英语专业文体学1
英语文体学Chapter1Introduction
❖Aristotle: Rhetoric is "the faculty of discovering in any particular case all of the available means of persuasion."
(Qian Yuan)
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1.2 Emergence of Stylistics as an Interdisciplinary Field of Study
❖English Stylistics is often regarded as a discipline that is “both old and young”.
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1.2 Emergence of Stylistics as an Interdisciplinary Field of Study
❖Dating back to 5 B.C., Greek orators and sophists regarded rhetoric as oratory.
❖The second revolution is the one in literary criticism.
❖Ivor Armstrong Richards ❖Practical Criticism ❖He called for a more objective
approach to literary texts, and established an approach to poetry which depended on close reading of the text.
《英语文体学》前七章总结
《英语文体学》前七章总结第一章：关于文体学。
文体学是一门研究语言风格的学科，我们所讲的是现代文体学，其又分为一般文体学和文学文体学。
前者主要是各种文体的一般特征，后者是各种文学作品的特别特征，两者研究有重叠。
语言是人们进行社交的工具，包括：言语行为，言语事件和文本。
言语事件包括三要素：实体，形式和情境。
语言具有多样性，不同的场合使用不一样的语言，承担着不同的功能，如语言的指示功能，表达功能和文本功能。
风格，是个人或群体的语言使用习惯。
学习文体学使我们对不同的语言特色或风格有个系统的知识，熟悉不同文学题材的不同特点，深化我们对文学作品的理解力和欣赏力。
此外，文体学给翻译和语言教学也提供了有效地方法。
文体学作为一门学科并不是独立存在的，它与多个学科如修辞学，文学评论等有着密切的关系。
第二章：文体学学习的必要性。
文体学作为一门研究语言风格的学科，分析不同的语言特色。
系统学习文体学，有助于培养表达的准确感。
在不同的场合使用不同的语言。
这对学外语的学生尤为重要；文体学有助于提高我们对文学作品的理解力和欣赏力。
通过对文本的研究。
涉及到描写，理解文章体裁特点和艺术表现力，这一过程就是提高我们理解和欣赏的过程；文体学有助于翻译保有原作的原滋原味。
通过分析通篇的风格，包括词，句子的特征，修辞，陈述方式以及文章的主题译者可以更好的把握原文的特色，使得译文在思想上，风格上更贴近原文，有其韵味。
第三章：语言变体文体学把语言变体主要分为方言变体和语域变体。
前者是由于不同的地域风俗习惯形成的，而后者是由于场合的不同而形成的。
方言变体和语域变体是相互依存的。
方言变体又分为：个人习语，即个人用语习惯；短暂性方言，每个时代的有其特别的语言特点，语言是时代的烙印；地域方言，不同地域的不同方言，每个地方读有其不同的说话习惯；社会方言即社会不同阶层如富人和穷人，使用不同的语言；和标准方言，方言也有标准和不标准之分。
语域变体在文体学中，又包括语场，语式（说和写）和语旨。
新编英语文体学教程(董启明)第一章要点
第一章文体和文体学综述1.1引言母语使用者知道在什么地方选用什么样的词,而外语使用者就不知道,因为没有在相关的地方长大,因此需要培养一种风格,也就是文体。
文体学可以帮助我们在合适的地方选用合适的词,使我们的语言更加符合当地的语言特色;还可以帮助我们更加理解语言的变体，更好地使用它们；还可以帮助我们更好的翻译文学作品；还可以帮助我们理解和鉴赏文学作品。
1。
2风格的定义把如何来定义风格呢?许多人给出的定义都各不相同，有人从修辞学的角度来解读它，强调它的“有效使用";有人从结构语言学的角度来解读它,强调语言系统内各语言单位之间的关系；还有人从转换成语言学的角度来看待它，强点不同层次语言结构转换所产生的文体效应；韩立的对风格的定义是以他的系统功能语言学为基础的。
而本书中使用的风格定义是一个通用的、面向语言的定义:表现出现显著的语言特征、装置或模式的方式，大多数(或至少）经常出现在特定语言的特定文本中.1。
3文体学的定义说完了文体,我们来说说文体学，有人说文体学就是研究文体的学科，这是不准确的。
文体学在本书中所使用的定义是：文体学语言学的一个分支，他研究不同层次的语言的不同变体的礼貌、语言特征的系统的研究方法.1.4文体学的发展史下面我们来了解一下文体学的发展史。
文体学首先来自于古代的修辞学，来自于亚里斯多德的修辞论。
现代文体学创始人是法国文体学家巴利（索绪尔的学生）。
1。
4.1西方的文体学发展史先谈一谈西方的文体学发展。
西方文体学的研究可上溯到古希腊、罗马的修辞学研究，早在公元100年就出现了德米特里厄斯的《论文体》这样集中探讨文体问题的论著.但在20世纪之前，对文体地讨论一般不外乎主观印象式的评论，而且通常出现在修辞学研究、文学研究或语法分析之中，文体研究没有自己相对的地位.20世纪初以来，在采用现代语言方法之后,文体分析方法逐渐深入和系统化、科学化.现代文体学创始人是法国文体学家巴利（索绪尔的学生），他借用索绪尔的结构主义语言学反思传统修辞学，力图将文体学作为语言学的一个分支建立起来，使文体分析更为科学化和系统化。
英语文体学教程(第二版)
英语文体学教程(第二版)英语文体学是一门研究英语语言在不同语境中表达意义的语言学分支。
它探讨了英语在不同文体类型（如叙述、说明、议论文体等）中的结构、功能、演变和变异。
本教程作为第二版，对英语文体学的理论和实践进行了全面更新和深化，旨在帮助读者更好地理解和应用英语文体学知识。
一、英语文体学的定义和重要性英语文体学关注英语在各种文本中的使用，包括口头和书面表达。
它研究不同文体的特征、语言特点和交际目的，以及这些因素如何影响语篇的理解和解释。
通过了解各种文体的语言特征和规律，我们可以更好地理解和分析英语语篇，提高我们的语言运用能力。
二、本书的结构和内容本书分为十章，涵盖了英语文体学的各个方面。
第一章是导论，介绍了英语文体学的概念、研究范围和方法。
第二章至第九章分别对不同文体的特征、功能、演变和变异进行了深入探讨，包括叙述文体、说明文体、议论文体、描述文体、正式文体、非正式文体、口语文体和文学文体等。
第十章是应用和实践，通过案例分析，帮助读者将所学知识应用到实际语言运用中。
三、学习资源和方法建议本书不仅提供了丰富的理论知识和研究案例，还提供了许多实践机会，帮助读者更好地理解和应用英语文体学。
建议读者在阅读过程中，结合自己的语言运用实践，多思考、多分析、多比较，逐步提高自己的语言运用能力和理解水平。
四、结论《英语文体学教程(第二版)》是一本全面、深入、实用的英语文体学教程，适合英语专业学生、教师和研究人员阅读参考。
通过学习本书，读者可以更好地理解和应用英语文体学知识，提高自己的语言运用能力。
同时，本书也为英语学习者提供了一个系统地学习和掌握英语各种文体的机会，有助于提高他们的英语水平和跨文化交际能力。
1-英语文体学
Today we have naming of parts. Yesterday, We had daily cleaning. And tomorrow morning, We shall have what to do after firing. But today, Today we have naming of parts. Japonica Glistens like coral in all of the neighboring gardens, And today we have naming of parts. This is the lower sling swivel. And this Is the upper sling swivel, whose use you will see, When you are given your slings. And this is the piling swivel, Which in your case you have not got. The branches Hold in the gardens their silent, eloquent gestures, Which in our case we have not got.
An Introduction to Stylistics for Students of Language and Literature
英语文体学
What is style? What is stylistics?
Is the writing distinctive,and how?
华夏河山，可以是尸横遍野的疆场，也可以是 车来船往的乐土；可以一任封建权势者们把生命 之火燃亮和熄灭，也可以庇佑诗人们的生命伟力 纵横驰骋。可怜的白帝城多么劳累，清晨，刚刚 送走了李白们的轻舟，夜晚，还得迎接刘备们的 马蹄。只是，时间一长，这片山河对诗人们的庇 佑力日渐减弱，他们的船楫时时搁浅，他们的衣 带经常熏焦，他们由高迈走向苦吟，由苦吟走向 无声。中国，还留下几个诗人？
英语文体学 1教学文案
英语文体学1English Stylistics英语文体学Course IntroductionCourse title: English StylisticsCourse hours: 2 per week, 34 in totalAssessment:1. Attendance2. After-class preparation for related topics3. In-class performance and involvement4. Quiz5. Final examTeaching Objectives:Have a systematic knowledge of the features of different varieties of languageMake appropriate use of language in our communicationFamiliarize ourselves with the stylistic features of the different genres of literatureDeepen our understanding and appreciation of literary worksOffer useful ideas on translation and language teachingTextbook: English Stylistics(英语文体学)Other reference books:Introduction to English Stylistics《英语文体学引论》（丁往道王佐良）Essentials of English Stylistics 《英语文体学要略》（王守元）Practical English Rhetoric《实用英语修辞》（吕煦）English Stylistics: A New Course book 《新编英语文体学教程》（董启明）Course content:本课程从英语学习的实际要求出发介绍有关英语文体和语体的基础知识，属于普通文体学的范畴。
英语文体学 1
English Stylistics英语文体学Course IntroductionCourse title: English StylisticsCourse hours: 2 per week, 34 in totalAssessment:1. Attendance2. After-class preparation for related topics3. In-class performance and involvement4. Quiz5. Final examTeaching Objectives:Have a systematic knowledge of the features of different varieties of languageMake appropriate use of language in our communicationFamiliarize ourselves with the stylistic features of the different genres of literatureDeepen our understanding and appreciation of literary worksOffer useful ideas on translation and language teachingTextbook: English Stylistics(英语文体学)Other reference books:Introduction to English Stylistics《英语文体学引论》（丁往道王佐良）Essentials of English Stylistics 《英语文体学要略》（王守元）Practical English Rhetoric《实用英语修辞》（吕煦）English Stylistics: A New Course book 《新编英语文体学教程》（董启明）Course content:本课程从英语学习的实际要求出发介绍有关英语文体和语体的基础知识，属于普通文体学的范畴。
英语文体学课本1-2
Table of Contents1 The Concern of Stylistics1.1. Stylistics1.2. Language1.3. Aspects of the Speech Event1.4. Language Varieties and Function1.5. Style1.6. The Study of Style1.7. The Concern of Stylistic Study1.8. Stylistics and Other Spheres of Study2 The Need for Stylistic Study2.1. Stylistic Study Helps Cultivate a Sense of Appropriateness2.2. Stylistic Study Sharpens the Understanding and Appreciation of Literary Works2.3. Stylistic Study Helps Achieve Adaptation in Translation3 Varieties of Language3.1. Two Kinds of Varieties3.2. Dialects3.3. Registers3.4. The Mutual Dependence Between Register and Dialect3.5. The Social Meaning of Language Varieties4 Linguistic Description4.1. The Aims of Stylistics in Linguistic Description4.2. Levels of Language4.3. Stylistic Features4.4. Procedure of Linguistic Description4.5. The Practical Description and Analysis in This Book5 Formal vs Informal Language5.1.The Interpersonal Function of Language5.2. Degrees of Formality5.3. Functional Tenor and Degrees of Formality5.4. Martin Joos' Classification5.5. Speech Situation and Formality5.6. Formality and Linguistic Features5.7. Sets of Co-occurring Features5.8. Involved vs Informational Texts5.9. Tenors, Field, and Mode6 Spoken vs Written Language6.1. Striking Differences6.2. Stylistic Differences6.3. Examples of Contrast6.4. More Delicate Distinctions Amongst Modes of Discourse6.5. Mode, Field, and Tenors7 The English of Conversation7.1. Necessity of Studying Speech7.2. Necessity of Studying Conversation7.3. Object of Study7.4. An Adapted Way of Transcription7.5. A Sample Text of Casual Conversation7.6. General Features7.7. Stylist Features in Terms of Levels of Language7.8. Summary7.9. Other Kinds of Conversation8 The English of Pubic Speech8.1. Scope of Public Speech8.2. A Sample of Text for Analysis8.3. General Features of Public Speech8.4. Stylistic Features of Public Speech9 The English of Advertising9.1. Advertising English as a Variety9.2. Newspaper Advertising9.3. Radio Advertising9.4. Television Advertising10 The English of News Reporting10.1. The English of New Reporting as a Variety10.2. Two Samples Texts for Analysis10.3. General Features of Newspaper Reporting10.4. Stylistic Features of Newpaper Reporting10.5. Stylistic Features of Radio and Television News11 The English of Science and Techology11.1. The Scope of the English of Science and Technology 11.2. Sample Texts for Analysis11.3. General Features of EST11.4. Stylistic Features of EST11.5. Features of Spoken EST12 The English of Legal Documents12.1. The English of Legal Documents as a Variety12.2. Sample Texts for Analysis12.3. Stylistic Features of Legal English13 The English of Literature (1) --General Remarks13.1. Literature as Language Art13.2. Literary Language and Ordinary Language13.3. Literary Language as a Variety14 The English of Literature (2) --The Language of Fiction 14.1. Manipulation of Semantic Roles14.2. Creation of Images and Symbols14.3. Preference in Diction14.4. Artistic Manipulation of Sentence Variety and Rhythm14.5. Employment of Various Points of View14.6. The Subtle Workings of Authorial Tones14.7. Various Ways of Presenting Speech and Thought15 The English of Literature (3) --The Language of Drama15.1. Manipulation of the Naturalness of Characters' Speech15.2. Exploitation of Different Speech Act, Turn-taking and Politeness Patterns15.3. Use of Assumptions, Presuppositions and Conversational Implicature16 The English of Literature (4) --The Language of Poetry16.1. Various Devices for Compression16.2. Extreme Care in Word Choice16.3. Free Arrangement of Word Order16.4. Lexical and Syntactical Repetition16.5. Full Manipulation of Sound Effects16.6. The Manipulation of Sight16.7. Analysis of Poems at All LevelsGlossary1. The Concern of Stylistics1.1 StylisticsWhat is stylistics?Simply defined, STYLISTICS is a discipline that studies the ways in which language is used; it is a discipline that studies the styles of language in use.This definition, however, needs elucidation.The stylistics we are discussing here is MODERN STYLISTICS, a discipline that applies concepts and techniques of modern linguistics to the study of styles of language use. It has two subdivisions: GENERAL STYLISTICS and LITERARY STYLISTICS, with the latter concentrating solely on unique features of various literary works, and the former on the general features of various types of language use. 'Stylistics', in this book, is general stylistics: one that studies the stylistic features of the main varieties of language, covering the functional varieties from the dimension of fields of discourse (different social activities), formal vs informal varieties from the dimension of tenors of discourse (different addresser-addressee relationships), and the spoken vs written varieties from the dimension of modes of discourse (different mediums). Meanwhile, general stylistics covers the various genres of literature (fiction, drama, poetry) in its study. But it focuses on the interpretation of the overall characteristics of respective genres, with selected extracts of literary texts as samples.If we say that literary stylistics also discusses the overall linguistic features of the various genres of literature, then the scope of general stylistics and the scope of literary stylistics are only partly overlapping, as is shown in the following figure:ModernStylisticsGe neral StylisticsLite rary StylisticsVar iety FeaturesGenreFeaturesLiterary TextStyleGeneral stylistics, as a discipline, needs to make clear a whole set of related terms and terminology and answer questions like: What is language? What is language variety? What is style? What are stylistic features? etc.1.2 LanguageFirst, we need to clarify our views on language. We must be clear about what language is, or how we should look at language.There are many definitions of language, or many ways of looking at it. Modern linguistics which began with Saussure's lectures on general linguistics in 1906-11 regards language as a system of signs. Meanwhile, American structuralism represented by Bloomfield regards language as a unified structure, a collection of habits. From the late 1950s on, the fact that 'man talks' and the implications of this human capacity have been at the centre of investigation in the linguistic sciences. The transformational-generative (TG) linguists headed by Noam Chomsky have beenconcerned with the innate and infinite capacity of the human mind. This approach sees language as a system of innate rules (Chomsky, 1957). The approach advocated by the systemic-functional linguists headed by M. A. K. Halliday sees language as a 'social semiotic', as an instrument used to perform various functions in social interaction. This approach holds that in many crucial respects, what is more important is not so much that 'man talks' as that 'men talk'; that is, that language is essentially a social activity (Halliday, 1978).The philosophical view of LANGUAGE or A LANGUAGE is related of the actual occurrence of language in society--what are called language activities. People accomplish a great deal not only through physical acts such as cooking, eating, bicycling, running a machine, cleaning, but also by verbal acts of all types: conversation, telephone calls, job application letters, notes scribbled to a roommate, etc. All utterances (whether a word, a sentence, or several sentences) can be thought of as goal-directed actions. (Austin, 1962; Searle, 1969) Such actions as carried out through language are SPEECH ACTs. Social activities in which language (either spoken or written) plays an important role such as conversation, discussion, lecture, etc are SPEECH EVENTs.Most of these events are sequential and transitory (that is, they occur in sequence and can not last for a long time). It is difficult to examine them at the time of their occurrence. So we have to record the events. Any such record, whether recalled through memory, or committed to a tape, or written down on paper, or printed in a book, of a speech event, is known as a TEXT.Language is often compared to a CODE, a system of signals or symbols used for sending a MESSAGE, a piece of information. In any act of verbal communication (both spoken and written, primarily spoken), language has been regarded as a system for translating meanings in the ADDRESSER's (the speaker's/writer's) mind into sounds/letters, ie ENCODING (meaning-to-sound/letter), or conversely, for translating sounds/letters into meanings in the ADDRESSEE's (the hearer's/ reader's) mind, ie DECODING (sound/letter-to-meaning), with lexis and grammar as the formal code mediating between meaning and sound/letter.But we must keep in mind that, unlike other signalling codes, language code does not operate in a fixed way- it is open-ended in that it permits generation of new meanings and new forms (such as metaphorical meanings, and neologisms); ie it is in a way creatively extendible.Text, then, is verbal communication (either spoken or written) seen as a message coded in a linear pattern of sound waves, or in a linear sequence of visible marks on paper.1.3 Aspects of the Speech EventLanguage is transmitted, patterned, and embedded in the human social experience. So it is both possible and useful to discern three crucial aspects of a speech event--the substantial, the formal, and the situational. (see Gregory and Carroll, 1978) Language is transmitted by means of audible sound waves in the air or visible marks on a surface. These sounds or marks are the SUBSTANCE of the speech events. The audible sounds or visible marks are not jumbled together--rather, they are arranged in a conventionally orderly way, displaying meaningful patterns in their internal relations. These meaningful internal patterns are the FORM of the speech event. Language activities do not occur in isolation from other human activities. They take place in relevant extratextual circumstances, linguistic and non-linguistic. These relevant extratextual circumstances are the SITUATION * of the speech event. Any speech event is part of a situation, and so has a relationship with that situation. Indeed, it is this contextual relationship between thesubstance and form of a speech event on the one hand and the situation in which it occurs on the other, which gives what is normally called 'meaning' to utterances. In other words, context determines meaning of features in situations.*Situation, as the non-linguistic setting or environment surrounding language use, can clearly influence linguistic behaviour. It is frequently synonymous with context, a conceptual abstraction from all possible situations, and its collocates -- context of situation, especially, context of utterance. The abstracted context, composed partly of the probable co-text, partly of the probable situation of each item, establishes the meaningfulness of the formal items in the language.1.4 Language Varieties and FunctionAs mentioned just now, when language is used, it is always used in a context. What is said and how it is said is often subject to a variety of circumstances. In other words, speech events differ in different situations, ie between different persons, at different times, in different places, for different purposes, through different media, and amidst different social environments. We often adjust our language according to the nature of the context of situation. Some situations seem to depend generally and fairly consistently on a regular set of linguistic features; as a result, there have appeared different types of a language which are called V ARIETIES OF LANGUAGE. So far as the English language is concerned, there are different 'Englishes' to fit different situations: for instance, Old/Modern English, British/American English, Black English, legal English, scientific English, liturgical English, advertising English, formal/ informal English, spoken/written English, etc. There is actually no such thing as a homogeneous English language.In all these varieties, language performs various communicative roles, ie FUNCTIONs. For example, language is used (functions) to communicate ideas, to express attitudes, and so on. The roles that language plays are ever changing and the number of the roles can be numerous. There have been many attempts to categorize these roles into a few major functions. The IDEATIONAL or REFERENTIAL function serves for expressing the speaker's/writer's experience of the real world, including the inner world of his/her own consciousness. The INTERPERSONAL or EXPRESSIVE/SOCIAL function serves to establish and maintain social relations, for the expression of social roles, and also for getting things done by means of interaction between one person and another. The TEXTUAL function provides means for making links within the text itself and with features of its immediate situation. (For detailed discussion see Buhler, 1934; Halliday, 1971.)The three functions represent three coexisting ways in which language has to be adapted to its users' communicative needs. First, it has to convey a message about' reality', about the world of experience, from speaker/writer to hearer/reader. Secondly, it must fit appropriately into a speech situation, fulfilling the particular social designs that speaker/writer has upon hearer/reader. Thirdly, it must be well constructed as an utterance or text, so as to serve the decoding needs of hearer/reader.These functions and the needs they serve are interrelated: success in interpersonal or expressive/social communication depends in part on success in transmitting a message, which in turn depends in part on success in terms of text production.Different types of language have relations with predominant functions, eg advertising with persuasion, TV commentary with information, address terms with social roles. Literary texts can be regarded as a type of language which performs a distinct social function -- an aesthetic orpoetic function.The functions are not mutually exclusive: an utterance may well have more than one function.1.5 StyleNow we come to the question of style.The word STYLE has been used in many ways:Style may refer to a person's distinctive language habits, or the set of individual characteristics of language use, as 'Shakespeare's style', 'Miltonic style', 'Johnsonese', or 'the style of James Joyce'. Buffon's ' Le style, c'est l'homme même', has contributed to the vogue of this definition. Often, it concentrates on a person's particularly singular or original features of speaking or writing. Hence at the extreme end style may refer to a writer's deviations from a relatively normal use of language.Style may refer to a set of collective characteristics of language use, ie language habits shared by a group of people at a given time, as 'Elizabethan style', in a given place, as 'Yankee humour', amidst a given occasion, as 'the style of public speaking', for a literary genre, as ‘ballad style', etc. Here the concentration is not on the individuality of the speaker or writer, but on their similarities in a given situation.Style may refer to the effectiveness of a mode of expression, which is implied in the definition of style as 'saying the right thing in the most effective way' or 'good manners', as a 'clear' or 'refined' style advocated in most books of composition.Style may refer solely to a characteristic of 'good' or 'beautiful' literary writings. This is the wide-spread use of style among literary critics, as 'grand style', 'ornate style', 'lucid style', 'plain style', etc, given to literary works.Of the above four senses of style, the first two (especially the second) come nearest to our definition of style. To be exact, we shall regard STYLE as the language habits of a person or group of persons in a given situation. As different situations tend to yield different varieties of a language which, in turn, display different linguistic features, so STYLE may be seen as the various characteristic uses of language that a person or group of persons make in various social contexts.Here we can use Ferdinand de Saussure's distinction between langue and parole. Langue is the system of rules common to speakers of a particular language (such as English), ie the general mass of linguistic features common to a language as used on every conceivable occasion. Parole is the particular uses of this system, or selections from this system, that a person or group of persons will make on this or that occasion. Style, then, belongs to parole. It consists in choices from the total linguistic repertoire of a particular language.All linguistic choices are meaningful, and all linguistic choices are stylistic. Even choices which are dearly dictated by subject matter are part of style. In our discussion, however, stylistic choice is limited to those aspects of linguistic choice which concern alternative ways of rendering the same subject matter, or those forms of language which can be seen as equivalent in terms of 'referential reality' they describe, or, in other words, the 'synonymous expressions' in transmitting the same 'message'.We are interested in the way in which choices of codes are adapted to communicative functions for advertising, news reporting, science thesis, ere including the aesthetic function forliterature. Hence the occurrence of different functional styles and of the various styles of literature.When we look at style in a text, we are not likely to be struck by local or individual choices in isolation, but rather at a pattern of choices. If, for instance, a text shows a repeated preference for passive structures over active structures, we are likely to consider this preference a feature of style. But local or specific features may also be noteworthy features of style if they form a significant relationship with other features in a coherent (consistent) pattern of choice. Consistency in preference is naturally reduced to 'frequency': To find out what is distinctive about the style of a text, we just measure the frequency of the features it contains. The more we wish to substantiate what we say about style, the more we will need to point to the linguistic evidence of texts; and linguistic evidence has to be couched in terms of numerical frequency.Yet it is worth our note that a feature which occurs more rarely than usual is just as much a part of the statistical pattern as one which occurs more often than usual; and it is also a significant aspect of our sense of style. (see 4.4)1.6 The Study of StyleSome scholars call the object of stylistics simply style, without further qualifications. Indeed, the study of style in western countries has been undertaken for more than two thousand years. The doctrine of 'decorum' or fittingness of style has passed down from the rhetoricians of Ancient Greece and Rome , who applied it first to oratory and then to written language. Up till the late 19th century, style studies had always been closely integrated with the art of writing and the evaluation of literary works. In fact, traditional approaches to language laid such heavy store by the quality of written language that 'good style' or sometimes simply 'style' was used as a description of writing that was praiseworthy, skilful or elegant.At the turn of the century, Ferdinand de Saussure, in his Geneva lectures of 1906-11, Cours de linguistique generale (1916), attacked the 19th century philologists for their 'diachronic' or historical study of language (ie looking at language as it changes through time), and for their interest in prescribing normal or 'correct' usage modelled on 'classic' literary writings. His influence was so strong that, after him, the professional study of language soon veered away from the historical concern of philology towards linguistics, which claimed to be heavily descriptive and to describe a given language 'synchronically' (ie synchronic study: looking at language as it exists at a given time). Saussure, with his insistence on the primacy of everyday speech, was little interested in the written language and even less in the literary. He viewed literary language as special uses of language which were comparatively unimportant in the study of language as a whole. His pupil, Charles Bally, who began the systematic study of what we now call 'stylistics', again gave scant attention to literature. American linguist Leonard Bloomfield held much the similar view. This is only too natural, for, at the turn of the century, new linguistics was yet fighting for its autonomy and needed to emphasize its difference from traditional language studies. It was not until the fifties that there appeared a sway from this position.Noam Chomsky's Syntactic Structures (1957) revived interest in what had once looked a discredited concern with 'correctness' in speech and with an inherited system of rules. Chomsky believes that the human mind must be constituted at birth to receive certain patterns of language; otherwise it would be very hard to explain how infants learn their mother tongue so quickly and with little effort. So it may not have been absurd of the European Renaissance to have interested itself in the prospect of a universal grammar underlying all human languages. Chomsky destroyedthe dominance of structuralism and encouraged a new tolerance of historical grammar. And in doing this he initiated a new interest in literature among professional linguists and the prospect of co-operation between criticism and the professional study of language.By the 1950s most of the early anxieties on the part of linguists had become unnecessary. The tools of linguistics could be used in related disciplines without the danger of reducing linguistics itself to a mere technology or a service station. On the contrary, by the time they came back to literary language, linguists had been armed to the teeth – with fresh insights and new theories as well as a formidable technical vocabulary. This time they would study style in a much more detailed and systematic way. They would not study literature to the exclusion of other varieties of language. Rather they would approach literature as a complex of varieties of language in use and point to the aesthetic function of literary language.The 1960s saw the flourishing of modern stylistics: Two landmark volumes of papers presented respectively to the Indiana Style Conference in 1958 ( Style in language , MIT Press) and to the Bellagio Style Conference in 1969 ( Literary Style: a Symposium , OUP) came into being. Monographs such as Linguistics and Style (Enkvist et al, 1964) and Investigating English Style (Crystal and Davy, 1969), A Linguistic Guide to English Poetry (Leech, 1969) appeared. New courses on style were offered in colleges and universities. Textbooks concerning spoken varieties of English (some with accompanying records or tapes) such as Varieties of Spoken Englis h (Dickinson and Mackin, 1969), Scientifically Speaking (Brookes, 1971) were published. Grammars, as A Grammar of Contemporary English (Quirk et al, 1972) widened their scope to include in their study 'sentence connection', 'focus', 'theme', 'emphasis', and 'varieties of English and classes of English'. Dictionaries began to give labels (eg. fml, colloquial, slang, etc) to words and phrases of stylistic colouring.From the 1960s onward, application of various linguistic models such as transformational-generative linguistics, systemic-functional linguistics, speech-act theory, discourse analysis etc in stylistic analysis has been gaining momentum in the past decades of years.1.7 The Concern of Stylistic StudyHaving discussed what language is and the sense of style, we are now in a position to come to a more refined definition of stylistics: It is a discipline that studies the sum of stylistic features characteristic of the different varieties of language.Stylistic study concerns itself with the situational features that influence variations in language use, the criterion for the classification of language variety, and the description and interpretation of the linguistic features and functions of the main varieties (both literary and non-literary) of a language-- in this book, of the Modern English language.As an independent discipline, stylistics offers a comparatively more complete theoretical framework and a more rigorous procedure of linguistic description, so that learners will have a systematic knowledge of the features of different varieties of language, make appropriate use of language in their communication, familiarize themselves with the stylistic features of the different genres of literature, and deepen their understanding and appreciation of literary works. Besides, stylistics offers useful ideas on translation and language teaching.1.8 Stylistics and Other Spheres of StudyA formerly very much borderline discipline, stylistics takes roots in the soil of modern linguistics, using models and methods of linguistic description in the stylistic analysis of texts. Stylistics also absorbs nourishment from literary theories, and so is closely related to them.Similar to modern linguistics, stylistics lays stress on the study of language functions and the different structures dictated by these functions. But linguistics stresses the description of linguistic structures while stylistics on the stylistic effects of different language structures.Stylistics is the continuation and development of rhetoric. However, discarding the traditional practices of rhetoric to establish norms for people to model on, stylistics turns to the presentation of the functional features of language, --- it is descriptive, not prescriptive. It does not aim at a so-called 'refined' style of writing, but at a manner 'appropriate' to the situation.Stylistics supplies literary criticism with a brand-new approach. Since the beginning of the 20th century the linguistic turn in literary criticism has enabled the scientific school of literary theorists such as Russian formalism, New Criticism, Structuralism, etc to place language in the central position of their theories. With a whole set of meta-language renewed by modern linguistics and modern literary theory-- deviation, prominence, function, situational factors, narrative points of view, modes of presenting speech, etc, and with the multi-level structural approach, stylistics has pushed the linguistic turn to its extreme. Making literary research still more scientific and more accurate, it broadens the vision of literary criticism.Study Questions1) Consult at least five books on stylistics, note down the definitions of stylistics that they give, and discuss the similarities and differences among the definitions.2) Compare the definitions of language put forward by different schools of linguistics. Tell what view or views of language is or are suited to stylistics, and why.3) What aspects are there in a speech event?4) Different scholars classify the function of language into different major types. Compare them, and comment on the saying: The functions of language are mutually exclusive.5) Comment on the different senses of style.6) The goal of most stylistic study is simply to describe the formal features of texts for their own sake. What do you think of this statement?7) Discuss the relationship between stylistics and rhetoric, and tell how stylistics broadens the vision of literary criticism.。
青岛理工大学英语文体学1期末试题及参考答案
()2、Voicing is a phonological feature that distinguishes meaning inboth
introduces the embedded clause.
A、coordinatorB、 particle C、 prepositionD、 subordinator主从连词
5、"Can I borrow your bike?" ___ "You have a bike."
A、 is synonymouswithB、 is inconsistent with C、 entailsD、 presupposes
5、Synonyms that are mutually substitutable under allcircumstances are called c synonyms.
III. Directions: Judge whether each of the following statements is true or false. Put a T for true or F for false in the brackets in front of each statement. If you think a statement is false, you must explain why you think so and give the correct version. (4%×5=20%)
英语文体学 Chapter 1 The Concern of Stylistics
Introduction
WANG Yao @ SDUT
Introduction
Course requirements
Final Exam (80%) Attendance (10%) signment (10%)
Course arrangements
16 weeks, 16 units→1 unit per week
Introduction
This course serves as an elementary introduction to the study of English style for Chinese EFL students. It places emphasis on practical analysis as well as the presentation of various theories in stylistics. By reading the textbook, participating in oral discussion, and conducting linguistic analysis, it is hoped the student will acquire the “semi-instinctive” sense of style. Moreover, by means of this problem-solving activity, the student will learn to exploit their knowledge for interpretation. This, to some extent, may contribute to the realization of a general capacity to use language for communication.
英语教材 应用文体学-Chapter I 文体学
• 狭义文体学：主要研究文学作品的文体 风格。因为文学语言总是最丰富多彩、 最灵活多样的, 也最能反映一个时代的语 言特点。传统文体学与文学批评密切相 关; 它着重分析作家的文学风格(literary style)， 研究代表作品的文体风格。文学 语言汇集着语言精华；文学文体集各类 文体之大成。
British scholars David Crystal &Derek Davy point ouБайду номын сангаас in their Investigating English Style: Literature can be mimetic of the whole range of human experience and this includes linguistic as well as nonlinguistic experience.
•
J. C. Catford points out in his A Linguistic Theory of Translation: • …the concept of a „ whole language‟ is so vast and heterogeneous（异类的/不纯的） that it is not operationally useful for many linguistic purposes, descriptive, comparative, and pedagogical. It is therefore desirable to have a framework of categories for the classification of „sublanguage‟ or varieties within a total language.
英语文体学教程
Chapter11, what is style in your opinion according to what we have studied in this chapter?Anwser1 , from the perspective of the content, the events and activities described ,style is saying different things in different ways ;from the perspective of the ways of expression used ,styled is same thing in different ways; from the perspective of the users of language ,style is different speakers using language in different ways; and from the perspective of the text ,style is the functions of texts for different purposes.Anwser2, the definition of style is the concept of style as choice .this definition can have at least too interpretations .one is that first we have a pre-existing thought ,and then we choice the appropriate type of expression to express it in language. The chosen expression is the style .another is that the choice refers to the choice of meaning. The choice of language is at the same time a choice of meaning and a choice of style .2,what is the significance of studying the style of language in learning and teaching English?Anwser, the answer is that if we want to use language appropriately in different situations , we need to study style .as foreign language learners, if we disregard the rules of using what variety of language in what occasion , or fail to obey them through ignorance , language can become instead a barrier to successful communication . Therefore its necessary to have a clear awareness of how language should be used in different types of situations especially in unfamiliar situations.3, what factors can result in differences in style ?Answer , 1, the different types of vocabulary create different images of the events in the reader’s mind, so they can result in different styles.2,people living in different periods of time in history will also speak differently ,and that will result in a different style.Chapter21, explain the following terms1),foregrounding: the stylistically significant features have to be prominent and motivated ,that is ,foregrounded.2),incongruity: the linguistic features depart from the normal use of language ,breaking the rules grammar ,spelling ,pronunciation.3)deflection : the linguistic features don’t depart from the established grammatical, lexical and logical rules and principles ,but have an unexpected high frequency of occurrence.4),field; its concerned with what is happening ,including the subject matter,the events happenings,going-ons, the content ,etc5)tenor: its concerned with who is taking part in the exchange of meaning ----the relationship between the speaker and the listener ,their relative status,their attitude,and their role relations .6)mode: its concerned with how the interaction is conducted ,that is whether it is written or spoken ,or whether it is expressed by phonic substance or graphic substance.2,question for discussion2)in rhetorical series,the number of items can influence the stylistic effect.try to analyze the causes on the basis of social culture.Answer :different numbers of words can produce different stylistic effects in the appropriate contexts. Two items express assertion ,that is ,it is just this ,not that .In appropriate situations three items can produce ethic ,persuasive, and representative effect. Four or more items in a seriesstress a large number of the concrete things ,and these can produce an imagery in the mind of the reader that the large amount of things constitutes a significant situation in which certain aspect are highlighted. Another function of the rhetorical series is to use concrete items to highlight abstract concepts so that the abstract concept can be expressed in concrete ,lively and vivid way to enhance the aesthetic value of language.3)what factors affect the writer’s selection of words and styleAnswer : five criteria for the selection of words :whether they are familiar or not familiar, whether they are concrete or abstract, whether they are single or more ,whether they are short and simple. Or long. Whether they are Anglo –saxon words or latin words .field ,tenor ,mode affect the writer’s selection of style.4)what is the criterion used to classify wordsAnswer :we can use more systematic way to classify word according to register and dialect .register:field ,tenor , mode .dialect: regional dialect,such as London dialect;social dialect such as dialect of age, race,etc.temporal dialect such as od English .5)through what channels can words be used to achieve transferred meaning?Answer :simile :x is like Y, eg as busy as bee. Metaphor: X is Y ,eg he is a pig. Synecdoche eg many hands represent the people who work with their hands . Metonymy eg purse represent money.Chapter31,explain the following terms1),chiasmus:chiasmus is formed by inverting the word order of the second part of a parallel structure,so it forms a kind of antithetical structure. Eg:let us never negotiate out of fear,but let us never fear to negotiate.2)antistrophe: it is the repetition of the same items but in inverted order ,eg:what’s polly to me,or me to polly?3)epizeuxis:it is a continuous repetition for high lighting a particular feature.4)ploce: the repetition is not continuous , but intermittent or dispersed in the text.5)loose sentence: put the major idea first and than the illustration .such a sentence is easy to grasp .6)periodic sentence:a periodic sentence can be used to create suspense,or expectation, thus drawing the listener’s attention to the end of the sentence.it ca n be used to produce humorous and emphatic effect .2,question for discussion1),there are many types of syntactic deflection ,but they have one thing in common :recurrence of structures. How is syntactic deflection classified?Answer :there are two type of syntactic deflection :the unexpected high frequency of occurrence of a certain type of sentence; and the overregular occurrence of a particular pattern .2)the high frequency of occurrence of long and short sentence can create stylistic effect .apart from the difference in expressive meanings ,what are other characteristics of the two types of sentences?Answer : long sentences are good to provide the detailed descriptions ,and are good to reveal the mental activities of the speaker .so they are used to produce a vivid, rich, exuberant, luxuriousstyle. Short sentence：can produce direct ,terse ,concise ,clear effect or continuous ,compact ,swift effect ,so that it creates certain atmosphere , and leave a deep impression on the listeners.3) why do writers often violate the rule of grammar? What do we cal this violation?Answer: we call this violation syntactic incongruity .the violation of the grammatical rules can be used to produce certain stylistic effects. The so-called ungrammatical sentences are used to represent the different varieties of language according to register and dialect. In literary works, dialectical and personal features of speech are often used to depict the personality of the characters. In poetry, the poet often uses deviant grammatical structures to achieve special effects, makes lines terse and concise, to make it rich in meaning.4)what is the function of rhetorical questions?Answer: A rhetorical question is to use the form of a question in order to express a strong emotion or to emphasize a particular aspect. The function of inverted sentence is to make a declarative sentence more po werful, to attract the listener’s attention, or to induce others’ sympathy. Arranged in parallelism, rhetorical questions can express strong emotions and increase the persuasive power.A rhetorical question can also introduce the topic of the text.5) In what ways can we use inverted sentences to achieve emphatic effect?Answer: to change the normal word order can be used to produce some emphatic effect. What is put to the initial part of the sentence is usually the focus of information of the clause and also the theme of he clause. So it is highlighted.Chapter41 explain the following terms1)Synaesthesia: it refers to the fact that sounds s are attributed with certain values or estheticfeatures. It is very casual, and supported by situational features and meaning.2)Alliteration: refers to the repetition of the initial sound usually a consonant, or a vowel at firstposition, in two or more words that occur close together.3)Assonance: refers to the use of the same or related vowel sounds in successive words. It cancreate harmonious effect.4)Consonance: refers to the repetition of the last consonants of the stresses words at the end ofthe lines.2 questions for discussion1)What are the characteristic of spoken language and written language respectively?Answer: spoken language: 1 it can directly be accompanied by other non-linguistic means as the aid; 2 it is generally speaking not as formal as written language; 3 it permits errors in the process of production; 4 it uses a particular grammar, a grammar characteristics of spoken language. 5 homophones can be used for special stylistic effects, such as pun; 6 some implications are best represented by special sound features; 7 sound feature can represent the feature of regional dialect or social dialect.Written language:1 as written language communication is usually not a direct one, but is delayed in time and at different places, the writer generally has time to get well prepared and revise the text before he sends it out to the reader;2 as space is limited, it has special grammatical features so as to put more meaning in it .there are many nominalizations to make sentences into groups;3 written language is often used in a more formal situation; 4 as time is enough, it is usually writtenin a more detailed and logical way;5 as written language is more purposeful, and for a single specific goal, it is usually more constant and developed around a single subject.2)How many sound patterns do we have? What special stylistic effects can be achieved by them? Answer: these sound patterns include alliteration which can create harmony, connection and achieve special stylistic effects, assonance which can create harmonious effect, and consonance 3)What factors can influence graphological prominence? .Answer: there are three distinctive factors that can produce graphological prominence: marking, spacing and sequence. Marking refers to the use of written symbols to convey information; space is spacing arrangement departing from this normal way of spacing can be used to achieve stylistic effects.4 In modern English, punctuation marks are patterned and standardized. How can we use punctuation marks for special stylistic purpose?Answer: period typically occurs at the end of a declarative sentence. If period occurs in unexpected high frequency of occurrence, it often means that the text mainly functions to provide information; comma is used to mark the unit larger than a word, however, in Charles Dickens’ Dombey and Son, comma is used to indicate syllables; exclamation marks can be used to carry emotional coloring, a mark of expressing special feelings; parentheses are used for further explanation; the ellipsis of punctuation marks produces an illogical and non-sequential image. Chapter71 explain the following terms1）Guide: guide is the further explanation of the headline, it consists of six elements; location, character, event, mode, time, and cause.2）Nominalization: refers to a grammatical phenomenon in which the meaning which is normally expressed by a clause is here expressed by a phrase, so clause nominalization is normal. It is contracted.3）The highlighting method: from the productive point of view, the columnist can publish the whole story, or he can cut off some parts from the end. He can even cut off the main body.4）Meaning contraction: using the smallest form to get the most meaning.5）Journalese words: as new report requires the speaker to use the least form to get the most meaning, and it has to be fresh and attractive, so the words in news report is short and new.2 questions for discussion1) What are semantic features of news report?Answer:1 In terms of ideational meaning, apart from the semantic field of news report, it covers virtually all areas of meaning systems ;2 in terms of interpersonal meaning, it stresses objectivity;3 in terms of textual meaning, it has the feature of meaning contraction.3) Most of the headlines are elliptical sentences. Tell in what way ellipsis is best achieve in news report.Answer: most of the headlines are elliptical sentences. What is omitted is: (a) subject-predicate (b) predicate (c) link verb or auxiliary verb4) How is meaning contraction of news report embodied in grammar?Answer: one feature of news report is meaning contraction, that is using the smallest form to get the most meaning .its grammatical feature are as follows:(1) the nominalization of the processes (2)big noun phrases and complex modifications (3)as some of the pre-modifiers come from a separate clause, it is highly contracted .5）The concreteness contraction of news report is in contradiction to meaning contraction. Tell how this contradiction is revolved in news report.Answer: besides its authenticity and objectivity, news report should also emphasize concreteness and detailedness. Therefore, the writer often gives background information and details by using parenthesis. By doing so, the writer can provide concrete and detailed information and save space as well.6）What graphological means are used in news report? Analyze what effects are achieved by graphological means.Answer: grphological means are made in the typesetting, for example, headlines can be arranged in such ways: 1 flush-left(it is made into a square) 2dropped-line(the length of the line is the same, but dropped in a bit each time) 3 short line followed by a long tome 4 along line followed by a short line 5 concave form 6 convex form . They can increase esthetic value and become more attractive.7）What are lexical features of news report? Why are many nonce words used in news report? Answer: lexical feature: 1 short and new-fashioned such a “crisis” in “the UN faces crisis of credibility”. 2 short journalese phrase such as “key issue” in “jobless will be the key issue in 1993”. 3nonce words, often blends such as Euromarket=European market.8）Why is there so much use of direct speech in news report?Answer: the use of direct speech can enhance the credibility of news report. The directly quoted speech can be regarded as basis of facts.9）What prominent devices are used in headlines in news report?Answer: alliteration allusion suspense etc.Chapter61Explain the following terms1）time non-fluency :pauses in inappropriate positions within a phrase or groups position ,the use of um or er to delay the time ,the repetition of some expressions ,such as be said be said be said.,2）Quality non-fluency: often the speaker cannot find the appropriate words to express himself, and he is striving for words, so he uses many inexact expressions and even wrong expressions or wrong pronunciations to express himself.3） Adjacency pair: most of the sentences are declarative and interrogative sentences as they are mostly made up of questions and answers.4） Slot filling words: slot filling words are used to fill in the pauses when the speaker strives for meaning as words, or when he or she strives to be politeness or lessen the degree of imprudence.2 question for discussion1）What are the characteristics of conversation from the perspective of semantics, grammar, vocabulary and phonology?Answer :semantic features:(1)the inexplicitness of meaning (2)the randomness of subject matter, and a general lack of planning (3)the lack of fluency Grammatical features :(1)sentence complexity (2)verbal phrases(3)nominal phrases(4)the types of sentences (5)quoted elements. Lexical feature:(1)most of the words are short and simple Anglo-Saxon ones, (2)the choice of words is limited in scope or range (3)slang and colloquial words, taboo words ,exclamatory words are frequently used (4)some slot filling words ,such as you know ,I mean,etc.(5)use exaggerated words and expressions. Phonological features :(1)use more contractions for the unimportant information (2)the often try to express themselves in spite of the fact that the other is speaking (3)there are many emphatic ways of speech ,such as stress .2）How do you account for the inexplicitness of language in daily conversation?Answer: the inexplicitness of meanings manifested in the following aspects: (1)lots of exophoric expression such as “this “is the tendency (2)there are missin g links between the utterances(3) a lot of background information missing.(4)many inexact expressions using general words for particular concepts(5)many incomplete expressions.3）What are the features spontaneous commentary from the perspective of semantics, grammar, vocabulary and phonology?Answer: from the perspective of semantic features, if the listeners could also see the event while the commentary is delivered, there will be a lot of meaning implied or simply presupposed; but in a commentary without visual support on the part of the listeners, the commentator has to provide all the necessary information. In terms of syntactic structure, the sentences and the clauses are usually short as the commentator has no time to give detailed description of the event, and the sentences contain fewer words than usual. From the perspective of lexical features, the words are mostly simple in structure, they are short and simple; they are mostly composed of verbs, and proper names; there might be specialized terms depending on the subject matter of the commentary. From the perspective of phonological features, it is very fast and fluent, but he has to pronounce every word clearly and loudly.4）What are the features of text structure of public speech?Answer: It consist of the following element :(1)a short introduction to the main issue or issues conc erned (2)the declaration of one’s attitude and position in the matter (3)the listing, reasoning, and explaining (4)conclusion5）How is it that in public speech there is much use of noun phrases with post modification? Answer: there are few pre-modifiers, but more post-modifiers such as “of phrase” and “which clauses” to give detailed and accurate description.Chapter81 explain the following termsLearned words: learned words are words that borrowed from Latin, Greek and French.Clichés: are words or expressions which have lost their originality or effectiveness because they have been used too often.Semantic features: correctness and completeness; conciseness and clearness; consideration and courtesy.Grammatical features: sentences structure; uses of voices; uses of affirmative sentences; inverted sentencesLexical features: concrete and natural words; technical terms and abbreviations; brief and common word s; avoid clichés (except business contracts)3 questions for discussion1）Why should business English be correct and complete?Answer: the content of business English should be correct and completely. First, the conveyed information should be correct; sometimes a small mistake would cause a great loss in a deal and even affect business relations between two parties. Second, the conveyed information should be complete. For example, if we order some commodities, we should state names of commodities, delivery dates, consignees, methods of payment, etc.2）In business English sometimes active voice is used, and sometimes passive voice is preferred. Point out what stylistic features can be achieved through using voices.Answer: In business English, both active voice and passive voice can be used, but there is a tendency towards preference o f active voice in today’s business communication. Active voice is shorter in form and economic in words compared with passive voice. Thus active voice is more effective in stylistic effect than passive voice; besides, active voice can make style more familiar and less formal. But in some cases, passive voice is necessary. When we discuss something negative, we should avoid blaming the other party directly, in addition, passive voice can make business English style more formal, and the conveyed information more objective.3）Why should business letters be written in a way of consideration and courtesy?Answer: In business communication, in order to make it more efficient, we should be considerate of others and polite to others. “You- Attitude”is very important principle in business communication, that is, we should think ourselves back into the shoes of others so as to cooperate sincerely. 4）The use of technical terms and abbreviations is one stylistic feature of business English. State the reason of this phenomenon.Answer: using technical terms and abbreviations can avoid long and tedious explanation, which is one lexical feature of business English. Such as L/C----letter of credit5）Why should we avoid clichés in business English?Answer: clichés are words or expressions which have lost their originality or effectiveness because they have been used too often. In old-fashioned business English there are a large number of clichés, which should be avoid in present-day business communication.Chapter91, explain the following terms2) Redundancy: in order to avoid opaqueness and ambiguity, it has express clearly what everyone knows and takes for granted. This makes the legal language redundant clumsy and hard to understand.3) Common words: many of the legal words come from ordinary language with the common core features especially those high-frequency words, such as prepositions, conjunctions, articles, etc.4) specialized words: specialized words are necessary for two important aspects of legal language. The first is that for the field of law itself, and the second is that for many non-legal field concerned with legal affairs. There are two sources of specialized legal words: common words endowed with legal meanings and archaic words.2, question for discussion1)Why is legal English syntactically complex?Answer: syntactic Complexity: as its main function is to ensure preciseness and accuracy and block any leakage, the draftsmen of legal documents have to be very carful and scrupulous, and the legal texts have to be able to stand the text of time .therefore legal language is rich in modifications, circumlocutions, and complex logic relations.2）Legal English is very conservative in form. Explain it from a historical perspective.Answer: conservativeness: as the legal language is produced by careful phrasing and tested over a long time, nobody dares to alter the structure of legal English, so that its structures become old-fashioned and archaic. The representative legal language in such a way is English legal language.3) What is the reason that there are many legal words of French source?Answer: because after the Norman Conquest, French because the official language used for all state affairs including law in Great Britain. That is why many French loan words were found in law afterwards.4) What are the lexical features of legal English?Answer: legal vocabulary mainly comes from French. (2) Legal words can be divided into following three types: 1, common words2, specialized words3, Multi-register words.。
《英语文体学》1-7总结
《英语文体学》1-7总结-CAL-FENGHAI-(2020YEAR-YICAI)_JINGBIAN第一章文体学相关研究内容文体学分为普通文体学和文学文体学，二者有重叠部分，但在此我们所研究的是普通文体学，文体学研究的是语言风格，对语言，人们的理解有很多种，但不管哪种说法，无可否认，语言都是人类表达思想、互相交流的手段，并且有很多具不同意旨的言语事件；风格是与说话人的语言习惯、时代背景相关的，是人门特有的表达方式，因人而异，对语言起到一定修饰作用并且关系到语言表达的有效性。
因此，文体学研究会涉及各种语言变体及相关特征、功用。
文体学对提高理解力和鉴赏水平有很大帮助。
此外，文体学还与语言学、修辞学及文学评论等相关联。
接下来的章节中将具体阐述相关内容。
第二章文体学研究的必要性学习文体学可以提高我们语言使用的精确性，犹如不能在婚礼上穿牛仔装一样，语言使用要合乎当时、当地的具体环境，这就涉及文体学中的言语事件；学习文体学有利于提高我们对文学作品的理解与鉴赏水平，因为文学创作中，作者不可避免会对作品的语言、风格做选择，在文学评论三部曲（描述、解读、评估）中会涉及相关内容；文体学对满足翻译适应性有很大帮助，翻译很难做到完全对应，但基本原则一致是必须的，如作品基调、作品体裁等一致。
以上文体学内容中都有涉及。
第三章语言变体在不同的社交场合，有不同的约定俗成的语体。
根据特定场合的语言习惯及其中特定说话人的语言使用，语言变体可以分为两种：方言变体和语域变体。
方言变体与不同的语言使用者相关，分为个人方言、时间方言、地域方言、社会方言和标准方言；语域变体与不同社交场合相关，其构成要素是语场、语式和语旨。
两种变体并非独立存在而是有一定的相关性，比如，在同一种族、同一领域或同一社会地位，为了增进了解，说话人可能会选择这一具某种共同特征人群的行内语言。
此外，从语言变体中，我们还可以获知说话人的某些相关信息，如职业、国家和说话意旨等。
《英语文体学》总结
第一章文体学相关研究内容文体学分为普通文体学和文学文体学，二者有重叠部分，但在此我们所研究的是普通文体学，文体学研究的是语言风格，对语言，人们的理解有很多种，但不管哪种说法，无可否认，语言都是人类表达思想、互相交流的手段，并且有很多具不同意旨的言语事件；风格是与说话人的语言习惯、时代背景相关的，是人门特有的表达方式，因人而异，对语言起到一定修饰作用并且关系到语言表达的有效性。
因此，文体学研究会涉及各种语言变体及相关特征、功用。
文体学对提高理解力和鉴赏水平有很大帮助。
此外，文体学还与语言学、修辞学及文学评论等相关联。
接下来的章节中将具体阐述相关内容。
第二章文体学研究的必要性学习文体学可以提高我们语言使用的精确性，犹如不能在婚礼上穿牛仔装一样，语言使用要合乎当时、当地的具体环境，这就涉及文体学中的言语事件；学习文体学有利于提高我们对文学作品的理解与鉴赏水平，因为文学创作中，作者不可避免会对作品的语言、风格做选择，在文学评论三部曲（描述、解读、评估）中会涉及相关内容；文体学对满足翻译适应性有很大帮助，翻译很难做到完全对应，但基本原则一致是必须的，如作品基调、作品体裁等一致。
以上文体学内容中都有涉及。
第三章语言变体在不同的社交场合，有不同的约定俗成的语体。
根据特定场合的语言习惯及其中特定说话人的语言使用，语言变体可以分为两种：方言变体和语域变体。
方言变体与不同的语言使用者相关，分为个人方言、时间方言、地域方言、社会方言和标准方言；语域变体与不同社交场合相关，其构成要素是语场、语式和语旨。
两种变体并非独立存在而是有一定的相关性，比如，在同一种族、同一领域或同一社会地位，为了增进了解，说话人可能会选择这一具某种共同特征人群的行内语言。
此外，从语言变体中，我们还可以获知说话人的某些相关信息，如职业、国家和说话意旨等。
第四章语言描述了解了语言变体，本章节探讨各种语言变体的具体表述问题，即具体语言表述。
在这个层面上，文体学提供了一种系统的分析方法，使我们对付各种文章轻而易举。
《英语文体学》1-7总结
第一章文体学相关研究内容文体学分为普通文体学和文学文体学，二者有重叠部分，但在此我们所研究的是普通文体学，文体学研究的是语言风格，对语言，人们的理解有很多种，但不管哪种说法，无可否认，语言都是人类表达思想、互相交流的手段，并且有很多具不同意旨的言语事件；风格是与说话人的语言习惯、时代背景相关的，是人门特有的表达方式，因人而异，对语言起到一定修饰作用并且关系到语言表达的有效性。
因此，文体学研究会涉及各种语言变体及相关特征、功用。
文体学对提高理解力和鉴赏水平有很大帮助。
此外，文体学还与语言学、修辞学及文学评论等相关联。
接下来的章节中将具体阐述相关内容。
第二章文体学研究的必要性学习文体学可以提高我们语言使用的精确性，犹如不能在婚礼上穿牛仔装一样，语言使用要合乎当时、当地的具体环境，这就涉及文体学中的言语事件；学习文体学有利于提高我们对文学作品的理解与鉴赏水平，因为文学创作中，作者不可避免会对作品的语言、风格做选择，在文学评论三部曲（描述、解读、评估）中会涉及相关内容；文体学对满足翻译适应性有很大帮助，翻译很难做到完全对应，但基本原则一致是必须的，如作品基调、作品体裁等一致。
以上文体学内容中都有涉及。
第三章语言变体在不同的社交场合，有不同的约定俗成的语体。
根据特定场合的语言习惯及其中特定说话人的语言使用，语言变体可以分为两种：方言变体和语域变体。
方言变体与不同的语言使用者相关，分为个人方言、时间方言、地域方言、社会方言和标准方言；语域变体与不同社交场合相关，其构成要素是语场、语式和语旨。
两种变体并非独立存在而是有一定的相关性，比如，在同一种族、同一领域或同一社会地位，为了增进了解，说话人可能会选择这一具某种共同特征人群的行内语言。
此外，从语言变体中，我们还可以获知说话人的某些相关信息，如职业、国家和说话意旨等。
第四章语言描述了解了语言变体，本章节探讨各种语言变体的具体表述问题，即具体语言表述。
在这个层面上，文体学提供了一种系统的分析方法，使我们对付各种文章轻而易举。
英语中的文体学与修辞知识点
英语中的文体学与修辞知识点文体学和修辞学是研究语言运用和艺术表达的重要分支。
它们涉及到英语语言的不同风格和用法，以及如何通过修辞手法来提升表达的艺术性和效果。
本文将介绍英语中的文体学和修辞，包括其定义、应用和常见的知识点。
一、文体学1. 定义：文体学是研究语言表达风格和特点的学科，包括不同文体之间的差异和特征。
2. 应用：文体学可以帮助我们理解不同文本的特点，如小说、诗歌、散文和新闻报道等。
3. 知识点：- 叙述文体：用于描述事件、故事或经历的文体，如小说和传记。
- 说明文体：用于解释、阐述观点或提供事实的文体，如科学论文和说明书。
- 议论文体：用于陈述和辩论观点的文体，如论文和演讲稿。
- 描写文体：用于描绘人物、地点或对象的文体，如诗歌和旅行报道。
- 敌对文体：用于抨击和讽刺的文体，如讽刺小说和政治漫画。
二、修辞学1. 定义：修辞学是研究修辞手法和表达方式的学科，它通过运用各种修辞手法来增强语言的表达力。
2. 应用：修辞学可以用于文学作品、演讲和写作等领域，使语言更生动、美观和有说服力。
3. 知识点：- 比喻：通过对两个不同事物的比较，以便更好地理解和描绘。
- 拟人：将非人事物赋予人的特性和行为，增加描写的生动性。
- 夸张：通过夸大手法来强调某种观点或感觉。
- 反问：用问句的形式提出观点，以引发读者思考和关注。
- 排比：通过并列结构反复使用相同的词或短语，以产生韵律感和强调。
- 对偶：通过相似的句子结构和表达方式来增加语言的节奏感。
通过掌握英语中的文体学和修辞知识，我们可以更好地理解和运用英语语言，让我们的表达更加生动、有趣和具有说服力。
文体学可以帮助我们理解不同文本的特点和风格，而修辞学则可以通过运用各种修辞手法来提升语言的艺术性和表达效果。
希望本文的介绍能够对你有所启发，让你在英语学习和应用中更加得心应手。
英语文体学教学大纲新
英语文体学教学大纲新文体学概论学时数：30 学分：2一、课程的性质和教学目标文体学概论是英语专业的方向选修课。
本课程的教学目标是让学生了解与现代英语文体学相关的语音、语法、词汇、文字等跟方面的知识，掌握当代文体学的基础知识、理论框架和语言分析方法；明确各种英语以及不同文体的特点，使用场合、各种材料的分析方法；增强学生语言运用的适切性，提高学生的文学欣赏和文学批评的能力，帮助学生习得严谨的治学态度和科学的研究方法。
二、课程教学内容及基本要求《文体学概论》教学内容主要涉及一下几个方面：1.文体学课程介绍使学生了解英语文体学在英语专业课程体系中的定位，本课程的教学目标、教学环节、内容及学时分配；理解开设本课程的意义：重点、难点：本课程的教学目标和内容以及开设的意义。
2.讲解文体、文体学的定义使学生了解文体有广狭两义。
狭义的文体指文学文体，包括个别作家的风格；广义的文体指一种语言中的各类文体，例如口语体、书面体，而这两者之中，又有若干文体；理解文体学的任务不在于若干文体的名目，而在观察和描述若干主要文体的语言风格，即它们各自的语音、词汇、句法与篇章的特点，其目的在于使学习者更好地了解它们所表达的内容和在恰当场合分别使用它们。
3.讲解文体学的流派，文体学在国内外的发展情况，文体学的分类使学生了解文体学的沿革，文体学研究的主要流派；理解文体学可分为普通文体学、文学文体学、理论文体学等。
4.讲解对文体进行分析的方法和步骤使学生了解对文体进行分析的三个步骤：（1）linguisticdescription, （2）textual analysis, （3）contextual factors analysis。
5.概述语言单位的文体功能，讲解语音的文体功能了解语言在其各个层面上都能体现出文体功能；了解与语音手段相关的文体标志；理解诸如重音、语调、音高、音域、音色、停顿、节奏、语速以及有关的副语言特征等都直接决定或影响口头表达的风格和效果。
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Concepts of Style
2. Some or all of the language habits shared by a group of people at one time, or over a period of time. e.g. Elizabethan style the style of legal document the style of news reporting
The need for the study of stylistics
(1) Style is an integral part of meaning.
Without the sense of style we cannot arrive at a better understanding of an utterance;
Байду номын сангаас
Some Senses of style
14) Style is transformation. (Richard M.
Ohmann) 15) Style is expressiveness. (Stephen UIIman) 16) Style is a choice among the nondistinctive features of language. (Leonard Bloomfield)
Some Senses of style
1) A man's style is his mind's voice. (Ralph
Waldo Emerson) 2) Proper words in proper places makes the true definition of a style. (Jonathan Swift) 3) Style is the very thought itself. (Nils Erik Enkvist) 4) Style is ingratiation. It involves saying the right thing in the most effective way. (Nils Erik Enkvist)
Second, it’s related to the
characteristics of the USE of language in situation: # role-relationship between addresser and addressee (degree of intimacy)
Some Senses of style
17) Style is the selection of features partly
determined by the demand of genre, form, theme, etc. (Katie Wales) 18) Style is equivalence. (Roman Jakobson & Levi Strauss) 19) Style is meaning potential. (Michael Halliday)
Some Senses of style
9) Style is the relation among
linguistic entities that are stable in terms of wider spans of text than the sentence. (Nils Erik Enkvist) 10) Style is the linguistic features that communicate emotion or thought. (John Middleton Murry)
Books for Reference
王佐良《英语文体学引论》 秦秀白《英语文体学入门》
钱瑗《实用文体学教程》
王守仁《英语文体学要略》
申丹《文学文体学与小说翻译》
张德禄《功能文体学》
I. Style and Stylistics
“Take an egg, and make a perforation in the
Introduction to Stylistics
I. Introduction
What is stylistics? Modern Stylistics:
General Stylistics: Studying the stylistic features of the main varieties of language. Literary Stylistics: Concentrating on unique features of various types of language use.
Some Senses of style
5) Style is a shell surrounding a
preexisting core of thought. It is regarded as an addition to a central core of thought or expression. (Nils Erik Enkvist)）
(2) Stylistics study helps cultivate a sense
of appropriateness. (grammar: correctness; stylistics: appropriateness);
• Who speaks what language to whom and when
General stylistics
Genres: news reports, advertisements, public speeches, scientific treatises, leagal documents and other practical styles… Attitudes: formal and informal language Media of communication: spoken English, written English, e-discourse Regions: British English, American English and other regional dialects Social groups: standard and non-standard language
Definition of style
Manner indicating prominent linguistic features, devices or patterns, most (or least) frequently occur in a particular text of a particular variety of language.
base and a corresponding one in the apex. And then, apply the lips to the aperture, and by frocibly inhaling the breath, the shell is entirely discharged of its contents.”
The Scope of Studies
Literary stylistics: concentrating on the
unique features of various literary works, such as poem, novel, prose, drama… General stylistics: concentrating on the general features of various types of language use, including literary discourses and other practical styles
Some Senses of style
6) Style is choice. It is the choice between
alterative expressions. (Nils Erik Enkvist) 7) Style is a set of individual characteristics. It is the man himself. (Nils Erik Enkvist) 8) Style is a deviation from a norm. (Nils Erik Enkvist)
Definition of Stylistics
1. Stylistics is a discipline that studies the ways in which language is used; it is a discipline that studies the styles of language in use. 2. Stylistics is a branch of linguistics which applies the theory and methodology of modern linguistics to the study of style.
Concepts of Style
1. A person’s distinctive language habits, or the set of individual characteristics of language use
e.g. Hemingway’s style Henry James’s style Mark Twain’s style
Some Senses of style
11) Style is personal idiosyncrasy(习
性，癖好). (John Middleton Murry)