Poetics亚里士多德诗学
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On Poetics
论诗学
by Guo Yanqing
• • • • •
part Ⅶ 论情节的完整与规模 part Ⅷ 论情节的统一 part Ⅸ 再论情节 partⅩ 三论情节 part Ⅺ 论逆转与认识
论情节的完整与规模
• 主要论点 • the proper structure of the plot • A beautiful object must have an orderly arrangement of parts and be of a certain magnitude.
part Ⅸ 再论情节
• 主要论点 • The function of the poet is to relate what may happen and what is possible. • 叙述可能或必然发生的事情
partⅩ 三论情节
• Plot are either Simple or Complex. • an action which is one and continuous. • an action in which the change is accompanied by Reversal or by Recognition or both.
part Ⅺ 论逆转与认识
• Reversal • a change by which the action veers round to its opposite, subject always to our rule of probability or wenku.baidu.comecessity • Recognition • a change from ignarance to knowledge, producing love or hate between the persons by the poet for good or bad fortune
• beginning • middle • end
• A well constructed plot must neither begin nor end at haphazard, but conform to these priciples.
part Ⅷ 论情节的统一
• 主要论点 • Unity of plot does not consist in the unity of the hero. • 情节之统一并不在于只写一个人物。
论诗学
by Guo Yanqing
• • • • •
part Ⅶ 论情节的完整与规模 part Ⅷ 论情节的统一 part Ⅸ 再论情节 partⅩ 三论情节 part Ⅺ 论逆转与认识
论情节的完整与规模
• 主要论点 • the proper structure of the plot • A beautiful object must have an orderly arrangement of parts and be of a certain magnitude.
part Ⅸ 再论情节
• 主要论点 • The function of the poet is to relate what may happen and what is possible. • 叙述可能或必然发生的事情
partⅩ 三论情节
• Plot are either Simple or Complex. • an action which is one and continuous. • an action in which the change is accompanied by Reversal or by Recognition or both.
part Ⅺ 论逆转与认识
• Reversal • a change by which the action veers round to its opposite, subject always to our rule of probability or wenku.baidu.comecessity • Recognition • a change from ignarance to knowledge, producing love or hate between the persons by the poet for good or bad fortune
• beginning • middle • end
• A well constructed plot must neither begin nor end at haphazard, but conform to these priciples.
part Ⅷ 论情节的统一
• 主要论点 • Unity of plot does not consist in the unity of the hero. • 情节之统一并不在于只写一个人物。