(2) Mt Stromlo and Siding Springs Observatories The Australian National University

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鹧鸪天代人赋描写春天的诗句

鹧鸪天代人赋描写春天的诗句

鹧鸪天代人赋描写春天的诗句英文回答:Partridge Sky, Written for Someone Else, Depicting Spring.Amidst the verdant fields, where nature awakens fromher slumber, the gentle breeze whispers secrets of rebirth and renewal. The air is alive with the vibrant chorus of birdsong, a symphony that heralds the arrival of spring.The tender buds burst forth in a kaleidoscope of colors, painting the landscape with vibrant hues. Petals unfurllike delicate dancers, their fragrant perfume carried onthe wings of the wind. The willows sway gracefully by the water's edge, their long, trailing branches creating a canopy of ethereal beauty.As the sun ascends to its zenith, casting a golden glow upon the earth, the fields transform into a tapestry ofvibrant blooms. Poppies, daisies, and buttercups bloom in abundance, their cheerful faces turned towards thecelestial light. The vibrant colors blend seamlessly, creating a breathtaking spectacle that delights the senses.In the tranquil embrace of the meadow, the gentle humof bees fills the air. They flit from flower to flower,their industrious labor contributing to the pollinationthat ensures the continuation of life. The verdant grass, dotted with wildflowers, invites weary travelers to restand bask in the beauty of nature's embrace.As twilight descends, casting long shadows across the land, the air grows cool and the birdsong fades into a muted whisper. The stars twinkle above, casting a celestial glow upon the slumbering earth. The fragrance of night-blooming flowers fills the air, a sweet lullaby that lulls the world into peaceful slumber.Spring, a season of renewal, hope, and boundless beauty, paints the world in vibrant colors and fills the air with the promise of new beginnings. It is a time for celebration,a time to embrace the joy and wonder that nature has to offer.中文回答:鹧鸪天·春日代人赋。

春天紫藤花的作文英语

春天紫藤花的作文英语

The Beauty of Springtime WisteriaIn the embrace of spring, the world awakes to a tapestry of vibrant colors and fragrant scents. Among these, the delicate purple blooms of wisteria stand out, a symbol of elegance and tranquility.The wisteria vine, gracefully clinging to its support, unfurls its blossoms with a sense of quiet majesty. The flowers, their petals a deep, velvety purple, hang in clusters, almost like pendants, swaying gently in the breeze. Their fragrance, a sweet and subtle perfume, wafts through the air, inviting one to linger and savor the moment.As the sun shines down, casting its warm light on the blossoms, the wisteria seems to glow, its color deepening and its fragrance intensifying. Bees and butterflies are drawn to this floral paradise, dancing among the petals and sipping the nectar.The wisteria in springtime is not just a visual treat; it's a sensory experience. Its beauty is not just skin-deep; it resonates in the heart and soul. It reminds us of the fleeting nature of beauty and the importance of cherishing every moment.In conclusion, the wisteria in springtime is a breathtaking sight, a testament to the wonders of nature and a source of inspiration for all who behold it. Its elegance and tranquility are a welcome addition to the already vibrant palette of spring.。

在青山寻找春天的英语作文

在青山寻找春天的英语作文

在青山寻找春天的英语作文Seeking Spring in the Verdant Heights of Qingshan.Nestled amidst the rolling embrace of nature's tapestry, Qingshan beckons as a sanctuary where the vivacious spiritof spring unfurls its vibrant embrace. As the icy grip of winter relents, the mountains don a verdant mantle, adorned with a symphony of wildflowers swaying gently in thefragrant breeze.Upon embarking on this captivating expedition, one's senses are tantalized by the intoxicating fragrance of blooming azaleas. Their vibrant hues paint the slopes witha kaleidoscope of colors, transforming the landscape into a living masterpiece. From the delicate pinks to the bold magentas, each flower whispers a tale of nature's resurgence.Ascend the winding trails that weave through the heartof Qingshan, and be greeted by a chorus of birdsong. Avivacious cacophony of melodies fills the air, harmonizing with the rustling leaves beneath your feet. The symphony of nature orchestrates a captivating performance that stirs the soul.Cast your gaze towards the distant peaks, and witness the breathtaking spectacle of snow-capped summits emerging from the ethereal mist. The interplay of white and green creates an otherworldly tapestry, reminiscent of an ancient landscape painting come to life.Along the path, pause at secluded nooks where the gentle murmur of streams serenades your presence. The crystalline waters reflect the vibrant colors of the surrounding flora, creating a mesmerizing display that captures the very essence of spring.As you traverse the verdant expanse, encounter tranquil ponds teeming with vibrant aquatic life. The rhythmic croaking of frogs echoes through the air, a symphony of nature's renewal. Damselflies and dragonflies, their iridescent wings shimmering with ethereal beauty, dartthrough the reeds, adding a touch of whimsy to the scene.Venture into the secluded groves where ancient trees stand as silent guardians of the forest. Their gnarled branches reach towards the heavens, bearing witness to the passage of time. The dappled sunlight filters through the canopy, casting ethereal shadows that dance upon the ground below.Ascend to the summit of Qingshan, and be enveloped by a panoramic vista that will forever etch itself upon your memory. The sprawling vista extends in all directions, offering a breathtaking perspective of the surrounding mountains, valleys, and the distant skyline.In this realm of ethereal beauty, it is as if timeitself stands still. Allow your spirit to wander amidst the grandeur of nature's embrace. Let the gentle breeze carry away your worries and replace them with a sense of tranquility and wonder.As day transitions into dusk, the symphony of natureundergoes a subtle transformation. The chirping of birds gradually subsides, replaced by the gentle hooting of owls and the nocturnal chorus of crickets. The vibrant hues of the sky dissolve into a tapestry of twilight, casting asoft glow upon the verdant slopes.Embark on a nocturnal expedition, and discover Qingshan in a new light. As the veil of night descends, the forest transforms into a realm of mystery and enchantment. The nocturnal symphony of nature unfolds, punctuated by the rustling of leaves and the occasional flutter of a bat's wings.With each step, your senses are heightened, attuned to the subtle wonders of the night. The faint glow offireflies dances amidst the foliage, illuminating the path like celestial lanterns. The aroma of night-blooming flowers permeates the air, creating an intoxicating fragrance that lingers in the memory.As dawn breaks, the forest gradually awakens from its slumber. The gentle rays of the morning sun pierce throughthe canopy, casting a warm glow upon the awakening landscape. The chorus of birdsong resumes, heralding the arrival of a new day.With your spirit renewed and your senses awakened, descend from the heights of Qingshan, carrying with you the essence of nature's rebirth. The memories of this sojourn will forever reside within your heart, a timeless reminder of the beauty and wonder that unfolds in the verdant embrace of spring.。

找春天修辞,对话作文

找春天修辞,对话作文

找春天修辞,对话作文英文回答:Spring is a season that brings new life and rejuvenation after the cold winter months. It is a time of renewal and growth, where nature comes alive with vibrant colors and fragrant scents. The arrival of spring brings a sense of hope and optimism, as we leave behind the dreary days of winter and look forward to brighter days ahead.One of the most noticeable signs of spring is the blooming of flowers. As the weather warms up, flowers such as tulips, daffodils, and cherry blossoms start to bloom, adding a splash of color to the landscape. The sight of these beautiful flowers can instantly lift one's mood and bring a sense of joy and happiness.Another characteristic of spring is the return of birds and the chirping of their songs. After migrating to warmer climates during the winter, birds start to return to theirbreeding grounds in the spring. The sound of birdsong is a delightful reminder that nature is awakening and that warmer days are on their way.In addition to flowers and birds, spring is also a season of growth and new beginnings. It is a time whentrees and plants start to sprout new leaves and buds, symbolizing the start of a new cycle of life. This growth can be seen in gardens, parks, and even in our own backyard. Watching plants grow and flourish can be a rewarding experience and a reminder of the beauty and resilience of nature.Furthermore, spring is a season that is oftenassociated with outdoor activities and celebrations. People take advantage of the pleasant weather to go for walks,have picnics, or engage in sports and recreational activities. It is a time when communities come together to celebrate events such as Easter, May Day, and various cultural festivals. These activities not only bring people closer but also create a sense of unity and belonging.中文回答:春天是在寒冷的冬季过后带来新生和复苏的季节。

咏柳鉴赏英语作文

咏柳鉴赏英语作文

咏柳鉴赏英语作文In the gentle embrace of spring's tender breath, the willows stand as the epitome of nature's grace, their slender branches swaying in the breeze like a dancer's delicate steps. The poem "Ode to the Willow" captures this essence, paintinga vivid picture with its words, a symphony of nature's beauty that resonates with the reader's soul. The poet's choice of imagery is nothing short of enchanting, as they describe the willow's leaves as if they were crafted by the finest silk, shimmering with the softest green that only the first buds of spring can boast.The poem's rhythm is as soothing as the rustling ofwillow leaves, inviting the reader to step into a serene landscape where tranquility reigns. Each line is a testamentto the poet's keen observation and deep appreciation for the willow's role in the tapestry of spring. The willow'sreflection in the water is not just a visual delight but a metaphor for the fleeting nature of life, as ephemeral as the shadows that dance across the surface of the pond."Ode to the Willow" is a celebration of the simple yet profound beauty that can be found in the most humble ofnature's creations. It is a reminder to pause, to observe,and to cherish the transient moments that life offers. The poem's message transcends the mere description of a tree; itis a meditation on the beauty of existence and the interconnectedness of all living things. As one reads, theycannot help but feel a sense of kinship with the willow, a silent companion in the ever-changing dance of seasons.。

习作作文,哪种植物是换醒春天的使者

习作作文,哪种植物是换醒春天的使者

习作作文,哪种植物是换醒春天的使者(中英文实用版)Spring is a season of renewal and revival, where the earth comes back to life after a long winter slumber.Among the various plants that signal the arrival of spring, the cherry blossom is undoubtedly the messenger of this awakening.With their delicate and fragrant petals, cherry blossoms serve as a symbol of hope and beauty.As they start to bloom, painting the landscape in shades of pink and white, one cannot help but feel a sense of awe and joy.These blossoms signal the end of winter"s chill and the beginning of nature"s rebirth.The significance of cherry blossoms in heralding spring is not just limited to their aesthetic appeal.They also play a crucial role in the ecosystem.Bees and other pollinators are drawn to the blossoms, kickstarting the process of pollination which is vital for the growth of many plant species.Moreover, the blooming of cherry trees often coincides with the migration of birds, adding to the overall sense of rejuvenation in the environment.In conclusion, while many plants and flowers contribute to the beauty of spring, it is the cherry blossom that stands out as the true使者, awakening the world from its winter slumber with its enchanting charm.春天是一个万物复苏、焕发生机的季节,在大地经过漫长的冬眠之后,逐渐苏醒。

阳关三叠英语

阳关三叠英语

阳关三叠英语Yáng Guān Sān Dié is a famous poem written by Wang Wei, a renowned poet in the Tang Dynasty. This poem depicts the serene and picturesque scenery of the Yangguan Pass, which was a vital checkpoint on the ancient Silk Road. Through vivid descriptions and skillful use of imagery, the poet transports readers to this ancient pass and immerses them in its beauty. Let's explore the enchanting world of Yangguan Pass through the lines of this poem.The poem begins with the phrase "A thousand miles beyond the Yangguan Pass." This line immediately sets the scene and captures the reader's attention. It suggests that the poet is looking beyond the pass, implying that there is something extraordinary awaiting us.The next line reads, "The yellow River enters the sea." This line introduces the Yellow River, one of China's major rivers, and its journey towards the vastness of the sea. The use of color imagery with "yellow" and "sea" creates a vivid contrast and adds depth to the poem.Moving on, the poem describes the scenery of Yangguan Pass. "Rolling hills and mountains stretch endlessly" portrays the grandeur and vastness of the landscape. The use of the word "endlessly" emphasizes the immensity of the surroundings.The poem then introduces the image of a lonely goose flying in the sky. "A lonely goose flies far away" evokes a sense of solitude and longing. The poet's choice to include this image adds a touch of melancholy to the poem, as if the goose is yearning for something beyond its reach.The next line reads, "Autumn winds blow through the reed pipes." This line brings attention to the sound of the wind passing through the reeds, creating a serene and peaceful atmosphere. The mention of autumn suggests a change in season, further enhancing the imagery.Continuing with the theme of nature, the poem describes the sound of horses' hooves. "The sound of horses' hooves fades away" evokes a sense of transience and passing time. It reminds us that everything in life is fleeting and that we should cherish the present moment.The final lines of the poem are particularly poignant. "The setting sun casts a golden glow" paints a vivid image of the sun setting, casting a warm and golden light over the landscape. This line signifies the end of the day and the beginning of a new chapter.In conclusion, Yáng Guān Sān Dié is a remarkable poem that transports readers to the enchanting world of the Yangguan Pass. Through vivid descriptions and skillful use of imagery, the poet captures the beauty and serenity of this ancient checkpoint on the Silk Road. The poem's themes of longing, transience, and the beauty of nature resonate with readers, reminding us to appreciate the fleeting moments in life.。

关于柳树的英语作文好的开头好句

关于柳树的英语作文好的开头好句

关于柳树的英语作文好的开头好句Nestled at the serene banks of meandering rivers, amidst verdant meadows and whispering breezes, stands the majestic willow tree, an arboraceous sentinel that has graced our planet for eons. With its graceful silhouette, flowing tresses that dance in the wind like a silken tapestry, and an aura of tranquility that envelops all who behold it, the willow has captured the hearts and imaginations of poets, artists, and nature enthusiastsalike for centuries.The willow's botanical lineage traces back to the genus Salix, a diverse group of deciduous trees and shrubs belonging to the Salicaceae family. With over 400 species distributed across the Northern Hemisphere, willows exhibit a remarkable adaptability to diverse climates and habitats, ranging from temperate forests and wetlands to alpine meadows and arid steppes.A defining characteristic of the willow is itsdistinctive growth habit. Unlike many trees that aspire skyward with a singular trunk, willows often exhibit amulti-stemmed, sprawling form. Their branches cascade downwards in a picturesque manner, creating an umbrella-like canopy that provides ample shade and shelter for weary travelers, grazing livestock, and the myriad creatures that call the willow their home.The leaves of the willow are equally captivating, with their lanceolate shape and serrated margins. Their upper surfaces gleam with a vibrant green hue, while their undersides display a soft, silvery sheen. As the wind rustles through the willow's foliage, the play of light and shadow creates a mesmerizing effect, akin to the shimmering scales of a mythical creature.In the realm of folklore and mythology, the willow holds a prominent place. Ancient Greeks associated it with the goddess Hecate, who was said to preside over crossroads and the liminal spaces between life and death. In Celtic tradition, the willow was considered a sacred tree, believed to possess healing and protective powers. Itssupple branches were often woven into amulets and charms, and its bark was used to create medicinal concoctions.The willow's association with water is deeply ingrained in its symbolism. Its roots greedily seek out moisture, anchoring it firmly in the banks of rivers, streams, and lakes. In many cultures, the willow is seen as a guardianof water sources, ensuring their purity and abundance. Its graceful form, reflected in the shimmering surface of the water, adds an air of serenity and contemplation to any landscape.Beyond its mythological and symbolic significance, the willow has also played a practical role in human societies throughout history. Its pliable branches were used byNative Americans to craft baskets, mats, and otherutilitarian objects. The bark of some willow species contains salicylic acid, a compound that forms the basis of aspirin, one of the world's most widely used pain relievers.In modern times, willows continue to be valued fortheir ornamental and ecological benefits. They are plantedin parks, gardens, and along streetscapes, providing shade, beauty, and a touch of nature to urban environments. Their ability to tolerate wet soils makes them ideal for erosion control and water filtration projects, helping to protect waterways and improve water quality.As we delve deeper into the intricate world of the willow tree, we discover a symphony of adaptations that have allowed it to thrive in diverse environments. Its extensive root system, for instance, not only anchors it firmly in the ground but also enables it to extract water and nutrients from even the most challenging soils. Its flexible branches, capable of withstanding strong winds and heavy snowfalls, ensure its survival in exposed and unstable landscapes.The willow's reproductive strategies are equally remarkable. It produces both male and female catkins, wind-pollinated structures that release tiny seeds equipped with silky hairs. These hairs catch the wind, allowing the seeds to travel long distances and colonize new areas. Some willow species also exhibit a remarkable ability toreproduce vegetatively, sprouting new trees from fallen branches or fragments of root.The ecological importance of willows cannot be overstated. They provide food and shelter for a vast array of wildlife, including insects, birds, and mammals. Their dense foliage offers nesting sites for numerous songbirds, while their bark and leaves serve as a valuable source of nutrition for deer, rabbits, and other herbivores. Willows also play a crucial role in maintaining the health of riparian ecosystems, stabilizing riverbanks, reducing erosion, and filtering pollutants from the water.Throughout history, the willow tree has been a source of inspiration for artists, poets, and musicians. Its graceful form and evocative symbolism have found expression in countless works of art, from the delicate brushstrokes of Chinese scroll painters to the haunting melodies of Celtic folk songs. In literature, willows often appear as symbols of beauty, grace, and resilience, their presence enhancing the emotional depth and resonance of the narrative.In the realm of music, the willow has been immortalized in compositions by renowned composers such as Beethoven, Schubert, and Chopin. Its melancholic sway and association with water have inspired countless songs and instrumental pieces, capturing the essence of longing, sorrow, and the bittersweet passage of time.The willow tree, with its timeless beauty, ecological significance, and enduring presence in human culture, stands as a testament to the interconnectedness of life on our planet. As we continue to appreciate and protect these majestic trees, we not only safeguard their well-being but also preserve a vital part of our natural heritage. May future generations continue to find solace, inspiration, and a deep connection to the natural world beneath the sheltering canopy of the willow tree.。

劳伦斯《鸟啼》英文原文及译文

劳伦斯《鸟啼》英文原文及译文

劳伦斯《鸟啼》英文原文及译文The frost held for many weeks, until the birds were dying ra pidly. Everywhere in the fields and under the hedges lay the rag ged remains of lapwings, starlings, thrushes, redwings, innumer able ragged, bloody cloaks of birds, whence the flesh was eaten by invisible beasts of prey.Then, quite suddenly, one morning, the change came. The wind went to the south, came off the sea warm and soothing. In the afternoon there were little gleams of sunshine, and the dov es began, without interval, slowly and awkwardly to coo. The do ves were cooing, though with a laboured sound, as if they were still winter-stunned. Nevertheless, all the afternoon they continued their no ise, in the mild air, before the frost had thawed off the road. At e vening the wind blew gently, still gathering a bruising quality of frost from the hard earth. Then, in the yellow-gleamy sunset, wild birds began to whistle faintly in the blackth orn thickets of the stream-bottom.It was startling and almost frightening, after the heavy silen ce of frost. How could they sing at once, when the ground was t hickly strewn with the torn carcasses of birds? Yet out of the eve ning came the uncertain, silvery sounds that made one’s soul s tart alert, almost with fear. How could the little silver bugles sou nd the rally so swiftly, in the soft air, when the earth was yet bound? Yet the birds continued their whistling, rather dimly and bro kenly, but throwing the threads of silver, germinating noise into the air.It was almost a pain to realize, so swiftly, the new world. “L e monde est mort. Vive le monde!” But the birds omitted even the first part of the announcement, their cry was only a faint, bli nd, fecund “vive!”There is another world. The winter is gone. There is a new w orld of spring. The voice of the turtle is heard in the land. But th e flesh shrinks from so sudden a transition. Surely the call is pre mature, while the clods are still frozen, and the ground is littere d with the remains of wings! Yet we have no choice. In the botto ms of impenetrable blackthorn, each evening and morning now, out flickers a whistling of birds.Where does it come from, the song? After so long a cruelty, how can they make it up so quickly? But it bubbles through the m, they are like little well-heads, little fountain-heads whence the spring trickles and bubbles forth. It is not of t heir own doing. In their throats the new life distils itself into sou nd. It is the rising of the silvery sap of a new summer, gurgling it self forth.All the time, whilst the earth lay choked and killed and wint er-mortified, the deep undersprings were quiet. They only wait for the ponderous encumbrance of the old order to give way, yield i n the thaw, and there they are, a silver realm at once. Under thesurge of ruin, unmitigated winter, lies the silver potentiality of all blossom. One day the black tide must spend itself and fade bac k. Then all-suddenly appears the crocus, hovering triumphant in the year, a nd we know the order has changed, there is a new regime, soun d of a new “Vive!Vive!”It is no use any more to look at the torn remnants of birds t hat lie exposed. It is no longer any use remembering the sullen t hunder of frost and the intolerable pressure of cold upon us. For whether we will or not, they are gone. The choice is not ours. W e many remain wintry and destructive for a little longer, if we wi sh it, but the winter is gone out of us, and willy-nilly our hearts sing a little at sunset.Even whilst we stare at the ragged horror of birds scattered broadcast, part-eaten, the soft, uneven cooing of the pigeon ripples from the o uthouses, and there is a faint silver whistling in the bushes com e twilight. No matter, we stand and stare at the torn and unsight ly ruins of life, we watch the weary, mutilated columns of winter retreating under our eyes. Yet in our ears are the silver vivid bug les of a new creation advancing on us from behind, we hear the rolling of the soft and happy drums of the doves.We may not choose the world. We have hardly any choice f or ourselves. We follow with our eyes the bloody and horrid line of march of this extreme winter, as it passes away. But we cann ot hold back the spring. We cannot make the birds silent, preve nt the bubbling of the wood-pigeons. We cannot stay the fine world of silver-fecund creation from gathering itself and taking place upon us. Whether we will or mo, the daphne tree will soon be giving off perfume, the lambs dancing on two feet, the celandines will twi nkle all over the ground, there will be new heaven and new eart h.For it is in us, as well as without us. Those who can may foll ow the columns of winter in their retreat from off the earth. So me of us, we have no choice, the spring is within us, the silver fo untain begins to bubble under our breast, there is a gladness in spite of ourselves. And on the instant we accept the gladness! T he first day of change, out whistles an unusual, interrupted pean , a fragment that will augment itself imperceptibly. And this in s pite of the extreme bitterness of the suffering, in spite of the my riads of torn dead.Such a long, long winter, and the frost only broke yesterday. Yet it seems, already, we cannot remember it. It is strangely rem ote, like a far-off darkness. It is as unreal as a dream in the night. This is the m orning of reality, when we are ourselves. This is natural and real, the glimmering of a new creation that stirs in us and about us. We know there was winter, long, fearful. We know the earth was strangled and mortified, we know the body of life was torn and scattered broadcast. But what is this retrospective knowledge? I t is something extraneous to us, extraneous to this that we are n ow. and what we are, and what, it seems, we always have been, i s this quickening lovely silver plasm of pure creativity. All the m ortification and tearing, ah yes, it was upon us, encompassing us. It was like a storm or a mist or a falling from a height. It was e ntangled upon us, like bats in our hair, driving us mad. But it wa s never really our innermost self. Within, we were always apart, we were this, this limpid fountain of silver, then quiescent, rising and breaking now into the flowering.It is strange, the utter in compatibility of death with life. Wh ilst there is death, life is not to be found. It is all death, one over whelming flood. And then a new tide rises, and it is all life, a fou ntain of silvery blissfulness. It is one or the other. We are for life, or we are for death, one or the other, but never in our essence both at once.Death takes us, and all is a torn redness, passing into darkn ess. Life rises, and we are faint fine jets of silver running out to b lossom. All is incompatible with all. There is the silvery-speckled, incandescent-lovely thrush, whistling pipingly his first song in the blackthorn t hicket. How is he to be connected with the bloody, feathered un sightliness of thrush-remnants just outside the bushes? There is no connection. They are not to be referred the one to the other. Where one is, the ot her is not. In the kingdom of death the silvery song is not. But w here there is life, there is no death. No death whatever, only silv ery gladness, perfect, the otherworld.The blackbird cannot stop his song, neither can the pigeon. It takes place in him, even though all his race was yesterday des troyed. He cannot mourn, or be silent, or adhere to the dead. Of the dead he is not, since life has kept him. The dead must burytheir dead. Life has now taken hold on him and tossed him into the new ether of a new firmament, where he bursts into song as if he were combustible.What is the past, those others, now he is tossed clean into t he new, across the untranslatable difference?In his song is heard the first brokenness and uncertainty of t he transition. The transit from the grip of death into new being i s a death from death, in its sheer metempsychosis a dizzy agony . But only for a second, the moment of trajectory, the passage fr om one state to the other, from the grip of death to the liberty of newness. In a moment he is in the kingdom of wonder, singin g at the center of a new creation.The bird did not hang back. He did not cling to his death an d his dead. There is no death, and the dead have buried their de ad. Tossed into the chasm between two worlds, he lifted his win gs in dread, and found himself carried on the impulse.We are lifted to be cast away into the new beginning. Under our hearts the fountain surges, to toss us forth. Who can thwar t the impulse that comes upon us? It comes from the unknown upon us, and it behoves us to pass delicately and exquisitely up on the subtle new wind from heaven, conveyed like birds in unr easoning migration from death to life.译文:严寒持续了好几个星期,鸟儿很快地死去了。

The Beauty of a Blooming Tree

The Beauty of a Blooming Tree

The Beauty of a Blooming Tree The beauty of a blooming tree is a sight to behold, captivating and enchantingin its display of nature's splendor. The vibrant colors of the blossoms, thedelicate fragrance that fills the air, and the buzzing of bees and butterflies all come together to create a scene of pure magic. It's a reminder of the cycle oflife, of growth, and of the fleeting nature of beauty. The sight of a bloomingtree can evoke a sense of joy, wonder, and appreciation for the natural world around us. From a botanical perspective, the blooming of a tree is a crucialstage in its life cycle. It marks the transition from dormancy to active growth, signaling the arrival of spring and the beginning of a new season. The blossomsare the tree's way of reproducing, attracting pollinators to facilitate theprocess of fertilization and the production of seeds. This process is essentialfor the survival of the tree species and contributes to the biodiversity of the ecosystem. On a more personal level, the beauty of a blooming tree can evoke a sense of nostalgia and sentimentality. For many people, the sight of a bloomingtree may bring back memories of childhood, of playing in the shade of a flowering tree, or of special moments spent with loved ones. The beauty of a blooming treehas the power to transport us to a place of peace and tranquility, where we can momentarily escape the stresses of daily life and reconnect with the natural world. The beauty of a blooming tree is also a source of inspiration for artists, poets, and writers. The delicate petals, the vibrant colors, and the graceful form of the branches can serve as a muse for creative expression. Painters may seek to capture the beauty of a blooming tree on canvas, poets may find inspiration in itsfleeting nature, and writers may use it as a symbol of renewal and hope. Thebeauty of a blooming tree has the ability to ignite the imagination and stir the soul. From an environmental perspective, the beauty of a blooming tree is a signof a healthy and thriving ecosystem. Trees play a crucial role in maintaining the balance of the environment, providing oxygen, absorbing carbon dioxide, and providing habitat for a diverse range of species. The blossoms of a tree attract pollinators, such as bees and butterflies, which are essential for the pollination of plants and the production of fruits and seeds. The beauty of a blooming tree serves as a reminder of the interconnectedness of all living things and theimportance of preserving the natural world. In conclusion, the beauty of a blooming tree is a sight to behold, captivating and enchanting in its display of nature's splendor. It serves as a reminder of the cycle of life, of growth, and of the fleeting nature of beauty. From a botanical perspective, it marks the transition from dormancy to active growth and is essential for the survival of the tree species. On a personal level, it can evoke a sense of nostalgia and sentimentality, transporting us to a place of peace and tranquility. The beauty of a blooming tree is also a source of inspiration for artists, poets, and writers, igniting the imagination and stirring the soul. From an environmental perspective, it is a sign of a healthy and thriving ecosystem, reminding us of the interconnectedness of all living things. The beauty of a blooming tree is a testament to the power and wonder of the natural world, a sight that never fails to inspire awe and appreciation.。

english poem both have metaphor and simile -回复

english poem both have metaphor and simile -回复

english poem both have metaphor and simile-回复Title: The Extraordinary Journey of the ButterflyIntroduction:In the vast tapestry of nature, the butterfly emerges as a symbol of transformation and beauty. Its metamorphosis from a humble caterpillar to a magnificent creature awakens our awe and wonder. Embarking on a literary journey, this article will expound upon the mesmerizing metaphorical qualities and enchanting similes that portray the butterfly's journey as an allegory for personal growth and self-discovery.The Chrysalis: Metaphor of TranscendenceThe chrysalis, akin to a cocoon, envelopes the raw potential of the caterpillar. It represents a metaphorical fortress for the butterfly's imminent transformation. Like the chrysalis, individuals often find themselves in a secluded state, shielded from the external world, while undergoing their personal evolution. Within this protective enclosure, they explore the depths of their being, shedding the old and embracing the new. Just as the chrysalis becomes a gateway to flight, personal growth requires self-reflection and introspection,paving the path to transcendence.The Rising Sun: Simile of AwakeningWhen the butterfly's wings emerge from the chrysalis, they unfurl like delicate petals of a flower, catching the first glimmers of the morning sun. This simile illuminates the transformative experience of self-discovery. Awakening to one's true self is akin to witnessing the sunrise, as it bathes the world in radiant hues. As the butterfly stretches its wings in the gentle warmth of the sun, so too does an individual embrace their authentic identity, ready to embark on a journey of exploration and enlightenment.The Dance of Flight: Metaphor of FreedomOnce freed from the constraints of the chrysalis, the butterfly takes its first flight, an enchanting metaphor for newfound freedom. Every wingbeat represents the journey towards liberation from one's old self, soaring higher and higher towards new horizons. In flight, the butterfly embraces the winds of change, embracing life's gusts and breezes with grace and agility. Similarly, personal growth empowers individuals to break free from the confines that held them back, enabling them to spread their wings and embrace the opportunities and challenges that lie in wait.The Garden of Nectar: Simile of Life's NourishmentAs the butterfly flutters amidst vibrant blooms, it seeks sustenance from the sweet nectar they offer. This simile symbolizes the importance of nourishment in our own personal journey. Just as flowers provide nectar for the butterfly, life presents opportunities and experiences that can provide the essential nutrients needed for growth. Each interaction, encounter, and adventure encountered along the way acts as nourishment, allowing individuals to expand their perspectives and nourish their souls.The Cycle Renewed: Metaphor of ContinuityEventually, the butterfly's journey comes full circle, as it finds a suitable spot to lay its eggs and ensure the continuity of its species. This metaphor exemplifies the cyclical nature of personal growth. Although growth may appear ceaseless, it is essential to acknowledge the significance of passing on wisdom and experiences to subsequent generations. Just as the butterfly perpetuates its legacy, individuals have the opportunity to inspire and guide others, sharing the lessons gained from their own transformative journey.Conclusion:The butterfly's extraordinary journey mirrors our own quest for personal growth and self-discovery. Through the metaphorical representation of the chrysalis, the similes of the rising sun, the dance of flight, the garden of nectar, and the cycle renewed, we discover glimpses of our own transformation. By embracing the beauty and symbolism of this enchanting creature, we can learn to appreciate the transformative power within ourselves and embark on a journey where self-actualization and enlightenment gracefully unfold.。

春天挖折耳根,赏花,徒步小作文

春天挖折耳根,赏花,徒步小作文

春天挖折耳根,赏花,徒步小作文英文回答:Wandering through verdant meadows, the symphony of nature's awakening echoes in my ears. The gentle breeze caresses my skin, carrying the sweet fragrance ofwildflowers and the earthy scent of newly tilled soil. In the heart of this spring tableau, I embark on a quest for the elusive "wild ginger," a delicacy known for its pungent flavor and medicinal properties.With a trowel in hand, I carefully pry loose the soil around a promising clump, revealing the delicate rhizomesof the plant. Their intricate patterns and pale pink hue resemble veins tracing the canvas of the earth. As I pluck them from the ground, a surge of satisfaction washes over me, the anticipation of culinary delights to come.Beyond the confines of the meadow, a vibrant tapestryof colors unfolds before my eyes. Fields of blooming tulips,poppies, and hyacinths paint the landscape in a kaleidoscope of hues. The air hums with the gentle buzz of bees, their persistent labor essential for nature's vibrant tapestry.Inspired by the beauty that surrounds me, I follow a winding path that leads into a secluded woodland. The dappled sunlight filters through the canopy above, casting ethereal shadows on the forest floor. At the edge of a tranquil stream, I pause to admire the intricate dance of dragonflies, their iridescent wings shimmering in the sunlight.As I continue my journey, the path narrows, inviting me into the heart of the forest. Towering trees form a majestic canopy overhead, their branches entwined like ancient lovers. The understory is alive with a symphony of sounds: the chatter of birds, the rustling of leaves, and the distant drumming of a woodpecker.With each step, nature's embrace envelops me, awakening my senses and calming my spirit. The worries of daily lifemelt away, replaced by a profound sense of peace and tranquility. I feel a deep connection to the land and its inhabitants, humbled by the interconnectedness of allliving things.中文回答:漫步在青翠的草地上,大自然苏醒的交响曲在我耳边回荡。

观察春天的一种植物写一篇作文

观察春天的一种植物写一篇作文

观察春天的一种植物写一篇作文英文回答:As the earth awakens from its slumber, casting off the shackles of winter, nature's canvas transforms into avibrant masterpiece. Amidst this symphony of colors and textures, I find myself drawn to the understated eleganceof the Common Daisy, a botanical icon of springtime.The daisy's unassuming beauty lies in its simplicity.Its pristine white petals, arranged in a symmetrical radial pattern, encircle a central golden disk. As the sun ascends, the daisy's cheerful face turns towards its celestial benefactor, its petals unfolding like a delicate tapestry. The daisy's stems, slender and graceful, sway gently in the breeze, lending them an air of ethereal lightness.Beyond its visual appeal, the daisy holds ecological significance. Its nectar-rich flowers attract a myriad of pollinators, including bees, butterflies, and ants. Thesetiny creatures, essential to the survival of the daisy and other plant species, eagerly seek out its sweet offerings.The daisy's adaptability is another testament to its ecological prowess. It thrives in a wide range of habitats, from sun-drenched meadows to moist forest edges. Itsability to withstand trampling and grazing makes it a resilient member of urban ecosystems, where it often graces parks, lawns, and roadsides.In folklore and literature, the daisy has long held a place of affection. In Victorian England, it was a symbolof innocence and purity, often associated with young maidens. In William Wordsworth's poem "To the Daisy," the flower becomes an emblem of resilience and joy, a beacon of hope in the face of adversity.Personally, I find solace in the daisy's simple beauty. Its unassuming presence amidst the grandeur of nature reminds me of the importance of finding joy in the ordinary. The daisy is a symbol of resilience, adaptability, and the interconnectedness of all living things. As I observe thishumble yet extraordinary plant, I am filled with a sense of wonder and gratitude.中文回答:春日里,大地苏醒,抛却冬日的束缚,大自然的画布蜕变为一幅生机勃勃的杰作。

趵突泉指路作文英语初一

趵突泉指路作文英语初一

趵突泉指路作文英语初一Baotu Spring, a natural wonder located in the heart of Jinan, the capital city of Shandong Province in China, has long been a source of fascination and inspiration for people from all walks of life. This magnificent spring, with its crystal-clear waters and tranquil setting, has not only captivated the imaginations of poets and artists but also served as a guiding light for those seeking direction and purpose in their lives.At the very outset, Baotu Spring stands as a testament to the power and beauty of nature. Fed by an underground aquifer, the spring's waters gush forth with a constant and steady flow, creating a serene pool that reflects the surrounding landscape with remarkable clarity. The spring's name, "Baotu," literally translates to "bursting spring," a fitting description of the dynamic and energetic nature of this natural marvel.Beyond its physical beauty, Baotu Spring holds a deep significance in the cultural and spiritual fabric of Jinan and its people. For centuries, the spring has been revered as a source of life-giving water, asymbol of purity, and a place of contemplation and reflection. Countless generations have flocked to its banks, seeking solace, inspiration, and a deeper connection with the natural world.One of the most striking features of Baotu Spring is its ability to serve as a guiding beacon for those in search of direction and purpose. The spring's unwavering flow, its steadfast presence amidst the ever-changing landscape, has come to represent the enduring and reliable nature of the natural world. In a world that can often feel chaotic and uncertain, Baotu Spring stands as a constant reminder that there are still places of stability and tranquility to be found.For many, the act of visiting Baotu Spring and contemplating its waters has become a transformative experience, a chance to step away from the noise and distractions of everyday life and reconnect with the deeper currents of the natural world. As they gaze upon the spring's surface, they find themselves drawn into a state of contemplation, their minds clearing and their perspectives shifting.It is in this state of contemplation that the true power of Baotu Spring becomes apparent. The spring's waters, with their constant and unwavering flow, serve as a metaphor for the journey of life itself. Just as the spring's waters never cease their movement, so too must we, as human beings, continue to flow forward, navigating the twists and turns of our own paths with grace and determination.In this way, Baotu Spring becomes a guiding light, a touchstone for those seeking to find their way in the world. Its presence serves as a reminder that even in the midst of uncertainty and upheaval, there are still sources of stability and clarity to be found. By drawing inspiration from the spring's steadfast nature, individuals can find the courage and resilience to confront the challenges that life presents and emerge stronger and more focused than ever before.Moreover, Baotu Spring's significance extends beyond the individual, serving as a symbol of the interconnectedness of all things. The spring's waters, flowing from deep beneath the earth's surface, are a testament to the hidden connections that bind our world together. In this way, Baotu Spring reminds us that we are all part of a larger, more complex system, and that by recognizing and honoring these connections, we can find a greater sense of purpose and meaning in our lives.As we continue to grapple with the complexities and uncertainties of the modern world, the enduring presence of Baotu Spring stands as a beacon of hope and inspiration. Its timeless beauty and unwavering spirit serve as a reminder that even in the face of adversity, there are still sources of strength and guidance to be found in the natural world. By embracing the lessons of Baotu Spring and allowing its waters to guide us, we can tap into a deeper well ofwisdom and resilience, ultimately finding the direction and purpose we seek.。

水母视束神经的英语阅读理解

水母视束神经的英语阅读理解

水母视束神经的英语阅读理解The jellyfish visual system, also known as the jellyfish visual nerve net, is a fascinating and unique structure that allows jellyfish to perceive their surroundings and respond to stimuli. Unlike the complex visual systems of vertebrates, the jellyfish visual system is much simpler and lacks specialized organs such as eyes. Instead, it relies on a network of sensory cells and nerve cells that are distributed throughout the jellyfish's body.The jellyfish visual system is primarily composed of specialized sensory cells called rhopalia, which are located around the edge of the jellyfish's bell. Each rhopalium contains a cluster of photoreceptor cells, which are capable of detecting light and differentiating between light of different wavelengths. These photoreceptor cells are connected to a network of nerve cells, which transmit signals to the jellyfish's motor neurons, allowing it to respond to visual stimuli.One of the most remarkable features of the jellyfish visual system is its ability to detect and respond to changes in light intensity, which is essential fornavigating the ocean environment. The rhopalia aresensitive to even small changes in light, allowing the jellyfish to detect the presence of predators or prey, as well as changes in the ambient light levels that may indicate the presence of obstacles or shelter.In addition to their role in light detection, the rhopalia also play a crucial role in the jellyfish'sability to orient itself in the water. By detecting the direction of light and changes in light intensity, the jellyfish can maintain its position and navigate towards sources of food or shelter. This is especially importantfor species of jellyfish that are not strong swimmers and rely on ocean currents to carry them to suitable habitats.Overall, the jellyfish visual system is a remarkable example of the diversity of visual adaptations found in the animal kingdom. While it may be simpler than the visual systems of vertebrates, it is perfectly suited to the needs of jellyfish and allows them to thrive in their oceanic environments.水母视觉系统,也称为水母视觉神经网络,是一个迷人而独特的结构,它使水母能够感知周围环境并对刺激做出反应。

春天的桃花岛英语作文300字

春天的桃花岛英语作文300字

春天的桃花岛英语作文300字Amidst the tapestry of nature's awakening, Peach Blossom Island emerges as a vibrant canvas adorned with the ethereal beauty of spring. Its verdant slopes, once cloaked in winter's embrace, now shimmer with an emerald radiance as the sun's golden rays bathe the land.As if touched by a celestial artist, the island's namesake, the peach blossom, erupts into a kaleidoscope of delicate hues. From the soft blush of early buds to the vibrant crimson of full bloom, the trees transform into living masterpieces that dance gracefully in the gentle breeze. Their sweet fragrance permeates the air, creating an intoxicating symphony that enchants the senses.Beneath the canopy of blossoms, the island's paths meander like silken threads, inviting visitors to embark on a journey through this floral wonderland. With each step, vibrant petals flutter to the ground, forming a vibrant carpet that crunches beneath the foot. The air hums withthe chorus of birdsong, their melodies mingling with the tinkling sound of wind chimes suspended from the trees.As one ventures deeper into the island's heart,secluded coves and tranquil ponds emerge. Crystal-clear waters reflect the ethereal pink of the blossoms, creating an enchanting mirage. Here, visitors can pause and soak in the serenity of nature's embrace, surrounded by the gentle rustling of leaves and the distant call of waterfowl.The magic of Peach Blossom Island extends beyond its floral splendor. Its ancient temples, adorned withintricate carvings and faded murals, whisper tales of arich history. Visitors can explore these sacred sanctuaries, paying homage to the ancient traditions and beliefs that have shaped the island's soul.As twilight descends, the island takes on a new and equally captivating allure. The sunset's golden glow paints the sky with hues of orange and amber, casting a warm embrace upon the landscape. As darkness envelops the land, the blossoms seem to glow with an inner light, creating anethereal and otherworldly ambiance.Peach Blossom Island in spring is a sanctuary for the soul, a place where nature's beauty and tranquility intertwine to create an unforgettable experience. It is a destination that inspires awe, wonder, and a profound appreciation for the ephemeral nature of life.。

春天挖野菜春天去世的,作文

春天挖野菜春天去世的,作文

春天挖野菜春天去世的,作文英文回答:In the verdant embrace of spring, where nature awakens from its slumber, a somber tale unfolds—a tragedy whispered through the budding trees. As villagers ventured into the fields, eager to gather the bounty of wild edibles that signaled the arrival of the new season, a misstep proved fatal for one unfortunate soul.With the sun casting its warm rays upon the land, a young woman named Anya set out with a basket in hand, her heart filled with the anticipation of foraging for the nutritious greens that had sustained her people for generations. As she trod carefully amidst the undergrowth, her eyes scanned the ground, searching for the telltale signs of edible plants.Suddenly, her foot stumbled upon a treacherous root, and she lost her balance. As she fell, her body struck asharp rock, hidden beneath the soft earth. The impact was unforgiving, crushing her fragile skull and extinguishing the flame of her life.Anya's companions, hearing the commotion, rushed to her aid, but it was too late. They found her lying motionless on the forest floor, her once-bright eyes forever closed. A pall of grief descended over the group as they realized the tragedy that had befallen them.The news of Anya's untimely demise spread like wildfire through the village, casting a shadow over the joy and promise of springtime. She was remembered as a kind and diligent young woman, beloved by all who knew her.As the days turned into nights, the villagers mourned Anya's passing in their own way. Some gathered around a campfire, sharing stories of her laughter and generosity. Others sought solace in the forest where she had met her untimely end, paying homage to her spirit.And so, in the tapestry of spring, the celebration ofnew life was interwoven with the threads of sorrow, a poignant reminder of the fragility of existence.中文回答:在那绿意盎然的春天,大自然从沉睡中苏醒,一个悲惨的故事也在悄然发生,它在发芽的树木中回荡着。

外国散文作文开头模板素材

外国散文作文开头模板素材

外国散文作文开头模板素材标题,The Beauty of Nature。

Nature is a wondrous and awe-inspiring force that has captivated the hearts and minds of people for centuries. From the majestic mountains to the serene rivers, the beauty of nature is truly unparalleled. In this essay, we will explore the different aspects of nature's beauty and how it has inspired countless writers, poets, and artists throughout history.One of the most striking features of nature is its diversity. From the lush rainforests of the Amazon to the barren deserts of the Sahara, nature presents us with a myriad of landscapes and ecosystems. Each of these environments is home to a unique array of flora and fauna, all of which contribute to the overall beauty of the natural world. The vibrant colors of a coral reef, the towering redwoods of California, and the delicate cherry blossoms of Japan are just a few examples of the stunning diversity found in nature.Furthermore, nature has a way of captivating our senses in a way that nothing else can. The sound of waves crashing against the shore, the smell of fresh pine in the forest, and the sight of a breathtaking sunset all serve to remind us of the beauty and wonder that surrounds us. In a world that is often filled with chaos and noise, nature provides a welcome respite and an opportunity to reconnect with the world around us.In addition to its visual and sensory appeal, nature also has a profound impact on our emotional and spiritual well-being. Studies have shown that spending time in nature can reduce stress, improve mood, and increase feelings of happiness and well-being. Whether it's a leisurely stroll through a park or a challenging hike in the mountains, immersing ourselves in nature allows us to escape the pressures of daily life and find solace in the natural world.The beauty of nature has also served as a powerful source of inspiration for countless artists, writers, and poets. From the romantic landscapes of the Hudson River School painters to the transcendentalist writings of Ralph Waldo Emerson and Henry DavidThoreau, nature has been a recurring theme in the creative arts. The works of artists such as Claude Monet, who captured the changing light and colors of his garden in Giverny, and poets like William Wordsworth, who celebrated the beauty of the English Lake District, are testaments to the enduring influence of nature on the human imagination.Moreover, nature's beauty is not only a source of inspiration but also a reminder of the importance of conservation and environmental stewardship. As we continue to face environmental challenges such as climate change, deforestation, and species extinction, it is crucial that we recognize the intrinsic value of nature and work to protect and preserve it for future generations. By appreciating the beauty of nature, we can cultivate a deeper sense of respect and responsibility for the natural world.In conclusion, the beauty of nature is a testament to the incredible diversity, sensory appeal, and emotional impact of the natural world. From its ability to inspire creativity and artistic expression to its role in promoting health and well-being, nature holds a special place in the hearts of people around the world. As we strive to protect and preserve the beauty of nature, let us also take the time to appreciate and celebrate the wonders of the natural world.。

现代大学英语精读4Unit2SpringSowing原文

现代大学英语精读4Unit2SpringSowing原文

Spring SowingIt was still dark when Martin Delaney and his wife Mary got up. Martin stood in his shirt by the window, rubbing his eyes and yawning, while Mary raked out the live coals that had lain hidden in the ashes on the hearth all night. Outside, cocks were crowing and a white streak was rising form the ground, as it were, and beginning to scatter the darkness. It was a February morning, dry, cold and starry.The couple sat down to their breakfast of tea, bread and butter, in silence. They had only been married the previous autumn and it was hateful leaving a warm bed at such and early hour. Martin, with his brown hair and eyes, his freckled face and his little fair moustache, looked too young to be married, and his wife looked hardly more than a girl, red-cheeked and blue-eyed, her black hair piled at the rear of her head with a large comb gleaming in the middle of the pile, Spanish fashion. They were both dressed in rough homespuns, and both wore the loose white shirt that Inverara peasants use for work in the fields.They ate in silence, sleepy and yet on fire with excitement, for it was the first day of their first spring sowing as man and wife. And each felt the glamour of that day on which they were to open up the earth together and plant seeds in it. But somehow the imminence of an event that had been long expected loved, feared and prepared for made them dejected. Mary,with her shrewd woman's mind, thought of as many things as there are in life as a woman would in the first joy and anxiety of her mating. But Martin's mind was fixed on one thought. Would he be able to prove himself a man worthy of being the head of a family by dong his spring sowing well? In the barn after breakfast, when they were getting the potato seeds and the line for measuring the ground and the spade, Martin fell over a basket in the half-darkness of the barn, he swore and said that a man would be better off dead than.. But before he could finish whatever he was going to say, Mary had her arms around his waist and her face to his. "Martin," she said, "let us not begin this day cross with one another." And there was a tremor in her voice. And somehow, as they embraced, all their irritation and sleepiness left them. And they stood there embracing until at last Martin pushed her from him with pretended roughness and said: "Come, come, girl, it will be sunset before we begin at this rate."Still, as they walked silently in their rawhide shoes through the little hamlet, there was not a soul about. Lights were glimmering in the windows of a few cabins. The sky had a big grey crack in it in the east, as if it were going to burst in order to give birth to the sun. Birds were singing somewhere at a distance. Martin and Mary rested their baskets of seeds on a fence outside the village and Martin whispered to Mary proudly: "We are first, Mary." And they both looked back at the little cluster of cabins that was the centre of their world, with throbbing hearts. For the joyof spring had now taken complete hold of them.They reached the little field where they were to sow. It was a little triangular patch of ground under an ivy-covered limestone hill. The little field had been manured with seaweed some weeks before, and the weeds had rotted and whitened on the grass. And there was a big red heap of fresh seaweed lying in a corner by the fence to be spread under the seeds as they were laid. Martin, in spite of the cold, threw off everything above his waist except his striped woolen shirt. Then he spat on his hands, seized his spade and cried: "Now you are going to see what kind of a man you have, Mary.""There, now," said Mary, tying a little shawl closer under her chin. "Aren't we boastful this early hour of the morning? Maybe I'll wait till sunset to see what kind of a man I have got."The work began. Martin measured the ground by the southern fence for the first ridge, a strip of ground four feet wide, and he placed the line along the edge and pegged it at each end. Then he spread fresh seaweed over the strip. Mary filled her apron with seeds and began to lay them in rows. When she was a little distance down the ridge, Martin advanced with his spade to the head, eager to commence."Now in the name of God," he cried, spitting on his palms, "let us raise the first sod!""Oh, Martin, wait till I'm with you !" cried Mary, dropping her seeds onthe ridge and running up to him .Her fingers outside her woolen mittens were numb with the cold, and she couldn't wipe them in her apron. Her cheeks seemed to be on fire. She put an arm round Martin's waist and stood looking at the green sod his spade was going to cut, with the excitement of a little child."Now for God's sake, girl, keep back!" said Martin gruffly. "Suppose anybody saw us like this in the field of our spring sowing, what would they take us for but a pair of useless, soft, empty-headed people that would be sure to die of hunger? Huh!" He spoke very rapidly, and his eyes were fixed on the ground before hm. His eyes had a wild, eager light in them as if some primeval impulse were burning within his brain and driving out every other desire but that of asserting his manhood and of subjugating the earth."Oh, what do we care who is looking?" said Mary; but she drew back at the same time and gazed distantly at the ground. Then Martin cut the sod, and pressing the spade deep into the earth with his foot, he turned up the first sod with a crunching sound as the grass roots were dragged out of the earth. Mary sighed and walked back hurriedly to her seeds with furrowed brows. She picked up her seeds and began to spread them rapidly to drive out the sudden terror that had seized her at that moment when she saw the fierce, hard look in her husband's eyes that were unconscious of her presence. She became suddenly afraid of that pitiless, cruel earth, thepeasant's slave master that would keep her chained to hard work and poverty all her life until she would sink again into its bosom. Her short-lived love was gone. Henceforth she was only her husband's helper to till the earth. And Martin, absolutely without thought, worked furiously, covering the ridge with block earth, his sharp spade gleaming white as he whirled it sideways to beat the sods.Then, as the sun rose, the little valley beneath the ivy-covered hills became dotted with white shirts, and everywhere men worked madly, without speaking, and women spread seeds. There was no heat in the light of the sun, and there was a sharpness in the still thin air that made the men jump on their spade halts ferociously and beat the sods as if they were living enemies. Birds hopped silently before the spades, with their heads cocked sideways, watching for worms. Made brave by hunger, they often dashed under the spades to secure their food.Then, when the sun reached a certain point, all the women went back to the village to get dinner for their men, and the men worked on without stopping. Then the women returned, almost running, each carrying a tin can with a flannel tied around it and a little bundle tied with a white cloth, Martin threw down his spade when Mary arrived back in the field. Smiling at one another they sat under the hill for their meal .It was the same as their breakfast, tea and bread and butter."Ah," said Martin, when he had taken a long draught of tea form his mug,"is there anything in this world as fine as eating dinner out in the open like this after doing a good morning's work? There, I have done two ridges and a half. That's more than any man in the village could do. Ha!" And he looked at his wife proudly."Yes, isn't it lovely," said Mary, looking at the back ridges wistfully. She was just munching her bread and butter .The hurried trip to the village and the trouble of getting the tea ready had robbed her of her appetite. She had to keep blowing at the turf fire with the rim of her skirt, and the smoke nearly blinded her. But now, sitting on that grassy knoll, with the valley all round glistening with fresh seaweed and a light smoke rising from the freshly turned earth, a strange joy swept over her. It overpowered that other felling of dread that had been with her during the morning. Martin ate heartily, reveling in his great thirst and his great hunger, with every pore of his body open to the pure air. And he looked around at his neighbors' fields boastfully, comparing them with his own. Then he looked at his wife's little round black head and felt very proud of having her as his own. He leaned back on his elbow and took her hand in his. Shyly and in silence, not knowing what to say and ashamed of their gentle feelings, they finished eating and still sat hand in hand looking away into the distance. Everywhere the sowers were resting on little knolls, men, women and children sitting in silence. And the great calm of nature in spring filled the atmosphere around them. Everything seemedto sit still and wait until midday had passed. Only the gleaming sun chased westwards at a mighty pace, in and out through white clouds.Then in a distant field an old man got up, took his spade and began to clean the earth from it with a piece of stone. The rasping noise carried a long way in the silence. That was the signal for a general rising all along the little valley. Young men stretched themselves and yawned. They walked slowly back to their ridges.Martin's back and his wrists were getting sore, and Mary felt that if she stooped again over her seeds her neck would break, but neither said anything and soon they had forgotten their tiredness in the mechanical movement of their bodies. The strong smell of the upturned earth acted like a drug on their nerves.In the afternoon, when the sun was strongest, the old men of the village came out to look at their people sowing. Martin's grandfather, almost bent double over his thick stick stopped in the land outside the field and groaning loudly, he leaned over the fence.“God bless the work, "he called wheezily."And you, grandfather," replied the couple together, but they did not stop working.'Ha!" muttered the old man to himself. "He sows well and that woman is good too. They are beginning well."It was fifty years since he had begun with his Mary, full of hope and pride,and themerciless soil had hugged them to its bosom ever since, each spring without rest. Today, the old man, with his huge red nose and the spotted handkerchief tied around his skull under his black soft felt hat, watched his grandson work and gave him advice."Don't cut your sods so long," he would wheeze, "you are putting too much soil on yourridge."''Ah woman! Don't plant a seed so near the edge. The stalk will come out sideways."And they paid no heed to him."Ah," grumbled the old man," in my young days, when men worked from morning till night without tasting food, better work was done. But of course it can't be expected to be the same now. The breed is getting weaker. So it is."Then he began to cough in his chest and hobbled away to another field where his sonMichael was working.By sundown Martin had five ridges finished. He threw down his spade and stretched himself. All his bones ached and he wanted to lie down and rest. "It's time to be going home, Mary," he said.Mary straightened herself, but she was too tired to reply. She looked atMartin wearily and it seemed to her that it was a great many years since they had set out that morning. Then she thought of the journey home and the trouble of feeding the pigs, putting the fowls into their coops and getting the supper ready, and a momentary flash of rebellion against the slavery of being a peasant's wife crossed her mind. It passed in a moment. Martin was saying, as he dressed himself:"Ha! It has been a good day's work. Five ridges done, and each one of them as straight as a steel rod. By God Mary, it's no boasting to say that you might well be proud of being the wife of Martin Delaney. And that's not saying the whole of it ,my girl. You did your share better than any woman in Inverara could do it this blessed day."They stood for a few moments in silence, looking at the work they had done. All her dissatisfaction and weariness vanished form Mary's mind with the delicious feeling of comfort that overcame her at having done this work with her husband. They had done it together. They had planted seeds in the earth. The next day and the next and all their lives, when spring came they would have to bend their backs and do it until their hands and bones got twisted with rheumatism. But night would always bring sleep and forgetfulness.As they walked home slowly, Martin walked in front with another peasant talking about the sowing, and Mary walked behind, with her eyes on the ground, thinking. Cows were lowing at a distance.。

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29.THE POTENTIAL OF NEAR-INFRARED ASTRONOMY IN ANTARCTICAM.G. Burton(l), D.A. Allen(l), P.J. McGregor(2)(1)Anglo Australian ObservatoryEpping LaboratoryEpping NSW 2121Australia(2)Mt Stromlo and Siding Springs ObservatoriesThe Australian National UniversityWeston Creek ACT 2611AustraliaABSTRACTThe highest part of the Antarctic Plateau (Dome A) holds the promise of providing a superlative site for near-infrared (IR) astronomy and, in particular, for observations in the 2.27 - 2.45 µm waveband. This is a result of the intense cold, which reduces the thermal background by 6 magnitudes compared to a mid-latitude site, the absence of OH airglow emission between these wavelengths and the minimum in the zodiacal emission which occurs in the near-IR. The prospects exist for the darkest site for astronomy at any wavelength, anywhere in the inner solar system. Some possible scientific projects to exploit this potential, particularly deep cosmological surveys, are outlined.29.1INTRODUCTIONDuring the past few years it has become increasingly evident that the Antarctic plateau may be the best site on the planet for astronomical observations at infrared (IR), sub-mm and mm wavelengths. This is a result of the combination of high altitude, extreme cold and low water vapour content of the atmosphere. The 'seeing', or atmospheric-turbulence-limited resolution, may also be exceptional. Research groups from a number of countries have now conducted astronomical experiments from the South Pole, mainly focusing on the research areas of the microwave background and cosmic rays, and their experiences confirm the general expectations that Antarctica may provide an exceptional site for astronomy. In this paper we discuss the scientific potential of the Antarctic plateau for near-IR astronomy, and some of the plans that are being made to exploit it. There are fundamental astrophysical problems which might only be tackled from Antarctica. Other papers in this volume discuss the prospects for Antarctic astronomy at other wavelengths (see Gillingham 1992, Smith1992, Storey and Hyland 1992). 29.2NEAR-IR ASTRONOMYIR astronomy can loosely be described as encompassing all observations spanning the wavelength range from 1 µm to 1 mm,and is subdivided into several regimes resulting from differences in detector capability and observational difficulty with wavelength.The near-IR regime covers the 1–5 µm waveband, and several factors conspire to make it an integral part of astronomy. Firstis the cosmological redshift, whereby distant (and therefore young) objects in the universe recede from us at ever greater speeds and thus have their radiation Doppler shifted into IR wavelengths. Second, the extinction of light waves passing through interstellar material is vastly reduced in the IR compared to the optical, a factor of 10 between 5500Å and 2.2 µm. Hence we are able to peer into and through the numerous dark clouds of dust and gas that lie along the plane of our galaxy. We can witness star formation, which otherwise would be hidden from us, and explore the dynamic and often violent interstellar medium through the many atomic and molecular emission lines that are radiated in these wavelengths. Third, the exponential leading edge of the blackbody function, that moderates most astronomical emission mechanisms. Many types of object are intrinsically cool and radiate only in the IR and most of the photon energy of the universe is emitted in the IR. Figure 1 illustrates some of these points by showing the blackbody emission from a 300 K source and a 10 000 K body subject to 100 magnitudes of visual extinction.Figure 1. The Blackbody emission flux from sources at 300 K (right-hand curve) and at 10 000 K (left-hand curve) but subjected to 100 magnitudes of visual extinction (and divided by a factor of 1000). Also shown is the intrinsic (unextinguished) emission from the 10 000 K body. The figure illustrates that both cool bodies and heavily reddened objects are observable only at IR wavelengths.29.3SENSITIVITY LIMITATIONS IN IR ASTRONOMYThree factors have been limiting the achievements of IR astronomy, as compared to the optical. These are:1.Inferior technology2.Poor atmospheric transmission3.High thermal backgroundThe first of these restrictions is now, however, receding. In the past five years, in what has been dubbed the 'infrared revolution', two dimensional array-format near-IR detectors, the equivalent of CCDs used in the optical, have replaced single element detectors and led to improvements of 103 to 104 in observational efficiencies. Although there still remains another order of magnitude improvement to equilibrate with the optical, it is realistic to expect that within the next decade IR arrays will be comparable in capability to optical CCDs. We are thus free to pursue the other two factors that limit performance.The best IR observatories in the world are on high, dry mountain top sites, where the low water vapour content improves the atmospheric transparency over a lower altitude site and the low temperature reduces the IR thermal background radiation from both atmosphere and telescope. On the Antarctic plateau these gains are multiplied still further. Near-IR (1 – 5 µm) wavelengths lie on the Wien side of the blackbody radiation spectrum emitted by the earth. The decrease in temperature in Antarctica from a mid-latitude site results in an enormous decrease in the background. This is illustrated in Figure 2, which compares the blackbody emission fluxes in the near-IR at 273 K and 210 K, representative of a mountain top site, such as Mauna Kea, and the South Pole, respectively. The drop in the thermal emission from the sky in Antarctica is over two orders of magnitude over much of the near-IR spectrum. At longer wavelengths, although the drop in background levels are not so dramatic, the very low water vapour density over the Antarctic plateau considerably improves the atmospheric transparency, even opening some new 'windows' which are opaque at other observing sites (Smith 1992, Storey and Highland 1992).Figure 2. Blackbody emission fluxes in the near-IR (1 – 5 µm) regime for an atmosphere at 273 K (upper curve) and 210 K (lower curve), illustrating the relative thermal backgrounds at Mauna Kea and the South Pole.In the near-IR, sensitivity is limited by a combination of airglow emission from OH radicals at altitudes of 80 – 90 km and thermal emission from the telescope and atmosphere. As demonstrated above, a small decrease in the ambient temperature results in a large decrease in the thermal background. Ultimately, if these could be reduced, we would be limited by the zodiacal emission (scattered and thermally re-emitted sunlight off solar system dust). This itself is at a minimum in the near-IR (Figure 3). Furthermore, and fortuitously, the 2.27 to 2.45 µm region is devoid of airglow emission. Model calculations (Figure 4) indicate that at the South Pole, with an air temperature of -60°C, the background is reduced by a factor of 220 from Mauna Kea, the best observing site currently in use, to a level close to the zodiacal emission itself. Even larger reductions can be expected above 4000 m, at the highest point on the Antarctic plateau (Dome A), where the temperature may drop to -90°C. The Antarctic plateau may therefore provide a site with as dark a sky background as can be found anywhere within the inner solar system.Figure 3. The Zodiacal emission in the IR, comprised of scattered sunlight off interplanetary dust in the optical and near-IR, thermal emission from interplanetary dust in the mid-IR, and thermal emission from interstellar dust in the far-IR. The minimum occurs in the near-IR regime. Also shown, for comparison, is the thermal emission from a 300 K site, representative of the background at Anglo Australian Telescope. (Adapted from Lee et al. 1990).The reduced background can be translated into significant improvements in observing efficiencies. For a background limited observation between 2.27 and 2.45 µm, a decrease of a factor 220 in background corresponds to the following gains for a telescope in Antarctica compared to Mauna Kea (Harper 1989):1.With the same size telescope and integration time, to observing a source2.9 magnitudes fainter in Antarctica with the same signal-to-noise ratio;2.To achieve the same signal-to-noise ratio on the same source, with the same integration time, requires a telescope 15 times larger in diameter on Mauna Kea;3.With the same size telescope, to achieve the same signal-to-noise ratio on the same object, requires an integration time 220 times longer on Mauna Kea.In other words, for such observations a 1 m telescope in Antarctica is equivalent to a 15 m telescope on Mauna Kea, with a price vastly smaller! A 1 m class telescope can be constructed from kit form, whereas building a 15 m class telescope is at the very limits of current technological capability.Figure 4. Comparison of the background at the South Pole (lower curves) and Mauna Kea (upper curves) in the 2.25 – 2.50 µm region. Contributions from the atmosphere are shown as thin solid lines, from the telescope as thin dashed lines and from the zodiacal light as a thick dashed line. The total background at each site is shown by the thick solid line. At the South Pole the background is close to the fundamental limit set by the zodiacal emission. (Adapted from Lubin 1988 and Harper 1989).For the very deepest observations there is an additional and perhaps even more important gain. The ultimate sensitivity achievable depends on how accurately it is possible to flatfield the data in order to measure a signal which is a tiny fraction of the sky background. Practical experience shows that this is about 0.1% of the background level. In this case an Antarctic telescope will enjoy an advantage in signal-to-noise ratio directly proportional to the decrease in background, an improvement in limiting flux density of some 5.9 magnitudes. This has significant implications for cosmological surveys.29.4 SCIENCE PROJECTSSeveral key problems in cosmology, star formation, the physics of the interstellar medium and the galactic centre might be addressed by high sensitivity observations from the Antarctic plateau. Despite great strides in our understanding of the universe in the past few decades, major questions remain unanswered. How did galaxies form from an initially smooth and expanding primordial gas and when? How do stars actually form and what is the mass spectrum and formation rate? What is the role of the interstellar medium in regulating this process? Is there a massive blackhole at the centre of our galaxy? Significant progress can be made on these issues through observations at IR wavelengths from the Antarctic plateau. Some example projects which can be tackled are described below.29.4.1Early Star Formation in GalaxiesHow did the first stars form from a gas of only hydrogen, helium and a little lithium? Without dust and metals the usual mechanisms of star formation observed in our galaxy cannot operate. Molecular hydrogen must have formed at some point and the heat of gravitational contraction be radiated away through its cooling lines, mainly at mid-IR wavelengths. After the first generation of stars formed and heavy elements built up, collapsing clouds could cool through fine structureFigure 5. (a) Left. A predicted number-magnitude relation at K (2.2 µm) for stars and galaxies, as would be observed at high galactic latitude, based on K-corrections determined at low redshift and for two different cosmological models. The number counts are dominated by galaxies in the faint IR sky. For an equivalent survey, a sensitivity gain of nearly 3 magnitudes will be achieved from the Antarctic Plateau compared to Mauna Kea.(B) Right. As for (a), but also including possible populations of brown dwarf stars and high redshift proto-galaxies. The curves for brown dwarfs represent the field populations for different mass ranges which will account for the local 'missing mass'. The dashed line for proto-galaxies represents a locus along which plausible luminosity functions will slide depending on model parameters. The very deepest surveys might reach limits 0.1% of the sky level, or 7.5 magnitudes fainter than the K = 13 magnitudes per square arcsec background of Mauna Kea. On the Antarctic plateau the background is reduced a further 6 magnitudes at K. (Both figures from Lilly and Cowie 1987.)lines of elements such as O and C, emitted at far-IR wavelengths. For redshifts in the range z = 3 - 10, where Galaxy formation probably occurred, the peak of mean stellar spectrum can be observed at near-IR wavelengths. Deep near-IR surveys are required to search for and detect these proto-galaxies.Figure 5(a) (Lilly and Cowie 1987) shows a prediction of the number-magnitude relation at K (2.2 µm)for stars and galaxies for a field at high galactic latitude, extrapolated from measurements at shorter wavelengths and lower sensitivity. Galaxies will clearly dominate any faint survey. Assuming a sensitivity improvement of 2.9 magnitudes over a similar survey conducted from Mauna Kea, as discussed above (i.e. with the same size telescope and integration times), an order of magnitude more sources will be detected for the same effort.For the very deepest survey of a small region we may expect to do even better. A practical limit to such a survey is 0.1% of the sky background, which for Mauna Kea, where the background is K = 13 magnitudes per square arcsec, corresponds to K~20.5. On the Antarctic plateau, if we are able to achieve such a limit, this would take us down by a factor of 220, to K~26.5! In Figure 5(b) (Lilly and Cowie) are shown the same number-magnitude relation predictions but this time including contributions from possible brown dwarf stars, postulated to account for the 'missing mass', and from high-redshift proto-galaxies. It is clear that with these sensitivity levels, not only are the prospects of discovering orders of magnitude more proto-galaxies than from Mauna Kea excellent but that a significant number of brown dwarfs would be detected too, if they exist. The brown dwarf yield for a similar survey from Mauna Kea is too low to result in a significant chance of detection.29.4.2Formation of Stars and PlanetsSome of the nearest and richest star forming regions lie in the southern sky and their embedded stars are only observable at IR wavelengths. In the near-IR the extinction is at most a few magnitudes to such regions and the sensitivity high enough that a complete population census of the cluster membership of several nearby star forming regions, such as Rho Ophiuchus and R Coronae Australis, can be undertaken to determine the distribution and range in mass of the young stars. The strongest lines from shocked and fluorescent molecular hydrogen, which trace the energetic activity associated with young stellar objects, are also emitted near 2.4 µm.29.4.3The Galactic CentreThe study of the stars at the centre of our galaxy is the domain of IR astronomy, as they are totally obscured by intervening gas and dust in the visible. The stars are readily apparent by 2.4 µm, but the region is so crowded at the highest spatial resolutions achieved that we still do not know what lies at the very centre of our galaxy. With the prospects of super-seeing, combined with high sensitivity at 2.4 µm, we may hope to understand the nature of the galactic nucleus.29.5CURRENT PLANSA number of countries have expressed interest in Antarctic astronomy and undertaken exploratory experiments. The most developed plans come from the Center for Astrophysical Research in Antarctica (CARA) in the USA, which has been funded and has initial plans for three telescopes at the South Pole; a sub-millimetre telescope, a cosmic background microwave detector, and anear-IR telescope. The latter, the South Pole Infrared Explorer (SPIREX), is a 60 cm transportable telescope which will be used with a near-IR array camera and spectrometer and is designed to exploit the minimum of zodiacal emission in 2.27 - 2.45 µm window. There are only proto-designs at present, however, for a 2 m-class telescope, which also offers the potential of benefiting from 'super-seeing', as well as from the low background in the near-IR and yet remains relatively simple to construct.29.6 SUMMARYThe combination of extreme cold and minimal atmospheric water vapour content mean that the summit of the Antarctic plateau (Dome A) might prove to be the preeminent site on the Earth for astronomical observations across the entire IR and sub-mm wavebands with superior atmospheric transparency and reduced background to any other site on the Earth. The thermal background in the near-IR is reduced by over two orders of magnitude from mid-latitude sites like Mauna Kea. In particular, in the 2.27-2.45 µm regime, devoid of atmospheric airglow emission, observations will be limited only by the natural zodiacal background which is itself at a minimum in this region. Thus, the background against which observations must be made is at a minimum for a site anywhere within the inner solar system. This offers us an unprecedented window to peer out upon the universe and pursue fundamental astrophysical problems in star formation and cosmology. REFERENCESHarper, D.A. (1989). Infrared astronomy in Antarctica. In: Mullan, D.J., Pomerantz, M.A. and Stanev, T. (Eds). Astrophysics in Antarctica. American Institute of Physics ConferenceProceedings 1988. Pp. 123 - 129.Lee., T.J., Hawarden, T.G., Thronson, H.A., Mountain, C.M., Davies, J.K. and Longair, M.S.(1990). Radiatively cooled telescopes for infrared space astronomy. Proceedings of the 24th Liege International Astrophysical Colloquium, July 1990, ESA SP 314:373 - 379. Lilly, S.J. and Cowie, L.L. (1987). Deep infrared surveys. In: Wynn-Williams, C.G. and Becklin,E.E. (Eds). Infrared Astronomy with Arrays. Pp. 473 - 482.Lubin, D. (1988). Masters Thesis. University of Chicago.。

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