中国早期电影发展 中英对照
1990年至今电影片名的翻译规范精品文档6页
1990年至今电影片名的翻译规范在笔者之前的文章《华语电影片名翻译的规范变迁》[1]中,回顾了从新中国成立到1989年间华语电影片名翻译的规范变迁。
本文继续之前的研究,对1990年至今的片名翻译规范做一梳理。
所用理论仍是图里的翻译规范论。
图里认为翻译是受到社会文化规范限制的活动,[2]翻译规范具有多样性和时空性。
同一时期可能存在三种规范:前卫、主流和过时的翻译规范。
[3]62Toury[3]65指出翻译规范的建立需通过两个主要途径:篇章和篇章外。
对于电影片名的翻译来说,规范形成的篇章环境就是电影的原名和电影的基本内容。
而篇章外环境就包含了从社会、文化环境,到电影商业价值、观众的反应,等等。
那么从1990年至今,华语电影片名翻译的规范到底经历了怎样的变迁呢?1990年至1999年。
20世纪90年代,中国和西方的接触不断增多,形式更加多样化。
中国政府不仅向世界敞开大门,同时也鼓励中国人走出去。
这期间一些经典的美国电影也让我们开始注意到片名翻译这个问题。
1990年的Ghost《人鬼情未了》,既包含了ghost这个词的意义,又让人一目了然影片的内容,可谓恰到好处。
还有1994年的Forrest Gump译为《阿甘正传》,非常巧妙地运用了国人对《阿Q正传》的接受同时也吻合影片是在讲述一个人生平故事的主题,可谓是片名翻译中的经典。
还有一些进口片是字字翻译的:Dances with Wolves《与狼共舞》,The Silence of the Lambs《沉默的羔羊》,这些片名虽是直译,但因为这些片名中英文单词的内涵和汉语差不多,所以一点没有造成文化上的冲突,还很容易让观众在第一眼就了解电影的大致方向,得到和源语观众相近的理解。
这些英文电影的进入,加深了中国电影人对电影的理解,引起了人们对华语电影走出国门的重视。
而对华语电影片名的翻译也慢慢被放在了重要的位置。
这构成了这一时期片名翻译规范改变的重要原因。
1990年的《菊豆》:Ju Dou,1991年《大红灯笼高高挂》:Raise the Red Lantern,1992年的《秋菊打官司》:The Story of Qiu Ju,这三部是当时张艺谋颇有影响力的影片。
中国电影的英文译名
• 《东方不败之风云再起》
第三十六页,编辑于星期日:二点 三十七分。
• Needing You
第三十七页,编辑于星期日:二点 三十七分。
• 《孤男寡女》
第三十八页,编辑于星期日:二点 三十七分。
• drink drank drunk
第三十九页,编辑于星期日:二点 三十七分。
• 《千杯不醉》
• Royal Tramp
第六页,编辑于星期日:二点 三十七分。
• 《鹿鼎记》
第七页,编辑于星期日:二点 三十七分。
• Third Sister Liu
第八页,编辑于星期日:二点 三十七分。
• 《刘三姐》
第九页,编辑于星期日:二点 三十七分。
• Steal Happiness
第十页,编辑于星期日:二点 三十七分。
• All Men Are Brothers: Blood of the Leopard
第十六页,编辑于星期日:二点 三十七分。
• 《水浒传》
第十七页,编辑于星期日:二点 三十七分。
• Journey to the West • Romance of Three Kingdoms • Dream of Red Mansion
第四十四页,编辑于星期日:二点 三十七分。
第十八页,编辑于星期日:二点 三十七分。
• Ashes of Time
第十九页,编辑于星期日:二点 三十七分。
• 《东邪西毒》
第二十页,编辑于星期日:二点 三十七分。
• A Better Tomorrow
第二十一页,编辑于星期日:二点 三十七分。
• 英雄本色
第二十二页,编辑于星期日:二点 三十七分。
• 《没事偷着乐》
the development of chinese movies 中国电影发展史
Chinese film market has a huge potential and wide prospect.
Notes
Theme:
single red melody diversified
outline
Technology:
black and white colorful
Silent sound shooting skills Anaglyph(立体电影)
The Development of Chinese Movies
By Zhao Yanfei
Those movies in our memories„
1905~1949
Those movies in our memories„
Movies in this period featured an increased content of oppression of the lower classes and themes from revolutionary history.
Action Film(动作片) War Film(战争片)
Comedy(喜剧)
Chopsocky/Kung-fu movie (功夫片) 3D film /Anaglyph (立 体电影)
Costume film (古装剧)
Trailer(预告片)
Cartoon(卡通片)
Excellent
Actors
Influence
1949~1978
“Red Melody”
1978 ~ 2013
Since the implementation of Reform and Opening up policy in 1978, the film industry enjoyed a bigger boom than ever before.
中国影视文化的发展终极版
The “Sing-Song Red Peony” was a sound, black and white feature film. It was China's first sound film, which end the history of silent Chinese film . 《歌女红牡丹》 是一部有声、黑白故事片。它 是中国第一部有声电影,结束了中国电影无声的历 史。
“Bian feng mie zhu”,which be showed in Hong
Kong becomes the longest series in China.
香港第一部黄飞鸿电 影——《鞭风灭烛》上映, 后来成为中国最长的系列 片。
Walking out of the troubled years permeated with moke ,Chinese film started to go up full of vitality and entered the exciting period of people’s film.
Movie tells us a lot and teach us a lot . we can see our shadow in the movies ,see others’ shadow ,and see our dream and future . • Film It tells us a lot of, teach usthat a lot, we can see his own s is Because of the film human life can be hadow in the movie, see the shadow of others, to see t extended. heir dreams and future.
中国卡通片发展史英文简介
中国卡通片发展史英文简介The Development History of Chinese Animated Cartoons.Chinese animated cartoons have a long history dating back to the early 20th century. The industry experienced significant growth and development throughout the years, with various milestones and achievements along the way.In the early days, Chinese animated cartoons were heavily influenced by Western animation styles and techniques. It was not until the 1950s and 1960s that Chinese animators began to establish their own unique style and storytelling methods. The 1980s and 1990s saw a rise in popularity of Chinese animated cartoons, with the production of iconic series such as "Three Monks" and "Black Cat Detective".In recent years, with the advancement of technology and the rise of digital animation, Chinese animated cartoons have continued to evolve and expand. The industry has seen a growing number of talented animators and studios producing high-quality content that resonates with both domestic and internationalaudiences.中文翻译:中国卡通片发展史。
中国电影发展历程
电
影
Do you know what the development of the film has gone through? Silent film
Sound film Color film Imported film Domestic film
THANKS
The development of Chinese films
A film shooting scene in Shanghai in 30s
The development of Chinese films
(4).After the founding of new China, Chinese film once suffered a major setback; after the reform and opening to continue the rapid development, which has become one of the big movie park on the occasion of the "shadow force.
The development of Chinese films
The development of Chinese films
In 1895, "The train to the station" and "factory gate" were made by the lumierebrothers which were showed in Paris, marking the birth of the world film.
The development of Chinese films
中国电影译名 - MS Word
中国电影英文译名A阿Q正传the story of Ah Q阿诗玛Ashma爱情麻辣烫Spicy love soupB八仙过海Eight immortals crossing the sea 巴山夜雨Evening rain白毛女The white-haired gril白蛇传The white snake半夜鸡叫The cock crows at midnight宝莲灯The magic lotus lantern保密局的枪声Gunshots in the CIB半生缘Eighteen springs被爱情遗忘的角落 A love forsaken corner本命年Black snow边走边唱life on a string边城Border town冰山上的来客Visitors from the icy moutain不见不散Be there or be squareC曹操Cao cao茶馆The teahouse长恨歌Song of regret城南旧事My memories of old beijing初恋时我们不懂爱情Is it love?垂帘听政Behind the screen从奴隶到将军From slave to generalD大辫子的诱惑The romance in macao大喘气Out of breath大红灯笼高高挂Raise the red lantern大浪淘沙Gold and sand大漠紫禁令Desert mission大闹天宫Uproar in heaven但愿人长久Wish you a long life敌后武工队Behind the enemy lines地道战Tunnel warfare董存瑞Tung Tsun-rui窦娥冤The story of Dou’eE二泉映月Moonnight on two springsF法本无情The ruthless justice非常大总统President extraordibary风雨下中山Liberation of Najing芙蓉镇Hibiscus townG高山下的花环Garlands at the foot of the mountain 关不住的春光The spring can’t be shut up归心似箭Anxious to return锅碗瓢盆交响曲A symphony of cooking utensils 过江龙Power connectionH孩子王King of children好汉三条半Three and half红灯记The red lantern黑猫警长Inspector black cat红番区Rumble in thr bronx红高粱Red sorghum红楼梦Dream of the red mansions红娘The matchmaker红色娘子军The red detachment of women洪湖赤卫队The red guards on lake honghu猴子捞月Fishing the moon from the pool虎度门Hu-du-men花木兰Hua mulan,a heroine火烧圆明园The burning of YuanmingyuanJ鸡毛信The letter with feathers甲午风云The naval battle of 1894荆柯刺秦王The first emperorK开心多来咪happy 1-2-3苦恼人的笑Troubleed laughterL兰陵王Warrior Lanling崂山道士The taoist oriest良家妇女 A good women烈火中永生Eternity in flames骆驼祥子Rickshaw BodM满汗全席(金玉满堂)The chinese feast牧马人The herdsmanN哪咤闹海Nezha conquers the dragon king那人那山那狗Postmen in the mountains南海十三郎The mad phoenix南京大屠杀Nanking 1937牛郎织女Cowherd and girl-weaver女驸马Emperor’s female son-in-law女蜗补天Goddess Nu Wa mending the skyP霹雳火ThunderboltQ七十二家房客72 tenants秋翁遇仙记Qiu Weng and the peonyR人鬼情Woman,demon,human人约黄昏Evening liasonS三岔口T-crossroads三毛流浪记Thr winter of threee hairs伤逝Regret for the past少林寺Shaolin temple少奶奶的扇子Lady windermer’s fan神秘的大佛Mysterious buddha神偷燕子李三He is a thief双旗镇刀客The swordsman in double flag town孙悟空三打白骨精Monkey subdues the white-boned demon T桃花扇The peach-blossom fan桃李劫Plunder of peach and plum特高课在行动The secret service in action天仙配The marriage of fairy princess田野又是青纱帐Green fields again甜蜜的事业sweet life铁道游击队Guerrillas on the railwayW顽主The troumle-shooters巫山云雨In expectation武当The undaunted Wu Dang舞台姐妹Two stage sistersX夕照街Sunset Street西安事变The Xi’an incident西厢记Tale of the western chamber西游记Journey to the west喜盈门In-laws祥林嫂New year Sacrifile小刀会Small dagger society小街Narrow streetY阳光灿烂的日子In the heat of the sun摇啊摇,摇到外婆桥Shanghai traid夜半歌声The phantom lover永不消逝的电波The unfalling radio waves有话好好说Keep cool渔光曲Song of the fisherman月满英伦The foreign moonZ铡美案The story of Chen Shimei知音Intimate friends智取威虎山Taking tiger muntain by strategy 抓壮丁Conscription。
百年华语电影史
1 初创期(1905-1920)
《难夫难妻》中国第一部故事短篇。
2成长期(1921-1930)
打破托拉斯图谋,翻译苏联蒙太奇学派,出现新派与旧派。
如,《孤儿救祖记》
3变革与兴盛(1931-1937)
关注进步倾向和时代精神,吸收蒙太奇思维,思想艺术都取得成就。
如,《神女》
4突变与低潮(1937-1945)——抗战电影变异
电影贯穿着爱国抗日的主题,具有明显的宣传意味,主题表现相当直露。
如,风雪太行山
5成熟与分化(1945-1949)——战后电影创作
不局限于狭小的个人悲欢,把民族灾难、时代变迁和家庭离合有机的结合起来。
如,三毛流浪记
6传统与摸索——新中国前十七年电影曲折
政治作为一个大背景,直接或间接的影响了中国电影从内容到形式上的探索和实践。
7混乱与沉沦——文革时期电影现象
文艺成为政治的附庸,阶级斗争成为唯一主题。
8新生与发展(1977—1989)——新时期电影高潮
“第四代”开始对历史进行深刻反思,敢于实践现实主义手法,大胆揭示现实矛盾。
如,《城南旧事》
9转型与分化(20世纪90年代)
第五代电影是一种沉重而悲怆的众生独白,是宏观反思的民族语言。
如,霸王别姬在历史、性别、人性的角度进行了多方位的读解
10观望与试探——21世纪电影艺术状况展望
21世纪的中国电影面对的是艺术创作的娱乐化潮流与艺术坚守的艰难局面,面对的是主流形态创作和大众文化要求交融的趋势。
电影文化简介英文版
Liberation War 解放战争时期(1945~1949 )
The Spring River Flows East
中国第一部彩色电影(colour film)是1948年 拍摄于上海的戏曲片《生死恨》
New china 新中国时期(1949年以后) 1949-1966 the first “golden period” << 地雷战>> << 祝福>>
In early stage
第一次电影放映1896年8月11日,上海徐园内的又一村放映“西洋影戏”, 是中国第一次电影放映。 Motion pictures were introduced to China in 1896. The first recorded screening of a motion picture in China occurred in Shanghai on August 11, 1896.
The award
香港电影金像奖Hong Kong Golden Statue Award 金鸡奖Golden Rooster Award 百花奖Hundred Flowers Award
华表奖 Huabiao award 台湾电影金马奖Golden Horse Prize
Some related expression
• 周润发 1955年5月18日
• 周润发在华语世界有巨大 影响力,印证香港80年代的 黄金时期,并创造了多个 脍炙人口的经典角色:许 文强、小马哥、赌神等多 不胜数。
美国时代周刊对他的评价: 周润发将东方男性的魅力 发挥到了极致! 《英雄本色》的经典、意 义以及地位,已经被无数 人议论过无数遍。 “小马 哥”由此成为一代影迷的 偶像 。
电影简史
• 电影主要的叙事手段和表现方法 。原意为 装配, 组合 、装配,电影艺术上引申为镜头或画 面的衔接、组织。 面的衔接、组织。它必须与演员的表演 、 电影造型以及声音有机结合 。 关于蒙太 奇的种类,尚无定论。一般可分为对比、 奇的种类,尚无定论。一般可分为对比、 平行、比拟或象征、交叉、主题反复5 平行、比拟或象征、交叉、主题反复5类。 学术上有人分为叙事、思维、节奏3 学术上有人分为叙事、思维、节奏3类或是 叙事、抒情、理科学与幻想 为内容的影片。 为内容的影片。 表现人类对未 来的想象, 来的想象,以 今天的科学原 理成就为背景, 理成就为背景, 具有一定的科 学哲理性。 学哲理性。
世
界
—— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— ——— ——— ——— ——— ——— ——— ——— ——— —— —— —— —— 国 际 电 电 电 国 际 国 际 电 影 节 影 世 界 节 电 电 影 节 影 节 节 际 影 影 节 节 影 电 国 国 际 际 电 国 国 际 影 节 节 际 电 电 电 电 影 节 影 影 节 节 影 影 节 影 之 节 父
奖 项
中国电影的第一
• 中国最早放映的电影——1896年8月11日法国商人在上海徐园“又一 • • • • • • • 村”茶楼内放映的“西洋影戏”。 中国第一部电影是戏曲片京剧《定军山》 中国第一部短故事片是《难夫难妻》(又名《洞房花烛》),1913年 在上海拍摄,无声片,郑正秋编剧,郑正秋和张石川联合导演。此片 是由亚细亚影戏公司开张后的第一部作品,首开家庭伦理剧之先河。 中国第一部有声电影是《歌女红牡丹》 中国第一部获得国际大奖的影片是20世纪30年代由蔡楚生导演的《渔 光曲》,它在1935年莫斯科国际电影节上获“荣誉奖”。 新中国成立后第一部故事片是《桥》 中国第一部彩色故事片是1957年拍的《祝福》 中国美术片第一次在国际上获奖影片——1956年木偶片《神笔》获第 八届国际儿童影片节儿童娱乐片一等奖。
电影发展史-发展期(英文版)
要点二
Description
Early colour processes were often unstable and labour-intensive, but they paved the way for more vibrant and realistic visuals. Techniques such as Technicolor became popular in the 1930s, and their widespread use further enriched the cinematic experience.
Legacy
The growth period laid the foundation for modern cinema, establishing techniques, styles, and practices that are still used in filmmaking today.
Title: The Development of Film: The Growth Period (English Version)
目录
• Introduction • Technical Innovations • Content and Genre Expansion • International Cinema Development • Conclusion
03 Content and Genre Expansion
Epic Films
总结词
Epic Films(史诗电影)是指在电影史上具有重要地位,通常以宏大的历史背景和题材为特点的电影。
详细描述
史诗电影通常以历史事件、战争、传奇故事等为题材,通过展现大规模的场景、复杂的人物关系和深刻的思想内 涵,给观众带来强烈的视觉和情感冲击。这类电影通常需要大量的资金、技术和时间来制作,因此也成为了电影 产业发展的重要标志之一。
中国电影发展史
Second Generation Directors: The First Golden Age of Chinese Film
程步高
沈西苓
This generation of directors mainly includes Cheng Bugao, Shen Xiling and so on. Their outstanding contribution is to complete the transformation of Chinese films from silent films to sound films. 这一代导演主要有程步高、沈西苓等。他们突出贡献是完成了中国电影从默片到有声片的 转变。
● The period of the Japanese invasion of China 日寇侵华时期
● The period of the Republic of China in Chinese Mainland 中华民国时期
● Early years of the new nation 建国初期
Early Chinese movies had a close relationship with operas and were influenced by the drama called "Civilized Drama" at that time. Therefore, the movies of this period were also called "Shadow Drama". 早期的中国电影与戏曲有着密切的关系,又 受到当时被称为文明戏的话剧的影响,所以, 这个时期的电影又叫做“影戏”。
谢晋
成荫
专题十二:中国电影的发展历程1
第十二讲中国大陆电影的发展历程1896年8月法国摄影师谢斯奇耶首次在上海徐园内的“又一村”放映了《马房失火》等十余部“西洋影戏。
”1903年在上海、汉口、广州、天津的茶馆里,西班牙人雷玛斯放映影片。
1905年,北京丰泰照相馆创办人任景丰拍摄了由谭鑫培主演的京剧《定军山》把“请缨”、“舞刀”等片段搬上银幕,成为中国人自己摄制的第一部影片。
青石山》《艳阳楼》《收关胜》《白水滩》《金钱豹》1913年,亚细亚影戏公司拍摄了由郑正秋编剧、张石川导演的中国第一部有故事情节的短片《难夫难妻》郑正秋编剧、张石川导演《黑籍冤魂》成立于1918年的商务印书馆,影戏部,拍摄了梅兰芳主演的古装戏曲片《春香闹学》《夫女散花》1920-1921 年之间拍摄了我国最早的三部长故事片《阎瑞生》(商务印书馆活动影戏部)《海誓》(上海影戏公司)《红粉骷髅》(新亚影片公司)•明星影片公司•长城画片公司•神州影片公司•联华影业公司1921年5月几位华侨青年出于爱国热情和对电影事业的钟爱在纽约创立了长城画片公司,1924年迁回上海。
(1921—1930)《弃妇》《摘星之女》《爱神的玩偶》《一串珍珠》《春归梦里人》1922年3月张石川、郑正秋、周剑云等人在上海创立了明星影片公司第一部成功的作品是社会片《孤儿救祖记》盲孤女》《二八佳人》《小情人》《玉梨魂》《最后之良心》《上海一妇人》1924年汪熏昌创办了神州影片公司1925年神州拍摄了第一部作品《不堪回首》《花好月圆》《道义之交》《难为了妹妹》洪深---中国无声电影最杰出先驱,上海创办培养电影演员学校的创始人1925年洪深创作了中国电影史上第一个真正完整的电影剧本《申屠氏》1924年成立,联华推出第一部作品《故都春梦》《野草闲花》《恋爱与义务》《野玫瑰》《桃花血泪》联华影业公司是我国最早试验有声片的公司1929年联华公司在制作影片《野草闲花》中,使用蜡盘发音给影片配了主题歌曲《寻兄曲》1930年明星影片公司和友联影片公司制作了蜡盘有声故事片《歌女红牡丹》和《虞美人》这是我国最早的两部有声故事片1931年,我国制成了两部胶片上发音的影片《雨过天晴》和《歌场春色》손님들。
中国电影发展历史
中国电影发展历史一、中国电影发展总概述中国电影诞生于1905年,北京丰泰照相馆创办人任景丰拍摄了由谭鑫培主演的《定军山》片断,这是中国人自己摄制的第一部影片。
1896年8月11日,上海徐园内的又一村放映“西洋影戏”,是中国第一次电影放映。
粉碎四人帮后,电影事业获得发展。
1977年电影生产开始复苏,1980~1984年平均年产量达120部左右,每年观众人次平均在250亿左右,中国电影进入一个蓬勃发展的新时期。
2010年,中国电影年产量高达500余部,全年总票房超过100亿人民币。
二、中国经典电影(举例)第一名:中文片名:《霸王别姬》英文片名:(Farewell My concubine)时间:1993年导演:陈凯歌出品:1993年发行:北京电影制片厂香港汤臣电影公司领衔主演:张国荣张丰毅巩俐葛优获奖情况:第46届夏纳国际电影节金棕榈大奖美国电影“金球奖”最佳外语片美国电影“奥斯卡奖”最佳外语片提名第二名:中文片名:《红高粱》译名:Red Sorghum原著:莫言导演:张艺谋编剧:陈剑雨朱伟莫言主演:巩俐--我奶奶姜文--我爷爷摄影:顾长卫录音:顾长宁作曲:赵季平美术:杨刚获奖情况:1988年获第38届西柏林国际电影节最佳影片金熊大奖第三名:中文片名:《荆柯刺秦王》领衔主演:巩俐张丰毅李雪健王志文赵本山导演:陈凯歌上映日期:1999-5-1获奖情况:戛纳电影节/Cannes Film Festival 1999 金棕榈 / Golden Palm 提名陈凯歌戛纳电影节/Cannes Film Festival 1999 技术大奖 / Technical Grand Prize 获奖 Juhua Tu华语电影分为动作.言情.惊悚.爱情.喜剧.轻喜剧.黑色.纪录片.古装历史.科幻.家庭.乡村.旅游电影.还有戏剧电影.战争电影。
总之,随着无数中国电影人的不懈努力和近年来华语电影的进步。
华语电影还会有更多的片种诞生。
中国卡通电影的历史英语作文
The Evolution of Chinese Cartoon FilmsChinese cartoon films have a rich and diverse history, spanning decades of innovation and cultural expression. Tracing back to the early days of animation in China, wecan see a blend of traditional art forms and modern techniques that have shaped the unique style and narrativeof Chinese cartoons.In the early 20th century, Chinese cartoon films emerged as a novel form of entertainment, influenced by Western animation styles. However, it wasn't until the1940s and 1950s that Chinese cartoons truly began to find their own voice. This period was marked by the emergence of classic cartoons like "The Black Cat Detective" and "The Magic Pen," which combined traditional Chinese painting techniques with animated storytelling.The 1960s and 1970s saw a further evolution in Chinese cartoon films, with a focus on educational and moral themes. Cartoons like "The Adventures of the Little Black Ant" and "The Legend of the White Snake" not only entertained young audiences but also taught important values and lessons. These films often incorporated elements of Chinese folkloreand mythology, adding a layer of cultural depth and resonance.With the advent of the reform and opening-up policy in China, the animation industry entered a new phase of growth and experimentation. This led to a surge in the production of cartoon films that were both visually stunning and narratively engaging. Titles like "Nezha Conquers the Dragon King" and "Legend of the White Snake" became household names, attracting a wider audience and elevating the status of Chinese animation on the global stage.In the 21st century, Chinese cartoon films have continued to innovate and diversify. Modern cartoons often blend traditional Chinese art styles with contemporary animation techniques, creating a unique visual aesthetic. Films like "Big Fish & Begonia" and "Ne Zha" have showcased the talents of Chinese animators and storytellers, receiving widespread praise and recognition.Moreover, with the rise of digital technology and the internet, Chinese cartoon films have also found new platforms for distribution and engagement. Online streaming services and social media platforms have made it easier foraudiences to access and share these films, further expanding their reach and influence.In conclusion, the history of Chinese cartoon films is a rich tapestry of cultural expression, innovation, and artistic excellence. From the early days of blending traditional art with animation, to the modern era ofdigital innovation and global recognition, Chinese cartoons have continually evolved and grown. As the industry continues to develop and expand, we can expect to see even more exciting and groundbreaking works of animation from China in the future.**中国卡通电影的发展**中国卡通电影有着丰富多样的历史,跨越了数十年的创新和文化表达。
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1. The Early Period of the Movie1、中国早期电影的发展At the move of the 19th century, the movie was introduced into China. In 1896,a Western movie was shown in Shanghai, which was the first movie showing in China. In 1905,a photo studio in Beijing made the first Chinese movie , which was only a collection of scenes from a Beijing opera based on the classical novel The Romance of the Three Kingdoms. In the early thirties, many revolutionary movies were produced, such as Spring Silkworms, Plunder of Peach and Plum , Three Modem Women , The Great Road,Song of the Fishermen,and Crossroads. These movies reflect the realities of society and the wishes of the people.19世纪末期,电影引人中国。
中国第一部引进的西方电影于1脱年在上海上映。
1905年,北京一家照相室选取京剧传统曲目《三国演义》的一些简单场景制作了中国第一部电影。
在中国电影事业发展的最初30年中,创作了许多革命电影,例如:《春蚕》、《桃李劫机《三个摩登女性》、《大路》、《温光曲》、《十字街头},集中反映了当时社会的现状和人民的愿望。
1电影.jpgDuring the Anti-Japanese War, many progressive movies were made, such as Defend Our Land, The March of Victory, The North is Ours, Sons and Daughters of China,and The Snowy Taihang Mountains. The movies reflected the people's requirement for resistance against Japan.抗战期间,许多进步电影诞生了,例如《保卫我们的土地》、《胜利进行曲》、《华北是我们的》、《中华儿女》、《风雪太行山》。
这些电影都反映了人民要求坚持抗战的强烈愿望。
After the victory of the Anti-Japanese War,a great number of excellent movies were produced , Such as Remote Love , Along the Songhua River,Eight Thousand Li of Cloud and Moon, and The Spring River Flows East. All of them areαbout the people's life or struggles during the War of Resistance against Japan.抗战胜利后,中国电影发行了如《遥远的爱》、《松花江上》、《八千里路云和月》和《一江春水向东流》等大批反映抗战时期人民生活和斗争的杰出电影。
In the liberated areas, the founding of the Ya'ann Movie Group marks the starting point of the people's movie industry. This group shot valuable documentaries which included yan'an and the Eighth Route Army, Dr. Norman Bethune, and Nanniwan. In 1946, the Yan'an Movie Studio was founded and recorded part of the Liberation War. In October, the Northeast Movie Studio was established. Its main productions were seventeen newsreels entitled The Democratic Northeast. 在解放区,延安电影团的成立标志着人民电影事业的开始。
先后拍摄了《延安与八路军》、《白求恩大夫》和《南泥湾》等一些价值很高的纪录片。
1946年,延安电影制片厂成立,出品了一些解放战争的影片。
10月,东北电影制片厂成立,主要作品为《民主东北》17部系列新闻片。
Many old progressive movies made before the founding of the People's Republic of China adopted the realistic style; therefore they reflect Chinese society and the lives of the people and show sympathy for the poor. Early movie-makers owned clear purpose of their work: to make movies which could entertain the ordinary people so that they managed to make the plot development, customs and habits , language and acting of their movies conform to the tastes of the audience. Obviously, the pioneers of China's progressive movies made great contributions to the development of China's movie industry.建国前很多进步影片采用了现实主义形式,对中国社会、民生都有很大的影响力,这些影片都表达了对穷苦大众的同情。
为了实现电影的创作目标一一一愉悦普通老百姓,早期电影工作者努力使情节发展、风俗习惯、语言、表演都能符合观众品位。
中国进步电影的先驱们为中国电影事业的发展做出了巨大贡献。
2. Progress of Chinese Movies2、中国电影的发展After the founding of New China, the movie industry developed rapidly. Ten movie studios were set up. They are the Beijing, Shanghai, Changchun, August first, Pearl River, E'mail, Xi'an, Nangning, Wulumuqi, and Huhehaote Studios. From 1949 to 1966, more than six hundered movies of the 1950's, The White-Haired Girl, Reconnaissance Across the Changjiang, Steeled Fighters and Dong Cunrui had a strong social impact. The following movies The Song of Youth, The Storm and Lin Zexu Which showed that Chinese movies had reached a new level. Movies produced in the early 1960's were more mature ideologically and artistically. Representatives of the period were The Naval Battle of 1894, The Lin Family's Shop, and Threshold of Spring.建国后中时事业迅速发展起来北京上海陈、八一珠江帆西安、南宁、乌鲁木齐和呼和浩特10大电影制片厂相继成立。
1949年到1966年间,创作了600余部电影。
20世纪50年代期间制作的《白毛女》、《渡江侦察记》、《钢铁战士》、《董存瑞》引起了社会的极大反响。
《青春之歌》、《风暴》、《林则徐》等电影的出版发行标志着中国电影制作发展到了一个新的水平。
60年代早期的电影其意识形态更成熟和艺术价值更高。
代表作品有《甲午风云》、《林家铺子》、《早春二月》。
2电影.jpgFrom 1966 to 1976 only a small number of movies had been made in that decade. After 1976 movie production started to flourish again. From 1976 to 1980 more than two hundred and fifty feature movies were made. They covered a wide range of themes and varied in style of presentation. In September of 1987, the first China Movie Show was held in Beijing . It was presented by over one hundred movie historians, critics,and distributors from 48 countries. Among those who spoke highly of Chinese movies were Gregory Peck, the American movie star; Regis Bergeron, the French movie historian; and Rubanoy, the Soviet movie critic. They all agreed that China's movie Industry had entered a mature stage.从1966年到1976年这10年间,只创作出少量电影。