads. They have such a beautiful, intricate design and there's supposed to be a really cool meaning behind them too.Our teacher, Mrs. Martinez, said dreamcatchers are an ancient tradition from certain Native American cultures. The web in the center is meant to catch bad dreams and nightmares, while letting the good dreams pass through and make their way down the feathers and beads to the person sleeping. How awesome is that?She showed us some examples that Native American artists had made and they were just stunning. The colors and patterns were so vibrant and detailed. I couldn't wait to try making my own.First up, we had to bend the willow branches into a circular hoop. That was definitely the trickiest part. Mrs. Martinez warnedus the branches could be really stiff and hard to shape into a perfect circle. She wasn't kidding! I struggled so much just to get my willow branch bent into a curved shape without any creases or wonky sections. A few of the branches even snapped from people bending them too forcefully. Yikes.After a lot of careful bending and readjusting, I finally managed to form my willow hoop. It wasn't a perfect circle by any means, but it had a nice rounded shape to it. Getting the two ends to meet properly so I could tie them together was another battle. But I persevered and secured the hoop tightly with an artificial sinew cord. Phew, the hard part was over!Next, we had to weave the web/dream-catcher part in the middle of the hoop. We used a thinner cord made of artificial sinew for this too. Mrs. Martinez demonstrated the pattern - it was kind of like weaving a web, going around the hoop and intersecting the cord in the middle to form a spiral pattern.I'm generally pretty good at weaving and crafting things like bracelets and keychains. But this dreamcatcher weaving was tricky! The cords kept getting bunched up and twisted around each other. A few times I had to unravel the whole thing and start over from the beginning. Definitely got some life lessons in patience and perseverance today!After what felt like forever, I finally finished weaving the dreamcatcher web part. My fingers were sore from all the intricate knot work, but I was really pleased with how it turned out. The spiral pattern looked beautifully intricate when I held it up.Then came the fun (and easier) part - decorating our dreamcatchers! We had all sorts of cool materials to choose from like vibrantly colored beads, bone hairpipe beads, leather cords, and feathers. I opted for a striking color scheme of turquoise, deep red, and golden yellow.Carefully, I tied loops of the leather cord around the willow hoop, spacing them out evenly. Then I threaded the beads through the cord - the turquoise ones first, followed by pops of the yellow hairpipe beads. I did three separate strands of beads spaced out evenly around the hoop.Once the beads were on, I took the most vibrant red and yellow feathers I could find and tied them to the ends of each beaded strand hanging down. I finished it off by fastening a couple of feathers to the very center of the dreamcatcher web too. When I held up my final creation, the feathers fanned out beautifully and the colors looked so rich and vibrant against the woven web.I'm honestly blown away by how my dreamcatcher turned out. For all the struggles with willow bending and cord threading, it was so worth it in the end. My dreamcatcher looks amazing - I can't wait to hang it up above my bed tonight. Here's hoping it catches any bad dreams and lets all the good ones through to me!This was definitely one of the coolest, most rewarding crafting projects I've ever done. Yeah, it was fiddly and frustrating at times. But there's something really special about making something so symbolic and meaningful by hand. I have a much deeper appreciation now for the skill and artistry that goes into traditional Native American crafts like this.I've always loved art and being creative, but making this dreamcatcher has inspired me to explore more handmade cultural crafts and dig into the rich traditions and meanings behind them. Maybe I'll convince Mrs. Martinez to let us try making artistic baskets or bead loomwork jewelry next. For now though, I can't wait to tell my family all about my beautiful new dreamcatcher!。
写飞行斗篷的英文作文
写飞行斗篷的英文作文全文共2篇示例,仅供读者参考写飞行斗篷的英文作文1:Certainly! Let's delve into crafting an essay on the topic "Writing about a Flying Cape" in English.Flying Cape: A Journey Beyond ImaginationIn the realm of fantasy and wonder, few objects captivate the human imagination like the flying cape. A staple in folklore, literature, and modern media, the flying cape represents a gateway to boundless adventures and limitless possibilities. As we embark on a journey to explore the allure and symbolism of the flying cape, we unravel layers of imagination and delve into the essence of human aspiration.Origins and SymbolismThe concept of a garment imbued with the power of flighttraces its roots back to ancient mythology and folklore. From the magical cloaks of Greek gods to the enchanted capes of fairy tales, the motif of flight has long been associated with transcendence and liberation. The flying cape symbolizes freedom from earthly constraints, allowing its wearer to soar above mundane existence and explore the realms of the extraordinary.Literary RepresentationsThroughout literary history, writers have woven enchanting tales around the motif of the flying cape. In J.M. Barrie's "Peter Pan," the protagonist and his companions take flight with the help of their pixie dust-coated garments, soaring to the fantastical realm of Neverland. Similarly, in J.K. Rowling's "Harry Potter" series, the Invisibility Cloak serves as both a tool for concealment and a means of aerial travel, enabling Harry and his friends to navigate the wizarding world with ease.Cultural SignificanceBeyond literature, the flying cape holds cultural significance in various traditions around the world. In Chinese mythology, the Fei Yi (飞衣), or "flying robe," is often depicted as a symbol of Daoist immortals, who transcend mortal boundaries through spiritual enlightenment. Similarly, indigenous cultures often feature stories of shamanic practitioners donning spirit cloaks to journey between the earthly and spiritual realms.Modern InterpretationsIn the realm of modern media, the flying cape continues to capture the imagination of audiences worldwide. From comic book superheroes like Superman, whose iconic red cape billows majestically as he soars through the skies, to cinematic icons like Mary Poppins, whose enchanted umbrella serves as a whimsical mode of transportation, the motif of flight remains a timeless and beloved trope in popular culture.Personal ReflectionsOn a personal level, the concept of the flying caperesonates deeply with the human desire for transcendence and adventure. In our everyday lives, we often yearn to break free from the confines of routine and responsibility, to soar above the clouds and explore uncharted territories of the mind and spirit. The flying cape serves as a metaphor for our innate capacity to dream, to defy gravity and reach for the stars.ConclusionIn conclusion, the flying cape embodies the timeless appeal of human imagination and the boundless potential of the human spirit. From its mythical origins to its contemporary manifestations, the motif of flight continues to inspire awe and wonder, inviting us to embark on a journey beyond the limits of our imagination. As we gaze upon the billowing fabric of the flying cape, let us remember that the greatest adventures lie not in distant realms, but within the depths of our own hearts and minds.This essay explores the multifaceted nature of the flying cape, from its mythical origins to its contemporary significance, inviting readers to embark on a journey of imagination and exploration.写飞行斗篷的英文作文2:Title: The Enchantment of Flying CloaksIn the realm of fantasy and imagination, where magic dances with reality, one artifact stands out as a symbol of freedom, adventure, and the limitless possibilities of the human mind —the flying cloak. From ancient tales of wizards and sorcerers to modern interpretations in literature and cinema, the flying cloak has captured the hearts and minds of generations, offering a glimpse into a world where the mundane laws of physics yield to the whims of imagination.At its core, the flying cloak embodies the age-old human desire to defy gravity and soar through the skies like a bird. It represents the longing for liberation from the constraints of earthly existence, offering a tantalizing escape from the mundane routines of everyday life. Whether it be a tattered garment imbued with ancient magic or a sleek, futuristicinvention powered by advanced technology, the flying cloak beckons to the adventurer within us all, inviting us to embark on a journey beyond the bounds of convention.In literature, the flying cloak has been depicted in myriad forms, each iteration reflecting the unique cultural and artistic sensibilities of its creator. In J.K. Rowling's beloved Harry Potter series, for instance, the Invisibility Cloak serves as both a tool for stealth and a metaphor for the unseen forces that shape our destinies. Similarly, in J.R.R. Tolkien's epic saga The Lord of the Rings, the Elven cloaks of Lórien not only grant their wearers camouflage but also evoke a sense of ethereal beauty and timeless grace.Beyond the realm of literature, the concept of the flying cloak has also found expression in other forms of media, from film and television to video games and comic books. Who can forget the iconic image of Superman, his crimson cape billowing in the wind as he streaks across the sky, a symbol of hope and heroism for generations of fans? Or the sleek,high-tech suit worn by Marvel's Iron Man, which not only enables its wearer to fly but also boasts an array of formidableweapons and gadgets?Yet, for all its fantastical allure, the flying cloak also serves as a potent metaphor for the human capacity for innovation and ingenuity. In the real world, we may not possess the ability to defy gravity with a mere flick of the wrist, but we have nevertheless managed to achieve incredible feats of flight through the development of aircraft and spacecraft. From the Wright brothers' historic flight at Kitty Hawk to theawe-inspiring voyages of the Space Shuttle, humanity's quest to conquer the skies has been nothing short of miraculous.In conclusion, the flying cloak represents more than just a fanciful flight of fancy; it is a testament to the boundless imagination of the human spirit. Across cultures and throughout history, this iconic artifact has captivated our collective imagination, inspiring us to reach for the stars and pursue our wildest dreams. Whether in the pages of a book, on the silver screen, or in the annals of history, the flying cloak continues to remind us of the limitless possibilities that awaitthose who dare to dream. So, the next time you find yourself gazing wistfully at the clouds, take heart in the knowledge that, with a bit of imagination and a dash of courage, you too can soar to new heights on the wings of a flying cloak.。
打破规则英语作文
Breaking the Rules: A Necessary Evil forProgressIn the realm of conventional wisdom, rules are the backbone of society, the guiding lights that keep us from stumbling into chaos. They are the invisible hand that maintains order, ensuring that we coexist peacefully and productively. However, what happens when these rules become outdated, restrictive, or simply no longer serve their original purpose? In such cases, it becomes imperative to reevaluate and, sometimes, even break the rules. This is not an act of rebellion or anarchy; rather, it is a necessary evil for progress.The history of mankind is a testament to the power of rule-breaking. The scientific revolution, for instance, was fueled by scientists who dared to question the established dogma of their time. Copernicus, Galileo, and Newton shattered the geocentric view of the universe, proposing instead a heliocentric model that revolutionized our understanding of the cosmos. Similarly, the Industrial Revolution was sparked by entrepreneurs who refused to be bound by the constraints of outdated production methods.They innovated and experimented, breaking the rules of economics and technology, and in doing so, they transformed society forever.In the modern era, we see the same pattern repeating itself. The digital revolution, led by companies like Google, Apple, and Facebook, has颠覆了传统的 business models and communication channels. These companies did not follow the rules; they rewrote them. They innovated, experimented, and broke the rules, and in doing so, they created entirely new industries and transformed the way we live our lives.Of course, rule-breaking is not always met with applause and acceptance. It often generates resistance and opposition from those who fear change or who benefit from the existing order. This was the case with Martin Luther King Jr., who broke the rules of segregation to fight for racial equality. His actions were controversial and divisive, but they ultimately led to the civil rights movement and the end of racial discrimination in America. Similarly, women who broke the gender norms and entered traditionally male-dominated fields like science, politics,and business faced immense resistance. However, their perseverance and determination eventually led to greater gender equality and a more inclusive society.In conclusion, while rules are essential for maintaining order and promoting peace, they must also be flexible enough to accommodate change and progress. Rule-breaking, when done with intention and purpose, can be a powerful force for positive transformation. It challenges the status quo, pushes the boundaries of possibility, and creates opportunities for growth and innovation. Therefore, while we should always respect and abide by the rules that serve us well, we must also be willing to break them when they become obstacles to progress. After all, it is through the constant process of breaking and rebuilding that we evolve as a species and create a better future for ourselves and our descendants.**打破规则:进步的必要之恶**在传统智慧中,规则是社会的支柱,是指引我们避免陷入混乱的明灯。
《Money Maker》Throttle版歌词带翻译完整版
Now listenY'all got your hover boards and your fuzzy shoes What the hell is a Yeezy?We used to glide manYou know what I'm talking about?I'm talking about roller-skatesLook so fine every timeYou've got a wayTalking about roller-skatesDancing queen babyDon't put on the brakesNa, na, naShake your money makerShake your money makerShake your money makerShake your money makerShake your money makerShake your money makerShake your money makerGrab your skates and shake that bootyAlright stopI got my skates on, lace tightDon't need no Benz, no motorbikeI got eight wheels, shake the heelsI mean it's okay baby got the pimp a pimp They like damn that's tightVelvet Jesus, show me the lightDisco heaven closes up around elevenYou better shake your moneymakerCause you know what I be talking boutRollerskatesOh you thought that we were doneHa na uh, neverCome on now shake your money makerI said now shake your money makerYour money makerNa, na, naShake your money makerShake your money makerShake your money makerShake your money makerShake your money makerShake your money makerShake your money makerI'm talking about roller-skatesLook so fine every timeYou've got a wayTalking about roller-skatesDancing queen babyDon't put on the brakesGrab your skates and shake that bootyShake your money makerShake your money makerShake your money makerShake your money makerShake your money makerShake your money maker Shake your money maker。
linkin_park_林肯公园_介绍
LinkinPark
Member of Linkin Park
Include: Chester Bennington Brad Delson Joe Hahn Mike Shinoda Rob Bourdon Phoenix
LinkinPark
Members: Chester Bennington Brad Delson Joe Hahn Mike Shinoda Rob Bourdon Phoenix
Occupations: Musician, singer-songwriter, actor
Birth name: Michael Kenji
Shinoda
Born: February 11, 1977
Origin: Agoura Hills, California, U.S. Genres: Alternative rock, nu metal, alternative hip hop, rap rock, hiphop, rap metal Occupations: Musician, singersongwriter, lyricist, composer, rapper, vocalist, guitarist, pianist, producer, graphic designer, visual artist
批注本地保存成功开通会员云端永久保存去开通
Linkin park
My favorite band:Linkin Park
Linkin Park is an American rock band from Agoura Hills, California. Formed in 1996, the band rose to international fame with their debut album, Hybrid Theory, which was certified Diamond by the RIAA in 2005 and multi-platinum in several other countries.Its following studio album, Meteora, continued the band's success, topping the Billboard 200 album chart in 2003, ranked Linkin Park on the Best Artists of the Decade chart.
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Running on the Bare Metal with GeekOSDavid Hovemeyer,Jeffrey K.Hollingsworth,and Bobby Bhattacharjee Dept.of Computer Science,University of Maryland,College Park,MD,20742USA {daveho,hollings,bobby}@ABSTRACTUndergraduate operating systems courses are generally taught using one of two approaches:abstract or concrete.In the abstract approach,students learn the concepts underlying operating systems theory,and perhaps apply them using user-level threads in a host operating system.In the con-crete approach,students apply concepts by working on a real operating system kernel.In the purest manifestation of the concrete approach,students implement operating sys-tem projects that run on real hardware.GeekOS is an instructional operating system kernel which runs on real hardware.It provides the minimum function-ality needed to schedule threads and control essential de-vices on an x86PC.On this foundation,we have devel-oped projects in which students build processes,semaphores, a multilevel feedback scheduler,paged virtual memory,a filesystem,and inter-process communication.We use the Bochs emulator for ease of development and debugging.While this approach(tiny kernel run on an emulator)is not new, we believe GeekOS goes further towards the goal of combin-ing realism and simplicity than previous systems have. Categories and Subject DescriptorsK.3.2[Computer and Information Science Education]: Computer Science Education;D.4.7[Operating Systems]: Organization and DesignGeneral TermsDesignKeywordsOperating systems,education,hardware,emulation1.INTRODUCTIONA fundamental question that instructors must answer when developing projects for an operating system course is“to what extent should I conceal the underlying hardware from the students?”Many points exist along this continuum.A Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on thefirst page.To copy otherwise,to republish,to post on servers or to redistribute to lists,requires prior specific permission and/or a fee.SIGCSE’04,March3–7,2004,Norfolk,Virginia,USA.Copyright2004ACM1-58113-798-2/04/0003...$5.00.very high level approach is to simulate processes running on the operating system in terms of abstract actions,such as‘compute’,‘perform I/O’,and‘map a page into virtual memory’.This is the approach taken by Dickinson in[5]. An intermediate approach is to build student projects on top of the user mode of a host operating system.This ap-proach is used by PortOS[1]and by Donaldson in[6].This approach may expose some low-level hardware details by re-quiring students to implement a user space thread library. The Nachos kernel[4]is run under a host operating system, but its user processes are executed using a CPU simulator.A variation on the user-level approach is to use a Java Vir-tual Machine to run the student projects;examples of this approach can be found in[18]and[15].Finally,projects may be run on real hardware.Perhaps the most famous instructional OS kernel for real hardware is Minix[19]. Running operating system projects on real hardware has several advantages.The main advantage is that it allows the instructor complete control over the level of complexity to which students are exposed.Depending on how much code is provided to the students,projects can range from very high level to very low level.In systems relying on simulation,such as Nachos,there is a fundamental limit on how realistic the projects can be.Another advantage is that running on real hardware provides a good opportunity for students to learn about computer architecture in a hands-on setting.Finally, hardware-level programming experience is useful considering the increasing importance of embedded systems in everyday life.Working at the hardware level has two main disadvan-tages.First,hardware devices can be tricky to program correctly.A more fundamental problem is that debugging kernel code running on real hardware is difficult,even for experts.The contribution of our work is to show that both of these difficulties can be overcome without requiring heroic measures from students or instructors.We have implemented a tiny OS kernel,called GeekOS,which provides a sufficient abstraction layer over the hardware to hide the genuinely difficult details.By providing well-commented source and ample supporting documentation,students quickly get up to speed with hardware-level programming.Students develop and run their projects on the Bochs[3]emulator rather than actual PC hardware.Bochs provides extensive diagnostics and debugging support,which makes writing and debugging kernel code almost as easy as user code.The structure of this paper is as follows.In Section2we give a brief overview of GeekOS.In Section3we describe projects in which students add important operating systemfeatures to GeekOS.In Section4we describe our experi-ences using GeekOS in an undergraduate operating system course.In Section5we describe related work.We conclude in Section6.2.OVERVIEW OF GEEKOSGeekOS is a tiny OS kernel for x86PCs,written in C with a small amount of assembly.The source currently contains about3700lines of C and502lines of assembly,not including comments and blank lines.1We have tried to make the code as easy to understand as possible.GeekOS and the project materials based on it are available under an open source license,and its development is hosted on SourceForge[10]. We are committed to making the source and documentation to GeekOS available on a long-term basis.In its most basic form,GeekOS supports the following functionality:•Handling interrupts•Kernel threads with a static priority scheduler;the timer interrupt is used to make scheduling preemptive •Allocation of physical memory pages•Allocation of physical memory buffers from a kernel heap•Device drivers for the interrupt controller,keyboard, VGA text screen,IDE hard drives,andfloppy drive GeekOS is written to conform to well documented hard-ware specifications:specifically,an AT-class PC with a486 or higher processor.Hardware documentation for this type of system is readily available in books[17,12,20]and from online sources.GeekOS satisfies our requirement for real-ism,since it is possible to write a kernel image to afloppy or hard drive and boot it on a real machine.Because GeekOS targets an x86PC,which is by far the most common mainstream hardware platform,we have ac-cess to a wide variety of well-supported open source devel-opment tools.We use gcc and binutils[8,2]as our compiler toolchain,and nasm[14]as our assembler.These are often available as standard components of popular open source op-erating systems such as GNU/Linux and FreeBSD,meaning that in many cases no special software(other than Bochs) needs to be installed in order to compile and run GeekOS. For users of non-x86systems,such as Mac OS X,Solaris, etc.,it is quite easy to build a cross compiler and toolchain capable of building GeekOS.2.1Why Emulate?While targeting student projects for a mainstream hard-ware architecture satisfies our requirement for realism,we do not require students to use physical machines to develop their projects.Debugging a kernel on real hardware is diffi-cult.In addition,system administrators are likely to take a dim view of allowing students to boot their(probably buggy) kernels on machines in an open workstation lab.Having dedicated machines for student projects is possible,but in-convenient.Fortunately,a number of excellent PC hardware emulators are available[3,21].Because emulators run as ordinary 1The heap memory allocator,which is opaque as far as stu-dents are concerned,accounts for1300lines of er processes on a host operating system,they have many advantages over running on physical hardware:•They boot extremely quickly•They can be run anywhere:workstation labs,time-sharing clusters,students’home machines,etc.•They generally offer better diagnostic and debugging support than physical hardwareThe idea of using hardware emulators to teach operat-ing systems is not new[6,11].However,it is only in the past few years that the CPU and memory resources(both of which are needed in abundance for effective emulation)of commodity hardware have become sufficient to make emula-tion practical;(perhaps)for this reason,the use of hardware emulation in operating system courses does not seem to be widespread.We use the Bochs[3]emulator in our operating systems course.Bochs has a number of features that make it a good choice.First,it is open source software with ac-tive developer and user communities.It runs on a variety of host operating systems,including GNU/Linux,varieties of Unix,Mac OS X,and Windows,and is not tied to any particular host CPU architecture.For these reasons,it is easy to deploy in almost any kind of workstation lab.It of-fers extensive debugging support,including stubs for remote debugging using gdb[9].This makes developing kernel code almost as easy as ordinary user code.3.STUDENT PROJECTSOn top of the base GeekOS system,we have developed a sequence of projects in which students add important op-erating system features.In this section,we briefly describe each project.3.1ProcessesIn thefirst project students implement processes.Pro-gram executables are loaded from a provided PFAT2filesys-tem residing on a virtualfloppy disk.The project uses segmentation to prevent processes from accessing memory outside their own address space.Note that the form of segmentation available in32bit protected mode(used in GeekOS)is superior to the dreaded seg-ment/offset addressing found in DOS and early versions of Windows.Each process has its own local descriptor table (LDT),in which identical code and data segments are de-fined.The code and data segments refer to the single chunk of memory allocated for the process.So,from the process’s viewpoint,it is running in aflat address space,with any access beyond the limit of the code/data segment resulting in a trap to the kernel.We require the students to implement Spawn and Wait system calls to allow processes to create child processes and to wait for them to exit.What the students learn.Students learn about how processes are isolated from each other.Although segmen-tation on the x86does not afford the sameflexibility as paging—for example,it cannot be used to trap null pointer references—it is easier to understand.Because the exe-cutable images are in ELF format,students learn about link-ing and loading.The Spawn and Wait system calls require 2PFAT(or‘pseudo-FAT’)is a simple read-onlyfilesystem used to store executables to be loaded after the kernel boots.A PFATfilesystem image is created by an offline tool.High memoryLow memoryKernel spaceUser spaceUser stackFigure 1:Virtual memory in GeekOS.passing parameters to the kernel,including (for Spawn )a user mode character string.Ensuring that these parame-ters are valid is a practical lesson in the kinds of properties that the kernel must check in order to prevent misbehav-ing user processes from corrupting the state of the system.For example,it should not be possible for a malicious user process to cause the kernel to access or modify kernel data structures or the memory of other processes.3.2SchedulingIn this project,students implement a multi-level feedback scheduler,which coexists with the original static priority scheduler.In addition,they implement named semaphores which may be accessed by user processes using Dijkstra’s P and V operations.We provide a synthetic workload which al-lows students to measure the behavior of the two scheduling policies.What the students learn .A key goal of the scheduling project is to have students read and modify code written by someone else.A thoughtful implementation supporting both static and dynamic priority scheduling can be done by modifying only a few lines of code.Having students include a short writeup about the two different scheduling policies on different workloads also serves an important pedagogical function.In particular,it helps to reinforce the idea that programming is not simply picking a ‘best’algorithm,but requires considering the expected workload when making design choices.3.3Virtual MemoryOne of the strongest motivations for running projects on real hardware is to enable students to implement a real vir-tual memory system.(This is much harder to do if the projects are run in a host operating system or JVM.)At first,implementing virtual memory on a real processor might seem like a daunting task.However,the MMU in the x86CPU architecture is easy to program.Its TLB is imple-mented entirely in hardware,so the kernel is only responsi-ble for keeping page tables up to date,and for flushing the TLB when page mappings are removed.Also,its cache is physically indexed,so no special cache management by the kernel is required for context switches.In this project,students replace the segmentation-based memory protection scheme from the first project with pro-tection based on paging.The virtual address space is di-vided into kernel space (starting at address 0)and user space(starting at address 80000000h).All of physical memory is identity-mapped in the kernel space;this allows the kernel to enable paging without any need for address remapping.3It also allows the kernel to access any physical address with-out needing to create temporary mappings.The user code and data segments are defined so that their base address is the beginning of the user portion of the virtual memory space.In this way,user executables may be linked starting at address 0;at runtime,the segmentation hardware will translate user addresses into the high virtual memory space before the MMU sees them.This arrangement gives user processes the illusion that their address space ranges from 0to 2G.The layout of virtual memory is described in Figure 1.To incorporate virtual memory in their kernels,students must make several modifications.First,they must build an initial set of page tables covering kernel space,and enable paging.The second and more difficult step is to modify their process creation and switching code to use page tables instead of segmentation.We do not require students to de-mand page the executable;instead,they preallocate memory for user code and data,which allows them to reuse some of their executable loading code from the first project.We do,however,require them to implement a growable stack at the end of the user address space.Finally,students implement a page fault handler and a paging file,which allows the kernel to evict pages to disk when the system is running low on memory.The paging file is accessed using the provided IDE disk driver.We simplify management of the paging file by allowing pages to be completely purged from the paging file when they are brought back into memory;this simplifies the bookkeeping,at the expense of always requiring pages to be written to disk when paged out.We feel that the relative ease with which virtual mem-ory can be added to GeekOS demonstrates two important points.First,it lends support to our view that program-ming at the hardware level does not impose an undue burden on students,even when sophisticated hardware features are used.Second,and more importantly,it shows that having access to the full power of modern hardware greatly expands the possibilities of what students can accomplish.What the students learn .Virtual memory is funda-mental to how modern computers work.By gaining first hand experience with how an operating system uses vir-tual memory to efficiently allocate memory resources to pro-cesses,students are better equipped to understand system performance issues affecting all software.3.4A FilesystemIn this project,students implement a hierarchical read/write filesystem.The filesystem uses a traditional indexed alloca-tion scheme using 4K blocks,in which the first eight blocks of a file are direct blocks,and the next 1024are singly in-direct blocks.This approach is similar to the original Unix filesystem design [16].Because the base GeekOS system already contains an im-plementation of the read-only PFAT filesystem,we provide a VFS layer which calls down to functions in PFAT or the student’s filesystem as appropriate.The VFS layer defines Mount,Open,Close,Delete,Read,Write,Stat,Seek,Cre-ateDirectory,Sync,and Format operations.Students are responsible for adding system calls so all of the VFS opera-3Prior to enabling paging,the kernel runs without any ad-dress translation.Question yes somewhat no Was GeekOS easy to understand?10141 Did GeekOS help you understand the concepts in the course?1015Did youfind it interesting that your project could run on real hardware?1852 Was GeekOS a good basis for the student projects?1951Figure2:Responses to student survey.tions can be invoked by user processes.We also provide code to keep track of mountedfilesystems and openfile handles. GeekOS does not include support for disk partitioning,so we simply dedicate IDE disk0to PFAT and IDE disk1to the student’sfilesystem.What the students learn.Several important topics are covered in this project.Students learn how disks are accessed,and howfilesystem data structures create higher level abstractions on top of them.The VFS layer shows how multiplefilesystem types may coexist.Finally,stu-dents learn how locking can be used to protect shared data structures when they are used concurrently.3.5Inter-Process CommunicationIn thefinal project,students implement an inter-process communication mechanism based on message queues.The queues are named,and thus can be used by unrelated pro-cesses.They support buffered half-duplex communication. Students also implement a permissions system based on user IDs and access control lists(ACLs),which are used to limit access tofiles and message queues.Finally,students ex-tend the VFS from the previous project to support mes-sage queues and the console(keyboard and text screen),and modify the Spawn system call to specify input and output file descriptors for each created process.What the students learn.Upon completing this project, GeekOS resembles a very simple version of Unix.We pro-vide a tiny shell which can execute programs,allowing I/O redirection usingfiles and message ing the shell, students can test the complete range of functionality imple-mented in their projects,seeing how all of the features work together.4.EV ALUATIONIn this section,we discuss our experiences using GeekOS in the undergraduate operating system course at the Uni-versity of Maryland.4.1BackgroundSeveral of the projects we developed using GeekOS were originally developed for an earlier incarnation of the project sequence which ran under MS-DOS using C and16-bit real mode assembly.These projects were similar to the GeekOS-based projects in that they made significant use of hard-ware features,such as the keyboard and timer interrupts. This approach provided substantial realism,but had sev-eral drawbacks.The programming model and development tools offered by MS-DOS were inferior to those available in more modern systems.Bugs in student projects were likely to corrupt the state of the host operating system,making debugging difficult.Also,the distinction between services offered by MS-DOS,the computer’s BIOS,and the hard-ware is muddled.We found that the important features of the original projects translated easily to GeekOS.We were able to use modern development tools,and the Bochs emulator provided an iso-lated environment for debugging the projects.In addition, we were able to expand the scope of the projects to include new features,such as virtual memory,that would have been much more difficult under MS-DOS.GeekOS retained the good features of the original projects,while making devel-opment and debugging easier.4.2Student ExperienceOne concern we had in using GeekOS in the classroom was that programming at the hardware level would be perceived as too difficult by the students.To evaluate the students’experiences,we distributed a short survey to students in thefirst class(Fall2001)which used GeekOS as the basis for class projects.The survey results are shown in Figure2. In general,student experience was positive.Only one student felt GeekOS was not easy to understand.Given the complex nature of kernel programming,we saw this as a success.The students also indicated that GeekOS was either helpful(10/25)or somewhat helpful(15/25)in un-derstanding the concepts taught in the course.In the four semesters since the survey was taken,GeekOS has become much better integrated into the course,so we expect that if another survey were taken,students would rate GeekOS more highly as helping to reinforce the course concepts.A clear majority of students felt GeekOS was a good basis for student projects(19/25),and that there was value in having projects capable of executing on real hardware(18/25).4.3Instructor ExperienceAs instructors,the Bochs based project sequence has al-lowed us to focus class time and office hours on concepts and how the components in the operating systemfit together.In the old projects,a significant amount of time was consumed answering questions about the obscure development environ-ment or how to debug when the OS crashed the hardware. GeekOS also provides ample opportunies for defining al-ternative projects.Possibilities include dynamic linking,log based or other alternativefilesystem implementations,slab memory allocation,filesystem and virtual memory integra-tion,etc.These alternative projects can be used either to help reduce plagarism by providing a larger pool of possible projects,or to allow team projects rather than the current individual projects.Since their introduction,some of the projects have evolved in the direction of requiring less hardware-level program-ming by the students.This trend is an example of the free-dom running on real hardware offers;we can conceal the low-level details where they are less important,and focus on them where they are more important.For example,in the first project,we now provide the students with code to set up the user code and data segments and LDT,rather thanrequiring them to write it.In contrast,in the virtual mem-ory project,students are responsible for setting up the page tables and managing the TLB themselves,because these are essential to understanding how virtual memory works.5.RELATED WORKA large number of instructional operating system kernels have been developed over the years.Two of the best known are Nachos[4]and Minix[19].The approach taken by Na-chos is quite similar to ours,in that it provides a very mini-mal set of services upon which students build more complex features.However,it uses a CPU simulator embedded in the kernel to execute user processes,which creates practical and conceptual difficulties.Minix runs on real hardware; however,it is a complete operating system implementation, with about30,000lines of source code in the kernel alone. We feel this is too much code for students to get up to speed with in a one-semester course.Production quality kernels such as Linux and FreeBSD are at least an order of magni-tude more complicated than Minix,and are thus even less practical to use in a course.Two existing instructional OS kernels are similar to GeekOS in spirit.OS/161[11]runs on a custom MIPS hardware emulator,System/161.It is slightly more complete than GeekOS,having more kernel functionality and a proper C library.Topsy[7]is an instructional microkernel for the MIPS architecture.Like GeekOS,both OS/161and Topsy leave major kernel subsystems to be implemented by stu-dents.GeekOS differs from Topsy mainly in that it is not a microkernel design.GeekOS differs from OS/161in being somewhat less ambitious in the range of services it offers to user processes.Because it targets the x86architecture,it is much easier to obtain up-to-date development tools for GeekOS than for Topsy and OS/161.46.CONCLUSIONSFrom our experience with GeekOS,we have drawn several conclusions.First,having students work on top of(emu-lated)real hardware is a viable approach for an undergrad-uate course.The key to making this approach practical is to strive for simplicity wherever possible,and tofind an ap-propriate level of abstraction which exposes only those hard-ware details which are necessary.Second,hardware emula-tion brings many of the conveniences of ordinary user mode software development to kernel development.Finally,the x86PC hardware platform is a good choice for operating systems projects due to the wealth of excellent open source development tools,ease of system level programming,and the availability of good documentation.In the future,we would like to make GeekOS even easier to understand and modify.Some of the internal interfaces could be simplified.We would also like to expand the sup-porting documentation.It would be interesting to explore the possibility of com-piling GeekOS using a‘safe’C dialect,such as Cyclone[13]. 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