Faulkner福克纳的写作风格PPT精品文档
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history, but its emotional and psychological history as well.
5
Themes of his novels
• Conflicts between the old and new • The old , trying to keep the old moral value
• men through a sort of respectful affection for a fallen monument, the
• women mostly out of curiosity to see the inside of her house, which no
• one save an old man-servant--a combined
6
characters
• His characters are often deeply disturbed, and in some sense, driven, with their past and with the present forces that lie beyond their control and yet so relentlessly shape their destinies.
• Colonel Sartoris, the mayor--he who fathered the edict that no Negro
• woman should appear on the streets without an apron-remitted her
• taxes, the dispensation dating from the death of her father on into
9
“A Rose for Emily”
• 1. the story • 2. the characters • 3. the themes • 4. meaning of the title • 5.the gruesome and Gothic elements in
the story • 6.unconventional narrative
• perpetuity
13
• a small, fat woman in black, with a thin • gold chain descending to her waist and
vanishing into her belt, leaning • on an ebony cane with a tarnished gold head.
gardener and cook--had seen
• in at least ten years.
12
• Alive, Miss Emily had been a tradition, a duty, and a care; a sort of
• hereditary obligation upon the town, dating from that day in 1894 when
8
Techniques
• 4. penultimate moment • He often began his story at the penultimate
moment of the chronology of the events in the novel. • Eg The Sound and the Fury • 1)Benjy’s narrative, 7 April 1928; • 2) Quentin’s narrative, 2 June 1910; • 3) Jason’s narrative, 6 April 1928; • 4) Dilsey’s narrative, 8 April 1928. • (egs. Light in August, A Rose for Emily)
William Faulkner
1897-1962
1
2
3
4
Setting of his novels
• Yoknapatawpha Country • The place functions as an allegory or a
parable of the South. His writings are • not only about its social and economic
such as honor, courage, pride, while at the same time carried a moral burden of guilt. The new adopted a ruthless and unscrupulous way of living brought by mass industry production.
Her skeleton was small and spare; … Her eyes, lost in the fatty ridges of her face, looked like two small pieces of coal pressed into a lump of dough as they moved from one face to another while the visitors stated theirily”
• 1.The story • 2. The characters
11
“A Rose for Emily”
• 3.Reading of some samples:
•
1
• WHEN Miss Emily Grierson died, our whole town went to her funeral: the
7
Techniques
• 1. stream of consciousness • 2. multiple point of view: one event is the
centre, with various points of view radiating from it (not a linear structure) • e of images to convey the mood, atmosphere, the emotional and psychological climate of his fictional world
5
Themes of his novels
• Conflicts between the old and new • The old , trying to keep the old moral value
• men through a sort of respectful affection for a fallen monument, the
• women mostly out of curiosity to see the inside of her house, which no
• one save an old man-servant--a combined
6
characters
• His characters are often deeply disturbed, and in some sense, driven, with their past and with the present forces that lie beyond their control and yet so relentlessly shape their destinies.
• Colonel Sartoris, the mayor--he who fathered the edict that no Negro
• woman should appear on the streets without an apron-remitted her
• taxes, the dispensation dating from the death of her father on into
9
“A Rose for Emily”
• 1. the story • 2. the characters • 3. the themes • 4. meaning of the title • 5.the gruesome and Gothic elements in
the story • 6.unconventional narrative
• perpetuity
13
• a small, fat woman in black, with a thin • gold chain descending to her waist and
vanishing into her belt, leaning • on an ebony cane with a tarnished gold head.
gardener and cook--had seen
• in at least ten years.
12
• Alive, Miss Emily had been a tradition, a duty, and a care; a sort of
• hereditary obligation upon the town, dating from that day in 1894 when
8
Techniques
• 4. penultimate moment • He often began his story at the penultimate
moment of the chronology of the events in the novel. • Eg The Sound and the Fury • 1)Benjy’s narrative, 7 April 1928; • 2) Quentin’s narrative, 2 June 1910; • 3) Jason’s narrative, 6 April 1928; • 4) Dilsey’s narrative, 8 April 1928. • (egs. Light in August, A Rose for Emily)
William Faulkner
1897-1962
1
2
3
4
Setting of his novels
• Yoknapatawpha Country • The place functions as an allegory or a
parable of the South. His writings are • not only about its social and economic
such as honor, courage, pride, while at the same time carried a moral burden of guilt. The new adopted a ruthless and unscrupulous way of living brought by mass industry production.
Her skeleton was small and spare; … Her eyes, lost in the fatty ridges of her face, looked like two small pieces of coal pressed into a lump of dough as they moved from one face to another while the visitors stated theirily”
• 1.The story • 2. The characters
11
“A Rose for Emily”
• 3.Reading of some samples:
•
1
• WHEN Miss Emily Grierson died, our whole town went to her funeral: the
7
Techniques
• 1. stream of consciousness • 2. multiple point of view: one event is the
centre, with various points of view radiating from it (not a linear structure) • e of images to convey the mood, atmosphere, the emotional and psychological climate of his fictional world