论舒婷诗歌的浪漫主义特征

论舒婷诗歌的浪漫主义特征

摘要

舒婷是一个天才式的抒情诗人。她的诗，是用真情谱写的一曲美丽而忧伤的歌！她的诗歌，将感情和艺术融合得天衣无缝，和谐的音韵性、优美的形式感、飞驰的想像、丰富的意象、深邃的意境都是那样信手拈来、自然天成，将浪漫主义的审美特征发挥到了极致，给单调的中国现代诗歌带来清新的空气。本文从舒婷诗歌的情感和意向入手，探讨其诗歌的浪漫主义特征。

全文分为引论、正文、结语三个部分。正文部分围绕舒婷诗歌的浪漫主义特征分两章加以阐述。浪漫主义最大的特点就是抒情性和丰富的想象。第一章主要论述舒婷诗歌忧伤的情感。舒婷的诗诞生在中国的苦难岁月，忧伤是她情感和创作的一大特色。她的诗，既是对时代忧伤的抒写，也是对爱情忧伤的诠释，同时亦流露着温婉柔情的母性情怀；她把个人忧伤与大众的忧伤结合在一起，在忧伤中又蕴含着对未来无限的憧憬。第二章主要分析其诗歌的意象艺术。她的诗歌意象十分丰富，其意象的变化与组合随情绪的变化而变化，自然天成，具有“因情置象”的特点。

关键词：舒婷，忧伤，音韵节奏，意象，抒情艺术

Abstract

Shu Ting is a genius of the Lyric poet. Her poetry, is a beautiful and sad song which composes with the true feelings! Her poetry, the feelings and

art have a seamless heavenly robe, sound rhyme, graceful

form harmoniousfeeling, flying imagination, rich imagery, profound artistic conception is that kind of have one's words at

hand, naturalTiancheng, the aesthetic features of Romanticism to play to the extreme, to the Chinese modern poetry monotonous bring

fresh air. This paper from the emotion and intention of Shu Ting's poetry of the romantic characteristics, discusses its poetry.

The full text is divided into three parts:

introduction, text,epilogue. The romantic features around Shu Ting's

poetry is divided into two chapters to elaborate. Romantic is the

biggest lyricism and rich imagination. The first chapter mainly discusses Shu Ting's poetry feeling of sadness. Suffering the poetry of Shu Ting was

born in China, sad is her feelings andthe creation of a special color. Her poetry, both times sadexpression, but also to love sad interpretation, but also show a mild tenderness maternal feelings; her personal sorrow and mass sadness together, in sorrow but also contains infinite longing for the future. The second chapter mainly analyzes the image art of poetry. Her poetry images of ten rich,changes in combination

with the image changes, along with the changes of

mood natural Tiancheng, with "because oflove is like".

Keywords: Shu Ting, blues, rhythm, imagery, lyric art

引论

舒婷，一个满蕴诗意的名字：舒婷的诗，“文如其名”，是缪斯腾飞的杰作! 她的诗总是浸透着真挚的感情，充满忧伤的旋律。正如她自己在诗中所言，她的诗是“忧伤的花朵”然而，在忧伤的旋律中，希望的蓓蕾也悄然绽放！忧伤和灼热、失望和希望、伤感和浪漫、痛苦和理想，都在其诗歌中融为一体。除此之外，她的诗歌，充满大量的意象，表现了诗人丰富的想象力。她将被否定已久的浪漫主义重新发扬光大，成为新时代诗坛的代表人物。她的诗，是自我真情的流露！她用自己的一支秀笔抒写出人间普遍的忧伤，将个人的忧伤与大众的忧伤、时代的忧伤紧密地连接在一起。她又是一名“歌”手，将感情和艺术融合得天衣无缝。和谐的音韵性、优美的形式感、飞驰的想像、丰富的意象、深邃的意境都是那样信手拈来、自然天成。

几十年来，学者们对舒婷的研究从未间断过。1980年《福建文艺》刊登了舒婷的《心歌集》，紧接着于2月开始，以舒婷诗歌研究为切入点，进行了长达―年多的“关于新诗创作问题的讨论”。孙绍振的《恢复新诗根本的艺术传统一一舒婷诗歌创作给我们的启示》、刘登翰的《一股不可遏止的新诗潮一从舒婷的创作和争论谈起》及其《通往心灵的歌一记诗坛新人舒婷》就是代表性文章。在这一讨论时期，评论者都还处于对舒婷诗风的惊奇之中，评论文章虽然很多，但都集中在对其存在的合法性的争论上，思路并不是很开阔。这也不难理解，人们刚刚从十年浩劫中走出来，对于浪漫主义心存疑虑。1983年以后，关于舒婷诗歌的讨论表面上不如盼