警察与赞美诗读后感英文

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警察和赞美诗读后感英文

警察和赞美诗读后感英文

警察和赞美诗读后感英文警察与赞美诗是欧亨利小说的名篇。

看了中文读后感还不够,还想看点英文读后感。

下面是店铺精心为你整理警察和赞美诗读后感英文,希望你喜欢。

警察和赞美诗读后感英文篇一The Cop and the Anthem is a very interesting short novel. It is written by O.Henry. In the story, a poor man named Soapy has no job or money. He wanted to go to the jail because he has nowhere to go. The food in the jail can feed him. He tried a lot to break the law so that the police would catch him and send him to the jail. He ate a great meal without paying the bill, he shouted in the street, he grabbed someone’s umbrella. But he failed, the people just didn’t call the police. He started to think. He thought it was the God’s idea to keep him out of jail. And just when he decided to find a job and live on his own, a police came and send him to jail.Sometimes the life is like a joke, it is very interesting. Just like Forrest Gump once said “Life is like a box of chocolate, you never know what you are gonna get”。

欧亨利短篇小说读后感、读后感作文:欧亨利短篇小说集读后感500字的范文

欧亨利短篇小说读后感、读后感作文:欧亨利短篇小说集读后感500字的范文

欧亨利短篇小说读后感、读后感作文:欧亨利短篇小说集读后感500字的范文[一: 读后感作文:欧亨利短篇小说集读后感500字的范文]欧亨利短篇小说选》是美国短篇小说大师欧亨利作品的选集。

书中,社会上那些巧取豪夺,坑蒙拐骗,利欲熏心,尔虞我诈的上流人物,得意之徒们的丑恶行径,被揭露无遗。

通过他们的种种表现,形象逼真,不拘一格地向读者展现了文明社会的黑暗与滑稽本质,弱肉强食与天良丧尽的现实,并喻示在金钱万能,唯利是图的生存环境中,人性的异化和畸变。

然而在众多对丑恶人性的描写之中,也不乏许多使人肃然起敬的小人物,让人对荒诞,滑稽的故事漠然一笑之后,感慨万千。

留给我印象最深的是《两位感恩节的绅士》这篇文章,它让我真正领略到了人性的魅力。

然而在众多对丑恶人性的描写之中,也不乏许多使人肃然起敬的小人物,让人对荒诞,滑稽的故事漠然一笑之后,感慨万千。

留给我印象最深的是《两位感恩节的绅士》这篇文章,它让我真正领略到了人性的魅力。

故事讲了两位美国绅士其中一人根本不能称之为绅士,他只能说是一个常年受饥饿折磨的穷人。

在他们之间有个奇怪的约定每年感恩节,穷人便会坐在联邦广场喷水池对面人行道旁边东入口右面的第三条长凳上,等待着老绅士的到来。

老绅士来了之后,会带这位饥肠辘辘的穷人饱餐一顿。

这就是他们之间神圣的约定。

对老绅士而言,一顿饭钱简直微不足道,但是,他却从其中找到了助人的乐趣。

而穷人的目的也并不完全是在于那顿丰盛的饭菜,更重要的是能使一位老人如自己所愿。

这个传统延续了九年之久,第十年的感恩节,穷人照惯例走在去约会地点的路上。

可出乎意料的事发生了。

半路上,穷人被一幢住宅的管家请进了门,并可以享受一顿丰盛的大餐。

原来住宅的主人两位老太太,也有一个奇怪的传统在正午把第一个饥饿的路人请进门,让他大吃大喝,饱餐一顿。

饥饿的穷人抵挡不住事物的诱惑,畅开肚子,吃了起来。

当他心满意足地走出住宅时,才想起了和老绅士的约定。

但他还是如约与老绅士碰了面。

欧亨利《警察与赞美诗》英文介绍

欧亨利《警察与赞美诗》英文介绍
Pen name : O. Henry Primitive name : William Sidney Porter Date of Birth: 1862.9.11 Date of Death: 1910.6.5 Birthplace: Greensboro, North Carolina Nationality: America Occupation: Writer Characteristics of his works: careful plotting, ironic coincidences, and surprise endings Works: Cabbages and Kings (1904)
vandalism苏比走到一家陈设别致大玻璃窗惹眼的铺子前捡起鹅卵石往大玻璃上砸去然后望着旁边的警察笑警察认为没有人做了坏事会自己等着受罚所以正眼看都没看他就追着前面跑着赶车的人去了
The Book Report
The Cop and the Anthem
《警察和赞美诗》
By O.Henry
About the Author
• 3. Soapy decides to clean up his life after hearing an anthem. But alas, he is sentenced to three months in prison.
Daydreaming
苏比看见一所高级餐馆,刚 迈进餐馆的门。服务生领班的目 光就落到他的旧裤子和破皮鞋上, 然后就把他推到人行道上去了。
时髦的文雅娴静的女子在看商品。 苏比打算以一个好色之徒的身份 走过去调戏她,旁边的警察正看 着他们。想不到这位女子却转身 亲热地搂着他,说跟他走之前要 他给自己买一杯啤酒,然后苏比 在拐弯处懊丧地甩掉了女子。

《警察与赞美诗》英文梗概

《警察与赞美诗》英文梗概

A New York City hobo named Soapy,who sets out to get arrested so he can avoid sleeping in the cold winter as a guest of the city jail.Soapy's ploys伎俩include swindling诈骗a restaurant into serving him an expensive meal, breaking the plate-glass window of a luxury shop, repeating his eatery exploit at a humble简陋的diner, sexually harassing a young woman, pretending to be publicly intoxicated喝醉to make troubles, and stealing another man's umbrella.However, all of these attempts are quickly exposed as failures.Based on these events, Soapy despairs of his goal of getting arrested and imprisoned.As O. Henry describes events, the small church has a working organ机构and a practicing organist风琴演奏者. As Soapy listens to the church organ play an anthem圣歌, he experiences a spiritual epiphany 神灵显现then he resolves决定to cease停止to be homeless, end his life as a tramp afflicted苦恼with unemployment, and regain his self-respect.As Soapy stands on the street and considers the plan for his future, however, a policeman taps him on the shoulder and asks him what he is doing. When Soapy answers “Nothing,” his fate issealed未知: he has been arrested for loitering闲荡. In the magistrate’s法官court on the following day, he is convicted定罪of a misdemeanor行为不端and is sentenced to three monthsin Blackwell's Island, the New York City jail.。

警察与赞美诗 英文读书报告

警察与赞美诗 英文读书报告

《警察与赞美诗》读书报告The Cop And The Anthem was just a very short novel I read in the middle school. I have no memory of this classical novel except its ridiculous ending, which the writer, O Henry ’s best at.By accident,professor Zhong reminds me of the novel in his class. It’s real lucky I think of this novel when I have to finish a reading report this week, especially in autumn. It’s getting colder and colder, so winter is near.The Cop And The Anthem is a story that happened in a cold winter. Soapy is a vagrant who is homeless and jobless. Because of the coming bad weather, he may live uneasily outside and there is a comfortable and warm place for him, Blackwell prison. For years the hospitable Blackwell prison had been his winter refuge.Three months of assured board and bed and good company, safe from north winds and policemen, seemed to Soapy the most desirable thing. Soapy had made his arrangements for his annual journey to the island. He committed crime on purpose so that he can be put into prison in winter. However, things didn't go as he expected. But when he made up his mind to give up evil and return to good, he was arrested.That funny ending impressed me very much. At first, I shew great sympathy to this poor man. He had to put himself into the prison, where his freedom was limited, in order to live himself. But after he stirred up trouble for six times and still didn’t get arrested, he was put into the once dreamed prison because he wanted to be a good man. It’s an entirely incredible ending, but it also became the highlight of this novel. O. Henry's short stories are famous for their surprise endings, his wit, wordplay and humor. And where there is humor, there always is specific implication.His black humor is present in various places from this short novel. Soapy, the vagrant who had committed a crime for six times, was eager to go to prison. But he was always out of luck and got policeman's forgiveness. When Soapy was touched by the anthem and decided to be a good citizen, he was arrested for groundless reasons. This comparison between Soapy’s before and after expresses the social reality profoundly. Although I can’t help laughing when I read this surprise ending, I also feel pity for his miserable life. This kind of black humor not only appears in the ending, it’s used in lots of plots of this novel and often make a contrary to my expectation.Soapy stole an umbrella from well-dressed man when he had expected the umbrella’s owner could send him into the prison. But the umbrella also didn’t belong to that neatly dressed man,anupper class gentleman who had a beautiful appearance. When he sang drunken songs at the top of his voice, danced, and howled on the sidewalk. The policeman mistook him into one of Yale lads celebrating their victory of football game over the Hartford College.He thought Soapy was only noisy but no harm. The funniest one is, when he molested a beautiful lady in front of a policeman, the lady joyfully answered his flirtation. The gentleman and lady who had beautiful appearances, even the policemen all expose one dirty and unrational society to us. It’s a fact beyond our imagination that the noble upper class may hide their dirty heart under good appearance. This sick society caused many poor people’s present like Soapy. But it’s these people that easily could be touched and moved by the simple anthem and decided to give up the evil and be a good man. They were so kind but regarded to be abnormal when they behave peaceful outside the church.O.Henry uses a number of comparison and black humor to fully display the character's wretched fate and cruelty of capitalist society. He is famous for short novels that are skillful with these writing techniques and is also good at describing American society. The story in this novel ironize and reveal the realistic of New York’s society at that times. That ridiculous play happened in a cold late autumn, like now. Hope this winter won’t be so cold because of people’s warm heart.。

警察与赞美诗英文读后感

警察与赞美诗英文读后感

警察与赞美诗英文读后感本文是关于读后感的,仅供参考,如果觉得很不错,欢迎点评和分享。

警察与赞美诗英文读后感When people really want to do it, God just happens to mean the beginning, and go back on, shameless the.Undeniably, the opportunity is the wait for anyone, it is not passive, not waiting for you to analyze, analyze it, consider this, consider that a series of trivial events, and then decided to do it. Perhaps it is itself a fleeting "Wizard", which is the test of courage and guts, wisdom and soul. It does not mean that all things should not be thoughtful, careful Clofibrate conduct, and if so, what we were in ancient times? Of course, opportunity and a need to treasure, you need to take advantage of, opportunities have come across are very "difficult" to fully and thoroughly to take advantage of, but it is "difficult." How to better "perfect" it is a priority.The policeman, not a claim has been given many opportunities than it? The cable does not do this than to understand what, just keep endlessly kept in mind for his so-called "target" to continue to play a life, "clown", never tired. And lucky him, the total in the "stage" has written "slip",but in the end was as a "joke", laughed.A "drama" in the end, which means another "Drama" begins. The police is concerned, only to routine; on the reader, but near the end; of life is concerned, only a small episode; of the writer is concerned, it is a good plot; on the audience, the only worthy of a ticket; on Soapy, it is a new idea of life close to, for he had the "ignorance" to pay, value is what he does not escape from his hand, he may be able to reverse the fate of the "Opportunity" and its contempt for the lessons learned in the final result.If he will blame anyone, so that he does deserve it; if he can only blame himself, then he can say to yourself out loud: "Three months, not too long, I will cherish and seize the time each day . well, in fact, did not run away, but I ignored. wait for it … … "Well, in fact, did not go far. Yes, a lot of happiness to dominate, the opportunity is one of them. Do not wait until God impatient, after all, he has emotions, give you played rough, then, as if too lacking in "human touch" of the. But their suffering.Cherish the people or things around them, they change every day, but we are too busy, did not see. Opportunity is likea chance encounter, a good thing. Take advantage of, the benefits of it to play the extreme, it is a "beauty" thing. A person's life will be all sorts of conditions, each of the significance of the situation is very different, very different. Select a different situation, a different life, a different fate, a different change … … So, we have to opportunity, "transparent", fully see, so that would not go astray friends.If the contrary, the outcome would be like Soapy: horror, realize that they have plunged into the abyss, the fallen years, shameful desire, despair, only poor intellectual exhaustion, motivation despicable.Not grasp the opportunity to meet, are fools; not met but know how to grasp opportunities is talent; both opportunities and understanding of how the event is a genius.感谢阅读,希望能帮助您!。

小人物矛盾却又无奈的选择--读欧亨利的《警察与赞美诗》

小人物矛盾却又无奈的选择--读欧亨利的《警察与赞美诗》

最新英语专业全英原创毕业论文,都是近期写作1 探析《呼啸山庄》男女主人公爱情悲剧的根源(开题报告+论文+文献综述)2 Women’s Image in Pygmalion3 A Comparison of the English Color Terms4 环境、性格、命运--评《远大前程》主人公皮普5 An Analysis of Feminism in Little Women6 《蝇王》中的象征7 Family Values in Desperate Housewives8 Analysis on the Withdrawal of Feminism in The Great Gatsby9 对外新闻的导语编译研究10 多丽丝•莱辛《屋顶丽人》与威廉•福克纳《干旱的九月》中女主人公的对比研究11 托妮•莫里森《宠儿》中的主角赛丝的女性形象研究12 《了不起的盖茨比》叙述者尼克分析13 文档所公布均英语专业全英原创毕业论文。

原创Q 799 75 79 3814 广告对中国百姓生活的影响15 《喜福会》中的文化身份分析16 浅析“红”和“黑”在中英文中的文化及语义对比17 从《纯真年代》中的女性角色看伊迪斯华顿的女性意识18 英汉“走类”动词短语概念隐喻的对比研究19 礼貌策略在国际商务谈判中的运用20 艾丽丝沃克《日用家当》中的人物解读21 文化语境视域下英语习语的汉译研究22 从数字看中西方文化差异23 分析海明威在《永别了,武器》中的悲剧意识24 从常见的中英文名字比较中英两国命名文化差异25 《中国日报》与《纽约时报》灾难新闻之比——以系统功能语法为视角26 中国梦和美国梦的对比分析27 语篇分析在阅读教学中的运用28 消费主义视角下看《麦琪的礼物》中的男女主人公29 A Comparative and Contrastive Study of Family Education in China and America30 《绝望的主妇》中的中产阶级女性独立意识的研究31 苔丝的悲剧命运分析32 论《傲骨贤妻》字幕翻译中的归化和异化策略33 一个反叛者的肖像--以《土生子》为例34 论《黑夜中的旅人》中主人公的信仰冲突与融合35 Doomed Tragedy out of Desire-Driven Morbid Personalities in Nabokov’s Lolita36 英语成语跨文化翻译策略37 Approaches to the Limits of Translatability for English Palindromes38 论外国文化在英语学习中的重要性39 论《简爱》中的女性意识40 广告语中预设触发语的语用分析41 《劝导》中安妮•艾略特的道德判断42 论华兹华斯诗歌中的自然观43 《蝴蝶梦》中的哥特式元素44 汽车商标词的翻译特征和方法45 中西方在养老孝道方面的差异46 从英汉颜色词的内涵看其翻译47 诠释《儿子与情人》中儿子、母亲、情人之间的关系48 The Interpretation to Captain Ahab in Moby Dick through Abnormal Psychology49 莎士比亚《仲夏夜之梦》中的男性探究50 论英语小说中俚语的汉译51 Cultural Issues in Interpreting52 高中英语新课标在xx中实施情况调查与分析53 从归化的角度分析《飘》的中译本54 英语委婉语的构成与应用55 美国基督新教与中国儒家的伦理道德的比较56 金钱与婚姻—论《傲慢与偏见》中的婚姻价值与导向57 《嘉莉妹妹》之悲剧性——基于嘉莉与赫斯特伍德的比较58 国际商务谈判中的非语言交际59 合作教学理论在初中英语阅读中的运用60 An investigation of the Feasibility of Inquiry Teaching In Middle School English Teaching61 从跨文化交际视角谈品牌翻译策略62 文化语境对翻译的影响63 科技英语中被动句的语篇功能探析64 从《蝴蝶夫人》到《蝴蝶君》的蜕变65 从古至今的吸血鬼文化66 中西方饮酒礼仪的比较6768 汉语公示语的英译69 On Contradiction Between Comprehension and Expression in Translation70 跨文化意识在初中英语教材中的渗透71 中式菜肴命名的文化内涵与英译72 Cause of Tragedy in Desire Under the Elms73 浅析广告发展现状及其未来发展趋势74 企业行为管理的共同价值观浅析75 多媒体英语教学的优势与劣势76 “It be adj for sb to do sth”中形容词制约研究77 从奥运菜单看中式菜肴英译名规范化程度78 《嘉莉妹妹》中男女主人公命运的对比分析79 On the Character of Scarlett O’Hara and the Transition of American Soci ety80 种族沟通的桥梁——对《宠儿》中两个丹芙的人物分析81 人性的扭曲,堕落与回归——希刺克厉夫的人性简析82 中西方饮食文化的比较研究83 欧•亨利短篇小说中的美式幽默风格的翻译84 从女性主义解读《芒果街上的小屋》85 高中英语词汇教学策略86 论《永别了,武器》中战争对人物的影响87 Analysis on the Chapter Titles Translation of The Story of the Stone88 从《纯真年代》的女性角色看旧纽约的女性地位89 评析杰克伦敦小说《荒野的呼唤》中巴克的象征意象90 浅析《我们共同的朋友》中的象征手法91 英汉动物词汇文化内涵对比92 英语构词法对词汇习得的影响93 文本分类理论与广告翻译94 目的论视角下公示语汉英翻译研究95 功能对等理论视角下的商务合同翻译研究96 《睡谷的传说》中理想与现实的矛盾97 A Comparative Study of Female Consciousness between Wang Anyi’s Everlasting Regret and Virgina Woo lf’s Mrs. Dalloway98 Analysis of the Elements of Modernism of Wuthering Heights99 英语交际中害羞心理产生的根源及其克服方法100 从归化和异化的角度对《小妇人》的两个中文译本的比较研究101 《老人与海》和《热爱生命》的生态比较102 分析路易莎•梅•奥尔科特的《小妇人》中的女权主义103 论《黑夜中的旅人》中主人公的信仰冲突与融合104105 从依恋理论看《呼啸山庄》主人公希斯克利夫悲剧性格的形成106 A Tentative Approach To Contemporary American Romance Movies107 浅析科技英语翻译中的逻辑错误108 《傲慢与偏见》和《简爱》中的性别歧视现象和女权主义109 中国文学作品中的歇后语的英译-以红楼梦为例110 中西服饰文化差异对语言的影响111 《洛丽塔》的悲剧分析112 从目的论角度看外宣翻译研究113 论劳伦斯《儿子与情人》中瓦尔特•莫雷尔悲剧的成因114 德国功能目的论指导下广告口号的汉译115 《蝇王》中的象征116 库柏《最后的莫西干人》中的麦格瓦分析117 从玛氏公司看英美文化对广告的影响118 海明威的矛盾性格在其作品中的体现119 Problems in the Oral Class and Solutions to Them120 从标记理论看英语词汇性别歧视现象121 从目的论角度分析化妆品品牌翻译122 英文小说中的中国文化认同——《京华烟云》赏析123 从死亡委婉语中透视中西方文化差异124 “雨中的猫”与“一个小时的故事”中女性意识觉醒的比较研究125 困境重生—《鲁宾逊漂流记》中鲁宾逊性格浅析126 《西游记》和《哈利波特》的对比127 A Study of Nonverbal Communication128 从功能对等理论角度看求职简历汉译英129 初中生英语听力理解的障碍因素及对策130 英汉委婉语的文化对比研究——以“死亡”委婉语为例131 Satan in Paradise Lost as a Tragic Hero132 解析《诺桑觉寺》中凯瑟琳的自我成长133 从生态视角解读《瓦尔登湖》134 广告英语的语用策略分析135 英语专业学生词汇学习策略特点研究136 目的论在英语儿歌翻译中的应用137 浅析爱伦·坡小说《黑猫》的写作艺术手法138 The Pursuit of Freedom and Love in E.M. Forster’s A Room with a View139 The Analysis of Promotion Strategy of L’Oréal in China140 李宁的品牌推广141 从存在主义视角研究J.D.塞林格《泰迪》142 广告语中预设触发语的语用分析143 从女权主义视角分析《红字》中海斯特白兰的形象144 从女权主义视角解读《简爱》145 德伯家的苔丝中苔丝的悲剧成因分析146 从翻译等值理论看文化词的翻译147 宗教枷锁下的人性挣扎——《红字》中丁梅斯代尔形象解读148 唯美主义理论与实践的矛盾——解析王尔德的矛盾性149 论《荆棘鸟》中拉尔夫的形象150 汉英“眼”概念隐喻的对比研究151 一项有关影响中国学生英语听力理解的因素的调查研究152 浅析中西方文化中会面礼仪的差异153 浅析《远大前程》中皮普的个人抱负与自我完善154 语境对法律英语翻译的影响155 An Analysis of Daphne du Maurier’s Female Identity Anxiety Reflected in Rebecca156 浅析焦虑对英语专业学生英语口语的影响157 《威尼斯商人》中夏洛克形象的解构与重建158 一个女性的悲剧—从人性角度浅析苔丝的悲剧159 生态批评视域中的《红字》160 凯瑟琳安波特作品中的女性话语权威161 Living in the Crack: A Study of the Grotesques in Winesburg, Ohio162 会议交替传译中习语的翻译163 浅析欧•亨利小说中恶棍骗子形象塑造--以《双料骗子》,《提线木偶》为例164 Rhetorical Art and Chinese-English Translation Suggestions of Business Transaction Correspondence165 《哈姆雷特》戏剧中的悲剧因素166 浅析菲利普从妥协走向庸常的原因—反刍毛姆《人性的枷锁》167 浅析造成盖茨比悲剧的因素168 《雾都孤儿》中的反犹主义169 浅析《老人与海》中桑提亚哥的性格170 从儿童心理角度看儿童文学中的对话翻译171 日常生活中隐喻的认知研究172 中美企业文化差异研究173 论《米德尔马契》中的人性主题174 Coherence in English-Chinese Translation: A Pragmatic Study175 英语新闻的用词和翻译176 A Comparison of the English Color Terms177 The General Principles in Translating Chinese Novels into English178 美的遗失与幻灭——论托妮莫里森小说《最蓝的眼睛》中的黑人世界179 论《了不起的盖茨比》中的象征及其作用180 《傲慢与偏见》基本婚姻观背后的世纪英国社会历史因素181 继承与颠覆—解读《傲慢与偏见》中的“灰姑娘”模式182 旅游宣传品的翻译183 英汉动物词汇文化内涵意义对比研究184 Culture Colonialism in Heart of Darkness185 An Image of Eternal Charm—An Interpretation of Scarlett’s Character in Gone with the Wind 186 从《店员》解读作者双重身份的矛盾心理187 A Study of Stylistic Features and Translation of Journalistic English188 An Analysis of “The Cask of Amontillado”189 论英语影视作品的字幕翻译技巧190 反思《夜访吸血鬼》中的同性恋现象191 商务英语书面语语言特色的语用分析192 解析凯瑟琳的爱情与婚姻之分离193 浅谈英汉谚语的翻译——从跨文化角度出发194 谈某些颜色词的翻译195 苔丝之罪是谁之过196 论小说《看不见的人》中的象征主义197 从作者夏洛蒂·勃朗特看《简·爱》198 Aesthetic Arts in Allan Poe’s Poetry—An Analysis of Israfel and Annabel Lee199 善,还是恶――《我弥留之际》中安斯性格分析。

警察与赞美诗的英文读后感1

警察与赞美诗的英文读后感1

警察与赞美诗的英文读后感1第一篇:警察与赞美诗的英文读后感1The Cop and the AnthemThe key word:Cop/vagrant/crime/prison/winter/arrested.The Cop and the Anthem is one of O.Henry's representative works.This noveldescribes a vagrant who is jobless, homeless and commits crime on purpose so that he can be put into prison in winter.However,things don't goes as he expected.But when he makes up his mind to give up evil and return to good, he is arrested.Based on the whole text, the author's humor is present in various ways, one ofwhich is through irrationality during the development of plots.soap, the vagrant who has stirred up trouble for six times, is eager to go to prison.But he is always out of luck and get policeman's forgiveness.When soap is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons.This way is a kind of black humor manifesting social reality profoundly.We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.Once, soap wants to reach his goal by molesting a woman, soap straightened thelady missionary’s ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women.but the seeming virtuous and quiet woman begin to seduce him in reverse.“Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds.I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak soap.Besides, soap steals anumbrella from a neatly dressed customer, but the umbrella is ill-gotten originally.''Of course,''said the umbrella man''that is—well, you know how these mistakes occur—I—if it’s your umbrella I hope you’ll excu se me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you’ll.So themodest and lady and gentleman turn out to be someone that we cannot imagine, which is not rational.Nonetheless, as a matter of fact, they just hide their dirty acts under a beautiful veil and a small sign can indicate a great trend, we can learn that the so-called noble upper class goes more serious than the two.These plots reveals awful mood of that capitalist society.In addition, the conflict between the irrationality of Soap's behavior and the rationality of the cop's judgment is one of the important reasons for Soap's “misfortune”.For example, soap breaks the glass and wait for the policeman to come and arrest him, but the cop reckons that a man who commits evil won't sit and wait for arrest, men who smash windows do not remain to parley with the law’s minions then he excludes soap.Besides, he wants to break the peace by virtue of kicking up a fuss in the street, identically, the cop deems that only college students dare to be so unbridled and boisterous''Tis one of them Yale lads celebrate’ the goose egg they give to the Hartford College.Noisy;but no harm.We have instructions to lave them be.His abnormal conducts is determined by his distorted mentality, which exactly reflects torture and agony both in life and mind oft he low-class.When the poor guy intends to do good the moment he is moved and inspired, the cop believes a vagrant will never something to do with the quiet atmosphere around a church, the soft lamplight and the touching music.Consequently, soap is caughtunexpectedly.“What are you doing here?” asked the officer.''Nothing,'' said soap''Then come along.''said the policeman.''Three months on the Island.'' said the Magistrate in the Police Court the next morning..It is the accident that mirrors confusion of truth and falsehood, black and wright.Needless to say,there are many ways to represent humor, they have one thing incommon--where there is humor, there is specific implication.The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life andmental distress are mirky.O.Henry uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.AboutTheAuthor O.Henry is one of the most famous American critical realist short storywriters, and one of the world's top three masters of the short stories.O.Henry'sreal name was William Sydney Porter.O.Henrywas born in Greensboro, North Carolina on September 11,1862.At age of 20(1882)he moved to Texas, where he had various jobs.He married Athol Estes in 1887, in 1894 while working for First National Bankin Austin, Porter was accused of stealing $4000.He went to prison in Columbus,Ohio for 3 years eventually.While in prison Porter first started to write shortstories and believed that he has found his pseudonym there.After Porter wasreleased from the prison in 1901, he changed his name to O.Henry and moved toNew York in 1902.From December 1903 to January 1906o.Henry wrote a storya week for the New York World magazine, and published several short stories inother magazines.O.Henry's short stories are famous for their surprise endings, his wit, wordplayand humor.He wrote such classic short stories as The Ransom of Red Chief, TheGift of the Magi, The Furnished Room, The Four Billion, Cabbages and Kings,The Last Leaf, The Cop and the Anthem,etc.In his last years O.Henry had financial and health problems.An alcoholic, O.Henry died on June 5, 1910 in New York City, virtually broke.第二篇:警察与赞美诗的英文读后感Wang1 Wang MengmengProfessor Li KangEnglish 09110314March 2012The Cop and the AnthemTBased on the whole text, the author's humor is present in various ways, one ofwhich is through irrationality during the development of plots.Soapy, the vagrant who has stirred up trouble for six times, is eager to go to prison.But he is always out of luck and get policeman's forgiveness.When Soapy is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons.This way is a kind of black humor manifesting social reality profoundly.We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.Once, Soapy wants to reach his goal by molesting a woman, Soapystraightened the lady missionary’s ready-made tie, dragged his shrinking cuffs intothe open, set his hat at a killing cant and sidled toward the young women(20).butthe seeming virtuous and quiet woman begin to seduce him in reverse.“Sure,Mike,” she said joyfully, “if you’ll blow me to a pail of suds.I’d have spoke to yousooner, but the cop was watching.”With the young woman playing the clinging ivyto his oak Soapy(22).Besides, Soapy steals an umbrella from a neatly dressedcustomer, but the umbrella is ill-gotten originally.''Of course,''said the umbrellaWang2man''that is—well, you know how these mistakes occur—I—if it’s your umbrella Ihope you’ll excuse me—I picked it up this morning in a restaurant—If you recogniseit as yours, why—I ho pe you’ll—''(31).So the modest and lady and gentleman turnout to be someone that we cannot imagine, which is not rational.Nonetheless, as amatter of fact, they just hide their dirty acts under a beautiful veil and a small signcan indicate a great trend, we can learn that the so-called noble upper class goesmore serious than the two.These plots reveals awful mood of that capitalist society.In addition, the conflict between the irrationality of Soapy's behavior and therationality of the cop's judgment is one of the importantreasons for Soapy's“misfortune”.For example, Soapy breaks the glass and wait for the policeman tocome and arrest him, but the cop reckons that a man who commits evil won't sitand wait for arrest, men who smash windows do not remain to parley with thelaw’s minions then he excludes Soapy.Besides, he wants to break the peace byvirtue of kicking up a fuss in the street, identically, the cop deems that onlycollege students dare to be so unbridled and boisterous''Tis one of them Yale ladscelebratin’ the goose egg they give to the Hartford College.Noisy;but no harm.We’ve instructions to lave them be.''(25).His abnormal conducts is determined byhis distorted mentality, which exactly reflects torture and agony both in life andmind oft he low-class.When the poor guy intends to do good the moment he ismoved and inspired, the cop believes a vagrant will never something to do withthe quiet atmosphere around a church, the soft lamplight and the touching music.Consequently, Soapy is caught unexpectedly.“What are you doin’ here?” askedthe officer.''Nothing,'' said Soapy(42).''Then come along.''said thepoliceman(43).''Three months on the Island.'' said the Magistrate in the PoliceCourt the next morning.(44).It is the accident that mirrorsconfusion of truth andfalsehood, black and wright.Needless to say,there are many ways to represent humor, they have one thing incommon--where there is humor, there is specific implication.The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life and Wang3mental distress are mirky.O.Henry uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.Notes1.Jack Frost(Para.2): Jack Frost is a personification of frost.2.Blackwell(Para.5): An island with prisons on East River in New York3.Palm Beach and the Riviera(Para.5): A tourist attraction in winter.4.Cesar(Para.5): A famous statesman, strategist and commander in chief assassinated by Republicans.5.Brutus(Para.5): Roman politician, the chief plotter to assassinate Cesar.6.the choicest products of the grape, the silkworm and the protoplasm(Para.7): It indicates upper-class life.7.brass buttons(Para.5): It refers to policeman, as the fasteners of police uniform are made of brass.Work cited1.2.Henry,O.O Henry 100 Selected Stories [M].Hertfordshire: Wordworth,1995.3.Voss,Arthur.The American Short Story: A Critical Survey[M].Norman:Oklahoma UP,1973:123-1244.田艳.欧亨利短篇小说精选[M].大连:大连理工大学出版社,2005.5.王青松.倪勤.轮欧亨利小说的比喻特色[J].安徽教育学院学报.2006,24(4):82-85.AboutTheAuthorO.Henry is one of the most famous American critical realist short storywriters, and one of the world's top three masters of the shortstories.O.Henry'sreal name was William Sydney Porter.O.Henrywas born in Greensboro, North Carolina on September 11,1862.At age of 20(1882)he moved to Texas, where he had various jobs.He married Athol Estes in 1887, in 1894 while working for First National Bank inAustin, Porter was accused of stealing $4000.He went to prison in Columbus,Ohio for 3 years eventually.While in prison Porter first started to write shortstories and believed that he has found his pseudonym there.After Porter wasreleased from the prison in 1901, he changed his name to O.Henry and moved toNew York in 1902.From December 1903 to January 1906 o.Henry wrote a storya week for the New York World magazine, and published several short stories inother magazines.O.Henry's short stories are famous for their surprise endings, his wit, wordplayand humor.He wrote such classic short stories as The Ransom of Red Chief, TheGift of the Magi, The Furnished Room, The Four Billion, Cabbages and Kings,The Last Leaf, The Cop and the Anthem,etc.In his last years O.Henry had financial and health problems.An alcoholic, O.Henry died on June 5, 1910 in New York City, virtually broke.第三篇:警察与赞美诗读后感《警察和赞美诗》讲的是流浪汉苏比为了度过冬天,而想方设法进入监狱过冬,警察与赞美诗读后感。

警察与赞美诗英语 原文分析

警察与赞美诗英语 原文分析

Original TextThe Cop and the Anthemby O .Henry1 On his bench in Madison Square Soapy moved uneasily. When wild goose honk high of nights, and when women without sealskin coats grow kind to their husbands, and when Soapy moves uneasily on his bench in the park, you may know that winter is near at hand.2 A dead leaf fell in Soapy’s lap. That was Jack Frost’s card. Jack is kind to the regular denizens of Madison Square, and gives fair warning of his annual call. At the corners of streets his four hands his pasteboard to the North Wind, footman of the mansion of All Outdoors, so that the inhabitants there of may make ready.3 Soapy’s mind became cognisant of the fact that the time had come for him to resolve himself into a singular Committee of Ways and Means to provide against the coming rigour. And therefore he moved uneasily on his bench.4 The hibernatorial ambitions of Soapy were not of the highest. In them were no considerations of Mediterranean cruises, of soporific Southern skies or drifting in the Vesuvian Bay. Three months on the Island was what his soul craved. Three months of assured board and bed and congenial company, safe from Boreas and bluecoats, seemed to Soapy the essence of things desirable.5 For years the hospitable Blackwell’s had been his winter quarters. Just as his more fortunate fellow New Yorkers had bought their tickets to Palm Beach and the Riviera each winter, so Soapy had made his humble arrangements for his annual hegira to the Island. And now the time was come. On the previous night three Sabbath newspapers, distributed beneath his coat, about his ankles and over his lap, had failed to repulse the cold as he slept on his bench near the spurting fountain in the ancient square. So the Island loomed large and timely in Soapy’s mind. He scorned the provisions made in the name of charity for the city’s dependents. In Soapy’s opinion the Law was more benign than Philanthropy. There was an endless round of institutions, municipal and eleemosynary, on which he might set out and receive lodging and food accordant with the simple life. But to one of Soapy’s proud spirit the gifts of charity are encumbered. If not in coin you must pay in humiliation of spirit for every benefit received at the hands of philanthropy. As Cesar had his Brutus, every bed of charity must have its toll of a bath, every loaf of bread its compensation of a private and personal inquisition. Wherefore it is better to be a guest of the law, which though conducted by rules, does not meddle unduly with a gentleman’s private affairs.6 Soapy, having decided to go to the Island, at once set about accomplishing his desire. There were many easy ways of doing this. The pleasantest was to dine luxuriously at some expensive restaurant; and then, after declaring insolvency, be handed over quietly and without uproar to a policeman. An accommodatingmagistrate would do the rest.7 Soapy left his bench and strolled out of the square and across the level sea of asphalt, where Broadway and Fifth Avenue flow together. Up Broadway he turned, and halted at a glittering café, where are gathered together nightly the choicest products of the grape, the silkworm and the protoplasm.8 Soapy had confidence in himself from the lowest button of his vest upward. He was shaven, and his coat was decent and his neat black, ready-tied four-in-hand had been presented to him by a lady missionary on Thanksgiving Day. If he could reach a table in the restaurant unsuspected, success would be his. The portion of him that would show above the table would raise no doubt in the waiter’s mind. A roasted mallard duck, thought Soapy, would be about the thing—with a bottle of Chablis, and then Camembert, a demi-tasse and a cigar. One dollar for the cigar would be enough. The total would not be so high as to call forth any supreme manifestation of revenge from the café management; and yet the meat would leave him filled and happy for the journey to his winter refuge.9 But as Soapy set foot inside the restaurant door the head waiter’s eye fell upon his frayed trousers and decadent shoes. Strong and ready hands turned him about and conveyed him in silence and haste to the sidewalk and averted the ignoble fate of the menaced mallard.10 Soapy turned off Broadway. It seemed that his route to the coveted island was not to be an epicurean one. Some other way of entering limbo must be thought of.11 At a corner of Sixth Avenue electric lights and cunningly displayed wares behind plate-glass made a shop window conspicuous. Soapy took a cobble-stone and dashed it through the glass. People came running round the corner, a policeman in the lead. Soapy stood still, with his hands in his pockets, and smiled at the sight of brass buttons.12 “Where’s the man that done that?” inquired the officer excitedly.13 “Don’t you figure out that I might have had something to do with it?” said Soapy, not without sarcasm, but friendly, as one greets good fortune.14 The pol iceman’s mind refused to accept Soapy even as a clue. Men who smash windows do not remain to parley with the law’s minions. They take to their heels. The policeman saw a man halfway down the block running to catch a car. With drawn club he joined in the pursuit. Soapy, with disgust in his heart, loafed along, twice unsuccessful.15 On the opposite side of the street was a restaurant of no great pretensions. It catered to large appetites and modest purses. Its crockery and atmosphere were thick; its soup and napery thin. Into this place Soapy took his accusive shoes and tell-tale trousers without challenge. At a table he sat and consumed beefsteak, flap-jacks, doughnuts, and pie. And then to the waiter he betrayed the fact that the minutest coin and himself were strangers.16 “Now, get busy and call a cop,” said Soapy. “And don’t keep a gentlemanwaiting.”16 “No cop for youse,” said the waiter, with a voice like butter cakes and an eye like the cherry in a Manhattan cocktail. “Hey, Con!”17 Neatly upon his left ear on the callous pavement two waiters pitched Soapy. He arose, joint by joint, as a carpenter’s rule opens, and beat the dust from his clothes. Arrest seemed but a rosy dream. The Island seemed very far away. A policeman who stood before a drug store two doors away laughed and walked down the street.18 Five blocks Soapy travelled before his courage permitted him to woo capture again. This time the opportunity presented what he fatuously termed to himself a “cinch.” A young woman of a modest and pleasing guise was standing before a show window gazing with sprightly interest at its display of shaving mugs and inkstands, and two yards from the window a large policeman of severe demeanour leaned against a water-plug.19 It was Soapy’s design to assume the rule of the despicable and execrated “masher.” The refined and elegant appearance of his victim and the contiguity of the conscientious cop encouraged him to believe that he would soon feel the pleasant official clutch upon his arm that would ensure his winter quarters of the right little, tight little isle.20 Soapy straightened the lady missionary’s ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women. He made e yes at her, was taken with sudden coughs and “hems,” smiled, smirked, and went brazenly through the impudent and contemptible litany of the “masher.” With half an eye Soapy saw that the policeman was watching him fixedly. The young woman moved away a few steps, and again bestowed her absorbed attention upon the shaving mugs. Soapy followed, boldly stepping to her side, raised his hat and said: “Ah there, Bedelia! Don’t you want to come and play in my yard?”21 The policeman was still looking. The persecuted young woman had but to beckon a finger and Soapy would be practically en route for his insular haven. Already he imagined he could feel the cosy warmth of the station-house. The young woman faced him and, stretching out a hand, caught Soapy’s coat slee ve.22 “Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds. I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak Soapy walked past the policeman overcome with gloom. He seemed doomed to liberty.23 At the next corner he shook off his companion and ran. He halted in the district where by night are found the lightest streets, hearts, vows, and librettos. Women in furs and men in greatcoats moved gaily in the wintry air. A sudden fear seized Soapy that some dreadful enchantment had rendered him immune to arrest. The thought brought a little of panic upon it, and when he came upon anotherpoliceman lounging grandly in front of a transplendent theatre he caught at the immediate straw of “disorderly conduct.”24 On the sidewalk Soapy began to yell drunken gibberish at the top of his harsh voice. He danced, howled, raved, and otherwise disturbed the welkin.25 The policeman twirled his club, turned his back to Soapy and remarked toa citizen: “Tis one of them Yale lads celebratin’ the goose egg they give to the Hartford College. Noisy; but no harm. We’ve instructions to lave them be.”26 Disconsolate, Soapy ceased his unavailing racket. Would never a policeman lay hands on him? In his fancy the Island seemed an unattainable Arcadia. He buttoned his thin coat against the chilling wind.27 In a cigar store he saw a well-dressed man lighting a cigar at a swinging light. His silk umbrella he had set by the door on entering. Soapy stepped inside, secured the umbrella and sauntered off with it slowly. The man at the cigar light followed hastily.28 “My umbrella,” he said sternly.29 “Oh, is it?” sneered Soapy, adding insult to petit larceny. “Well, why don’t you call a policeman? I took it. Your umbrella! Why don’t you call a cop? There stands one on the corner.”30 The umbrella owner slowed his steps. Soapy did likewise, with a presentiment that luck would run against him. The policeman looked at the two curiously.31“Of course,” said the umbrella man—“that is—well, you know how these mistakes occur—I—if it’s your umbrella I hope you’ll excuse me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you’ll—“32 “Of course it’s mine,” said Soapy viciously.33 The ex-umbrella man retreated. The policeman hurried to assist a tall blonde in an opera cloak across the street in front of a street car that was approaching two blocks away.34 Soapy walked eastward through a street damaged by improvements. He hurled the umbrella wrathfully into an excavation. He muttered against the men who wear helmets and carry clubs. Because he wanted to fall into their clutches, they seemed to regard him as a king who could do no wrong.35 At length Soapy reached one of the avenues to the east where the glitter and turmoil was but faint. He set his face down this toward Madison Square, for the homing instinct survives even when the home is a park bench.36 But on an unusually quiet corner Soapy came to a standstill. Here was an old church, quaint and rambling and gabled. Through one violet-stained window a soft light glowed, where, no doubt, the organist loitered over the keys, making sure of his mastery of the coming Sabbath anthem. For there drifted out to Soapy’s ears sweet music that caught and held him transfixed against the convolutions of the iron fence.37 The moon was above, lustrous and serene; vehicles and pedestrains were few; sparrows twittered sleepily in the eaves—for a little while the scene mighthave been a country churchyard. And the anthem that the organist played cemented Soapy to the iron fence, for he had known it well in the days when his life contained such things as mothers and roses and ambitions and friends and immaculate thoughts and collars.38 The conjunction of Soapy’s receptive state of mind and the influences about the old church wrought a sudden and wonderful change in his soul. He viewed with swift horror the pit into which he had tumbled, the degraded days, unworthy desires, dead hopes, wrecked faculties, and base motives that made up his existence.39 And also in a moment his heart responded thrillingly to this novel mood. An instantaneous and strong impulse moved him to battle with his desperate fate. He would pull himself out of the mire; he would make a man of himself again; he would conquer the evil that had taken possession of him. There was time; he was comparatively young yet; he would resurrect his old eager ambitions and pursue them without faltering. Those solemn but sweet organ notes had set up a revolution in him. Tomorrow he would go into the roaring down-town district and find work. A fur importer had once offered him a place as driver. He would find him to-morrow and ask for the position. He would be somebody in the world. He would—40 Soapy felt a hand laid on his arm. He looked quickly round into the broad face of a policeman.41 “What are you doin’ here?” asked the officer.42 “Nothing’,” said Soapy.43“Then come along,” said the polic eman.44“Three months on the Island,” said the Magistrate in the Police Court the next morning.。

英国文学论文 警察与赞美诗 英文版

英国文学论文 警察与赞美诗 英文版

709202212学号:辽宁师范大学海华学院美国文学论文专业:英语年级:09级2班姓名:孙晓琳论文题目:"The Cop and the anthem "in the view of interpersonal functionMajor Writing Style——Humor人际功能角度分析《警察与赞美诗》完成时间2012年6月9日Abstract:The interpersonal function is one of the three functions of the functional grammar, interpersonal function, mood, modality and evaluation system to analyze the "Cop and the Anthem" Writing Style - humor, interpersonal function to the understanding of the text can be seen provide an important means and appreciation.摘要:人际功能是功能语法的三大元功能之一,根据人际功能的语气、情态和评价系统来分析《警察与赞美诗》的主要写作特色——幽默,可以看出人际功能可以给文本的理解与欣赏提供重要手段。

Keywords:interpersonal functions; tone; modality; evaluation关键词:人际功能;语气;情态;评价A three meta-functions, one of the interpersonal function according to Halliday's Functional Grammar, Functional Grammar. Interpersonal function refers to the language through the exchange of words the role of other members of society with them to establish or maintain interpersonal relationships, in order to influence the behavior of others.Interpersonal function tone system, the modal system and, later, Martin added, and the proposed evaluation system to achievedialogue and sole functional analysis of human from "The Cop and the anthem " (A)the Soviet with the first police“Where’s the man that done that?”inquired the officer excite dly.“Don’t you figure out that I might have had something to do with it?”said Soapy,not without sarcasm,but friendly。

初二读后感作文:读《警察与赞美诗》有感_600字

初二读后感作文:读《警察与赞美诗》有感_600字

三一文库()初二读后感作文
读《警察与赞美诗》有感_600字
欧。

亨利的幽默世界公认。

在《pol。

ice与
赞美诗》一文中,许多描写都体现出了这一风格。

但无论是遣词造句、塑造人物形象或是情
节构思方面,他的幽默都紧紧抓住了托诙谐寄
深意这一要旨。

纵观全文,欧。

亨利幽默的表
现形式是多样的。

其中一种就是作者巧妙的运
用了事物发展过程中的“不合理”。

文中的主人
公苏,曾经几次惹是生非,想进监狱得以安身,可是他总是“背运”。

pol。

ice该抓他的时候不抓,不该抓的时候便抓他的时候偏抓。

这一系列与
情理完全不符的现象令人哑然失笑。

事务发展
过程中的“不合理性”常被人们巧妙的利用来
表现幽默.
而欧。

亨利就很好的运用了这种方法,并
借此深刻的反映社会事实。

有一次,苏比想通
过调戏一女子来达到进监狱的目的,但这貌似
文雅的女子缺反来勾搭起了苏。

又有一次苏拿
起了一位衣冠楚楚的顾客的伞,可这伞原来就
是来路不正。

简朴而讨人喜欢的女子,衣冠楚
20 × 20。

浅论欧亨利警察与赞美诗的英语翻译批评与赏析 教育资料

浅论欧亨利警察与赞美诗的英语翻译批评与赏析 教育资料

浅论欧亨利《警察与赞美诗》的英语翻译批评与赏析一、作品简介《警察与赞美诗》以美国资本主义逐步进入黑暗腐朽时期作为背景,也就是美国帝国主义初期阶段,此时有着强烈的社会矛盾,贫富差距巨大,底层民众生活艰难。

欧?亨利关注底层民众,以底层民众的视角来表现作品。

在作品中,首先呈现了美国民众艰难的生活,对资本主义的腐朽进行强烈的谴责,表现了美国人民对资本主义制度的不满。

但是,当时的作家们对于资本主义制度仍然心存幻想,希望资本主义能够力挽狂澜,带领人民走出阴影,因此都献言献策,希望能够尽自己所能帮助民众。

《警察与赞美诗》这部作品表现了一个滑稽的故事,欧?亨利运用其擅长的讽刺手法,在可笑的氛围当中叙述了一个令人可叹、可怜、可气的故事,故事揭露了当时美国腐朽黑暗的司法制度,同时也表达了对人生的悲观情绪。

二、《警察与赞美诗》翻译对比在小说的第五段有这样一句话“Soapy's proud spiritthe gifts of charity were undersirable. You must pay in humiliation of spirit for everything received at the hands of philanthropy.”面对这样两句话,初入翻译行业或经验不足的翻译人员往往会简单的将其翻译为“苏比自尊心很强,从其骄”这种爱心人士所送给他的礼物好像是折磨一样。

傲程度来看,翻译就是单纯的意译。

当然,还会有翻译者进行这样的翻译,“对于自尊的苏比来说,接受这些爱心人士所送的礼物,简直比杀了他还要让他难受,他觉得这就是对他的侮辱和蔑视。

”看起来比上一个翻译好了很多,而李文俊先生则将这句话是这样翻译的“对苏比来说,拿着爱心人士赠送的礼物,那是要比杀了苏比还难受的,那简直就是一种对他的侮辱,他觉得那是对他精神上的亵渎和侮辱。

”这三个翻译方式各有各的不同,第一种只是简单地意译,没有什么特点,只是对表达意思进行了概括,没有逻辑错误和语病,只做到了尊重原意。

警察与赞美诗英语 原文分析

警察与赞美诗英语 原文分析

Original TextThe Cop and the Anthemby O .Henry1 On his bench in Madison Square Soapy moved uneasily. When wild goose honk high of nights, and when women without sealskin coats grow kind to their husbands, and when Soapy moves uneasily on his bench in the park, you may know that winter is near at hand.2 A dead leaf fell in Soapy’s lap. That was Jack Frost’s card. Jack is kind to the regular denizens of Madison Square, and gives fair warning of his annual call. At the corners of streets his four hands his pasteboard to the North Wind, footman of the mansion of All Outdoors, so that the inhabitants there of may make ready.3 Soapy’s mind became cognisant of the fact that the time had come for him to resolve himself into a singular Committee of Ways and Means to provide against the coming rigour. And therefore he moved uneasily on his bench.4 The hibernatorial ambitions of Soapy were not of the highest. In them were no considerations of Mediterranean cruises, of soporific Southern skies or drifting in the Vesuvian Bay. Three months on the Island was what his soul craved. Three months of assured board and bed and congenial company, safe from Boreas and bluecoats, seemed to Soapy the essence of things desirable.5 For years the hospitable Blackwell’s had been his winter quarters. Just as his more fortunate fellow New Yorkers had bought their tickets to Palm Beach and the Riviera each winter, so Soapy had made his humble arrangements for his annual hegira to the Island. And now the time was come. On the previous night three Sabbath newspapers, distributed beneath his coat, about his ankles and over his lap, had failed to repulse the cold as he slept on his bench near the spurting fountain in the ancient square. So the Island loomed large and timely in Soapy’s mind. He scorned the provisions made in the name of charity for the city’s dependents. In Soapy’s opinion the Law was more benign than Philanthropy. There was an endless round of institutions, municipal and eleemosynary, on which he might set out and receive lodging and food accordant with the simple life. But to one of Soapy’s proud spirit the gifts of charity are encumbered. If not in coin you must pay in humiliation of spirit for every benefit received at the hands of philanthropy. As Cesar had his Brutus, every bed of charity must have its toll of a bath, every loaf of bread its compensation of a private and personal inquisition. Wherefore it is better to be a guest of the law, which though conducted by rules, does not meddle unduly with a gentleman’s private affairs.6 Soapy, having decided to go to the Island, at once set about accomplishing his desire. There were many easy ways of doing this. The pleasantest was to dine luxuriously at some expensive restaurant; and then, after declaring insolvency, be handed over quietly and without uproar to a policeman. An accommodatingmagistrate would do the rest.7 Soapy left his bench and strolled out of the square and across the level sea of asphalt, where Broadway and Fifth Avenue flow together. Up Broadway he turned, and halted at a glittering café, where are gathered together nightly the choicest products of the grape, the silkworm and the protoplasm.8 Soapy had confidence in himself from the lowest button of his vest upward. He was shaven, and his coat was decent and his neat black, ready-tied four-in-hand had been presented to him by a lady missionary on Thanksgiving Day. If he could reach a table in the restaurant unsuspected, success would be his. The portion of him that would show above the table would raise no doubt in the waiter’s mind. A roasted mallard duck, thought Soapy, would be about the thing—with a bottle of Chablis, and then Camembert, a demi-tasse and a cigar. One dollar for the cigar would be enough. The total would not be so high as to call forth any supreme manifestation of revenge from the café management; and yet the meat would leave him filled and happy for the journey to his winter refuge.9 But as Soapy set foot inside the restaurant door the head waiter’s eye fell upon his frayed trousers and decadent shoes. Strong and ready hands turned him about and conveyed him in silence and haste to the sidewalk and averted the ignoble fate of the menaced mallard.10 Soapy turned off Broadway. It seemed that his route to the coveted island was not to be an epicurean one. Some other way of entering limbo must be thought of.11 At a corner of Sixth Avenue electric lights and cunningly displayed wares behind plate-glass made a shop window conspicuous. Soapy took a cobble-stone and dashed it through the glass. People came running round the corner, a policeman in the lead. Soapy stood still, with his hands in his pockets, and smiled at the sight of brass buttons.12 “Where’s the man that done that?” inquired the officer excitedly.13 “Don’t you figure out that I might have had something to do with it?” said Soapy, not without sarcasm, but friendly, as one greets good fortune.14 The pol iceman’s mind refused to accept Soapy even as a clue. Men who smash windows do not remain to parley with the law’s minions. They take to their heels. The policeman saw a man halfway down the block running to catch a car. With drawn club he joined in the pursuit. Soapy, with disgust in his heart, loafed along, twice unsuccessful.15 On the opposite side of the street was a restaurant of no great pretensions. It catered to large appetites and modest purses. Its crockery and atmosphere were thick; its soup and napery thin. Into this place Soapy took his accusive shoes and tell-tale trousers without challenge. At a table he sat and consumed beefsteak, flap-jacks, doughnuts, and pie. And then to the waiter he betrayed the fact that the minutest coin and himself were strangers.16 “Now, get busy and call a cop,” said Soapy. “And don’t keep a gentlemanwaiting.”16 “No cop for youse,” said the waiter, with a voice like butter cakes and an eye like the cherry in a Manhattan cocktail. “Hey, Con!”17 Neatly upon his left ear on the callous pavement two waiters pitched Soapy. He arose, joint by joint, as a carpenter’s rule opens, and beat the dust from his clothes. Arrest seemed but a rosy dream. The Island seemed very far away. A policeman who stood before a drug store two doors away laughed and walked down the street.18 Five blocks Soapy travelled before his courage permitted him to woo capture again. This time the opportunity presented what he fatuously termed to himself a “cinch.” A young woman of a modest and pleasing guise was standing before a show window gazing with sprightly interest at its display of shaving mugs and inkstands, and two yards from the window a large policeman of severe demeanour leaned against a water-plug.19 It was Soapy’s design to assume the rule of the despicable and execrated “masher.” The refined and elegant appearance of his victim and the contiguity of the conscientious cop encouraged him to believe that he would soon feel the pleasant official clutch upon his arm that would ensure his winter quarters of the right little, tight little isle.20 Soapy straightened the lady missionary’s ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women. He made e yes at her, was taken with sudden coughs and “hems,” smiled, smirked, and went brazenly through the impudent and contemptible litany of the “masher.” With half an eye Soapy saw that the policeman was watching him fixedly. The young woman moved away a few steps, and again bestowed her absorbed attention upon the shaving mugs. Soapy followed, boldly stepping to her side, raised his hat and said: “Ah there, Bedelia! Don’t you want to come and play in my yard?”21 The policeman was still looking. The persecuted young woman had but to beckon a finger and Soapy would be practically en route for his insular haven. Already he imagined he could feel the cosy warmth of the station-house. The young woman faced him and, stretching out a hand, caught Soapy’s coat slee ve.22 “Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds. I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak Soapy walked past the policeman overcome with gloom. He seemed doomed to liberty.23 At the next corner he shook off his companion and ran. He halted in the district where by night are found the lightest streets, hearts, vows, and librettos. Women in furs and men in greatcoats moved gaily in the wintry air. A sudden fear seized Soapy that some dreadful enchantment had rendered him immune to arrest. The thought brought a little of panic upon it, and when he came upon anotherpoliceman lounging grandly in front of a transplendent theatre he caught at the immediate straw of “disorderly conduct.”24 On the sidewalk Soapy began to yell drunken gibberish at the top of his harsh voice. He danced, howled, raved, and otherwise disturbed the welkin.25 The policeman twirled his club, turned his back to Soapy and remarked toa citizen: “Tis one of them Yale lads celebratin’ the goose egg they give to the Hartford College. Noisy; but no harm. We’ve instructions to lave them be.”26 Disconsolate, Soapy ceased his unavailing racket. Would never a policeman lay hands on him? In his fancy the Island seemed an unattainable Arcadia. He buttoned his thin coat against the chilling wind.27 In a cigar store he saw a well-dressed man lighting a cigar at a swinging light. His silk umbrella he had set by the door on entering. Soapy stepped inside, secured the umbrella and sauntered off with it slowly. The man at the cigar light followed hastily.28 “My umbrella,” he said sternly.29 “Oh, is it?” sneered Soapy, adding insult to petit larceny. “Well, why don’t you call a policeman? I took it. Your umbrella! Why don’t you call a cop? There stands one on the corner.”30 The umbrella owner slowed his steps. Soapy did likewise, with a presentiment that luck would run against him. The policeman looked at the two curiously.31“Of course,” said the umbrella man—“that is—well, you know how these mistakes occur—I—if it’s your umbrella I hope you’ll excuse me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you’ll—“32 “Of course it’s mine,” said Soapy viciously.33 The ex-umbrella man retreated. The policeman hurried to assist a tall blonde in an opera cloak across the street in front of a street car that was approaching two blocks away.34 Soapy walked eastward through a street damaged by improvements. He hurled the umbrella wrathfully into an excavation. He muttered against the men who wear helmets and carry clubs. Because he wanted to fall into their clutches, they seemed to regard him as a king who could do no wrong.35 At length Soapy reached one of the avenues to the east where the glitter and turmoil was but faint. He set his face down this toward Madison Square, for the homing instinct survives even when the home is a park bench.36 But on an unusually quiet corner Soapy came to a standstill. Here was an old church, quaint and rambling and gabled. Through one violet-stained window a soft light glowed, where, no doubt, the organist loitered over the keys, making sure of his mastery of the coming Sabbath anthem. For there drifted out to Soapy’s ears sweet music that caught and held him transfixed against the convolutions of the iron fence.37 The moon was above, lustrous and serene; vehicles and pedestrains were few; sparrows twittered sleepily in the eaves—for a little while the scene mighthave been a country churchyard. And the anthem that the organist played cemented Soapy to the iron fence, for he had known it well in the days when his life contained such things as mothers and roses and ambitions and friends and immaculate thoughts and collars.38 The conjunction of Soapy’s receptive state of mind and the influences about the old church wrought a sudden and wonderful change in his soul. He viewed with swift horror the pit into which he had tumbled, the degraded days, unworthy desires, dead hopes, wrecked faculties, and base motives that made up his existence.39 And also in a moment his heart responded thrillingly to this novel mood. An instantaneous and strong impulse moved him to battle with his desperate fate. He would pull himself out of the mire; he would make a man of himself again; he would conquer the evil that had taken possession of him. There was time; he was comparatively young yet; he would resurrect his old eager ambitions and pursue them without faltering. Those solemn but sweet organ notes had set up a revolution in him. Tomorrow he would go into the roaring down-town district and find work. A fur importer had once offered him a place as driver. He would find him to-morrow and ask for the position. He would be somebody in the world. He would—40 Soapy felt a hand laid on his arm. He looked quickly round into the broad face of a policeman.41 “What are you doin’ here?” asked the officer.42 “Nothing’,” said Soapy.43“Then come along,” said the polic eman.44“Three months on the Island,” said the Magistrate in the Police Court the next morning.。

警察与赞美诗英语原文分析

警察与赞美诗英语原文分析

警察与赞美诗英语原文分析第一篇:警察与赞美诗英语原文分析Original TextThe Cop and the Anthemby O.Henry1 On his bench in Madison Square Soapy moved uneasily.When wild goose honk high of nights, and when women without sealskin coats grow kind to their husbands, and when Soapy moves uneasily on his bench in the park, you may know that winter is near at hand.A dead leaf fell in Soapy’s lap.That was Jack Frost’s card.Jack is kind to the regular denizens of Madison Square, and gives fair warning of his annual call.At the corners of streets his four hands his pasteboard to the North Wind, footman of the mansion of All Outdoors, so that the inhabitants there of may make ready.Soapy’s mind became cognisant of the fact that the time had come for him to resolve himself into a singular Committee of Ways and Means to provide against the coming rigour.And therefore he moved uneasily on his bench.The hibernatorial ambitions of Soapy were not of the highest.In them were no considerations of Mediterranean cruises, of soporific Southern skies or drifting in the Vesuvian Bay.Three months on the Island was what his soul craved.Three months of assured board and bed and congenial company, safe from Boreas and bluecoats, seemed to Soapy the essence of things desirable.For years the hospitable Blackwell’s had been his winter quarters.Just as his more fortunate fellow New Yorkers had bought their tickets to annual hegira to the Island.And now the time was come.On the previous night three Sabbath newspapers, distributed beneath his coat, about his ankles and over his lap, had failed to repulse the cold as he slept on his bench near thespurting fountain in the ancient square.So the Island loomed large and timely in Soapy’s mind.He scorned t he provisions made in the name of charity for the city’s dependents.In Soapy’s opinion the Law was more benign than Philanthropy.There was an endless round of institutions, municipal and eleemosynary, on which he might set out and receive lodging and food accordant with the simple life.But to one of Soapy’s proud spirit the gifts of charity are encumbered.If not in coin you must pay in humiliation of spirit for every benefit received at the its toll of a bath, every loaf of bread its compensation of a private and personal inquisition.Wherefore it is better to be a guest of the law, which though conducted by rules, does not meddle unduly with a gentleman’s private affairs.Soapy, having decided to go to the Island, at once set about accomplishing his desire.There were many easy ways of doing this.The pleasantest was to dine luxuriously at some expensive restaurant;and then, after declaring insolvency, be handed over quietly and without uproar to a policeman.An accommodatingmagistrate would do the rest.Soapy left his bench and strolled out of the square and across the level sea of asphalt, where Broadway and Fifth Avenue flow together.Up Broadway he turned, and halted at a glittering café, where are gathered together nightlySoapy had confidence in himself from the lowest button of his vest upward.He was shaven, and his coat was decent and his neat black, ready-tied four-in-hand had been presented to him by a lady missionary on Thanksgiving Day.If he could reach a table in the restaurant unsuspected, success would be his.The portion of him that would show above the table would raise no doubt in the waiter’s mind.A roasted mallard duck,thought Soapy, would be about the thing—with a bottle of Chablis, and then Camembert, a demi-tasse and a cigar.One dollar for the cigar would be enough.The total would not be so high as to call forth any supreme manifestation of revenge from the café management;and yet the meat would leave him filled and happy for the journey to his winter refuge.9 But as Soapy set foot inside the res taurant door the head waiter’s eye fell upon his frayed trousers and decadent shoes.Strong and ready hands turned him about and conveyed him in silence and haste to the sidewalk and averted the ignoble fate of the menaced mallard.Soapy turned off Broadway.It seemed that his route to the coveted island was not to be an epicurean one.Some other way of entering limbo must be thought of.At a corner of Sixth Avenue electric lights and cunningly displayed wares behind plate-glass made a shop window conspicuous.Soapy took a cobble-stone and dashed it through the glass.People came running round the corner, a policeman in the lead.Soapy stood still, with his hands in his pockets, and smiled12“Where’s the man that done that?” inquired the officer excitedly.“Don’t you figure out that I might have had something to do with it?” said Soapy, not without sarcasm, but friendly, as one greets good fortune.The policeman’s mind refused to accept Soapy even as a clue.Men who smash windows do not remain to parley with the law’s mi nions.They take to their heels.The policeman saw a man halfway down the block running to catch a car.With drawn club he joined in the pursuit.Soapy, with disgust in his heart, loafed along, twice unsuccessful.On the opposite side of the street was a restaurant of no great pretensions.It catered to large appetites and modest purses.Its crockery and atmosphere were thick;its soup and napery thin.Into this place Soapy took his accusiveshoes and tell-tale trousers without challenge.At a table he sat and consumed beefsteak, flap-jacks, doughnuts, and pie.And then to the waiter he betrayed the fact that the minutest coin and himself were strangers.“Now, get busy and call a cop,” said Soapy.“And don’t keep a gentlemanwaiting.”“No cop for youse,” said the waiter, with a voice like butter cakes and an eye like the cherry in a Manhattan cocktail.“Hey, Con!”Neatly upon his left ear on the callous pavement two waiters pitched Soapy.He arose, joint by joint, as a carpenter’s rule opens, and beat the dust from his clothes.Arrest seemed but a rosy dream.The Island seemed very far away.A policeman who stood before a drug store two doors away laughed and walked down the street.Five blocks Soapy travelled before his courage permitted him to woo capture again.This time the opportunity presented what he fatuously termed to himself a “cinch.” A young woman of a modest and pleasing guise was standing before a show window gazing with sprightly interest at its display of shaving mugs and inkstands, and two yards from the window a large policeman of severe demeanour leaned against a water-plug.It was Soapy’s design to assume the rule of the despicable and execrated “masher.” The refined and elegant appearance of his victim and the contiguity of the conscientious cop encouraged him to believe that he would soon feel the pleasant official clutch upon his arm that would ensure his winter quarters of the right little, tight little isle.Soapy straightened the lady missionary’s ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women.He made eyes at her, was taken with sudden coughs and “hems,” smiled, smirked, and went brazenly through the impudent and contemptiblelitany of the “masher.” With half an eye Soapy saw that the policeman was watching him fixedly.The young woman moved away a few steps, and again bestowed her absorbed attention upon the shaving mugs.Soapy followed, boldly stepping to her side, raised his hat and said: “Ah there, Bedelia!Don’t you want to come and pla y in my yard?”The policeman was still looking.The persecuted young woman had but to beckon a finger and Soapy would be practically en route for his insular haven.Already he imagined he could feel the cosy warmth of the station-house.The young woman faced him and, stretching out a hand, caught Soapy’s coat sleeve.“Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds.I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak Soapy walked past the policeman overcome with gloom.He seemed doomed to liberty.At the next corner he shook off his companion and ran.He halted in the district where by night are found the lightest streets, hearts, vows, and librettos.Women in furs and men in greatcoats moved gaily in the wintry air.A sudden fear seized Soapy that some dreadful enchantment had rendered him immune to arrest.The thought brought a little of panic upon it, and when he came upon anotherpoliceman lounging grandly in front of a transplendent t heatre he caught at the immediate straw of “disorderly conduct.”On the sidewalk Soapy began to yell drunken gibberish at the top of his harsh voice.He danced, howled, raved, and otherwise disturbed the welkin.The policeman twirled his club, turned his back to Soapy and remarked to a citizen: “Tis one of them Yale lads celebratin’ the goose egg they give to the Hartford College.Noisy;but no harm.We’ve instructions to lavethem be.”Disconsolate, Soapy ceased his unavailing racket.Would never a policeman lay hands on him? In his fancy the Island seemed an unattainable Arcadia.He buttoned his thin coat against the chilling wind.In a cigar store he saw a well-dressed man lighting a cigar at a swinging light.His silk umbrella he had set by the door on entering.Soapy stepped inside, secured the umbrella and sauntered off with it slowly.The man at the cigar light followed hastily.“My umbrella,” he said sternly.“Oh, is it?” sneered Soapy, adding insult to petit larceny.“Well, why don’t you call a policeman? I took it.Your umbrella!Why don’t you call a cop? There stands one on the corner.”The umbrella owner slowed his steps.Soapy did likewise, with a presentiment that luck would run against him.The policeman looked at the two curiously.31“Of course,” said the umbrella m an—“that is—well, you know how these mistakes occur—I—if it’s your umbrella I hope you’ll excuse me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you’ll—“32 “Of course it’s mine,” said Soapy viciously.33 The ex-umbrella man retreated.The policeman hurried to assist a tall blonde in an opera cloak across the street in front of a street car that was approaching two blocks away.34 Soapy walked eastward through a street damaged by improvements.He hurled the umbrella wrathfully into an excavation.He muttered against the men who wear helmets and carry clubs.Because he wanted to fall into their clutches, they seemed to regard him as a king who could do no wrong.35 At length Soapy reached one of the avenues to the east where the glitter and turmoil was but faint.He set his face down this toward Madison Square, for the homing instinct survives even when the home is a park bench.36 But on an unusually quiet corner Soapy came to a standstill.Here was anold church, quaint and rambling and gabled.Through one violet-stained window a soft light glowed, where, no doubt, the organist loitered over the keys, making sure of his mastery of the coming Sabbath anthem.For there drifted out to Soapy’s ears sweet music that caught and held him transfixed against the convolutions of the iron fence.37 The moon was above, lustrous and serene;vehicles and pedestrains were few;sparrows twittered sleepily in the eaves—for a little while the scene might have been a country churchyard.And the anthem that the organist played cemented Soapy to the iron fence, for he had known it well in the days when his life contained such things as mothers and roses and ambitions and friends and immaculate thoughts and collars.38 The conjunction of Soapy’s receptive state of mind and the influences about the old church wrought a sudden and wonderful change in his soul.He viewed with swift horror the pit into which he had tumbled, the degraded days, unworthy desires, dead hopes, wrecked faculties, and base motives that made up his existence.39 And also in a moment his heart responded thrillingly to this novel mood.An instantaneous and strong impulse moved him to battle with his desperate fate.He would pull himself out of the mire;he would make a man of himself again;he would conquer the evil that had taken possession of him.There was time;he was comparatively young yet;he would resurrect his old eager ambitions and pursue them without faltering.Those solemn but sweet organ notes had set up a revolution in him.Tomorrow he would go into the roaring down-town district and find work.A fur importer had once offered him a place as driver.He would find him to-morrow and ask for the position.He would be somebody in the world.He would—Soapy felt a hand laid on his arm.He looked quickly round into the broad face of a policeman.41 “What are you doin’ here?” asked the officer.42 “Nothing’,” said Soapy.43“Then come along,” said the policeman.44“Three months on the Island,” said the Magistrate in the Police Court the next morning.第二篇:警察与赞美诗英语原文[推荐]英语原文The Cop and the Anthemby O。

警察与赞美诗英语论文

警察与赞美诗英语论文

When I was in middle school,my Chinese teacher had introduced us that O.Henry was one of the most famous short story novelist.And he was widely regarded as the father of modern American short story. His works often had an impressive characterist that the ending of the works must be. contrary to your expectation..From where I stand ,I appreciate this type of works completely.first it catch my attention all the time until it ends.i feel absorbed in it and eagerly want to know the ending.attracting readers attentions ,in my opinion ,is the most important factor to a story.second,an dramatic ending will give the reader an impressive impression at the end and get the readers to deeply think about the theme that the author want to tell us .It is what the saying say that good works always teach people a lot . The Gift of the Magi and The cop and the Anthem are the typical stories of this characterist .Apart from this story theme,it is a very funny story.Soapy ,the character,was a penniless and homeless tramp who lived in Madison Square .Faced with the coming of winter,he had to find some ways that can help him pass the cold winter happily and savely Then he remembered his winter life in Blackwell Island. “Three months on the Island was what his soul craved. Three months of assured board and bed and congenial company, safe from Boreas and bluecoats, seemed to Soapy the essence of things desirable”Soapy thought.So he decided to break the law then he would be sent to the Island by the police .thinking about this ,he set out to do it.At first he didn’t pay for his meal on purpose in a restaurant ,hoping that the waiter would call the police.but the waiter only to rely him that No cop for youse and pitched Soapy.then he pretended to be despicable and execrated “masher.”to flirt with a elegant lady.but to his surprise,the elegant lady was a harlot.Eventually no matter what kinds of bad things he had done,the cop never arrested him. “He muttered against the men who wear helmets and carry clubs. Because he wanted to fall into their clutches, they seemed to regard him as a king who could do no wrong.”With too much disappointment,Soapy came to a standstill.Here was a old church. . For there drifted out to Soapy’s ears sweet music that caught and held him transfixed ag ainst the convolutions of the iron fence. the influences about the old church wrought a sudden and wonderful change in his soul An instantaneous and strong impulse moved him to battle with his desperate fate .he said to himself that some day he will be somebody in the future as long as he tries his best. However a cop came to him when he was thiking about his excellent future “ What are you doin’ here?” asked the officer.“Nothing’,” said Soapy.“Then come along,” said the policeman.“Three months on the Island,” said the Magistrate in the Police Court the next morning.How ridiculous and dramatic the ending was.when Soapy spared every effort to break the law in order that he would be arrested and sent to the Island,the cop treated him as a king that who could do no wrong.”finally he was arrested only because he was sitting near the church to appreciate the sweet music and plan his successful future.As far as I concerned,this kind of writing pattern stand out the decayed and disorderly society at author’s time completely which shows that ordinary people’s hard life at that time and expresses author’s sympathy with the poor people and intense animadversion on the authorities..。

浅论欧亨利警察与赞美诗的英语翻译批评与赏析 教育资料

浅论欧亨利警察与赞美诗的英语翻译批评与赏析 教育资料

浅论欧亨利《警察与赞美诗》的英语翻译批评与赏析一、作品简介《警察与赞美诗》以美国资本主义逐步进入黑暗腐朽时期作为背景,也就是美国帝国主义初期阶段,此时有着强烈的社会矛盾,贫富差距巨大,底层民众生活艰难。

欧?亨利关注底层民众,以底层民众的视角来表现作品。

在作品中,首先呈现了美国民众艰难的生活,对资本主义的腐朽进行强烈的谴责,表现了美国人民对资本主义制度的不满。

但是,当时的作家们对于资本主义制度仍然心存幻想,希望资本主义能够力挽狂澜,带领人民走出阴影,因此都献言献策,希望能够尽自己所能帮助民众。

《警察与赞美诗》这部作品表现了一个滑稽的故事,欧?亨利运用其擅长的讽刺手法,在可笑的氛围当中叙述了一个令人可叹、可怜、可气的故事,故事揭露了当时美国腐朽黑暗的司法制度,同时也表达了对人生的悲观情绪。

二、《警察与赞美诗》翻译对比在小说的第五段有这样一句话“Soapy's proud spiritthe gifts of charity were undersirable. You must pay in humiliation of spirit for everything received at the hands of philanthropy.”面对这样两句话,初入翻译行业或经验不足的翻译人员往往会简单的将其翻译为“苏比自尊心很强,从其骄”这种爱心人士所送给他的礼物好像是折磨一样。

傲程度来看,翻译就是单纯的意译。

当然,还会有翻译者进行这样的翻译,“对于自尊的苏比来说,接受这些爱心人士所送的礼物,简直比杀了他还要让他难受,他觉得这就是对他的侮辱和蔑视。

”看起来比上一个翻译好了很多,而李文俊先生则将这句话是这样翻译的“对苏比来说,拿着爱心人士赠送的礼物,那是要比杀了苏比还难受的,那简直就是一种对他的侮辱,他觉得那是对他精神上的亵渎和侮辱。

”这三个翻译方式各有各的不同,第一种只是简单地意译,没有什么特点,只是对表达意思进行了概括,没有逻辑错误和语病,只做到了尊重原意。

《警察与赞美诗》英文梗概

《警察与赞美诗》英文梗概

A New York City hobo named Soapy,who sets out to get arrested so he can avoid sleeping in the cold winter as a guest of the city jail.Soapy's ploys伎俩include swindling诈骗a restaurant into serving him an expensive meal, breaking the plate-glass window of a luxury shop, repeating his eatery exploit at a humble简陋的diner, sexually harassing a young woman, pretending to be publicly intoxicated喝醉to make troubles, and stealing another man's umbrella.However, all of these attempts are quickly exposed as failures.Based on these events, Soapy despairs of his goal of getting arrested and imprisoned.As O. Henry describes events, the small church has a working organ机构and a practicing organist风琴演奏者. As Soapy listens to the church organ play an anthem圣歌, he experiences a spiritual epiphany 神灵显现then he resolves决定to cease停止to be homeless, end his life as a tramp afflicted 苦恼with unemployment, and regain his self-respect.As Soapy stands on the street and considers the plan for his future, however, a policeman taps him on the shoulder and asks him what he is doing. When Soapy answers “Nothing,”his fate is sealed未知: he has been arrested for loitering闲荡. In the magistrate’s法官court on the following day, he is convicted定罪of a misdemeanor行为不端and is sentenced to three months in Blackwell's Island, the New York City jail.。

介绍警察与赞美诗的英语作文100

介绍警察与赞美诗的英语作文100

介绍警察与赞美诗的英语作文100The Cop and the Anthem is a very interesting short novel. It is writt en by O.Henry. In the story,a poor man named Soapy has no job or mon ey. He wanted to go to the jail because he has nowhere to go. The food in the jail can feed him. He tried a lot to break the law so that the police would catch him and send him to the jail. He ate a great meal without p aying the bill, he shouted in the street, he grabbed someone’s umbrell a. But he failed, the people just didn’t call the police. He started to thin k. He thought it was the God’s idea to keep him out of jail. And just wh en he decided to find a job and live on his own, a police came and send him to jail.Sometimes the life is like a joke, it is very interesting. Just like Forres t Gump once said Life is like a box of chocolate, you never know what y ou are gonna get。

警察与赞美诗英语读后感

警察与赞美诗英语读后感

警察与赞美诗英语读后感差人与赞美诗英语读后感1When people really want to go, and God just opened it cannot be denied that opportunity waits for no one, and it is not a passive, doesn't wait for you to analyze this, analyze that, considering this, consider that after a series of trivial events, then decided to do it. Perhaps it was a fleeting "Genie", which is the test of our courage and bravery, wisdom and spirit. But it does not mean that all things should not be considered, careful of personae dramatis, if that is the case, then we have to do with the ancient differences? Opportunity and a need to treasure, need to take advantage of the encounter opportunity is very "difficult", thoroughly to fully use, it is "difficult". How to better "perfection", is a priority. Starts mean, back out, rascally.差人与赞美诗英语读后感2he Cop and the Anthem is a very interesting short novel. It is written by O.Henry. In the story, a poor man named Soapy has no job or money. He wanted to go to the jail because he has nowhere to go. The food in the jail can feed him. He tried a lot to break the law so that the police would catch him and send him to the jail. He ate a great meal without paying the bill, he shouted in the street, he grabbed someone’s umbrella. But he failed, the people just didn’t call the police. He started to think. He thought it was the God’s idea to keep him out of jail. And just when he decided to find a job and live on his own, a police came and send him to jail.Sometimes the life is like a joke, it is very interesting. Just like Forrest Gump once said “Life is like a box of chocolate, you never know what you are gonna get”。

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警察与赞美诗读后感英文
本文是关于读后感的,仅供参考,如果觉得很不错,欢迎点评和分享。

警察与赞美诗读后感英文
The Cop and the Anthem is one of O.Henry's representative works. This novel describes a vagrant who is jobless, homeless and commits crime on purpose so that he can be put into prison in winter. However,things don't goes as he expected. But when he makes up his mind to give up evil and return to good, he is arrested.
Based on the whole text, the author's humor is present in various ways, one of which is through irrationality during the development of plots. soap, the vagrant who has stirred up trouble for six times, is eager to go to prison. But he is always out of luck and get policeman's forgiveness. When soap is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons. This way is a kind of black humor manifesting social reality profoundly. We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.
Once, soap wants to reach his goal by molesting a woman, soap straightened the lady missionary’s ready-made tie,
dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women.but the seeming virtuous and quiet woman begin to seduce him in reverse.“Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds. I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak soap . Besides, soap steals an umbrella from a neatly dressed customer, but the umbrella is ill-gotten originally.''Of course,''said the umbrella man''that is—well, you know how these mistakes occur—I—if it’s your umbrella I hope you’ll excuse me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you’ll.So the modest and lady and gentleman turn out to be someone that we cannot imagine, which is not rational. Nonetheless, as a matter of fact, they just hide their dirty acts under a beautiful veil and a small sign can indicate a great trend, we can learn that the so-called noble upper class goes more serious than the two. These plots reveals awful mood of that capitalist society.
In addition, the conflict between the irrationality of Soap's behavior and the rationality of the cop's judgment is one of the important reasons for Soap's "misfortune". For example, soap breaks the glass and wait for the policeman to come and
arrest him, but the cop reckons that a man who commits evil won't sit and wait for arrest, men who smash windows do not remain to parley with the law’s minions then he excludes soap. Besides, he wants to break the peace by virtue of kicking up a fuss in the street, identically, the cop deems that only college students dare to be so unbridled and boisterous''Tis one of them Yale lads celebrate’ the goose egg they give to the Hartford College. Noisy; but no harm. We have instructions to lave them be. His abnormal conducts is determined by his distorted mentality, which exactly reflects torture and agony both in life and mind oft he low-class. When the poor guy intends to do good the moment he is moved and inspired, the cop believes a vagrant will never something to do with the quiet atmosphere around a church, the soft lamplight and the touching music. Consequently, soap is caught unexpectedly. “What are you doing here?” asked the officer. ''Nothing,'' said soap''Then come along.''said the policeman. ''Three months on the Island.'' said the Magistrate in the Police Court the next morning It is the accident that mirrors confusion of truth and falsehood, black and wright.
Needless to say,there are many ways to represent humor, they have one thing in common--where there is humor, there
is specific implication. The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life and
mental distress are mirky. O.Henry uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.
感谢阅读,希望能帮助您!。

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