美国文学术语
美国文学术语解释(全面且简练)
美国文学术语解释(全面且简练)美国文学是指具有美国独特文化地域色彩的文学作品。
包括小说、戏剧、诗歌、散文以及加拿大和多明尼加等国家的文学作品。
其短篇小说及戏剧都有着浓厚的美国文化特色,其龙头主流的文学派别是在17世纪后期形成的新约克郡派,主要有约翰•德拉谢尔(John Dryden)、Jonathan Swift 等人,他们为美国文学写下了精彩绝伦的篇章。
新约克郡派把文章写成了装满宗教特质、歌颂胜利、崇高赞美的模式,也就是赞美诗,发掘探索细节、夸张搭配修辞,准确表达真实情境,是后期美国文学的重要基础;而在早期的美国文学发展史上,更多的是宗教文学。
随着美国政治的发展,社会文化的不断进步,宗教文学慢慢地被实用的文学文本所取代。
美国的文学活动开始贴近人文主义的文学脉络,表现出散文风格,致力于针对现状的批判性反思以及自我叙述性自觉。
然而,到了18世纪末,受英国文学传统影响,美国文学正式步入正轨,并开始向两群导向,即诗歌与小说。
第一类作品赞美自然风景、积极的立场或事实内容,通过句法、修辞手法和宋体表达,以“说服力”为特征;而小说,基本上描写人物及其情感,作者给予考量和评析,以构建一个小说世界。
有关美国文学习派别方面,它指的是具有某种特殊特性的作品、作者或趋势,这些特性可以汇聚成学派,如经典主义派、象征主义派、古典注重艺术形式翻新派、现代主义派、问题类型派、客观散文派等等。
美国文学家们也是新的运动的团体来提倡这些派别,如1820年墨西哥战争、当时的托马斯汉密尔顿著名的圣教徒笃信运动引起的“波厄特派”,其中的小说作家和写报人表达了一种激进的、反殖民主义的文学潮流。
波厄特派的影响很大,它声称小说应该坚持自然、客观原则,实证严谨,保持超验主义,而不是神话传说,也不是把文学作品改写成像诗歌一样的形式。
自19世纪初美国文学思想开始发展至今,美国文学进入了一个更加多样化、开放空间愈加广阔的阶段,无论是宗教、哲学还是政治新思想都将重新回归到文学之中,美国文学也变得更加丰富多彩了。
美国文学文学名词解释
美国文学文学名词解释1 Modernism(现代主义)Modernism is comprehensive but vague term for a movement , which begin in the late19th century and which has had a wide influence internationally during much of the 20th century、2> modernism takes the irrational philosophy and the theory of psycho-analysis as its theoretical case、3> the term pertains to all the creative arts、Especially poetry, fiction, drama, painting, music and architecture、现代主义就是全面但运动模糊的术语,在19世纪末期开始,在国际上有广泛影响的在20世纪的大部分时间。
2 >现代主义以非理性哲学与精神分析理论为其理论的情况。
3 >这个词属于所有的创造性艺术。
特别就是诗歌、小说、戏剧、绘画、音乐与建筑。
2 Transcendentalism(超验主义)Transcendentalism is literature, philosophical and literary movement that flourished in new England from about 1836 to 1860、it is the summit of American Romanticism、it originated among a small group of intellectuals who were reacting against the orthodoxy of Calvinism and the rationalism of the Unitarian Church, developing instead their own faith centering on the divinity of humanity and the natural world、Transcendentalism derived some of its basic idealistic concepts from romantic German philosophy, and from such English authors as Coleridge and Wordsworth、Its mystical aspects were partly influenced by Indian and Chinese religious teachings、Although Transcendentalism was never a rigorously systematic philosophy, it had some basic tenets that were generally shared by its adherents、The beliefs that God is immanent in each person andin nature and that individual intuition is the highest source of knowledge led to an optimistic emphasis on individualism, self-reliance, and rejection of traditional authority、The ideas of Transcendentalism were most eloquently expressed by Ralph waldo Emerson in such essays as Nature, and by Henry David Thoreau in his book Walden、超验主义就是从1836至1860于新英格兰发起的一场文学,哲学以及艺术运动。
美国文学重点名词解释
2.6.Transcendentalism: is literature,philosophical and literary movement that flourished in New England from about 1836 to1860. It originated among a small group of intellectuals who were reaching against the orthodoxy of Calvinism and the rationalism of the Unitarian Church, their own faith centering on the divinity of humanity and the natural world instead. Transcendentalism derived some of its basic idealistic concepts from romantic German philosophy, and from such English authors as Carlyle,Coleridge, and Wordsworth. The ideas of transcendentalism were most eloquently expressed by Ralph Waldo Emerson in such essays as Nature and Self-Reliance and by Henry David Thoreau in his book Walden..Symbolism象征主义:It is the writing technique of using symbols. It’s a literary movement that arose in France in the last half of the 19th century and that greatly influenced many English writer, particularly poets, of the 20th century. It enables poets to compress a very complex idea or set of ideas into one image or even one word. It’s one of the most powerful devices thatpoets employ in creation.8.American naturalism:this term was cr eated by Emile Zola. Charles Darwin’s evolutionary theory played an important role in naturalism. In the works off naturalism,characters were conceived as complex combinations of inherited attributes and habits conditioned by social and economic forces. At the end of the 19th century,this pessimistic form of realism appeared in america. Naturalism attempted to achieve extreme objectivity and frankness. Characters in the works of naturalism were dominated by their environment and heredity. Naturalism emphasized:the world was around;men had no free will;religious“truth”were illusory;the destiny of human beings was misery in life and oblivion in death. The dominant figures in naturalism were Stephen crane,Frank Norris, Jack London and Theodore Dreiser.3.The lost generation: included the young English and American expatriates as well as men and women caught in the war and cut from the old value and yet unable to come to terms with the new era when civilization had gone mad. These writers adopted unconventional style of writing and reacted against the tendencies of the older writers in the 1920s. The term came from Gertrude Stein who said in Hemingway's presence that“you are all a lost generation.”4.Local colorismAs a trend became dominant in American literature in the 1860s and early 1870s,it is defined by Hamlin Garland as having such quality of texture and background that it could not have been written in any other place or by anyone else than a native stories of local colorism have a quality of circumstantial(详细的) authenticity(确实性), as local colorists tried to immortalize(使不朽) the distinctive natural, social and linguistic features. It is characteristic of vernacular(本.国语) language and satirical(讽刺的) humor. The major local colorist is Mark Twain.5.Jazz age: the novelist F. Scott Fitzgerald coined the term"Jazz Age" retroactively to refer to the decade after World War I and before the stock market crash in 1929, during which Americans embarked upon what he called "the gaudiest spree in history". Jazz Age is inextricably associated with the wealthy white"flappers" and socialites immortalized in Fitzgerald's fiction.6.Free verse: is a poetry that has an irregular rhythm and line length and that attempts to avoid any predetermined verse structure, instead, it uses the cadences of natural speech. While it alternates stressed and unstressed syllables as stricter verse forms do, free verse does so in a looser way. Whitman's poetry is an example of free verse at its most impressive. It has since been used by Ezra Pound, T.S. Eliot and other major American can poets of the 20th century.7.The iceberg analogy: The Iceberg Theory is a writing theory by American writer Ernest Hemingway, as follows:if a writer of a prose knows enough about what he is writing about he may omit things that he knows and the reader,if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them.1.Poe's Poetic IdeasA.His conviction that the function of poetry is not to summarize and interpret earthly experience,but to create a mood in which the soul soars toward supernal beauty.B.He insists that poetry must be disembarrassed of that moral sense.C.Poe believes that the elevation of excitement of the soul should be “the poetic principle” thuspoe try must concern itself only with “supernal beauty”.D.Poe defines poetry as “the rhythmical creation of beauty” a definition giving unexampledemphasis upon the importance of the rhythmical or musical element in poetry.2.Whitman's style1) The sprawling lines of the poems are often extremely long.2) Parallelism: the parallel lines say the same thing but use different words.3) Envelope structure: the first line begins with the subject, and then more and more lines list modifiers till the verb appears in the last line of the stanza. This is like enclosing a whole list of ideas in an envelope.4) Catalogue technique: means listing. Typical poems by Whitman make long, long lists of images, ofsights, sounds, smells, taste, and touch.5) No regular pattern.6) The verse unit is usually an independent clause.3.Formal features of Dickinson's poetryA.Dickson's poems are usually based on her own experience, her sorrows and joys. Dickinson wasoriginal. She sounded idiosyncratic, sometimes.B.Love is another subject Dickinson dwells on.C.Many poems Dickinson wrote are about nature, in which her general skepticism about therelationship between man and nature is well-expressed. Dickinson sees nature as both gailybenevolent and cruel.D.Dickinson's poetry is unique and unconventional in its own way. Her poems have no titles, henceare always quoted by their first lines.E.On the ethical level Dickinson emphasizes free will and human responsibility.All these characteristics of her poetry were to become popular through Stephen Crane with the Imagists such as Ezra Pound and Amy Lowell in the 20th century. She became, with Stephen Crane, the precursor of the Imagist moverment.4.The theme and techniques in Eliot's "The Waste Land"Theme:The theme is modern spiritual barrenness, the despair and depression that followed the WWI, the sterility and turbulence of the modern world, and the decline and break-down of western culture. It also shows the search for regeneration by people living in a chaotic world.Technique:The poem’s noti ceable characteristics are varied length and rhythm to harmonize with the changing subject matter, the unrhymed lines, lots of borrowings from some thirty-five different writers, the employment of materials such as the legends of the Holy Grail, Frazer’s a nthropological work The Golden Bough several popular songs, and passages in six foreign languages, including Sanskrit. The poem, therefore, is obscure and hard to understand, needless to say its absence of logical continuity. The poem The Wast Land by T. S. Eliot, nevertheless, is broadly acknowledged as one of the most recognizable landmarks of modernism.5.Analysis of "Richard Cory" by Edwin Arlington Robinson"Richard Cory" is a short dramatic poem about a man whose outward appearance belies his inner turmoil. The tragedy in the poem reflects in its spirit the tragedies in Edwin Arlington Robinson's own life: Both of his brothers died young, his family suffered financial failures, and Robinson himself endured hardship before his poetry gained recognition—thanks in part to praise from an influential reader of them, Theodore Roosevelt.Robinson published the poem himself in 1897 as part of a poetry collection called Children of the Night. The poem is a favorite of students and teachers because of the questions it poses about the the title character.6.Comment on"Stopping by Woods on a Snowy Evening" by Robert FrostA.It is a peaceful poem and makes man feel relaxed when we read the lines: "The only other sounds the sweep of easy wind and downy flake." Frost also uses alliteration and repetition in his poems. The rhyme scheme he uses is a-a-b-a.B.It is one of the most quietly moving of Frost’s lyrics. On the surface, it seems to be simple, descriptive verses, records of close observation, graphic and homely pictures.C.It uses the simplest terms and commonest words. But it is deeply meditative, adding far-reaching meanings to the homely music. It uses its superb craftsmanship to come to a climax of responsibility: the promises to be kept, the obligation to be fulfilled. Few poems have said so much in so little.7.Theme and technique in The Great Gatsby by Fitzgerald1. Themes of The Great Gatsby: It resents the decline of the American dream in1920s, the hollowness of the upper class and the falseness of ideals and moves toward disillusion.2. Now Gatsby’s life follow a clear pattern: there is, at first, a dream, then disenchantment, and finallya sense of failure and despair. Gatsby’s personal experience approximates the whole of the American experience up to the first few decades of the 20th century.3. The novel is the presentation of the 1920s, and of what has become known as American Dream. 8.ment on Hemingway's style and Farewell to Arms"1. Hemingway was a glamorous public hero of sorts whose style of writing and living was probably more imitated than any other writers in human memory.2. In one sense Hemingway wrote all his life about one theme, which is neatly summed up in the famous phrase, “grace under pressure”, and created one hero who acts that theme out.3. In the same way that Fitzgerald’s Tales of the Jazz Age becomes a symbol for an age, Hemingway’s book paints the image of a whole generation, the Lost Ge neration.4. Lieutenant Henry in A Farewell to Arms stands the Hemingway hero, an average man of decidedly masculine taste sensitive and intelligent, a man of action; and with other people, somewhat an outsider, keeping emotion under control, stoic and self-disciplined in a dreadful place where one cannot have happiness.5. Hemingway’s world is a world essentially chaotic and meaningless, in which man fights a solitary struggle against a force he does not even understand.6. The war dominates so that the love story represents a mere dream and the brutal and atrocious realities of life do not allow materializing it.10.Analyze "Dry September" by William Faulkner11.“Dry September” was written in 1931, and is a well-known story of Faulkner.This story touches upon the strange relationship between sex and violence, examines the psychological state of the main characters, and exposes the crime of racial discrimination which makes one bristle with anger.The tone of this story contributes much to its effectiveness, particularly to the imagery of infernal heat and dryness and to the setting itself.From the character Miss Minnie the reader could perceive the obvious impact of Freud’s ideas on William Faulkner.。
美国文学术语解释
美国文学术语解释美国文学术语解释American puritanism(美国清教主义)Colonial American(殖民时期的美国)Great Aweaking(宗教大觉醒运动)American Romanticism(美国浪漫主义)Gothic tradition(哥特传统) Historical novel(历史小说)Civil War(美国内战)Transcendentalism(超验主义) Individualism(个人主义) Unitarianism(上帝一位论) Allegory(寓言) American Renaissance(美国文艺复兴)Original Sin(原罪)American Enlightenment(美国启蒙运动)Free verse(自由诗) Alliteration(头韵) Assonance(类韵) Consonance(和音)Lyric(抒情诗)Sonnet(十四行诗)Point of view(视角)Realism(现实主义)Local Colorism(地方特色主义) Irony(反讽)Naturalism(自然主义)Social Darwinism(社会达尔文主义)Dadaism(达尔文主义) Expressionism(表现主义) Harlem Renaissance(哈姆雷特文艺复兴)Imagism(意象主义)Jazz Age(爵士乐时代) Surrealism(超现实主义)V orticism(漩涡派)Dramatic Monologue(戏剧性独白)Lost Generation(迷惘的一代) Metaphysical poets(玄学派诗人)Narrator(叙述者)Stream of Consciousness(意识流) The Beat Generation(垮掉的一代) The 1930s(美国30年代)New Criticism(新批评主义) Theatre of the Absurd(荒诞剧) Postmodernism(后现代主义) Metafiction(元小说) Confessional poetry(自白派诗歌) The New York School(纽约派诗人)The absurd(荒谬派)Parody(戏讽)Magic realism(魔幻现实主义) The National Association for the Advancement of ColoredPeople(NAACP)(美国有色人种协进会)The Native American Renaissance(土著美国人文艺复兴)。
美国文学名词解释
(一)About Puritanism清教主义1.“would-be purifier”They wanted to purify the English Church and to restore church worship to the “pure and unspotted”condition of its earlier days .They opposed the elaborate rituals of the English Church. They believed that the Bible was the revealed word of God, therefore, people should guide their daily behavior with the Bible.2.Basic Puritan Beliefs(1)Total Depravity - through Adam's fall, every human is born sinful - concept of Original Sin.(2)Unconditional Election - God "saves" those he wishes - only a few are selected for salvation - concept of predestination(3)Limited Atonement - Jesus died for the chosen only, not for everyone.(4)Irresistible Grace - God's grace is freely given, it cannot be earned or denied. Grace is defined as the saving and transfiguring power of God.(5)Perseverance of the "saints" - those elected by God have full power to interpret the will of God, and to live uprightly. If anyone rejects grace after feeling its power in his life, he will be going against the will of God - something impossible in Puritanism.2.The impact of Puritanism (1)High standards of moral excellence and conscience ;(2) Emphasis on education(3)Hard working, thrifty, independent spirit;(4)“Chosen people”consciousness .(诺斯替教)(二)Enlightenment(启蒙运动)Enlightenment is man’s leaving his self-caused immaturity.Immaturity is the incapacity to use one's intelligence without the guidance of another.@A term used to describe the trends in thought and letters in Europe and the American colonies during the 18th century prior to the French Revolution. The precursors of the Enlightenment can be traced to the 17th century and earlier.@The phrase was frequently employed by writers of the period itself, convinced that they were emerging from centuries of darkness and ignorance into a new age enlightened by reason, science, and a respect for humanity.(三)Romanticism (浪漫主义)As an approach in literary creation, romanticism is ever present in literature of all times. But as a literary trend or movement, it occurred and developed in Europe and America at the turn of the 18th and 19th centuries under the historical background of the Industrial Revolution around 1760 and the French Revolution (1789-1799). @ A movement in the literature of virtually every country of Europe, the United States, and Latin America that lasted from about 1750 to about 1870,@It was characterized by reliance on the imagination and subjectivity, freedom of thought and expression, and an idealization of nature.(四)Transcendentalism(超验主义)Transcendentalism is the summit of the Romantic Movement in theU.S. in the first half of the 19th century. It asserts the existence of an ideal spiritual reality that transcends the empirical and scientific and is knowable through intuition .Transcendentalists place emphasis on the importance of the Over-soul, the individual and Nature. It was, in essence, romantic idealism on Puritan soil.(五)Free versepoetry without a fixed beat or regular rhyme scheme.(六)Blank verse“Blank verse” is poetry written in regular metrical but unrhymed lines, almost always iambic pentameters.(七)American Realism (1865—1918)(现实主义)American Realism came in the latter half of the nineteenth century as a reaction against Romanticism. It stresses truthful treatment of material. It focuses on commonness of the lives of the common people, and emphasizes objectivity and offers an objective rather than an idealistic view of human nature and human experience. The three dominant figures of the period are William Howells, Mark Twain, and Henry James.(八)Definition of Local Color(乡土特色)1.Literature that focuses on the characters, dialect, customs, topography(地形), and other features particular to a specific region that exploits the speech, dress, mannerisms, and habits of thatspecific region .2.Twain’s Local colorismTwain preferred to present social life through portraits of the local characters of his regions, including people living in that area, the landscape, and other peculiarities like the customs, dialects, costumes and so on. So the rich material of his boyhood experience on the Mississippi became endless resources for his fiction, and the Mississippi valley and the west became his major theme.(九)American Naturalism (1890s-1910s) (自然主义)1.Historical Background:—The spread of industrialization created extremes of wealth and poverty. —Farmers were still going westward, but frontiers were about the close. They had to depend on the transcontinental railway to transport their products.—The spread of Darwin’s theory of evolution changed people’s ideology.2. Thematically, naturalistic writers:-- wrote detailed descriptions of the lives of the downtrodden and of the abnormal-- had frank treatment of human passion and sexualit-- were concerned about how men and women were overwhelmed by the forces of environment and by the forces of heredity-- made detailed documentation of life: nothing but the truth, more naked and wicked than realism-- created gloomy and pessimistic atmosphere3. Here are the major features of naturalism.Humans are controlled by laws of heredity and environment.The universe is cold, godless, indifferent and hostile to human desires. @Naturalistic writers are pessimistic. They choose their subjects from the lower.(10)Modernism(现代主义)(1)appeared after World War I(2)cutting off history and a sense of despair and loss(3)refusing to accept the traditional concept of value and all traditional ideological influences.1. BackgroundIn the first world war, America got considerable benefits with animal cost, but many artist and thinkers with suffering consciousness felt the terribleness of modern wars.Their heroism in mind gradually disappeared. Some of them going into battle suffered the sight of blood and all kinds of disasters. After back to America, they found that the social reality had experienced great change.2.Features or changes of the period(1)Increasing industrialization (2)Deepening urbanization(3)High speed development of technology and science(4 )Trauma of the first world war(5)1930s economic depression(6)Collapse of social value system(7)Dropping moral standards(8)Common depression , fear ,sense of loss3. Features of the worksFreud’s psychoanalysis ,William James stream of consciousnesstheory and archetypal symbol had great impact on the writers of modern American writers. They pay special attention to the inner world of the people, during this period ,the most compelling literature movement is the writer’s self exile, also known as the second American renaissance .(十一)Novelists ——the Lost Generation“迷惘的一代”(1920s) The novelists who produced a literature of disillusionment in the aftermath of World War I, and some of them lived abroad:(1)Used their wartime experience as the basis for their works (2)were cut off from old values yet unable to come to terms with the new era(3)wondered pointlessly and restlessly(4)were frustrated by the war(5)spokesman ——Hemingway(十二)The Jazz AgeThe Jazz Age is the nickname in America of the decade of the 1920’s, beginning from 1919 to the Crash at the end of 1929.These ten years were, for Americans, a time of carefree prosperity, isolated from the world’s problem, bewildering great social change, and a feverish pursuit of pleasure.These were the ten years when the First World War was just over, when new inventions and manufacturing techniques greatly changed the way people lived; when people moved from the countryside in great numbers; when women won the right to vote and many started to earn their own money; when cars,washing machines,radios and vacuum cleaners became commonplace; and when millions of people lived beyond their means and went into debt in order to obtain such things while the middle class frantically pursued individual “success”and personal enjoyment. They lived a rich, extravagant, frivolous moneymaking life, and it was this style of living gave the decade of the 1920’s such nickname as the “Jazz Age”, the “Dollar Decade”, and the “Roaring Twenties.”(十三)Imagism(1900S-1910S)(意象派)The Imagist movement included English and American poets in the early twentieth century who wrote free verse and were devoted to "clarity of expression through the use of precise visual images." The Imagist Movement began in London and later spread to the US. It underwent three major phases in its development.(十四)IronyA contrast or discrepancy between what is said and what is meant or between what happens and what is expected to happen in life and in literature.。
美国文学术语解释
01. Humanism(人文主义)Humanism is the essence of the Renaissance.2> it emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.02. Renaissance(文艺复兴)The word “Renaissance”means “rebirth”, it meant the reintroduction into westerm Europe of the full cultural heritage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3> the real mainstream of the english Renaissance is the Elizabethan drama with william shakespeare being the leading dramatist.03. Metaphysical poetry(玄学派诗歌)Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit, the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods, and echoes the words and cadences of common speech.4>the imagery is drawn from actual life.04. Classcism(古典主义)Classcism refers to a movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.05. Enlightenment(启蒙运动)Enlightenment movement was a progressive philosophical and artistic movement which flourished in france and swept through western Europe in the 18th century.2> the movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality, equality and science. It advocated universal education.5>famous among the great enlighteners in england were those great writers like Alexander pope. Jonathan swift.etc.06.Neoclassicism(新古典主义)In the field of literature, the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3> they believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.07. The Graveyard School(墓地派诗歌)The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life. Past and present, with death and graveyard as themes.2>Thomas Gray is considered to be the leading figure of this school and his Elegy written in a country churchyard is its most representative work.08. Romanticism(浪漫主义)1>In the mid-18th century, a new literary movement called romanticism came to Europe and then to England.2>It was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticism gave primary concern to passion, emotion, and natural beauty.3>In the history of literature. Romanticism is generally regarded as the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and experience. 4> The English romantic period is an age of poetry which prevailed in England from 1798 to 1837. The major romantic poets include Wordsworth, Byron and Shelley.09. Byronic Hero(拜伦式英雄)Byronic hero refers to a proud, mysterious rebel figure of noble origin.2> with immense superiority in his passions and powers, this Byronic Hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society. And would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with unconquerable wills and inexhaustible energies.3> Byron’s chief contr ibution to English literature is his creation of the “Byronic Hero”10. Critical Realism(批判现实主义)Critical Realism is a term applied to the realistic fiction in the late 19th and early 20th centuries.2> It means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues.3> Realist writers were all concerned about the fate of the common people and described what was faithful to reality.4> Charles Dickens is the most important critical realist.11. Aestheticism(美学主义)The basic theory of the Aesthetic movement--- “art for art’s sake” was set forth by a French poet, Theophile Gautier, the first Englishman who wrote about the theory of aestheticism was Walter Pater.2> aestheticism places art above life, and holds that life should imitate art, not art imitate life.3> According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake, can it be immortal. They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style.4> This is one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.美学运动的基本原则”为艺术而艺术”最初由法国诗人西奥费尔.高缔尔提出,英国运用该美学理论的第一人是沃尔特.佩特.美学主义崇尚艺术高于生活,认为生活应模仿艺术,而不是艺术模仿生活.在美学主义看来,所有的艺术创作都是绝对主观而非客观的产物.艺术不应受任何功利的影响,只有当艺术为艺术而创作时,艺术才能成为不朽之作.他们还认为艺术不应只关注一些热点话题如政治和道德问题,艺术应着力于以华丽的风格张扬美.这是对维多利亚工业发展时期物质崇拜的一种回应,也是向艺术为道德或为金钱而服务的维多利亚传统的挑战.12.The Victorian period(维多利亚时期)In this period, the novel became the most widely read and the most vital and challenging expression of progressive thought. While sticking to the principle of faithful representation of the 18th century realist novel, novelists in this period carried their duty forward to criticism of the society and the defense of the mass.2> although writing from different points of view and with different techniques, they shared one thing in common, that is, they were all concerned about the fate of the common people. They were angry with the inhuman social institutions, the decaying social morality as represented by the money-worship and Utilitarianism, and the widespread misery, poverty and injustice.3>their truthful picture of people’s life and bitter and strong criticism of the society had done much in awakening the public consciousness to the social problems and in the actual improvement of the society.4> Charles Dickens is the leading figure of the Victorian period.13. Modernism(现代主义)Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2> modernism takes the irrational philosophy and the theory ofpsycho-analysis as its theoretical case.3> the term pertains to all the creative arts. Especially poetry, fiction, drama, painting, music and architecture.4> in England from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions. fresh ways of looking at man’s position and function in the universe and many experiments in form and style. It is particularly concerned with language and how to use it and with writing itself.14. Stream of consciousness(意识流)(or interior monologue)In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow, tracing as they do a character’s fragmentary thoughts and sensory feelings. Famous writers to employ this technique in the English language include James Joyce and William Faulkner.学术界认为意识流是一种通过直接描述人物思维过程来寻求个人视角的文学写作技巧。
美国文学文学术语
Imagism (1908-1917)1. Time: 1908-19171) first began in 1908-1909 T.E. Hulme founded a Poet's Club discussed the techniques of writing poetry.2) 1912-1914 Ezra Pound headed the movement. He and Flint laid down three Imagist principles3)1914-1917: Amy Lowell pushed the movement into the period of "Amygism"2.three Imagist Principles1). economy of expression(exclusion of redundant words)2). metrical freedom(free verse form and the rhythm of metrical phrase(讲究自由诗歌形式,使用音乐性短语的节奏而不按节拍器的节奏3). produce a dominant and clear visual image or a series of related images (no symbolic meaning of images, avoidance of romantic or mystical themes)3. Representatives :Ezra Pound, Amy Lowell, Hilda Doolittle, Carlos WilliamsThe Lost Generation1. Time: a term coined by Gertrude Stein after the WWI (1920s)2. Ideas: a group of American intellects, artists and writers fled to France to reject the values of American materialism. They were disillusioned and frustrated with the war and were spiritually bitter and lead aimless life.3. Representatives: Ernest Hemingway, F. Scott Fitzegerade, Ezra Pound, Gertrude Stein etc.Tough Guys1) Men who show grace under pressure, who face up to life's tragedies such as danger, violence and even death with desperate courage and maintain dignity, honor and grace.2) Life can defeat and destroy you, but if you keep calm and stand on your set of principles, you may win on your own terms. 人可以被毁灭但是精神不能被打败Iceberg Theory1) In his non-fiction work Death in the Afternoon, Hemingway said "the dignity of movement of an iceberg is due to only 1/8 of it being above water ,7/8 is under the water. " “冰山运动之雄伟壮观,是因为他只有八分之一在水面上。
比较齐全的美国文学名词解释
Stream of consciousness(意识流)(or interior monologue);In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow,tracing as they do a character’s fragmentary thoughts and sensory feelings.famous writers to employ this technique in the english language include James Joyce and William Faulkner.American realism :(美国现实主义)Realism was a reaction against Romanticism and paved the way to Modernism;2).During this period a new generation of writers, dissatisfied with the Romantic ideas in the older generation, came up witha new inspiration. This new attitude was characterized by a great interest in the realities of life. It aimed at the interpretation of the realities of any aspect of life, free from subjective prejudice, idealism, or romantic color. Instead of thinking about the mysteries of life and death and heroic individualism, people’s attention was now directed to the interesting features of everyday existence, to what was brutal or sordid, and to the open portayal of class struggle;3) so writers began to describe the integrity of human characters reacting under various circumstances and picture the pioneers of the far west, the new immigrants and the struggles of the working class; 4) Mark Twain Howells and Henry James are three leading figures of the American Realism.American Naturalism(美国自然主义文学):The American naturalists accepted the more negative interpretation of Darwin’s evolutionary theory and used it to accout for the behavior of those characters in literary works who were regarded as more or less complex combinations of inherited attributes, their habits conditioned by social and economic forces.2) naturalism is evolved from realism when the author’s tone in writing becomes less serious and less sympathetic but more ironic and more pessimistic. It is no more than a gloomy philosophical approach to reality, or to human existence.3>Dreiser is a leading figure of his school.Local Colorism(乡土文学):Generally speaking, the writings of local colorists are concerned with the life of a small, weell-defined region or province. The characteristic setting is the isolated small town. 2) Local colorists were consciously nostalgic historians of a vanishing way of life, recorders of a present that faded before their eyes. Yet for all their sentimentality, they dedicated themselves to minutely accurate descriptions of the life of their regions, they worked from personal experience to record the facts of a local environment and suggested that the native life was shaped by the curious conditions of the local. 3) major local colorists is Mark Twain.Imagism(意象主义):Imagism came into being in Britain and U.S around 1910 as a reaction to the traditional English poetry to express the sense of fragmentation and dislocation.2>the imagists, with Ezra Pound leading the way, hold that the most effective means to express these momentary impressions is through the use of one dominant image.3>imagism is characterized by the following three poetic principles:A.direct treatment of subject matter;B.economy of expression;C. as regards rhythm ,to compose in the sequence of the musical phrase, not in the sequence of metronome. 4> pound’s In a Station of the Metro is a well-known inagist poem.The Lost Generation(迷惘的一代):The lost generation is a term first used by Stein to describe the post-war I generation of American writers:men and women haunted by a sense of betrayal and emptiness brought about by the destructiveness of the war.2>full of youthful idealism, these individuals sought the meaning of life, drank excessively, had love affairs and created some of the finest American literature to date.3>the three best-known representatives of lost generation are F.Scott Fitzgerald, hemingway and John dos Passos.The Beat Generation(垮掉的一代):The members of The Beat Generation were new bohemian libertines. Who engaged in a spontaneous, sometimes messy, creativity.2> The Beat writers produced a body of written work controversial both for its advocacy of non-conformity and for its non-conforming style.3> the major beat writings are Allen Ginsberg’s howl.Howl became the manifesto of The Beat Generation.A J azz age(爵士时代):The Jazz Age describes the period of the 1920s and 1930s, the years between world war I and worldwar II. Particularly in north America. With the rise of the great depression, the values of this age saw much decline. Perhaps the most representative literary work of the age is American writer Fitzgerald’s The Great Gatsby. Highlighting what some describe as the decadence and hedonism, as well as the growth of individualism. Fitzgerald is largely credited with coining the term” Jazz Age”.Feminisim(女权主义): Feminisim incorporates both a doctrine of equal rights for women and an ideology of social transformation aiming to create a world for women beyond simple social equality.2>in general, feminism is ideology of women’s liberation based on th e belief that women suffer injustice because of their sex. Under this broad umbrella various feminisms offer differing analyses of the causes, or agents, of female oppression.3> definitions of feminism by feminists tend to be shaped by their training, ideology or race. So, for example, Marxist and socialist feminists stress the interaction within feminism of class with gender and focus on social distinctions between men and women. Black feminists argue much more for an integrated analysis which can unlock the multiple systems of oppression.Hemingway Code Hero(海明威式英雄): Hemingway Code Hero ,also called code hero, is one who, wounded but strong more sentitive, enjoys the pleasures of life( sex, alcohol, sport) in face of ruin and death, and maintains, through some notion of a code, an ideal of himself.2> barnes in the sun also Rises, henry in a Farewell to arms and santiago in the old man and the sea are typical of Hemingway Code HeroImpressionism(印象主义):Impressionism is a style of painting that gives the impression made by the subject on the artist without much attention to details. Writers accepted the same conviction that the personal attitudes and moods of the writer were legitimate elements in depicting character or setting or action.2>briefly, it is a style of literature characterized by the creation of general impressions and moods rather that realistic mood.Modernism(现代主义):Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2> modernism takes the irrational philosophy and the theory of psycho-analysis as its theoretical case.3> the term pertains to all the creative arts. Especially poetry, fiction, drama, painting,music and architecture.4> in england from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions.fresh way s of looking at man’s position and function in the universe and many experiments in form and style.it is particularly concerned with language and how to use it and with writing itself.the gilded age: Plains Indians were pushed in a series of Indian wars onto restricted reservations.This period also witnessed the creation of a modern industrial economy. A national transportation and communication network was created, the corporation became the dominant form of business organization, and a managerial revolution transformed business operations. By the beginning of the twentieth century, per capita income and industrial production in the United States exceeded that of any other country except Britain. Long hours and hazardous working conditions, led many workers to attempt to form labor unions despite strong opposition from industrialists and the courts.An era of intense political partisanship, the Gilded Age was also an era of reform. The Civil Service Act sought to curb government corruption by requiring applicants for certain governmental jobs to take a competitive examination. The Interstate Commerce Act sought to end discrimination by railroads against small shippers and the Sherman Antitrust Act outlawed business monopolies. These years also saw the rise of the Populist crusade. Burdened by heavy debts and falling farm prices, many farmers joined the Populist party, which called for an increase in the amount of money in circulation, government assistance to help farmers repay loans, tariff reductions, and a graduated income tax.Mark Twain called the late nineteenth century the "Gilded Age." By this, he meant that the period was glittering on the surface but corrupt underneath. In the popular view, the late nineteenth century was a period of greed and guile: of rapacious Robber Barons, unscrupulous speculators, and corporate buccaneers, of shady business practices, scandal-plagued politics, and vulgar display. It is easy to caricature the Gilded Age as an era of corruption, conspicuous consumption, and unfettered capitalism. But it is more useful to think of this as modern America’s formative period, when an agrarian society of small producers was transformed into an urban society dominated byindustrial corporations.Regionalism(地区主义):In literature, regionalism or local color fiction refers to fiction or poetry that focuses on specific features –including characters, dialects, customs, history, and topography –of a particular region. Since the region may be a recreation or reflection of the author's own, there is often nostalgia and sentimentality in the writing.Although the terms regionalism and local color are sometimes used interchangeably, regionalism generally has broader connotations. Whereas local color is often applied to a specific literary mode that flourished in the late 19th century, regionalism implies a recognition from the colonial period to the present of differences among specific areas of the country. Additionally, regionalism refers to an intellectual movement encompassing regional consciousness beginning in the 1930s. Even though there is evidence of regional awareness in early southern writing—William Byrd's History of the Dividing Line, for example, points out southern characteristics—not until well into the 19th century did regional considerations begin to overshadow national ones. In the South the regional concern became more and more evident in essays and fiction exploring and often defending the southern way of life. John Pendleton Kennedy's fictional sketches in Swallow Barn, for example, examined southern plantation life at length.multiple points of view(多视角):Multiple Point of View: It is one of the literary techniques William Faulkner used, which shows within the same story how the characters reacted differently to the same person or the same situation. The use of this technique gave the story a circular form wherein one event was the center, with various points of view radiating from it. The multiple points of view technique makes the reader recognize the difficulty of arriving at a true judgment.Confessional poetry :Confessional poetry emphasizes the intimate, and sometimes unflattering, information about details of the poet's personal life, such as in poems about illness, sexuality, and despondence. The confessionalist label was applied to a number of poets of the 1950s and 1960s. John Berryman, Allen Ginsberg, Robert Lowell, Sylvia Plath, Theodore Roethke, Anne Sexton, and William De Witt Snodgrass have all been called 'Confessional Poets'. As fresh and different as the work of these poets appeared at the time, it is also true that several poets prominent in the canon of Western literature, perhaps most notably Sextus Propertius and Petrarch, could easily share the label of "confessional" with the confessional poets of the fifties and sixties.Ecocriticism:Ecocriticism is the study of literature and environment from an interdisciplinary point of view where all sciences come together to analyze the environment and brainstorm possible solutions for the correction of the contemporary environmental situation. Ecocriticism was officially heralded by the publication of two seminal works, both published in the mid-1990s: The Ecocriticism Reader, edited by Cheryll Glotfelty and Harold Fromm, and The Environmental Imagination, by Lawrence Buell.In the United States, Ecocriticism is often associated with the Association for the Study of Literature and Environment (ASLE), which hosts biennial meetings for scholars who deal with environmental matters in literature. ASLE has an official journal—Interdisciplinary Studies in Literature and Environment (ISLE)—in which much of the most current American scholarship in the rapidly evolving field of ecocriticism can be found.Ecocriticism is an intentionally broad approach that is known by a number of other designations, including "green (cultural) studies", "ecopoetics", and "environmental literary criticism".Dramatic Conflict:At least not the special kind of conflict that drives plays, the gas that fuels the dramatic engine. Arguments in real life are usually circular -- nobody gets anywhere, except a little steam's been blown off. And they're boring for everyone except the folks doing the yelling.Dramatic Conflict draws from a much deeper vein, rooted in the Subtext of your central characters. It's driven by fundamentally opposing desires.Conflict is a necessary element of fictional literature. It is defined as the problem in any piece of literature and is often classified according to the nature of the protagonist or antagonist。
美国文学术语[整理版]
1. American RomanticismThe romantic period stretched from the end of the eighteenth century through the outbreak of the Civil War. It is a term that is associated with imagination and boundlessness, as contrasted with classicism, which is commonly associated with reason and restriction. A romantic attitude may be detected in literature of any period, but as an historical movement it arose in the 18th and 19th centuries, in reaction to more rational literary, philosophic, artistic, religious, and economic standards. The most clearly defined romantic literary movement in the U. S. was Transcendentalism."Characteristics of the romantic movement in American literature are sentimentalism, primitivism and the cult of the noble savage; political liberalism; the celebration of natural beauty and the simple life; introspection; the idealization of the common man, uncorrupted by civilization; interest in the picturesque past; interest in remote places; antiquarianism ; individualism; morbid melancholy; and historical romance.Tanscendentalism was a spiritual, philosophical and literary movement and is located in the history of American Thought as Post-Unitarian(一神教)and free thinking in religious spirituality, Kantian and idealistic in philosophy and romantic and individualistic in literature. New England T ranscendentalism was the product of a combination of foreign influences and the native American Puritan tradition. The most important American Transcendentalists are Ralph Waldo Emerson and Henry David Thoreau, whose representative works are Nature and Walden respectively. T ranscendentalists generally agreed that the intuitive faculty, instead of the rational or sensical, became the means for a conscious union of the individual psyche with the world psyche also known as the Oversoul, life-force, prime mover and God . The basic premises include: First, an individual is the spiritual center of the universe - and in an individual can be found the clue to nature, history and, ultimately, the cosmos itself;Second, the structure of the universe literally duplicates the structure of the individual self - all knowledge, therefore, begins with self-knowledge; Third, transcendentalists accepted the neo-Platonic conception of nature as a living mystery, full of signs - nature is symbolic; Fourth,The belief that individual virtue and happiness depend upon self-realization - this depends upon the reconciliation of two universal psychological tendencies: the expansive or self-transcending tendency and .the contracting or self-asserting tendency.2. Free verse:Free verse is a form of poetry that refrains from consistent meter patterns, rhyme, or any other musical pattern.Some poets have explained that free verse, despite its freedom, must still display some elements of form. Most free verse, for example, self-evidently continues to observe a convention of the poetic line in some sense, at least in written representations, thus retaining a potential degree of linkage, however nebulous (模糊的), with more traditional forms. Donald Hall goes as far as to say that "the form of free verse is as binding and as liberating as the form of a rondeau(回旋诗)." and T. S. Eliot wrote, "No verse is free for the man who wants to do a good job."Some poets have considered free verse restrictive in its own way. Robert Frost later remarked that writing free verse was like "playing tennis without a net".Walt Whitman, who based his verse approach on the Bible, was the major precursor for modern poets writing free verse, though they were reluctant to acknowledge his influence.Form and Structure:Although free verse requires no meter, rhyme, or other traditional poetic techniques, a poet can still utilize them to create some sense of structure. A clear example of this can be found in Walt Whitman's poems, where he repeats certain phrases and uses commas to create both a rhythm and structure.Because of a lack of predetermined form, free verse poems have the potential to take truly unique shapes. The poet is given more license to express and, unrestrained by traditional bounds, has more control over the development of the poem. This could allow for a more spontaneous and essentially individualizing factor.3. American realismIn American literature, the term "realism" encompasses the period of time from the Civil War to the turn of the century during which William Dean Howells, Rebecca Harding Davis, Henry James, Mark Twain, an d others wrote fiction devoted to accurate representation and an exploration of American lives in various contexts.Characteristics:Renders reality closely and in comprehensive detail. Selective presentation of reality with an emphasis on verisimilitude (似真,逼真), even at the expense of a well-made plotCharacter is more important than action and plot; complex ethical (伦理的)choices are often the subject.Characters appear in their real complexity of temperament (性情)and motive; they are in explicable (possible to explain) relation to nature, to each other, to their social class, to their own past.Class is important; the novel has traditionally served the interests and aspirations of an insurgent (rebellious) middle class. (See Ian Watt, The Rise of the Novel)Events will usually be plausible (credible 可信的). Realistic novels avoid the sensational (耸人听闻的,令人激动的), dramatic elements of naturalistic novels and romances.Diction is natural vernacular (dialect), not heightened or poetic; tone may be comic, satiric, or matter-of-fact.Objectivity in presentation becomes increasingly important: overt (公然的)authorial comments or intrusions (闯入)diminish as the century progresses.4. .American modernismAmerican Modernism covered a wide variety of topics including race relations, gender roles, and sexuality. It reached its peak in America in the 1920s up to the 1940s. Celebrated Modernists include Ezra Pound, William Carlos Williams, F. Scott Fitzgerald, Ernest Hemingway and William Faulkner, and while largely regarded as a romantic poet, Walt Whitman is sometimes regarded as a pioneer of the modernist era in America.The Centers of Modernism:(1)Stylistic innovations - disruption of traditional syntax and form.(2)Artist's self-consciousness about questions of form and structure.(3)Obsession with primitive material and attitudes.(4)International perspective on cultural matters.Modern Attitudes:(1)The artist is generally less appreciated but more sensitive, even more heroic, than the average person.(2)The artist challenges tradition and reinvigorates it.(3)A breaking away from patterned responses and predictable forms.Contradictory Elements:(1)Democratic and e l itist.(2)Traditional and anti-tradition.(3)National jingoism (沙文主义)and provinci a lity(乡土观念)versus the celebration of international culture.(4)Puritan ical and repressive elements versus freer expression in sexual and political matters.Literary Achievements:(1)Dramatization of the plight of women.(2)Creation of a literature of the urban experience.(3)Continuation of the pastoral or rural spirit.(4)Continuation of regionalism (地方主义)and local color.5. Imagism (意象派)Imagism—A literary movement launched by British and American poets early in the 20th century that advocated the use of free verse, common speech patterns, and clear concrete images as a reaction to Victorian sentimentalism, superposition and juxtaposition of images (意象的叠加和并置).A literary movement in U.S. and English poetry characterized by the use of concrete language and figures of speech, modern subject matter, metrical freedom, and avoidance of romantic or mystical themes. It grew out of the Symbolist movement and was initially led by Ezra Pound, who, inspired by the criticism of T. E. Hulme (休姆,1883 – 1917), formulated its credo c. 1912; Hilda Doolittle (杜丽特尔)was also among the founders. Around 1914 Amy Lowell (艾米·洛威尔)largely took over leadership of the group. Imagism influenced the works of Conrad Aiken (康拉德·艾肯), T. S. Eliot, Marianne Moore (玛丽安·穆尔), D. H. Lawrence, Wallace Stevens (华莱士·史蒂文斯), and others.Flint summarizes the "few rules" of Imagism as follows:(1)Direct treatment of the "thing," whether subjective or objective.(2)To use absolutely no word that did not contrib ute to the p resentation.(3. As regarding rhythm: to compose in sequence of the musical phrase, not in sequence of a metronome (节拍器)。
(完整word版)美国文学名词解释
American Dream: American dream means the belief that everyone can succeed as long as he/she works hard enough. It usually implies a successful and satisfying life。
It usually framed in terms of American capitalism(资本主义), its associated purported meritocracy,(知识界精华) and the freedoms guaranteed by the U。
S. Bill of Rights.American Puritanism清教主义: Puritanism is the practices and beliefs of the puritans. The Puritans were originally members of a division of the protestant church who wanted to purify their religious beliefs and practices. They accepted the doctrines of predestination, original sin and total depravity, and limited atonement through a special infusion of grace from God。
American literature in the 17th century mostly consisted of Puritan literature. Puritanism had an enduring influence on American literature. It had become, to some extent, so much a state of mind, so much a part of national cultural atmosphere, rather than a set of tenets.Transcendentalism 超验主义: Transcendentalism was a group of new ideas in literature, religion,culture and philosophy that emerged in New England in the early to middle 19th century。
美国文学术语解释
美国文学术语解释American puritanism(美国清教主义)Colonial American(殖民时期的美国)Great Aweaking(宗教大觉醒运动)American Romanticism(美国浪漫主义)Gothic tradition(哥特传统) Historical novel(历史小说)Civil War(美国内战)Transcendentalism(超验主义) Individualism(个人主义) Unitarianism(上帝一位论) Allegory(寓言)American Renaissance(美国文艺复兴)Original Sin(原罪)American Enlightenment(美国启蒙运动)Free verse(自由诗) Alliteration(头韵) Assonance(类韵) Consonance(和音)Lyric(抒情诗)Sonnet(十四行诗)Point of view(视角)Realism(现实主义)Local Colorism(地方特色主义) Irony(反讽)Naturalism(自然主义)Social Darwinism(社会达尔文主义)Dadaism(达尔文主义) Expressionism(表现主义) Harlem Renaissance(哈姆雷特文艺复兴)Imagism(意象主义)Jazz Age(爵士乐时代) Surrealism(超现实主义)V orticism(漩涡派)Dramatic Monologue(戏剧性独白)Lost Generation(迷惘的一代) Metaphysical poets(玄学派诗人) Narrator(叙述者)Stream of Consciousness(意识流) The Beat Generation(垮掉的一代) The 1930s(美国30年代)New Criticism(新批评主义) Theatre of the Absurd(荒诞剧) Postmodernism(后现代主义) Metafiction(元小说) Confessional poetry(自白派诗歌) The New York School(纽约派诗人)The absurd(荒谬派)Parody(戏讽)Magic realism(魔幻现实主义) The National Association for the Advancement of ColoredPeople(NAACP)(美国有色人种协进会)The Native American Renaissance(土著美国人文艺复兴)。
美国文学术语解释(全面且简练)
术语解释(美国文学简史)1、American PuritanismBack grounding:American Puritanism appeared in the colonial period, from 1607 to 1775, in America.Representatives:There are many writers in this period, such as Captain John Smith, the author of the True Relation of Virginia (1608) and Description of New England (1616),Anne Bradstreet, who wrote the famous work called Tenth Muse Lately Sprung up in America (1650).Main ideas:They stress predestination, original sin, total depravity, and limited atonement from God’s grace. They go to America to prove that they are God’s chosen people who will enjoy God’s blessings on earth and in Heaven. Finally, they build a way of life that stresses hard work, thrift, piety, and sobriety. Influences:American Literature is based on a myth ------ the Biblical myth of the Garden of Eden. The American Puritan’s metaphorical made of perception ---- symbolism. It has a great influence not only on the Literary Scene in Colonial America, , but also onthe literature in the 18th century, especially on Jonathan Edwards and Benjamin Franklin.American RomanticismBack grounding:It appeared in the end of the 18th century through the outbreak of the Civil War, from 1828 to 1865, and it was strongly influenced by European culture.Representative:There are some representative new England poets and out-sanding writers such as, James Fenimaore Cooper, the author of The Leather Stocking Tales, Washington Irving , whose famous work is The Sketch Book (1819).Main ideas:Romanticism is a rebellion against the objectivity of rationalism. .For romantics, the feelings, intuitions and emotions are more important than reason and common sense. They emphasize individualism, placing the individual against the group, against authority.Influence:It produces a feeling of “Newness” which inspires the romantic imagination.3、TranscendentalismsTranscendtalism flourished in the New England from about 1836 to 1860.Ralph Waldo Emerson published ‘Nature’in 1836 which represented a new way of intellectual thinking in America. Representatives:There are two representative writers, namely Ralph Waldo Emerson (1803----1882), whose famous work called Nature, Henry David Thoreau (1817----1862), the author of Walden..Main ideas:Believe people can learn things both from the outside world by means of the 5 senses and from the inner world by intuition; It places spirit first and matter second; It takes nature as symbolic of spirit or God. It emphasizes the significance of the individual; Religion is an emotional communication between an individual soul and the universal ‘over soul’. Influences:It is a manifestation of Romantic Movement in literature and philosophy and an ethical guide to life of America. However, it is never a systematic philosophy because of a lack of logical connection.4、RealismIn American literature, the Civil War brought the Romantic Period to an end. The Age of Realism came into existence, from 1865 to 1918.Representatives:There are some famous writers in this period, such as William Dean Howells , the Dean of American Realism, whose famous work is A Chance Acquaintance 《偶然相遇》; O. Henry, the author of After Twenty Years;Henry James, the author of The Portrait of a Lady.Main ideas:Realism is the theory of writing in which familiar aspects of contemporary life and everyday scenes are represented in a straightforward or mother-of-fact manner. It often uses the open ending, focuses on the lives of the common people, and emphasizes objectivity.Influences:It comes as a reaction against the lie of romanticism and sentimentalism. It expresses the concern for commonplace and the low, and it offers an objective rather than an idealistic view of human nature and human experience.5、Local ColorismLocal colorism as a trend became dominant in American literature in the late 1860s and early 1870s;The frontier humorists who had been popular with their “tall tales” before the Civil War paved the way for local color fiction. Representatives:There is a famous writers in this period, namely Mark Twain,(马克?吐温), whose masterpiece is Huckleberry Finn.Main ideas:Local color fiction presents a locale which is distinguished from the outside world, and describes the exotic and the picturesque. It describes things that are not common in other regions, attempting to show things as they as they are. Local color fiction glorifies the past and stresses the influence of setting on character.Influences:Mark Twain is the representative in this period, and his style is the vernacular language, local color, and cracker-barrel philosopher.6、NaturismBack grounding:Naturalism is a literary trend prevailing in Europe, especiallyin France and Germany, in the second half of the 19th century. And, Charles Darwin stresses the struggle of existence, survival of the fittest, natural selection. Representatives:There are some writers in this period, such as Stephen Crane, Frank Norris, and Jack London.Crane’s Maggie: A Girl of the Streets is the first American naturalism work. Main ideas: Humans are controlled by laws of heredity and environment. The universe is cold, godless, indifferent and hostile to human desires.Influences:Although naturalist literature describes the world with sometimes brutal realism, it sometimes also aims at bettering the world through social reform. This combination of grim reality and desire for improvements is typical of America as it moves into the twentieth century.7、ImagismBack grounding:Imagism is a literary movement launched by a number of British and American poets from 1909 to 1917, which is prevalent in the Western world and is a branch of the Symbolist literary movement.Representatives:Four Quartets; Wallace Stevens; Robert Frost.Main ideas:In a sense, imagism is equivalent to naturalism in fiction. It produces free verse without imposing a rhythmical pattern. Imagism tries to record objective observations of an object or a situation without interpretation or comment by the poet. Influences:It is one of the most essential techniques of writing poetry in modern period, with a spirit of revolt against conventions; imagism is anti-romantic and anti –Victorian.8、the Lost GenerationBack grounding:The term “lost generation” is coined by Gertrude Stein, a lost generation writer herself, after World War I. It is between the first and second World Wars.Representatives:There are some excellent writers, including Ernest Hemingway; whose famous work is The Old Man and the Sea (1952); Scott Fitzgerald, the author of the Great Gatsby.Main ideas:The Lost Generation is a term used to describe a group ofAmerican writers who were rebelling against what America had become by the 1900’s.It aims to seek the bohemian lifestyle and reject the values of American materialism and means this generation had lost the beautiful sense of the calm idyllic past.Influences:Being cut off from their past, disillusioned in reality, and without a meaningful future to fall on, they are lost in disillusionment and existential voids.9、the code hero(网上找的)The Hemingway hero is an average man of decidedly masculine tastes, sensitive and intelligent, a man of action, and one of few words. That is an individualist keeping emotions under control, stoic and self-disciplined in a dreadful place. These people are usually spiritual strong, people of certain skills, and most of them encounter death many times. The heroes in his book are all have something in common which Hemingway values: they have seen the cold world and for one cause or another, they boldly and courageously face the reality; whatever the result is, they are ready to live with grace under pressure. The Hemingway code hero has an indestructible spirit for his optimistic view of life; though he is pessimistic that isHemingway.10、Iceberg Theory(网上找的)It is a term used to describe the writing style of American writer ErnestHemingway. The meaning of a piece is not immediately evident, because the crux of the story lies below the surface, just as most of the mass of a real iceberg similarly lies beneath the surface.11、the Jazz AgeThe 20’s are also referred to as “The Jazz Age,” a term coined by F. Scott FitzgeraldThe Jazz Age began with the end of WWI, at a time when, for the first time, the U.S. had emerged as a world power and ended with the stock market crash of 1929.The most representative literary work is American writer F. Scott Fitzgerald’s the great Gatsby.This decade saw changes in lifestyle and technology that revolutionized American life in such a way that it has never been the same since.12、Free verse:Free verse is poetry that has an irregular rhythm and line length, and that attempts avoid any predetermined versestructure. While it alternates stressed and unstressed syllables as stricter verse forms do, free verse does so in a looser way. Whiteman’s poetry is an example of free verse at its most impressive, for example Song of Myself. It has since been used Ezra Pound, T.S. Eliot and other major American poets of the 20th century. Walt Whiteman’s Leaves of Grass is, perhaps , the most notable example.。
美国文学名词解释
迷惘的一代(Lost Generation),又称:迷失的一代。
西方现代派文学的一种。
第一次世界大战以后出现于美国的一个文学流派。
第一次世界大战以后,美国有一批青年作家陆续登上文坛。
他们不仅年龄相仿,而且经历相似,思想情绪相近,在创作中表现出许多共同点,逐渐形成一新的文学流派。
代表作家有海明威(1899—1961)、福克纳(1897—1962)、约·多斯·帕索斯(1896—1970)、菲兹杰拉德(1896—1940),和诗人肯明斯(1894—1962)等。
他们曾怀着民主的理想奔赴欧洲战场,目睹人类空前的大屠杀,经历种种苦难,深受“民主”、“光荣”、“牺牲”口号的欺骗,对社会、人生大感失望,故通过创作小说描述战争对他们的残害,表现出一种迷惘、彷徨和失望的情绪。
这一流派也包括没有参加过战争但对前途感到迷惘和迟疑的20年代作家,如菲兹杰拉德、艾略特和沃尔夫(1900~1938)等。
特别是菲兹杰拉德,对战争所暴露的资产阶级精神危机深有感触,通过对他所熟悉的上层社会的描写,表明昔日的梦想成了泡影,“美国梦”根本不存在,他的人物历经了觉醒和破灭感中的坎坷与痛苦。
沃尔夫的作品以一个美国青年的经历贯穿始终,体现了在探索人生的过程中的激动和失望,是一种孤独者的迷惘。
迷惘的一代作家在艺术上各有特点,他们的主要成就闪烁于20年代,之后便分道扬镳了意象派诗歌意象派(Imagists)是1909年至1917年间一些英美诗人发起并付诸实践的文学运动,它是当时盛行于西方世界的象征主义文学运动的一个分支。
其宗旨是要求诗人以鲜明、准确、含蓄和高度凝炼的意象生动及形象地展现事物,并将诗人瞬息间的思想感情溶化在诗行中。
它反对发表议论及感叹。
意象派的产生最初是对当时诗坛文风的一种反拨,代表人物是埃兹拉·庞德。
由于意象派诗人大多经历了象征诗歌创作,所以理论界也有人将意象派看做象征主义的分支,实际上意象派和象征主义诗歌有极大的本质差异。
美国文学相关文学术语
美国文学相关文学术语Literary Terms about American Literature1)American Puritanism (清教主义) :Puritanism is the practices and beliefs ofpuritans. The American puritans, like their English brothers, are idealists. They accept the doctrine and practice of predestination, original sin, and total depravity, and limited atonement through a special infusion of grace from God. But due to the grim struggle for living in the new continent, they become more and more practical. American Puritanism is so much a part of the national atmosphere rather than a set of tenets.2)American Romanticism(浪漫主义): (1) American Romanticism is one of themost important periods in the history of American literature. (2) It was a rebellion against the objectivity of rationalism. For romantics, the feelings, intuitions and emotions were more important than reason and common sense. They emphasized individualism, placing the individual against the group,. They affirmed the inner life of the self, and cherished strong interest in the past, the wild, the remote, the mysterious and the strange. They stressed the element “Americanness”in their works. (3) It started with the publication of Washington Irving’s The Sketch Book and ended with Walt Whitman’s Leaves of Grass.(4) Being a period of the flowering of American literature, it is also called “the American Renaissance.” (5) American Romanticists include such literary figures as Washington Irving, Ralph Waldo Emerson, William Cullen Bryant, Henry Wadsworth Longfellow, Nathaniel Hawthorne, Edgar Poe and some others.3)Transcendentalism(超验主义):It refers to the religious and philosophicaldoctrines of Ralph Waldo Emerson and others in New England in the middle 1800’s, which emphasized the importance of individual inspirations and intuition, the Over-soul, and Nature. Other concepts that accompanied transcendentalism include the idea that nature is ennobling and the idea that the individual is divine and, therefore, self-reliant. New England transcendentalism is the product of a combination of native American Puritanism and European Romanticism.4)Free V erse (自由体):It means the rhymed or unrhymed poetry composedwithout paying attention to conventional rules of meter. Free verse was originated by a group of French poets of the late 19th century. Their purpose was to free themselves from the restrictions of formal metrical patterns and to recreate instead the free rhythms of natural speech. Walt Whitman’s Leaves of Grass is perhaps, the most notable example.5)American Naturalism (自然主义): The American naturalists accepted the morenegative interpretation of Darwin’s evolutionary theory sand used it to account for the behavior of those characters in literary works who were regarded as more or less complex combinations of inherited attributes, their habits conditioned by social and economic forces. American naturalism is evolved from realism when the author’s tone in writing becomes less serious and less sympathetic but more ironic and more pessimistic. It is no more than a gloomy philosophical approachto reality, or to human existence. Dreiser is a leading figure of this school.6)American Realism(现实主义): The American Civil War brought the RomanticPeriod to an end. The Age of Realism came into existence. It came as a reaction against the lie of romanticism and sentimentalism. Realism turned from an emphasis on the strange toward a faithful rendering of the ordinary, a slice of life as it is really lived. American Realism expresses the concern for common place and the low; and it offers an objective rather an idealistic view of human nature and human experience. Realistic literature finds the drama and the tension beneath the ordinary surface of life. A realistic writer is more objective than subjective, more descriptive than symbolic. Realists look for truth in everyday truths.7)Local Colorists (乡土作家):Generally speaking, the writings of local coloristsare concerned with the life of a small, well-defined region or province. The characteristic setting is the isolated small town. Local colorists were consciously nostalgic historians of a vanishing way of life, recorders of the present that faded before their eyes. Y et for all their sentimentality, they dedicated themselves to minutely accurate descriptions of the life of their regions. They worked from personal experience to record the facts of a local environment and suggested that the native life was shaped by the curious conditions of the local. Major colorists include Hamlin Garland, Mark Twain, Kate Chopin, etc```8)Modernism (现代主义): It was an international movement in literature and arts,especially in literary criticism, which begin in the late 19th century and the theory of psycho-analysis as its theoretical base. The modernist writers concentrate more on the private and the subjective than on the public and objective, mainly concerned with the inner being of the individual. Therefore they pay more attention to the psychic time than the chronological one. The major themes of the modernist literature are the distorted, alienated and ill relationships between man and nature, man and society, man and man, and man and himself. In the United States, modernism refers to the 20th century American literature, which can also be called the second American Renaissance.9)The Lost Generation (迷失的一代): It is a term first used by Gertrude Stein todescribe the post-WWI generation of American writers: man and women haunted by a sense of betrayal and emptiness brought about by the destructiveness of the war. Full of idealism, these individuals sought the meaning of life, drank excessively, had love affairs and created some of the finest American literature to date. The three best-known representatives of the Lost Generation are F. Scott Fitzgerald, Ernest Hemingway, and John Dos Passos.10)The Beat Generation (垮掉的一代): The members of the beat generation werenew bohemian libertines, who engaged in a spontaneous, sometimes messy, creativity. The beat writers produced a body of written work controversial both for its advocacy of none-conformity and for its non-conforming style. The major beat writings are Jack Kerouac’s On the Road and Allen Ginsberg’s Howl. Howl became the manifesto of the Beat Generation.11)American Dream (美国梦): It refers to the dream of material success, in whichone , regardless of social status, acquires wealth and gains success by workinghard and good luck. In literature, the theme of American dream recurs. In The Great Gatsby, Gatsby comes from the west to the east with the dream of material success. By bootlegging and other illegal means he fulfilled his dream but ended up being killed. The novel tells the shattering of American Dream rather than its success.12)Black Humor (黑色幽默): It is also known as black comedy. It is a kind ofwriting that places grotesque elements side by side with humorous ones in an attempt to shock the reader, forcing him or her to laugh at the horrifying reality ofa distorted world. It is humor out of despair and laughter out of tears. Black humorconveys anguish and fury at conditions in which institutionalized absurdity gets the upper hand. It intends to satirize hypocrisy, materialism, racial prejudice, and above all, the dehumanization of the individual by a modern society. Black humor prevails in Modern American Literature. Joseph Heller’s novel Catch-22 is considered a superb example of the use of black humor.13)Hemingway Code Hero (海明威式英雄): Hemingway Hero, also called codehero, is one who, wounded but strong, more sensitive, enjoys the pleasure of life ( sex, alcohol, sport ) in face of ruin and death, and maintains, through some notion of a code, an ideal of himself. Barnes in The Sun Also Rises, Henry in A Farewell to Arms and Santiago in The Old Man and the Sea are typical of Hemingway hero.14)Imagism (意象派):It came into being in Britain and U.S. around 1910 as areaction to the traditional English poetry to express the sense of fragmentation and dislocation. The imagists with Ezra Pound leading the way, hold that the most effective means to express these momentary impressions is through the use of one dominant image. Imagism is characterized by the following three poetic principles: 1, direct treatment of subject matter; 2, economy of the expression; 3, as regards rhythm, to compose in the sequence of the musical phrase, not in the sequence of metronome. Ezra Pound’s In a Station of the Metro is a well-known imagist poem.15)Expressionism (表现主义): It refers to a movement in Germany early in the20th century, in which a number of painters sought to avoid the representation of external reality and, instead, to project a highly personal or subjective vision of the world. Expressionism is a reaction against realism or naturalism, aiming at presenting a post-war world violently distorted. Works noted for expressionism include: Eugene O’Neill’s The Emperor Jone s, T. S. Eliot’s The West Land, etc``` 16)Impressionism (印象主义): It is a style of painting that gives the impressionmade by the subject on the artist without much attention to details. Writers accepted the same conviction that the personal attitudes and moods of the writer were legitimate elements in depicting character or setting or action. Briefly, it is a style of literature characterized by the creation of general impressions and moods rather than realistic moods.。
文学术语 美国文学部分
Literary terms1.American Puritanism(美国清教主义)American Puritanism refers to the beliefs and practices of those Puritans who came out f different reasons to the New Continent and settled in what is now the United States. American Puritans accepted as their theological foundation the Calvinistic doctrine of predestination, original sin, total depravity, and salvation of a selected few through a special infusion of grace from God. Being a group of seriously religious people, they had a strong sense of mission and very idealistic, for they thought they were the people God chose and sent to the New World to purify the beliefs and practices of the Church of England, from which they had separated themselves, and built in America a new church. On the other hand, they were very practical, for the struggle of survival in the New World had taught them to work hard for profits and material success, which they believed was a sign of God’s benevolence. Puritans in America were living a very disciplined and simple style of life, devoid of earthly joy and extravagancy, so they are often criticized. But as a philosophy of life and a culture heritage, American Puritanism has produced an everlasting influence on the American life, and especially the American mind.2.American Dream(美国梦)The American Dream is the faith held by many in the United States of America that through hard work, courage, and determination one can achieve a better life for oneself, usually through financial prosperity. These were values held by many early European settlers, and have been passed on to subsequent generations. Nowadays the American Dream has led to an emphasis on material wealth as a measure of success and happiness.3.American Romanticism(美国浪漫主义文学)Romanticism refers to an artistic and intellectual movement originating in Europe in the late 18th century and characterized by a heightened interest in nature, emphasis on the individual’s expression of emotion and imagination, departure from the attitudes and forms of classicism, and rebellion against established social rules and conventions. The romantic period in American literature stretches from the end of the 18th century through the outbreak of the Civil War. It was an age of great westward expansion, of the increasing gravity of the slavery question, of an intensification of the spirit of embattled sectionalism in the South, and of a powerful impulse to reform in the North. In literature it was America’s first great creative period, a full flowering of the romantic impulse on American soil. Although foreign influences were strong, American romanticism exhibited from the very outset distinct features of its own. First, American romanticism was in essence the expression of “a real new experience” and contained “an alien quality” for the simple reason th at “the spirit of the place” was radically new and alien. Second, Puritan influence over American romanticism was conspicuously noticeable. Emerging as new writers of strength and creative power were the novelists Hawthorne and Melville; the poets Poe, Longfellow, Dickinson and Whitman; the essayists Thoreau and Emerson. These American writers had made a great literary period by capturing on their pages the enthusiasm and the optimism of that dream.4.Transcendentalism(超验主义)Transcendentalism refers to a kind of attitude that believes in the recognition in man of the capacity of knowing truth intuitively, or of attaining knowledge transcending the reach of the senses. In another word, transcendentalists believe that man learns things not only through reasoning based on his five senses, or by his own sensual experiences, and that he also learns truth spontaneously, out of his soul or instincts. In a literal sense, it means the belief that knowledge and principles of reality can be obtained by studying thought, not necessarily by practical experiences. In this sense the term is almost synonymous with the word mysticism. It was first applied to the German philosophical systems of Hegel, Kant, and Fichte. Later the word came to be used more loosely to apply to a movement that began in New England around 1830,the spokesman of which was Ralph Waldo Emerson.5.American Realism(美国现实主义)American literary realism refers to a literary movement that sprang up in the latter half of the 19th century in the United States. It is considered as a reaction against the romantic idea about the reality and human nature, and an answer to the gloomy picture of American life after the Civil War. American literary realism aims at the interpretation of the actualities of any aspect of life, free from subjective prejudice, idealism, or romantic color. Realistic writers are more concerned with the moral and social effects of their writings than the transcendental and symbolic implications of their art. Instead of thinking about the mysteries of life and death and heroic individualism, their focus of attention is now directed to the interesting features of everyday existence, to what is brutal or sordid, and to the open portrayal of class struggle. The three dominant figures of the period are William Dean Howells, Mark Twain, and Henry James. Howells, as the spokesman of the Age of Realism in American Literature and the “Dean” of American letters, advocates in his critical essays the general principles of American literary realism, saying that lit erary creation should be “true to the motives, the impulses, and the principles that shape the life of actual men and women”. Henry James addresses the issue of international and cross-cultural confrontations by way of probing into the psychological and moral nature of his characters. Mark Twain, by contrast, prefers to have his own region and people at the forefront of his stories; hence his works are fresh and American.6.American Naturalism(美国自然主义)Naturalism is a particular school of philosophy that proved to be popular in the late 19th century. It has been in general defined in two words as pessimistic determinism. The naturalistic writers were all determinists in that they believed in the omnipotence of abstract forces. They were pessimistic as far as they believed that men and women, devoid of the freedom of choice, were absolutely incapable of shaping their own destinies. They tore the mask of gentility to pieces and wrote about the helplessness of man, his insignificance in a cold and indifferent world, and his lack of dignity in face of the crushing forces of environment and heredity. They reported truthfully and objectively, with a passion for scientific accuracy and overwhelming accumulation of factual detail. The writers included in the discussion of American Naturalism are Theodore Dreiser, Stephen Crane, Frank Norris, and Jack London.7.Local Colorism(乡土小说)Local Colorism refers to a kind of writings in the late 19th century which carry with them the quality of texture, that is, the elements that characterize a local culture. Elements such as speech, customs and mores peculiar to one particular place, and the quality of background, which covers physical setting and those distinctive qualities of landscape that condition human thought and behavior. The ultimate aim of the local colorists is to create the illusion of an indigenous little world with qualities that tells it apart from the world outside. Hamlin Garland is the forerunner of the group and other noticeable writers of the local color include Mark Twain, Bret Harte, Willa Cather, to name only a few.8.The Gilded Age(镀金时代)Mark Twain called the late 19th century the "Gilded Age." By this, he meant that the period was glittering on the surface but corrupt underneath. In the popular view, the late 19th century was a period of greed and guile: of rapacious Robber Barons, unscrupulous speculators, and corporate buccaneers, of shady business practices, scandal-plagued politics, and vulgar display. It is easy to caricature the Gilded Age as an era of corruption, conspicuous consumption, and unfettered capitalism. But it is more useful to think of this as modern America’s formative period, when an agrarian society of small producers was transformed into an urban society dominated by industrial corporations.9.Harlem Renaissance(哈莱姆文艺复兴)Harlem Renaissance is used to describe a flowering of African-American literature and art in the1920s, mainly in the Harlem district of New York City. During the mass migration of African Americans from the rural agricultural South to the urban industrial North, many who came to New York settled in Harlem. Meanwhile, Southern black musicians brought jazz with them to the North and to Harlem. The area soon became a sophisticated literary and artistic center. Responding to the heady intellectual atmosphere of the time and place, writers and artists, many of whom lived in Harlem, began to produce a wide variety of fine and highly original works dealing with African-American life. These works attracted many black readers. New to the wider culture, they also attracted commercial publishers and a large white readership. Writers associated with the Harlem Renaissance include Langston Hughes, Claude McKay, Countee Cullen, etc. The Harlem Renaissance faded with the onset of the Great Depression of the 1930s. 10.Imagism(意象)Imagism refers to a poetic expression that was embraced by some American poets, including some of the European ones in the early 20th century, aiming at a full expression of the modern spirit, the sense of fragmentation and dislocation. Imagism came as a reaction to the traditional English poetics with its iambic pentameter, its verbosity, and extra-poetic padding; but it also voiced the spirit of the age. The most outstanding American spokesman for the Imagist Movement is Ezra Pound, who, together with F. S. Flint, laid down three Imagist poetic principles: direct treatment of the thing, whether subjective or objective; to use absolutely no word that does not contribute to the presentation; and to compose in the sequence of the musical phrase, not in the sequence of a metronome in regarding to rhythm.11.Modernism(现代主义)Modernism is widely used to identify new and distinctive features in the subjects, forms, concepts, and styles of literature and the other arts in the early decades of the present century, but especially after World War I. The specific features signified by “modernism” vary with the user, but many critics agree that it involves a deliberate and radical break with some of the traditional bases not only of Western art, but of Western culture in general. Important intellectual precursors of modernism, in this sense, are thinkers who had questioned the certainties that had supported traditional modes of social organization, religion, and morality, and also traditional ways of conceiving the human self—thinkers such as Friedrich Nietzsche, Karl Marx, and Sigmund Freud. Modernist writers tended to see themselves as an avant-garde disengaged from bourgeois values, and disturbed their readers by adopting complex and difficult new forms and styles. They favored techniques of juxtaposition and multiple point of view challenge the reader to reestablish a coherence of meaning from fragmentary forms. In English, its major landmarks are Joyce’s Ulysses and Eliot’s The Waste Land.12.The Jazz Age(爵士时代)The Jazz Age describes the period of the 1920s and 1930s, the years between World War I and World War II, particularly in North America; with the rise of the Great Depression, the values of this age saw much decline. Perhaps the most representative literary work of the age is American writer F. Scott Fitzgerald’s The Great Gatsby, highlighting what some describe as the decadence and hedonism, as well as the growth of individualism. Fitzgerald is largely credited with coining the term “the Jazz Age”.13.The Lost Generation(迷惘的一代)The term Lost Generation was coined by Gertrude Stein to refer to a group of American literary notables who lived in Paris from the time period which saw the end of World War I to the beginning of the Great Depression. Significant members included Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound, T. S. Eliot, and Gertrude Stein herself. Hemingway likely popularized the term, quoting Stein (“You are all a lost generation”) as epigraph to his novel, The Sun Also Rises. More generally, the term is being used for the young adults of Europe and America during World War I. They were “lost” because after the war many of them were disillusioned with the world in general and unwilling to move into a settled life.14.The Hemingway Code Hero(海明威密码英雄)In American literature, Hemingway himself and his protagonists are representations of heroism. From his first book In Our Time to his last work The Old Man and the Sea, from Nick Adams to Santiago there are a series of heroes. Whatever the differences in experience and age, they all have something in common which Hemingway values: they have seen the cold world and for one cause or another, they boldly and courageously face the reality; whatever the result is, they are ready to live with grace under pressure. The Hemingway code hero has an indestructible spirit for his optimistic view of life, though he is pessimistic about the world. Hemingway himself is one of those code heroes; some critics say his protagonists are autobiographical, for they share something that is Hemingway.15.Stream of Consciousness(意识流)In literary criticism, stream of consciousness refers to a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream-of-consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative (and at times dis-associative) leaps in syntax and punctuation that can make the prose difficult to follow, t racing as they do a character’s fragmentary thoughts and sensory feelings. Stream of consciousness writing gained rapid prominence in the 20th century. Famous writers to employ this technique in the English language include Virginia Woolf, James Joyce and William Faulkner.16.Iceberg Principle(冰山原则)Hemingway describes his aesthetic principle as analogous to an iceberg, seven-eighth of which is concealed beneath the surface of the water in which it floats. He believes that a good writer does not need to reveal every detail of a character or action; the one-eighth that is presented will suggest all other meaningful dimensions of the story. Thus, Hemingway’s language is symbolic and suggestive. It is true there won’t be great difficulties to understand the liter al meaning of the short sentences and simple words, but a work by Hemingway demands deliberate attention.。
美国文学术语整理
1.Stream of consciousness: Stream of Consciousness was a literary technique in which a character's thoughts are presented in the confusing, jumbled, and inconsequential manner of real life without any clarification by the author. It's best known writers are Marcel Proust, Virginia Woolf, and James JoyceIn literary criticism stream of consciousness is a narrative mode that seeks to portray an individual's point of view by giving the written equivalent of the character's thought processes, either in a loose interior monologue or in connection to his or her actions.It’s a technique that records various thoughts and feelings of a character without regard to logical argument or narrative sequence which is mainly represent the subconscious and even unconscious innermost part of human being.2.Impressionism:Impressionistic literature, sometimes referred to as stream of consciousness literature, can basically be defined as when an author centers his story/attention on the character's mental life such as the character's impressions, feelings, sensations, thoughts and emotions, rather than trying to interpret them.The term literary impressionism is used to describe a work of literature characterized by the selection of a few details to convey the sense impressions left by an incident or scene. This style of writing occurs when characters, scenes, or actions are portrayed from an explicitly subjective point of view on reality.3. Symbolismthe art or practice of using symbols especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations1654, "practice of representing things with symbols," from symbol. Attested from 1892 as a movement in Fr. literature that aimed at representing ideas and emotions by indirect suggestion rather than direct expression; rejecting realism and naturalism, it attached symbolic meaning to certain objects, words, etc. Fr. symboliste was coined by poet Paul V erlaine (1844-96) in 1885.4.ModernismModernism is an omnibus term for a number of tendencies in the arts which were prominent in the first half of the 20th c.; In English literature it is particularly associated with the writings of T. S. Eliot. It reflects the impact upon literature of the psychology of Freud and the anthropology of Sir J. Frazer.Technically it was marked by a persistent experimentalism. It rejected the traditional framework of narrative, description, and rational exposition in poetry and prose, in favour of stream-of-consciousness presentation of personality, a dependence on the poetic image as the essential vehicle of aesthetic communication, and upon myth as acharacteristic structural principleModernist literature is a literature of discontinuity, both historically, being based upon a sharp rejection of the procedures and values of the immediate past, to which it adopts an adversary stance; and aesthetically. Although so diverse in its manifestation, it was recognized as representing "an abrupt break with all tradition5. Southern LiteratureSouthern literature is defined as American literature about the Southern United States or by writers from this region. Characteristics of Southern literature include a focus on a common Southern history, the significance of family, a sense of community and one’s role within it, a sense of justice, the region's dominant religion (Christianity—see Protestantism) and the burdens/rewards religion often brings, issues of racial tension, land and the promise it brings, a sense of social class and place, and the use of the Southern dialect.6. American DreamThe American Dream is a national ethos of the United States in which freedom includes a promise of the possibility of prosperity and success. In the definition of the American Dream by James Truslow Adams in 1931, "life should be better and richer and fuller for everyone, with opportunity for each according to ability or achievement" regardless of social class or circumstances of birth.[1]The idea of the American Dream is rooted in the United States Declaration of Independence which proclaims that "all men are created equal‖ and that they are "endowed by their Creator with certain inalienable Rights" including "Life, Liberty and the pursuit of Happiness."7. Iceberg PrincipleThe Iceberg Theory(also known as the "theory of omission") is a term used to describe the writing style of American writer Ernest Hemingway. The meaning of a piece is not immediately evident, because the crux of the story lies below the surface, just as most of the mass of a real iceberg similarly lies beneath the surface Observation that in many (if not most) cases only a very small amount (the 'tip') of information is available or visible about a situation or phenomenon, whereas the 'real' information or bulk of data is either unavailable or hidden. The principle gets its name from the fact that only about 1/10th of an iceberg's mass is seen outside while about 9/10th of it is unseen, deep down in water.8. Lost Generationa phrase introduced by the American writer G. Stein, referring to Western European and American writers whose works, published in the 1920’s in the wake of the tragic experience of World War I (1914–18), expressed a profound disillusionment with capitalist civilization. Among the writers of the ―lost generation‖ were E. Hemingway, W. Faulkner,.In a broad sense, the lost generation was made up of people who had been through the war. Spiritually traumatized by this experience, they lost their faith in bourgeois virtues and became keenly aware of their alienation from society. The protest of writers of the lost generation is characterized chiefly by moral and ethical fervor.9. The Jaze Age The Great Gatsby takes place during the summer of 1922. Fitzgerald coined the phrase, "the Jazz Age" that same year to describe the flamboyant—"anything goes"—era that emerged in America after World War I. Find out more about the popular culture and historical events that shaped and defined the 1920s10.Free V erse and Blank V erseFree verse is a form of poetry that refrains from consistent meter patterns, rhyme, or any other musical pattern. Although free verse requires no meter, rhyme, or other traditional poetic techniques, a poet can still utilize them to create some sense of structure. A clear example of this can be found in Walt Whitman's poems, where he repeats certain phrases and uses commas to create both a rhythm and structure. Because of a lack of predetermined form, free verse poems have the potential to take truly unique shapes. The poet is given more license to express and, unrestrained by traditional bounds, has more control over the development of the poem. This could allow for a more spontaneous and essentially individualizing factor.Blank Verse is any verse comprised of unrhymed lines all in the same meter, usually iambic pentameter. It was developed in Italy and became widely used during the Renaissance because it resembled classical, unrhymed poetry.11. Tone: Tone is the attitude a writer has towards the subject they're writing about. It is evident in they're diction, style, and opinion if they express one. Mood is the atmosphere created by the setting, and actions of people and characters in it. It also relates to how the reader emotionally responds to these elements like sadness for a tragedy.12. Gothic WrithingCenturies more passed before "gothic" came to describe a certain type of novels, so named because all these novels seem to take place in Gothic-styled architecture -- mainly castles, mansions, and, of course, abbeys ("Gothic...").The Gothic novel took shape mostly in England from 1790 to 1830 and falls within the category of Romantic literature. It acts, however, as a reaction against the rigidity and formality of other forms of Romantic literature. The Gothic is far from limited to this set time period, as it takes its roots from former terrorizing writing that dates back to the Middle Ages, and can still be found written today by writers such as Stephen King.13. PuritanismThe Puritans were a significant grouping of English Protestants in the 16th and 17th centuries.Puritanism started in the sixteenth century as a movement to reform the Church of England. Puritanism accepted the interpretations of John Calvin (1509-64) on the nature of man, free will and predestination, and other basic concepts.14. TranscendentalismTranscendentalism is a group of ideas in literature and philosophy tha t developed in the 1830s and 1840s as a protest against the general state of culture and society, and in particular, the state of intellectualism at Harvard University and the doctrine of the Unitarian church taught at Harvard Divinity School.Among the transcendentalists' core beliefs was the belief in an ideal spirituality.。
美国文学名词解释 -
迷惘的一代(Lost Generation),又称:迷失的一代。
西方现代派文学的一种。
第一次世界大战以后出现于美国的一个文学流派。
第一次世界大战以后,美国有一批青年作家陆续登上文坛。
他们不仅年龄相仿,而且经历相似,思想情绪相近,在创作中表现出许多共同点,逐渐形成一新的文学流派。
代表作家有海明威(1899—1961)、福克纳(1897—1962)、约·多斯·帕索斯(1896—1970)、菲兹杰拉德(1896—1940),和诗人肯明斯(1894—1962)等。
他们曾怀着民主的理想奔赴欧洲战场,目睹人类空前的大屠杀,经历种种苦难,深受“民主”、“光荣”、“牺牲”口号的欺骗,对社会、人生大感失望,故通过创作小说描述战争对他们的残害,表现出一种迷惘、彷徨和失望的情绪。
这一流派也包括没有参加过战争但对前途感到迷惘和迟疑的20年代作家,如菲兹杰拉德、艾略特和沃尔夫(1900~1938)等。
特别是菲兹杰拉德,对战争所暴露的资产阶级精神危机深有感触,通过对他所熟悉的上层社会的描写,表明昔日的梦想成了泡影,“美国梦”根本不存在,他的人物历经了觉醒和破灭感中的坎坷与痛苦。
沃尔夫的作品以一个美国青年的经历贯穿始终,体现了在探索人生的过程中的激动和失望,是一种孤独者的迷惘。
迷惘的一代作家在艺术上各有特点,他们的主要成就闪烁于20年代,之后便分道扬镳了意象派诗歌意象派(Imagists)是1909年至1917年间一些英美诗人发起并付诸实践的文学运动,它是当时盛行于西方世界的象征主义文学运动的一个分支。
其宗旨是要求诗人以鲜明、准确、含蓄和高度凝炼的意象生动及形象地展现事物,并将诗人瞬息间的思想感情溶化在诗行中。
它反对发表议论及感叹。
意象派的产生最初是对当时诗坛文风的一种反拨,代表人物是埃兹拉·庞德。
由于意象派诗人大多经历了象征诗歌创作,所以理论界也有人将意象派看做象征主义的分支,实际上意象派和象征主义诗歌有极大的本质差异。
美国文学术语
黑色幽默(Black Humor): In literature, drama and film, strange or morbid humor used to express the absurdity, paradox and cruelty of the modern world. Ordinary characters or situations are usually exaggerated far beyond the limits of normal satire or irony. It’s usually associated with tragedy.爵士时代(Jazz Age): Fitzgerald put up the term Jazz age to refer to the decade after WWI and before the stock market crash in 1929, during which Americans embarked upon what he called “the gaudiest spree in history.”迷失的一代(The Lost Generation): It included the young English and American expatriates as well as men and women caught in the war and cut from the old value and yet unable to come to terms with the new ear when civilizations had gone mad.美国梦(American Dream):It’s a belief that in the US people will be able to achieve the ideal of a better life after a hard struggle, meaning that people have to work through their own hard work, courage, creativity and determination to move towards prosperity.神话模式(Myth Mode):It refers to the writer in writing to make the plot of the story, the structure, characters a corresponding to the traditional religious stories or mythology.意识流(Stream of Consciousness): It is a narrative mode or device that depicts the multitudinous thoughts and feelings which pass through the mind.海明威式英雄(The Hemingway Code Hero):It describes a Hemingway character who lives correctly, following certain principles of honr, courage, and endurance which in a life of tension and pain make a man a man.后现代主义(Postmodernism): It’s a term that encompasses a wide range of developments in philosophy, film, architecture, art, literature and culture.美国现实主义(American Realism): Defined as the faithful representation of reality or verisimilitude, is a literary technique practiced by many schools of writing.自然主义(Naturalism): In literature, it extended the tradition of realism, aiming at an even more faithful representation of reality, presented without moral judgment.超验主义(Transcendentalism): A system of philosophy that emphasizes intuition as a means of knowing a spiritual reality and believes that divinity pervadesnature and humanity.清教主义(Puritanism): It refers to the spirit and ideal of puritans who settled in the North American continent in the early part of the 17th century because of religious persecutions. It’s a religious and political movement. Through it, one sees emerging the right of the individual to political and religious independence.。
美国文学术语
Literary Terms (American Literature)1.American PuritanismAmerican Puritanism is one enduring influence in American literature. The first settlers who became the founding fathers of the American nation were quite a few of them Puritans. They came to America out of various reasons, but they were a group of serious, religious people, advocating highly religious and moral principles. The Puritans followed many of the ideas of the Swiss reformer John Calvin. Through the Calvinist influence the Puritans emphasized the then common belief that human beings were basically evil and could do nothing about, and that many of them, though not all, would surely be condemned to hell. Over the years the Puritans built a way of life that was in harmony with their somber religion, one that stressed hard work, thrift, piety([´paiəti]虔诚), and sobriety([səu´braiəti]冷静、节制).2. American RomanticismAmerican Romanticism is also known as the American Renaissance. It was a Renaissance in the sense of a flowering, excitement over human possibilities, and a high regard for individual ego. It was definitely and even defiantly American, as these writers struggled to understand what ―American‖ could possibly mean, especially in terms of a literature which was distinctively American and not British. Their inability to resolve this struggle—and it was even more a personal one than a nationalistic one, for it questioned their identity and place in society —did much to fire them creatively. Though it shares many characteristics with British Romanticism, American Romanticism has its own features:(1) American romanticism was in essence the expression of a real new experience and contained an alien quality for the simple reason that the spirit of the place was radically new and alien.(2) There is American Puritanism as a cultural heritage to consider. American romantic authors tended more to moralize. Many American romantic writings intended to edify(教化;训诲) more than they entertained.(3) The newness of Americans as a nation is in connection with American Romanticism.(4)As a logical result of the foreign and native factors at work, American romanticism was both imitative and independent.The great writers of this period, roughly 1840-1865, though more particularly 1850-1855, marked the first maturing of American letters, such as Washington Irving, James Cooper, and Edgar Allan Poe.3.Transcendentalism was a group of new ideas in literature, religion, culture, and philosophy that emerged in New England in the early to middle 19th century. It is sometimes called American transcendentalism to distinguish it from other uses of the word transcendental. Transcendentalism began as a protest against the general state of culture and society, and in particular, the state of intellectualism at Harvard and the doctrine of the Unitarain ([´ju:ni‘tɛəriən] (认为上帝只有一位的)一位论派) church taught at Harvard Divinity School(哈佛神学院). Among transcendentalists‘ core beliefs was an id eal spiritual state that ―transcends‖ the physical andempirical(以经验(或观察)为依据的) and is only realized through the individual‘s intuition, rather than through the doctrines of established religions. Prominent transcendentalists included Ralph Waldo Emerson, Henry David Thoreau, and others.4.Dark romanticism is a literary subgenre that emerged from the Transcendental philosophical movement popular in nineteenth-century America. Works in the dark romantic spirit were influenced by Transcendentalism, but did not entirely embrace the ideas of Transcendentalism. Such works are notably less optimistic than Transcendental texts about mankind, nature, and divinity. Authors considered most representative of dark romanticism are Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, poet Emily Dickinson and Italian poet Ugo Foscolo (乌戈·弗斯高洛1778—1827意大利诗人,小说家,剧作家).5.Free Verse is a term describing various styles of poetry that are written without using a strict rhyme scheme, but still recognizable as poetry by virtue of complex patterns of one sort or another that readers will perceive to be part of a coherent whole. Whitman is among the most influential poets in the American canon, often called the father of free verse.(1)no fixed rhyme or scheme(2)parallelism, a rhythm of thought(3)phonetic recurrence(4)the habit of using snapshots(5)the use of a certain pronoun ―I‖(6)a looser and more open-ended syntactic structure(7)use of conventional image(8)strong tendency to use oral English(9)vocabulary powerful, colorful, rarely used words of foreign origins, some even wrong(10)sentences catalogue technique: long list of names, long poem lines6. The Local Color Movement (1865-1880)The second half of the 19th c. saw America becoming increasingly self-conscious at the very time regional writers began to write about its various aspects. American wanted to know what their country looked like, and how the varied races which made up their growing population lived and talked. It was the age of the first mappings and surveyings of the West; it was the age in which the rails of the first transcontinental railroad had bound East and West.7.Local Color: In literature, regionalism or local color fiction refers to fiction or poetry that focuses on specific features –including characters, dialects, customs, history, and topography(地志) –of a particular region. Since the region may be a recreation or reflection of the author‘s own, there is often nostalgia and sentimentality in the writing.8.Naturalism was a literary movement taking place from 1880s to 1940s that used detailed realism to suggest that social conditions, heredity, and environment hadinescapable force in shaping human character. It was depicted as a literary movement that seeks to replicate(复制) a believable everyday reality, as opposed to such movements as Romanticism or Surrealism, in which subjects may receive highly symbolic, idealistic, or even supernatural treatment. Naturalism is the outgrowth of Realism, a prominent literary movement in mid-19th-century France and elsewhere. Naturalistic writers were influenced by the evolution theory of Charles Darwin. They believed that one‘s heredity and social environment determine one‘s character. Whereas realism seeks only to describe subjects as they really are, naturalism also attempts to determine ―scientifically‖ the underlying forces (e.g. the environment or heredity) influencing the actions of its subjects. Naturalistic works often include uncouth or sordid subject matter; for example, Émile Zola‘s works had a frankness about sexuality along with a pervasive pessimism. Naturalistic works exposed the dark harshness of life, including poverty, racism, sex, prejudice, disease, prostitution, and filth(猥亵). As a result, naturalistic writers were frequently criticized for being too blunt (直言不讳的).Literary Naturalism in the United StatesIn the United States, the genre is associated principally with writers such as Abraham Cahan, Ellen Glasgow, David Graham Phillips, John Steinbeck, Jack London, Edith Wharton, and most prominently Frank Norris, and Theodore Dreiser. The term naturalism operates primarily in counter distinction to realism, particularly the mode of realism presented in the 1870s and 1880s, and associated with William Dean Howells and Henry James.It is important to clarify the relationship between American literary naturalism from the genre also known as naturalism that flourished in France at the end of the 19th century. French naturalism, as exemplified by Emile Zola, can be regarded as a programmatic([ֽprəugrə'mætik] 有纲领的), well-defined and coherent theory of fiction that self-consciously rejected the notion of free will, and dedicated itself to the documentary and ―scientific‖ exposition of human behavior as being determined by, as Zola put it, ―nerves and blood‖.9. Imagism was a movement in early 20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. The Imagists rejected the sentiment and discursiveness(散漫) typical of much Romantic and Victorian poetry. This was in contrast to their contemporaries, the Georgian poets, who were by and large content to work within that tradition. Group publication of work under the Imagist name appearing between 1914 and 1917 featured writing by many of the most significant figures in Modernist poetry in English, as well as a number of other Modernist figures prominent in fields other than poetry.Based in London, the Imagists were drawn from Great Britain, Ireland and the United States. Somewhat unusually for the time, the Imagists featured a number of women writers among their major figures. Imagism is also significant historically as the first organised Modernist English language literary movement or group.10. What is an “image”?An image is defined by Pound as that which presents an intellectual and emotional complex in an instant of time, a cluster of fused ideas ―endowed with energy‖. The exact word must bring the effect of the object before the reader as it had presented itself to the poet‘s mind at the time of writing.Principles1. Direct treatment of the ―thing‖, whether subjective or objective;2. To use absolutely no word that does not contribute to the presentation;3. As regarding rhythm, to compose in the sequence of the musical phrase, notin the sequence of a metronome (节拍器).Significance1. It was a rebellion against the traditional poetics which failed to reflect the new life of the new century.2. It offered a new way of writing which was valid not only for the Imagist poets but for modern poetry as a whole.3. The movement was a training school in which many great poets learned their first lessons in the poetic art.4. It is this movement that helped to open the first pages of modern English and American poetry.11. The “Lost Generation” is a term used to characterize a general feeling of disillusionment of American literary notables who lived in Europe, most notably Paris, after the First World War. Figures identified with the ―Lost Generation‖ included authors and artists such as Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound, Sherwood Anderson, Waldo Peirce, John Dos Passos, John Steinbeck, Erich Maria Remarque and Cole Porter.The term was popularized and often credited to author and poet Gertrude Stein. Stein supposedly heard her French garage owner speak of his young car mechanics, and their poor repair skills, as ―une génération perdue.‖The term has more recently been used as generic shorthand(总的简称) for groups of young people disproportionately(或多或少)affected by economic shocks, often involving lengthy periods of unemployment, such as those affected by the Financial crisis of 2007–2010. This is partly based on evidence that it can be difficult for those affected to get back into employment when economic activity picks up.12. The Beat Generation is a term used to describe a group of American writers who came to prominence in the 1950s, and the cultural phenomena that they wrote about and inspire d (later sometimes called ―beatniks‖(披头士)). Central elements of ―Beat‖ culture include a rejection of materialism, experimentation with drugs and alternate forms of sexuality, and an interest in Eastern religion.The major works of Beat writing are Allen Ginsberg‘s Howl (1956), William S. Bur roughs‘s Naked Lunch(1959) and Jack Kerouac‘s On the Road (1957). Both Howl and Naked Lunch were the focus of obscenity trials that ultimately helped to liberalize what could be published in the United States. On the Road transformed Kerouac‘sfriend Neal Cassady into a youth-culture hero. The members of the Beat Generation quickly developed a reputation as new bohemian hedonists(放荡不羁的快乐主义者), who celebrated non-conformity and spontaneous creativity.The original “Beat Generation”writers met in New York. Later, the central figures (with the exception of Burroughs) ended up together in San Francisco in the mid-1950s where they met and became friends with figures associated with the San Francisco Renaissance. During the 1960s, the rapidly expanding Beat culture underwent a transformation: the Beat Generation gave way to the Counterculture of the 1960s, which was accompanied by a shift in public terminology from “beatnik”to “hippie(嬉皮士)”.13. The American Dream is a national ethos ([‗i:θɔs]气质)of the United States of America in which freedom includes a promise of prosperity. In the American Dream, first expressed by James Truslow Adams in 1931, citizens of every rank feel that they c an achieve a ―better, richer, and happier life.‖ The idea of the American Dream is rooted in the second sentence of the Declaration of Independence which states that ―all men are created equal‖ and that they are ―endowed by their Creator with certain inalienable (不可剥夺的) Rights‖ including ―Life, Liberty and the pursuit of Happiness.‖The American Dream has been credited with helping to build a cohesive(有凝聚力的) American experience, but has also been blamed for overinflated (过分夸张的) expectations. Some commentators have noted that despite deep-seated belief in the egalitarian(平等主义的) American Dream, the modern American wealth structure still perpetuates(使…永存) racial and class inequalities between generations. These commentators note that advantage and disadvantage are not always connected to individual successes or failures, but often to prior (优先的) position in a social group.14. The Iceberg Theory(also known as the ―theory of omission‖) is a writing theory stated by American writer Ernest Hemingway, as follows:“If a writer of prose knows enough about what he is writing about he may omit things that will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A good writer does not need to reveal every detail of a character or action.”In other words, a story can communicate by subtext; for instance, Hemingway‘s Hills Like White Elephants never once mentions the word ―abortion(流产),‖ though that is what the story‘s characters are discussing.This statement throws light on the symbolic implications of art. He makes use of physical action to provide an interpretation of the nature of man‘s existence. It can be convincingly proved that while representing human life through fictional forms, he has consistently set man against the background of his world and universe to examine the human situation from various points of view.15. The Stream of ConsciousnessIn literary criticism, stream of consciousness is a narrative mode that seeks to portray an individual‘s point of view by giving the written equivalent of thecharacter‘s thought processes, either in a loose interior monologue or in connection to his or her actions. Stream-of-consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow, tracing a character‘s fragmentary thoughts and sensory feelings.Stream of consciousness and interior monologue are distinguished from dramatic monologue, where the speaker is addressing an audience or a third person, and is used chiefly in poetry or drama. In stream of consciousness, the speaker‘s thought processes are more often depicted as overheard in the mind (or addressed to oneself) and is primarily a fictional device. The term was introduced to the field of literary studies from that of psychology by philosopher and psychologist William James, brother of writer Henry James. Both Faulkner and Hemingway employed this literary device in some of their works.。
美国文学名词解释
美国文学名词解释美国文学是指美国国内所产生的文学作品,包括小说、诗歌、剧本等各种文学体裁。
它具有自己的特点和风格,反映了美国人的文化、价值观念和思想观念。
美国文学中有许多特殊的名词和术语,下面是其中一些常见的名词解释:1. Puritanism(清教主义): 清教主义是美国文学发展的重要起点之一,它是在17世纪早期由清教徒带入美洲的思想和信仰体系。
清教徒强调个人责任和纯洁的生活方式,他们的文学作品通常传达着信仰、奋斗和自我批判的主题。
2. American Renaissance(美国文艺复兴): 美国文艺复兴指的是19世纪中期到20世纪初期的一个时期,这个时期出现了一大批杰出的美国作家和作品。
其中包括威廉·福柯特、纳撒尼尔·霍桑、赫尔曼·梅尔维尔等人的文学作品。
这些作品在内容、风格上更加关注人性、自然和道德等问题。
3. Realism(现实主义): 现实主义是19世纪末至20世纪初的一种文学流派,在美国文学发展史中具有重要的地位。
现实主义作家力求以客观、真实的方式描绘生活中的人和事,关注社会问题和个人命运。
马克·吐温和亨利·詹姆斯被认为是现实主义文学中最有影响力的作家。
4. Harlem Renaissance(哈莱姆文艺复兴): 哈莱姆文艺复兴是20世纪20年代至30年代期间,在纽约哈莱姆区集中发展起来的一种文化和艺术运动。
这个运动推动了非洲裔美国人在文学、音乐、舞蹈和绘画等领域的发展。
其中包括作家朗斯顿·休斯、小说家托妮·莫里森等的作品被认为是哈莱姆文艺复兴的代表作。
5. Beat Generation(垮掉的一代): 垮掉的一代是20世纪50年代和60年代期间在美国兴起的一种文学和文化运动。
这个运动反对传统社会规范和价值观,追求自由和个性的表达。
杰克·凯鲁亚克和艾伦·金斯堡是这个运动的代表作家,他们的作品通常以自由、追求和反叛为主题。
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Terms in American Literature (1)1) American PuritanismAP is one of the dominant factors in American life and America literature. It was first the religious belief of the Puritans, who had intended to purify and simplify the religious ritual of the Church of England. The optimistic American Puritans were practical idealists, believing that the church should be restored to the “Purity” of the 1st century as established by Jesus Christ himself. The simplicity, freshness and directness characterize the Puritan style of writing. Benjamin as the spokesman of the 18th century America represents Puritan Materialism.2) American RomanticismComing 20 years later than its British counterpart, American Romanticism was regarded as a period of Renaissance in art and literature in the United States. It is generally held that true American literature was born in this period.Major features:a. The Westward Movement, the pioneering into the West, provided the American writers withthe best subject and materials.b. T he newness as a nation, with people’s ideals of individualism and freedom, their dreamthat America was to be built into a new Garden of Eden, was strong enough to inspire romantic imagination.c. American Romanticism was both imitative and innovative. it stresses the relationshipbetween man and nature.3) American TranscendentalismAmerican Transcendentalism is a philosophic and literary movement that flourished in the early 19th century New England, as a reaction against rationalism and Calvinism. It stressed intuitive understanding of god without the help of the church, and advocated independence of the mind. It was a collection of eclectic ideas about literature, philosophy, religion, social reform, and the general state of American culture. Transcendentalism had different meanings for each person involved in the movement, including those who attended the Transcendental Club.Major features:a.The transcendentalists especially Emerson placed emphasis on spirit, or the Oversoul, asthe most important thing in the universe.b.The transcendentalists stressed the importance of the individual.c.The transcendentalists offered a fresh perception of nature as symbolic of the spirit of God.Influences: Even today it is difficult to say definitively who can be considered a transcendentalist. Yet all agree that that transcendentalism did flourish, primarily in Concord and Boston in the 19th century and that its influence on American culture and literature was profound. In literature, it’s the summit of American Romanticism It inspired a whole new generation ofsuch famous authors as Emerson, Thoreau, Hawthorne, Melville, Whitman and Dickinson.Terms in American Literature (2)4) American RealismIn American litareature, the Civil War brought the Romantic Period in an end. The Age of Realism came into existence. It came as a reaction against Romanticism. It stresses truthful treatment of material. It focuses on commonness of the lives of the common people, and emphasizes objectivity and offers an objective rather than an idealistic view of human mature and human experience. The three dominant figures of the period are William Howells, Mark Twain, and Henry James.5) Local ColorismLocal Colorism as a trend became dominant in American literature in the late 1860s and early 1870s. It is a variation of American literary realism. Generally, the writings of local colorists are concerned with the life of a small, well-defined region or province. The characteristic setting is the isolated small town. Local colorists were consciously nostalgic historians of a vanishing way of life, recorders of a present that faded before their eyes.Local colorists: Mark Twain, Bret Harte, Sara Orne Jewett6) American NaturalismThe term naturalism describes a type of literature that attempts to apply scientific principles of objectivity and detachment to its study of human beings. Unlike realism, which focuses on literary technique, naturalism implies a philosophical position: for naturalistic writers, since human beings are, in Emile Zola's phrase, "human beasts," characters can be studied through their relationships to their surroundings. Naturalistic writers thus used a version of the scientific method to write their novels; they studied human beings governed by their instincts and passions as well as the ways in which the characters' lives were governed by forces of heredity and environment. The pessimism and deterministic ideas of naturalism pervaded the works of such writers as Stephen Crane, Benjamin Frank Norris, Jack London and Theodore Dreiser.Terms in American Literature (3)7)The Jazz AgeTo many, World War I was a tragic failure of old values, of old politics, of old ideas. The social mood was often one of confusion and despair. Yet, on the surface the mood in America during the 1920s did not seem desperate. Instead, Americans entered a decade of prosperity and exhibitionism. Fashions were extravagant; more and more automobiles crowded the roads. People danced the Charleston, and they sat on the flagpoles. This was the jazz Age or the Roaring Twenties. F. Scott. Fitzgerald portrays the Jazz Age as a generation of “the beautiful anddamned”, drowning in their pleasures.8)The Lost GenerationThis term is applied to the American writers, most of whom were basically expatriates. They left America and formed a community of writers and artists in Paris, involved with other European novelists and poets in their experimentation on new modes of thought and expression. The term "Lost Generation " came from Gertrude Stein's remark to a mechanic in Hemingway's presence that "You are all a lost generation. " Hemingway used it as a motto in his novel The Sun Also Rises. Among those greatest figures in "The Lost Generation" and Ezra Pound, F. Scott Fitzgerald, Ernest Hemingway and Hart Crane who lost the traditional values as a result of the war and fought hard to seek new values and beliefs to fill the void of the post - war world which was full of physical wounds as well as mental chaos.9)Yoknapatawpha CountyIt is a fictional setting in northern Mississippi for the saga of 14 novels and many stories by William Faulkner. Based on Lafayette County and its capital, Oxford, Faulkner's mythical land, whose capital is called Jefferson, has an area of 2,400 square miles. He populated it with a broad spectrum of remarkable characters - farmers, hunters, aristocrats, businessmen, former black slaves, dispossessed Indians and several generations of whole families moving on different levels of southern society. He set his characters in the country he knew well and against a background of history he profoundly understood. Yoknapatawpha County stands as a grand allegory about the real American South in history.10)ModernismThis term is applied to one of the main directions in writing in the 20th century. "Modern" refers to a group of characteristics, and not all of them appear in any one writer who merits the designation "modern". In a broad sense, it is applied to writing marked by a strong and conscious break with traditional forms and techniques of expression. "Modern" implies a historical discontinuity, a sense of alienation, of loss and of despair. It elevates the individual and his inner being over social man, and prefers the unconscious to the self - conscious. Its most interesting strategies are its attempt to deal with the unconscious and the mythopoeic. It is basically anti-intellectual, celebrating passion and will over reason and systematic morality. In many respects, it is a reaction against realism and naturalism.11)stream of consciousnessThe artist, who wants to reach the highest stage and to gain the insights necessary for the creation of dramatic art, should have the complete conscious control over the creative process and depersonalize his own emotion in the artistic creation. He should appear as an omniscient author and present unspoken materials directly from the psyche of the characters, of making the characters tell their own inner thoughts in monologues. This literary approach to the presentation of psychological aspects of characters is usually termed as "stream of consciousness".The artistic features of Earnest Hemingway's novels(1) Hemingway code hero or tough guy.Hemingway - himself a great sportsman - liked to portray soldiers, hunters, bullfighters - tough, at times primitive people whose courage and honesty are set against the brutal ways of modern society, and who in this confrontation lose hope and faith. “In O ur Time" is the first book to present a Hemingway hero—Nick, a rough guy. Exposed to and victimized by violence in various forms, Nick becomes the prototype of the wounded hero who, with all the dignity and courage he could master, confronts situations which are not of his own choosing yet threaten his destruction.(2) Reflection of "The Lost Generation"."The Sun Also Rises" (1926) is Hemingway's first true novel. It casts light on a whole generation after the First World War and the effects of the war by way of a vivid portrait of "The Lost Generation," a group of young Americans who left their native land and fought in the war and later engaged themselves in writing in a new way about their own experiences.(3) Grace under pressure.Hemingway's world is limited. He deals with a limited range of characters in quite similar circumstances and measures them against an unvarying code, known as "grace under pressure," which is actually an attitude towards life that Hemingway had been trying to demonstrate in his works. Those who survive in the process of seeking to master the code with the honesty, the discipline, and the restraint are Hemingway Code heroes.(4) "Iceberg" principle.And this concern is closely connected with the code, even has the resonance that has come to mark his prose style. Hemingway himself once said, "The dignity of movement of an iceberg is due to only one - berg is due to only - eighth of it being above water." According to Hemingway, good literary writing should be able to make readers feel the emotion of the characters directly and the best way to produce the effect is to set down exactly every particular kind of feeling without any authorial comments, without conventionally emotive language, and with a bare minimum of adjectives and adverbs.(5) Colloquialism.Hemingway develops the style of colloquialism initiated by Mark Twain. The accents and mannerisms of human speech are so well presented that the characters are full of flesh and blood and the use of short, simple and conventional words and sentences has an effect of clearness, terseness and great care.Terms 4 & Review12. Imagism:Expressionism: the term is used to describe the works of art and literature in which the representation of reality is distorted to communicate an inner vision, transforming nature rather than imitating it. In literature it is often considered a revolt against realism and naturalism, a seeking to achieve a psychological or spiritual reality rather than to record external events. In drama, the expressionist work was characterized by a bizarre distortion of reality. On the American stage, elements of expressionism can be seen in the plays of Eugene O' Neill and Arthur Miller.13. Beat Generation: the Beat writers were a small group of close friends first, and a movement later. The term “Beat Generation” gradually came to represent an entire period in time, but the entire original Beat Generation in literature was small enough to have fit into a couple of cars. The term was created by Jack Kerouac in 1948. The original word meant nothing more than “bad” or “ruined” or “spent” or “beaten-down, beaten-up and beaten-out”. The connotation is defeat, resignation, and disappointment. Literally, the Beats were all experimenters who sought to express spontaneity of thought and feeling in a seemingly formless verse as Ginsberg did or prose as Kerouac.14. Black Humor. In contemporary literary criticism, black humor is a term applied to a large group of American novels beginning in the 1950s. Although the writers of black humor did not intentionally form a school of literary movement, there is in their novels a common core of satire that is directed against hypocrisy, materialism, racial prejudice, and above all, the dehumanization of the individual by a modern society. In their opinion, their society is full of institutionalized absurdity. Therefore, all of them hold a cynical attitude toward society and the conventional moral values that support that society.15. The Harlem Renaissance (1917-1935) brought new attention to African American literature. The Harlem Renaissance, based in the African American community in Harlem in New York City, existed as a larger flowering of social thought and culture, with numerous Black artists, musicians, and others producing classic works in fields from jazz to theater. During the American Civil Rights movement, authors wrote about issues of racial segregation and black nationalism. Since the 1970s, African American literature reached the mainstream as books by Black writers continually achieved best-selling and award-winning status.♦Ralph Ellison (1914-1994)♦Maya Angelou (1928- ) I Know Why the Caged Bird Sings1983♦Toni Morrison(1931- )♦Alice Walker (1944- )American Woman LiteratureLate 19th century: Sarah Orne Jewett (1849-1909) The Country of the Pointed Firs (1896) Kate Chopin (1851-1904) The Awakening (1899)Beginning of the 20th century:Willa Cather (1873-1947) My Antonia 1918;Katherine Anne Porter (1890-1980) Flowering Judas1930Ship of Fools 1962Post world-war II : Carson McCullers (1917-1967) The ballad of the sad cafe 1951Flannery O'Connor (1925-1964) Wise Blood, 1952。