Digital Booklet - Body Talk Pt. 2

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Digital Booklet - Merry Christmas II You

WRITTEN BY J. FRED COOTS AND HAVEN GILLESPIE; EMI FEIST CATALOG, INC. C/O EMI PUBLISHING (ASCAP)/HAVEN GILLESPIE MUSIC PUBLISHING CO. C/O LARRY SPIER MUSIC LLC (ASCAP). PRODUCED BY MARIAH CAREY AND MARC SHAIMAN. ORCHESTRA ARRANGED AND ORCHESTRATED BY MARC SHAIMAN AND BRAD DECHTER. ORCHESTRA RECORDED AND MIXED BY JOHN RICHARDS. ADDITIONAL ENGINEERING BY BRETT “SNACKY” PIERCE. ASSISTED BY STEVE GENEWICK. CONCERTMASTER: RALPH MORRISON. ORCHESTRA CONTRACTOR: SHARI SUTCLIFFE.
1. SANTA CLAUS IS COMING TO TOWN INTRO 2. OH SANTA! 3. O LITTLE TOWN OF BETHLEHEM / LITTLE DRUMMER BOY MEDLEY 4. CHRISTMAS TIME IS IN THE AIR AGAIN 5. THE FIRST NOEL / BORN IS THE KING INTERLUDE 6. WHEN CHRISTMAS COMES 7. HERE COMES SANTA CLAUS (RIGHT DOWN SANTA CLAUS LANE) / HOUSETOP CELEBRATION 8. CHARLIE BROWN CHRISTMAS 9. O COME ALL YE FAITHFUL / HALLELUJAH CHORUS FEAT . PATRICIA CAREY 10. O HOLY NIGHT – LIVE FROM WPC IN SOUTH CENTRAL LOS ANGELES 11. ONE CHILD 12. ALL I WANT FOR CHRISTMAS IS YOU – EXTRA FESTIVE 13. AULD LANG SYNE – THE NEW YEAR’S ANTHEM

基于虚拟仿真技术的新形态教材数字化应用

DCWTechnology Application技术应用101数字通信世界2023.09教育是国之大计，也是国民素质提升的重要保证。

随着科技的飞速发展，数字化教育已经成为教育领域的一个重要趋势，并给教育的改革和发展带来新的机遇和挑战。

数字化教育的一个重要方向是利用虚拟仿真技术为学生提供更加直观、生动、丰富的学习体验，从而提高学生的学习兴趣和学习效果。

传统教材往往过于抽象，学生难以理解和掌握。

而基于虚拟仿真技术的新形态教材数字化应用则能够将抽象的知识概念转化为直观的、可视化的形式，通过模拟实验、情景模拟、虚拟现实等方式为学生创造生动的学习场景，激发学生的学习兴趣和动力，使得学习过程更加轻松、高效和有趣。

因此，研究基于虚拟仿真技术的新形态教材数字化应用，对于推动教育教学改革、提高教育教学质量和培养人才具有重要的意义和价值。

1 虚拟仿真技术的概念和发展现状1.1 虚拟仿真技术的定义虚拟仿真技术是一种基于计算机和现代传感技术，利用数字化的手段对真实世界进行建模、仿真、实验和预测的技术。

虚拟仿真技术可以在虚拟环境中模拟真实世界的各种物理、化学、生物等现象和过程，并基于虚拟仿真技术的新形态教材数字化应用徐峰1,2（1.长沙民政职业技术学院，湖南长沙 410001；2.蒙古CITI大学，蒙古乌兰巴托 17024）摘要：随着信息技术的发展，数字化教育成为当今教育领域的热点。

虚拟仿真技术作为数字化教育的一种重要形式，可以为学生提供更加生动、直观的学习体验。

文章从虚拟仿真技术在教育中的应用出发，探讨了基于虚拟仿真技术的新形态教材数字化应用。

首先，文章介绍了虚拟仿真技术的概念和发展现状；其次，从教材数字化的角度出发，分析了虚拟仿真技术在教材数字化中的应用；最后，结合实际案例，探讨了虚拟仿真技术在新形态教材数字化应用中的优势和问题，并提出了相关解决方案。

关键词：虚拟仿真技术；教育；数字化教育；新形态教材；教材数字化；教学应用doi：10.3969/J.ISSN.1672-7274.2023.09.034中图分类号：G 642.0，TP 309.2 文献标志码：B 文章编码：1672-7274（2023）09-0101-03Digital Application of "New Form Textbook" Based on Virtual Simulation TechnologyXU Feng 1,2(1. Changsha Civil Affairs Vocational and Technical College, Changsha 410001, China;2. CITI University of Mongolia, Ulaanbaatar 17024, Mongolia)Abstract: With the development of information technology, digital education has become a hot topic in the field of education today. Virtual simulation technology, as an important form of digital education, can provide students with a more vivid and intuitive learning experience. Starting from the application of virtual simulation technology in education, this article explores the digital application of new forms of teaching materials based on virtual simulation technology. Firstly, the article introduces the concept and current development status of virtual simulation technology. Secondly, from the perspective of textbook digitization, the application of virtual simulation technology in textbook digitization was analyzed. Finally, based on practical cases, the advantages and problems of virtual simulation technology in the digital application of new form textbooks were explored, and relevant solutions were proposed.Key words: virtual simulation technology; education; digital education; new form textbooks; digitization of teaching materials; teaching application课题项目：产教深度融合背景下高职艺术设计类专业“新形态教材”开发与应用研究，项目编号：XJK23BZY025。

Digital Booklet - Paper Trail

(C. Harris, J. Scheffer, D. Siegel) Crown Club Publishing/Warner-Chappell Music, Inc. (BMI)/JimiPub Music/EMI Blackwood Music, Inc. (BMI)/Warner-Tamerlane Music Corp. (BMI). Produced by Jim Jonsin for Rebel Rock Productions. Recorded by Robert Marks at The Hit Factory Criteria, Miami, FL. Assisted by Anthony Palazzole and Elliot Carter and Bradley “Dirt” Horne at Echo Studios, Atlanta, GA. Additional Recording by Elliot Carter and Bradley Horne at Echo Sounds, Atlanta, GA. Mixed by Robert Marks at Chung King Studios, New York, NY. Additional Keyboards by David Siegel. Additional Vocals by Ricco Barrino. Ricco Barrino appears courtesy of Grand Hustle Records. (C. Harris, N. Hills) Crown Club Publishing/Warner-Chappell Music, Inc. (BMI)/Danjahandz Musik/Warner Chappell Music, Inc. (BMI). Produced by Danja for Danjahandz Productions. Recorded by Elliott Carter at Echo Sounds, Atlanta, GA and Marcella “Ms. Lago” Araica at The Hit Factory Criteria, Miami, FL. Mixed by Marcella “Ms. Lago” Araica at Chalice Studios, Los Angeles, CA.

Digital Booklet - Christmas In The Sand (Int'l Deluxe MFiT)

Written by Johnny Moore, Lou Baxter ©1947 Unichappell Music, Inc. Brad Paisley appears courtesy of Arista Nashville
SANTA BABY
Santa baby, slip a sable under the tree, for me f I’ve been an awful good girl f Santa baby, and hurry down the chimney tonight f Santa baby, an outerspace convertible too, light blue f I’ll wait up for you dear f Santa baby, and hurry down the chimney tonight f Think of all the fun I’ve missed f Think of all the fellas that I haven’t kissed f Next year I could be oh so good f If you’d check off my Christmas list (Boo doo bee doo) f Santa baby, I wanna yacht and really that’s f Not a lot I’ve been an angel all year f Santa baby, and hurry down the chimney tonight f Santa cutie, there’s one thing I f really do need, the deed To a platinum mine f Santa cutie, and hurry down the chimney tonight Santa baby, fill my stocking f with a duplex, and checks f Sign your ’X’ on the line f Santa baby, and hurry down the chimney tonight f Oh come and trim my Christmas tree f With some decorations bought at Tiffany’s f I really do believe in you f Let’s see if you believe in me (Boo doo bee doo) f Santa baby, forgot to mention f one little thing, a ring f I don’t mean a phone f Santa baby, and hurry down the chimney tonight f Hurry down the chimney tonight f Hurry down the chimney tonight

人教版高考英语词汇3500-默写版

Unit1 a------achievea(n) abandon abilityable abnormal aboard abolish abortion aboutabove abroad abrupt absence absent absent-mindedabsoluteabsolutelyabsorbabostractabsurdabundantabuseacademicacademyaccelerateaccentacceptacceptableacceptanceaccessaccessibleaccidentaccidentallyaccommodationaccompanyaccountaccountantaccumulateaccuracyaccurateaccuseaccustomedacheachieveUnit2 achievement-------affairachievement acid acknowledge acquaintance acquire acquisition acre acrossactaction active activity actor actress actual actually acute adADadaptadaptationaddaddictaddictedaddictionadditionaddressadequateadjustadjustmentadministrationadmirableadmireadmissionadmitadolescenceadolescentadoptadoreadultadvanceadvancedadvantageadventureadvertiseadvertisementadviceadviseadvocateaeroplaneaffairUnit3 affect------analyseaffect affection afford affordably afraid Africa African after afternoon afterward(s) again against ageaged agency agenda agent aggressive agoagree agreementagriculturalagricultureahaheadaidAIDSaimairaircraftairlineairmailairplaneairportairspacealarmalbumalcoholalcoholicalgebraalienalikealiveallallergicalleyallocateallowallowancealmostalonealongalongsidealoudalphabetalreadyalsoalthoughaltitudealtogetheraluminum always A.M./a.m. amateur amaze amazed amazingambassadorambassadressambiguousambitionambulanceAmericaamongamountampleamuseamusementanalyse/analyze Unit4 analysis------appreciationanalysis ancestor anchor ancient and anecdote angel anger angle angry animal ankle anniversaryannounceannoyannoyedannualanonymousanotheranswerantAntarcticAntarcticaantiqueanxietyanxiousanyanyhowanyoneanythinganywayanywhereapartapartmentapologizeapologyapparent appeal appear appearance appendix appetiteapplaudapplauseappleapplicantapplicationapplyappointappointmentappreciateappreciation Unit5 approach------athleteapproach appropriate approval approve approximately apronarbitraryarcharchitectarchitectureArcticareaargueargumentarisearithmetic arm armchair army around arrange arrangement arrest arrival arrive arrowartarticle artificial artistasashashamedAsiaAsianasideaskasleepaspectassembleassessassessmentassignmentassistassistanceassistantassociateassociationassumeassumptionassureastonishastronautastronomerastronomyatathleteUnit6 athletic------basinathletic Atlantic atmosphere atom attach attack attempt attempted attend attention attitude attract attraction attractive attribute audience audioaunt authentic author authority automatic automobile autonomous autonomy autumn available avenueaverageavoidawaitawakeawardawareawayawesomeawfulawkwardbabybachelorbackbackgroundbackpackbackwardbackwardsbaconbacteriumbadbadlybadmintonbagbaggagebakebakerybalancebalconyballballetballoonbamboobanbananabandbandagebangbankbankruptbanquetbarbarbecuebarberbarbershopbarebarelybargainbarkbarrierbasebaseballbasementbasicbasically basinUnit7 basis------bottlebasis basket basketball batbath bathe bathroom bathtub battery battlebayBC/B.C. bebeach beanbean curd bear beard beastbeat beautiful beauty because become bed bedding bedroom beebeefbeer before befriend beg beggar begin beginner beginning behalf behave behavio(u)r behind beingbeliefbelievebellbellybelongbelongingsbelowbeltbenchbendbeneathbeneficialbenefitbentbesidebesidesbestbest-sellerbetbetraybetterbetweenbeyondBiblebicyclebidbigbikebillbillboardbinbindbingobiochemistrybiographybiologybirdbirthbirthdaybirthplacebiscuitbishopbitbitebitterblackblackboardblameblankblanketbleedblendblessblindblockblogblondblondebloodbloomblouseblowbluebluesboardboastboatbodyboilboldbombbondbonebonusbookbookcasebookletbooksellerbookshelfbookshopboomboost boot booth border boreboredboringbornborrowbossbotanicalbotanybothbotherbottle Unit 8 bottom--------capsulebottom bounce bound boundary bowbowl bowingboxboxingboy boycott brainbrake branch brand brand-new brave bravery breadbreak breakfast breakthrough breast breath breathe breathless breed breeze brewery brickbride bridegroom bridgebriefbright brilliant bringbroadbroadcastbrochurebrokenbronzebroombrotherbrownbrunchbrushbucketBuddhismbudgetbuffetbugbuildbuildingbulbbullbulletbumpbunchbungalowburdenbureaucraticburglarburnburstburybusbushbusinessbusinessmanbusinesswomanbusybutbutcherbutterbutterflybuttonbuybuzzbycabcabbagecafecafeteriacagecakecalculatecalendarcalfcallcalmcaloriecamelcameracampcampaigncampuscan（1）can（2）canalcancelcancercandidatecandlecandycanteencapcapablecapacity capital capsuleUnit9 captain------chickencaptain caption capture car carbon cardcare career careful careless carpenter carpet carriage carrier carrot carrycart cartoon carve casecash cassette cast castle casualcat catalog catastrophe catchcategorycaterCatholiccausecautioncautiouscaveCDceilingcelebratecelebrationcelebritycellcementcentcentigradecentimetre/centimetercentralcentre/centercenturyceremonycertaincertificatechainchairchairmanchairwomanchalkchallengechallengingchampionchancechangechangeablechannelchantchaoschaptercharactercharacteristicchargecharitycharmchartchasechatcheapcheatcheckcheck-incheckoutcheekcheercheerfulcheerscheese chef chemical chemistchemistrychequechesschestchewchickchicken Unit10 chief------communicatechiefchildchildhoodchimneychinachocolatechoicechoirchokechoosechopchopstickchorusChristianChristmaschurchcigarcigarettecinemacirclecircuitcirculate circumstancecircuscitizencitycivilciviliancivilization/civilisation claimclap clarifyclassclassicclassicalclassificationclassifyclassmateclassroomclauseclawclaycleanclean-upcleanerclearclerkcleverclickclientclimateclimbclinicclipclockclonecloseclosedcloselyclothclothesclothingcloudcloudyclubclueclumsycoachcoalcoastcoatcocoacodecoffeecoincoincidencecokecoldcollapsecollarcolleaguecollectcollectioncollectivecollegecollidecollisioncolo(u)rcolo(u)rfulcolo(u)ringcolumncombcombatcombine come comedy comfort comfortable comingcommandcommentcommercecommercialcommissioncommitcommitmentcommitteecommoncommunicate Unit11 communication------connectioncommunication communism communist community compact companion company comparable comparative compare compass compassion compensate competecompetencecompetitioncompetitivecompetitorcomplaincomplaintcompletecomplexcomplicatecomplicatedcomplimentcomponentcomposecompositioncomprehensioncompromisecompulsorycomputecomputerconcentrateconcentrationconceptconcernconcernedconcerningconcert conclude conclusion concrete condemn condition conduct conductorconferenceconfidenceconfidentconfidentialconfirmconflictconfuseconfusedconfusingconfusioncongratulatecongratulationconnectconnection Unit12 conscience------corruptconscience conscious consciousness consensus consequence conservation conservativeconsiderconsiderableconsiderateconsiderationconsistconsistentconstantconstitutionconstructconstructionconsultconsultant consume consumer contact contain container contemporary content contest context continent continue continuous contract contradict contradictory contrarycontrastcontributecontributioncontrolcontroversialconvenienceconvenientconventionalconversationconveyconvinceconvincedcookcookercookerycookiecookingcoolcooperatecopecopycopyrightcorncornercorporationcorrectcorrectioncorrespondcorrespondencecorridorcorruptUnit13 cost------declarecostcosy cottage cotton cough could council count counter country countryside county couple courage course court courtyard cousin covercow cowboy crackcraft crash crayon crazy cream create creation creative creature credit crew crime criminal criminal crisis crispcriterioncriticcriticalcriticismcriticizecropcrosscrossingcrossroadscrowdcrowdedcruelcrycubecubiccuisinecultivateculturalculturecupcupboardcurecuriositycuriouscurrencycurrentcurriculumcursecurtaincushioncustomcustomercustomscutcutecybercrimecyclecyclistdaddailydamdamagedamndampdancedangerdaredarkdarknessdarlingdashdatadatabasedatedaughterdawndaydaylightdaytimedeaddeadlinedeadlydeafdealdeardeathdebatedebtdecadedecidedecisiondeclareUnit14 decline------detectivedecline decorate decoration decrease deed deep deeply deer defeat defence defend define definite definition degree delaydeletedeliberatedeliberatelydelicatedelightdelighteddelightfuldeliverdeliverydemanddemandingdemonstratedentistdenydepartdepartmentdeparturedependdependentdepositdepressdepressiondepthdescribedescriptiondesertdeservedesigndesignerdesire desk despair desperatedespitedessertdestinationdestroydestructiondetaildetectdetective Unit 15 determine------distinctiondetermine determined develop development device devote devoted devotion diagram dial dialectdialogue/dialogdiamonddiarydictationdictionarydiedietdifferdifferencedifferentdifficultdifficultydigdigestdigitaldignitydilemmadiligencediligentdim dimension dine dinner dinosaur dioxide dip diploma diplomacy direct direction directly director directory dirtdirtydisabilitydisableddisadvantagedisagreedisagreementdisappeardisappointdisappointeddisappointmentdisasterdischargedisciplinediscountdiscouragediscoverdiscoverydiscriminationdiscussdiscussiondiseasedisgustingdishdiskdislikedismissdisorderdisplaydissolvedistancedistantdistinction Unit 16 distinguish------emperordistinguish distribute district disturb disturbing dive diverse divide division divorce dizzydo doctor document dogdoll dollar domestic donate donation donkey door doorway dormitory dot double doubt down download downstairs downtown dozenDrdraft drag drama dramatic draw drawback drawer drawing dream dressdrilldrinkdrivedriverdropdrowndrugdrumdryduckduedulldumbdumpdumplingduringdurationduringduskdustdustbindustydutyDVDdyedyingdynamicdynastyeacheagereagleearearnearnestearthearthquakeeaseeasilyeastEastereasterneasyeasy-goingeatechoecologyeconomiceconomicaleconomyecosystemedgeediteditioneditoreducateeducationeducatoreffecteffectiveefficiencyefficientefforteggeggplanteitherelderelderlyelectelectricelectricalelectronicelegantelementelephantelevatorelseelsewheree-mailembarrassembarrassedembarrassingembarrassmentembassyemergencyemotionemotionalemperorUnit17 employ-----expectationemploy employee employer employment emptyenable enclose encourage encouragement end endanger endangered ending endless enemy energetic energy engageenjoy enjoyable enjoyment enlarge enormous enough enquiry/inquiry enrich ensureenter enterprise entertain entertainment enthusiastic entire entirelyentitleentranceentryenvelopeenvironmentenvyequalequalityequallyequatorequipequipmenteraerasererroreruptescapeespeciallyessayessentialestablishestablishmentestimateethnicEuropeEuropeanevaluateeveeveneveningeventeventualeventuallyevereveryeverybodyeverydayeverythingeverywhereevidenceevidentevilevolutionexactexaminationexamineexampleexcellentexceptexchangeexciteexcitementexcitingexcuseexecutiveexerciseexhaustingexhibitexhibitionexistexistenceexitexpandexpectexpectationUnit18 expense-----fireworkexpense expensive experience experienced experiment expert expert explain explanation explicit explode explore explosion export expose express expression extend extension extentextra extraordinary extremeeye eyebrow eyesight facefacial facilityfactfactor factoryfadefailfailurefaintfairfairly fairyfaithfakefallfalsefamefamiliarfamilyfaminefamousfanfancyfantasticfantasyfarfarefarewellfarmfarmerfarmingfartherfarthestfascinatefascinatingfashionfashionablefastfastenfatfatefatherfaultfavo(u)rfavo(u)ritefaxfearfeastfeatherfeaturefederalfederationfeefeedfeedbackfeelfeelingfellowfemalefenceferryfertilefestivalfetchfeverfewfibre/fiberfictionfieldfiercefightfigurefilefillfilmfinalfinancefinancialfindfindingfinefingerfingernailfinishfirefighterfireworkUnit19 firm-----gainfirmfirstfish fisherman fishingfitfixfixed flag flame flash flashlight flatflavo(u)r flee flesh flexible flight float flood floor flour flow flowerflu fluency fluentfly focusfog foggy foldfolk follow following fond foodfool foolish foolishly foot footballfootstepforforbidforceforecastforeheadforeignforeignerforeseeforestforeverforgetforgetfulforgiveforkformformalformatformationformerformulaforthfortnightfortunatefortunatelyfortuneforwardfossilfosterfoundfoundationfountainfoxfragilefragrantframeframeworkfrancfreefreedomfreelyfreewayfreezefreezingfrequentfrequentlyfreshfrictionfridgefriendfriendlyfriendshipfrightenfrightenedfrighteningfrogfromfrontfrontierfrostfruitfryfuelfulfillfullfullyfunfunctionfundfundamentalfuneralfunnyfurfurnishedfurniturefurtherfurthermorefurthestfuturegainUnit 20 gallery-----guestgallery gallon game ganggap garage garbage garden garlic garment gasgate gathergaygene general generally generation generous genetic genius gentle gentleman geography geometry gesturegetget-together ghost giantgiftgifted giraffegirl givegivenglaciergladglanceglareglassglobalglobegloriousglorygloveglowgluegogoalgoatgodgoldgoldengolfgoodgoodbyegoodnessgoodsgoosegossipgoverngovernmentgracegracefulgradegradualgraduallygraduategraduationgraingramgrammargrandgrandchildgranddaughtergrandmagrandpagrandparentgrandsongrannygrantgrapegraphgraspgrassgrasslandgratefulgravegravitygreatgreatlygreedygreengreengrocergreenhousegreetgreetinggrey/graygriefgrillgrocergrocery ground groupgrowgrowthguaranteeguardguessguest Unit 21 guidance------imagineguidance guide guilty guitargunguygym gymnastics hahabit habitat hair haircut half halfway hallham hamburgerhammerhandhandbaghandfulhandkerchiefhandlehandshakehandsomehandwritinghandyhanghappenhappeninghappinesshappyharbo(u)rhardhardlyhardshiphardwarehardworkingharmharmfulharmonyharvesthathatchhatehatredhaveheheadheadlineheadmaster headmistress headquarters headteacher healhealth healthy hear hearing heartheat heaven heavily heavyheelheight helicopter hellhello helmethelp helpful helplesshenherherbhereheritageheroheroinehersherselfhesitatehesitationhihibernatehibernationhidehide-and-seekhighhighlighthighlyhigh-risehighwayhillhillsidehillyhimhimselfhinthirehishistorichistoricalhistoryhithobbyholdholeholidayholyhomehomelandhomelesshometownhomeworkhonest honestly honey hono(u)r hono(u)rable hookhope hopeful hopefully hopeless horizon horn horrible horror horse hospitable hospital hospitality host hostesshothotdog hotelhourhousehouseholdhousewifehouseworkhousinghowhoweverhowlhughugehumanhuman beinghumanityhumo(u)rhumoroushungerhungryhuthunterhurrahhurricanehurryhurthusbandhuthydrogeniceice-creamideaidealidentificationidentifyidentityidiomifignoranceignorantignoreillillegalillnessillustrateimage imagination imagineUnit22 immediately------instituteimmediately immigrant immigrate immigration impact imply import importance important impossible impress impression impressive improve ininchincidentincludeincludingincomeincreaseincreasinglyincredibleindeedindependenceindependentindicateindividualindoorindoorsindustrialindustryinfectinferinflationinfluenceinforminformationinformedinitialinjectinjureinjury inkinn inner innocent insectinsertinsideinsistinspectinspireinstallinstanceinstantinsteadinstitute Unit23 institution------knowledgeinstitution instruct instruction instrument insult insurance insure intellectual intelligence intelligent intendintentioninteractinterestinterestedinterestinginterfereinternalinternationalInternetinterpretinterpreterinterruptintervalinterviewintointroduceinvadeinvasioninventinvention invest investigate invisible invitation invite involve iron irrigation island issue itemitsitself jacket jamjarjawjazz jealous jeans jeepjet jeweljewle(le)ryjobjogjoinjointjokejournaljournalistjourneyjoyjudgejudg(e)mentjuicejumpjunctionjunglejuniorjustjusticejustifykangarookeenkeepkettlekeykeyboardkickkidkillkilokilogram(me)kilometrekindkindergartenkindnesskingkingdomkisskitchenkitekneeknifeknockknowknowledge。

北师大版高中英语必修二《Information Technology》(第7课时)

this is the end of printed books and
books are outdated and dull no longer can it be said that
we like to read
View and learn
Now please read the five lines in reverse.
Printed books cannot meet people’s various reading interests. The market for printed books is dying.
View and learn
Watch Part 1 of the video. Tick (√) the
View and learn
Watch Part 2 of the video. What is the speaker’s opinion of printed books?
Printed books will survive.
View and learn
Watch Part 2 of the video again. What advantages are mentioned?
Information Technology 第7课时
Publishing in the Digital Age Viewing Workshop
Lead in
Lead in
Do you prefer reading printed books or digital books? Do you agree with the saying “this is the end of printed books?” Give your reasons.

Digital Booklet - The 50 Greatest Pieces of Classical Music

VERDI: Nabucco - Va’, pensiero, sull’ali dorate (Chorus of the Hebrew Slaves) PACHELBEL: Canon in D Major From Giuseppe Verdi’s (1813-1901) enormously popular opera In spite of his huge output Johann Pachelbel (1653-1706) is Nabucco, about the struggles of the Jewish people exiled from primarily known by today’s classical music listeners as the com- Babylon by King Nebuchadnezzar, the Chorus of the Hebrew poser behind one particular piece of celebrated music: the Canon Slaves is undoubtedly one the most beloved opera choruses ever in D Major. Beloved as a wedding march and concert piece alike, written. Perhaps due to the title that translates to “Fly, thought, its elegant melodies and ingenious form still enchant audiences on wings of gold”. over 300 years since its creation. MOZART: Piano Concerto No. 21 – Andante ORFF: Carmina Burana - O Fortuna Wolfgang Amadeus Mozart (1756-1791) wrote this his most Based on a medieval poem in Latin on the perils of fate, the popular piano concerto in 1785. The bright and soothing secopening movement to Carl Orff’s (1895-1982) magnum opus ond movement, with its flowing triplets in the bass and elegant “Carmina Burana” has become one the most famous choral over- melody inspires many scenic pictures, perhaps the most famous tures in history. Its simple yet powerful melody has become a being the 1967 film Elvira Madigan, after which the movement staple in setting the mood for cataclysmic depictions. is often named. BACH: Orchestral Suite No. 3 – Air There are few indeed who wouldn’t recognise the calm and tranquil melody of this piece, which, in all its simplicity and elegance, has inspired countless other artists in all fields. Something Johann Sebastian Bach (1685-1750) probably couldn’t even have dreamt of while writing his famous air. HOLST: The Planets – Jupiter, the Bringer of Jollity Gustav Holst’s (1874-1934) most famous work, the monumental orchestral suite The Planets, has inspired composers of film and art music ever since its creation in 1916. The Jupiter movement remains part of the core of British classical music. DEBUSSY: Suite Bergamasque – Clair de Lune French impressionist composer Claude Debussy (1862-1918) wrote his illustrious piano work Suite Bergamasque in 1888, BACH: Brandenburg Concerto No. 3 - Allegro The six Brandenburg Concertos by Johann Sebastian Bach (1685-1750) are by many regarded as the foremost compositions of baroque music, owing this to their musical elegance and structural flawlessness. The third concerto in G Major has gained popularity unparalleled by the others. MASSENET: Meditation from Thaïs Unquestionably the single most popular piece by French composer Jules Massenet (1842-1912), this famous Méditation for violin and orchestra was written as an intermezzo for his opera Thaïs in 1894. The opera tells the slightly erotic story of the deeply religious monk Athanaël and the courtesan Thaïs, both living in Egypt under Greek occupation.

西玛17-70mm f2.8-4d dc os hsm镜头使用说明书

Thank you very much for purchasing a Sigma Lens. In order to get the maximum performance and enjoyment out of your Sigma lens, please read this instruction booklet thoroughly before you start to use the lens.DESCRIPTION OF THE PARTS (fig.1)NIKON AF TYPE CAMERASThis lens functions in the same way as a G Type auto-focus Nikon lens(without an aperture ring). Functions may be restricted depending on the lens/camera combination. For more details, please refer to the camera’s instruction manual.PENTAX AF TYPE CAMERASThis Lens functions same as a FAJ Type (type without Aperture) auto-focus Pentax lens. Depending on the combination with camera some restrictions with its functions may result. For more details, please refer to instruction manual of the camera in use etc.ATTACHING TO CAMERA BODYWhen this lens is attached to the camera body it will automatically function in the same way as the camera manufacturer’s lens. Please refer to the instruction booklet for your camera body.◆ On the lens mount surface, there are a number of couplers and electrical contacts. Please keep them clean to ensure proper connection.◆ While changing the lens, be sure to place it front end down to avoid damaging the rear mount.SETTING THE EXPOSURE MODEThe Sigma lens functions automatically once attached to the camera. Please refer to the camera instruction book.FOCUSING AND ZOOMINGThis lens features Sigma’s built-in Hyper Sonic Motor (HSM). The HSM enables quick and quiet autofocusing. 《SIGMA AF and CANON AF 》For autofocus operation, set the focus mode switch on the lens to the “AF ” position (fig.2). If you wish to focus manually, set the focus mode switch on the lens to the “M ” position. You can adjust the focus by turning the focus ring. 《NIKON AF, PENTAX AF, and SONY 》For autofocus operation, set the camera to AF mode and set the focus mode switch on the lens to the “AF ” position (fig.2). If you wish to focus manually, set the focus mode switch on the lens to the “M ” position. You can adjust the focus by turning the focus ring.◆ Please refer to camera’s instruction manual for details on changing the camera’s focusing mode.◆ For Nikon, Pentax and Sony mounts, it is only possible to use AF with camera bodies which support motors driven by ultrasonic waves such as HSM. AF will not function if the camera body does not support this type of motor.◆ This lens also permits manual focusing even in the autofocus mode. With the camera set to the One-Shot AF (AF-S) mode, it is possible to manually override the autofocus while the shutter release button is pressed halfway. ◆ When operating this lens in manual focus mode, it is recommended that correct focus be confirmed visually in the viewfinder rather than relying on the distance scale. This is due to possible focus shift resulting from extreme changes in temperature which cause various components in the lens to expand and contract. Special allowance is made for this at the infinity setting.《Zooming 》Rotate the Rubber grip on the zoom ring to the desired position.ZOOM LOCK SWITCHThis lens is also equipped with Zoom Lock Switch to eliminate the zoom creep when the lens is tilted down. Please set zooming ring to 150mm and set the zoom lock switch to the “LOCK ” position, (fig.3), however, please slide the lens to the “UNLOCK ” position from “LOCK ” position, before taking the picture.ABOUT OS (OPTICAL STABILIZER) FEATURES(except Pentax AF and SONY mount)This OS (Optical Stabilizer) lens effectively compensates for image blurring caused by camera shake.With this lens, you can take pictures at shutter speeds approx 4 steps slower than you could without using the OS function of this lens and can get sharp results.Set the OS （Optical Stabilizer ）switch to Mode 1 (fig. 4). Press the shutter button halfway down, confirm the image in the viewfinder is stable then take the picture. (It takes approximately 1 second to produce a stable image, after pressing the shutter button halfway). Mode 2, detects the vertical camera shake, and overcomes blurring. It is effective on subjects moving horizontal to the camera. ◆ The blurring compensation function of Optical Stabilizer is effective for hand-held shooting. In the following conditions, Optical Stabilizer may not function properly.▪ Shots from the a moving vehicle ▪ If there is a considerable camera motion or shake. ◆ Please do not use Optical Stabilizer in the following situations.▪ When the lens is mounted on a tripod. ▪ Bulb (long time exposure). ◆ Optical Stabilizer function is powered from the camera. If the OS lens is attached to your camera and activated, shooting capacity of your camera will be lower than with conventional lenses used with the same camera. If you are not using Optical Stabilizer, please turn OFF the OS switch, in order to prevent consumption of a battery. ◆ Be sure to turn of OS switch to OFF position, before attaching or detaching the lens to the camera. ◆ The Optical Stabilizer continues to operate after you release your finger from the shutter button, as long as the exposure meter displays the exposure value. Never remove the lens or remove the camera’s battery while the image stabilizer is operating, you could damage the lens.◆Although the viewfinder image may appear to shake immediately after shooting and at the start of the flash charge cycle of the built-in flash of the camera etc., it will not cause any effect on pictures. ◆ If the camera power is turned off or lens is detached while the Optical Stabilizer function is in operation, the lens may emit a chattering noise, but this is not a malfunction. ◆ Optical Stabilizer feature can work with the Nikon AF cameras shown in the following table. When using this lens with other camera models not listed in the following table, please set the OS Switch to OFF position to cancel the Optical Stabilizer function.Digital SLR Cameras and F6, F5, F100, F80/N80, U (F65/N65), U2 (F75/N75)※From our homepage, you can check the latest information regarding the camera models, which can be used with Optical Stabilizer function.TRIPOD SOCKET AND COLLARThis lens is equipped with a tripod socket. When you loosen the locking knob on the collar, the lens and camera can rotate freely to easily position the camera horizontally or vertically (fig.5).HOW TO REMOVE THE TRIPOD COLLAR1. It is possible to remove the lens’ tripod socket, for more convenient hand-held photography, if desired. To do so, first loosen the tripod collar locking knob, and, align the index mark of the collar, with the ▼REMOVE position (fig.6).2. Then, pull the tripod collar straight back, as shown in Fig.7, removing the collar.◆ When you wish to re-attach the tripod collar to the lens, please reverse the procedure above.◆ Please, do not set the tripod collar to the ▼REMOVE position, except when you are removing, or attaching, the tripod collar, as the lens may inadvertently detach from the collar and fall. Also, please remember to tighten the locking knob to prevent the lens from rotating unintentionally. ◆ When the lens is mounted on the camera, the tripod collar cannot be removed from the lens.SHOULDER STRAPPlease attach the shoulder strap to the sling as described in figure 8.FLASH PHOTOGRAPHYThe camera’s built-in flash will cause barrel shadow if used with this lens. For best results, please only use an external flash unit.ABOUT TELE CONVERTERSThe lens can be used with Sigma’s 1.4x EX or 2.0x EX Apo Tele Converters (optional), becoming a 210-700mm F7-9 telephoto zoom lens or a 300-1000mm F10-13 telephoto zoom lens respectively （both can be used in manual focus only ）.◆ Do not use other manufacturers’ teleconverter’s, only those listed above are compatible.◆ The Pentax mount Tele Converter is not compatible with this particular lens. ◆ We recommend the DG APO Tele-Converters when using with DSLR cameras.LENS HOODA bayonet type detachable `hood is provided with the lens. This lens hood helps to prevent flare and ghosted images caused by extraneous light. Attach the hood and turn clockwise until it stops rotating. (fig.9)Zoom Lock Switch OSSwitch (except Pentax AF and SONY mount) Lens Hood ① Filter Attachment Thread ② Focus Ring ③ Distance Scale ④ Focus Index LineZoom RingFocus Mode Switch MountTripod Socket◆In order to place the lens and hood into the storage case, you must firstremove the hood, then replace it on the lens in the reverse position. (fig.10)FILTER◆Only one filter should be used at a time. Two or more filters and/or special,thicker filters, such as a polarizing filter, may cause vignetting.◆When using a polarizing filter with an AF camera, use the “circular” type.BASIC CARE AND STORAGE◆Avoid any shocks or exposure to extreme high or low temperatures or tohumidity.◆For extended storage, choose a cool and dry place, preferably with goodventilation. To avoid damage to the lens coating, keep away from mothballsor naphthalene gas.◆Do not use thinner, benzine or other organic cleaning agents to remove dirtor finger prints from the lens elements. Clean by using a soft, moistenedlens cloth or lens tissue.◆This lens is not waterproof. When using the lens in the rain or near water,prevent it from getting wet. It is often impractical to repair the internalmechanism, lens elements and electric components damaged by water.◆Sudden temperature changes may cause condensation or fog to appear onthe surface of the lens. When entering a warm room from the coldoutdoors, it is advisable to keep the lens in the case until the temperature ofthe lens approaches room temperature.TECHNICAL SPECIFICATIONSLens construction 15 – 21Angle of View 16.4 – 5°Minimum Aperture 22Minimum Focusing Distance 2.2m (7.22 ft)Magnification 1:5.2 Filter Size 86mmDimensions Dia.×Length 94.7×252mm (3.73×9.92 in)Weight 1910g (67.4 oz)Dimensions and weight include the SIGMA mount.The CE Mark is a Directive conformity mark of the EuropeanCommunity (EC).SIGMA (Deutschland) GmbH Carl-Zeiss-Str. 10/2, D-63322 Rödermark, F.R.GERMANYVerkauf: 01805-90 90 85-0 Service: 01805-90 90 85-85 Fax: 01805-90 90 85-35。

Digital Booklet - good kid, m.A.A.d

1.Sherane a.k.a Master Splinter’s Daughter (K. Duckworth, C. Whitacre, J. Henderson) WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) West Coast Livin Publishing(ASCAP) Henderworks Music Publishing (BMI) Produced by Tha Bizness for Tha Bizness Productions LLC Recorded at Patchwerk Recording Studios, Atlanta, GA and TDE Red Room, Carson, CA Recorded by Dee Brown and Derek “MixedByAli” Ali Mixed By Dr. Dre & Derek “MixedByAli” Ali Live Bass Guitar by Demonterious Lawrence 2.Bitch, Don’t Kill My Vibe (K. Duckworth, M. Spears, Braun/Vindahl Friis/Lykke Schmidt) WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) TDE Music, Beat Bully Productions (ASCAP) EMI Blackwood Music Inc./Edition MFD Publishing/EMI Music Publishing Denmark A/S(BMI) Publishing Design

高一英语师大版必修二Unit 4 Information Technology 9任务单

6. Can you think of a situation where you can use the apps effectively?
Critical Thinking
1.What type of article is this?
2.What are the features of the language?
2.What is the smartwatch like?
3.How many features does the smartwatch have?
4.Which features best explain why it is tough, stylish and easy to use?
5.How many apps does the smartwatch have? What are they?
6.How have scientists digitised Dunhuang Caves?
7. What are the benefits of the digital technology here?
Critical Thinking
What is the author’s attitude toward digitising ancient art? What is your attitude?
1.了解古代艺术品数字化的形式和意义；
2.获取现代科技与古代艺术品融合的知识；
3.学会通过略读与精读深入了解文本内容；
4.通过阅读了解作者态度。
文本二
1.了解可穿戴技术的特点与功能；
2.学会通过分析语言特点、文章布局与图片等了解文体。
3.通过阅读了解写作目的。
课前学习任务

2023-2024学年北京市海淀区高一下学期期末考试英语试题

2023-2024学年北京市海淀区高一下学期期末考试英语试题It was a Saturday afternoon when I was just ten. My grandmother entered the dining room with the mail and placed it by my mother, who ______ the thin envelope rather cautiously, paused and then tossed it into the wastepaper basket.“You can at least open it,” my grandmother said.“I don’t want to see one more ______ letter. Period!” my mother answered.“Poo r Mommy,” I said. “Don’t feel bad. You’re a good writer.” But the words of a ten-year-old, while appreciated, were lost in the thick air of adult ______ that filled the room.Ignoring my mother’s response, my grandmother turned the basket over and pulled out the envelope. She ______ open the letter and read it silently. My heart was racing with expectation as she suddenly straightened up and charged at her daughter, pushing the letter under my mother’s nose. “There! There!”“Please, Mother,” my mother said sadly as she pushed the letter away.“Read it!” my grandmother pushed it back. “It’s an ______ !”My mother stopped. She looked first at me, then at my grandmother. Slowly, she read the words: “We are ______ to inform you...”I watched her face turn from ______ to joy. She jumped up and hugged my grandmother, whose face was now shining as if saying ______ I knew you would succeed.Now, years later, whenever I am hesitant to open my own letters in fear of rejection（拒绝）,I can feel my mother and grandmother reach for the basket, ______ me to open them. And I also have my son to cheer me up. “Don’t worry, Mommy. You’re a good writer.” I know it no longer matters whether the mail holds an acceptance or a rejection, for I have learned about the power of ______ support.1.A．eyed B．handed C．opened D．received2.A．invitation B．rejection C．explanation D．recommendation 3.A．anger B．concern C．confusion D．tension4.A．cut B．tore C．forced D．broke5.A．award B．apology C．acceptance D．advertisement6.A．relieved B．regretful C．happy D．sad7.A．disbelief B．dissatisfaction C．disagreement D．disappointment8.A．calmly B．gratefully C．patiently D．proudly9.A．encouraging B．allowing C．reminding D．instructing10.A．unchangeable B．unconditional C．unforgettable D．unintentional阅读下列短文，根据短文内容填空。

通信领域经典书籍推荐

电子通信领域经典书籍推荐评论：上面的东西是往其它地方转载的，主要侧重在通信，做点自己的补充数字通信总体的书籍首推Prokais的书，讲得比较全，也不算很深，入门不错，但本科生看起来还是有些难度，因为随机过程不一定理解得有多好，学过的话就好办多了。

其次可以看Gallager的新书，大牛对通信的看法很特别，看完以后通信的基本框架就掌握了，也不一定要看得很深入，如果时间不允许的话。

通信系统，网络方面的书没有专门看过，最好结合电信网和计算机网一起来看，在两者的比较之中可以对网络认识更清楚一些，毕竟电信的人和计算机的人思维方式，处理问题的方法都很不相同，两者也会互相借鉴一些方法。

计算机界的人冲到通信界来抢饭碗就是一个证明，不说引起矛盾的话了，电信网和因特网的书以及各种参考资料实在太多，对理解通信系统来说，Simon.Haykin的Communication.Systems不错，这些年网络很火，通信网包括的东西很多，传输技术，交换技术，复用技术等纷繁复杂。

各层协议一个接一个的提。

有的协议虽然不难，但很烦，看起来都头大(比如ATM ?)，要理解的话，还是从分层结构结合实际网络来，这方面绝对不能停留在理论上，搞排队论之类的也是这样，实际情况很重要。

信源编码的书不多，看过David Salomon的<数据压缩>，07年的新书，写得不错，国内东南吴乐南也有一本，不过比较小，具体涉及到语音和图像视频编码可以参考专门的书籍，需要语音和图像处理的基础。

语音方面推荐语音信号数字处理那本书，谁写的忘记了，图像处理就参考Gonzalez冈萨雷斯的书吧，也是经典。

信道编码的书不少，Lin Shu（林舒）的最为推荐，第二版，大而全而新，王新梅的做代数码的可以参考，概率解码的就算了，还有一些据说也是好书，但没看过，弄好一本已足够。

如果要具体到编解码算法的时候，T odd K. Moon的书Error.Correction.Coding.Mathematical.Methods.and.Algorithms不错，比较具体。

Digital Booklet - iTunes

THRILL I GOT WHEN I FINALLY LEARNED THAT LOVE, TO SOME EXTENT, IS JUST A GAME OF CAT AND MOUSE. I WROTE ABOUT LOOKING BACK ON A LOST LOVE AND UNDERSTANDING THAT NOTHING GOOD COMES WITHOUT LOSS AND HARDSHIP AND CONSTANT STRUGGLE. THERE IS NO ‘RIDING OFF INTO THE SUNSET,’ LIKE I USED TO IMAGINE. WE ARE NEVER OUT OF THE WOODS, BECAUSE WE ARE ALWAYS GOING TO BE FIGHTING FOR SOMETHING. I WROTE ABOUT LOVE THAT COMES BACK TO YOU JUST WHEN YOU THOUGHT IT WAS LOST FOREVER, AND HOW SOME FEELINGS NEVER GO OUT OF STYLE. I WROTE ABOUT AN IMPORTANT LESSON I LEARNED RECENTLY...THAT PEOPLE CAN SAY WHATEVER THEY WANT ABOUT ME, BUT THEY CAN’T MAKE ME LOSE MY MIND. I’VE LEARNED HOW TO SHAKE THINGS OFF.
IT DRIVES YOU CRAZY BUT YOU kNOW YOU WOULDN’T CHANGE ANYTHING ANYTHING ANYTHING CHORUS

Leona Lewis - Echo (digital booklet)

HappySomeone once told me that you have to choose What you win or lose, you can’t have everything Don’t you take chances, you might feel the pain Don’t you love in vain; cuz love won’t set you free I could stand by the sideAnd watch this life pass me bySo unhappy, but safe as could beSo what if it hurts meSo what if I break downSo what if this world just throws me oﬀ the edge My feet run out of groundI gotta ﬁnd my placeI wanna hear my soundDon’t care about all the pain in front of me Cuz I’m just trying to be happyJust wanna be happyHolding on tightly, just can’t let it goJust trying to play my role, slowly disappearAll these days they feel like they’re the same Just diﬀerent faces, diﬀerent namesGet me out of hereI can’t stand by the sideAnd watch this life pass me byPass me bySo what if it hurts meSo what if I break downSo what if this world just throws me oﬀ the edge My feet run out of groundI gotta ﬁnd my placeI wanna hear my soundDon’t care about all the pain in front of meI’m just trying to beHappyOh happySo many turns that I can’t seeLike I’m a stranger on this roadBut don’t say victim, don’t say anythingSo what if it hurts meSo what if I break downSo what if this world just throws me oﬀ the edge My feet run out of ground I gotta ﬁnd my placeI wanna hear my soundDon’t care about all the pain in front of meI just wanna beHappyHappyI just wanna beI just wanna beHappyOh happyI Got YouA place to crash, I got youNo need to ask, I got youJust get on the phone, I got youCome and pick you up if I have toWhat’s weird about it, is we’re right at the endAin’t mad about it, just ﬁgured it out in my headI’m proud to say, “I got you”Go ahead and say goodbyeI’ll be alrightGo ahead and make me cryI’ll be alrightAnd when you need a place to run toFor better for worse, I got youAin’t falling apart or bitterLet’s be bigger than that and rememberThat pulling out don’t mean you’re all aloneWe’ll both survive itNo drama no need for a showJust wanna say “I got you”Go ahead and say goodbyeI’ll be alrightGo ahead and make me cryI’ll be alrightAnd when you need a place to run toFor better for worse, I got youGo ahead and say goodbyeI’ll be alrightGo ahead and make me cryI’ll be alrightAnd when you need a place to run toFor better for worse, I got youCuz this is love and life and nothing wecan both controlAnd if it don’t feel right you’re not losingme by letting me knowGo ahead and say goodbyeI’ll be alrightGo ahead and make me cryI’ll be alrightAnd when you need a place to run toFor better for worseI got youGo ahead and say goodbyeI’ll be alrightGo ahead and make me cryI’ll be alrightAnd when you need a place to run toFor better for worseI got youA place to crash, I got youNo need to ask, I got youCan’t BreatheWhat am I ﬁghting?Afraid of losingIt’s like I’m not in controlI’m watching myself fall downThinking you won’t be aroundY ou know you got my heart unlockedAnd even if I want to runI can’t go onI don’t wanna goGot nowhere to goI don’t wanna goI can’t breathe, without you I get weakAnd I can’t breatheAnd I can’t breatheAnd I can’t breathe without younear meAnd I can’t breathe and I can’t livewithout you I can’tAnd I can’t breatheAnd I can’t breatheAnd I can’t breathe without younear meAnd I can’t live and I can’t livewithout you I can’tMaybe I make believeyou’re not diﬀerentBut you got me in loveDon’t want to be alone againI cannot function without you hereMy indecisions and all my fearsGet higher, higher, day by dayHigher, higherBut I can’t goI don’t wanna goGot to let it goI don’t wanna goI get weak without you I can’t breatheAnd I can’t breatheAnd I can’t breatheAnd I can’t breathe without younear me and I can’t live andI can’t live without you I can’tAnd I can’t breatheAnd I can’t breatheAnd I can’t breathe without younear me and I can’t breathe andI can’t live without you I can’tOh it’s just not fair thatOh I’m lost in your warmthAnd I just can’t breatheJust can’t breatheI’m coming up, coming up for breathComing up, coming up for breathComing up, coming up for breathComing up, coming up for breathAnd I can’t breatheAnd I can’t breatheAnd I can’t breathe without younear me and I can’t breathe andI can’t live, live without you I can’tAnd I can’t breatheAnd I can’t breatheAnd I can’t breathe without younear me and I can’t breathe andI can’t live, live without you I can’tI turn awayKnowing my heart could breakI’m so afraid to fall and surrenderI’m not braveI’m not braveI’m not braveI’m not braveOutta My HeadI keep taking taking you back but I don’t know why I doY ou keep breaking breaking me down soI’ll ﬁnd somebody new alrightI don’t wanna feel I’m buried aliveAnd now you’re begging me to see you tonight It’s funny how easy you could mess me up Now look how easy I get youOutta my head outta my headSay goodbyeSomebody’s gonna get youOutta my head outta my headAnd tonightI’m doing what I want toY ou made the biggest mistakeAnd now I’m gonna get you wayOutta my head outta my headSay goodbyeSomebody’s gonna get youI kept taking taking the blame and it toreme up insideSo defeated losing myself, but you’ll never make me cry againWhere were you when I didn’t want thingsto end?Now you’re tasting all the pain I was inIt’s funny how easy you could mess me up Now look how easy I get youOutta my head outta my headSay goodbyeSomebody’s gonna get youOutta my head outta my headAnd tonight I’m doing what I want toYou made the biggest mistakeAnd now I’m gonna get you wayOutta my head outta my headSay goodbyeSomebody’s gonna get youOutta of my veins and thoughts foreverAnd maybe I’ll sleep and breathe muchbetterI'm ﬁnally seeing everything clearerSo watch me nowJust watch me nowGet you....Outta my head outta my headSay goodbyeSomebody’s gonna get youOutta my head outta my headAnd tonightI’m doing what I want toYou made the biggest mistakeAnd now I’m gonna get you wayOutta my head outta my headSay goodbyeSomebody’s gonna get youMy HandsI wake in the morningTired of sleepingGet in the showerAnd make my bed aloneI put on my makeupTalking to the mirrorReady for a new dayWithout youAnd I walk steady on my feetI talk my voice obeys meI go out at nightSleep without the lightsAnd I do all of the thingsI have to keeping you oﬀ my mindBut when I think I’ll be alright,I am always wrong cosMy handsDon’t wanna start againMy handsNo they don’t wanna understandMy handsThey just shake and try to breakwhatever peace I may ﬁndMy handsThey only agree to holdYour handsAnd they don’t wanna be withoutYour handsAnd they will not let me goNo they will not let me goI talk about you nowAnd go a day without cryingI go out with my friends nowI stay home all aloneI don’t see you everywhereI can say your name easilyI laugh a bit louderWithout youAnd I see diﬀerent shades nowAnd I’m almost never afraid nowBut when I think I’ll be okay,I am always wrong cosMy handsDon’t wanna start againMy handsNo they don’t wanna understandMy handsThey just shake and try tobreak whateverpeace I may ﬁndMy handsBraveAngels lift you oﬀ the groundI’ve got shadows weighing me down Still you believeY ou believe in meI wish I could feel that wayY ou can trust so easilyI can’t give you all of meStill you’re holding onWhen you should be goneI wish I was that braveY ou go to ﬁght for love like a soldierI wanna run awayY ou’re never scared to walk through the ﬁre I wish I had your faithI turn awayKnowing my heart could breakI’m so afraid to fall and surrenderI’m not braveI’m not braveKeep my guard up constantlyStop this pain from piercing meBut now I don’t know howHow to put it downI wish I was that braveY ou go to ﬁght for love like a soldierI wanna run awayY ou’re never scared to walk through the ﬁre I wish I had your faithI turn awayKnowing my heart could breakI’m so afraid to fall and surrenderI’m not braveI’m not braveStill you believeY ou believe in meI wish I was that braveY ou go to ﬁght for love like a soldierI wanna run awayY ou’re never scared to walk through the ﬁre I wish I had your faith ndoutndThey only agree to holdY our handsNo they don’t wanna be withoutY our handsAnd they will not let me goNo they will not let me goSometimes I wake and see them reachingout for youQuietly breaking whatever shieldsI spent so long building upI cannot fake, cos when they cry I’m unspokenThey miss holding my babyMy handsNo they don’t wanna understandThey just shake and try to break whateverpeace I may ﬁndMy handsY our handsThey don’t wanna be withoutY our handsThey will not let me goNo they will not let me goMy handsDon’t wanna start againMy handsNo they don’t wanna understandMy handsThey just shake and try to break whatever peaceI may ﬁndMy handsOnly agree to holdY our handsNo they don’t wanna be withoutY our handsAnd they will not let me goNo they will not let me goNo they will not let me goLove LetterI can't wait for the day to endSo I can ﬁnally see your face againWe'll ﬁnd a way if this wish comes true tonight Even though I never met youI still miss youI can feel you in my dreamsAnd I hope that, when you wake upJust maybe you'll remember meAnd now I believe that this is fateCause baby we belong togetherI know everything is gonna be okJust as long as we have each other Through the sunshine and through the rainI know that it'll last foreverJust last night I stayed up lateAnd I wrote you a love letterWrote you a love letterT ell me am I insaneI set your letter on the window paneI thought of you as I let it ﬂy away and it read Even though I never met you I still miss you I can see you in my dreamsAnd I hope that when you read thisJust maybe you'll remember meAnd now I believe that this is fateCause baby we belong togetherI know everything is gonna be okJust as long as we have each other Through the sunshine and through the rainI know that it'll last foreverJust last night I stayed up lateAnd I wrote you a love letterWrote you a love letterAnd I know we'll always be togetherEven though I never met you I still miss you I can see you in my dreamsAnd I hope that when you read thisJust maybe you'll remember meAnd now I believe that this is fateCause baby we belong together I know everything is gonna be okJust as long as we have each otherThrough the sunshine and throughThe rainI know that it'll last foreverJust last night I stayed up lateAnd I wrote you a love letterWrote you a love letterAnd I know we’ll always be togetherCause I wrote you a love letterBrokenYou can take away all my loveWhat do I need it forYou can take away all these wordsThere’s no meaning anymoreYou can take away everythingLeave me lying on the ﬂoorAll those sorrysWe can’t go back to the startYou can’t ﬁx meI’m torn apartI wanna run away from loveThis time I have had enoughEverytime I feel your touchI’m brokenShattered all the pieces apartNever thought I'd fall so hardI’m putting back together my heartIt’s brokenYou can take these photographsWatch them fade awayYou can throw away all these lettersI don’t care about what they sayAll those sorrysTheres a million reasons whyYou can’t mend meDont even tryI wanna run away from loveThis time I have had enoughEverytime I feel your touchI’m brokenShattered all the pieces apartNever thought I'd fall so hardI’m putting back together my heartI’m brokenI know it’s gonna take some timeTo ﬁnaly realiseI got nothing left insideNothing to hideI’m broken, I’m brokenMy heart is open wideI’m broken, I’m brokenThere’s nothing left insideOohh oohh oohh oohh oohh oohhSave meI wanna run away from loveThis time I have had enoughEverytime I feel your touchI’m brokenShattered all the pieces apartNever thought I'd fall so hardI’m putting back together my heartI’m brokenSave meSave meI’m brokenNakedYou could’ve left me on a FridayWould’ve loved to at least have the weekendTo go under and to stay under toTo get better and to stay betterBut you had to pick a MondayNow I’ve gotta go to work and getThrough 5 daysAnd get through it, if I can do it, no I can’t do itThere’s a heartbreaking chill running throughMy bonesGot my clothes but I can’t really feel them onOh no what ever I do, I’m naked, I’m nakedWithout youCan’t go out can’t go home can’t go anywhereCovered up but I’m still watching people stareOh no now what can I do, I’m naked,I’m naked without youTrying to focusTo go unnoticedBut the harder I try to stay dry it rainsAnd I can’t do it, no, they see through itYeah they see through itThere’s a heartbreaking chill running throughMy bonesGot my clothes but I can’t really feel them onOh no what ever I do, I’m naked, I’m nakedWithout youCan’t go out can’t go home can’t go anywhereCovered up but I’m still watching people stareOh no now what can I do, I’m naked, I’m nakedWithout youInside I’m, still hidin’Outside I’m just too exposedBut I know thatI should let goBut I miss youThere’s a heartbreaking chill running throughMy bonesGot my clothes but I can’t really feel them onOh no what ever I do, I’m naked,I’m naked without youCan’t go out can’t go home can’t go anywhereCovered up but I’m still watching people stareOh no now what can I do, I’m naked,I’m naked without youStop Crying Your Heart OutHold upHold onDon't be scaredYou'll never change what's been and goneMay your smileShine onDon't be scaredYour destiny may keep you warm'Cause all of the starsHave faded awayJust try not to worryYou'll see them somedayTake what you needAnd be on your way andStop crying your heart outGet up (get up)Come on (come on)Why you scared? (I'm not scared)Y ou'll never change what's been and gone'Cause all of the starsHave faded awayJust try not to worryY ou'll see them some dayT ake what you needAnd be on your way andStop crying your heart out'Cause all of the starsHave faded awayJust try not to worryY ou'll see them somedayJust take what you needAnd be on your way andStop crying your heart outWe're all of the starsWe're fading awayJust try not to worryY ou'll see us somedayJust take what you needAnd be on your way andStop crying your heart outStop crying your heart outStop crying your heart outStop crying your heart outDon’t Let Me Down Fork in the roadLooking both waysI don't know which way to goAnd what do I count on?Do I take the road less travelled? Or the one I already know?And no I'm not travelling aloneI got my heart in my handAnd you can bet I'm holding it close I don't wanna climbDon't wanna fallDon't know where to start it allI can start by taking it slow‘Cause I need a heroI got a mirrorLooking inside of my soulIf I need a heroI got my mirrorAnd I go on with the showI got my ear to the groundThat's the sound of my train comin' 'roundThis is a chance for us to be heard loudIt's you and meAnd it's our time nowDon't let me downDon't let me downDon't let me down nowDon't let me downDon't let me down nowPeople!This is what you're living your life for FighterThat's your name (that's your name)Trying to hide but it's obvious you're a survivorBelieverDon't let me travel it aloneThat look in your eyesPuts ﬁre in the heart of the coldI got a marathon to try againI'm not even tryin' to winI'm just glad I'm not alone‘Cause I need a heroI got a mirrorLooking inside of my soulIf I need a heroI get my mirrorAnd I go on with the showI got my ear to the groundThat's the sound of my train comin' 'roundThis is a chance for us to be heard loudIt's you and meAnd it's our time nowDon't let me downDon't you let me downPromise you won't let me downDon't you let me downPromise you won't let me downYou've been running so aloneI see you (I see you)You told me we could change the worldAnd I believe it's trueThere's nothing now to hold us downI found my painsAnd the sound of your heart led the wayI got my ear to the groundThat's the sound of my train comin' 'roundThis is a chance for us to be heard loudIt's you and meAnd it's our time nowDon't let me down!Don't you let me down (don't let me down)Promise you won't let me down(don't let me down now)Don't you let me down (don't let me down)Promise you won't let me down(don't let me down now)Don't let me downDon't let me down nowAliveI breathe, I hear, but I don’t believe itMy heart, it beats, but inside I’m freezingMy hands, they shake, I’ve lost all the feelingNo air to take, you say that you’re leavingAnd there’s no turning back this timeGotta stay aliveWhere do I go when I’m so alone?Where do I turn when we were so close?We try not to crash but we still collideTears I’ve cried, I’ll survive, I’m aliveI’m stripped, I’m bare, I’m left here withnothingI hold the wheel; don’t know whereI’m goingYour face, I see, in every reﬂectionNo time, no space, I’ve lost all directionAnd there’s no turning back this timeGotta stay aliveWhere do I go when I’m so alone?Where do I turn when we were so close?We try not to crash but we still collideTears I’ve cried, I’ll survive, I’m aliveI’m gonna get there some wayThrough the tears and the rainAnd any road I can take just to get mesomeplaceWhere all the scars on my heartAnd all the lies in the darkDisappear in the headlightsSo bright, tonight, gonna drive them awayWhere do I go when I’m so alone?Where do I turn when we were so close?We try not to crash but we still collideTears I’ve cried, I’ll survive, I’m aliveLost Then FoundI’m staring at tears on the pagesOf letters that I never could writeAnd I know love isn’t painlessBut it’s worth the risk, it’s worth the ﬁghtI’m playing it over and overI wish that I could turn back timeMaybe we're wrong but we could be rightWhy do we say things we can't take back?And why do we miss what we never had?Both of us fell to the groundAnd love was so lost it couldn't be foundWhat would it take to forget who'sblamed?I'm tired of crying at the sound of yournameWhy don't we turn this around?Love ain't the enemyDon’t you wanna be lost then foundLost then foundLost then foundLove ain't the enemyWe could be lost then foundEmpty glasses and tablesEchoes ﬁll these roomsThe memories go where we goThey’re like the suitcase that you never loseIf the good Lord’s eye is upon meI swear to make things rightWhatever we lost I know we can ﬁnd?oseWhy do we say things we can't take back?And why do we miss what we never had?Both of us fell to the groundAnd love was so lost it couldn't be foundWhat would it take to forget who's blamed?I'm tired of crying at the sound of your nameWhy don't we turn this around?Love ain't the enemyDon’t you wanna be lost then found,lost then found, lost then foundLove ain't the enemyWe could be lost then foundThe words come pouring outCan’t stop the rainWish that you could take it backBut it's too late it’s too lateWhy do we say things we can'ttake back?And why do we miss what wenever had?Both of us fell to the groundAnd love was so lost it couldn'tbe foundWhat would it take to forgetwho's blamed?I'm tired of crying at the soundof your nameWhy don't we turn this around?Love ain't the enemyDon’t you wanna belost then foundLost then foundLost then foundLove ain't the enemyWe could be lost then foundThe words come pouring outCan’t stop the rainWish you could take it backBut it's too late it’s too lateWe could be lost then found1. Happy(E. Kidd Bogart/Leona Lewis/Ryan T edder). Produced by Ryan T edder. V ocal Production by Leona Lewis and Ryan T edder. Arranged by Ryan T edder. Engineered by Ryan T edder, Craig Durrance, Joe Zook, Noel Zancanella. Assisted by Chris Kasych at Chalice Recording Studios, Los Angeles, CA, Richard Wood-craft at RAK Studios, London, England, Nicolas Essig at Henson Recording Studios, Hollywood, CA. Recorded at RAK Recording Studios, London, England, Chalice Recording Studios, Hollywood, CA, Henson Recording Studios, Hollywood, CA and Park Hill Studios, Denver, CO. Instruments: Ryan T edder: Piano, Acoustic Guitar, Drums, Programming & Background V ocals, Brent Kutzle: Cello. Background V ocals: Ryan T edder at Abbey Road Studios, London, England. Mixed by Phil T an for RiotProof Productions at Soapbox Studios, Atlanta, GA and Additional Engineering by Damien Lewis for BAST!music management. Published by Lewis Music Publishing (BMI); Write 2 Live (ASCAP), Administered worldwide by Kobalt Music Publishing, America, Inc.; Here’s Lookin At Y ou Kidd Music (BMI)/Beluga Heights Music/Sony ATV Music Publishing, LLC (BMI).2. I Got Y ou(Arnthor Birgisson/ Savan Kotecha/ Max Martin). Produced by Arnthor for Aristotracks Productions. V ocal Production by Arn-thor Birgisson and Leona Lewis. Recorded by Arnthor. Recorded at Westlake Studios, L.A and The V ault, Stockholm. Additional Background V ocals by Vicky Sandström. All Guitars by Esbjörn Öhrwall. Mixed by Phil T an for RiotProof Productions at Soapbox Studios, Atlanta, GA and Additional Engineering by Damien Lewis for BAST!music management. Published by Aristotracks adm. by Willow Songs Ltd; Maratone adm. by Kobalt; Oh-Suki Music/EMI Blackwood.3. Can’t Breathe(Gavriel Aminov/ Uriel Kadouch/ Lundon J. Knighten /Leona Lewis/ Cheryline Lim/ Michael Malih/ Keith Ross). Produced by Uriel “Frenchie” Kadouch and V ein for Light The World Records. Co-Produced by Harvey Mason, Jr. for Harvey Mason Media. V ocal Production by Leona Lewis and Harvey Mason, Jr. All Instruments by V ein and Frenchie. Background V o-cals: Che’Nelle. V ocals Recorded by Andrew Hey at Mason Sound, North Hollywood, CA. Additional V ocal Recording by Dabling Harward. V ocal Recording Assisted by David Boyd and Michael Daley. Mixed by Serban Ghenea at MixStar Studios, Virginia Beach, VA. Engineer for Mix: John Hanes Mix. Assisted by: Tim Roberts. Production Coordination for Mason Media by Angela N. Golightly. Published by Lewis Music Publishing (BMI); Frenchzilla Music Publishing/Janice Combs Music Publishing (BMI) (adm. by EMI Blackwood Music, Inc.; Gavriel Aminov Publishing Designee (BMI); Che’ Concepts/Memory Lane (ASCAP); Keith Ross Publishing Designee (ASCAP); Michael Malih (SACEM); L. Knighten (ASCAP).4. Brave(Julian Bunetta/ Andrew Frampton/ Savan Kotecha/ Leona Lewis). Produced by Julian Bunetta and Andrew Frampton. V ocal Production by Andrew Frampton, Julian Bunetta and Leona Lewis. Guitars: Julian Bunetta, Andrew Frampton. Piano/Key-boards: Andrew Frampton. Drums: Julian Bunetta. Bass: Julian Bunetta. Strings: Christine Wu. Engineered by Julian Bunetta. Recorded at The Rabbit Hole, Calabasas, CA and Sphere Stu-dios, London. Mixed by Phil T an for RiotProof Productions at Soapbox Studios, Atlanta, GA and Additional Engineering by Damien Lewis for BAST!music management. Published by Lewis Music Publishing (BMI); Andrew Frampton Music/Stage Three Music Ltd;Juni T unes (ASCAP); Oh-Suki Music/EMI Blackwood.5. Outta My Head(Savan Kotecha/ Max Martin/Shellback). Produced by Max Mar-tin & Shellback for Maratone Productions. Recorded at MaratoneStudios, Stockholm and Germano Studios, New York. Recordedby Ann Mincieli assisted by Christian Baker. Mixed by SerbanGhenea at MixStar Studios, Virginia Beach, VA. Pro-Tools Engi-neer for Mix: John Hanes. Assisted by: Tim Roberts. Published byMaratone adm by Kobalt (ASCAP); Maratone adm by Kobalt(BMI); Oh-Suki Music/EMI Blackwood.6. My Hands(Arnthor Birgisson/Ina Wroldsen). Produced by Arnthor for Aris-totracks Productions. Vocal Production by Arnthor Birgisson andLeona Lewis. Recorded by Seth Waldmann. Recorded at ConwayStudios, L.A, Dean Street Studios, London and The Vault, Stock-holm. Strings Arranged and Conducted by Stephen Hussey.Strings Performed by Urban Soul Orchestra, led by Simon Fischer.Strings Recorded and Engineered by Rich Cooper at BritishGrove Studios, London. Additional Backing Vocals by StephenSimmonds. All Guitars by Esbjörn Öhrwall. Choir Organised andArranged by Lawrence Johnson. Recorded by Neil Tucker at Me-tropolis Studios, London. Mixed by Manny Marroquin at LarrabeeStudios (Universal City, CA) assisted by Christian Plata and ErikMadrid. Published by Aristotracks adm. by Willow Songs Ltd.; P &P Songs Ltd.7. Love Letter(J. Kasher/ K.Rudolf). Produced by Kevin Rudolf. Vocal produc-tion by Kevin Rudolph & Leona Lewis. All Instruments played byKevin Rudolf. Recorded by Joshua Berkman at BAMF Studiosand Seth Waldman at Conway Studios. Digital Editing by RonTaylor. Mixed by Serban Ghenea at MixStar Studios, VirginiaBeach, VA. Engineer for Mix: John Hanes. Assisted by: TimRoberts. Published by Lion Aire Publishing/Warner Chappell(BMI); JKasher Publishing/BAMF Publishing (ASCAP).8. Broken(Leona Lewis / A."Novel" Stevenson/John Shanks). Produced byJohn Shanks. Engineered by Jeﬀ Rothschild, Assistant EngineerPaul LaMalfa. Additional Engineering by Alex Gibson. Pro-ToolsEditing by Lars Fox. Vocal Production by John Shanks and LeonaLewis. Bass, Guitars: John Shanks. Drums: Vinnie Colaiuta. Key-boards: John Shanks, Charles Judge. Programming: Jeﬀ Roth-schild, Dan Chase. Recorded at Henson Recording Studios,Hollywood, CA. Musician Contracting & Production Coordinationby Shari Sutcliﬀe. Mixed by Chris Lord-Alge at Mix A. AssistantEngineers: Keith Armstrong and Nik Karpen. Additional Mix Engi-neering: Brad Townsend and Andrew Schubert. Published byLewis Music Publishing (BMI); Sony/ATV Tunes LLC / ToneRanger Music (ASCAP); A."Novel" Stevenson EMI BlackwoodMusic Inc.-w- Soundtron Tunes/Lost Poet Music (BMI).9. Naked(Savan Kotecha/ Leona Lewis/Kristian Lundin). Produced byKristian Lundin for CMK Productions, Inc. and Shellback forMaratone Productions. Vocal Production by Kristian Lundin andLeona Lewis. All Instruments played by Shellback. Recorded byShellback & Kristian Lundin. Recorded at CMK Studios, Los An-geles, Conway Studios, Los Angeles and Maratone Studios, Stock-holm. Mixed by Serban Ghenea at MixStar Studios, VirginiaBeach, VA. Pro-Tools Engineer for Mix: John Hanes. Assisted by:Tim Roberts. Published by Lewis Music Publishing (BMI); CMKSongs Inc, adm. by Kobalt Music; Oh-Suki Music/EMI Black-wood.10. Stop Crying Your Heart Out(Noel Gallagher). Produced by Steve Robson. Vocal ProductionSteve Robson & Leona Lewis. Engineered by Richard Flack. Mixedby Jeremy Wheatley for 365 Artists at Twenty-One Studios, Lon-don. Vocals Engineered by Seth Waldmann. Drums: Karl Brazil. Gui-tar: Luke Potashnick. Bass: John Garrison. Piano: Steve Robson.Backing Vocals: Sara-Jane Skeet and Beverly Skeet. StringsArranged by Will Malone and Performed by the London Session Or-chestra. Choir Organised and Arranged by Lawrence Johnson. Pub-lished by Sony Music Publishing (UK) Ltd11. Don’t Let Me Down(M. Elizondo/ J. Fauntleroy/ Leona Lewis/ J. Timberlake/ R.Tadross). Produced by The Y’s. Co-Produced by Mike Elizondo.Vocal Production: Leona Lewis and Justin Timberlake. Recorded ByPaul Foley at Henson Studios, A. String Arrangements: Larry Gold.Mixed by Jean-Marie Horvat at East West Studios, Los Angeles.Assisted by Mimi Parker. Published by Lewis Music Publishing(BMI); Tennman Tunes/Universal Music Z Tunes (ASCAP);Cleopatras Sons Music/EMI April Music (ASCAP); Rincon AveMusic/EMI April Music (ASCAP); Fauntleroy Music/UnderdogWest Songs/Alamo Music (ASCAP).12. Alive(Danielle Brisebois/ Leona Lewis/ John Shanks). Produced by JohnShanks. Engineered by Jeﬀ Rothschild, Assistant Engineer PaulLaMalfa. Pro-Tools Editing by Lars Fox. Vocal Production by JohnShanks and Leona Lewis. Bass, Guitars: John Shanks. Drums: VinnieColaiuta. Keyboards: John Shanks, Charles Judge. Programming:Jeﬀ Rothschild. Recorded at Henson Recording Studios, Hollywood,CA. Musician Contracting & Production Coordination by Shari Sut-cliﬀe. Mixed by Chris Lord-Alge at Mix A. Assistant Engineers:Keith Armstrong and Nik Karpen. Additional Mix Engineering: BradTownsend and Andrew Schubert. Published by Lewis Music Publish-ing (BMI); Sony/ATV Tunes LLC / Tone Ranger Music(ASCAP); EMI Blackwood Music Inc./More Where That CameFrom, All rights administered by EMI Blackwood Music Inc. (BMI).13. Lost Then Found with OneRepublic(Ryan Tedder/ Jess Cates/ Leona Lewis/ Dan Muckala/ LindyRobbins). Produced by Ryan Tedder. Co-Produced by Brent Kutzle,Noel Zancanella and Dan Muckala. Vocal Production by LeonaLewis and Ryan Tedder. Background Vocals by Ryan Tedder atAbbey Road Studios, London, England. Arranged by Ryan Tedderand Dan Muckala. Engineered by Noel Zancanella. Recorded at ParkHill Studios, Denver, CO. Instruments: Cello: Brent Kutzle; DrumProgramming: Ryan Tedder, Noel Zancanella; Drums: Eddie Fisher;Piano: Dan Muckala; Synth, Bass & All Other Instrumentation: RyanTedder, Brent Kutzle. Mixed by Phil Tan for RiotProof Productionsat Soapbox Studios, Atlanta, GA and Additional Engineering byDamien Lewis for BAST!music management. OneRepublic appearcourtesy of Mosley Music/Interscope Records. Published by LewisMusic Publishing (BMI); Write 2 Live (ASCAP), Administeredworldwide by Kobalt Music Publishing, America, Inc.; WintergoneMusic (ASCAP), administered by Kobalt Music Group, Ltd.; Right-bank Music Inc./ Lily Makes Music (ASCAP); Hey Kiddo Music(ASCAP), administered by Kobalt Music Group, Ltd.Leona Lewis is represented exclusively by RichardGriﬃths, Harry Magee and Nicola Carson forModest! Management.Photography by Paula KudakiDesign by Andy Hayes. I support the World Society for the Protection of Animals,helping to end animal cruelty worldwide.Find out more at 。

BD552i 使用说明书

DIGITAL PORTABLE RADIO数字手持终端BD552i OWNER’S MANUALBD552i使用说明书Welcome to the world of Hytera and thank you for purchasing this product.This manual includes a description of the functions and step-by-step procedures for use.It also includes a troubleshooting guide.To avoid bodily injury or property loss caused by incorrect operation,please carefully read the Safety Information Booklet before use.This manual is applicable to the following product:BD552i Digital Portable RadioCopyright InformationHytera is the trademark or registered trademark of Hytera Communications Corporation Limited(the Company)in the People's Republic of China(PRC) and/or other countries or areas.The Company retains the ownership of its trademarks and product names.All other trademarks and/or product names that may be used in this manual are properties of their respective owners. The product described in this manual may include the Company's computer programs stored in memory or other ws in PRC and/or other countries or areas protect the exclusive rights of the Company with respect to its computer programs.The purchase of this product shall not be deemed to grant,either directly or by implication,any rights to the purchaser regarding the Company's computer programs.The Company's computer programs may not be copied,modified,distributed,decompiled,or reverse-engineered in any manner without the prior written consent of the Company. DisclaimerThe Company endeavors to achieve the accuracy and completeness of this manual,but no warranty of accuracy or reliability is given.All the specifications and designs are subject to change without notice due to continuous technological development.No part of this manual may be copied,modified,translated,or distributed in any manner without the prior written consent of the Company.We do not guarantee,for any particular purpose,the accuracy,validity, timeliness,legitimacy or completeness of the third-party products and contents involved in this manual.If you have any suggestions or would like to receive more information, please visit our website at:.FCC StatementThis equipment has been tested and found to comply with the limits for a Class B digital device,pursuant to part15of FCC Rules.These limits are designed to provide reasonable protection against harmful interference in a residential installation.This equipment generates and can radiate radio frequency energy.If not installed and used in accordance with the instructions,it may cause harmful interference to radio communications. However,there is no guarantee that interference will not occur in a particular installation.Verification of harmful interference by this equipment to radio or television reception can be determined by turning it off and then on.The user is encouraged to try to correct the interference by one or more of the following measures:·Reorient or relocate the receiving antenna.Increase the separation between the equipment and receiver.·Connect the equipment into an outlet on a different circuit to that of the receiver's outlet.·Consult the dealer or an experienced radio/TV technician for help. Operation is subject to the following two conditions:·This device may not cause harmful interference.·This device must accept any interference received,including interference that may cause undesired operation.Note:Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user's authority to operate the equipment.Compliance with RF Exposure Standards Hytera's portable radio complies with the following RF energy exposure standards and guidelines:·United States Federal Communications Commission,Code of Federal Regulations;47CFR§1.1307,1.1310and2.1093.·American National Standards Institute(ANSI)/Institute of Electrical and Electronic Engineers(IEEE)C95.1:2005;Canada RSS102Issue5 March2015.·Institute of Electrical and Electronic Engineers(IEEE)C95.1:2005 EditionRF Exposure Compliance and Control Guidelines and Operating InstructionsTo control your exposure and ensure compliance with the occupational/controlled environmental exposure limits,always adhere to the following procedures.Guidelines:·Do not remove the RF Exposure Label from the device.·User awareness instructions should accompany device when transferred to other users.·Do not use this device if the operational requirements described herein are not met.Operating Instructions:·Transmit no more than the rated duty factor of50%of the time.To transmit(talk),push the Push-To-Talk(PTT)button.To receive calls, release the PTT button.Transmitting50%of the time,or less,isimportant because the radio generates measurable RF energy only when transmitting(in terms of measuring for standards compliance).·Keep the radio unit at least2.5cm away from the face.Keeping the radio at the proper distance is important as RF exposure decreases with distance from the antenna.The antenna should be kept away from the face and eyes.·When worn on the body,always place the radio in a Hytera-approved holder,holster,case,or body harness or by use of the correct clip for this e of non-approved accessories may result in exposure levels which exceed the FCC's occupational/controlled environmental RF exposure limits.·Use of non-approved antennas,batteries,and accessories causes the radio to exceed the FCC RF exposure guidelines.·Contact your local dealer for the product's optional accessories.IC StatementThe device has been tested and complies with SAR limits,users can obtain Canadian information on RF exposure and complianceAprès examen de ce matériel aux conformitéaux limites DAS et/ou aux limites d’intensitéde champ RF,les utilisateurs peuvent sur l’exposition aux radiofréquences et la conformitéand compliance d’acquérir les informations correspondantesThis device complies with Industry Canada license-exempt RSS standard(s). Operation is subject to the following two conditions:·This device may not cause harmful interference.·This device must accept any interference received,including interference that may cause undesired operation.Le présent appareil est conforme aux CNR d'Industrie Canada applicables aux appareils radio exempts de licence.L'exploitation est autorisée aux deux conditions suivantes:(1)l'appareil ne doit pas produire de brouillage, et(2)l'utilisateur de l'appareil doit accepter tout brouillage radioélectrique subi,même si le brouillage est susceptible d'en compromettre le fonctionnementEU Regulatory ConformanceAs certified by the qualified laboratory,the product is in compliance with the essential requirements and other relevant provisions of the following directives:1999/5/EC or2014/53/EU,2006/66/EC,2011/65/EU,and 2012/19/EU.Please note that the above information is applicable to EU countries only.ContentsPacking List 2Product Overview3ProductControls 3LCD Icons 4LED Indications 4Before Use4Attaching the Antenna 4Attaching the Battery 4Attaching the Belt Clip5Attaching the Audio Accessories 5Charging the Battery5Checking the Battery Power 5Basic Operations 6Call Services6Call on Digital Channel6Callon Analog Channel (Without Signaling)6Optional Features 7Troubleshooting 9Care and CleaningProductCare 11ProductCleaning 11Optional Accessories1111ContentsPlease unpack carefully and check that all items listed below are received.If any item is missing or damaged,please contact your dealer.Item Quantity(PCS)Item Quantity(PCS) Radio1Antenna1 Battery1Belt Clip1 Charger1Strap1 Power Adapter1Documentation Kit1Check whether the frequency band marked on the antenna label matches that on the radio label.If not,please contact your dealer.You can request your dealer to program your radio to use the SK as the shortcut to a radio featureProduct ControlsLCDIconsLED IndicationsLED Indicator Radio StatusFlashes green Being turned on.Glows green Receiving.Glows redTransmitting.Flashes orange slowlyScanning.Glows orangeCall hang time:No voice is being transmitted or received on the channel during a call.Within such a period,you can press and hold the PTT key and speak.Attaching the Antenna1.Place the antennain its receptacle.2.Rotate the antenna clockwise until hand tight.Do not hold the radio by the antenna,as it may reduce the radio performance and life span of the antenna.Attaching the Battery1.Insert the top of the battery into the top of the battery slot.2.Press the bottom of the battery until the latch snaps into place.To remove the battery,make sure the radio is turned off,and then slide the battery latch upwards to unlock the battery.Attaching the Belt Clipe a Phillips screwdriver to turn the screws counterclockwise on the back of the radio and remove them.2.Align the screw holes on the belt clip with those on the back of the radio.3.Put the screws back in place,and use the Phillips screwdriver to turn them clockwise until hand tight.Attaching the Audio Accessories1.Open the accessory connector cover.2.Plug the accessory into the accessory connector.3.Turn the screw on the accessory plug clockwise until hand tight.Charging the Battery·Use the charger specified by Hytera to charge the battery.·Read the Safety Information Booklet before charging.The battery delivered with the radio is uncharged.To ensure optimum performance,fully charge the battery before initial use.It is recommended that your radio remain powered off during charging.To charge the battery,do as follows:1.Insert the output connector of the power adapter into the port on the back of the charger.2.Plug the power adapter into a power outlet.3.Place the battery or the radio with battery attached into the charger,and then switch the power outlet on.To determine the charging status,check the light-emitting diode(LED) indicator on the charger according to the following table:LED Indicator Charging StatusGlows greenThe battery is fully charged or fails to make propercontact with the charger.Glows red The battery is charging.Glows orange The battery is charged to85%or above.If the LED indicator does not glow red after you place the battery or radio into the charger,take the battery or radio out of the charger,and thenreplace it into the charger while ensuring it makes proper contact with the charger.Checking the Battery PowerTo check the current battery power,press andhold the Battery Power Indicatorkey preprogrammed by your dealer.The following table lists battery powerindications.The icon indicates that the battery runs low. In this case,please recharge or replace the batteryLED Indicator Alert Tone Battery Power Glows green Three beepsGlows orange Two beepsGlows red One beepFlashes red Low battery toneIf you want to…Then...Turn on/off the radioRotate the On-Off/Volume Control knob clockwise/counterclockwise.Increase/Decrease the volume Rotate the On-Off/Volume Control knob clockwise/counterclockwise after turning on the radio.Select a channelRotate the Channel Selector knob.Call on Digital ChannelYou can initiate a call to or receive a call from theprivate or group contact preset fora digital channel.Initiating a Call1.Select the required channel.2.Hold the radio vertically 2.5to 5cm from your mouth.3.Press and hold the PTT key,and then speak into themicrophone.The radio displays for an outgoing group call andfor an outgoingprivate call.Receiving and Responding to a CallWhen receiving a call,you can listen to it without any operation.The radio displays for an incoming group call andfor an incoming privatecall.You can press and hold the PTT key and speak within the preset time period.Call on Analog Channel (Without Signaling)You can initial a call to or receive calls from all other users on an analogchannel.The operations are the same as those on a digital channel.The following features need to be programmed by your dealer.Please contact your dealer for detailed operations. Type Feature DescriptionGeneral Feature Zone Allows you to select a zone.The radio supports up to16zones,with a maximum of256channels per zone.Power Level Allows you to switch the transmit power level between high and low.Scan Allows the radio to scan all channels in the scan list preset for the current channel and stay on a channel with activities. Emergency Alarm Allows you to initiate an emergency alarm or call to ask for help in case of emergencies.Busy Channel Lockout Prevents the radio from transmitting on a busy channel.Time-out Timer(TOT)Terminates transmission when the preset time period expires.Keypad LockAllows the keypad to be locked automatically when the radio does not detect any activity or operation within the presetperiod.Battery SaveAllows the radio to automatically enter the battery save mode when it does not detect any activity or operation within thepreset period.Digital Feature All Call Allows you to initiate a call to all users on a digital channel.One Touch Call Allows you to press one key to call the predefined private or group contact. TDMA Direct Mode Allows the radio to operate on a channel with two time slots.Type Feature DescriptionAnalog Feature Squelch Off Allows the radio's speaker to always keep unmuted.Squelch Off Momentary Allows the radio's speaker to keep unmuted when you press and hold the preprogrammed key. Squelch Level Allows you to adjust the squelch threshold required for the radio to unmute.Monitor Allows the radio to monitor activities on the channel.Scrambler Allows you to encrypt the transmitted voice to prevent eavesdropping.CTCSS/CDCSS Allows you to prevent unwanted calls on the same frequency.Phenomena Analysis SolutionYou are unable to hear anyone because of too much noise and hiss.You may be too far away from other members.Move towards other members.You may be located in an unfavorable position.Forexample,your communication may be blocked by highbuildings or blocked in an underground area.Move to an open and flat area,and restart the radio and trycontacting again.It could be the result of external disturbance(such aselectromagnetic interference).Stay away from equipment that may cause interference.The OLED does notdisplay any information.The OLED may fail to function temporarily.Restart the radio.If the above solutions cannot fix your problems, or you may have some other queries, please contact us or your local dealer for more technical support.To guarantee optimal performance as well as a long service life of the product,please follow these tips.Product Care·Do not pierce or scrape the product.·Keep the product far away from substances that can corrode thecircuitry.·Do not hold the product by the antenna or earpiece cable.·Close the accessory connector cover when no accessory is in use.Product CleaningTurn off the product and remove the battery before cleaning.·Clean up the dust and fine particles on the products surface andcharging piece with a clean and dry lint-free cloth or a brush regularly ·Use neutral cleanser and a non-woven fabric to clean the keys,knobsand front case after long-time use.Do not use chemical preparations such as stain removers,alcohol,sprays or oil preparations,so as to avoid surface casedamage.·Make sure the product is completely dry before use.Use the accessories specified by Hytera only;otherwise,the Company will not be liable for any loss or damage arising out of the use of any unauthorised accessories.Contact your local dealer for the optional accessories used with the product.非常感谢您对我们产品的青睐！本手册旨在让您快速掌握终端的使用。

2024福建省中考英语作文

In the year2024,the Fujian Province middle school English composition exam may cover a wide range of topics that reflect the interests,concerns,and aspirations of students in that region.Here are some potential essay prompts that could be included in the exam,along with sample outlines and ideas for each:1.The Role of Technology in EducationIntroduction:Briefly introduce the significance of technology in modern education. Body Paragraph1:Discuss how technology enhances learning experiences through interactive tools and resources.Body Paragraph2:Explore the challenges technology brings,such as digital divide and overreliance on devices.Conclusion:Summarize the benefits and suggest a balanced approach to integrating technology in education.2.Cultural Heritage and Modern LifeIntroduction:Explain the importance of preserving cultural heritage.Body Paragraph1:Describe how cultural heritage enriches our lives and identities. Body Paragraph2:Discuss the impact of modernization on traditional cultures and the need for adaptation.Conclusion:Emphasize the importance of finding a balance between preserving heritage and embracing modernity.3.The Impact of Social MediaIntroduction:Present the pervasive influence of social media in todays society. Body Paragraph1:Highlight the positive aspects of social media,such as connectivity and information sharing.Body Paragraph2:Address the negative effects,including cyberbullying and privacy concerns.Conclusion:Offer suggestions for responsible social media use.4.The Importance of Environmental ProtectionIntroduction:State the urgency of environmental protection.Body Paragraph1:Discuss the consequences of environmental degradation,such as climate change and loss of biodiversity.Body Paragraph2:Suggest practical actions individuals and communities can take to protect the environment.Conclusion:Call for collective efforts to safeguard our planet for future generations.5.The Value of VolunteeringIntroduction:Introduce the concept of volunteering and its benefits.Body Paragraph1:Elaborate on how volunteering contributes to personal growth and community development.Body Paragraph2:Share personal experiences or stories of volunteers making a difference.Conclusion:Encourage more students to participate in volunteering activities.6.The Challenges of Balancing School and LeisureIntroduction:Discuss the importance of a balanced life for students.Body Paragraph1:Describe the pressures students face to perform academically. Body Paragraph2:Suggest ways to manage time effectively and incorporate leisure activities.Conclusion:Stress the importance of a wellrounded lifestyle for overall wellbeing.7.The Influence of GlobalizationIntroduction:Define globalization and its reach in the modern world.Body Paragraph1:Explore the economic and cultural benefits of globalization. Body Paragraph2:Discuss the potential drawbacks,such as cultural homogenization and economic disparities.Conclusion:Reflect on how to navigate the complexities of globalization.8.The Significance of Physical FitnessIntroduction:Emphasize the role of physical fitness in maintaining a healthy lifestyle. Body Paragraph1:Discuss the health benefits of regular exercise.Body Paragraph2:Address common barriers to physical activity and suggest solutions. Conclusion:Encourage students to prioritize physical fitness as part of their daily routine.9.The Power of PerseveranceIntroduction:Introduce the concept of perseverance and its significance in achieving goals.Body Paragraph1:Provide examples of individuals who have succeeded through perseverance.Body Paragraph2:Discuss strategies for developing a resilient mindset. Conclusion:Inspire students to embrace challenges and persist in the face of adversity.10.The Joy of ReadingIntroduction:Express the joy and enrichment that reading brings to ones life.Body Paragraph1:Discuss the cognitive and emotional benefits of reading.Body Paragraph2:Share personal favorite books or genres and their impact. Conclusion:Advocate for a culture of reading and lifelong learning.These prompts are designed to encourage students to think critically,express their opinions,and demonstrate their English writing skills.The essays should be wellorganized,with a clear introduction,body paragraphs that develop the ideas,and a conclusion that summarizes the main points.。

EDIROL M-16DX 16-Channel Digital Mixer 用户说明书.pdf_1

Setting tห้องสมุดไป่ตู้e Preamp Sensitivity
On the back of the mixer is the SENS RANGE switch that sets the preamp range. To set the preamp to its • regular range—flip the SENS RANGE switch down to its REGULAR
Understanding the Symbols in This Booklet
Throughout this booklet, you’ll come across information that deserves special attention—that’s the reason it’s labeled with one of the following symbols.
2
If you’d rather do this tutorial with an electric guitar or bass, plug the cable from your guitar or bass into Channel 1’s LINE IN jack, and push in the HI-Z button above the jack. Channels 1 and 2 both have HI-Z buttons.
We’ll assume you’ve read the Getting Started with the M-16DX Workshop booklet, or that you’ve set up your M-16DX system and a way to listen to it on your own. We’ll also assume you’ve plugged a pair of headphones into the M-16DX’s PHONES jack or have connected speakers to the CONTROL ROOM L and R OUT jacks so you can hear what you’re doing.

Backbeat Go 2 耳机说明书

Backbeat® Go 2 User GuideContentsWelcome3What's in the box4Headset overview 5Be safe5Pair6Get Paired6Pair another device6Multi-connectivity6Charge8Check battery level8Fit9The Basics10Power the earbuds on or off10Audio10Adjust the volume10Mute 10Make/Take/End Calls10More Features12Deepsleep Mode12Stay connected12Voice alerts12Restore factory settings12Specifications 13Support14WelcomeCongratulations on purchasing your new Plantronics product. This guide contains instructionsfor setting up and using your Backbeat Go 2 earbuds.Please refer to the safety instructions in the quick start guide for important product safetyinformation prior to installation or use of the product.microphoneCombo cable chargerEartips (small and large)Pouch What's in the boxCharge portHeadset indicator light (LED)Volume up button: Increases volume, skips to next trackAudio/call button: Powers on/off earbuds, answers/ends/declines call, plays/pauses musicVolume down button: Decreases volume, plays previous track/Mute/UnmutePlease read the safety guide for important safety, charging, battery and regulatory informationbefore using your new headset.Headset overviewBe safeThe ﬁrst time you power on your earbuds, it begins the pairing process.1Power on the earbuds. The indicator light, located on the right earbud, flashes red and blue toindicate pairing mode.2Activate Bluetooth ® on your phone and set it to search for new devices.•iPhone* Settings > General > Bluetooth > On•Android ™ Smartphones* Settings > Wireless & Networks > Bluetooth: On > Scan for devices NOTE * Menus may vary by device.3Select “PLT_BBTGO2.”If necessary, enter four zeros (0000) for the passcode or accept the connection.Once successfully paired, you hear “pairing successful” and the earbud indicator light stops flashing.NOTE To enter pairing mode after the first pairing process, start with the earbuds powered off and then press and hold the Audio/call button until you hear "pairing."After pairing your earbuds to your phone, you may want to pair another phone or device, suchas a tablet. You can pair and remember up to eight devices, supporting Handsfree and Advanced Audio Distribution (A2DP) profiles.1Put the earbuds in pairing mode. Choose:•With the earbuds powered off, press and hold the Audio/call button •With the earbuds powered on and not during a call, press and hold the volume up (+) and volume down (–) buttons until you hear "pairing"The indicator light , on the right earbud, flashes red and blue to indicate pairing mode.2Activate Bluetooth on your phone and set it to search for new devices.3Select “PLT_BBTGO2.”If necessary, enter four zeros (0000) for the passcode or accept the connection.Once successfully paired, you hear “pairing successful” and the headset indicator lights stop flashing.When you have more than one device paired to your earbuds, multi-connectivity allows you totoggle the connection between the devices from the Bluetooth device list of your phone/music device (The earbuds can only be connected to one device at a time.).For example, if you are connected to a tablet and are finished listening to music and want to switch to one of your other paired phone/music devices, then do the following:1Go to the paired device list in your Bluetooth settings menu on your phone.2Select "PLT_BBTGO2."PairGet PairedPair another device Multi-connectivityAfter, the earbuds accept the new connection, there is no need to delete and re-pair your devices each time; they are remembered and ready to connect anytime when in range.Your new earbuds have enough power to pair and make a few calls. To access the chargingport, insert your fingernail into the groove on top of the right earbud and pull down.It takes up to 2.5 hours to fully charge the earbuds. While charging, the indicator light is redand turns blue once charging is complete.You can check the battery level by tapping either of the Volume buttons when the headset isidle. Your earbuds announce battery status and the indicator light flashes to show the charge level."Battery level high" = battery OK to fully charged"Battery level low" = less than 1 hour remaining"Recharge headset" = under 15 minutes remainingBlue ﬂash = battery OK to fully chargedDouble red flash = battery low, less than 1 hour remainingTriple red flash = under 15 minutes remainingCharge Check battery levelFitSelecting the right size eartip is essential for you to fully appreciate thepremium audio quality the earbuds offer.1Acoustic seal Out of the box, the medium eartips are installed on the earbuds. We recommendthat you try each eartip (small, medium and large), perform a sound check and choose the eartipthat gives the best sound experience. A snug fit will ensure a rich bass response.stabilizer to adjust the angle to achieve optimal fit and stability.3Drape the earbuds around the back of your neck and enjoy.Press the Audio/call button / until you hear “power on." To power off, press the Audio/call button / for 4 seconds until you hear "power off."Play or pause audio Tap the Audio/call button / .Skip to next trackPress the Volume up (+) button for more than 1 second.Play previous trackPress the Volume down (–) button for more than 1 second to restart the current track. Press the button twice (each press more than 1 second) to go to the previous track.Tap the Volume up (+) or down (–) button.During a conversation, simultaneously tap the Volume (+) and (–) buttons. You will hear “mute on” or “mute off.” An alert repeats every 5 minutes when mute is on.You will hear an incoming call alert while listening to audio. When you take the call, your storedaudio (downloaded tunes, video or podcasts) will pause. If you are listening to live streaming audio then it will mute, not pause, during your call. Once you end your call, your playback or streaming will resume.Answer or end a call Tap the Audio/call button / .Use call waiting First, tap the / button to put the first call on hold and answer the second call. To switch between calls, press the Audio/call button / for 2 seconds. To end the second call and retrieve the first call, tap the Audio/call button / .Decline a call Press the Audio/call button / for 2 seconds.The BasicsPower the earbuds on or offAudio Adjust the volumeMute Make/Take/End CallsRedialDouble tap the Audio/call / button to dial the last number you called.If you leave your headset powered on but out of range of your paired phone for more than 20minutes, your headset will conserve its battery power by entering into a DeepSleep ™ mode.Once back in range with your phone, press any button to exit DeepSleep mode. If your phone isBluetooth has a working “range” of up to 33 feet between the phone and earbuds before audio degrades and the connection is lost.Your earbuds try to reconnect after a lost Bluetooth connection. If they can’t, then tap the Audio/call button once or manually reconnect via the phone’s Bluetooth device menu.Your headset speaks English.Voice alerts list•"Battery low/medium/high"•"Connection switched"•"Headset connected"•"Not connected"•"Mute on/off"•"Pairing"•"Pairing successful"•"Power on/off"•"Recharge headset"•"Redial"When you restore the earbuds to its factory settings, the paired devices list is deleted.1First, put the earbuds in pairing mode. Choose from the following:•With the earbuds powered off, press and hold the Audio/call button until you hear "pairing" or •With the earbuds powered on and not during a call, press and hold the volume up (+) and volume down (–) buttons until you hear "pairing"The indicator light, on the right earbud, flashes red and blue to indicate pairing mode.2Second, while the earbuds are in pairing mode, press and hold the volume up (+) and volume down (–) buttons until the LED flashes purple.After the reset, the earbuds power off.More FeaturesDeepsleep ModeStay connectedVoice alertsRestore factory settingsSpecificationsTalk/Listening time Up to 4.5 hours listen/5 hours talk*Standby time Up to 10 days*DeepSleep technology Provides up to 180 days* of battery readinessOperating distance (range)Up to 33 feet from phone or tabletHeadphones weight14 gramsAudio HQ custom SBC codec, 6mm neodymium speakers,Frequency response 20-20,000 Hz, Total HarmonicDistortion <5%, sensitivity 104 dBspl/mW @ 1 kHzNoise reduction Digital Signal Processing (DSP) :•Full duplex echo cancellation•Real time noise reduction•Voice clarityMoisture protection P2i nano-coating for sweat and moisture protectionCharge connector Micro USB chargingBattery type Rechargeable, non-replaceable lithium-ion polymerCharge time (maximum) 2.5 hours (Power requirements 5V DC - 180 mA)Bluetooth 2.1 + EDR Advanced Audio Distribution Profile (A2DP) v1.2, Audio/Video Remote Control Profile (AVRCP) v1.4, HandsfreeProfile (HFP) v1.6 and Headset Profile (HSP) v1.1Operating and storage temperature32°F – 104°F (0 – 40°C)NOTE* Performance is dependent upon battery and usage and may vary by device./supportENTel: 0800 410014FITel: 0800 117095NOTel: 80011336ARTel: +44 (0)1793 842443*FRTel: 0800 945770PLTel: +44 (0)1793 842443*CSTel: +44 (0)1793 842443*GATel: 1800 551 896PTTel: 0800 84 45 17DATel: 80 88 46 10HETel: +44 (0)1793 842443*ROTel: +44 (0)1793 842443*DEDeutschland 0800 9323 400Österreich 0800 242 500 Schweiz 0800 932 340HUTel: +44 (0)1793 842443*RUTel: 8-800-200-79-92Tel: +44 (0)1793 842443*ELTel: +44 (0)1793 842443*ITTel: 800 950934SVTel: 0200 21 46 81ESTel: 900 803 666NLNL 0800 7526876BE 0800 39202LUX 800 24870TRTel: +44 (0)1793 842443*NOTE*Support in EnglishSafety information: see the separate “For Your Safety” booklet2-year limited warranty details:/warranty SupportNEED MORE HELP?/supportPlantronics BVSouth Point Building CScorpius 1402132 LR Hoofddorp, Netherlands© 2013 Plantronics, Inc. All Rights Reserved. Bluetooth is a registered trademark of Bluetooth SIG, Inc. and any use by Plantronics is under license. All other trademarks are the property of their respective owners.US Patents Pending200674-06 (09.13)。

FINGER PULSE OXIMETER FOX-250 USER’S MANUAL

FINGER PULSE OXIMETER FOX-250USER’S MANUALDate: March, 2020Rev.0Section 1 Safety1.1Instructions for the Safe Operation and Use of the Pulse Oximeter ⚫ Do not attempt to service the pulse oximeter. Only qualified service personnel should attempt any needed internal servicing.⚫ Do not use the oximeter in situations where alarms are required.⚫ Prolonged use or the patient’s condition may require changing the sensor siteperiodically. Change sensor site and check skin integrity, circulatory status and correct alignment at least every 2 hours.⚫ SpO2 measurements may be adversely affected in the presence of high ambientlight. Shield the sensor area (with a surgical towel, or direct sunlight, for example) if necessary.⚫ The following reasons will cause interference:●High-frequency electrosurgical●Placement of a sensor on an extremity with a blood pressure cuff arterial catheter, or intravascular line●The patient has hypotension severe vasoconstriction severe anemia or hypothermia. ●The patient is in cardiac arrest or is in shock.●Fingernail polish or false fingernails may cause inaccurate SpO2 readings. 1.2Warnings1.3Definitions and SymbolsSymbolDescriptionSymbol DescriptionType BF EquipmentManufacturerRefer to the instruction manual /bookletWhen the end-user wishes to discard this product, it must be sent to separate collection facilities for recovery and recyclingSerial NO*No SpO2 Alarm0123The CE labelling certifies the product complies with requirements of Directive 93/42/EEC on medical products.NoteThe important information you should knowCautionThe information youshould know to protect the equipment from possible damageWarningThe information you shouldknow to protect patients and medical staff from possible injurySection 2 Introduction2.1 Brief Device DescriptionThe Pulse Oximeter, based on all digital technology, is intended for noninvasive spot-check measurement of functional oxygen saturation of arterial hemoglobin (SpO2). Advanced DSP algorithm can minish the influence of motion artifact and improvemeasurement accuracy of low perfusion.The Oximeter can be used to measure human Hemoglobin Saturation and heart rate through finger. The product is suitable for family, hospital (including clinical use in internist/surgery, pediatrics, ect), Oxygen Bar, social medical organizations, physical care in sports and etc. 2.2 Intended UseThis product is suitable for the hospital (including surgey, anedthesiology, paediatrics, and clinical use), oxygen bar, sports health(using them before or after sports, do not advise using them during the movement), and community health care, ect. 2.3 ContraindicationIt is not for intensive care and person whose finger is injured. 2.4 Product Features⚫ Lightweight for carrying and Easy-To-Use. ⚫ Manually adjust the direction of interface .⚫ LED display, simultaneous display for testing value and plethysmogram. ⚫ Real-time spot-checks. ⚫ Low Battery voltage indicator. ⚫Automatically standby or sleep.Section 3 Installation, Setup, and Operation3.1 Description of the Front Panel (as FIG.1)3.2 DisplayAfter switch on, the LED display is as follows (as FIG.2):FIG.2 LED display3.3 Operation 3.3.1 Install batteryInstalling two AAA batteries into battery cassette in correct polarities and cover it (as FIG.3)FIG.33.3.2 Turn the Pulse Oximeter onPut one of fingers into rubber hole of the oximeter (it is best to put the finger thoroughly) with nail surface upward (as FIG.4), then releasing the clamp.Press the key, oximeter will go into the working state.The oximeter will automatic standby or go asleep after 8 seconds without finger in. 3.3.3 Read correspondent data from display screen.3.3.4 Display Description of LEDThe display interface of “LED ” can rotate two directions after pressing the key for less than 0.5s. It is shown as below (as FIG. 5):Item Name Description 1LED PanelDisplay the SPO2/PR data &Bargraph 2 Key Start the working state3Battery Compartment2*AAA 1.5V Alkaline batteryWARNING: Do not attempt to recharge normal dry-cell batteries, they may leak. And may cause a fire or even explode. WARNING: Do not throw batteries in fire as this may causes them to explode. CAUTION: Do not operate the unit if it is damp or wet because of condensation or spills. Avoid using the equipment immediately after moving it from a cold environment to a warm, humid location.WARNING: Do not use the pulse oximeter in an MRI or CT environment.WARNING: EXPLOSION HAZARD — Do not use the oximeter in a flammableatmosphere where concentrations of flammable anesthetics or other materials may occur. CAUTION: Never use sharp or pointed objects to operate the front-panel switches. CAUTION: The device shall only be used if the battery cover is closed. CAUTION: The battery must be proper disposed according to local regulation after their use. CAUTION: The battery must be taken out from the battery compartment if the device will not be used for a long time. WARNING : Do not attempt torecharge normal alkaline batteries, they may leak and may cause a fire or even explode.FIG.4CAUTION: Keep the operating environment free of dust, vibrations, corrosive, or flammable materials, and extremes of temperature and humidity. FIG.1 Parts of front &back panelTable 1 Part Definition and Description123FIG.5Note: when battery power is at lowest level, the battery capacity indicates symbol of “”in LED, remind users of replacement of battery.3.4 Install Hanging RopeLet the thin end of the rope go through the hole, next let the big point of rope go through the thin rope hole, then tighten the rope (as FIG. 6).FIG.6 Install hanging ropeSection 4 Maintenance4.1 CleaningSwitch off the power and take out the batteries before cleaning, Cleaning exterior surface (screen included) of the unit with a dry and soft cloth. Use 75% density of medical alcohol to clean the surface and use dry fabric with little alcohol to avoid alcohol permeates into the device4.2 DisinfectionDisinfectig the machine after using by the patient if multiple patient use the machine in the e 75% density of medical alcohol to clean the surface that contacting with the patient.4.3. WarrantyThe host product’ design life is 2 years, and 1 years warranty. Under normal circumstances, the malfunction of the product during the warranty period (from the date of purchase) should be sent back to the company for maintenance, and our company is responsible for all maintenance costs (users should cover the freight themselves). Outside the warranty period, our company shall charge some maintenance fee (users should cover the freight themselves) if the product has broken down and is sent back for maintenance . The battery is beyond the scope of the warranty. If you have the purchase and sale contract, the costs of the maintenance shall be in accordance with the purchase and sale contract execution. Our company can provide the designated qualified technical personnel with files listed GB9706.1 6.8.3 C. Besides, it is recommended that users should use them no more than five years. And over the using life, the using risks may increase due to the equipment’ aging.4.4 Maintenance⚫Replace the batteries timely when battery indication is low. Clean surface of thе Pulse Oximeter before it is used in diagnosis for patients.⚫Remove the batteries inside the battery cassette if the Oximeter will not be operated for a long time.⚫It is better to preserve the product in a place where ambient temperature is -20 - 55℃and humidity is 10%-95%..⚫Regular inspection to make sure that no obvious damage existed to affect the safety and performance of device.⚫No flammable substance, overtop or lower temperature and humidity existed in operation conditions.4.5 TroubleshootingTable 4.5 TroubleshootingProblems Possible Reason ResolutionsOxyhemoglobin or heart rate can not be shown normally 1. Finger is not pluggedcorrectly.2. Patient’s perfusion is toolow to be measured.1. Retry by plugging thefinger.2. Try some more times, ifyou can make sure about noproblem existing in theproduct, Please go to ahospital timely for exactdiagnosis.Oxyhemoglobin orheart rate is shownunstably1. Finger might not beplugged deep enough.2. Finger is trembling orpatient's body is inmovement status.1.Retry by plugging thefinger.2.Try not to move, Let thepatient keep calm.The oximeter can’tgo into the workingstate1. Power of batteries mightbe inadequate or not bethere at all 2.Batteries mightbe installed incorrectly.3.The Oximeter might bedamaged.1. Please replace batteries2.Please reinstall thebatteries3.Please contact with localcustomer service centerThe screen aresuddenly off1.The product isautomatically standby orsleep when no signal isdetected longer than 8seconds.2.Power quantity of thebatteries is exhausted.1.Normal.2.Replace the batteries.4.6 DisposalTo avoid contaminating or infecting personnel, the environment or other equipment,make sure you disinfect or decontaminate the device appropriately before disposing of itin accordance w ith your country’s law for equipment containing electrical and electronicparts.Section 5 SpecificationPhysical CharacteristicsMachine Dimensions: 57mm (L) * 31mm (W) * 30.5mm (D)Machine Weight -approx: 54 g（including 2 * AAA battery）ClassificationAnti-electric Shock Type: Internally powered equipmentAnti-electric Shock Degree: Type BF equipmentEMC: Type B class IMode of operation: Continuous OperationEnclosure Degree of ingress protection: IP22※IP22 mean shell of this product can withstand the water dropping to the surface whenthe shell deviate 15 degree from horizontal surface.PowerInternal: 2*AAA 1.5v alkaline batteryPower Consumption: Smaller than 30mA(Normal)EnvironmentalOperating Temperature: 5°C to 40°CStorage Temperature: –20°C to 55°CRelative Humidity: 15% to 85% non-condensingElectronics ParametersParameter ValueHemoglobin saturation Display 35-100%Pulse rate Display 25-250 BPMPerfusion Index Display 0-30%ResolutionHemoglobin Saturation 1%Pulse rate 1 BPMMeasureAccuracyHemoglobin Saturation2% (80% - 100%)3% (70% - 80%)Unspecified (≤70%)Pulse rate 2 BPMTechnical information is subject to change without notification to allow for updates.⚫This device complies with EU Directive 93/42/EEC concerning medical devices, andthe DIN EN ISO 13485:2016 standard.⚫This device complies with IEC 60601-1-2: 2014, ISO 80601-2-61: 2011 Clause 202,IEC 60601-1-11: 2010 Clause 12.⚫Manufacturer: Promise Technology Co., Ltd.3/F, East-Asia Building, Jida Jiuzhou Avenue, 519015 Zhuhai, Guangdong,PEOPLE’S REPUBLIC OF CHINA⚫EC-Representative: Shanghai International Holding Corp. Gmbh (Europe)Eiffestraβe 80 20537 Hamburg GERMANYDistribuited by: I.A.C.E.R Srl Via S.Pertini 24/a – 30030 Martellago (VE) Italy0123CAUTION:Never use an abrasive such as steel wool or metal polish.CAUTION:Do not allow any liquid into the product, and do not immerse any parts of the device into any liquids.CAUTION:Avoid pouring liquids on the device while cleaning.CAUTION:Don’t remain any cleaning solution on the surface of the device. CAUTION:Don’t use strong sol vent. For example, acetone.。