the_crave_ost
adgar allan poe(爱伦坡)
• On October 7, 1849, at age 40, Poe died in Baltimore; the cause of his death is unknown and has been variously attributed to alcohol, brain congestion（充血）, cholera, drugs, heart disease, rabies （狂犬病）, suicide, tuberculosis（肺结核）, and other agents
Edgar Allan Poe
1.Introduction about his life
2.Famous works
3.Exercises about tem-8
Brief introduction
• Edgar Allan Poe (January 19, 1809 – October 7, 1849) was an American author, poet, editor and literary critic, considered part of the American Romantic Movement.
解析：《丢失的信》(The Purloined Letter)是爱德加. 艾伦.坡(Edgar Allan Poe)创作的著名侦探小说。
3. The Philosophy of Composition was
written by ____who also wrote The Poetic Principle. A Edgar Allan Poe B Walt Whitman C Ralph Waldo Emerson D Henry David Thoreau
the nights中文翻译
《the nights》歌曲原唱Avicii（尼古拉斯“拉斯”弗隆）Hey, once upon a younger year.嘿还年少时。
When all our shadows disappeared.我们所有的掩饰都消逝。
The animals inside came out to play.尽情释放内心的狂野。
Hey, When face to face with all our fears.嘿当我们直面恐惧时。
Learned our lessons through the tears.从眼泪中汲取教训。
Make memories we knew would never fade.深知这些回忆使我们抹不去的曾经。
One day my father he told me.有一天父亲对我说。
Son, don't let this slip away.孩子,别让这时光溜走。
He took me in his arms,他将我拥入他怀中。
I heard him say.我听到他说。
When you get older.当你长大后。
Your wild heart will live for younger days.你狂野的内心会伴你度过这青葱年华。
Think of me if ever you're afraid.如果你害怕就想想我说的话。
He said, one day you'll leave.他说，总有一天。
this world behind.你将会离开这个世界。
So live a life you will remember.就活出你的人生，这回忆值得你铭记。
My father told me.父亲对我说这些时。
when I was just a child.我还只是个孩子。
These are the nights that never die.这些夜晚永远不会逝去。
高中英语选修课英语名曲鉴赏之scarboroughfair资料
Scarborough FairAre you going to Scarborough Fair 你正要去史卡保罗集市吗Parsley, sage, rosemary and thyme 香菜鼠尾草迷迭香和百里香Remember me to one who lives there请代我向他问候He was once a true love of mine他曾是我的挚爱Tell him to make me a cambric shirt 请他为我做一件棉衬衫Parsley, sage, rosemary and thyme 香菜鼠尾草迷迭香和百里香Without no seams nor needle work 不能有接缝，也不能用针线Then he’ll be a true love of mine这样他就可以成为我的挚爱Tell him to find me an acre of land请他为我找一亩地Parsley, sage, rosemary and thyme 香菜鼠尾草迷迭香和百里香Between salt water and the sea strands必须位于海水和海岸之间Then he’ll be a true love of mine这样他就可以成为我的挚爱Tell him to reap it with a sickle of leather请他用皮制的镰刀收割Parsley, sage, rosemary and thyme 香菜鼠尾草迷迭香和百里香And gather it all in a bunch of heather用石南草捆扎成束Then he’ll be a true love of mine这样他就可以成为我的挚爱Are you going to Scarborough Fair 你正要去史卡保罗集市吗Parsley, sage, rosemary and thyme 香菜鼠尾草迷迭香和百里香Remember me to one who lives there请代我向他问候He was once a true love of mine他曾是我的挚爱。
河南省许昌市、洛阳市2022年高三英语第一学期期末统考模拟试题含解析
2022-2023高三上英语期末模拟试卷注意事项：1．答卷前，考生务必将自己的姓名、准考证号填写在答题卡上。
2．回答选择题时，选出每小题答案后，用铅笔把答题卡上对应题目的答案标号涂黑，如需改动，用橡皮擦干净后，再选涂其它答案标号。
回答非选择题时，将答案写在答题卡上，写在本试卷上无效。
3．考试结束后，将本试卷和答题卡一并交回。
第一部分（共20小题，每小题1.5分，满分30分）1．The famous player tried again and again after each failure. That’s _____ he succeeded at last.A．what B．whenC．whether D．why2．The drums of war are beating once again. As tensions rise between America and Iran, China appeals to both sides to ________.A．stand by B．come alongC．step back D．stick together3．— How could they misunderstand me like that?—Just keep silent! It’s the best way to let them know they you wrong.A．do B．didC．are doing D．had done4．--It is really fun to hike and I often go hiking in the forest.--But hiking alone in the forest ______ be very dangerous.A．can B．must C．shall D．will5．Thanks for your useful advice; otherwise I ______ such rapid progress.A．didn’t make B．couldn’t have madeC．hadn’t made D．shouldn’t have made6．---Mr. Johnson has been chosen as the manager of the sales department.---___________ he was so excited this morning.A．No chance B．No wayC．Not possible D．No wonder7．—Daddy, would you please buy me an iPhoneX?—If you can pass this midterm examination, you __________ have one as a reward. A．must B．needC．would D．shall8．—Why not talk with your parents about your willingness to attend 2017 Peking University Summer Camp?—I tried____ to get them to listen to me.A．in time B．in vainC．in need D．in case9．---I prefer shutting myself in and listening to music all day on Sundays.---That’s _______ I don’t agree. You should have a more active life.A．how B．when C．where D．what10．________ some teenagers don’t realize is ________ difficult life can be after they get addicted to drugs.A．That; how B．Which; what aC．What; what D．What; how11．To work from home, which one could hardly imagine, has been made with the development of computer technology.A．possible B．it possible C．possibly D．to be possible12．____________ you are familiar with the author’s ideas, try reading all the sections as quickly as you possible can.A．Now that B．Ever sinceC．So that D．In case13．John once worked in a remote mountain village school, which is ______ only on foot. A．accessible B．acceptable C．available D．appropriate14．My mother opened the drawer to ______ the knives and spoons.A．put away B．put up C．put on D．put together15．In recent years, Chinese arts have won the of a lot of people outside China. A．reputation B．enjoymentC．appreciation D．entertainment16．Michelle Obama wears clothes that anyone can buy in a mall and ________ she may have a larger effect on consumers than ordinary models.A．furthermore B．otherwise C．nevertheless D．therefore17．— Did you catch the first bus this morning?—No. It had left the stop _________ I got there.A. in the time B．at the timeC．by the time D．during the time18．more about the place where you live,and you will shoulder more responsibility to protect itA．Learning B．To learn C．Learn D．Learned19．Nowadays, more and more young ladies, figures most are fine enough, are going on a diet.A．who B．whoseC．of whose D．of whom20．A hearty laugh relieves physical tension, _____your muscles relaxed for over half an hour.A．to leave B．left C．leaving D．leave第二部分阅读理解（满分40分）阅读下列短文，从每题所给的A、B、C、D四个选项中，选出最佳选项。
TheMonster课文翻译
DeemsTaylor: The Monste r怪才他身材矮小，头却很大，与他的身材很不相称——是个满脸病容的矮子。
他神经兮兮，有皮肤病，贴身穿比丝绸粗糙一点的任何衣服都会使他痛苦不堪。
而且他还是个夸大妄想狂。
他是个极其自负的怪人。
除非事情与自己有关，否则他从来不屑对世界或世人瞧上一眼。
对他来说，他不仅是世界上最重要的人物，而且在他眼里，他是惟一活在世界上的人。
他认为自己是世界上最伟大的戏剧家之一、最伟大的思想家之一、最伟大的作曲家之一。
听听他的谈话，仿佛他就是集莎士比亚、贝多芬、柏拉图三人于一身。
想要听到他的高论十分容易，他是世上最能使人筋疲力竭的健谈者之一。
同他度过一个夜晚，就是听他一个人滔滔不绝地说上一晚。
有时，他才华横溢；有时，他又令人极其厌烦。
但无论是妙趣横生还是枯燥无味，他的谈话只有一个主题：他自己，他自己的所思所为。
他狂妄地认为自己总是正确的。
任何人在最无足轻重的问题上露出丝毫的异议，都会激得他的强烈谴责。
他可能会一连好几个小时滔滔不绝，千方百计地证明自己如何如何正确。
有了这种使人耗尽心力的雄辩本事，听者最后都被他弄得头昏脑涨，耳朵发聋，为了图个清静，只好同意他的说法。
他从来不会觉得，对于跟他接触的人来说，他和他的所作所为并不是使人产生强烈兴趣而为之倾倒的事情。
他几乎对世间的任何领域都有自己的理论，包括素食主义、戏剧、政治以及音乐。
为了证实这些理论，他写小册子、写信、写书……文字成千上万，连篇累牍。
他不仅写了，还出版了这些东西——所需费用通常由别人支付——而他会坐下来大声读给朋友和家人听，一读就是好几个小时。
他写歌剧，但往往是刚有个故事梗概，他就邀请——或者更确切说是召集——一群朋友到家里，高声念给大家听。
Native Instruments MASCHINE MIKRO MK3用户手册说明书
The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.8 (02/2019)Hardware version: MASCHINE MIKRO MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 5F, Shenzhen Zimao Center111 Taizi Road, Nanshan District, Shenzhen, GuangdongChina© NATIVE INSTRUMENTS GmbH, 2019. All rights reserved.Table of Contents1Welcome to MASCHINE (23)1.1MASCHINE Documentation (24)1.2Document Conventions (25)1.3New Features in MASCHINE 2.8 (26)1.4New Features in MASCHINE 2.7.10 (28)1.5New Features in MASCHINE 2.7.8 (29)1.6New Features in MASCHINE 2.7.7 (29)1.7New Features in MASCHINE 2.7.4 (31)1.8New Features in MASCHINE 2.7.3 (33)2Quick Reference (35)2.1MASCHINE Project Overview (35)2.1.1Sound Content (35)2.1.2Arrangement (37)2.2MASCHINE Hardware Overview (40)2.2.1MASCHINE MIKRO Hardware Overview (40)2.2.1.1Browser Section (41)2.2.1.2Edit Section (42)2.2.1.3Performance Section (43)2.2.1.4Transport Section (45)2.2.1.5Pad Section (46)2.2.1.6Rear Panel (50)2.3MASCHINE Software Overview (51)2.3.1Header (52)2.3.2Browser (54)2.3.3Arranger (56)2.3.4Control Area (59)2.3.5Pattern Editor (60)3Basic Concepts (62)3.1Important Names and Concepts (62)3.2Adjusting the MASCHINE User Interface (65)3.2.1Adjusting the Size of the Interface (65)3.2.2Switching between Ideas View and Song View (66)3.2.3Showing/Hiding the Browser (67)3.2.4Showing/Hiding the Control Lane (67)3.3Common Operations (68)3.3.1Adjusting Volume, Swing, and Tempo (68)3.3.2Undo/Redo (71)3.3.3Focusing on a Group or a Sound (73)3.3.4Switching Between the Master, Group, and Sound Level (77)3.3.5Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.773.3.6Navigating the Software Using the Controller (82)3.3.7Using Two or More Hardware Controllers (82)3.3.8Loading a Recent Project from the Controller (84)3.4Native Kontrol Standard (85)3.5Stand-Alone and Plug-in Mode (86)3.5.1Differences between Stand-Alone and Plug-in Mode (86)3.5.2Switching Instances (88)3.6Preferences (88)3.6.1Preferences – General Page (89)3.6.2Preferences – Audio Page (93)3.6.3Preferences – MIDI Page (95)3.6.4Preferences – Default Page (97)3.6.5Preferences – Library Page (101)3.6.6Preferences – Plug-ins Page (109)3.6.7Preferences – Hardware Page (114)3.6.8Preferences – Colors Page (114)3.7Integrating MASCHINE into a MIDI Setup (117)3.7.1Connecting External MIDI Equipment (117)3.7.2Sync to External MIDI Clock (117)3.7.3Send MIDI Clock (118)3.7.4Using MIDI Mode (119)3.8Syncing MASCHINE using Ableton Link (120)3.8.1Connecting to a Network (121)3.8.2Joining and Leaving a Link Session (121)4Browser (123)4.1Browser Basics (123)4.1.1The MASCHINE Library (123)4.1.2Browsing the Library vs. Browsing Your Hard Disks (124)4.2Searching and Loading Files from the Library (125)4.2.1Overview of the Library Pane (125)4.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (128)4.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (133)4.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (137)4.2.4Selecting a File Type (137)4.2.5Choosing Between Factory and User Content (138)4.2.6Selecting Type and Character Tags (138)4.2.7Performing a Text Search (142)4.2.8Loading a File from the Result List (143)4.3Additional Browsing Tools (148)4.3.1Loading the Selected Files Automatically (148)4.3.2Auditioning Instrument Presets (149)4.3.3Auditioning Samples (150)4.3.4Loading Groups with Patterns (150)4.3.5Loading Groups with Routing (151)4.3.6Displaying File Information (151)4.4Using Favorites in the Browser (152)4.5Editing the Files’ Tags and Properties (155)4.5.1Attribute Editor Basics (155)4.5.2The Bank Page (157)4.5.3The Types and Characters Pages (157)4.5.4The Properties Page (160)4.6Loading and Importing Files from Your File System (161)4.6.1Overview of the FILES Pane (161)4.6.2Using Favorites (163)4.6.3Using the Location Bar (164)4.6.4Navigating to Recent Locations (165)4.6.5Using the Result List (166)4.6.6Importing Files to the MASCHINE Library (169)4.7Locating Missing Samples (171)4.8Using Quick Browse (173)5Managing Sounds, Groups, and Your Project (175)5.1Overview of the Sounds, Groups, and Master (175)5.1.1The Sound, Group, and Master Channels (176)5.1.2Similarities and Differences in Handling Sounds and Groups (177)5.1.3Selecting Multiple Sounds or Groups (178)5.2Managing Sounds (181)5.2.1Loading Sounds (183)5.2.2Pre-listening to Sounds (184)5.2.3Renaming Sound Slots (185)5.2.4Changing the Sound’s Color (186)5.2.5Saving Sounds (187)5.2.6Copying and Pasting Sounds (189)5.2.7Moving Sounds (192)5.2.8Resetting Sound Slots (193)5.3Managing Groups (194)5.3.1Creating Groups (196)5.3.2Loading Groups (197)5.3.3Renaming Groups (198)5.3.4Changing the Group’s Color (199)5.3.5Saving Groups (200)5.3.6Copying and Pasting Groups (202)5.3.7Reordering Groups (206)5.3.8Deleting Groups (207)5.4Exporting MASCHINE Objects and Audio (208)5.4.1Saving a Group with its Samples (208)5.4.2Saving a Project with its Samples (210)5.4.3Exporting Audio (212)5.5Importing Third-Party File Formats (218)5.5.1Loading REX Files into Sound Slots (218)5.5.2Importing MPC Programs to Groups (219)6Playing on the Controller (223)6.1Adjusting the Pads (223)6.1.1The Pad View in the Software (223)6.1.2Choosing a Pad Input Mode (225)6.1.3Adjusting the Base Key (226)6.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (227)6.3Playing Tools (229)6.3.1Mute and Solo (229)6.3.2Choke All Notes (233)6.3.3Groove (233)6.3.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (235)6.3.5Tap Tempo (235)6.4Performance Features (236)6.4.1Overview of the Perform Features (236)6.4.2Selecting a Scale and Creating Chords (239)6.4.3Scale and Chord Parameters (240)6.4.4Creating Arpeggios and Repeated Notes (253)6.4.5Swing on Note Repeat / Arp Output (257)6.5Using Lock Snapshots (257)6.5.1Creating a Lock Snapshot (257)7Working with Plug-ins (259)7.1Plug-in Overview (259)7.1.1Plug-in Basics (259)7.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (263)7.1.3Loading, Removing, and Replacing a Plug-in (264)7.1.4Adjusting the Plug-in Parameters (270)7.1.5Bypassing Plug-in Slots (270)7.1.6Using Side-Chain (272)7.1.7Moving Plug-ins (272)7.1.8Alternative: the Plug-in Strip (273)7.1.9Saving and Recalling Plug-in Presets (273)7.1.9.1Saving Plug-in Presets (274)7.1.9.2Recalling Plug-in Presets (275)7.1.9.3Removing a Default Plug-in Preset (276)7.2The Sampler Plug-in (277)7.2.1Page 1: Voice Settings / Engine (279)7.2.2Page 2: Pitch / Envelope (281)7.2.3Page 3: FX / Filter (283)7.2.4Page 4: Modulation (285)7.2.5Page 5: LFO (286)7.2.6Page 6: Velocity / Modwheel (288)7.3Using Native Instruments and External Plug-ins (289)7.3.1Opening/Closing Plug-in Windows (289)7.3.2Using the VST/AU Plug-in Parameters (292)7.3.3Setting Up Your Own Parameter Pages (293)7.3.4Using VST/AU Plug-in Presets (298)7.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (300)8Using the Audio Plug-in (302)8.1Loading a Loop into the Audio Plug-in (306)8.2Editing Audio in the Audio Plug-in (307)8.3Using Loop Mode (308)8.4Using Gate Mode (310)9Using the Drumsynths (312)9.1Drumsynths – General Handling (313)9.1.1Engines: Many Different Drums per Drumsynth (313)9.1.2Common Parameter Organization (313)9.1.3Shared Parameters (316)9.1.4Various Velocity Responses (316)9.1.5Pitch Range, Tuning, and MIDI Notes (316)9.2The Kicks (317)9.2.1Kick – Sub (319)9.2.2Kick – Tronic (321)9.2.3Kick – Dusty (324)9.2.4Kick – Grit (325)9.2.5Kick – Rasper (328)9.2.6Kick – Snappy (329)9.2.7Kick – Bold (331)9.2.8Kick – Maple (333)9.2.9Kick – Push (334)9.3The Snares (336)9.3.1Snare – Volt (338)9.3.2Snare – Bit (340)9.3.3Snare – Pow (342)9.3.4Snare – Sharp (343)9.3.5Snare – Airy (345)9.3.6Snare – Vintage (347)9.3.7Snare – Chrome (349)9.3.8Snare – Iron (351)9.3.9Snare – Clap (353)9.3.10Snare – Breaker (355)9.4The Hi-hats (357)9.4.1Hi-hat – Silver (358)9.4.2Hi-hat – Circuit (360)9.4.3Hi-hat – Memory (362)9.4.4Hi-hat – Hybrid (364)9.4.5Creating a Pattern with Closed and Open Hi-hats (366)9.5The Toms (367)9.5.1Tom – Tronic (369)9.5.2Tom – Fractal (371)9.5.3Tom – Floor (375)9.5.4Tom – High (377)9.6The Percussions (378)9.6.1Percussion – Fractal (380)9.6.2Percussion – Kettle (383)9.6.3Percussion – Shaker (385)9.7The Cymbals (389)9.7.1Cymbal – Crash (391)9.7.2Cymbal – Ride (393)10Using the Bass Synth (396)10.1Bass Synth – General Handling (397)10.1.1Parameter Organization (397)10.1.2Bass Synth Parameters (399)11Working with Patterns (401)11.1Pattern Basics (401)11.1.1Pattern Editor Overview (402)11.1.2Navigating the Event Area (404)11.1.3Following the Playback Position in the Pattern (406)11.1.4Jumping to Another Playback Position in the Pattern (407)11.1.5Group View and Keyboard View (408)11.1.6Adjusting the Arrange Grid and the Pattern Length (410)11.1.7Adjusting the Step Grid and the Nudge Grid (413)11.2Recording Patterns in Real Time (416)11.2.1Recording Your Patterns Live (417)11.2.2Using the Metronome (419)11.2.3Recording with Count-in (420)11.3Recording Patterns with the Step Sequencer (422)11.3.1Step Mode Basics (422)11.3.2Editing Events in Step Mode (424)11.4Editing Events (425)11.4.1Editing Events with the Mouse: an Overview (425)11.4.2Creating Events/Notes (428)11.4.3Selecting Events/Notes (429)11.4.4Editing Selected Events/Notes (431)11.4.5Deleting Events/Notes (434)11.4.6Cut, Copy, and Paste Events/Notes (436)11.4.7Quantizing Events/Notes (439)11.4.8Quantization While Playing (441)11.4.9Doubling a Pattern (442)11.4.10Adding Variation to Patterns (442)11.5Recording and Editing Modulation (443)11.5.1Which Parameters Are Modulatable? (444)11.5.2Recording Modulation (446)11.5.3Creating and Editing Modulation in the Control Lane (447)11.6Creating MIDI Tracks from Scratch in MASCHINE (452)11.7Managing Patterns (454)11.7.1The Pattern Manager and Pattern Mode (455)11.7.2Selecting Patterns and Pattern Banks (456)11.7.3Creating Patterns (459)11.7.4Deleting Patterns (460)11.7.5Creating and Deleting Pattern Banks (461)11.7.6Naming Patterns (463)11.7.7Changing the Pattern’s Color (465)11.7.8Duplicating, Copying, and Pasting Patterns (466)11.7.9Moving Patterns (469)11.8Importing/Exporting Audio and MIDI to/from Patterns (470)11.8.1Exporting Audio from Patterns (470)11.8.2Exporting MIDI from Patterns (472)11.8.3Importing MIDI to Patterns (474)12Audio Routing, Remote Control, and Macro Controls (483)12.1Audio Routing in MASCHINE (484)12.1.1Sending External Audio to Sounds (485)12.1.2Configuring the Main Output of Sounds and Groups (489)12.1.3Setting Up Auxiliary Outputs for Sounds and Groups (494)12.1.4Configuring the Master and Cue Outputs of MASCHINE (497)12.1.5Mono Audio Inputs (502)12.1.5.1Configuring External Inputs for Sounds in Mix View (503)12.2Using MIDI Control and Host Automation (506)12.2.1Triggering Sounds via MIDI Notes (507)12.2.2Triggering Scenes via MIDI (513)12.2.3Controlling Parameters via MIDI and Host Automation (514)12.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (522)12.2.5Sending MIDI from Sounds (523)12.3Creating Custom Sets of Parameters with the Macro Controls (527)12.3.1Macro Control Overview (527)12.3.2Assigning Macro Controls Using the Software (528)13Controlling Your Mix (535)13.1Mix View Basics (535)13.1.1Switching between Arrange View and Mix View (535)13.1.2Mix View Elements (536)13.2The Mixer (537)13.2.1Displaying Groups vs. Displaying Sounds (539)13.2.2Adjusting the Mixer Layout (541)13.2.3Selecting Channel Strips (542)13.2.4Managing Your Channels in the Mixer (543)13.2.5Adjusting Settings in the Channel Strips (545)13.2.6Using the Cue Bus (549)13.3The Plug-in Chain (551)13.4The Plug-in Strip (552)13.4.1The Plug-in Header (554)13.4.2Panels for Drumsynths and Internal Effects (556)13.4.3Panel for the Sampler (557)13.4.4Custom Panels for Native Instruments Plug-ins (560)13.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (564)14Using Effects (567)14.1Applying Effects to a Sound, a Group or the Master (567)14.1.1Adding an Effect (567)14.1.2Other Operations on Effects (574)14.1.3Using the Side-Chain Input (575)14.2Applying Effects to External Audio (578)14.2.1Step 1: Configure MASCHINE Audio Inputs (578)14.2.2Step 2: Set up a Sound to Receive the External Input (579)14.2.3Step 3: Load an Effect to Process an Input (579)14.3Creating a Send Effect (580)14.3.1Step 1: Set Up a Sound or Group as Send Effect (581)14.3.2Step 2: Route Audio to the Send Effect (583)14.3.3 A Few Notes on Send Effects (583)14.4Creating Multi-Effects (584)15Effect Reference (587)15.1Dynamics (588)15.1.1Compressor (588)15.1.2Gate (591)15.1.3Transient Master (594)15.1.4Limiter (596)15.1.5Maximizer (600)15.2Filtering Effects (603)15.2.1EQ (603)15.2.2Filter (605)15.2.3Cabinet (609)15.3Modulation Effects (611)15.3.1Chorus (611)15.3.2Flanger (612)15.3.3FM (613)15.3.4Freq Shifter (615)15.3.5Phaser (616)15.4Spatial and Reverb Effects (617)15.4.1Ice (617)15.4.2Metaverb (619)15.4.3Reflex (620)15.4.4Reverb (Legacy) (621)15.4.5Reverb (623)15.4.5.1Reverb Room (623)15.4.5.2Reverb Hall (626)15.4.5.3Plate Reverb (629)15.5Delays (630)15.5.1Beat Delay (630)15.5.2Grain Delay (632)15.5.3Grain Stretch (634)15.5.4Resochord (636)15.6Distortion Effects (638)15.6.1Distortion (638)15.6.2Lofi (640)15.6.3Saturator (641)15.7Perform FX (645)15.7.1Filter (646)15.7.2Flanger (648)15.7.3Burst Echo (650)15.7.4Reso Echo (653)15.7.5Ring (656)15.7.6Stutter (658)15.7.7Tremolo (661)15.7.8Scratcher (664)16Working with the Arranger (667)16.1Arranger Basics (667)16.1.1Navigating Song View (670)16.1.2Following the Playback Position in Your Project (672)16.1.3Performing with Scenes and Sections using the Pads (673)16.2Using Ideas View (677)16.2.1Scene Overview (677)16.2.2Creating Scenes (679)16.2.3Assigning and Removing Patterns (679)16.2.4Selecting Scenes (682)16.2.5Deleting Scenes (684)16.2.6Creating and Deleting Scene Banks (685)16.2.7Clearing Scenes (685)16.2.8Duplicating Scenes (685)16.2.9Reordering Scenes (687)16.2.10Making Scenes Unique (688)16.2.11Appending Scenes to Arrangement (689)16.2.12Naming Scenes (689)16.2.13Changing the Color of a Scene (690)16.3Using Song View (692)16.3.1Section Management Overview (692)16.3.2Creating Sections (694)16.3.3Assigning a Scene to a Section (695)16.3.4Selecting Sections and Section Banks (696)16.3.5Reorganizing Sections (700)16.3.6Adjusting the Length of a Section (702)16.3.6.1Adjusting the Length of a Section Using the Software (703)16.3.6.2Adjusting the Length of a Section Using the Controller (705)16.3.7Clearing a Pattern in Song View (705)16.3.8Duplicating Sections (705)16.3.8.1Making Sections Unique (707)16.3.9Removing Sections (707)16.3.10Renaming Scenes (708)16.3.11Clearing Sections (710)16.3.12Creating and Deleting Section Banks (710)16.3.13Working with Patterns in Song view (710)16.3.13.1Creating a Pattern in Song View (711)16.3.13.2Selecting a Pattern in Song View (711)16.3.13.3Clearing a Pattern in Song View (711)16.3.13.4Renaming a Pattern in Song View (711)16.3.13.5Coloring a Pattern in Song View (712)16.3.13.6Removing a Pattern in Song View (712)16.3.13.7Duplicating a Pattern in Song View (712)16.3.14Enabling Auto Length (713)16.3.15Looping (714)16.3.15.1Setting the Loop Range in the Software (714)16.3.15.2Activating or Deactivating a Loop Using the Controller (715)16.4Playing with Sections (715)16.4.1Jumping to another Playback Position in Your Project (716)16.5Triggering Sections or Scenes via MIDI (717)16.6The Arrange Grid (719)16.7Quick Grid (720)17Sampling and Sample Mapping (722)17.1Opening the Sample Editor (722)17.2Recording Audio (724)17.2.1Opening the Record Page (724)17.2.2Selecting the Source and the Recording Mode (725)17.2.3Arming, Starting, and Stopping the Recording (729)17.2.5Checking Your Recordings (731)17.2.6Location and Name of Your Recorded Samples (734)17.3Editing a Sample (735)17.3.1Using the Edit Page (735)17.3.2Audio Editing Functions (739)17.4Slicing a Sample (743)17.4.1Opening the Slice Page (743)17.4.2Adjusting the Slicing Settings (744)17.4.3Manually Adjusting Your Slices (746)17.4.4Applying the Slicing (750)17.5Mapping Samples to Zones (754)17.5.1Opening the Zone Page (754)17.5.2Zone Page Overview (755)17.5.3Selecting and Managing Zones in the Zone List (756)17.5.4Selecting and Editing Zones in the Map View (761)17.5.5Editing Zones in the Sample View (765)17.5.6Adjusting the Zone Settings (767)17.5.7Adding Samples to the Sample Map (770)18Appendix: Tips for Playing Live (772)18.1Preparations (772)18.1.1Focus on the Hardware (772)18.1.2Customize the Pads of the Hardware (772)18.1.3Check Your CPU Power Before Playing (772)18.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (773)18.1.5Consider Using a Limiter on Your Master (773)18.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (773)18.1.7Improvise (773)18.2Basic Techniques (773)18.2.1Use Mute and Solo (773)18.2.2Create Variations of Your Drum Patterns in the Step Sequencer (774)18.2.3Use Note Repeat (774)18.2.4Set Up Your Own Multi-effect Groups and Automate Them (774)18.3Special Tricks (774)18.3.1Changing Pattern Length for Variation (774)18.3.2Using Loops to Cycle Through Samples (775)18.3.3Load Long Audio Files and Play with the Start Point (775)19Troubleshooting (776)19.1Knowledge Base (776)19.2Technical Support (776)19.3Registration Support (777)19.4User Forum (777)20Glossary (778)Index (786)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE MIKRO Quick Start Guide: This animated online guide provides a practical ap-proach to help you learn the basic of MASCHINE MIKRO. The guide is available from theNative Instruments website: https:///maschine-mikro-quick-start/2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:►Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN. We recommend that you follow along with these instructions while the respective ap-plication is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.Document Conventions1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues.The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information canbe expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software andpaths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in thesoftware is printed in blue. Whenever you see this formatting applied, you will find thesame text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you seethis formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you seethis formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.1.3New Features in MASCHINE2.8The following new features have been added to MASCHINE: Integration▪Browse on , create your own collections of loops and one-shots and send them directly to the MASCHINE browser.Improvements to the Browser▪Samples are now cataloged in separate Loops and One-shots tabs in the Browser.▪Previews of loops selected in the Browser will be played in sync with the current project.When a loop is selected with Prehear turned on, it will begin playing immediately in-sync with the project if transport is running. If a loop preview starts part-way through the loop, the loop will play once more for its full length to ensure you get to hear the entire loop once in context with your project.▪Filters and product selections will be remembered when switching between content types and Factory/User Libraries in the Browser.▪Browser content synchronization between multiple running instances. When running multi-ple instances of MASCHINE, either as Standalone and/or as a plug-in, updates to the Li-brary will be synced across the instances. For example, if you delete a sample from your User Library in one instance, the sample will no longer be present in the other instances.Similarly, if you save a preset in one instance, that preset will then be available in the oth-er instances, too.▪Edits made to samples in the Factory Libraries will be saved to the Standard User Directo-ry.For more information on these new features, refer to the following chapter ↑4, Browser. Improvements to the MASCHINE MIKRO MK3 Controller▪You can now set sample Start and End points using the controller. For more information refer to ↑17.3.1, Using the Edit Page.Improved Support for A-Series Keyboards▪When Browsing with A-Series keyboards, you can now jump quickly to the results list by holding SHIFT and pushing right on the 4D Encoder.▪When Browsing with A-Series keyboards, you can fast scroll through the Browser results list by holding SHIFT and twisting the 4D Encoder.▪Mute and Solo Sounds and Groups from A-Series keyboards. Sounds are muted in TRACK mode while Groups are muted in IDEAS.。
2022-2023学年河北辛集中学高考英语倒计时模拟卷含解析
2023年高考英语模拟试卷注意事项：1．答题前，考生先将自己的姓名、准考证号填写清楚，将条形码准确粘贴在考生信息条形码粘贴区。
2．选择题必须使用2B铅笔填涂；非选择题必须使用0．5毫米黑色字迹的签字笔书写，字体工整、笔迹清楚。
3．请按照题号顺序在各题目的答题区域内作答，超出答题区域书写的答案无效；在草稿纸、试题卷上答题无效。
4．保持卡面清洁，不要折叠，不要弄破、弄皱，不准使用涂改液、修正带、刮纸刀。
第一部分（共20小题，每小题1.5分，满分30分）1．－You’ve been cough ing so badly recently. Give up smoking, please.－_______. I think I am addicted to it.A．It can’t be helped B．Good ideaC．So far, so good D．Far from it2．—I heard they went skiing in the mountains last winter.—It true because there was little snow there.A．may be not B．won’t be C．couldn’t be D．mustn’t be3．Each party _______ respect the articles of this contract, or a double-sized financial punishment is a must. A．will B．could C．shall D．should4．I was expecting a present from her, so I was disappointed I didn’t receive ______.A．it B．one C．that D．the one5．Nowadays with the development of science, more and more new technology____ to the fields of IT.A．has introduced B．was introducedC．will introduce D．is being introduced6．When Thanksgiving Day is the corner, stores and supermarkets are busy with people.A．around B．on C．with D．at7．— Anything to drink? What about coffee?—Er… I think I’ll have a cold drink coffee.A．other than B．more than C．less than D．rather than8．—A study suggests reducing energy demand in the future may ________ urban areas.—That’s true. Cities need more energy than small towns or other rural areas.A．catch on B．act onC．hang on D．center on9．Don’t be so discouraged. If you ________such feelings, you will do bet ter next time.A．carry on B．get back C．break down D．put away10．We are so tired. ______ we could take the day off tomorrow!A．Only ifB．What ifC．If onlyD．If so11．He has made little preparation for the interview, so the chance of him succeeding in it is .A．slim B．fantasticC．obvious D．gentle12．If the traffic so heavy, I could have been back by 6 o’clock.A．hadn’t been B．wasn’tC．couldn’t be D．hasn’t been13．—What did she want to know, Tom?—She wondered we could complete the experimentA．when was it that B．it was when thatC．it was when D．when it was that14．--I feel nervous when taking an exam.-- and you can do it well.A．Take it w easy B．Take your time C．Good luck D．It’s up to you15．Good news! We didn’t spend we had expected.A．as half much money as B．much money as half asC．as much money as half D．half as much money as16．Roger trained hard for the tournament for months, but unfortunately he had to _______ due to a knee injury. A．pull out B．work outC．try out D．give out17．Great pity! His illness is ________ the treatment available so far.A．within B．above C．about D．beyond18．His advice made me happy, but ____others angry.A．making B．to make C．/ D．make19．Students are always interested in finding out _______ they can go with a new teacher.A．how far B．how soon C．how often D．how long20．Sally likes going to school ______ she has got many good friends there.A．or B．because C．unless D．so第二部分阅读理解（满分40分）阅读下列短文，从每题所给的A、B、C、D四个选项中，选出最佳选项。
海上钢琴师斗琴分析输赢
海上钢琴师斗琴分析输赢电影经典之作《海上钢琴师》在看似虚构了一个艺术家的悲剧故事中充满了人的生存隐喻,留给我们的是，对人生命和存在的无尽思考～小编整理了海上钢琴师斗琴分析输赢，欢迎参考本文内容。
海上钢琴师斗琴分析输赢1900感受到了Jelly的敌意，听出了满满的炫技，对他的表演深深的失望，他说：“那人完全是傻子”。
1900用了88个钢琴键，一个人完成四手连弹的曲目,以骇人的速度完成表演。
所谓上帝之音。
《海上钢琴师》斗琴片段赏析“像这样几乎被举世拥戴的电影，你说一万句好话也只是它的荣耀的一毛，你再怎么唱赞歌也会淹没在齐声大合唱中。
作为以追求特立独行为毕生事业的装B犯，对几乎每一个人都喜欢的东西歌功颂德，这也太有损我的范儿了。
可谁又能管住自己的进出口呢?李白看到崔颢的先下手为强，虽然心中一凉，还是忍不住要唧唧歪歪几句.........”————豆瓣某影评其中最精彩的片段，莫过于那段十五分钟的斗琴了。
爵士乐鼻祖Jelly Roll Morton和本片男主1900的钢琴切磋，技术仅是片面，真正斗的，是对音乐的认识感知和理解。
今天我们来对这场精彩绝伦的比赛做一次深度剖析。
比赛第一轮Jelly弹奏了一曲比较炫的爵士乐【Jelly Roll Morton 不是在演奏，而是在爱抚这些音符，听起来就像丝绸滑过了女人的肌肤】Jelly绝对拥有“爵士乐之王”的称号，在场所有人，包括1900，都被陶醉了。
面对这样一位钢琴大师，1900第一轮想不出来弹什么曲子去应付。
他苦苦思索了一阵，摸了一曲简单的《平安夜》，在场观众嘘声不断。
1900 弹奏《平安夜》时，Jelly满脸不悦，一开始会认为他觉得自己被这样简单的应付给羞辱了，其实不然。
1900只是想告诉他，音乐无所谓绚烂的技巧，世俗的风格，简单淳朴依旧可以打动人。
正所谓内行看门道，外行看热闹，在观众的一片嘘声中，只有Jelly领悟到了他1900的意图(或许还有那个小丑?)他过于卖弄，忽视了音乐的本质。
the raven每一节解析
the raven每一节解析"The Raven" is a famous narrative poem written by Edgar Allan Poe in 1845. It tells the story of a grieving man who is visited by a mysterious talking raven. Each section of the poem holds a unique analysis and contributes to the overall themes and atmosphere of the narrative.Section 1: The beginning of the poem sets the eerie tone and introduces the melancholic narrator. It establishes the dark setting, with the narrator reading alone in his chamber, which is symbolic of his isolation and sorrow.Section 2: The arrival of the raven is crucial as it introduces a supernatural elementto the narrative. The raven's arrival portrays a sense of foreboding and mystery. The repeated phrase "nevermore" uttered by the raven leaves a lasting impact on the narrator, as it seems to taunt him about his lost love, Lenore.Section 3: The narrator engages in a dialogue with the raven, desperately seeking answers about his lost love Lenore. However, the raven's response of "nevermore" begins to torment the narrator further, as he interprets it as a confirmation of his eternal sorrow. This section highlights the theme of grief and the unanswerable questions that haunt the human mind.Section 4: The narrator's growing obsession with the raven intensifies in this section. He becomes increasingly agitated, questioning the bird's origin and demanding it to leave. The raven's refusal to depart symbolizes the narrator's inability to escape his grief and the constant reminder of his loss.Section 5: The final section of the poem reveals the narrator's descent into madness. He perceives the raven as a demonic being sent from the underworld, bringing despair and hopelessness into his life. The poem ends with the narrator acknowledging that he will never find solace or respite from his sorrow.In conclusion, each section of "The Raven" delves deeper into the narrator's psyche and explores themes of grief, isolation, and the human struggle to find meaning intragedy. The mysterious presence of the raven serves as a symbol of the narrator's torment and inability to move on from his loss. This poem remains a classic example of Poe's mastery of creating a chilling atmosphere and delving into the darker aspects of the human psyche.。
thechaser结构分析讲解
thechaser结构分析讲解The Chaser Structure Analysis and Explanation"The Chaser" is a short story written by John Collier that explores the theme of love and the consequences that come with seeking excessive desire. The narrative follows the protagonist, Alan Austen, as he searches for a love potion to win the affections of his beloved Diana. This analysis will delve into the structure of the story, unraveling its various components and shedding light on its underlying message.The story begins by introducing Alan Austen, a young man overwhelmed with love for Diana. Seeking advice, he comes across an advertisement for a love potion. Intrigued, Alan contacts the seller, Old Man Bepple, who warns him about the seriousness of the potion's effects. Despite the warnings, Alan's desire for love blinds him, and he proceeds with the purchase.The initial part of the story serves as an exposition, setting the stage for the conflict to come. Through Alan's desperation and willingness to do anything for love, the reader gains insight into his character, setting the tone for the ensuing events.As the story progresses, a rising action unfolds. Alan's excitement fades as he realizes the potion's true nature. Rather than generating genuine love, it instead makes the recipient completely subservient to the person administering it. Alan initially enjoys the power he possesses over Diana, using the potion to control her actions and mold her into his ideal companion.However, he soon becomes disenchanted with the lack of genuine emotion in their relationship. This dissatisfaction marks the turning point in the story.The climax emerges when Alan decides to seek a solution to his predicament. He approaches Old Man Bepple once again, requesting an antidote to the love potion. Bepple offers the antidote, but Alan is taken aback by its price: ten times the cost of the original potion. This creates a dilemma for Alan, emphasizing the consequences of his actions and the complexity of his desires.The resolution of the story unfolds as Alan ponders his options. He considers the high price of the antidote, and the possibility of returning to his previous state of intense yearning for Diana. Ultimately, he decides to purchase the antidote, seeking a return to his previous life in hopes of regaining authentic love.The structure of "The Chaser" follows a conventional narrative arc, steadily building towards a climactic moment and providing resolution to the conflict. Collier's use of vivid language and descriptive imagery enhances the storytelling, painting a picture of Alan's internal struggles and the dangerous consequences of his actions.The story's structure effectively highlights the theme of excessive desire and the potential pitfalls of seeking love through artificial means. The introductory phase introduces the characters and their motivations, while the rising action escalates the tension and exposes the inherent problems with the love potion. The climax intensifies the situation, forcing Alan to confront the consequences of his actions, and the resolution offers a moral lesson about the true nature of love.In conclusion, "The Chaser" is a poignant short story that explores the complexities of love and desire. Its structure effectively guides the reader through the narrative, unveiling the consequences of excessive yearning for love. Collier's use of various elements, such as the rising action and climax, adds depth to the story and allows the reader to reflect on the nature of love and its potential for manipulation.。
TheShow歌词
The Show歌词I'm just a little bit caught in the middle我只是有点不知所措Life is a maze and love is a riddle 生活是一个迷宫，爱情是其中的一个谜I don't know where to go, can't do it alone 不知又会去哪里，我可不想一人I've tried And I don't know why... 我在努力，依然不明所以…… Slow it down, make it stop 我不要这个样子Or else my heart is going to pop 我怕我的心会跳出来Cause it's too much, yeah it's a lot To be something I'm not 够了，变成一个不认识的自己，我很在意I'm a fool out of love Cause I just can't get enough... 我是个失恋的傻子我只是不能知足I'm just a little bit caught in the middle 我只是有点不知所措Life is a maze and love is a riddle 生活是一个迷宫，爱情就是那么一个谜I don't know where to go, can't do it alone 我不知道该去哪里，我不想一个人I've tried And I don't know why 我在努力，不问所以I'm just a little girl lost in the moment 我只是一时迷茫的小女孩I'm so scared but I don't show it 我心里很害怕但我不会表现出来I can't figure it out, it's bringing me down I know 我不能明白，但我知道已深陷其中I've got to let it go... 我不得不放手，随它去吧……And just enjoy the show 好好欣赏表演吧The sun is hot in the sky 艳阳当空Just like a giant spotlight 就像一个大大的聚光灯The people follow the signs and synchronize in time 人们跟随这些指引，及时保持一致It's a joke, nobody knows 这有点好笑,没人知道They've got a ticket to the show.... 他们已经拿到一张演出的门票I'm just a little bit caught in the middle 我只是有点不知所措Life is a maze and love is a riddle 生活是一座迷宫,爱情就是那么一个谜I don't know where to go, can't do it alone 我不知道会到哪里我可不想一个人I've tried And I don't know why... 我在努力，依然不明所以…I'm just a little girl lost in the moment 我只是一时迷失的小女孩I'm so scared but I don't show it 我很害怕但我不会表现出来I can't figure it out, it's bringing me down I know 我无法明白,但我知道我已经深陷其中I’ve got to let it go... 我不得不放手And just enjoy the show 好好欣赏表演吧Just enjoy the show 好好欣赏表演吧I'm just a little bit caught in the middle 我有点左右为难Life is a maze and love is a riddle 生活是座迷宫,爱情就是一个谜I don't know where to go, can't do it alone 我不知道该如何面对,我一个人做不到I've tried And I don't know why... 我在尝试，依然不知道为什么……I'm just a little girl lost in the moment 我只是个一时很迷茫的小女孩I'm so scared but I don't show it 我很害怕但我不会表现出来I can't figure it out, it's bringing me down I know 我无法弄清楚但我已深陷其中I've got to let it go... 我不得不放手And just enjoy the show… dum de dum dudum de dum 好好欣赏这场表演吧Just enjoy the show dum de dum dudum de dum 好好欣赏Just enjoy the show 好好生活I want my money back 我想退票I want my money back 我想回到过去I want my money back 我想回到从前Just enjoy the show 好好生活吧I want my money back 我想回到过去I want my money back 我想回到过去I want my money back 我想回到过去Just enjoy the show 好好生活。
安全生产创意视频音乐下载
安全生产创意视频音乐下载安全生产创意视频可以帮助提升员工对安全意识的重视，同时增加学习的趣味性。
音乐在视频中起到很重要的作用，可以增加视频的吸引力和代入感。
下面是一些适合安全生产创意视频的音乐下载。
1. "Brave" – Sara Bareilles这首歌曲表达了勇敢面对挑战和困难的精神，适合用于鼓励员工在工作中勇敢面对安全隐患。
2. "Eye of the Tiger" – Survivor这首歌曲来自于电影《洛基》的原声带，鼓励人们勇敢战胜困难和挑战，适合用于激励员工在安全生产中保持专注和毅力。
3. "Safe and Sound" – Capital Cities这首歌曲传达了安全和保护的意义，适合用于提醒员工安全意识的重要性，以及公司对员工的关心和照顾。
4. "Count On Me" – Bruno Mars这首歌曲传达了合作和相互扶持的意义，适合用于强调安全生产需要全员参与和共同努力的重要性。
5. "We Will Rock You" – Queen这首歌曲具有强烈的节奏感和振奋人心的旋律，适合用于激发员工的工作热情和积极性。
6. "I Will Survive" – Gloria Gaynor这首歌曲传达了坚持和战胜困难的意义，适合用于鼓励员工在安全生产中始终保持警惕和坚持监管。
7. "Don't Stop Believin'" – Journey这首歌曲鼓励人们坚持信念和追求梦想，适合用于激励员工在安全生产中追求卓越和提升。
8. "Stronger" – Kelly Clarkson这首歌曲强调了个人坚韧不拔的品质，适合用于鼓励员工在面对安全隐患时保持自信和冷静。
9. "The Safety Dance" – Men Without Hats这首歌曲以幽默的方式诠释了安全的重要性，适合用于增加员工对安全生产的兴趣和参与度。
thefatrat的歌名
thefatrat的歌名
TheFatRat是一位知名的电子音乐制作人和DJ，他创作了许多受欢迎的歌曲。
以下是一些TheFatRat的歌曲名字：
1. "Unity"
2. "Monody"
3. "Fly Away"
4. "Time Lapse"
5. "Windfall"
6. "Jackpot"
7. "Xenogenesis"
8. "The Calling"
9. "Never Be Alone"
10. "Oblivion"
11. "Infinite Power"
12. "No No No"
13. "Mayday"
14. "Windfall (Remix)"
15. "The Storm"
16. "Elegy"
17. "Rise Up"
18. "Warrior Songs"
19. "Stronger"
20. "Origin"
这些歌曲涵盖了TheFatRat的不同风格和音乐类型，包括电子舞曲、合成器音乐和游戏音乐等。
他的音乐通常充满活力，节奏明快，充满了积极向上的能量。
无论是在个人欣赏还是派对活动中，TheFatRat的歌曲都能给人带来愉悦的听觉体验。
风暴突击者歌曲目录,捉鬼小精灵歌曲目录
Done风暴突击者live-Rooster:On the road、Glad to be here.Transluzent feat.carla vallet:Blame,Kaiser chiefs:I predict a riot,Curve:Chinese burn(Lunatic calm mix),Gorillaz:Feel good inc,Sahara hotnight(Y)s:Alright alright(Here’s my fist where’s the fight),Matt wills:Hey kid,Oakenfold:Ready steady go,Colin macintyre:Be my saviour,捉鬼小精灵1live-Lou gramm:Lost in the shadows(the lost boys),INXS and jimmy barnes:Good times、Laying down the law,Roger daltery:Dot’t let the sun go down on me,Ray manzarek:People are strange,Gerard mcmann:Cry little sister(theme from the lost boys),Tim cappello:I still believe,Eddie and the tide:Power play,Mummy calls:Beauty has her way,Run-D.M.C:Walk this way,Clarence“frogman”henry:Ain’t got no home,The rascals:Groovin,(作者)Danny gould:Some other day,Troy seals:Crazy old soldier,捉鬼小精灵2 live-Airbourne:Too much’too young’too fast,PJ＆the chile rellenos:Wish you were here,Yeah whatever:Summertime、No hero、What you need,Hindu kush:Day fire,Wasted tape:Grassy mrs.Greene,Jackpot:Dizzy,Aiden:Cry little sister(theme from the lost boys),Eagles of death metal:Don’t speak(I came to make a bang),The hold steady:Knuckles,捉鬼小精灵3live-Hyper:Replica,(作者)William lava:Vampire at bat,Truth movement:Disconnected,Benassi bros presents violeta:I love my sex,Aiden: Cry little sister(theme from the lost boys),Glen morris:I got the blues,(作者)Murray mencher\Charles tobias\eddie cantor:Merrily we roll along,White demons:Tear it up,Joe montgomery:Planetary run,Vandalism:Vegas,The blackest bones:Devil’s got my soul,London to tokyo:Hell yeah,The toxic avenger: toxic is dead,Blue stahli:Kill me everytime,The gunnery:The real dream,The waking hours:New revolution,。
The_Monster课文翻译
Deems Taylor: The Monster怪才他身材矮小，头却很大，与他的身材很不相称——是个满脸病容的矮子。
他神经兮兮，有皮肤病，贴身穿比丝绸粗糙一点的任何衣服都会使他痛苦不堪。
而且他还是个夸大妄想狂。
他是个极其自负的怪人。
除非事情与自己有关，否则他从来不屑对世界或世人瞧上一眼。
对他来说，他不仅是世界上最重要的人物，而且在他眼里，他是惟一活在世界上的人。
他认为自己是世界上最伟大的戏剧家之一、最伟大的思想家之一、最伟大的作曲家之一。
听听他的谈话，仿佛他就是集莎士比亚、贝多芬、柏拉图三人于一身。
想要听到他的高论十分容易，他是世上最能使人筋疲力竭的健谈者之一。
同他度过一个夜晚，就是听他一个人滔滔不绝地说上一晚。
有时，他才华横溢；有时，他又令人极其厌烦。
但无论是妙趣横生还是枯燥无味，他的谈话只有一个主题：他自己，他自己的所思所为。
他狂妄地认为自己总是正确的。
任何人在最无足轻重的问题上露出丝毫的异议，都会激得他的强烈谴责。
他可能会一连好几个小时滔滔不绝，千方百计地证明自己如何如何正确。
有了这种使人耗尽心力的雄辩本事，听者最后都被他弄得头昏脑涨，耳朵发聋，为了图个清静，只好同意他的说法。
他从来不会觉得，对于跟他接触的人来说，他和他的所作所为并不是使人产生强烈兴趣而为之倾倒的事情。
他几乎对世间的任何领域都有自己的理论，包括素食主义、戏剧、政治以及音乐。
为了证实这些理论，他写小册子、写信、写书……文字成千上万，连篇累牍。
他不仅写了，还出版了这些东西——所需费用通常由别人支付——而他会坐下来大声读给朋友和家人听，一读就是好几个小时。
他写歌剧，但往往是刚有个故事梗概，他就邀请——或者更确切说是召集——一群朋友到家里，高声念给大家听。
不是为了获得批评，而是为了获得称赞。
整部剧的歌词写好后，朋友们还得再去听他高声朗读全剧。
然后他就拿去发表，有时几年后才为歌词谱曲。
他也像作曲家一样弹钢琴，但要多糟有多糟。
然而，他却要坐在钢琴前，面对包括他那个时代最杰出的钢琴家在内的聚会人群，一小时接一小时地给他们演奏，不用说，都是他自己的作品。
the cure乐队的简评
the cure乐队的简评
The Cure（卡尔乐队）是一支英国的后朋克和另类摇滚乐队，成立于1976年。
该乐队的音乐风格包括了多种元素，如哀伤的歌词、迷离的编曲和独特的声音效果，形成了其独具特色的音乐风格：
1. 独特的音乐风格：The Cure的音乐风格融合了多种元素，包括后朋克、哥特摇滚和另类摇滚。
乐队以其深情的歌词、哀伤的旋律和极具个性的声音效果而著称。
2. 多变的音乐演绎：The Cure的音乐作品涵盖了多个主题，从忧郁的情感到对社会的观察，乐队通过音乐表达了丰富而深刻的情感。
3. 经典专辑：乐队发行了一系列经典专辑，其中包括《Disintegration》、《Pornography》、《Kiss Me, Kiss Me, Kiss Me》等。
这些专辑展现了乐队的音乐才华和对多样性的探索。
4. 影响深远：The Cure对后来的音乐流派产生了深远的影响，尤其是在哥特摇滚和另类摇滚领域。
他们的音乐也受到了许多新一代乐队和艺术家的推崇。
5. 表演实力：乐队以其出色的现场表演而闻名，主唱Robert Smith的独特形象、浓重的妆容和特立独行的个性为乐队增色不少。
总体而言，The Cure是一支在音乐历史上留下深刻印记的乐队，他们的音乐作品仍然受到广泛的欣赏和尊重。
the next episode介绍
The next episode这首歌曲由DRE.和狗狗共同演唱，节奏感十足。
背景音乐在国内也被使用的十分广泛，是一个难得的佳作。
Snoop Doggy Dogg（1971.10.20-）原名Calvin Broadus，1971年10月20日出生于Long Beach California USA。
美国著名说唱歌手Snoop Doggy Dogg ，兼备着“美国殿堂级说唱天王、西海岸饶舌教父”的世界级嘻哈巨星称号。
下面这段评价节选自于维基百科Cordozar Calvin Broadus，Jr.（生于1971年10月20日），专业名为Snoop Dogg（以前称为Snoop Doggy Dogg和Snoop Lion），是美国说唱歌手和演员，来自加利福尼亚州长滩。
他的音乐生涯始于1992年，当他被N.W.A的Dre博士发现，并因此在Dr Dre的独奏首张专辑“The Chronic”（1992）中突出地出现。
他在美国销售了超过二百三十万张专辑，在全球销售了三千五百万张专辑Cordozar Calvin Broadus, Jr. (born October 20, 1971),[1][2] known professionally as Snoop Dogg (formerly called Snoop Doggy Dogg and Snoop Lion), is an American rapper and actor from Long Beach, California. His music career began in 1992 when he was discovered by Dr. Dre of N.W.A, and as a result was prominently featured throughout Dr. Dre's solo debut album, The Chronic (1992). He has since sold over twenty-three million albums in the United States and thirty-five million albums worldwideThe next episodeLa da da da daaaaa（一堆怪怪的音节）It's the motherfuckin D-O-double-G (SNOOP DOGG!)这是你们最爱的狗狗La-da-da-da-dahh（又是一堆）You know I'm mobbin(可能是mobbing的变形) with the D.R.E.你们知道我在和DRE.鬼混(YEAH YEAH YEAH)哈哈哈You know who's back up in this MOTHERFUCKER!你们知道现在谁又回来了吗？What what what what?什么？什么？什么？(Spread the weed out there!)快把大麻分出去！Blaze it up, blaze it up!点着它，快点着它！(Just blaze that shit up nigga, yeah, 'sup Snoop??)你快点着它，兄弟，嘿，最近怎么样狗狗？Top Dogg, bite me all, nigga burn the shit up我狗狗是最吊的，都来打我啊D-P-G-C my nigga turn that shit up兄弟快把声音调到最大C-P-T, L-B-C, yeah we hookin back up康普顿，长滩（狗狗的出生地）我们又聚在一起And when they bang this in the club baby you got to get up 当俱乐部开始播放这首歌曲的时候，宝贝你就应该起立欢呼了Thug niggaz drug dealers yeah they givin it up帮派分子和毒贩子放弃了过去的生活Lowlife, yo' life, boy we livin it up下层的兄弟们，在街头又重拾信心Takin chances while we dancin in the party fo' sho'在我们跳舞的时候，他们找到我交谈寻找机会Slip my hoe a forty-fo' and she got in the back do'我让我那40多岁的婆娘先回避一下Bitches lookin at me strange but you know I don't care那些婊子们看我的眼光很奇怪，但是那并不重要Step up in this motherfucker just a-swangin my hair登上舞台就像弄一下头发那样简单Bitch quit talkin, crip walk if you down with the set婊子们在我上台后，停止了交谈，走出了座位Take a bullet with some dick and take this dope from this jet 她们疯狂做爱，云雨过后走下云端Out of town, put it down for the Father of Rap离开小镇，放下身段，向饶舌之父致敬And if yo' ass get cracked, bitch shut yo' trap如果你对此感到不满，请你闭嘴Come back, get back, that's the part of success归来，再次尝试，这是成功的一部分If you believe in the X you'll be relievin your stress如果你相信我，你就会卸下担子La-da-da-da-dahh（音节）It's the motherfuckin D.R.E. (Dr. Dre MOTHERFUCKER!) DRE来了！La-da-da-da-dahhh啦啦啦啦You know I'm mobbin with the D-O-double-G你知道我在和狗狗混Straight off the fuckin streets of C-P-T当你在康普顿上横冲直撞King of the beats you ride to em in your Fleet (Fleetwood)你车上最带劲的拍子都是我这个节奏之王做的or Coupe DeVille（著名跑车）rollin on dubs或者在跑车上How you feelin whoopty=whoop nigga whut?你们怎么看把警铃响起和抓捕罪犯画上等号这个事？Dre and Snoop chronic'ed out in the 'llac我和狗狗一起做的音乐在车上响起with Doc in the back, sippin on 'gnac (yeah)狗狗躺在后座（哈）Clip in the strap, dippin through hoods (what hoods?)手枪上好子弹，穿越这片贫民区（哪片？）Compton, Long Beach, Inglewood!康普顿，长滩和英格伍德South Central out to the Westside (wessyde)西海岸的南部中心It's California Love, this California bud got a nigga gang of pub 这就是加州之爱，加州匪帮就在这里诞生I'm on one, I might bail up in the Century Club我或许会出现在世纪俱乐部with my jeans on, and my team strong穿着我的牛仔裤，带着我的队伍Get my drink on, and my smoke on喝上一杯，抽上一根Then go home with, somethin to poke on (whassup bitch?) 然后回家，带着我的小娘们Loc it's on for the two-triple-oh锁上门享受二人世界Comin real, it's the next episode...真正的马上要来了，就在下一章节（点题O(∩_∩)O）Hold up, heyyyyyyyy等一下，嘿for my niggaz who be thinkin we soft给那些认为我们软弱的兄弟们We don't, caaaare我们不在乎We gon' rock it til the wheels fall off我们可以一直摇摆，直到把你车轮晃掉Hold up, heyyyyyyyy等一下，嘿for my niggaz who be actin too bold给那些自认为大胆的兄弟们Take a, seeaaaaaat找个地方坐下Hope you ready for the next episode希望你准备迎接好下一章节（专辑下一首）HeyyyeyyyeEYEYyyyEYYYY....嘿嘿嘿嘿嘿.... smoke weed everday!每天都要吸！La-da-da-da-dahh啦啦啦啦It's the motherfuckin D-O-double-G (SNOOP DOGG!) 狗狗又来了La-da-da-da-dahh啦啦啦啦啦You know I'm mobbin with the D.R.E.我在和DRE一起混(YEAH YEAH YEAHYou know who's back up in this MOTHERFUCKER!) 哈哈哈，都知道谁要归来了吗！What what what what?什么？什么？什么？(Spread the weed out there!)快把大麻分出去！Blaze it up, blaze it up!点着它，快点着它！(Just blaze that shit up nigga, yeah, 'sup Snoop??)你快点着它，兄弟，嘿，最近怎么样狗狗？Top Dogg, bite me all, nigga burn the shit up我狗狗是最吊的，都来打我啊D-P-G-C my nigga turn that shit up兄弟快把声音调到最大C-P-T, L-B-C, yeah we hookin back up康普顿，长滩（狗狗的出生地）我们又聚在一起And when they bang this in the club baby you got to get up 当俱乐部开始播放这首歌曲的时候，宝贝你就应该起立欢呼了Thug niggaz drug dealers yeah they givin it up帮派分子和毒贩子放弃了过去的生活Lowlife, yo' life, boy we livin it up下层的兄弟们，在街头又重拾信心Takin chances while we dancin in the party fo' sho'在我们跳舞的时候，他们找到我交谈寻找机会Slip my hoe a forty-fo' and she got in the back do'我让我那40多岁的婆娘先回避一下Bitches lookin at me strange but you know I don't care那些婊子们看我的眼光很奇怪，但是那并不重要Step up in this motherfucker just a-swangin my hair登上舞台就像弄一下头发那样简单Bitch quit talkin, crip walk if you down with the set婊子们在我上台后，停止了交谈，走出了座位Take a bullet with some dick and take this dope from this jet 她们疯狂做爱，云雨过后走下云端Out of town, put it down for the Father of Rap离开小镇，放下身段，向饶舌之父致敬And if yo' ass get cracked, bitch shut yo' trap如果你对此感到不满，请你闭嘴Come back, get back, that's the part of success归来，再次尝试，这是成功的一部分If you believe in the X you'll be relievin your stress如果你相信我，你就会卸下担子La-da-da-da-dahh啦啦啦啦啦啦It's the motherfuckin D.R.E. (Dr. Dre MOTHERFUCKER!) DRE又来了La-da-da-da-dahhh啦啦啦啦You know I'm mobbin with the D-O-double-G你知道我们一起混Straight off the fuckin streets of C-P-T当你在康普顿上横冲直撞King of the beats you ride to em in your Fleet (Fleetwood) 你车上最带劲的拍子都是我这个节奏之王做的or Coupe DeVille（著名跑车）rollin on dubs或者在跑车上How you feelin whoopty=whoop nigga whut?你们怎么看把警铃响起和抓捕罪犯画上等号这个事？Dre and Snoop chronic'ed out in the 'llac我和狗狗一起做的音乐在车上响起with Doc in the back, sippin on 'gnac (yeah)狗狗躺在后座（哈）Clip in the strap, dippin through hoods (what hoods?)手枪上好子弹，穿越这片贫民区（哪片？）Compton, Long Beach, Inglewood!康普顿，长滩和英格伍德South Central out to the Westside (wessyde)西海岸的南部中心It's California Love, this California bud got a nigga gang of pub 这就是加州之爱，加州匪帮就在这里诞生I'm on one, I might bail up in the Century Club我或许会出现在世纪俱乐部with my jeans on, and my team strong穿着我的牛仔裤，带着我的队伍Get my drink on, and my smoke on喝上一杯，抽上一根Then go home with, somethin to poke on (whassup bitch?)然后回家，带着我的小娘们Loc it's on for the two-triple-oh锁上门享受二人世界Comin real, it's the next episode...真正的马上要来了，就在下一章节（点题O(∩_∩)O）Hold up, heyyyyyyyy等一下，嘿for my niggaz who be thinkin we soft 给那些认为我们软弱的兄弟们We don't, caaaare我们不在乎We gon' rock it til the wheels fall off 我们可以一直摇摆，直到把你车轮晃掉Hold up, heyyyyyyyy等一下，嘿for my niggaz who be actin too bold 给那些自认为大胆的兄弟们Take a, seeaaaaaat找个地方坐下Hope you ready for the next episode 希望你准备迎接好下一章节（专辑下一首）HeyyyeyyyeEYEYyyyEYYYY....嘿嘿嘿嘿嘿.... smoke weed everday!每天都要吸！。