电铃使用说明书
电铃仪器使用方法顺序图
仪器使用方法顺序图状态指示灯显示红色:↓按住“模式”（状态选择）键３秒后放掉状态指示灯显绿色：（1）洗掉旧时间程序（2）编制新时间程序（3）检查已编时间程序（4）修改已编程序（如检查无错, 不必进行此项操作）按住“模式”（状态选择）键３秒放掉状态指示灯显红色：校对北京时间具体详见下列使用方法：三、使用方法：（一）开机操作：把仪器插上～220V电源，此时电源指示灯、状态指示灯亮（显红色），显示屏数字不断闪动。
再将仪器面板小开关拨到关的位置（以免编程时乱响铃）。
（二）按住“模式”（状态选择）键（约3秒钟），使其上方指示灯显绿色，显示屏显示“P”时放掉。
1、洗掉旧程序：同时按下“快进”与“清零”键，当显示屏显示“good”时放掉,表明原有旧程序已全部洗干净。
接着显示屏显示“000”。
2、编制新程序：例：7:50预备 8:00 上课并打开1路用电设备8:40下课 11:30 关1路设备（1）分别按“快进”与“慢进”键，把显示屏调到7:50，按一下“6”（预）键放掉，上方指示灯发橙光，就已编入7:50预备。
（如时间调过头，可同时按下“快进”与“慢进”键，钟可倒退）。
（2）再按“慢进”键，把显示屏调到8:00，按一下“4”（上）键放掉，上方指示灯发红光；再按一下“1”路键放掉，上方指示灯亮。
这样就已编入8:00打上课铃并同时打开1路用电设备。
（3）再分别按“快进”与“慢快”键，把显示屏调到8:40分，按一下“5”（下）键放掉，上方指示灯发绿光，就已编入8:40下课。
（4）再分别按“快进”与“慢进”键，把显示屏调到11:30，再按一下“1”路键放掉,上方指示灯灭,就已编入11:30关1路用电设备。
依此类推，把一天所需时间表按时间顺序从早到晚一次性编完。
下午1:00，显示屏显示是13:00。
当60个时间程序空间被编满时，显示屏显示“End”。
无法再续编。
3、检查已编程序：依次短促按一下、按一下“模式”（状态选择）键，就会把已编好的时间表一个个从头到尾调出来。
电铃说明书
电铃说明书一、产品简介电铃是一种用于传递声音信号的电子设备，通常用于提醒、警示、通知等场景。
本说明书将为您介绍电铃的基本功能、使用方法、注意事项等相关内容。
二、产品特点1. 高音质：电铃采用先进的声音处理技术，能够输出高品质的声音，确保声音清晰、响亮。
2. 多种音调：电铃配备了多种音调的选择，用户可以根据需要调节电铃发出的声音，以适应不同场景的需求。
3. 安装简便：电铃小巧轻便，安装简单方便，可直接固定在任何平整的表面上，也可使用附赠的安装支架进行安装。
4. 能耗低：电铃采用节能设计，能耗较低，节约能源。
5. 耐用可靠：电铃采用优质的材料制造，结构坚固，具有较强的抗震性能，长时间使用不易损坏。
三、使用方法1. 安装步骤a. 找到安装位置：选择一个合适的位置，确保电铃能够清晰地发出声音，并且容易被注意到。
b. 清洁表面：将安装位置的表面清洁干净，以确保电铃能够牢固地固定在上面。
c. 固定电铃：使用附赠的安装支架或直接使用胶水、螺丝等方式将电铃牢固地安装在所选位置上。
2. 使用步骤a. 连接电源：将电铃的电源线插入电源插座，确保供电正常。
b. 调节音量：根据需要调节电铃的音量大小，确保声音在合适的范围内。
c. 设置音调：根据需要选择电铃发出的音调，可以根据具体场景选择不同的音调。
d. 测试功能：按下电铃上的按钮，测试电铃的功能是否正常，确保能够正常发出声音。
e. 定期维护：定期清洁电铃表面，确保灰尘不会影响声音质量；如果发现故障，应及时联系专业人员进行维修。
四、注意事项1. 安全使用：在使用过程中，避免将电铃放在易燃易爆物体附近，避免触摸电铃的内部部件，以免产生电击风险。
2. 防水防潮：避免将电铃安装在潮湿的环境中，以免影响电铃的正常工作，同时注意避免电铃进水，以防发生电气故障。
3. 避免重压：避免电铃受到重压、撞击和震动，以避免损坏。
4. 正常使用温度范围：电铃的工作温度一般为-10℃至50℃，请在此温度范围内正常使用。
Opera 120W 杰克逊电铃机说明书
12SPECIFICA TIONS Laney Page 7 / 20In order to reduce environmental damage, at the end of its useful life, this product must not be disposed of along with normalhousehold waste to landfill sites. It must be taken to an approved recycling centre according to the recommendations of the WEEE (Waste Electrical and Electronic Equipment) directive applicable in your country.Supply Voltage ~100V , ~120V , ~230V , ~240V 50/60Hz Factory Option Mains Fuse (~220V>240V = T630mA L 250V) (~100>120V = T1.6A L 250V)HT Fuse T315mA LPower Consumption 100WOutput Power Rating 30WLoudspeaker 12” Celestion 8 OhmsLoudspeaker outputs Extension speaker socket (Minimum 8 Ohm Impedance)Features Pure Class A Valve tone4xEL84 Power T ubes (Matched Quad Set TAD)4x12AX7/ECC83 Preamp tubes (TAD)Hi & Lo Gain InputsFX Loop with Switchable Level & By-passFootswitchable Channel and Reverb (FS2 Optional)Reverb Digital ReverbEQ Passive Bass, Middle and T reble (Separate EQ for Clean and Drive)Bright SwitchModern SwitchInput Impedance 1MOhm/47pFSize (H*W*D) 451*558*278 (Base)Unit Weight 20Kg30112This product conforms to the requirements of the following European Regulations, Directives & Rules:-CE Mark (93/68/EEC), Low Voltage (72/23/EEC), EMC (2004/108/EEC),RoHS (EU2002/95/EC), WEEE (EU2002/96/EC)Page9 / 20The LC30-112’s 30W Class A output stage oozes classic, warm tube tones: The harder you drive it, the better it sounds. Plus with enough gain for contemporary tones, it also has a mean, spiteful side to it as well – making it ideal for any style of playing. Perfect for studio and practice use, but also equally at home or on stage by itself or plugged into a Laney extension cabinet, the sound will blow you away.Y our LC30-112 should give you years of trouble-free amplification, however please take time to read this manual and familiarise yourself with the controls as it will allow you to get the best from your amplifier. We hope you enjoy using your LC30-112 as much as we enjoyed designing and making it.Best wishes from all at LaneyHI INPUT:LO INPUT: ‘. : BRIGHT: : ‘Hi’ stands for high gain. This input is designed for the connection of low output level guitars making it well suited for guitars with single coiled or low gain humbucker type pickups. Use of high gain pickups in this input may drive the preamp too hard causing a "mushy" sound . Only use good quality guitar cable.Lo’ stands for low gain. This input is attenuated down approximately 50% from the Hi input and is designed for high output level guitars. It is useful in obtaining output that is "tight" not "mushy" from high gain humbucker type pickups Only use good quality guitar cable.GAIN Sets the level of tube preamplifier Gain or how dirty your sound is. This control should be used in conjunction with the Volume control, setting low levels of gain with high levels of volume will give the cleanest preamplifier sound with tube output stage overdrive at high volume settings. Setting a medium gain level and medium volume will give a nice crisp tone with just a little break up and warmth, again with the ability to drive the output stage at higher volume settings. Setting a high level on the gain control and a low setting on the volume will give you a nice blues tone, with the ability to again drive the output tubes at higher volume settings. Having set the gain and volume controls to your desired sound try backing off your guitar volume and tone controls for lots of other cool sounds. Good tube amplifiers have the unique ability to produce a wide range of sounds by using only your guitar controls, playing weight and style. Adds brightness and life to the treble frequencies of your guitar when on the clean channel. The switch has more effect at low Gain Volume control settings. Use in conjunction with the T reble and T one controls for optimum performance.BASS, MIDDLE, TREBLE: These are a traditional set of passive tone controls for the clean channel. Passive controls have the advantage of always sounding musical at any of their settings mainly due to their unique interactive nature. This gives players a more natural set of tools to create their ideal sound. (T ry them all set at midway (5) as a good starting point).VOLUME Sets how loud the clean channel is. T ry cranking it up a little to drive the power tubes harder for that real retro sound and feel that only a quality tube amplifier can deliver. Now use your guitar volume to control the amount of distortion.CHANNEL Switch in to enable the 'Drive' channel. (This switch must be in the disengaged position in order for the drive to be switched remotely via a foot switch.)This led will illuminate when the Drive channel is activated with the Drive switch (8) or an optional Laney FS2 remote footswitch. Sets the level of tube preamplifier drive or how dirty your sound is.This control should be used in conjunction with the Drive Volume (12) Setting low levels of gain with high levels of volume will give a clean preamplifier sound with tube output stage overdrive. Setting a medium drive level and medium Drive Volume will give a nice crisp bluesy tone, again with the ability to drive the output stage at higher Drive Volume settings. Setting a high level on the Drive control and a low setting on the Drive Volume will give you a punchy hard rock tone, with the ability to again drive the output tubes at higher Drive volume settings. Having set the Drive and Drive Volume controls to your desired sound try backing off your guitar volume and tone controls for lots of other cool sounds. Good tube amplifiers have the unique ability to produce a wide range of sounds by using only your guitar controls, playing weight and style.MODERN: The modern switch applies a degree of compression & bass lift to the signal, providing massive smooth sustain.BASS, MIDDLE, TREBLE: These are a traditional set of passive tone controls for the Drive channel and work in a similar way as those for the clean channel, except that they operate post distortion giving a wider range of distorted tone.Sets how loud the 'Drive' channel is - The tone control works in a similar fashion to theT one control you probably have on your guitar except that it uniquely works at the other end of the amplification chain. This has the ability to not only control the overall top end response but also reduce upper end harmonics on the output stage and preamplifier overdrive sounds. This will give you bright cutting sounds at high settings and smooth rounded sounds at lower settings. (Midway (5) is a good starting point)REVERB: Controls how loud the built in reverb sounds.(Always switch off and disconnect the power cord when not in use)ST ANDBY: Disconnects the main HT voltage from the tubes but keeps the tubes warm so that they are ready to go instantly. Switch off for short breaks when you don’t want to wait for the tubes to warm up again.POWER: Main power switch for the unit. T ube amplifiers take between 30 seconds and 2 minutes to warm up and be readyto play after switching on, this is normal. Use in conjunction with the standby switch. SWITCH: DRIVE LED: DRIVE: DRIVE VOL: . It is useful to experiment with drive levels and drive volumes. If youwant a very open, warm and semi overdriven sound try reducing the amount of drive and increasing the drive volume. This reduces pre amp gain but pushes the power amp section and makes it work harder giving you a very desirable level of power amp distortion which is a very pleasing “retro” style sound.TONE: POWER LED:This led will be lit when the amplifier is switched on.Page11 / 20POWER INLET SOCKET: Connect to your power source. Make sure the specified voltage is correct for your country!POWER FUSE: This drawer contains the main safety fuse for the unit. The fuse protects the AC power to the amplifier. USE ONLY THE CORRECT SIZE AND RATING OF FUSE AS SPECIFIED ON THE PANEL. If a fuse blows or fails and areplacement of the same size and rating is installed and it in turn blows, the amplifier has suffered a malfunction internally and needs immediate service from a qualified technician. DO NOT TRY USING A FUSE OF HIGHER RATING. Using a fuse that is too large in current rating may cause serious, irreparable damage to the amplifier and presents a serious fire hazard. The mains fuse ratings are detailed in the specs section on page 7 of this manualHT FUSE: This fuse protects the DC power to the tubes within the amplifier. USE ONLY THE CORRECT SIZE AND RATING FUSE AS SPECIFIED ON THE PANEL. If a fuse blows or fails and a replacement of the same size and rating is installed and it in turn blows, the amplifier has suffered a malfunction, at this point check the output tubes and replace faulty ones if required. Should tubes not be the problem the amplifier should be checked out by a qualified technician. Do not try using a fuse of greater value. Using a fuse that is too large in current rating may cause serious, irreparable damage to the amplifier. Fuses are designed to protect, do not take chances.SERIAL NO: Displays the model and serial number of the unit.EFFECTS LOOP: SEND/LINE OUT: Connect the input of your external effect to this socket. All of the signal leaves the amplifier via the `Send’ socket to be processed and comes back from the effects via the `Return` socket. This socket can also be used to control another L -112 amplifier connected to this socket via its own return socket. Some Effects are better C30Spare power fuseincluded in the tray.suited to being between the guitar and amplifer input - these are foot pedal types / distortion / wah wah pedals etc. Rack mount effects will work better in the FX loop on the amplifer rear. Stomp boxes are normally designed for small signals such as a guitar output whereas rack mount FX are designed for the higher signal level obtained from an FX send. This socket can also be used as a Line Level Out.BY -PASS/LEVEL SWITCH: This switch allows the effects loop to be by-passed if not in use, it also gives you the option of running the FX loop at 0dB (750mV) or at -10dB (250mV) to suit your processor.EFFECTS LOOP: RETURN: Connect the output from your external effects to this socket. The effects loop allows you to connect external effects such as tremolo’s, chorus and delays to your amplifier. All of the signal leaves the amplifier via the `Send’ socket and comes back from the effects via the `Return` socket. Use the output level control on your FX to control how loud the FX return signal sounds. This is an insert type control, therefore you need to set the Dry/ Wet mix in your FX processor.FOOTSWITCH SOCKET: Provided for the connection of a Laney FS2 footswitch (optional) .This allows you to remotely switch between the clean/drive channel and & switch the built in reverb On/Off.INTERNAL CABINET: y a ¼”(6.3mm) the impedance selector 6 L -112L -112L -112EXTENSION CABINET: Use to connect an 8-16 ohm extension cabinet. Please note mismatched impedance will reducethe amplifiers performance and in some cases may cause damage to your amplifier. T ry the L -112 into a Laney extension cabinet - you will be amazed what this baby cranks out.The internal loudspeaker is connected b jack to this socket. With no extension cabinet connected ensure that switch () is set to 8 ohms. In use your C30 should always have a speaker connected otherwise you risk damaging the C30’s output transformer.IMPEDANCE SELECTOR SWITCH: This optimises the C30’s output for 4 or 8-16 ohm loads. When using withthe ‘on board ’ speaker set to it 8 ohms. If using an 8-16 ohm extension cabinet at the same time as the onboard speaker, set the switch to 4 ohms. If you set it wrong it will reduce the life of your output tubes and won’t sound as good.C30Page13 / 209821985432101098765432101098765431010987654310109876543101098765431010976DRIVE VOLUME BASS MIDDLE TREBLE TONE DRIVE CHANNEL 543101098765432101098765431010987654310109876543101098765431010976GAIN VOLUME BASS MIDDLE TREBLE TONE CLEAN CHANNEL 5431010987654321010987654310109876543101098765431010987698215431010976GAIN VOLUME BASS MIDDLE TREBLE TONE CLEAN CHANNEL 985432101098765432101098765431010987654310109876543101098765431010976DRIVE VOLUME BASS MIDDLE TREBLE TONE DRIVE CHANNEL CLEANCLEAN CRUNCHBLUES LEADROCK LEADPage 15 / 20• T ube amplifiers; generally sound much warmer/sweeter than solid state transistor amplifiers but they also need a little more respect due to the fragile glass tubes themselves. The LC30-112 uses top quality tubes, which should give you years of trouble free service, however like all tube amps; it is important to treat it with a certain amount of care.• T ubes are fragile glass components; they can easily be damaged if thrown in and out of vehicles,• Make sure the impedance; of your cabinets matches the setting on your amplifier. Improper impedance matching will result in reduced output power output and compromised sound at best and amplifier failure/premature tube failure at worst.• Allow the amplifier; to warm up to room temperature before switching it on, The sudden thermal shock generated can crack the cold glass tube housing plus any moisture is bad news around high voltage electronics.• Allow the amplifier; to cool down after playing before moving. Hot tubes are more susceptible to damage than cool e good quality loudspeaker leads, cheap leads are often not up to the job of handling the large requirements for loudspeakers and can often short out.• T ube amplifiers; don't like running into a open circuit. A tubes life expectancy is based upon a number of factors which include operating temperature, how hard and how often it is played, vibration due to travel etc. T ubes should be changed in your amplifier if you notice any change in your amplifiers performance etc. They need not be changed at any regular interval.• T ypical problems; with preamp tubes can be a crackly noise, hiss, hum and microphony. The preamp tubes can safely be changed with no action required if they fail or reduce in performance. T ypical output tube problems can be blown HT fuse; sound lacking in punch, sound lacks extreme highs or lows and low level hum. The Output tubes can be replaced singularly if you replace them with the exact same type AND grade as factory fitted otherwise they should be replaced as a quad set. See the diagram following to see how to check the tube grade fitted. Exact replacement preamp tubes and matched sets of output tubes are available from Laney via your dealer.• To change a tube; switch off the unit and unplug from the mains supply. Wait for the tubes to cool down. Lay amplifier down on its front face and remove the protective grille held in place with four screws. Y ou should now be able to access the underside of the amplifier chassis. Preamp tubes are protected with a screen can, to remove; gently twist the screen can anti clockwise and then pull up. The tube can then be gently pulled out. T ake care when pushing the new tube in to make sure the pins are all aligned properly. Output tubes have a spring retainer which must be pulled away before the tube will come out.Amplifier connection In order to avoid damage, it is advisable to establish and follow a pattern for turning on and off • ;your equipment. With all system parts connected, effects processors etc. BEFORE turning on your guitar amplifier. Many products have large transient surges at turn on and off which can cause damage to your speakers. By turning on your guitar amplifier LAST and making sure its Volume controls are set to minimum any transients from other equipment will not reachPage17 / 20your loudspeakers. Wait until all system parts have stabilised; usually a couple of seconds. Similarly when turning off your system always turn down the Volume controls on your guitar amplifier and then turn off its power before turning off other equipment. • Servicing: The user should not attempt to service these products. Refer all servicing to qualified service personnel.V1V2V3V4V5V6V7V8FX ControlleruOLaneyPage 19 / 20。
长城KZ898电脑打铃仪使用说明
长城KZ898电脑打铃仪使用说明响铃时间：正式铃（长铃）20秒（连续响铃）预备铃（短铃）8秒（响4秒断1秒响4秒）指示灯：正式铃为常亮，预备铃为闪烁亮。
使用与操作：该机所设计操作编入程序极为简单，通用面板上的六个键为1校时2校分3功能4编入5消除6校对（临时打铃）。
具体步骤和方法如下：首先将本机后盖打开，装入3节5号电池，接通交流220V电源，显示屏亮并在走时状态，下一步就可以进行时间输入。
正式铃编入：自动记忆符号为-01,（正式铃记忆符号在未作预备铃更改前自动设定）。
在走时状态下，按功能键，秒点不动，即进入编程状态。
屏幕此时为0：00,用校时、校分键按出你所需打铃时间后，再按“编入”，编入后，屏幕右下边“指示灯”为亮，也能听到继电器的“嘀嗒”的吸合声。
注意，不要在指示灯熄灭之前按“消除”键。
其它打铃时间的设定，依此类推。
预备铃编入：记忆符号为-02,进入方法是在走时状态下连续按功能键至出现-01时，按校分，使屏幕出现-02。
当然，再按一次校分就又进入-01正式铃编入状态。
再继续按功能键，直到出现0：00编程状态。
编程方法与正式铃完全相同。
注意：正式铃与预备铃分开编排，编入时间不分先后，电脑自动判断。
一周中设定哪天打铃或不打铃的编入：在走时状态下按功能键到屏幕出现X-X时（前面X为1~7代表周一到周日,后面X为0或1，代表打铃或不打铃）。
这时，按校时可以调星期（周一到周日）（1）或不打铃（0）选定好哪天打铃或不打铃后，再用“校时”键调回当前星期（如周一为1）再按功能键使屏幕回到走时状态。
（或等待30秒自动回到走时状态）一周中任意一天打铃或不打铃程序已被设定，无须按任何键即可。
临时打铃：在走时状态下按一次“校对”键响铃20秒（临时打铃不会编入）校对和修改打铃时间：在在编程状态下，按校对键，进入自动校对状态，此时屏幕上出现最早的打铃时间，按一次按顺序出现下一个，发现有误，按“消除”键重新再编即可。
以上所有程序编好后，在走时状态下，用“校时”、“校分”键校对好北京时间。
电铃使用方法说明
使用方法：1、打开机器底部电池盖板，装入1号电池2节（停电时保持程序用），接通220V电源，首先同时按两个“复位”键两次，屏幕显示“0：00”，此时秒点闪动。
2、时钟使用说明：（1）调星期：按“星期”键调星期，按一下调一天。
（2）调时分：按“时间+”键调时、分，按一下加一，按住不放转为快加，按“时间-”调时、分，按一下减一，按住不放，转为快减。
（3）校秒：在走时状态下按一下“储存”键，时钟显示‘秒钟’，按下“时间+”键，或“时间-”键，可调整秒，再按一下“储存”键，时钟部分返回显示当前时、分状态。
编程方法：编程前应列好时间表：1、按住“编程”键五秒，星期指示灯全部闪烁，时钟显示部分显示“0：15”表示本机已进入编程状态，请求输入响铃模式和每次响铃时间，本机检有三种响铃模式供选择，可用星期键调整（每按一下星期键，变换一次，在三种模式间切换）（1）星期一至星期日批示灯全部闪（表示一周七天都打铃）（2）星期一至星期六批示灯闪，星期日不闪（表示星期一到星期六打铃，星期日不打铃）（3）星期一至星期五批示灯闪，星期六、星期日不闪（表示星期一到星期五打铃，星期六、星期日不打铃）（4）本机每次响铃时间默认为15秒，如感觉不满意可用“时间+”和“时间-”键修改，本机可在0——99秒之间任意设置打铃时间长度。
确认打铃模式和打铃长度后按“储存”键储存。
2、编程：按作息时间表，用“时间+”和“时间-”将时钟时、分、调整到欲打铃的时间，按一下“储存”键，此时，“打铃”指示灯亮，机器内部继电器吸合，电铃开始响。
表示此打铃点输入成功。
注：如果想去掉这一打铃点，再按一下“储存”键，此时，“打铃”指示灯熄灭，表示此单一打铃点擦除成功。
（本机在编程状态下最多能按40次“储存”键，如果输入的错误过多，请复位后重新输入。
否则将因输入错误而不能正常工作）。
将时间调到下一次欲打铃的时间，按一下“储存”键，此时“打铃”指示灯亮，表示此点输入成功。
【推荐下载】电铃敬老院用-word范文模板 (6页)
本文部分内容来自网络整理，本司不为其真实性负责，如有异议或侵权请及时联系，本司将立即删除！== 本文为word格式，下载后可方便编辑和修改！ ==电铃敬老院用篇一：电铃使用方法说明使用方法：1、打开机器底部电池盖板，装入1号电池2节（停电时保持程序用），接通220V电源，首先同时按两个“复位”键两次，屏幕显示“0：00”，此时秒点闪动。
2、时钟使用说明：（1）调星期：按“星期”键调星期，按一下调一天。
（2）调时分：按“时间+”键调时、分，按一下加一，按住不放转为快加，按“时间-”调时、分，按一下减一，按住不放，转为快减。
（3）校秒：在走时状态下按一下“储存”键，时钟显示‘秒钟’，按下“时间+”键，或“时间-”键，可调整秒，再按一下“储存”键，时钟部分返回显示当前时、分状态。
编程方法：编程前应列好时间表：1、按住“编程”键五秒，星期指示灯全部闪烁，时钟显示部分显示“0：15”表示本机已进入编程状态，请求输入响铃模式和每次响铃时间，本机检有三种响铃模式供选择，可用星期键调整（每按一下星期键，变换一次，在三种模式间切换）（1）星期一至星期日批示灯全部闪（表示一周七天都打铃）（2）星期一至星期六批示灯闪，星期日不闪（表示星期一到星期六打铃，星期日不打铃）（3）星期一至星期五批示灯闪，星期六、星期日不闪（表示星期一到星期五打铃，星期六、星期日不打铃）（4）本机每次响铃时间默认为15秒，如感觉不满意可用“时间+”和“时间-”键修改，本机可在0——99秒之间任意设置打铃时间长度。
确认打铃模式和打铃长度后按“储存”键储存。
2、编程：按作息时间表，用“时间+”和“时间-”将时钟时、分、调整到欲打铃的时间，按一下“储存”键，此时，“打铃”指示灯亮，机器内部继电器吸合，电铃开始响。
表示此打铃点输入成功。
注：如果想去掉这一打铃点，再按一下“储存”键，此时，“打铃”指示灯熄灭，表示此单一打铃点擦除成功。
（本机在编程状态下最多能按40次“储存”键，如果输入的错误过多，请复位后重新输入。
人民电器 UC4型电铃 产品说明书
产品用途
规格与参数
UC4系列电铃
UC(Z)4铃，系属内击式电铃，声音清晰悦耳，适用于交流380V 、电路中，应用在室内作为音响讯号和报警所用。
型电直流220伏及以下□ 周□ 空气相对湿度不大于85%；□ 单次持续工作时间不宜超过3分钟；
□ 工作电压在±10%额定电压范围内均能正常工作；□ 绝缘电阻不低于20M Ω；
□ 在无易爆、无腐蚀金属和破坏绝缘的气体与尘埃(包括导电尘埃)环境中使用；□ 在没有雨雪侵袭的地方使用。
围环境温度不高于+40℃，不低于-40℃；选型指南
订货时须说明电铃铃碗直径、电流类别、额定电压、数量等参数。
例如订购电铃铃碗直径为55mm (2寸)，AC220V ，100。
为：电铃UC4-55mm 2 220V 100。
数量只可写(寸)只订货须知
正常工作条件
347
全国统一客服热线: 400 898 1166 。
兰尼电子GS412L Bass电钢琴电铃器说明书
42 11 42 1L A N E Y A M P L I F I C A T I O Nw w w.l a n e y.c o.u kGS412LAGS412LSLaneyDear Player,Thank you very much for purchasing your new Laney product and becoming part of the worldwide Laney family. Each and every Laney unit is designed and built with the utmost attention to care and detail, so I trust yours will give you many years of enjoyment.Laney products have a heritage which stretches back to 1967 when I first began building valve amplifiers in my parent’s garage. Since then we have moved on from strength to strength developing an extensive range of guitar, bass, public address and keyboard amplification products along with a list of Laney endorsees that includes some of the world’s most famous and respected musicians. At the same time we believe we have not lost sight of the reason Laney was founded in the first place - a dedication to building great sounding amplification for working musicians. Warm Regards,Lyndon Laney CEOPage 2/4412 412INTRODUCTIONThe GS412LA & GS412LS are a pair 4 x 12” cabinets optimised for use with GH100TI - to enhance the amplifiers huge tonal range and produce stunning tone at any volume, but are equally at home with any other amplifier from the Laney range.Rated at 320 watts (16 ohms) these cabinets can be used in isolation or together to form an 8 x 12 stack. Construction features a robust plywood cabinet, with black powdercoated steel side bar handles and corner protection, castor cups on top of the straight cabinet to allow stacking, removable kick proof grille and a set of roadworthy casters mounted to each model for ease of mobility.Every Laney product is extensively play tested by experienced guitarists to ensure it has the tone and durability to perform at the very highest level, before being shipped to our customers.We hope you enjoy using your new extension cabinet as much as we enjoyed designing and making it. It should give you years of trouble-free service, however please take time to read this manual, as it will allow you to get the best from your GS412LA or GS412LS.Best wishes from all at Laney.LaneyCHECK CONTENTS ARE ALL INCLUDED16 Ohms16 OhmsDesigned in the UK by Laney1. Open top of carton, remove top foam tray and open protective bag, pull back to sides.2. Flip carton over. Cabinet rests on its castors.3. Remove the Carton, bottom foam tray and protective bag.4. Enjoy.UNPACKING INSTRUCTIONSAlways use good quality speaker cablesThis product conforms to the requirements of the following European Regulations, Directives & Rules:-CE Mark (93/68/EEC), LowIn order to reduce environmental damage, at the end of its useful life, this product must not be disposed of along with normal household waste to landfill sites. It must be taken to an approved recycling centre according to the recommendations of the WEEE(Waste Electrical and Electronic Equipment) directive applicable in your country.IMPORTANT SAFETY INSTRUCTIONSDuration Per Day In Hours 864321 ½1½¼ or less Sound Level dBA, slow response 909295971001021051101151). Read & Retain these Instructions carefully before installing or operating this product.2). Comply with Warnings: All warnings and instructions for these products should be adhered to.3). Unpacking: On unpacking your product please check carefully for any signs of damage that may have occured whilst in transit from the Laney factory to your dealer. In the unlikely event that there has been damage, please repack your unit in it original carton and consult your dealer. We strongly advise you to keep your original transit carton, since in the unlikly event that your unit should develop a fault, you will be able to return it to you dealer for rectification securely packed.4). Amplifier Connection: In order to avoid damage , it is advisable to establish and follow a pattern for turning on and off your system. With all system parts connected, turn on source equipment, tape decks, cd players, mixers, effects processors etc, BEFORE turing on your guitar amplifier. Many products have large transient surges at turn on and off which can cause damage to your speakers.By turning on your guitar amplifier LAST and making sure its level control is set to a minimum, any transients from other equipment should not reach your loud speakers. Wait till all system parts have stabillised, usually a couple of seconds. Similarly when turning off your system always turn down the level controls on your guitar amplifier and then turn off its power before turning off other equipment5). Cables: Never use shielded or microphone cable for any speaker connections as this will not be stubstantial enough to handle the amplifier load and could cause damage to your complete system.6). Caution: These professional loudspeaker systems are capable of generating very high sound pressure levels. Use care with placement and operation to avoid excessive levels that can cause permament hearing damage.7). Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in susceptibility to noise induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time.The U.S. Government's Occupational Safety and Health Administration (OSHA) hasspecified the permissible noise level exposure in the chart oposite.According to OSHA, any exposure in excess of the above permissible limits could result insome hearing loss. Ear plugs or protectors in the ear canals or over the ears must beworn when operating this amplification system in order to prevent a permanent hearingloss if exposure exceeds the limits set forth oposite. T o ensure against potentiallydangerous exposure to high sound pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while this unit is in operation.8). Servicing: The user should not attempt to service these products. Refer all servicing to qualified service personnel。
VTX200S三频 guitar 电铃机用户指南说明书
User’s GuideVTX200SThree-Channel Guitar Amplifier with Stereo Digital SignalProcessingTABLE OF CONTENTS:Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3The T op Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4,5The Bottom Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6The DSP Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7Storing Your Own Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Restoring the Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8More About The Save/T ap Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Using the Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9DSP Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10,11Suggested Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12,13DSP“Fill in the Blanks” (for User Presets) . . . . . . . . . . . . . . . . . . . . .14System Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15T echnical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . .back coverThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequen-cy energy and, if not installed and used in accordance with the instructions, may cause harmful interfer-ence to radio communications. However, there is no guarantee that interference will not occur in a par-ticular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and the receiver.• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.Changes or modifications to this device not expressly approved by SLM Electronics could void the user’s authority to operate the equipment under FCC rules.Declaration of ConformityManufacturer’s Name:SLM ElectronicsCorporate Headquarters:1901 Congressional Drive, St. Louis, Missouri 63146 Primary Production Facility:700 Hwy 202 W, Yellville, Arkansas, 72687Product Type:Audio AmplifierProducts meet the regulations for compliance marking under:ETL standards UL6500, UL60065, or UL813CSA standards E60065 or C22.2 No.1-M90CE safety standard EN60065CE EMC standards EN55103 or EN55013 and EN61000C-tick designation Level 2, ABN #56748810738, ARBN# N222KETI standard K60065 (limited model approval)Compliance Support Contact: SLM Electronics, Attn: R&D Compliance Engineer1901 Congressional Drive, St Louis, Missouri, 63146 • Tel.: 314-569-0141, Fax: 314-569-01753The Top Panel:121: INPUT:Use this jack to connect your guitar to the amplifier by means of a shielded instrument cable. CHANNEL1 - Featuring a low gain FlexWave circuit for clean sounds or sounds with mild dis-tortion:2:LOW:Use this control to adjust the low frequency level of Channel 1.3: GAIN:Use this control to adjust the amount of distortion produced by Channel 1.4:MID:Use this control to adjust the midrange frequency level of Channel 1.5:LEVEL:Use this control to adjust the output level of Channel 1.6:HIGH:Use this control to adjust the high frequency level of Channel 1.7: CHANNEL1 SELECT:This switch, when depressed, selects Channel 1 as the active channel. The adjacent LED illuminates when Channel 1 is active.CHANNEL2 - Featuring a medium gain FlexWave circuit for moderate distortion and crunch:8:LOW:Use this control to adjust the low frequency level of Channel 2.9: GAIN:Use this control to adjust the amount of distortion produced by Channel 2.10:MID:Use this control to adjust the midrange frequency level of Channel 2.11:LEVEL:Use this control to adjust the output level of Channel 2.12:HIGH:Use this control to adjust the high frequency level of Channel 2.13: CHANNEL2 SELECT:This switch, when depressed, selects Channel 2 as the active channel. The adjacent LED illuminates when Channel 2 is active.CHANNEL3 - Featuring a high gain FlexWave circuit for extreme distortion and sustain:14:LOW:Use this control to adjust the low frequency level of Channel 3.15: GAIN:Use this control to adjust the amount of distortion produced by Channel 3.16:MID:Use this control to adjust the midrange frequency level of Channel 3.17:LEVEL:Use this control to adjust the output level of Channel 3.18:HIGH:Use this control to adjust the high frequency level of Channel 3.19: CHANNEL3 SELECT:This switch, when depressed, selects Channel 3 as the active channel. The adjacent LED illuminates when Channel 3 is active.4520: MUTE:This switch, when depressed, mutes the output signal at the speaker jacks and the effects loops, allowing you to silently tune or switch instruments. The adjacent LED illuminates when the Mute function is active.21: TUNER:The electronic tuner is active whenever the amplifier is turned on, providing constant,“real time” tuning. The bottom row of LEDs indicate which note (string) is being tuned. The top row of LEDs provides directional queues to facilitate quick and precise tuning of your instrument. The indicated note (string) is properly tuned when only the center LED is illuminated.22. EFFECTS:Use this control to select one of the fifteen digital effects. Complete information about the DSP effects is on page 7.23. DELAY:Use this control to select one of the fifteen digital delay effects. Complete information about the DSP effects is on page 7.24: SAVE/TAP:Use this pushbutton to set the tempo of many of the effects by tapping the button repeatedly in time with the desired tempo. The Save/Tap button is also used to save DSP presets and to restore the factory default DSP settings. Additional information about the Save/Tap button is on pages 7 and 8.25: SAVE/TAP LED:This LED flashes in time with the tempo set by the Save/Tap button (#4) and serves as a status indicator for certain DSP activities (see page 8).26:REVERB:Use this control to adjust the amount of the digital reverb effect. In its fully counter clockwise position the signal is “dry” (without any reverb). As you rotate the control clockwise the amount of reverb increases. The Reverb setting may be saved as a channel preset - see page 8.SAVE / TAPO P H A W C S F LAN G E P H A SE R EC GG I ALMUTE3The Bottom Panel:27: POWER (not shown):Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom) of the switch depressed. The switch illuminates when the power is on.28: AC LINE CORD (not shown):This grounded power cord is to be plugged into a grounded power outlet, wired to current electrical codes and compatible with the voltage, power, and frequency requirements stated on the bot-tom panel. Do not attempt to defeat the safety ground connection.29: SPEAKER OUTPUTS: Use these jacks to connect the amplifier to the speakers. The VTX200S is shipped from the factory with a cable from each channel connected to the speakers within the cabinet. Additional speakers may be connected providing the four ohm minimum load rating for these jacks is observed. When using the stereo Chorus effect the right channel is dry and the left channel is detuned (wet). Each channel will provide 70 watts RMS into an eight ohm load and 100 watts RMS into a four ohm load. 30:STEREO EFFECTS LOOP RETURN:When using a stereo external effects processor, connect this jack to the output jack of the effect by means of a shielded three conductor signal cable terminated with a stereo (R/T/S) 1/4”connector.31:STEREO EFFECTS LOOP SEND:When using a stereo external effects processor, connect this jack to the input jack of the effect by means of a shielded three conductor signal cable terminated with a stereo (R/T/S) 1/4”connector.32:MONO EFFECTS LOOP RETURN:When using a mono external effects processor, connect this jack to the output jack of the effect by means of a shielded signal cable.33:MONO EFFECTS LOOP SEND:When using a mono external effects processor, connect this jack to the input jack of the effect by means of a shielded signal cable.34:FOOTSWITCH:Use this jack to connect the footswitch cable (5-conductor midi cable) to the four-button footswitch (supplied). This allows you to remotely switch between the channels, set tap tempos, save new presets, and access a second set of DSP presets. (See page 9 for additional information.)67SAVE / TAPO W U SANA E EC GG I ALEFFECTS:NAME DESCRIPTIONSAVE/TAP BUTTON CONTROLS:Chorus 1stereo chorus w/low depthspeed: 1 cycle/tap - period: .05 - 1 second Chorus 2stereo chorus w/medium low depth speed: 1 cycle/tap - period: .05 - 1 second Chorus 3stereo chorus w/medium high depth speed: 1 cycle/tap - period: .05 - 1 second Chorus 4stereo chorus w/high depth speed: 1 cycle/tap - period: .05 - 1 second Flange 1flanger w/low depthspeed: 4 cycles/tap - period: .05 - 1 second Flange 2flanger w/medium low depth speed: 4 cycles/tap - period: .05 - 1 second Flange 3flanger w/medium high depth speed: 4 cycles/tap - period: .05 - 1 second Flange 4flanger w/high depthspeed: 4 cycles/tap - period: .05 - 1 second Phaser 1phase shift w/low feedbackspeed: 2 cycles/tap - period: .05 - 1 second Phaser 2phase shift w/medium low feedback speed: 2 cycles/tap - period: .05 - 1 second Phaser 3phase shift w/medium high feedback speed: 2 cycles/tap - period: .05 - 1 second Phaser 4phase shift w/high feedbackspeed: 2 cycles/tap - period: .05 - 1 second Oct-adds signal one octave below original n/a Phase Wah medium phase w/touch sensitive wah n/a Wahtouch sensitive wah wahn/a bypass (dry signal - no effect)n/aDELAY:NAME DESCRIPTIONSAVE/TAP BUTTON CONTROLS:Single 1single delay w/low level delay time: .05 - 1 sec Single 2 single delay w/medium level delay time: .05 - 1 sec Single 3 single delay w/high leveldelay time: .05 - 1 sec Single 4 single delay w/maximum level delay time: .05 - 1 sec Echo 1 echo delay w/low level delay time: .05 - 1 sec Echo 2 echo delay w/medium level delay time: .05 - 1 sec Echo 3 echo delay w/high leveldelay time: .05 - 1 sec Echo 4echo delay w/maximum level delay time: .05 - 1 sec Ping Pong 1 stereo panning delay w/low level delay time: .05 - 1 sec Ping Pong 2 stereo panning delay w/medium level delay time: .05 - 1 sec Ping Pong 3 stereo panning delay w/high leveldelay time: .05 - 1 sec Ping Pong 4 stereo panning delay w/maximum level delay time: .05 - 1 sec Special 1 low echo delay w/effect on echo only delay time: .05 - 1 sec Special 2 medium echo delay w/effect on echo only delay time: .05 - 1 sec Special 3high echo delay w/effect on echo only delay time: .05 - 1 sec bypass (dry signal - no effect)n/aSIGNAL PATH FOR SPECIAL DELAY EFFECTS:DELAYSIGNAL PATH FOR ALL OTHER EFFECTS:EFFECTSEFFECTSDELAY8Storing Your Own Presets:Each channel of the VTX200S has two factory assigned DSP presets, as shown on pages 10 and 11. No matter what the settings of the DSP controls, the preset is recalled when a channel is selected. You may change the DSP settings by rotating the DSP con-trols - these changes will remain active until a different channel is selected, but will not be there for later use unless they are saved. To save a new DSP preset to a channel,first make the desired DSP changes. Then press and hold the Save/Tap button for about three seconds. The Save/Tap LED will flash through three quick sequences, indicating the preset was saved. The new preset is stored for that channel and will remain in mem-ory until a new preset is stored for that channel or the factory presets are restored.We recommend making copies of page 14 of this guide for the purpose of writing down your own presets.Restoring the Factory Presets:The factory assigned DSP presets may be restored, erasing any changes you have made. Turn the amplifier off. Press and hold the Save/Tap button as you turn the amplifi-er on. The Save/Tap LED will flash through two quick sequences, indicating the factory presets have been restored.More About the Save/Tap Button:The Save/Tap button is used to set the tempo of an effect by pressing it twice within a one second time frame. The time between the two taps sets the timing of the effect. If the Save/Tap button is pressed an odd number of times (once, three times, etc.), the tim-ing will default to the maximum one second time period.The Effects and the Delays may each have a different tap speed. The default “target”for the Save/Tap button is the Delay control. To select the Effects control as the tap but-ton’s target, rotate the Effects control. The Save/Tap tempo function will automatically revert back to the Delay control 16 seconds after the Effects control is rotated, or when the tap speed was last changed for the Effects control.NOTE: In most cases, it is usually more pleasing to the ear to set a slower tap speed for the HI effects and a faster tap speed for the LO effects.SAVE / TAPSAVE / TAPSAVE / TAP9Using the Footswitch:The special Crate four-button footswitch supplied with the VTX200S performs a variety of functions. The footswitch allows remote channel selection, remote Tap/Save for each channel, and allows access to an additional DSP preset for each channel of the amplifier. Use only the supplied Crate four-button momentary footswitch with the VTX200S. A standard 5-wire midi cable (supplied) may be used to connect the footswitch to the amplifier.(See page 8.)the LED channel - “DSP NOTE: DSP Bank “B” pre-sets are only accessible when the footswitch is connected, only DSP “A”is accessible.SWITCH #1:CH. 1 SELECT;TAP/SAVE FOR CH. 1FOOTSWITCHSWITCH #2:CH. 2 SELECT;TAP/SAVE FOR CH. 2SWITCH #4:LED on: DSP BANK A LED off: DSP BANK B421SWITCH #3:CH. 3 SELECT;TAP/SAVE FOR CH. 3310DSP Factory Presets:O P H AGG LO P H AGG LO P H AGG LFactory Preset 1: Clean w/Chorus, Delay, ReverbFactory Preset 2: Rhythm w/Slapback DelayFactory Preset 3: Solo w/Flange, Delay, ReverbThe VTX200S Factory Presets for the DSP section are as follows:11DSP Factory Presets:OP H AGG LO P H AGG LO P H AGG LFactory Preset 4: Clean w/ReverbFactory Preset 5: Rhythm w/ReverbFactory Preset 6: Solo w/ReverbThe VTX200S Factory Presets for the DSP section are as follows:INPUT12 INPUT12 INPUT12 INPUT12 INPUT12INPUT 12"Oceanic"Clean withVibrato, Delay,& Reverb"Super Funk"Clean withWah, Delay,& Reverb"Arena"Rhythm withReverb& Delay"Haze Faze"Rhythm withPhase& Reverb"Solo Wah"Solo withWah, Delay& Reverb"Octanator"Solo withOctave& Reverb1213SAVE / TAPO C T -C H OF L AN GE S I NEG A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I NEN G A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I NEN G A LMUTE3SAVE / TAPO CT -C H OF L AN GE S I N EN G A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I N EG A LMUTE3SAVE / TAPO C T -C H OF L AN GE S I N EG A LMUTE3EFFECTS TAP Tempo: MEDIUMDELAY TAP Tempo: MEDIUMEFFECTS TAP Tempo: N/ADELAY TAP Tempo: FASTEFFECTS TAP Tempo: N/ADELAY TAP Tempo: MEDIUMEFFECTS TAP Tempo: MEDIUMDELAY TAP Tempo: N/AEFFECTS TAP Tempo: N/ADELAY TAP Tempo: N/AEFFECTS TAP Tempo: N/ADELAY TAP Tempo: N/ADSP “Fill in the Blanks”(User Settings): Copy this page to fill in your own DSP Presets!User Preset:GLUser Preset:GLUser Preset:GL 1415System Block Diagram:INPUTCHANNEL 1BUFFERFLEX WAVE (LOW CHANNEL 2FLEX WAVE (MEDIUM CHANNEL 3FLEX WAVE (HIGH SWITCH CONTROLLERDSPA/B FOOTSWITCH 1 2 3 4TUNERA BC D EF GPOWER AMP 1OUTPUTS RETURN SEND SEND RETURNDAMPINGPOWER AMP 2OUTPUTS DAMPINGVTX200S TECHNICAL SPECIFICATIONS:Output Power Rating70W per channel @5% THD, 8 ohm load100W per channel @5% THD, 4 ohm load Speaker Size and Rating(2) Celestion Seventy 80W 12” 8 ohmInput Impedance470kΩTotal System Gain Ch 174dB, all controls @10Ch 288dB, all controls @10Ch 3103dB, all controls @10Maximum Input Signal Accepted 5 volts peak-to-peakChannel 1Low Control26dB range @ 70HzMid Control10dB range @ 900HzHigh Control20dB range @ 10kHzChannel 2Low Control26dB range @ 70HzMid Control10dB range @ 900HzHigh Control20dB range @ 10kHzChannel 3Low Control17dB range @ 100HzMid Control16dB range @ 1kHzHigh Control12dB range @ 7kHzPower Requirements120 VAC, 60Hz, 95VA100/115VAC, 50/60Hz, 95VA;230VAC, 50/60Hz, 95VASize and Weight21” H 27-3/4” W x 11-1/4”D, 45 lbs.The VTX200S is covered with a durable Tolex material: wipe it clean with a lint-free cloth.Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.Crate continually develops new products, as well as improves existing ones. For this reason, the specificationsand information in this manual are subject to change without notice.@2004 SLM Electronics, a division of St. Louis Music, Inc • 1400 Ferguson Avenue • St. Louis, MO 6313347-387-01 • 082004。
自动电铃设置方法
自动电铃设置方法自动电铃是一种方便、实用的设备，通常用于学校、办公室和其他需要按时提醒的场所。
它可以根据预先设置的时间自动发出铃声，帮助人们准时完成各种任务。
在本文中，我们将为您介绍如何设置和使用自动电铃。
第一步：购买合适的自动电铃设备首先，您需要购买一台适合您需求的自动电铃设备。
市场上有许多不同类型的自动电铃，您可以根据场所的规模和具体需求来选择适合的设备。
确保您购买到的设备具有稳定可靠的性能和易于操作的功能。
第二步：安装自动电铃设备一般情况下，自动电铃需要安装在合适的位置上，以确保声音能够在整个场所范围内传播。
通常，自动电铃设备要求挂在墙上或安装在适当的支架上。
在安装之前，请先阅读设备的安装手册，并按照说明进行操作。
第三步：设置铃声和时间表大多数自动电铃设备都有一个内置的时钟和存储芯片，您可以使用这些功能来设置铃声和时间表。
首先，您需要将设备连接到电源，并将其打开。
然后，按照说明将设备连接到您的电脑或移动设备。
接下来，您可以使用设备附带的软件或在线应用程序来设置铃声和时间表。
具体的操作步骤可能会因设备的不同而有所不同，因此请仔细阅读设备的说明书或访问设备制造商的网站以获取更多信息。
一般情况下，您只需要选择适当的铃声和时间，并将其保存到设备的存储芯片中。
第四步：测试自动电铃设备第五步：定期维护自动电铃设备为了确保自动电铃设备的长期稳定运行，您需要定期进行维护。
通常，您需要定期检查设备的电源连接是否稳定，是否有线缆松动或损坏。
如果发现任何问题，请及时修复或更换设备。
此外，您还可以定期清洁设备的外壳和按钮，以保持其外观整洁和使用舒适。
总结：。
电铃说明书
首先按“功能键”使屏幕出现1-1。“时”个位显示数表示星期几，“分”个位显示数表示打铃或不打铃，在此状态按“快进键”来改变星期1-7。按“编入键”“分”个位显示数为“1”即打铃（打铃仪一上电为1）。按“消除键”“分”个位显示数为“0”即不打铃。选定哪天打或不打铃后，再调回当时的星期日期。
预备铃的编入：
预备铃编入自动符号为-02，长按“功能键”使屏幕出现-02，如果屏幕出现-01请在此状态下按“慢进键”使屏幕出现-02，（相反再按一次“慢进键”又回到正式铃符号）出现预备铃自动符号后，无须按任何键，该功能已被自动编入。再按“功能键”使屏幕回到走时状态这样就可进行预备铃编入了。用“快进键”“慢进键”和“慢倒键”按出你想打铃的时间后，在按“编入键”这时屏幕右边的指示灯闪烁亮，表示此时间已被编入。如果不想要此时间，请在指示灯熄灭之前按“消除键”。
正红CN2100H不受停电影响，交直流二用全自动转换，特别适应于经常停电，或无交流电源的地方使用。直流电可用12V蓄电瓶或普通一号干电池8节（12V），当交流停电时自动转换成直流打铃。直流打铃时为减轻耗电量，时钟显示屏不亮，并且不能作任何键操作。仪器照样正常工作。如12V电铃响度不够，请更换机外电池及电瓶充电。正红CN-210一周中可任意设定那天打零与不打铃功能，该机为24小时制显示，时间显示更为清楚，规范。
在长按“功能键”使屏幕回到走时状态。一周中的任意一天打铃与不打铃程序已被编入。
时间表的输入
正式铃，预备铃分开排编，本仪器在未作预备铃更改前自动设定为正式铃状态即显示-01。
正式xx设定：
正式铃自动记忆符号为-01。长按“功能键”使屏幕出现-01，如果屏幕出现-02请在此状态下按“慢进键”使屏幕出现-01，出现正式铃自动记忆符号后，无须按任何键，该功能已被自动编入。再按“功能键”使屏幕回到走时状态。
J11212电铃使用说明书
J11212电铃使用说明书
一、 用途：电铃主要供中学物理教学使用，用来说明电铃的结构域工作原理
及电磁铁的应用
二、 结构：电铃主要由底座支架、电磁铁、黄片及触电、小锤、铃盘以及接
线柱、触电调节装置组成，如图所示：
三、 工作原理及使用方法：接通电源之前，先检查簧片触点与调节杆是
否接触良好，且黄片弹性适中，然后两接线端输入3~6V 直流电流，电铃即开始工作，发出清脆的铃声。
其工作原理是：当 电流接通时，电磁铁通电产生磁力，吸引簧片一侧的铁片，小锤击打铃盘一次，同时常闭触点断开，电磁铁断电，磁力消除，簧片由于弹性恢复到原来的位置，使触电与调节杆再次接触，电路通电，如此通电、断电循环往复。
四、 维护保养与注意事项：1、仪器应放在通风干燥处保存，以免金属件
生锈和线圈老化；2、勿长时间通电，以免电磁铁发热损坏。
底座
接线柱
支架 电磁铁
铃盘
小锤
触电
触电调节干
簧片。
电铃说明书
超速达CS－9812型电脑自动响铃器使用说明书型号：CS－9812尺寸：260mm(长)×180mm(宽)×50mm(厚)功能简介：1、微电脑控制，高亮度LED显示，清晰，明亮。
2、24小时内最多可设置40次不同的响铃时间。
3、铃声分长声、短声、一长一短三种方式可供选择。
4、响铃时间长短在99秒内可任意选择。
5、计时精度月差小于20秒。
6、内置高性能可充电电池，保证外部断电后20小时数据记忆。
7、既可每天响铃，也可设置一周内一或两天（休息日）不响铃。
8、紧急情况下可手动控制响铃。
9、输入电压在160V～230V之间仪器均能可靠工作，适合低电压地区使用。
10、设有输出保险，当外接负载短路或过载时，保险将熔断以对内部电路进行保护。
11、功率2W，耗电极小，500小时仅耗约一度电。
12、输出负载功率为220V/3A，可并接多个电铃。
面板说明：面板示意图操作步骤：***本仪器请勿与其他用电器共用电源插座，以免因干扰使响铃程序出现紊乱。
1、将响铃器电源接入220V 市电插座。
2、将响铃器后面板上的“内置电池”开关置于“开”的位置，使内置电池充电。
3、按动响铃器后面板上的“复位”键，屏幕显示。
4、按“S1”键，进入第一次响铃的响铃方式设置状态，屏幕显示。
5、对照下表，按动“S3 ”键设置末位数字，即响铃方式。
6、按“S2”键，进入第一次响铃时间设置状态，屏幕显示时位数字闪动。
7、按“S3”键，设置第一次响铃时间之“小时”。
注：若持续按住“S3”键，数字将快速变动。
（以下当S3键用作调整数字时相向。
）8、再按“S2”键，屏幕显示分位数字闪动。
9、按“S3”键，设置第一次响铃时间之“分”。
10、按“S1”键，存入第一次响铃的设置，同时进入第二次响铃的响铃方式设置状态，屏幕显示11、重复5 －10 步，设置第二、三、…次响铃的响铃方式及晌铃时向，直到将所需要的多次响铃的响铃方式和响铃时间全部设置完毕并存入，此时屏幕显示为第一次响铃的响铃方式设置状态，用户可不必设置，直接进入下一步。
SoundTube 电铃系列产品安装说明书
Install Instructions For:1.435.647.9555 | 800.647.TUBE | RSi & HP SeriesTransformer Taps Settings© 2008 S oundT ube Entertainment, Inc. All rights reserved. PN INS -RS Rev 05.12.0866W =111, 35W =108.5, 19W =106 10W =103, 5W =100 66W =111, 35W =108.5, 19W =106 10W =1039W =100, 2.5W =97, 1.25W =94, .75W =92HP690i 8 Ohm =117 dB RS600i, RS800i, RS1001i-II, HP690i, HP890i, HP129i, HP1290i speakers5. Mount speaker and bracket assembley to wall- plate. Use nylock nuts andwashers to secure. Do notfully tighten fastening hardware.boot over signal wire. For environmental applications, put RTV silicone around nipple and base when installation is complete.surface-mount bracket.threaded insert on each side of speaker.bracket to speaker.secure surface with approp- riate hardware (not included). Mount with wall-plate-stud pointing up.7. Connect signal wire to 4-pin Euroblock plug. Tighten unused terminal screws. Use inside positive and negative inputs for either voice coil or distributedsystems. For daisy chaining, use outside positive and negative terminals.8. S elect the tap position by removing the rubber plug on grille to access rotary switch. S witch is preset to maximum tap setting in 70.7 V mode. S elect desired setting andreinsert rubber plug. Note: The grille-mounted tap switch cover is keyed; be sure flat edge of plug lines up with flatedge of hole in grille.rear of speaker. Connectors are keyed for polarity.the hanging bracket using the supplied hex wrench, nut, washer & bolt. Attach other end to secure surface.。
电铃电气产品说明书
Eaton is a registered trademark.All other trademarks are property of their respective owners.Eaton 1000 Eaton Boulevard Cleveland, OH 44122United States © 2020 Eaton All Rights Reserved Printed in USA Publication No. MZ012021EN / Z24189June 2020Power Defense molded case circuit breakers Frame size 5 (320–1200 A)Dimensions and weights Approximate dimensions in inches (mm)Number of poles Width Height Depth28.25 (209.5)16 (406.4) 5.50 (139.7)38.25 (209.6)16 (406.4) 5.50 (139.7)411.13 (282.7)16 (406.4) 5.50 (139.7)Approximate shipping weight in lb (kg)Breaker type 2-Pole 3-Pole 4-PolePDG5 800, 1200 and 1600 A A46.8 (21.30)46.8 (21.30)58 (26.31)A 1600 A frame is IEC only.T rip unit ratingsPoles Continuous current rating Trip units2-, 3-, 4-pole Electronic 400, 800, 1200, adjustable range (150–1200)E##, D##, P## AA All #s refer to protection and options. Refer to the MCCB catalog or Power Defense poster for more information. Direct links are below.Additional informationMCCB catalog Time current curve PowerDefense poster Catalog number/product selectionT erminals Maximum breaker amperes Terminal body type Wire type Wire class Number of conductors per phase AWG/kcmil range per conductor Metric (mm2) range per conductor 3-Pole catalog number A Aluminum terminals 700Aluminum Cu/Al B, C 21–50042.4–253PDG5X1TA7001000Aluminum Cu/Al B, C 33/0–40085–203PDG5X1TA10001200Aluminum Cu/Al B, C 44/0–500107–253PDG5X1TA12001200Aluminum Cu/Al B, C 3500–750253–380PDG5X1TA1201Copper terminals 700Copper Cu B, C 22/0–50067.4–253PDG5X1T7001000Copper Cu B, C 33/0–50085–253PDG5X1T10001200Copper Cu B, C 43/0–40085–203PDG5X1T1200A Add M at end for metric hardware.T rip units Description Specification PXR electronic trip unitsTrip unit Interchangeable trip units Yes Molded case switch (K)Fixed magnetic Electronic PXR 20 (E) current metering / comm opt.LSI, LSIG, ALSI, ALSIG PXR 20D (D) current metering / comm std.LSI, LSIG, ALSI, ALSIG PXR 25 (P) power metering / comm std.LSI, LSIG, ALSI, ALSIG Frame size 5 configuratorShown: PD5 3-pole with PXR 25 trip unitFollow us on social media to get the latest product and support information.。
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1、概述目前在皮带运输巷和提升运输巷使用的信号装置大致有两类，一类是传统的隔爆型电磁式电铃；另一类是组合式声光信号电铃，其中有一些具有单工对讲功能。
后者在技术和功能上都有了较大发展，但要实现多水平信号区分、二级传送、安全灯自动转换等功能仍需要增设大量电缆及隔爆型三通、四通等，投资大、故障率高。
针对目前这种状况，我们研制生产了KXT23型数显通信声光信号装置。
该产品结构上为隔爆兼本安型设计，采用单片微控制器及调制解调技术，仅需一条四芯信号电缆，即能实现发出声、光信号、单工对讲、自动区分多水平、二级传送、红绿灯转换等功能。
技术领先、设计合理、一机多用。
可应用于皮带机巷和轨道运输巷，是目前声光信号装置中理想的更新换代产品。
2、主要技术参数3、主要功能3.1、发出声光信号、数显打点数功能在等机状态下，按下信号装置的“信号按钮”，联线上的各装置，均发出声光信号，并数字显示打点数（二级传送除外）。
3.2、自动实现二级传送功能将车房的信号装置，设置为二级传送状态（将DTP2开关中“1”拨到数字侧，“2”拨到ON侧），井口发出打点信号时，车房及其它水平相应发出声光信号，并显示打点数；当其它水平打点时，车房的信号装置，只有灯光及数字显示，而不发出打点声，也无127V电压输出，无须使用双联按钮，自动实现二级传送。
3.3、对讲呼叫功能在待机状态下，可实现单工对讲及呼叫功能。
按下信号装置对讲按钮，联线的所有信号装置均能听到讲话及呼叫，松开对讲按钮，信号装置均处于接收状态。
注：在绞车运行时，应禁止对讲呼叫，以免影响司机操作。
3.4、多水平数显功能将每台信号装置设置一个编码（如井口为“1”，一水平为“2”，车房不设置等），按下信号装置“信号按钮”后，其它所有联机装置都数显打点位置的编码，同时根据编码的不同而发出不同的音调，无须增加任何电缆及设备，自动实现多水平的信号区分。
3.5、安全灯自动转换功能在轨道运输中当绞车起动时，可对车房信号装置输入36V电压信号或工作闸继电器常开接点信号，每个水平都可自动实现安全灯转换，而无需重新架设电缆。
3.6、打点信号电压输出功能本装置可输出与打点信号同步的电压信号，当设置为二级传送状态时，只有DIP8编码为“1”的信号装置发出的信号，H、I端子才有127V电压输出，编码不为“1”的信号装置发出的信号，H、I端子无127V电压输出。
当不用二级传送时，任意位置发出信号，H、I端子均有127V电压输出。
4、结构原理原理框图见附图<一>。
该装置为隔爆兼本安型设计，由隔爆腔、本安腔、电源板、主机板构成。
采用单片微控制器及调制解调技术，以实现声音、数字信号的传输及各种控制功能。
对讲声音，由送话器经过放大送主处理器，然后通过调制解调器加到电源线上，接收机把电源线上的信号经调制解调器，通过主处理器，把声音信号还原出来。
经功率放大后，驱动扬声器发声。
位置数据信号通过打点控制，使主处理器经调制解调器把信号送入电源线上，接收机则把信号经调制解调器送入主处理器，主处理器经过运算后送入位置数据显示和信号计数显示电路。
5、使用方法5.1、对讲使用方法对讲时，按下面板下端的“对讲按钮”，通过中间小孔，声音信号传送到所有联机上，讲完后松开“对讲按钮”，则处于接听状态。
5.2、打点信号使用方法打点时，按下“信号按钮”，则本系统的所有信号装置，均数字显示发出打点信号的位置编码及打点数，两个发光二极管会发出红光，扬声器发出铃声。
发信号时，两次信号的间隔不大于0.8秒时，信号将累加计数，如果大于0.8秒，则信号数重新从1开始计数，视为另一组打点。
要求两次按下信号按钮的时间间隔不小于0.1秒。
6、安装及设置方法6.1、皮带机巷信号装置的安装方法皮带机巷信号装置的安装示意图、接线端子图见附图<二>。
6.1.1、电源线安装安装时将第一台右侧的A端子、B端子接127V信号综保，接地线接外壳，左侧的A端子、B端子及A1端子接第二台右侧的A端子、B端子、A1端子，线顺序要一致，第二台左侧再接第三台右侧，依次类推，并把所有机壳与地线连接好。
6.1.2、编码设置将所有联机本安腔的DIP2开关中的“1”拨到ON位置，“2”拨到数字侧（出厂时已设置完成），把第一台的DIP8开关中的“1”拨到ON侧，第二台DIP8开关中的“2”拨到ON侧，其余各台依次类推，设置一个不重复的编码即可。
6.2、小型轨道绞车信号装置的安装方法小型轨道绞车信号装置安装示意图、接线端子图见附图<三>。
注：多部绞车共用1台信号综保时，必须拨下位于本安腔（装置下部）电路板上的DJX插件。
6.2.1、电源线安装安装时，将第一台右侧的A端子、B端子接127V信号综保，接地线接外壳，左侧的A端子、B端子及A1端子接第二台右侧的A端子、B端子、A1端子，接线顺序要一致，第二台左侧再接第三台右侧，依次类推，并把所有机壳与地线连接好。
6.2.2、安全灯安装绞车房的信号装置右侧的D端子、E端子接来自80N或120N开关输出的36V 电压控制信号（开车时有36V输出，停车时无36V输出），其它联机各台此两端子悬空，将每台左侧的F端子接安全灯公共线，G端子接绿灯，R端子接红灯。
6.2.3、与（行车不行人）语音报警信号装置连接方法将本信号装置的电源线A、B接到语音报警信号装置的电源侧，将隔爆腔R 端子接到语音报警信号装置的触发端，具体安装时要参照语音报警信号装置的说明书。
如果语音报警信号装置不能正常工作，则可能是触发相位不对，将A、B 相电源对调即可。
6.2.4、编码设置编码设置开关为DIP8开关，二级传送为DIP2开关，都设在本安腔的线路板上。
6.2.4.1不用二级传送时的设置方法将所有联机主机板（位于装置下半部）上DIP2开关中“1”拨到ON侧，“2”拨到数字侧（出厂设置）。
将井口信号装置主机板上DIP8开关中“1”拨到ON侧，其余在数字侧；下一台DIP8开关“2”拨到ON侧，其余在数字侧；依次设置一个不重复的编码。
注：每台只能将一个拨码拨到数字侧，否则发不出信号。
6.2.4.2、使用二级传送时的设置方法将绞车房信号装置主板上DIP2开关中的“1”拨到数字侧，“2”拨到ON侧（与出厂设置相反）；DIP8开关中的8个开关都拨到数字侧。
将井口及其它各台信号装置主机板上DIP2开关中的“1”拨到ON侧，“2”拨到数字侧（与出厂设置相同）。
将井口DIP8开关中的“1”拨到ON侧，其余在数字侧；下一台信号装置DIP8开关中的“1”拨到ON侧，其余在数字侧；依次设置一个不重复的编码即可。
6.3、大型轨道绞车信号装置的安装方法大型轨道绞车的安装示意图、接线端子图见附图<四>。
6.3.1、电源线的安装安装时将第一台右侧的A端子、B端子等接127V信号综保，接地线接外壳，左侧的A端子、B端子及A1端子接第二台右侧的A端子、B端子、A1端子，接线顺序要一致，第二台左侧再接第三台右侧，依次类推，并把所有机壳与地线连接好。
6.3.2、安全灯安装将大绞车工作闸继电器GZJ的一组空闲常开点，接于车房信号装置右侧的E 端子和A1端子，其它联机各台E端子悬空，将每台信号装置左侧的F端子接公共线，G端子接绿灯，R端子接红灯。
6.3.3、与（行车不行人）语音报警信号装置连接方法将本信号装置的电源线A、B接到语音报警信号装置的电源侧，将隔爆腔R 端子接到语音报警信号装置触发端，具体安装时要参照语音报警信号装置的说明书。
如果语音报警信号装置不能正常工作，则可能是触发相位不对，将A、B相电源对调即可。
6.3.4、信号继电器与绞车后备保护信号的安装本信号装置中的右侧端子H和I将输出与打点信号同步的127V电压，此电压可供给电控系统中的信号继电器用，也可以供后备保护作为打点信号用，容量为127V、1A。
在二级传送状态，只有DIP8开关设置为“1”的信号装置发出信号时，车房信号装置的H、I端子才输出127V电压，其它编码的信号装置发出信号时，H、I端子才输出127V电压，其它编码的信号装置发出信号时，H、I端子无127V电压输出，与绞车保护配合实现信号闭锁。
6.3.5、编码设置编码设置开关为DIP8，二级传送开关为DIP2，均设置在本安腔的线路板上。
6.3.5.1、不用二级传送时的设置方法将所有联机主机板（位于装置下半部）上DIP开关中“1”拨到ON侧，“2”拨到数字侧（出厂设置）。
将井口信号装置主机板上DIP8开关中“1”拨到ON侧，其余在数字侧；下一台DIP8开关“2”拨到ON侧，其余在数字侧；依次设置一个不重复的编码。
注：每台只能将一个拨码拨到数字侧，否则发不出信号。
6.3.5.2、使用二级传送时的设置方法将绞车房信号装置主机板上DIP2开关中的“1”拨到数字侧，“2”拨到ON 侧（与出厂设置相反）；DIP8开关中的8个开关都拨到数字侧。
将井口及其它各台信号装置主板上DIP2开关中的“1”拨到ON侧，“2”拨到数字侧（与出厂设置相同）。
将井口DIP8开关中的“1”拨到ON侧，其余在数字侧；下一台信号装置DIP8开关“2”拨到ON侧，其余在数字侧；依次设置一个不重复的编码即可。
7、简单故障处理8、安装使用注意事项8.1、安装前要认真阅读说明书，并作好常规防爆性能检查，注意工作电压与装置额定电压是否一致。
8.2、接线时应注意所有联机为A、B、A1端子顺序必须一致，以免造成信号装置损坏或通信不正常。
8.3、本安腔（装置下半部分）打开时，要向上侧或右侧轻轻翻转，不要用力拉扯，以免拉断扬声器连接线。
8.4、多部绞车共用一个信号综保时，必须拨下位于本安腔电路板上的DJX 插件。
（拨下后，注意保存）8.5、本安腔带电改变编码时，应先将原拨码拨回，然后再拨新码，拨码时不要用力过大，以免损坏拨码开关。
不可同时拨两个或两个以上编码，否则发不出打点信号。
8.6、防爆腔127V电压输出端子H、I外接电铃、继电器时，总负载功率应不大于100W；H、I端子不能并接其它电源，以免烧坏可控硅。
8.7、每次打点响铃时间必须大于0.1秒，一组信号的两次打点间隔必须大于0.1秒而小于0.8秒，两组信号间隔要大于0.8秒。
8.8、距话筒0.3m左右对讲时，声音更清晰。
8.9、本安腔上面的小孔为话筒孔，右侧为发声孔。
不可有异物塞入此孔。
8.10、隔爆腔上盖前应涂抹凡士林。
8.11、不准在A、B相与A1间另加按钮，否则会造成装置损坏。
8.12、根据规程要求，信号装置电源必须专用，禁止其它设备从本装置借用电源，语言报警信号和安全灯除外。
9、售后服务请仔细阅读说明书，一般电工即可安装，我公司不派专人安装，出现非人为故障保修6个月，并长期有偿服务。