陈列馆英语讲解词
博物馆英语讲解
博物馆英语讲解Visiting a museum is a fascinating experience that can broaden our understanding of history, art, and culture. Museums serve as a window into the past, allowing us to explore ancient civilizations, admire artistic masterpieces, and learn about scientific discoveries.During my recent visit to the National Museum of History, I was particularly impressed by the dinosaur fossils. Seeing these enormous bones up close made me realize how magnificent these creatures were millions of years ago. The museum also had a section dedicated to ancient Egypt, where I learned about mummies and the fascinating burial practices of that time.In addition to the exhibits, I enjoyed participating in a workshop offered by the museum. It was a hands-on experience where we could create our own artworks inspired by famous paintings. This interactive element made my visit even more enjoyable and memorable.Overall, museums are not just places to look at artifacts; they are educational spaces that inspirecuriosity and creativity. I encourage everyone to visit a museum, as it can provide a deeper appreciation for the world around us.中文翻译:参观博物馆是一种迷人的体验,可以拓宽我们对历史、艺术和文化的理解。
上海观复博物馆 英文讲解
上海观复博物馆英文讲解The Shanghai Museum of Art is an art museum located in the Huangpu District of Shanghai, China. Established in 2012, it is a modern cultural facility aimed at showcasing and promoting various forms of contemporary art.The museum's architecture is unique, combining modern style with traditional elements. Inside the museum, there are multiple exhibition halls displaying artworks from around the world, including paintings, sculptures, and photography. The exhibits primarily focus on Chinese contemporary art, but also include works by international artists.The Shanghai Museum of Art regularly hosts art exhibitions, academic symposiums, and educational activities to facilitate the exchange and development of art and culture. The museum has a professional exhibition planning team and academic advisors dedicated to providing high-quality art experiences and educational services.The museum is open to the public and welcomes visitors for exploration and learning. Guided tours and explanations by museum guides are available to help visitors better understand the meaning and artistic value behind the works.中文翻译为:上海观复博物馆(Shanghai Museum of Art)是中国上海市的一座艺术博物馆,位于上海黄浦区外滩。
有关博物馆的英语单词
有关博物馆的英语单词一、基础词汇。
1. museum.- 英[mjuˈziːəm];美[mjuˈziːəm]- n.(名词)博物馆。
2. exhibit.- 英[ɪɡˈzɪbɪt];美[ɪɡˈzɪbɪt]- v.(动词)展览;展出;表现;n.(名词)展览品;展品。
3. display.- 英[dɪˈspleɪ];美[dɪˈspleɪ]- v.(动词)展示;陈列;显露;n.(名词)陈列;展览;显示。
4. collection.- 英[kəˈlekʃn];美[kəˈlekʃn]- n.(名词)收藏品;收集物;一群(人或物);取走。
5. artifact.- 英[ˈɑːtɪfækt];美[ˈɑːrtɪfækt]- n.(名词)人工制品;手工艺品(尤指有历史或文化价值的)6. antique.- 英[ænˈtiːk];美[ænˈtiːk]- n.(名词)古董;古玩;adj.(形容词)古老的;过时的。
二、相关设施词汇。
1. hall.- 英[hɔːl];美[hɔːl]- n.(名词)大厅;礼堂;走廊。
2. gallery.- 英[ˈɡæləri];美[ˈɡæləri]- n.(名词)画廊;走廊;(教堂、议院等的)边座;楼座。
3. exhibition hall.- 英[ˌeksɪˈbɪʃn hɔːl];美[ˌeksɪˈbɪʃn hɔːl]- n.(名词)展厅;展览馆。
4. showcase.- 英[ˈʃəʊkeɪs];美[ˈʃoʊkeɪs]- n.(名词)玻璃陈列柜;展示(本领、才华等)的场合;v.(动词)使展现;在玻璃橱窗陈列。
5. information desk.- 英[ˌɪnfəˈmeɪʃn desk];美[ˌɪnfərˈmeɪʃn desk]- n.(名词)问讯处;服务台。
三、人物相关词汇。
1. curator.- 英[kjʊəˈreɪtə(r)];美[kjʊˈreɪtər]- n.(名词)(博物馆、美术馆等的)馆长;监护人;管理者。
湖南省博物馆马王堆英文讲解词
An Introduction to Mawangdui Han TombsHistoric relics unearthed from Han Tombs at Mawangdui are relevant to many legendary and touching stories, therefore it’s not easy to introduce them thoroughly to our reverend visitors. But we can still enjoy the deli cate articles of ancient civilization to our eyes’ content as well as to our heart’s content. Next, we are to explore the historical and artistic wonders made by ancient Chinese people more than 2100 years ago.This picture shows the outside scene of Han Tombs at Mawangdui. The Han Tombs are located at Wulipai in the eastern suburb of Changsha. They are about 4 kilometers from the downtown area. In the flat extending fields are two mounds of tombs. They are of similar size and are linked to form the shape of a saddle. It was recorded that this site was once the family graveyard for Ma Yin, King of the Chu State during the Five Dynasties Period, and therefore acquired the name Mawangdui meaning Mound of King Ma. But according to Tai Ping Huan Yu Ji’s recordi ng about Changsha, Mawangdui was the graveyard of Lady Cheng and Lady Tang, two concubines of Emperor Jingdi of the Han Dynasty. They were buried by Liu Fa, Prince of the Changsha State. Thus this graveyard was called “Shuang Nv Zhong” meaning the Tomb of Two Ladies. The authentic owner of this mysterious graveyard has been uncertain before Mawangdui Tombs were unearthed.At the end of 1971, No.366 Hospital of Hunan Provincial Military Region was to construct underground wards and storerooms at Mawangdui. Before the construction, Hunan Provincial Museum excavated these tombs, revealing the myths buried in this thousand-year underground palace.Here are Models of Tomb pits of the three Han Tombs at Mawangdui. They are numbered in the sequence of excavation. Tomb No.1 and Tomb No.2 lie aside from east to west. Tomb No.3 is located to the south of Tomb No.1. The opening of Tomb No.1 is of square shape, measuring 19.5 meters by 17.8 meters, with a dipper-shaped pit underneath. It is typical of western Han period. The pit measured from the sealing soil is 20.5 meters deep with 4 steps extending downward from the opening. A slope tomb channel leads directly from the ground to the pit bottom at the north of the tomb chamber. Over 1800 cultural relics of lacquer wares, textiles and paintings on silk as well as a well-preserved female corpse were unearthed. The opening and middle layer of Tomb No.2 are of round shape. Due to the fact that the tomb was not compactly sealed, it had been robbed several times and the outer coffin chamber had collapsed. Only around 200 cultural relics were left behind. Tomb No.3 is similar in shape with Tomb 1. It is well preserved with more than 1,000 cultural relics of inscriptions and paintings on silk, inscribed on bamboo slips, lacque r wares and textiles unearthed. The corpse in this tomb, however, was only a skeleton. It’s identified that the corpse belongs to a man who died in his early thirties. He was 1.85 meters tall.Model of Filling Materials in Tomb No.1Tomb No.1 is well-preserved due to several reasons. At the bottom of the tomb is a 15cm-thick layer of white filling clay. Covering the whole outer coffin chamber is a layer of 40cm thick charcoal weighing more than 5 tons. On top of the charcoal is a 1.3cm thick layer of white filling clay. Then earth is rammed every 0.5 meter on its top. Charcoal serves as a moisture-proof substance. It takes in the small amount of water in the chamber. White filling clay is termed montmorillenite, a material for porcelains. It has high plasticity and low permeability. Thus with effective burying and sealing, the corpse, coffins and abundant burial objects are kept impact in the tomb.Wooden Tablet with Burial DateThe inscription on the wooden tablet unearthed from Tomb No.3 reads, “On the f irst wu-chen day of yi-si, the second month of the twelfth year, the chamberlain in charge of funeral service, on holding a memorial with funeral articles, presents a list of the delivery for inspection.” Accordingly the date inscribed on the tablet is equ ivalent to the twenty-fourth of lunar February of the twelfth year in the reign of Emperor Wendi of Han, or 168 B.C. It is the exact burial date of the tomb-owner.Part II: Walking into the Family of the Marquis of DaiLi Cang’s Jade SealIt’s archeologically established that Mawangdui was the family graveyard of the Marquis of Dai in the early Western Han Dynasty. Based on the unearthed jade seals inscribed with “Li Cang”, the bronze seals with Seal of theMarquis of Dai” and “Prime Minister of Changsha State”, we conclude that the owner of Tomb No.2 is the first generation Marquis of Dai and the Prime Minister of Changsha State—Li Cang. He was born in the later years of the Warning States period and died in 186B.C. or the second year of the reign of Empress Gaohou. In his youth, he participated in the Peasants’ Revolution against the Qin Monarch and also in the warfare between Chu and Han. Due to his outstanding contribution to the western Han, he was appointed Prime Minister of Changsha State in the beginning years of the Western Han. He continued his efforts in consolidating the central government’s ruling and keeping unification of the country. It’s recorded in Shi Ji and Han Shu that he was conferred the rank Marquis of Dai in the fourt h lunar month of the second year of Emperor Hudi’s reign or in 193B.C. Dai is the name of his fief which is located between Luoshan county and Guangsha county in present-day Henan Province. He had 700 families under his jurisdiction in his fief. Compared with marquises with a fief of 10,000 families like Chen Ping and Zhang Liang, Marquis of Dai was not of the highest rank. However, owing to the peculiar location of his Changsha State, his family had sumptuous means and clothes, leading a life of extravagance. Even after their demise, they were buried with lavish funerals.Seal with the legend “Qie Xin Zhui”Xin Zhui buried in Tomb No.1 was Li Cang’s wife. Her name is known to us because of a seal unearthed from her tomb. Though she was a woman of prominent status, she saw the death of her husband in her youth and the death of her son in her later years, which must have greatly pained her. She died in the first year of Houyuan reign of Emperor Wendi or 163 B.C. at the age of 50 or so. Hunan Provincial Museum made a wax figure of Xin Zhui to show her graceful bearing with the help of Xi’an Superman Sculpture Research Institute, on the basis of her corpse and her painting on a piece of T-shaped silkBoxwood CombsXin Zhui enjoyed high position and lived in comfort before her death. She cared much about her making up. In the two-tiered lacquer cosmetic box with nine smaller boxes and the single-tiered one with five smaller boxes were found rouge, oil paint, white powder and other cosmetics as well as utensils for making up, such as bronze mirror, mirror polisher, powder puff, combs, wooden tweezers, brush, horn knives with ring-ended handle, etc. The wooden tweezers were used for shaving brows and the brush for applying powder to the face. The hair of the brush on excavation was partly reddish, which might be left by rouge. The boxwood comb is worth observing. It is finely polished and the tooth gaps are fine and even. Within a length of 5 centimeters, the comb has 74 teeth. It is much delicate than the general co mbs used nowadays. It’s still amazing how it could be made so fine.Map of GarrisonThe owner of Tomb No.3 was Li Cang’s son, the Marquis of Dai of the second generation. According to the unearthed wooden tablet, he died in the twelfth year of Emperor Wen di’s reign, i.e., 168B.C. in his early thirties. From Tomb No.3 were found 38 weapons as well as a Map of Garrison. During the last years of the reign of Empress Gaohou, Zhao Tuo, King of the Nanyue Kingdom who set up a separatist region to the south of the Southern Ridges, launched an attack on the southern part of the Changsha State. In response, the Han Court and the Changsha State immediately sent troops on a punitive expedition. The war continued until the early years of the reign of Emperor Wendi. This map of garrison in his tomb revealed to us that the tomb owner was once a key military officer of Changsha State. He participated and even was in command of the campaign. Contrary to a modern map, the south is shown at the top of this map and the south a t the bottom. The circles on the map identify the villages, called “Li” then, while the squares stand for the county sites. The barracks are indicated in irregular shapes. The headquarters represented by a triangle is located at the center of the garrison area where several rivers or brooks meet. Within the garrison area, 6 troops are allocated to the front, the left and the right of the headquarters along 2 lines guarding 3 valleys that lead from Nanyue Kingdom to Changsha State. It’s obvious that Changsha State took advantage of preferential geographic sites to defend itself. The distribution of troops shown on the map was proof for the rather high level of military thoughts and commanding art at the early period of Han.Millet CakesA large quantity of food as well as eating and drinking utensils was unearthed from Tomb No1 and No.3. They are enough to prove that high ranking officials and aristocracy of the Western Han led a life of great extravagance. Besides, a total of 11 bags of ice, wheat, barley and other grains as well as various cakes were discovered from the tombs. The millet cakes found in the painted pottery box from Tomb No.1 were made by steaming the paste of ground or pounded millet powder. Ciba and ci-fantuan that are popular today in the south of China may have developed from the millet cakes.Remaining Slices of Locus Root in the Lacquer Tripod with Cloud Design from Tomb No.1 The primary non-staple foods in Hunan area at that time were fish, meat, vegetables, fruits and so on. Abundant samples of these foods were dug out from the Mawangdui Tombs. The vegetables have been carbonized completely. But we can still get the original forms of some. Much to our amazement, on opening the lacquer tripod with cloud design form Tomb No.1, we found soup made over two thousand and one hundred years ago with a contact layer of sliced lotus root floating on its surface. But it’s regretful to see the speedy disappearance of them due to chemical reactions in the air and unavoidable vibration. Experts in seismology said this phenomenon proved that no serious and destructive earthquake had ever taken place in Changsha area in the last 2100 years.Bones of Wild GeeseMeat consumed by the family of the Marquis of Dai came from a variety of animals. From the buried meat in Tomb No.1 and Tomb No.3, we see they ate not only the meat of domestic fowls and animals but also the meat of wild ones. According to the inventory of burial objects, the buried animals included the commonly seen ones like pigs, goats, oxen, chicken, carps and crucian carps and rare animals such as sika deer, cranes, golden pheasants, turtledoves, wild geese, and mandarin fish. In a way, they range from the flying birds to swimming fish to reptile animals. The coverage of the food is really astonishing.Drawing of Daoyin, the Physical Exercise ChartThis physical exercise chart found in Tomb No.3 is the most ancient one in the world on health care and physical exercise. “Dao Yin” means promoting flowing of qi and blood, and stretching the limbs. It is a treatment of therapeutic physical education combining movements of limbs and respiratory movement. On the chart, 44 Daoyin positions are illustrated. Judging from the remaining characters, they are of 3 categories: the movements of a body, the initiated movements of certain animal and the function of such a movement. If you are interested in this exercise, why not have a try with this ancient treatment?“Guan Ren” Male FigurineOver 300 wooden figurines, substitutes of the household servants in the afterlife, were unearthed from Tomb No.1 and No.3. This figurine has a strong built body and is wearing a tall hat and a silk gown. One of its shoe-soles is caved with “Guan Ren” in Chinese characters, meaning male servant. On excavation, there were sc ores of painted wooden figurines behind him in his command. Therefore, he should be the butler of the Marquis of Dai’s family. The maid figurines are crafted with excellent workmanship and extravagantly dressed in laced embroidery gowns. They should be the Maids of Honor attending the Marquise of Dai. Figurines with painted design are a share contrast to the above mentioned ones. They are of large quantity but the smallest in size. Their facial expressions are of unanimous sadness. They represent the servants of the lowest rank engaged in sundry duties in the household of the Marquis of Dai. We’ll see later on wooden figurines of singers, dancers and musicians. Their existence tells us the great variety of them.Wooden Figurines of MusiciansFive figurines of musicians were discovered from the tombs. Two are in the posture of playing the Yu, a wind instrument and the others playing the Se, a string instrument, forming a family orchestra. You can see they are in gowns and seriously preparing for their performance.The figurines of singers have handsome faces. They are also in long robes and seating on the floor, seemingly producing melodious tunes. Figurines of dancers have round faces with rouge and powder. Their bodies are leaningforward with knees slightly bending, seemingly dancing to the music and songs. The Marquise of Dai led a life of comfort and extravagance during her life time and continued to enjoy it after her death with so many figurines buried with her.Yu: An InstrumentEight kinds of instruments were found from Tomb No.1 and No.3 including Qin, Se, Zhu, Di, Yu, Xulv, Bian-Zhong (chimes) and Bian-Qing(stone chimes). They are of great value in Chinese history of music, offering precious materials for the study on Western Han’s music. There was once a story about an incompetent musician named Nanguo. He passed himself as one of the Yu players in an assembly. Thus came into being the Chinese idiom: “Lan Yu Chong Shu”, which means being there just to make up the number. The instrument “Yu” in this story is like what you see now. This Yu was unearthed from Tomb No.1. Well-preserved, it has the whole set of 22 tubes. But it is of no practical use, for it is just a model.A Set of Liubo ChessA set of game utensils was unearthed from Tomb No.3. It consists of a chessboard, 6 black chessmen and 6 white ones, 20 chess pieces, 42 counting chips and a dice. A special lacquer box is made to hold these utensils. The rules of this game are shown on the carved stones. Two players sitting opposite each other would choose black or white chessmen, and put them accordingly along twelve L-shaped and T-shaped tracks. They would alternately cast the dice, on two sides of which are carved “Jiao” meaning beneficial movement and on the opposite side, meaning disadvantageous movement. On the other sides of the dice are carved cardinals from 1 to 16. One moved his chessman according to the number he got and the one who obtained more chips would be the winner. Liubo chess was a fashionable game during the Han Dynasty at the Court or among civilians. But its popularity waned after the Jin Dynasty and after Tang it became the now popular Chinese chess.The Beauty of Lacquer waresLacquer Tray with Cloud DesignThe tray was designed for passing food. It’s in rectangle shape wi th 4 curved short feet under each corner. Ancient Chinese used the expression “Ju An Qi Men”—holding the tray level with the brows to show that husband and wife are treating each other with courtesy. On the exterior bottom are carved “Household of the Marquis of Dai”, proving the ownership of the tray. On excavation, the tray carried 5 small lacquer dishes containing remnant of beef and thin bamboo strips, two lacquer goblets and one flanged cup with a pair of bamboo chopsticks placed on top of it. The meal set on this tray reveals that the nobles of the Han Dynasty were served meals in individual sets.Lacquer Flanged Cup with Inscription “Jun Xing Shi”The flanged cup was used to hold food, wine, soup or porridge. It is named “Flanged Cup” due to the two handles for holding. During the Warring States Period, the two handles were seen as the two swings of a bird, so they called the vessel “Swung Cup”. The inscriptions in official script on the inside bottom “Jun Xing Shi” means “Help Yourself to some food”.Rectangular Lacquer Cosmetic Box with Raised DecorationThis kind of box was exclusively designed for precious things; therefore its shape and decorations are more exquisite and tasteful. The cover is in peculiar shape. The exterior is painted with black lacquer while the interior with red lacquer. The designs on this box are outlined with bulging white lines between which are filled with scrolled cloud in red, green and yellow. The rich colors in several layers present a three-dimensional effect. This method of painting is named “raised lacquer decoration” in documents. A black lacquer gauze hat was found in the box when unearthed.Lacquer Cosmetic Box with Incised DesignIncised design or the incising technique is to incise, with an awl or a needle, patterns on the lacquer coating when it is not yet thoroughly dried. The incised lines on the box are finer than hair and they can only be seen in bright light. On the cover and the bottom are incised running rabbits, swimming fishes, flying birds and crouching squirrels surrounded by cloud and mist and several sets of cloud and phoenix patterns. On the exterior surface of thebox are incised cloud, an immortal on a dragon’s back, flying birds and a hunting scene. The hunting scene is a vivid presentation: a hunter is running after two deer, holding a long spear in his hand. One deer is just running for life, while the other has leapt into air.Two-tiered Lacquer Cosmetic Box with Painted Design and Nine Small BoxesIt is an ancient cosmetic box with two tiers. The lacquer on the exterior surface is finely painted in dark brown, to which is applied a film of gold powder, mixed with little amount of silver powder. Finally, cloud and mist patterns are painted in yellow, white and red on the surface, which shines brightly with magnificent decorations. The upper layer of the box contains mitts, silk scarf, mirror bag and so on. The bottom of the lower layer is thicker, with nine concaves of various shapes carved in it. Smaller boxes of different shapes are inserted into the concaves. In these delicate boxes we found perfume, a powder puff, combs, a brush, rouge, powder, a wig and so on.Lacquer Tripod with Cloud DesignThe tripod called “Ding” in Chinese is a sacrificial utensil for holding food. It had been adopt ed as symbols of a state’s power and a person’s authority from the Xia Dynasty to the Han Dynasty. There was a set of rigid rules for the using of Ding: the emperor used 9 Ding, dukes or princes used 7 while general officials used only 5. From Mawangdui Tomb No.1 were discovered 7 Ding, which embodies the social status of the tomb owner. Well-preserved, each Ding was shaped by rotating a single piece of wood against a knife. They have grave shapes with black lacquer painted on the exterior surface. On the brim of the mouth of each Ding you can find a band of lozenge pattern. Red and gray green whorl and connected squares form geometric cloud on the surface of the cover and the body. On the feet are painted red beast mask and the handles are decorated with cloud. The interior surface is in red lacquer and has “Er Dou” inscribed on it indicating its capacity.Lacquer Ji-table with a Dragon DesignIn ancient times, people used to sit on the floor and used the Ji-table to support their hand for comfort or to support things they need for convenience. This Ji-table has a flat surface in black lacquer on which is patched a dragon souring among the cloud and mist. The Ji has a pair of fixed short legs and a pair of long moveable legs that can be folded up to the underside of the table. To raise the table higher, unfold the long legs and fasten the thatches; to lean on the table, the person just need fold up the long legs and put the short ones on the ground. The design of this Ji-table is really unique and practical.The Brilliance of the Silk Country“Xin Qi Embroidery” on Damask with Lozenge DesignThe amount of Xin Qi embroidery is the largest among the unearthed pieces. Twenty of its kinds were unearthed from just Tomb No.1. Damask with lozenge design is a light textile woven with interwove warps of different thickness. The patterns are clear and elegantly simple. The embroidery on such light damask shows superior workmanship. This kind of embroidery has reasons to be named “Xin Qi Embroidery”. “Xin Qi” in Chines e means “at fixed time”. The motif of the embroidery is the swallow, which is a kind of migratory bird that come in spring and leaves in fall. You see here on the textile are embroidered stylized swallows with long tails flying among clouds. They have bright red head and beak and brown or deep green swings.Brocade with Piled Circles in Geometric PatternBrocade is a kind of textile with a raised pattern achieved by weaving several warps of different colors. The brocade with piled circles is of the most complex technique among the pieces of textiles from Tomb NO.1. It is obtained by weaving warps of different colors and wefts of single color. The circles on its surface pile in geometric pattern. They vary in size and length and therefore form layers of texture. This kind of brocade looks bright and well-developed, providing a three-dimensional effect. If we cut the circles open and let the threads of the circles spread, we get velvet with raised pattern of later periods. The unearthed textiles at Mawangdui Han Tombs pushed China’s history in making velvet back about three hundred years.Gauze Gown with Printed and Color Painted DesignThis finding is the first ancient silk textile with printed design. It has a surface layer of printed and color paintedgauze, a lining of gauze in a plain color and is padded with silk wadding in between the two layers. The design is stylized climbing plant. The stem and tendrils are finely printed and harmoniously distributed. The connecting area of the stem and tendrils has traces of the printing technique with wooden blocks carved in openwork. The flower buds, petals and leaves are in different patterns and various thicknesses of colors which can not be achieved by printing. Therefore, it is concluded that the color of various thickness were painted by hand after the stem and tendrils were printed. It took great pain to print and paint such a wide gown. The combination of printing and color painting was a breakthrough in technique as well as a masterpiece of ancient Chinese people in printing and painting.Gauze Gown in Plain ColorGauze in plain color needs neither printing nor painting. The gauze gown consisting of a jacket and a skirt has no lining.The two parts weigh respectively 48 grams and 49 grams. The gown has been described “as thin as a cicada’s wing and as light as mist”. Compared with the most light fiber we have nowadays—georgette whose fiber number is 14, the fiber number of this gauze is just between 10.5 and 11.3, which means it is much finer and lighter. In the Han Dynasty, gauze gown of plain color was put on the bright colorful gown to make the magnificent patterns under the thin gauze partly hidden and partly visible.Treasures on Silk and Inscribed SlipsThe ancient nobles hoped to continue their extravagant life after death, for they believed they had an after life. Therefore, innumerous burial projects were buried with their bodies on their death. Before the tombs were sealed inventories of the objects and furnishings were made and put in the tombs. On the day of funeral, the person in charge would read the inventory, telling the dead the listed things were to arrive.Prescriptions for Fifty-two Diseases on SilkIt is the earliest and most complete manuscript on medical prescriptions, involving 103 diseases in various fields of modern medicine such as internal medicine, surgery, pediatrics, gynecology and obstetrics, etc. It also includes 283 prescriptions and 254 kinds of medicine. In one prescription, a complete surgery on internal piles was recorded.A dog’s urinary bladder was inserted into the patient’s rectum through anus. Then the bladder was inflated to force the piles out, which was then cut. Then pain-killing and antiphlogistic Chinese medicine---the powder of the root of large flowered skullcap was applied to the cut. But at times the rectum could not draw back to its position. First, lubricating medicine paste was applied to the rectum. Then the patient was hung upside down and cold water was splashed to his belly to make it contract. As a result, the rectum drew back automatically.Divination by Astrological and Meteorological Phenomena or Tian Wen Qi Xiang Za Zhan on Silk About 250 drawings of clouds, mirages, rainbows, stars and comets are contained in this book, which tended to divine catastrophes or results in wars through the interpretation of astrological and metrological phenomena. The most wonderful part of the book is the 29 drawings of comets. Except the last one, each comet was drawn with a head and a tail. The head of the comets was represented with a tiny circle or a dot and inside some heads were found tinier circle or dot, showing the comet core had been found in the head by that time. The tails of the comets were in different lengths and widths. The book is the most ancient work on forms of comets, revealing ancient Chinese people’s outstanding achievement in observing and studying astrological phenomena.Divination by Five Stars on SilkIt should be the earliest writing on astrology in the world. With 8,000 Chinese characters, it made recordings in sections. The first section recorded the movements of five planets: Venus, Jupiter, Mercury, Mars and Saturn, and divined luck through the forms or positions of the constellation.The second section included diagrams about the positions of Jupiter, Saturn and Venues in a period of 70 years from 246 B.C., the first year of the reign of the First Emperor of Qin to 177 B.C., the third year of the reign of the Han Emperor Wendi. It also recorded the period of revolution of the planets through calculation. The recorded results are quite close to those of today. For example, it estimated that it would take the Venus 584.4 days to complete a periodic motion so as to be in line with the Earth and the Sun. That is only 0.4 day in excess of the present dayevaluation of 583.92 days. To our admiration, ancient people got such concrete and exact data without the help of precision instruments we nowadays adopt.Topographic Map on SilkTopographic Map of Southern Changsha State is the earliest map adopting scale in the world. It is on a scale of 1:180,000 with standard legend, but has the south at the top and the north at the bottom. The area covers the southern area of the Changsha State, approximately encompassing the present day Jiuyi Maintain and South Ranges. On the left of the map, scale-like whirl pools were painted to indicate Jiuyi Maintain and 9 columns to indicate its nine peaks. Altogether over 30 rivers including the Xiangjiang River, Zhujiang River and so on were clearly shown on the map. The wide dark lines represent the upper reaches of the Xiangjiang River, called Xiaoshui River. Along the waterways are more than 80 counties and villages indicated by squares and circles, which are connected by dark lines representing roads. The map drawn on the basis of range estimation and rough measuring can not be as precise as those drawn today with the help of aerial photography and advanced measuring tools. But some of its indications can still lead us to several counties. We have to admit the technology in drawing maps during the Han Dynasty had advanced to a rather high level.Drawing of Guard of HonorThis drawing was found on the western wall of the coffin chamber in Tomb No.3. It can be divided in to 4 parts: at top left are two lines of people headed by one in the first line with a high hat and a sword. This man should be the tomb owner, a then military officer of the Changsha State; at bottom left is a phalanx of over a hundred guards, some of which are beating drums and striking bells; at top right there are chariots drawn up in a battle formation. Among them, about 40 chariots drawn by four horses are easily distinguished. At bottom right, there are columns of horsemen forming a grand troop of chariots and horsemen. The drawing presents to us a vivid scene before a war, telling us the troops of the Changsha State are ready to march to the front. Characterized by a strong sense of realism, it is regarded as the earliest-known painting in realistic style.T-shaped Painting on Silk from Tomb No.1This painting is named after its shape by us, but it was called “Non-Garment” in the inventory of burial objects. On excavation, it was found covering the coffin with the painted side downward. Across its top side is a bamboo pole and to the lower side are attached tapes in silk or hemp cloth. It is believed to be a banner carried in the funeral procession to send the death’s soul to the Heaven.The painting has a full length of 205cm and contains three sections from top to bottom, depicting scenes of the heavenly world, the human world and the underworld. At the upper middle of the painting is an immortal in serpent’s shape but with a long-haired human head. According to Shan Hai Jing, it is the immense candlelight dragon, which is in charge of the changes of weather and the shifting of night and day. On the right are painted 9 reddish suns looming among blue Fusang trees. Fusnag trees are legendary mulberry trees located at the extreme eastern limits of the world, from which the sum is supposed to rise. In this painting, it is from these Fusang trees that the ten suns take turns to be on duty. The absent sun may be the one on its shift. In the largest sun is painted a black bird, called Jinwu in ancient times. It reflects actually the observation of sunspots by ancient people. On the left is a crescent moon, under which a beauty in elegant robes is dancing. Some say she’s Goddess of the Moon, and is raising the moon with her hand; others believe she is Chang’er who is fleeing to the Moon Palace after st ealing the pills of immortality. With the lines of the moon, there is a little white rabbit and a round toad with a magic fungus in its mouth. These two animals form a sharp contrast in shape. Two heavenly guardians are making a slight bow to the Marquise of Dai with their hands folded in front at the gate to the heavenly world. In the human world, canopies serve as roofs of houses with rose finches decorated on the tops. Beneath the canopies, the Marquise of Dai extravagantly attired is moving forward with the help of her stick. Three maids of honor are attending her. In front of her, there stand 3 alchemists presenting to her pills of immortality. On both sides of the human images are double dragons symbolizing honorability and fortune. At the lower part of the painting, the scene is probably on the vigil kept by her family, whose facial expressions are of sadness and gloom. In the underworld, God of the Earth—Gun, holds up the earth and tramples on。
博物馆英文讲解
博物馆英文讲解Museum Introduction:Welcome to our museum! Today, I would like to introduce you to the various exhibits and the history of this museum.Located in the heart of the city, this museum is dedicated to preserving and showcasing the rich cultural heritage of our region. As you explore the exhibits, you will learn about the history, art, and traditions that have shaped our community.Exhibit 1: History GalleryIn the History Gallery, you will be able to trace the origins of our city from its humble beginnings as a small settlement to its growth and development into a bustling metropolis. Discover artifacts, photographs, and interactive displays that illustrate the major milestones of our city's history. From early inhabitants and colonization to the industrial revolution and modern urbanization, this gallery offers a comprehensive overview of our city's past.Exhibit 2: Art CollectionThe Art Collection showcases a diverse range of artwork, spanning various periods and styles. From classical paintings and sculptures to contemporary installations, this exhibit offers a visual feast for art enthusiasts. Take your time to appreciate the skill and creativity of renowned local and international artists. Each piece tells a unique story and reflects different artistic movements.Exhibit 3: Cultural HeritageOur Cultural Heritage exhibit celebrates the traditions and customs that have shaped our identity as a community. Immerse yourself in the vibrant festivals, rituals, and ceremonies that have been passed down through generations. Learn about our traditional music, dance forms, costumes, and folklore, which continue to be an integral part of our culture. Through interactive displays and audiovisual presentations, you will gain a deeper understanding of our rich heritage.Exhibit 4: Science and TechnologyThe Science and Technology exhibit highlights the advancements and innovations that have propelled our society forward. Explore the evolution of technology, from early inventions to modern-day marvels. Engage with interactive displays that allow you to experience scientific phenomena firsthand. Discover how scientific discoveries have influenced various aspects of our lives, from medicine and transportation to communication and entertainment.In addition to these exhibits, our museum also hosts temporary exhibitions featuring traveling displays or collaborations with other institutions. These rotating exhibits ensure that there is always something new and exciting to explore during your visit.Thank you for joining us today! We hope this introduction has piqued your interest and that you enjoy discovering the wonders and stories within our museum. If you have any questions orrequire further information, our knowledgeable staff members are always ready to assist you. Enjoy your visit!。
大英博物馆 英文介绍
the world’s three largest museum
the British Museum (大英博物馆)
the Metropolitan Museum of Art in New York (纽约的大都会艺术博 物馆) Louvre Museum in Paris (巴黎的卢浮宫)
the British Museum’s front gate
◆8 roots of high and thick Rome type cylinder(圆柱) ◆triangle top(三角顶 ), huge relief(浮雕) ◆ magnificent ◆in the middle of the nineteenth century ◆ 100 showrooms ◆ 60,000 or 70,000 square meters
Museum of medieval European (欧洲中世纪文物馆)
Oriental Art Museum (东方艺术文物馆)
Exhibits of Egyptian Antiquities Museum
Rosetta Stone 罗塞塔石碑
Mandarin fish (元代鳜鱼图案青花瓷盘)
British Museum
General situation
The British Museum is a museum of human history and culture in London. Its collections, which number more than 7 million objects, are amongst the largest and most comprehensive in the world and originate from all continents, illustrating and documenting the story of human culture from its beginning to the present.
马王堆汉墓英文导游词Changsha Mawangdui Han Tomb
马王堆汉墓英文导游词Changsha Mawangdui Han Tomb各位朋友大家好,欢迎参观长沙马王堆汉墓出土文物陈列馆。
马王堆汉墓位于长沙市东部地区原来的马王堆乡,距市中心大约有4千米。
1971年底,我们对此进行了考古发掘,这才揭开了这座千年地宫的神秘面纱。
Hello, everyone, welcome to visit Changsha Mawangdui Han Tomb. Mawangdui HanTomb is located in the eastern of Changsha, about four kilometers from the center of the city, at the end of 1971, Chinese archaeological workers excavated and unveiled the mystery of this tomb with thousands of years.经过考古发掘,我们发现马王堆是西汉初期軑侯家族的墓地,马王堆共有三座墓,其中一号墓中出土各类文物1800余件以及一具保存得十分完整的女尸。
一号墓之所以保存得如此完整,主要原因在于采取了深埋密封的筑墓方式。
加上2000多年以来长沙地区没有发生大的地震,因此一号墓中的尸体以及大量的随葬器物才能够完整地保存下来。
大家看到的这件衣服可是我们陈列馆的镇馆之宝了。
After archaeological workers excavation, we have found Mawangdui is the tomb of Tuohou family of early Han, there are three tombs at Mawangdui, more than1,800 cultural relics and a well-preserved female corpse unearthed from No.1 tomb, it preserved so well mainly due to its closed sealing and deep buried, and there’s no big earthquake in Changsha area for 2000 years, so the corpse in Tomb No. 1 and a l arge amount of remains was preserved completely. Now let’s see this clothes, it’s our museum’s representative piece of the collection.它的名字叫素纱襌衣,素纱是指没有染色的纱,襌衣是指没有衬里的衣服。
陕西博物馆英文讲解词
Introduction of Shaanxi History Museum Hello, ladies and gentlemen, welcome to Shaanxi History Museum. First, I want to give you a brief introduction of this museum. Shaanxi History Museum is a sizable national museum with a wide range of artifacts, about 375,000 historical and cultural relics(['rɛliks]n. 遗迹;遗骸;纪念物), which were all excavated in Shaanxi Province. It covers an area of 70,000 square meters, with a floor space of over 50,000 square meters. Shaanxi Province had been the cradle (['kreidl]n. 摇篮;发源地;发祥地;支船架)of the ancient Chinese civilization. And people often say that the ancient history of Shaanxi is a microcosm (['maikrəukɔzəm]n. 微观世界;小宇宙;作为宇宙缩影的人类;缩图(等于microcosmos))of Chinese history.The museum shows a great deal of elegance and originality in style. It was designed by Zhang Jinqiu, a very famous female architect in China, and assumes the architectural features of ancient Chinese palaces and courtyards of Tang Dynasty.PREFACE HALLNow we are in the hall. The giant stone walking lion was originally erected(adj. 直立的;正立的vt. 建立;竖立)in front of Shunling Mausoleum,([,mɔ:sə'liəm]n. 陵墓;阴森森的大厦[ 复数mausoleums或mausolea ])the tomb of Empress(女皇)Wu Zetian’s mother of the Tang Dynasty. With its exquisite(['ekskwizit,adj. 优美的,高雅的;精致的;剧烈的;细腻的;异常的n. 服饰过于讲究的男子)craftsmanship (技艺精湛)and imposing appearance, the lion is believed to rank the first in Asia. Since lion and their carving skills were introduced to China from Afghanistan through the Silk Road in ancient times, so this lion also represents the cultural exchange between China and other countries.THE MAP OF SHAANXI PROVINCELying in the middle reaches of the Yellow River, and in the eastern part of the northwest region of China, Shaanxi Province serves as the gateway to the northwest of the country, and offers a link of communication between the Southwest, Northwest and East China. Shaanxi Province covers the area of about 205,800 square kilometer,and has the total population of 37 million.Topographically,([,tɔpə'græfikli]adv. 从地形上;在地形构造方面)Shaanxi Province can be divided into three natural regions. The top part is the Loess['ləuis Plateau['plætəu(黄土高原)in the northern part of Shaanxi Province. The middle part i s Guanzhong Plain, and here is Xi’an city where 13 dynasties set their capitals during 1,100 years in Chinese history. The southern part of the Shaanxi Province is mainly about some mountainous regions. This is Qingling mountainous region, which is not only the natural boundary in separating the northern and the southern part of China but also the watershed ['wɔ:təʃed, 'wɔ-]n. 分水岭;(美)流域;转折点;集水区adj. 标志转折点的)of the two greatest water systems in China—the Yellow River system and the Yangtze River system.THE PREHISTORIC AGE史前时期(1,150,000 years ago—21st century B.C)The first section focuses on the history of Shaanxi Province during the Prehistoric Age, which ranges from 1,150,000 years ago to the 21st century B.C. Shaanxi is an important source of information on the origin of the human race in Asia. In 1964, the fossil of a human skull and jawbone were discovered in Liantian County. The archaeologists put these together and shaped this female figure around her 30’s. The Liantian Ape-man had a much smaller brain capability comparing with people living today, only 780 milliliters (['mili,li:tə]n. 毫升)about half the size of people today. And the thickness of their skull is twice as much as people today. All of these tell us that the intellect of Liantian Ape-man is not well developed. However, the results of the latest research program prove that Liantian Ape-man lived about 1,150,000 years ago and was the earliest known Homo ['həuməu]n. 人,人类;同性恋者[ 复数homos ]erectus(直立人;直立猿人;直立人种)in North Asia. This background picture shows Gongwangling公王岭, where the fossil of Liantian Ape-man was discovered. In the display case are the pointed stone implements excavated (v. 发掘;挖掘(excavate的过去式,过去分词)from the site, which were made and used by Liantian Ape-man. These stone implements,thought slightly chipped (tʃipt]adj. 有缺口的;用碎片组成的;受切损的)and irregularly shaped, were used for multiple purposes. And all of these stone tools belonged to the Paleolithic([,pæliəu'liθik, ,pei-]adj. 旧石器时代的)Age.After the discovery of the fossil of Liantian Ape-man, the fossil of a rather complete hominid(['hɔminid]n. 原始人类;人科动物adj. 人类及其祖先的)skull was found in Dali County, Shaanxi Province in 1978. The brain capability of the Dali Men was larger, reached to 1120 milliliters, only 300 less than people today. Dali Men lived about 200,000 years ago, and belonged to a new stage of human evolution, known as (智人)Homo Sapiens['seipjənz. The stone implements ever used by the Dali Men are relatively small in size.The earliest Neolithic ([,ni:əu'liθik] adj. 新石器时代的;早先的)cultural heritage in Shaanxi is known as Laoguantai Culture, which originated about 8,000 years ago. The Neolithic Culture is different from the([,pæliəu'liθik, ,pei-] adj. 旧石器时代的)Paleolithic Culture in three major respects: the use of polished stone implements, the invention of pottery utensils餐具, and the emergence of settled habitation and primitive(['primitiv] adj. 原始的,远古的;简单的,粗糙的n. 原始人)farming. The appearance of these early pottery utensils provided the human being with the cooking vessels(容器,血管), and helped a lot to improve the living condition at that time. The polished stone spades([speidz] n. 锹(spade的复数)v. 用铲挖(spade的三单形式)and knives on display indicate that at that time people made a living not solely by gathering and hunting, but by means of slash-and-burn.(['slæʃən'bə:n] adj. 刀耕火种的)Yangshao Culture dates about 7,000-5,000 years back. In Shaanxi Province, the representatives of Yangshao Culture are the Banpo site and the Jiangzhai site. Now let’s see a typical artifact of Yangshao Culture, the tip-bottomed bottles. The ancient people used it as water vessel. First they used strings to tie on the ears and then put the vessel directly on the surface of the river. As soon as the bottle touched the water, it would naturally fall down and let the water flow in. Then it would stand upright after being filled with water, due to the shifting of its center of gravity(重心). Because people at that time lived along the riverside, so they made the bottle into suchshape—they could hold it and push it into the sand, made it more stable.•Here are some stone implements of Yangshao Culture. Comparing with those of Laoguantai Culture, these stone tools seem relatively small in size. At that time, there was an advance that was people began to use the stone tools attached to thewood stick, which could be easier and safer for people to use it. These are some bone needles for the ancient people to sew their clothes, and there are some patterns of their sewing. According to the archaeological study, it is believed that the materials forsewing then were possibly linen(['linin] n. 亚麻布,亚麻线;亚麻制品adj. 亚麻的;亚麻布制的)and hides(兽皮). And this necklace made of thousand of small animal’s bone was found in a girl’s tomb. Because Yangshao Culture was a typical(matriarchal['meitri'a:kl] adj. 母系氏族的;女家长的)clan([klæn] n. 宗族;部落;集团)community in which women played a dominant role in every aspect of social life, so the archaeologist found a lot of burial (['beriəl] n. 埋葬;葬礼;弃绝adj. 埋葬的)objects in even young girl’s tomb, but not in male’s tomb. Yangshao Culture is also known as the culture of painted pottery.(彩陶)The patterns of the painted pottery are mainly about some animal patterns and some geometric patterns ([dʒiəu'metrik] adj. 几何学的;几何学图形的), like the wave of the river. Now we will see a first-class artifact in our museum—this pottery basin(人面鱼纹盆). Inside of this basin(['beisən] n. 水池;流域;盆地;盆)there is a people’s face and with two fish in his mouth. This design depicted Baopo people’s strong ties and special emotion with fish. It was most likely the totem(['təutəm] n. 图腾;崇拜物)of the Banpo people. And if we see closer we can find there are two little holes at the bottom of this basin. Since the infant death rate was very high in those days because of tough natural conditions. When children died, their parents would bury the corpse([kɔ:ps] n.尸体)in pottery jars(广口瓶), and put such basin over the jar. The two holes were served as passage for the soul of the child to come or go freely. From this we can see that 6,000 years ago the primitive people already generated(生成的;发生的v. (使)产生(generate的过去分词))the conception that everybody had a soul. With the progress of the material civilization, they began to strive for a spiritual civilization.The pottery wind instrument(管乐器)unearthed 发掘from the site of Banpo Village is the earliest musical instrument in China. The upper hole was for people to blow, and the other two holes were used for changing the tunes. Writing did not come into being in Banpo days, but the archeologists have found a lot of symbols on the edge of some pottery utensils. Comparing these symbols with the inscriptions on oracle bones 甲骨文or tortoise shells龟甲of the Shang Dynasty, we may see a few of them bear some resemblance to each other. Though the archeologists have not figure out the actual meaning of these symbols, it is believed these symbols were possibly the earliest Chinese script.China went into the Longshan Culture period about 5,000 years ago. The village ruins typical of Longshan Culture are scattered extensively广阔的in Shaanxi Province and chiefly centered in the area of the Wei River. Starting from the period of the Longshan Culture, mankind moved into the age of patriarchal([,peitri'ɑ:kəl] adj. 家长的;族长的;由族长统治的)clan community父系氏族时期. With social and economic development, men began to play a dominant role in social activities instead of women. With the invention of a new method of pottery making, the earthenware (['ə:θənwεə] n. 陶器;土器)ever made was uniform in thickness and varied in style. In addition, painted pottery wares gave way to their grey pottery counterparts相对物;相对应的人. A lot of wine vessels appeared at that time because of the agriculture development. This is a typical wine vessel which has three legs and hollowed inside, so people could pour more wine into it and people also could make a fire under it to warm up the wine. These are some jade(dʒeid] n. 翡翠;碧玉;老马adj. 玉制的;绿玉色的)utensils mainly used in some sacrificial ceremonies because jade was very rare at that time.This picture shows the Yellow Emperor’s Mausoleum, which is located in Huangling County in Northern Shaanxi. The Yellow Emperor was born about 4,700 years ago. He was a legendary leader of Huaxia tribesmen in the patriarchal clan community during the Longshan Culture period. Shaanxi was then the central area of their activities. Under his leadership, the Huaxia tribesmen unified the Yellow RiverValley after fighting 52 battles. Therefore, the Yellow Emperor was worshipped(崇拜)as the forefather of the Chinese nation. Every year on the Tomb-sweeping Day, the people of Chinese origin come from different parts of the world to search for their roots and offer sacrifices to the Yellow Emperor.Zhou Dynasty 周(21st century B.C—770 A.D)The Zhou Period includes three different stages: the Zhou Clan, the Zhoufang State, and the Western Zhou Dynasty.Several small tribes lived on the banks of the Jing and Wei rivers. During the late period of the Longshaan culture, these tribes formed the Zhou Clan. Here on display are cultural relics文化遗产of the early Zhou Period.This is the 9['ɔrəkl, 'ɔ:-] n. 神谕;神谕处;预言;圣人) Oracle bone甲骨. In ancient times, people used this bone to predict the future. This is a well-preserved scapula(['skæpjulə] n. 肩胛;[解]肩胛骨)of an ox. During ancient times, the ox and the tortoise (['tɔ:təs] n. 龟,乌龟(等于testudo);迟缓的人) were regarded as divine beasts. Tribes practiced divination([divi'neiʃən] n. 预测,占卜)by chiseling凿边;心土深耕;凿开holes into tortoise shells or animal bones. Then they would light up twisted grass and put it under the chisel holes. The bone would then crack under the heat, and the diviner would interpret the shapes and direction of the cracks. Finally, the diviner([di'vainə] n. 预言者;占卜者;推测者)would carve the results into another bone. These carvings became the first known characters in China. We called it “inscriptions铭文;碑文;题字on tortoise shells or animal bones”.To avoid the nomadic([nəu'mædik, nɔ-] adj. 游牧的;流浪的;游动的)tribe’s invasions in 16th century B.C., they settled down in the present Fufeng and Qishan countries where they established their capital, official ranking system, and government. This settlement was acknowledged by the Shang Dynasty and was appointed the title of “Fang state”.Here are some building materials from the Zhou Yuan Site. Here is a hollowbrick空心砖. People used this brick to build the steps and the walls of their homes at that time. These bricks had many benefits. They reduced noise, kept people warm, and reduced the weight of the building.At that time Shaanxi Province was very rainy. Because of this, people invented these nails钉子to secure tiles in the mud of the roofs, making it more stable. In the early period of the Zhou Dynasty, tiles were only placed on the edge of the roof. Later on, the tiles were placed all over the roof.Here we see pottery sewer pipes陶水管道. People connected and buried them under ground for water to run.On the east side of the Zhou Fang State, there was the Shang Dynasty. The Shang Dynasty was famous for bronze wares.青铜器Here is a typical one. The one in the corner we call a tripod三角桌. On one leg of the tripod there is an animal’s face. This animal is one son of a dragon and is a divine神圣的beast. We called it “taotie” in Chinese. It loved to eat people, but one day it ate up all of the people and began to eat itself. When it ate the lower part of its body, it could not swallow itself and became a monster that only had a head. People put this figure on the surface of the bronze wares to warn people to not eat too much, and not to be too greedy.Guifang Culture was a culture that belonged to the nomadic Hun tribe in Zhou Dynasty. You can see that the patterns on these artifacts are mainly animal patterns. We can clearly observe the pictures of wild animals on grasslands on the bronze artifacts. This is goat headed ladle长柄勺with a tiger hunting a sheep. This shows us the food chain in nature and is a very typical grassland scene.Bashu culture was in the northern part of the Zhou Fang State. We saw a lot of “li” made of pottery before. All of them had three legs. This one here has four legs and is the only one in China up to now with four legs.Here we see some bronze masks on the wall. Archaeologists have three theories about how they were used. The first is that people wore these in ceremonies. The second is that they wore them at parties. Finally, they should be placed on the face of the dead in the tombs as burial objects.In the 11th century B.C., the Shang Dynasty died and the Zhou Dynasty cameinto existence instead. It established its capital in Feng沣and Hai, which were separated by the Feng River. This spot marked the founding of the ancient city of Xi’an.These artifacts were excavated from the Feng Hao site. This plate is called “he” in Chinese. In ancient time, people used these two artifacts together because at that time people did not have chopsticks. The royalty would have one slave hold this, and another hold this. They would then use flowing water to wash their hands before the meal.This is a food container. We call it “dou” in Chinese, because the container is in a similar shape of the Chinese character of “dou”.Here is a very interesting wine cup. It has two ears, and there are a lot of theories about how to use the ears. One is very interesting. It says that when the guests drink wine, if the ears touch the cheek of the guest then the cup is empty.五四卫鼎Shaanxi History Museum houses 18 national treasures. This is our first national treasure on display. In this tripod, there are 207 characters inside and the characters tell the story about a law dispute during the Zhou Dynasty. It is very important because it provides us detail of the ancient law system in China.During that time, bronze wares were no longer used as a food container. Bronze wares served as a symbol of rank and were things used by royal family members. According to Chinese historical records, the emperor owned 9 tripods and 8 gui. Such tripods are called “ding” in Chinese, and they were used as a cooking vessel to boil meat. Such wares we called “gui” and are similar t o bowls we use today. Nine ding and eight gui symbolized the position of the emperor. Seven ding and six gui symbolized the position of a duke. Here on display, there are 5 ding and 4 gui, which is equal to the level of a governor of a province today.它盘During this period, there were a lot of harsh严酷的punishments to slaves. Under this plate, there are four slaves with one foot missing. To cut off the feet of a slave was a common punishment called “yue” 刖and was very cruel. It was often used for slaves attempting to escape.Now we see the second national treasure on our display. This tripod is called DouYoutripod. 多友鼎There are 279 characters inside this tripod. It is mainly about a record of war that occurred between the Zhou Dynasty and nomadic tribes. The battle was won by General DouYou of the Zhou Dynasty. The general put his name and the details of the battles inside this tripod as a medal. ['medəl] n. 勋章,奖章;纪念章Here we see the earliest porcelain(['pɔ:səlin, -lein] n. 瓷;瓷器adj. 瓷制的;精美的)in Zhou Dynasty. Though it is still rough and not very smooth, it was made 3,000 years ago.Those jade utensils were all used in ceremonies. At that time, such shape was called “bi” in Chinese. It symbolized the male, the heaven, and the sun. Here we se e a “zong” in Chinese. It symbolized the female, the earth, and the moon. Together they were used in ceremonies as sacrifices to the heaven and the earth.The shell money was the earliest currency in Shaanxi province. Shaanxi province is very far from the sea, so the shell was very precious during that period and became the currency used by royal families.•Here we see an ornament (['ɔ:nəmənt, n. 装饰;装饰物;教堂用品vt. 装饰,修饰]that was part of the wheel of a chariot.(['tʃæriət] n. 二轮战车vt. 驾驭)On the shoulder of the man there are two tattoos(n. 刺青,纹身(tattoo的复数)v. 刺花纹于…) of animals. According to Chinese historical record, people began to weartattoos during that period and believed they would help fend off evil spirits.Here we can see an ancient Chinese musical instrument called the ([tʃaim] vi. 鸣响;和谐vt. 打钟报时;敲出和谐的声音n. 钟声;一套发谐音的钟;和谐)Chime Bell.At that time, people used a wood stick to tap it to make sounds. In the middle people can make one sound, and at the edge people can make another sound. Each chime bell had two sounds. This Chain Bell has five sounds of which most repeat.Here we see some wine vessels. This is a wine vessel with two birds as handles.凤柱斝The birds are the earliest image in China of the phoenix. Back then it looked like a chicken which was the prototype('prəutətaip] n. 原型;标准,模范) of phoenix.牛尊Here you can see another first class artifact, also a wine vessel. This is a tiger on the back of an ox. Because the ox is scared, it opens its mouth and eyes sopeople can pour wine through it’s mouth. The tiger is also the lid 盖子of the wine vessel. The tail of the ox served as the handle for people to hold. People also can make a fire under it to heat the wine.Qin Dynasty(770 B.C—206 B.C)The Qin period covers three historic periods: The Spring and Autumn, the Warring States战国, and the Qing Dynasty.The Qin was an ancient tribal clan that used to live in Tianshui--Gansu Province. The forefather of the first Qin emperor was called Xianggong秦襄公. In 770 BC, King Ping 周平王of the Zhou Dynasty bestowed([bi'stəu] vt. 使用;授予;放置)a favor upon Qin Xianggong and appointed him an imperial([im'piəriəl] adj. 帝国的;皇帝的;至高无上的;威严的n. 纸张尺寸;特等品)duke. Later, Qin Xianggong established Yongcheng雍城as his own capital, which is presently Fengxiang country in Shaanxi Province. The artifacts here were excavated from the site of Yongcheng. This is called a stone drum. These two are replicas(['replikə] n. 复制品,复制物)as the original ones are national treasures and are kept in the Forbidden City. These are called stone drums only because of their shape; they have nothing to do with musical instruments. They are the equivalents(n. 当量;同等设备;等同物)of stone tablets. The content is mainly stories about nobles hunting. These stone drums were excavated very early in the Tang Dynasty. People at that time didn’t want to waste it, so they cut them into two parts to mill([mil] vi. 乱转;被碾磨n. 工厂;磨坊;磨粉机;制造厂;压榨机vt. 搅拌;碾磨;磨细;使乱转)grain.Now you can see the pottery pipe has gotten much stronger and solid than before. This shows us that the construction of the city was growing.Here we see some woodwork joints连接made of bronze which was used in architecture during this time. The exact position and method of the woodwork joints is shown in the picture. The patterns on these bronze wares were called panhui, which means snakes.Now we see some 瓷砖,瓦片tile-ends瓦当which protect the end of wood roofs from rain and other elements. These early tile-ends are somewhat thin and have very simple animal patterns. We will compare them to tile-ends in the Han Dynasty later.Agriculture was integral to the economy of the Qin state. Unearthed quantities of iron farm tools reveals the extensive use of these tools, which replaced bronze items at that time. Iron was only used for agriculture, not for military tools. In order to develop agriculture, the emperor of Qin Dynasty gave these farming tools to farmers for free.Here is another first class artifact. This is a wine vessel. Archaeologists found this artifact in a dump垃圾场in the 1970’s. It is a gourd([ɡuəd] n. 葫芦,葫芦属植物)shaped wine vessel with a lid盖子in the shape of a bird鸟盖瓠壶. The bill of the bird will open automatically when wine is poured. The pattern on this vessel is also the symbol of the snake.Here are some bronze mirrors. These are all the backs of the mirrors. The early bronze mirrors were very thin, and the pattern is hard to see. We will compare these with others used later in the Han and Tang dynasty later.When the Qin unified all of China, the Qin state moved its capital to Xianyang, very near Xi’an’s current airport. These building materials are from the Xianyang Site. Here are fragments of some of the earliest murals(['mjuərəl] adj. 墙壁的n. 壁画;(美)壁饰)found in a palace.Here are some weapons. These played a very important role in the conquering of the six other states for the Qin Dynasty. This is a bronze sword. After being buried for 2000 years, it retains保持its sharpness and glitter(['ɡlitə] vi. 闪光;闪烁n. 闪光;灿烂)without a sign of rust锈. After technical inspection, the archaeologists found a thin layer薄膜层of oxidate氧化物chromium on the surface of the bronze sword to prevent it from rusting. The Germans and Americans only invented the technology of chromium (['krəumjəm] n. [化]铬(24号元素,符号Cr))coating涂层,盖上in the 1930’s. Even today we don’t know how these people did it 2000 years ago.Here we see a tiger tally(['tæli] n. 计数器;标签;记账vt. 使符合;计算;记录vi. 一致;记分)(计数器)杜虎符. The body of the tiger tally can be divided into two halves. The left was held by the general while the right was held by the Emperor. When both pieces were matched together, the general was allowed to move the army. Whenever the general wanted to move more than 50 men, he was required to do this. There are also 51 golden-inlaid(['inleid, adj. 镶嵌的;嵌入的;镶饰的v. 把…镶入;用镶嵌物装饰(inlay的过去分词形式))inscriptions engraved([in'greivd] adj. 被牢记的;被深深印入的v. 雕刻(engrave的过去式))on it. The 51 character inscription says that this is a military tally with the right half in the hands of the emperor and the left half in Du. During the Qin dynasty, the right was considered the side of honor. The gold inlaid inscription also reflects the level of gold craftsmanship at that time.Here we can see a bronze crossbow 弩机on the wall. It was the most powerful weapon before the use of gun power. The bronze part is the actual artifact; the wood structure is refurbished([,ri:'fə:biʃ] vt. 刷新;再磨光.)Here you can see four terracotta warriors. All four are original warriors. Each warrior has a different facial expression, each individual has a unique expressions.When Emperor Qin Shi Huang was alive and Qin Dynasty unified, he standardized everything from currency to characters to measurement tools. Here is the currency, and the middle is the currency used in the Qin Dynasty. The circle is the symbol for the heaven, and the square is the symbol for the earth. They thought the sky was larger than the earth, so they made the coin into such shape. The coins were called Banliang, which signifies weight. The coin was made in this shape throughout China’s history until the last dynasty, the Qing Dynasty.This map shows the roads built by the emperor of the Qin Dynasty. All of the roads are straight because that was the fastest way to transfer food or military troops.Archaeologists found many burial objects around the area of the mausoleum of the Emperor. The archaeologists found these pottery figures, and each was buried with a horse. Their purpose was to raise the horses for the royal family in the after world.Han Dynasty(202 B.C—220 A.D)The Han Dynasty is a very important historical stage in China’s history. The Han nationality was officially formed during this historical period. The Han exerted ([iɡ'zə:t] vt. 运用,发挥;施以影响)a far-reaching influence on the development of the succeeding dynasties in Chinese History. That is why “Han” is a synonym (['sinənim] n. 同义词;同义字)with Chinese people and civilization in the world today. Han Dynasty chose Xi’an as their ca pital, located just northwest of present day Xi’an. At that time it was called Chang’an, which means permanent peace.Here is a water container 上林铜鉴that was used at a famous palace called ShangLin Palace. That palace served as the imperial yard for hunting.These are the most famous tile-ends of the Han Dynasty. Compared with the Qin Tiles, the Han tiles瓷砖are larger with wider edges and are grayish in color. Also there was an increase in the number of ends that were inscribed with用。
深圳博物馆古代馆英文讲解词
Ancient ShenzhenWelcome to the Exhibition Hall of Ancient Shenzhen.Today we are very glad to have you here.Shenzhen is a modern migrated city, but large numbers of relics excavated during special zone construction proves that Shenzhen also has a long history which can be dated back to 7000 years ago.(Part 1)Xian Tou Ling Site is the earliest cultural site which has been found in Shenzhen so far. It is also the most important Middle Neolithic site found at the Pearl River Valley, which is almost at the same period as the civilization of the Hemudu culture. The excavation of Xian Tou Ling Site also makes the earliest time of human action in Shenzhen date back to 7000 years ago.The objects on display are mainly pottery and stone. They have been excav ated five times altogether from 1981 to 2006. What’s more, it was named one of "2006 China's top ten archaeological finds” by Chinese archaeological association and other units.Substantively, the painted pottery tray with ring foot unearthed at the Xiao Mei Sha Site which also belongs to the type of Xian Tou Ling Site is now one of the delicate heritages that have been found in the Pearl River Delta sites. This kind of mud and red pottery is badly water-proved. It is more like a primitive ceremony than cooking or eating utensil. It is speculated that it was used while sacrificing the Sea God over 6000 years ago.Stone bats were unearthed in the relics of Da Mei Sha neolithic dunes archaeological finds. It is the most integrative and delicate stone bat around the Pearl River Mouth. Some scholars think Stone bat is a tool used for making ceramic by the ancestor, which is used when flapping ceramic surface to make it compact and ordered. It can also make the grid and profile on the ceramic surface.This kind of pottery stove tool is the first one found in Guangdong. Thereare 9 pottery stove tools altogether that have been found. They are designed for the use of fire. Besides, it reflects the progress of cooking levels of human beings.This is the excavation scene of the tombs of Wu Bei Ling Site of the Shang Dynasty in Shenzhen. This tomb group is the largest tomb of Shang Dynasty unearthed in Ling Nan region so far. There are 94 tombs of Shang Dynasty altogether. It was named One of the top ten archaeological finds.The scenes of Expedition of Yue People: the indigenous residents living in this region were called Baiyue or ancient Yue people. They have the custom of cutting hair, making tattoo,cutting teeth and so on.This group of bronze weapons is cleared out in tombs during late Chunqiu Dynasty from Da Mei Sha, Yantian District. Unearthed bronzes includes Ge,Zu,Spear, Sword and Yue,among which weapons accounted for a large proportion. It proves the records in books that ancient Yue people were fond of wars.In 1987, Dieshi Mountain Site in the warring states which is 2250 years ago from now was unearthed in Xili Town Shenzhen. Among them, there are four iron hammers, which improves that people in lingnan region may start to use iron tool in the warring states.Ceramic manufacturing technology has reached a very high level during the warring states period, even large pottery jar with f or double f and large pottery earthen urn with “米”pattern appeared.(Part 2)In the 33th year of Qin Dynasty (B.C. 214 ), Qin unified lingnan and set up Nanhai, Guilin, Xiangjun. Shenzhen belongs to Nanhai Panyu County. In the sixth year of Hanyuanding, Hanwudi conquered South Vietnam and Shenzhen was reverted under charge of Nanhai Prefecture.What is worth mentioning is a piece of brick with inscription showing the multiplication, which was unearthed in No.3 East Han Dynasty Tomb found inNantou Red Garden. It was carved by craftsmen when the brick was still not dry. Its content is multiplication from two multiples nine is eighteen to nine multiples nine is eighty-one. This kind of inscriptions on bricks is also first found in China. It was also certified by the experts as the most precious national treasures. What we can learn is that the application of multiplication inscription has been spread in Southern China 1700 years ago.The prefecture of Nanhai was divided and the prefecture of Dongguan was set up in the sixth year of Xianhe (A.D. 331). Dongguan Prefecture has six counties including Bao’an. The way of prefecture management and county management both appeared at the place which is now Nantou. it starts the history of Shenzhen. From this projection, the city of Shenzhen has a history of nearly 1700 years.(Part 3)Marine economy: Nantou in ShenZhen is called as the gateway of oversea transportation of GuangDong province because the large commercial ships will must take the main channel which means they ferry into Pearl river by the way of Nantou and Humen so that reaching Guangzhou.In order to keep away from the pirate and secure the ships going-in and out back and forth the Pearl river, in the year of 736 A.D, Tang dynasty government settle a Tunmen military town of 2000 soldier in Nantou..These two rust color-painted Mui bottle unearthed in a Yuan dynasty Tomb of Houhai of Nantou. The orange embryo is painted by different kinds of brown pattern.. The main profile in the middle is peony tattoo and decorated by grass and lotus design on the upper and lower side, there are a pairs of Yokonuki ears on the side of the bottle. This Mui bottle is shaped delicate and decorated beautiful and bright. Bases on the history rearch, it is a rare ceramic local product of Kang kiln in Guangdong.Pearl fishing: the coastal area is rich in pearl, for the sake of this, the government in South-Han period set a special pearl-fishing organizationnearby Da Pu sea area in Hongkong nowadays, which is called as Mei Chuang Du, it is an informal military organization.According to the history record, there were 5000 soldier recruited in “Mei Chuang Du”. When they are fishing pearl, they must dive into the deep sea with stone tied on foot and rope on the body. It is common seen that someone was drowned due to the high risk and labor intensity. This image light box reappear us the miserable pearl-fishing scène at that time.(photo) this is artificial pearl-breeding field, Da peng long qi dong shan pearl-breeding field.Salt-refining: salt-refining is one of the most important activities in ancient Shenzhen. From the Tang and Song dynasty on, the salt-making industry in the area of Shenzhen and Hongkong continue to develop and reach a high peak during Song dynasty. In this period the government set up five salt fields successively which are Dongguan field, Guide field, Huangtian field,Guanfu field and Diefu field.(this is salt field distributed map of Shenzhen and Hongkong area in Song dynasty)This is making salt scene at that time.( the steps of refining salt is: slush and splash water, scatter ash and burry the salt, water the sand and refine bittern. There are two kinds of salts: one is raw salt refined under sunshine and the other is cooked salt from cooking. )Cellar hiding coins: there were 4000 kilo bronze coins of Song dynasty excavated in shapuwei county, Songgang town in the year of 1996 which indirectly reflect Shenzhen region swarming with merchants at that time.Skimmia japonica incense: this is another specialties of Shenzhen and came from a kind of tree named Mixiang tree, it has another name agila wood because the wood is made up of aromatic grease and weight increased so that it can sink in the water. According to research, the Chinese name of Hong Kong, Xianggang, which means fragrant harbor that is relative to this tree. Because Hong Kong is a hub transporting Mixiang tree to somewhere else before the middle period of Qing dynasty, and vessels back and forth can smell the scent so this island was called as fragrant island, and to the whole area asfragrant harbor, the Chinese name of Hong Kong.Fishery: fishery is a major industrial trade in history of local economy. There are many islands and harbors nearby Shenzhen and Hong Kong, from of old, there are a group of aborigines earn their living by fishery, the ship is their house and fishing is their job, we named this houseless aquatic group as “Dan people” in the past. This is a traditional girl image of “Dan people” .Big iron bell is collected in Kwai Chung Hung Shing Temple and cast in Qing Dynasty Char 21.Oyster Rearing: this displays the scene of people cultivating oyster in shallow sea. Due to the deep and mud oyster field which go against walking, this invention is helpful to taxing on the field and increase productivity.(Part 4)An Important Strategic Town on Coastal DefencePlease see this sand table.In the Ming and Qing Dynasties,the southeast coast was frequently invaded and harassed by Wokou(Japanese pirates),western invaders and pirates,and Guangdong coast was among the most serious regions.The Imperial court deployed coastal garrison such as Wei(a military garrison),Suo(sub-division of a military garrison)and naval battalions,and built defense works like forts,watchtowers and military camp etc.This is the scene of Tunmen Sea Battle.Tunmen Sea Battle was the first incident in history of beating back the western invasion. At the beginning of the 16th century,new sailing routes to the east were found.Some western countries began to expand their colonies by piracy.In the Zhengde Period of the Ming Dynasty,with the excuse of promoting trade relations,Portugal colonists at Tunmen as a footstep,and invaded Nantou with their feet.In the 16th year of Zhengde Period(1521)and the 1st year of Jiajing Period(1522),Wanghong,officer of the petrolling force of Guangdong Province,led the soldiers and people of Shenzhen to fight against the Portuguese at Tunmen(Shenzhen Bay today)and Xicao Bay(Tsuen Wan ofHong Kong today).After losing two warships,the Portuguese fled.This way please.After the organization system of county was dissolved in the middle of the Tang Dynasty,Shenzhen region went to the jurisdiction of Dongguan County.It was great limit for Shenzhen region’s development.In the 1st year of Wanli Period(1573A.D.),with the name of Xin’an,which mean “change from old to new,convert from dangerous to saf e”.Region of Xin’an County included most region of Shenzhen today,all the region of Hong Kong and part of Dongguan City.This is the map of region of Xin’an county in Ming Dynasty.This way please.At the beginning of the Qing Dynasty,in order to prevent people of southeast coast to support Zhen Chenggong’s force in Taiwan to fight against the Qing Government,the imperial court ordered the people of the southeast coast to move 80 li landward.It was big disaster for Xin’an county people.In the 8th year of Kangxi Period(1689A.D.),the imperial court gave the order to abolish the Edict of the Coastal Evacuation.People were allowed to go back to their homeland along the coast,and Xin’an County was restored then.Since many people died from hardships during the evacuation period,very few people returned.Local government of Xin’an County had to implement favorable land exploitation polices.By this,many Hakka people were attracted to Xin’an from Meizhou City,Huizhou and Chaozhou today.From Qin Dynasty to Qing Dynasty,many phases of migration caused that today local people in Shenzhen is mainly informed by Cantonese people and Hakka people.(Part 5)Ancient ImmigrationCantonese people’s most stand out feature is speaking Cantonese.Here is the model of Chen’s Ancestral Hall.It’s consecrated to the memory of died family.Hakka people speaks Hakka.And fortified walled houses are the most unique human residence built by Hakka people.It’s built for two reasons:allpeople live together and defence enemy and beasts.Here is model of He Hu Walled House.It is the best kept walled house in Shenzhen and it is developed as Hakka Folk Culture Museum under the protection of Guangdong province..Here is model of the Residence of Da Wan.It is unique walled house which mixed the style of Hakka walled house and Cantanese house.OK, ladies and gentlemen. That’s all for this exhibition. I hope you will have a wonderful time in Shenzhen. Thank you!。
博物馆的英文讲解
博物馆的英文讲解博物馆的英文讲解可能如下:Welcome to our museum. Here, we strive to preserve and showcase the rich cultural and historical heritage of our country. With artifacts and exhibits from various periods of history, our museum aims to provide a window into the past and to educate the public about the 发展和变化 of our nation.Please take your time and explore the various galleries. In the first gallery, you will find exhibits related to ancient history, including relics from the Neolithic period and the Bronze Age. These exhibits give us a glimpse into the lives of our ancestors and their accomplishments.The second gallery is dedicated to the Ming and Qing dynasties, which were periods of great cultural and artistic development in China. You will find beautiful陶瓷and silk paintings from this period, as well as fascinating exhibits on traditional Chinese culture and lifestyles.The third gallery showcases the modern history of our country, including revolutionary战争and the establishment of the People's Republic of China. This gallery features important historical documents, photographs, and artifacts from these significant events in our history.We hope that you enjoy your visit to our museum and that you gain a better understanding of the发展和变化of our country through our exhibits. Thank you for visiting!以上只是一个例子,具体的讲解词可以根据博物馆的实际情况进行调整。
兵马俑博物馆英文精简版讲解词
The museum of Terracotta Warriors and Horses Good morning, Ladies and gentlemen, so nice to see you. I’m your interpreter in the museum of Terracotta Warriors and Horses.This museum is located at the foot of mountain Li Shan, about 35 kilometers east of X i’an. First I will give you a brief introduction about the master of this underground army---the First Qin Emperor. His name was Ying zheng. He came to the throne at the age of 13 in 246BC and seized the power at the age of 22 in 237BC. By 221BC, when he was only 38 years old, he had annexed all the six independent states and established the first feudal empire in the long history of China.After the unification of the whole country, he styled himself the First Emperor and standardized the coinage, weights and measurements , the legal codes , the written scripts and so on. He also ordered the linkage of the original Great Wall. All these exerted an everlasting influence on the long feudal history of China.But, just like each coin has two sides, the First Qin Emperor thought his contributions were beyond compare, so he became more and more arrogant and ambitious. As soon as he came to the throne, he ordered that a magnificent mausoleum should be built for him. And after the unification of the whole country, he even gathered 720,000 conscripts from all parts of the country to work on his mausoleum. In fact, it took 37years to complete this project. And the site of these terracotta warriors and horses is just a small part of his mausoleum.Pit No.1 was discovered in March 1974 when some local farmers were digging a water well to save them from the drought. There are about 6,000 figures in this large pit if fully excavated according to the density. But today, only one third has been excavated.Pit 1, the largest pit, is in rectangular shape. It measures 230 meters long from east to west,62 meters wide from north to south and 5 meters deep ,covering an area of 14,260 ㎡.It is an earth and wood structure in the shape of a tunnel. Five sloping roadways were constructed on 4 sides of pit to permit access. But do you know how did Qin people make such a large underground construction? Let me tell you the story. First, a large pit was made. The floor was paved with bricks. Earth walls were built and pillars were erected. There are 10 partition walls dividing the whole pit into 11 corridors. On top of the pillars were crossbeams and the crossbeams were covered with mats and then earth. After finishing the underground building, the 6,000 pottery figures were sent to the corridors through the slopping roadways. Then the entrances were sealed. Unfortunately, someone set a big fire on the underground building, the thousands figures were destroyed into fragments at the end of the Qin Dynasty.The layout of this pit is a large military battle formation. There are chariots and infantrymen in this pit. In the front of the formation are the vanguards.3 ranks of soldiers are standing here in order. They are the first to sacrifice for the emperor. Behind the vanguards is the main body of the formation. There are 38 columns with lines of chariots and infantrymen. The left and right sides of the formation are flanked with a row of guards respectively. At the rear of the formation is another row of guards. The guards are meant to defend against the enemy’s attack from the flanks and the rear. This battle formation is impressively well organized. The warriors and horses are standing as firm as a rock. None of the warriors have shields, but they carry various types of weapons. It is a pity that we can’t see the real weapons held by the soldiers. That’s because they were stolen by someone. After stealing most of the weapons, the one also broke the pottery figures into fragments and burnt them. On the top part, the black charcoal still left there. At the northwest part of Pit.1, we can see the site of the3rd excavation. After months to years of careful and painstaking restoration, the figures are displayed at their original shape and location.The Qin terra-cotta warriors and horses were big in life-size and exquisitely made with high technology. The hardness of their bodies indicates that they might be fired at a temperature between 950 and 1050 degrees centigrade.Pit No.2 is located 20 meters to the north of the eastern end of Pit No.1. This pit is L-shaped. The total area of this pit covers 6,000 square meters. There are more than 1,300 terra-cotta figures in pit No.2, reflecting another large military formation. There are 4 small battle configurations. The kneeling and standing archers situate at the east corner of this pit. The kneeling archers are in the middle of the group with the standing archers placed around them. A general is commanding this group; he is positioned at the left rear. The second configuration is made of war chariots, situates at the south side. These chariots are placed in eight rows with eight chariots in each row, totaling 64chariots. Originally made of wood, the chariots were completely deteriorated when unearthed. During the reconstruction process, we learned each of the chariots was pulled by 4 horses and manned by a charioteer and two attendant warriors. The two attendants rode on the chariot; they carried spears, dagger axes, or other bronze weapons.The middle configuration consists of war chariots, infantrymen and cavalry. A command chariot was placed at the left rear of the group. A general, a charioteer and a warrior are riding on this chariot. The north group has only cavalry. There are a total of 108 horses and cavalrymen. Four horses and a cavalryman make up a group, and three groups form a line. Each of the cavalrymen stands in front of his horse, holding the rein in one hand and a bow in the other.These four battle configurations make up a composite military unit. In battle fields these groups could either be used as an integrated unit or could be used independently as required by different situations and different geographical contexts.Pit No.3 is the smallest of the three pits and was discovered in 1976. Only 68 pottery figures and one chariot drawn by four horses were unearthed in this pit. It is of U-shape about 520 square meters. Pit 3 is now known as the command center of the entire army, because of the following reasons:Its position in the far northwest corner of the overall plan.So it ensured this one was well protected by the armies of the two large pits.At the eastern end of the pit, there is a slopping road serviced as the entrance, then followed by an ornate canopied chariot with four armed soldiers. The chariot with canopy was colorful painted, representing higher rank.In the north and south side chambers, 64 fully armed figures were found. Unlike the soldiers in Pit1 and Pit2, these figures were arranged face to face with their backs to the wall; it suggests that they were the guards. Even the weapons held by these guards are different from those in another two pits. One particular weapons named Shu, which had no blades, only unearthed from Pit3, were believed to be used by the guards of honor.In north chamber, a piece of broken deer horn and some remains of animal bones were found at one time. They were used by generals as ritual objects for those religious practices, praying for the protection from the God before each battle.Once the terra-cotta warriors and horses were all arranged inside the corridors, the entrances were closed. It meant a sealed united army was formed to guard Emperor Qin’s underground palace.In December,1980,2 sets of large painted bronze chariots and horses were unearthed 20 m west of the mausoleum. They were buried about 7.8m underground, and placed one after the other facing west in a wooden case. Having remained for more than 2200 years, the wooden case has decayed , and the top rammed soil caved in. The 2 bronze chariots and horses were broke into more than 3000 pieces. After 8 years of careful and painstaking restoration , they have been restored to their original shape and now are displayed in our museum.The bronze chariots and horses are half the size of the real ones. Each chariot has a single shaft, two wheels, and is drawn by 4 horses . Both the chariots and horses are made of bronze, except some small spare parts that are made of gold and silver, such as the bridles, necklaces of the two side horses.The first chariot has a charioteer. H e’s standing under an umbrella-like canopy. The canopy is made of a domed bronze plate. The charioteer wears a cap , a long light robe , and carries a bronze sword at his waist .His position is a high-ranking officer .He stretches his two hands forward . A nd holds the reins in both hands , looking very attentive.The sculpture technique of the bronze horses is remarkable. The heads of the horses are all clear-cut with conspicuous lines. Each horse has 2 short pricked ears , big bright eyes , broad nose and mouths , round bodies, strong legs , fleshy thighs , and all the four horses are solidly planted on the ground . Four or six teeth are engraved in their mouth, which indicates that each horse is about 4 or 6 years old.The shaft is connected with the crossbar on which two forked yokes were boun . The two horses in the middle are harnessed with a yoke at the neck, while the two on both sides are tied with a rein round the shoulders. The two outside horses are the ones that provide the major force to pull the chariot along.There are special devices to prevent the side horses from going too far from the two middle horses or too near to the middle ones. It is clear to show that one device is a T-shaped bronze piece looked like a flying bird with both wings spreading. The sharp end protrudes from the chest of the middle horses to prevent the side horse from leaning inward. Another device is a gold-and-silver chain tied between the crossbar and the necks of the two side horses, so the side horses are not able to move too far outward to ensure the balanced cooperation of the four drawing horses.The 2nd chariot was called the comfortable chariot. Some archaeologists say that this chariot is the “Wen liang che” in Chinese as stated in historical records. It means that it could regulate the inside temperature. When the door and windows opened, it was cool inside, and it was warm when the were closed. In the year of 210BC, when Emperor Qin died, his body was brought back to the capital in a chariot like this. So this second chariot was meant for the use of Emperor Qin’s soul to go on inspection after his death. The chariot is divided into 2 parts, the front part for the charioteer. The rear part was for the host. The tortoise shell-shaped canopy is about 2.3 s m with a thickness of 1-4mm.These 2 sets of bronze chariots and horses provide a lot of precious information to help the study of the harnessing and driving system of the single-shaft-two-wheeled chariot of Qin Dynasty, and help solve many of the longtime questions in dispute. One such question concerns the reins .It was said“ A charioteer holds 6 reins” But in the Qin Dynasty, a four-horse-drawn chariot has eight reins, two for each horse. So the question that has puzzled historians for centuries is that which 6 reins were held by the charioteer. Now the unearthing of the Qin bronze chariots and horses has brought to light the answer. From these chariots, we can see that the 6 reins held by the charioteers are the 4 reins of the side horses, while the inside reins of the middle horses are tied to the front part of the chariot, these bronze chariots and horses present us a clear picture of the ancient harnessing and driving system.These 2sets of bronze chariots are the earliest, largest and most complete structure of their kind ever discovered in China. They are just a small part of all the treasures buried in the mausoleum of Emperor Qin Shihuang. We can predict that there will be more and more exciting archaeological finds around the tomb area. We are sure that one day when the tomb is excavated and opens to the public, it will attract more and more visitors from all over the world, and it will amaze the whole world again with greater wonders.。
湖北省博物馆英文导游词
湖北省博物馆英文导游词Good morning ladies and gentlemen;Today, we will go to visit Hubei Provincial Museum. On the w ay to the museum, I ‘d like to show a present to express my warm est welcome to you. You may wonder what the present is. Well let m e introduce it to you. The music you are going to listen to is th e very gift. Now, please enjoy the music.Have you ever listened to the music? And what musical instrum ent is used to play the beautiful melody?That’s the serial bells, a wonder in the world. Indeed a wo nder in the world. Every year tourists from all over the world cont inuously come to visit them and appreciate the programs played by it . Each year they return with unforgetable memory.The building with red wall and green tiers before us is the very museum, Hubei Provincial Museum. Constructed in 1953, the museu m is the center for collecting, studying, preserving and displaying h istorical and cultural relics in Hubei. More than 700,000 ancient rel ics are stored up in it. There is a collection of 100,000 books on history, archaeology, art etc. These relics provide precious material data for studying the development of history, culture, art, science and technology in ancient China.Situated in the middle reach of the Yangtze River, Hubei has a long history and rich land. As early as 2,000,000 years ago, ou r ancestors lived and worked here and gradually they began to create their own civilization. The relics unearthed from Zenghouyi Tomb are good proofs to the civilization. The relics displayed in the museumare most from the tomb. Serial bells are the most precious and gr eatest of them all.Are you familiar with the history of the serial bells?It is said that it is the oldest musical instrument kept in the world. You see, our ancestors already knew how to use music t o enrich their lives so long ago.Luckily indeed, our archaeologists discovered it by accident an d thus displayed the marvelous ancient civilization of Chu State in front us.In 1978, a soldier discovered a large tomb when building his house. It was really a great surprise to discover it at that time . Afterwards, archaeologists excavated these serial bells on the same spot. This was appraised to be the tomb of Zenghouyi. It was220 s quare meters, 20 metros deep, consisting of 4 tombs. The main coffin was made up of huge internal and external coffins. The man in it died at the age of 45. Those buried alive with the dead were all female, aged from 13 to 25. They were in 21 coffins.Besides the serial bells, more than 7,000 other historical cul tural relics have been unearthed, such as bronze ware, ancient musica l instrument, weapons, golden ware, jade ware, painted ware, wooden w are, and bamboo ware. Most of them are unique art treasure and they were deliberately made.What is especially worth mentioning is the ancient musical ins trument, such as serial bells, stone chimes, drums, 25-stringed plucked zither, and bamboo flute. They are totally 8 types, including 124 pieces. The entire musical instrument is placed perfectly among the bronze serial bells. They make the tomb look like an ancient concert hall.Today the underground concert hall has come back to life. As a major instrument, 64 serial bells are put in the middle room, l ined along the north and west wall. It can be concluded that serial bells are Zenhouyi’s favorite, for his body was placed in the wes t room.As wee see, these big bells are shaped like round-bottomed baskets; small ones are like warming pots. They are hung in 3 layers from the winding bell shelf that is 13 meters long, 2.7 meters high. The whole bell shelf is supported by 6 human-shape objects. It is as strong as newly cast.Ok, let me give you a brief introduction about the elegant a ncient serial bells. All the bells have been played. They are all c arved with inscription about musical melody. Each bell can produce 2 pitches. After many years of research, we find that its amplitude approached the international level of today. The combined scale is the 7 notes in C major of today. Its compasses very side, including5 and a half octaves. The whole sound may be adjusted. Its wooden shelf is quite exquisite. Although buried for 2,400 years, the serial bells are well played. It not only can be used to play with to produce scores with the same melody, but also can produce mixed soun ds though harmony and repeat tunes. Chinese musical pieces, such as Intoning Three Times Before Leaving Yang Pass, The Moon On The Sprin g River, and foreign pieces, such as Christmas Eve, can be played o n it, even Beethoven’s Ode to Joy in the Ninth Symphony can be. F oreign tourists are usually attracted by the fascinating music when l istening to the Chinese song The Night On The Prairie. When foreignsongs cut in, they are shocked by the old civilization of Chu Sta te. As the famous violinist, Menuin praised it, ‘The grand Greek mu sic is accepted by the world. However, the musical instruments in an cient Greece were made of wood, what’s more, not a single instrumen t is kept till today. Here we are able to enjoy the sound of the instrument of 2,000 years\\\\\\\' history from the tomb of Chu Stat e.Actually, whoever enjoys the music played on the serial bells will be surprised at the great achievement made by the people of Chu State in the fields of music, culture, smelting, and casting.According to the history, Chu State was called the state of rites and music at that time. People in Chu State love dancing. The y danced in the palace and sang in the room. They knew how to enj oy dancing and singing. We can imagine the following scene. The host of the bomb was seated in his palace and watched the girls dancin g. On both his sides sat his followers. They sat on the floor. A table with short legs was placed in front of them. They put one ha nd on the table that is used to hold arms. This can be proved by the relics in the tomb.Do you know, in China, a male and a female mandarin ducks a re the symbol of love, for they often play together in the water a nd live together. Can you see the box here? This box was found in the tomb. The box was painted. It was empty in it. But there are some pictures. They describe a very vivid situation; some people ar e striking bells, beating drums and dancing. This picture is very pr ecious, for we can know how these instruments should be played, espe cially the serial bells.I wonder if you have noticed that there is only one mandarin duck on the box. Do you know why? Oh, he is abandoned by his lo ver. But he found a new company—music. He didn’t heed the other mandarin duck, for what he really loved was music.Well, I have a question. What is the tourists’favorite?The music played on the serial bells.。
马王堆汉墓英文导游词
马王堆汉墓英文导游词Mawangdui is located in the eastern outskirts of changsha, about 4km from downtown changsha,In the preceeding centuries, it was bured here, hence the name mawangduiformerly there were two eastern mounds here closely linked together.From 1972 to early 1974, chinese archacological workers unearthed three tombs of the wester han dynasty here and achieved tremendous results that attracted wide attention at home and abroad.they excavated more than 3000 cultural relied and a well-preserved female corpse from the tombs.according to seals unearthed from tomb no2chancellor to the prince to changsha,seal of the marquis of daiwe know that the mawangdui was burial ground of licang , chancellor to the prince of changsha statte and mqrquis of dai in the early western han dynasty and his family.according to the historical records , licang died in the secong year of the reign of Empress lu . the occupants intomb no3 were believed to be his son. unearthed from the tomb was a wooden tablet with the burial bate, which readsthe first day of the second month in the twelfth year after careful textual research this was indentified as the twelfth year of reign of the han emperor wen ci . the corpse in tomb no1 is that of licang wife, whose personal name , according to an unearthed seal, was xingzhui, a study of conclusion that tomb no1 dates from about the 6th dacade of the 2nd century B,Ca little later than tomb no3 tomb no1 is the best preserved, and most of the relies showed here were excavated from this tomb. now , i will introduce this thing to you one by one:these are figurines 162 wooden figurines were unearthed from tomb no1 and 104 form tomb no3 , they fall into three categories:attendants, musicians and odd-jobservants. no doubt , they represent the numerous servants enslaved by the marquis of dai, which reveal the parasitic life of the family.now , pls look at these instuments, an intact zither with 25 strings, pipes composed of 22 pierced bamboo sticks and a set of pitch pipes were found in tomb no1 , in addition ,a zither , a T- stringed harp, pipes and bamboo flutes were excavated from tonb no3 . strinkingly bamboo reads were found inside . the pipes found in tomb no3 , there is a silvery point on each reed, which controls the pitch, this is the material evidence of the earliest reeds , ever used in wind instruments in the world.these are weapons:they wre excavated from tomb no3, there are 38 weapons altogether, including bowsa crossbow, arrows , an arrow seabbard, a weapon stand , halberds, pared with theweapon of the warring state period, the bow , the crossbow and arrows were somewhat improved so that arrowscould travel futher, along with the garrison map. they help us to get an idea of the military situation in chansha state.we know that china is a very big agricultural state, and long long ago, when people lived in western han period , there had come into being somewhat developed cultivation and animal husbandry. look ,all these things were excavated from the tombs . the agricultural produce includes rice , wheat , barley, soybean, red peas, hemp seeds, vegetable;the animal produce includes deer , oxen, goats , sheep, pigs,bares ,chickens , fishes and even chicken eggs.well. lacquer ware, so beautiful! 184 pieces of lacquer ware were unearthed from tomb no1 and 316 pieces from tomb no3, they includ tripods vases, square vases, boxes , toilet boxes, pitchers, ladles, cups, caved cup - containers, an armreat, a screen, a game tool and a dustpam , most of them r made of a wood base coated in lacquer, and some of a bamboo or hemp base, the designs, either painted in lacquer or pasted or incised with very fine strokes, were done in smooth and graceful.lines with gorgeous color, the exquisitely wrought lacquer wares indicate the highly developed state of lacquer crafts- manship and a side light on the economic situation of the early han dynasty. now, we have seen the areound parts of the first hall, pls follow me to the central past . here you can see the silk fabrics.篇二:马王堆导游词马王堆各位朋友:大家好,欢迎参观长沙马王堆汉墓出土文物陈列馆。
展厅讲解稿英文版
Good morning ladies and gentlemen, I’m Eva .Welcome to BYD Technology City. It’s a great honor to have the opportunity to give you a short introduction.Baoding, as the hometown of many celebrities, has a history of 3000 years, also known as an important fortress in ancient China. The name of the city came from “protecting the capital and stabilizing the nation”. Nowadays, there are 17 colleges and universities , and 120 technology platforms in Baoding, which provide us an inexhaustible supply of personnel in demand. Meanwhile, our advanced manufacturing industry cluster is taking shape, including world leading companies like Great Wall Motor Company Ltd. and Yingli Solar, laying solid foundation for the development of BYD Technology City.As we all know, a proper opportunity is also vital. 2014, the coordinated development of beijing-tianjin-hebei had become a national strategy, which will definitely lead t o an economic boom in Baoding. That’s an unprecedented opportunity for us.As we can see in this picture, Baoding , Beijing, Tianjin formed a triangle, the distance between each two of them is approximately 140kms, which gives Baoding an unparalleled advantage.In April 2015,BYD Technology City had been included in the Coordinated development of Beijing-Tianjin-Hebei Outline, which made it a national strategy platform that can ease the pressure of Beijing and Tianjin, and put the technology ideas produced in Beijing and Tianjin into practice.After background briefing, lets have a look at the specific plan of BYD Technology City.Our short term plan is “a city with two areas and five towns”, with a total area of 385 square kilometers, as you can see in the picture. The “two areas” are the main area in the left, and the culture and tourism area in the right. Our five technology towns located at the green corridor between the two regions, attracting famous foreign and domestic companies.The long term plan is to expand the city to “1+n” parks, forming an organic whole.The red part is the main area, which has a very convenient traffic with Baoding east station in its center. The green part is the culture and tourism area, which is a peninsula with enchanting scenes.Let’s take a closer look at the main area. We have comprehensive area, modern commercial area, research and education area, industry area, Guogongying cultural village and residential area.In this map we can see the splendid traffic system. We have 7 express ways, 4 railways, Beijing new airport under planning and the high-speed rail from Baigou to it.This splendid external traffic system connected BYD technology citywith the world. We also have a convenient internal one, with Baiyangdian boulevard, central boulevard , Baoxin boulevard , Xuqing fast road and Ronggao fast road. There are also Jinggangao express way and Jingguang passenger dedicated line running through the main area.Reasonable industry arrangement along with good transportation and traffic provide vast development space to all our business friends. High-end equipment manufacturing, new energy, health and new generation of IT industries are the main ones in the main area, while the culture and tourism area focuses on creative industries and modern agriculture.As the biggest wet land in Hebei Province, Baiyangdian has a great influence on the climate of the surrounding areas. With ecological restoration as its principle, BYD Technology city has planned an ecology network system to improve the basic environment. So that we can attract people we need.Here is our last picture. A picture about beautiful villages and four demonstration parks of modern agriculture, which will boost the economy and promote the living standard.Let’s take a brief look at the sand table. This is where we are now. This is Hebei University. This is Baoding College. Here is Baoding east station. The area surrounded by the red line is the main area I just introduced. We can see our five technology towns scattered in the green corridor. To the far right is the culture and tourism area.Now we have prepared a short video for you, so that you can have a better view of BYD Technology City.It is a privilege to have you as our honorable wish you a wonderful and successful trip in China. Thank you for your time!。
纪念馆英文导游词范文
纪念馆英文导游词纪念馆英文导游词范文1:辛亥革命武昌起义纪念馆英文导游词Xinhai revolution the wuchang uprising memorial hall is located in wuchang district of wuhan city racecourse, reading for body building is red brick walls and red tiles by two layers of red on the top of the building, so it is also called "red chamber", the revolution is the wuchang uprising memorial hall in 1981, to commemorate the 70th anniversary of the xinhai revolution, the uprising in wuchang government site (i.e. site consultation bureau of hubei province in the late qing dynasty, after the victory of the wuchang uprising, revolutionary in the established the junta DouDuFu hubei armies of the republic of China, the hubei military government) set up a memorial, is the national key cultural relics protection unit, the famous patriotic education base.Xinhai revolution wuchang uprising government site, building main body building for two layers of red brick structure building. In 1961, was listed as national cultural relics protection unit of the state council. In 1981, to commemorate the seventieth anniversary of the xinhai revolution, the term revolution the wuchang uprising memorial hall.Production is located in the northern Wu Changyue racecourse, covers an area of 28 acres, building 11 building, building area of 6000 square meters. High main building of the building in red building, second floor, the width of 73 meters, 42 meters deep, brick joisted, sits, the center of the upper at the top of a church tower, the western European classical architectural style, the style is extraordinary. Behind the building is a two-storybuilding. Flanked by a row of red bungalow. Right in front of the exit door with bars, gate to concierge, on both sides by the upper red ha-ha concierge containing iron gate on both sides of the horizontally, connected to the bungalow around, round into a square yard, sun yat-sen statue front courtyard door, instrument solemn quiet.Here originally qing consultations in hubei province bureau building, after rebels wuchang, October 11, 1911, part of the revolutionaries and the uprising troops gathered here, at the time was scheduled military major leaders Liu Gong, Jiang Yi wu, sun wu, Liu Fuji or injured, or sacrifice, or circumstances, fleeing to discuss how to establish revolutionary regime. After enrollment, to compel the original qing fu new composite association (21 series li for hubei military area. And announced the abolition of the great qing empire and nianhao, referring to China as "the republic of China, the yellow emperor era, release the indictment Xi announced in qing dynasty, the qing government to electricity", people notice of collecting electricity and other documents, and power of the nation's response. DianYao, meanwhile, qing dynasty, song jiaoren to hubei, and please turn electric sun yat-sen returned promptly, hosting plans. Followed by the release of a first prototype with republican constitution - "the ezhou itself", held its first interim parliament in the nature of democracy. Xinhai revolution after the wuchang uprising, the revolutionary party in the hubei military government, after the hubei military DouDuFu instead. Wuchang uprising government xinhai revolution, in nearly three months before the establishment of nanjing temporary government, once exercise such functions and powers of the central government, the revolutionary party in the organizing and leading the battleagainst the qing government armed more YangXia. Introduced the historic "ezhou itself", promoted the revolutionary situation of the country's high, led to the final overthrow feudal rule.2:辛亥革命武昌起义纪念馆英文导游词Welcome to visit the revolution museum.Xinhai revolution refers to the 1911 led by sun yat-sen a bourgeois national democratic revolutionary movement, because 1911 is the lunar xinhai, so called the revolution xinhai revolution. You know what? The first is the revolution in our hubei wuchang broke out. You came to the place, it is the end of an old Chinese history, also is the beginning of a new era in China. Informally, here to overthrow the qing dynasty, created the republic of China, to overthrow the emperor, has given rise to the President.I pavilion is located in wuchang, backed by the snake hill, facing the shouyi block square, covers an area of about 28 acres. It is the body of the building you see the house, because it is red red tiles, known as red chamber.Red chamber was originally the qing government set up consultations in hubei bureau office address, consultations bureau is the late qing dynasty, in order to prepare a constitutional monarchy, and in the provinces set the advisory opinion, its architectural style to imitate the western parliament building, built in 1910. On October 10, 1911 is the lunar xinhai August 19th, under the leadership of sun yat-sen revolutionary region of hubei province, successfully launched the wuchang uprising. The next day, here is the form hubei DouDuFu, DouDuFu issue proclamations, announced the establishment of the republic of China. Righteousness by sowing, the national response, thus every end of the monarchy, opened thefloodgates to the progress of China. The door of the red chamber so is known as "the republic of China".In the back of the red chamber, this group of gray house called MPS ccba, was consultations bureau members living place. Now in the recovery of maintenance, no opening to the outside world. Building is concentric square, implied meaning is "cross-strait as one, a peaceful reunification.In 1961, the production of the state council released the first national key cultural relics protection units, after years of construction, my house has become a memory of the xinhai revolution landmark attractions and the national famous education base.My house is decorated, there are two basic display: one is based on hubei DouDuFu site, also is the red chamber as the carrier, arrangement of the hubei military DouDuFu site restoration on display, you will see the institutions and pattern of the early founding of hubei military DouDuFu; Another is decorated in the west of flats of the xinhai revolution historic display the wuchang uprising, it showed the historical process of the wuchang uprising.3:辛亥革命武昌起义纪念馆英文导游词Fellow friends everybody is good, I'm XXX travel tour guides XX, here I come to wuhan to extend our warm welcome to all of you, in the next time I'll offer you guide service, I will try my best to arrange your schedule, make everyone feel happy in the tourism activities.Then, according to the schedule, we today's tour is the wuchang uprising memorial xinhai revolution.Mention the revolution the wuchang uprising, I'm sure you won't strange, its historical significance and internationalinfluence has already been consensus by both at home and abroad. On October 10, 1911, hubei revolutionaries in wuchang successfully held an armed uprising against the qing government, for the year, xinhai lunar year, the revolution history said the wuchang uprising. The wuchang uprising is the revolution of a series of armed struggle after failing to win for the first time the great event. It presented a national revolution to overthrow the two thousand years of Chinese feudal monarchy and established the first bourgeois democratic republic in Asia, opened the prelude of historical changes in the 20th century in China, is a milestone in our history of the Chinese nation.Ok, now we have come to the wuchang uprising memorial hall in front of the opium war, you see, the red brick and two layers of buildings is the revolution the wuchang uprising memorial hall, for the whole building is red, so we wuhan people used to call it red chamber.You will find that the memorial hall of the building and the traditional Chinese architectural style is different, it is the western architectural style, is this why? It also speak of from the historical background of construction of the building.The initial production, is the qing government set up for playing the constituent scheme consultations, hubei province bureau of the site. Under the strong demand of the national bourgeoisie, the supreme ruler of qing dynasty, empress dowager cixi pressure from the outside world, also in order to cope with the revolution, made the constitutional position. So in 1906, the qing government announced the preparatory constitutional, declared in Beijing set up a client ZhengYuan, provincial bureau of consultations, as the central and local consultation and the institutions. Hubei consultations bureau setup in 1908, built in 1910. Architecture in the west of the house style. Red chamber, "the government of the wuchang uprising" and "revolution of the wuchang uprising memorial hall" two stone plaques are inscribed by soong ching ling.Below, please follow me to go to take a look inside.In the 19th century, is the world's fast developing period of modern industrial civilization, is also the demise of the feudal society of our country, the western powers with shells and opium broke the door of the qing government, China and closed by a unified feudal country reduced to a semi-colonial and semi-feudal country, with each to sign unequal treaties and the imperialist powers carved up, out to the people with lofty ideals for national independence and social progress advance wave upon wave, unremitting efforts, the whole of China is about to usher in a revolution in the storm.So how did the revolution in wuhan will fire the first gun? About this or let's have a look at the current state of the wuhan first: from the economic base, wuhan is the most prosperous, most new ideas at the time and one of the areas of economic strength; From the political point of view, when most of the revolutionaries of hubei took part in the various revolutionary groups, early contact with revolutionary ideas, and has the action of the courage and the will.So let's take a look at the exhibition hall of wuchang uprising of historic exhibition "revolution", let's flip through a long history, to understand the revolution to the wuchang uprising this period of history.The xinhai revolution, the fuse is the wuchang uprising movement to protect railway in May 1911, the qing government to borrow a railway state the name, will have to run by the localhan, sichuan YueHan railway nationalised, and by way of mortgage, sold to Britain, France, Germany, the United States the four countries, aroused the four provinces of sichuan, hubei, guangdong, hunan people's opposition. On June 17, revolutionaries set up sichuan road associations, signed a petition is being suppressed. On September 2, the qing government rushed to oversee, while, sichuan YueHan railway minister led part of the hubei new army to sichuan suppressed, the qing forces moving westward, emptiness, to the force that causes the rule of hubei province under the influence of the brothers, literature and have decided to use the favorable opportunity, joint armed uprising.After the scheduled time is launched on October 6, due to the south lake cannon team events, strengthens the security, the qing army and plans haven't finished, so decide to extend the insurrection. On 9 October afternoon, sun wu, etc in hankou concession Russia treasure good manufacture bombs, inadvertently caused explosion, sun wu wounded, hankou total authority on the surface. Police in hankou composed of three big search, then night 1:00, be aboard the qing army, immediately sent troops to envelop, Peng Chufan, Liu Fuji, Yang Hongsheng more than 30 people have been arrested. On October 10 in the morning, peng, liu, Yang, three people were killed, wuchang city gate closed, the qing to continue the manhunt for the city, the situation is very critical. Revolutionary decided to cross the rubicon, crushed an uprising in the night.At 8 o 'clock in the evening, revolutionary Xiong Bingkun shot and killed a he long, in the camp heard gunshots, response quickly occupied the snake mountain and so on high ground, mulling three ways offensive HuGuang praetorium and eighthtown command. Battle played hard, until 11 in the morning, the revolutionary forces occupied the wuchang town, condensing the blood of countless revolutionaries of nine Angle of 18 flag finally flies on the yellow crane tower.In the evening, hanyang, hankou successively occupied by revolutionaries, thus the whole wuhan city was controlled by revolutionaries.On October 11, 1911, part of the revolutionaries and the uprising troops gathered in consultations office building, the revolutionary party thinks, is not only the wuchang uprising, must immediately electrify the nation, calling for a response. They want to have a greater reputation can represent their electricity across the country, charisma and influence will be greater, so the original qing 21 composite association at the head of the li is pushing as army chief of hubei, and hubei military government. Here is the DouDuFu at that time, the military government of hubei province.Here you can see, a collection of many precious xinhai revolution relics, I this is around 18 flag, is the wuchang uprising in 1911 revolutionary ensign. The full name of iron eighteen flag (also known as nine flag). Kyushu earth pattern signifies iron spirit, said people awakening, joint inside shanhaiguan pass 18 provinces of Chinese descent, determined to overthrow the qing dynasty ruled by force. The revolution in the eighteenth flag the wuchang uprising, this great event play an important role, become a battle flag overthrowing the rule of the qing dynasty.Good friends, wuchang revolt monument on the xinhai revolution? I give everybody introduction here, hope I can give you a little impression, the interpretation of not detailed place also please everybody many burke.。
介绍918陈列馆英语作文
介绍918陈列馆英语作文Title: The 918 Memorial Hall - A Testimony to HistoryThe 918 Memorial Hall stands as a testament to the tragic events of the past, a reminder of the bravery and resilience of the Chinese people in the face of adversity. This hallowed ground commemorates the infamous September 18th Incident, which marked the beginning of China's long and arduous War of Resistance Against Japanese Aggression.Stepping into the memorial, one is immediately transported to a time of great national crisis. The interior is a blend of ancient and modern architectural styles, exuding a sense of solemnity and dignity. The exhibits within are a poignant portrayal of the events that unfolded on that fateful day, from the initial bombardment to the subsequent occupation of Manchuria. Photographs, artifacts, and historical documents bring to life the suffering and sacrifice of the Chinese people.The memorial is divided into several galleries, each dedicated to a different aspect of the September 18th Incident and its aftermath. The first gallery focuses on the events of that day, detailing the attack and its immediate impact on the region. The second gallery explores the broader context of the War of Resistance, highlighting theheroism and perseverance of the Chinese forces. The final gallery is a tribute to the victory and the resilience of the Chinese nation.The 918 Memorial Hall is not just a place to learn about history; it is a place to honor the memory of those who sacrificed their lives for the freedom and dignity of their country. It is a powerful reminder of the importance of unity and resistance in the face of aggression. Visiting this memorial is a humbling experience that leaves a lasting impression on every visitor.In conclusion, the 918 Memorial Hall is a must-visit for anyone interested in understanding the history of China and the significance of the September 18th Incident. It is a testament to the resilience and bravery of the Chinese people and a reminder of the importance of preserving and learning from history.。
化石博物馆讲解稿英语
化石博物馆讲解稿英语When it comes to human civilization, it is almost impossible not to mention the important role played by some places, such as museums and art galleries from London to Paris and from Beijing to New York. Museums attract millions of tourists from all over the world every year. Museums are places where people receive education and entertainment.Nowadays, more and more parents take their children to visit the history museum or the art museum on weekends, because they find that the collections and antiques displayed in the museum can stimulate their body and mind. In addition, in recent years, many museums in China have been equipped with some entertainment facilities, such as the Beijing Aviation Museum. The opportunity for tourists to fly gliders under the guidance of pilots is obvious It has become an important part of our lives.The second main purpose of museums is to protect culture. We know that many cultural relics, literature and antiques are on display in various museums, from history museum to Technology Museum, from military museum to Ocean Museum. Visitors will not miss any of ourachievements.Human civilization shocked our ancestors. We can never find a better place to protect these symbols of human history and culture than Museum. However, on the one hand, due to the limited government funds, on the other hand, due to the inefficient management, more and more museums have to face the serious financial problems that people generally believe.Our government should take more responsibility and invest a lot of money in museums. In addition, museum managers should also solve these problems by themselves, such as improving management efficiency, increasing ticket prices, and selling souvenirs as a symbol of human civilization. Museums occupy a very important position in our lives.There are still many problems to be solved. But I believe that as time goes on, people will eventually realize the value of museums.。
陈列馆英语讲解词
中国甲午战争博物院陈列馆讲解词Good Morning, Ladies and gentlemen,Welcome to the Exhibition Hall of the Museum of Sino-Japanese War of 1894-1895. The exhibition hall covers a floor area of ten thousand square meters and its building area of is about 8,800 square meters. This is a comprehensive exhibition hall that fully displays the history of Sino-Japanese War.The building, designed by the Professor Peng Yigang, master architectural designer of China, creatively combines the main building, which signifies the vessel of the North Marine Navy, and the statue of a high-ranking military officer of the navy. The exhibition hall is praised as “the Chinese classical building during the 20th century“.The cast iron sculpture in the middle of the square, named as the soul of the sea,is the model of the vessel wreckage of the North Marine Navy. The exhibition hall has two levels, drawing a whole picture of the Sino-Japanese War with abundant cultural relic and historical material and data, and it is an important base for patriotic education.The relief sculpture on the peripheral part of the exhibition hall, called never forget the history of the Sino-Japanese War, displays the relative important figures and battles though artistic means, thus it has a strong sense of expression. Then, let’s get into the hall and get to know the history of this period.Ladies and gentlemen, we will then visit the Sino facts show, called National Grief of 1894-1895.The sequence hallThe bow-like sequence hall integrates with the sedimentary rocks background, which has a heavy sense of history.The failure of the Sino-Japanese War not only causes serious disaster to China, but also awakens the Chinese people. Just as what Liang Qicao, a famous politician in Modern Times of China, said before, “It is the Sino-Japanese War that awakens us who still indulge in the dream of the Celestial Empire.”Next, we will focus on the whole process of the War.China is an ocean power but the humiliation of modern china also starts from the collapse of coast defense. After the Opium War, the Qing Government realized the importance of building a modernized navy, and this also marks the beginning of the coast defense construction of modern China. Figures in the pictures are all the representatives of the Westernization Movement during Qing Dynasty. They claimed to learn advanced Western technology. Yi Xin, Prince Gong, the representative of the Westernization Movement in the central government, supported local representatives, such as Li Hongzhang, Zuo Zongtang and Zhang Zhidong, to build the modernized military industry.The Westernization Movement prospers the military industry and military education of modern China. In the middle of 19th century, the breechloadersreplaced the original old buggy rifles as the main military weaponry. Although they cannot put on a par with the modern weapons, they are much more advanced than the weapons used during the cold weapon age. Meanwhile, Chinese students were dispatched to Germany to learn artillery; Qing Government also bought advanced Krupp cannon—All those witnessed the development of modernization of modern Chinese military.The preparations were started in 1879 for the constitution of the North Marine Navy and finally in October 3rd, 1888, the promulgation of the Regulations of the North Marine Navy marked the establishment of the navy. When it was first constructed, the North Marine Navy owned 25 regular military naval vessels, which mostly bought from Britain and Germany. At that time, the strength of North Navy ranked the first in Asia and the forth in the world. Most of the high-ranking general officers of the navy had been abroad to receive advanced Western military education.Bases foundation acts as an important role in the development of the military forces. After careful investigation, the Qing Government built three bases—Dagu in Tianjin, Lvshun in Liaoning and Weihaiwei in Shantung Peninsula, a triangular defense system, to protect the capital and to fight against aggression.The North Marine Navy is the first standardized navy in modern China, which owns higher-educated general officers, excellent performance vessels and the tight defense base. But it is also such strong troop that was completely annihilated during the Sino-Japanese War. Why? Later, we will explain it to you.Japan, neighbor of China, developed fast and embarked on a road of militarism and overseas expansion. It made a policy of conquering China and finally dominating Asia and were carefully planned and prepared for this.Before the war broke out, Japanese government dispatched spies to make a comprehensive study of Chinese politics, economy, military forces and culture. It is said the Japanese spies can knew the exact location of a well which even the native Chinese didn’t know. Thus, we can see that this is a long-planned war of aggression against China. We see this is a series of plans of aggression drawn up by the Japanese. In order to put into action as soon as possible, Japan intensified the efforts to constitute the navy. Japanese, led by the Emperor, donated money to expand the navy. Meanwhile, in China, Qing government has stopped the continued development of the Navy. As the Empress Dowager Cixi diverted funds to build the Summer Palace and three Navy Sea Project, six years after constitution, the Northern Navy failed to add any equipment. In May, 1894, after reviewing the coast defense, Li Hongzhang issued a sighs worrying about the future. And just two months after that, the war broke out.From this map we know that it would be quite difficult for Japan to directly attack China from the sea. Then, Japan’s final strategy is to occupy Korea and then with Korea as a base and springboard, Japan continued to invade China.In the spring of 1894, taking the “Donghak Rebellion” uprising as an excuse, Japan invaded Korea. And then, Japan provoked war on the Toshima Sea. On August 1st, both sides, China and Japan, declared war against each other, the Sino-Japanese Warfinally broke out. This is the declaration of war edict of both countries. Pyongyang War is the first large scale confrontation between the Army after the outbreak of the Sino-battle. The Qing troops suffered heavy losses and retreat 500 Chinese miles through the Yalu River. Korea finally became the bases and springboard for Japan to invade China.The Sino-Japanese War includes naval battles, land battles and the battles with naval and ground forces working together. Many patriotic generals emerged during the war. This is Zuo Baogui, the representative of the Army, is the first high-level general officers sacrificing his life for the motherland in the Sino-War. During the war, wearing the yellow jacket bestowed by the emperor, he boarded Xuanwumen and commanded operations. After the gunner was killed, he took over his job and continued fighting against the enemy. Sadly, he was shot in the chest and died. He was only 57 at that time. Another representative of the navy is Chen Jingying. Before the wall broke out, he wrote a letter to his family. In his letter, he said, “As a soldier, I should totally devote myself to defending the country. Loyalty and filial piety cannot be achieved both since ancient times. All I could do is to serve the country.”After the war broke out, Chen Jingying went to the battlefield without hesitation. He died at the age of 32.Two days after the Battle of Pyongyang, the world-famous Yellow Sea Battle broke out on the Dadonggou territorial water outside the estuary of the Yalu River. Then, let’s step into the Demonstration Area of the Yellow Sea Battle.After the Yellow Sea Battle, the Japanese’s ambition of invasion exaggerated. After a month’s preparation, the Japanese military troops branched out into two columns and launch war of aggression against China. The first Japanese troop broke through Yalu River, the boundary of China and Korea, and stepped into the Chinese territory. Just on the same day, the second troop landed on Huayuankou of Liaoning and attacked Jinzhou of Lvshun under the cover of the navy. After occupying Jinzhou, the Japanese army committed rape, arson and murder and all kinds of evil. Here, we can see a really sorrowful story of 10 members of a family in Jinzhou drowning themselves in the well.At that time, a family, whose family name is Qu, lived in the southwest of Jinzhou. Seven female members of the family drew themselves into the well with three kids so as not to be insulted by the Japanese. The well is then called the “the Qu’s Well”. Jinzhou fell into enemy hands. After ten days of preparation, the Japanese army continued its invasion and attacked Lvshun. In just one day time, the so-called “the No.1 Far East Fort” Lvshun bases, which was painstakingly managed for 16 years by the Qing Government, was occupied by Japan. Then, after the occupation, the Japanese massacred the citizens and the massacre lasted for as long as three days and four nights. More than twenty thousands of Chinese citizens in Lvshun were murdered and only thirty-six survived. But these thirty-six citizens were left to bury the dead bodies. The Le Monde of America once criticized the brutal violence of Japanese army.“Japan has taken of the mask of civilization and revealed its real face of brutality.”After Lvshun fell into Japanese’s hands, the other military bases of LiaoningProvince also fell one after another. Then, the defensive system set in the southern part of Liaoning Province totally collapsed. The battle of Liaotung came to an end. After the Battle of Liaotung, Japan decided to enhance the strategy of attacking Shantung Peninsula, blocking the Bohai Sea Gulf, and finally annihilate North Marine Navy Fleet. On January 20th, 1895, they landed on Longxu Island of Rongcheng in the eastern part of Shantung Peninsula and launched a large scale invasion on Weihaiwei.This group of photos reappeared the scenes of the battle of safeguarding Weihaiwei.This is the statue of Ding Ruchang, prefect of the North Marine Navy. Ding, born in Lujiang, Anhui Province, is the first prefect of marine navy in the history of modern China. After being defeated, the Qing Government ordered to pluck the buttons (worn on Qing Dynasty officials' hats as a sign of rank), remove from the post, but still remain in office. During the battle of safeguarding Weihaiwei, Ding refused to surrender and asked Niu Changbing to invalid the jade seal of prefect of the North Marine Navy. At that night, he committed suicide in his living room. After his death, Niu Changbing drew up the capitulation on behalf of the prefect, and signed the Treaty of Weihai. After Ding’s death, the Government refused to endow any pension to his family. Besides, his corpse was even put on black prison garb and added three steel hoops outside his coffin, because “even dead, he was still guilty.”. His coffin was sent to his homeland but was not allowed to inter. It is not until 1910 that he regained his reputation and his family received pension.On February 17th1895, Japanese occupied Liugong Island and the North Marine Navy was completely annihilated. The captured Qing soldiers summed up to 5,137 and the captured vessels reached up to 11.The falling of Weihaiwei and the annihilation of North Marine Navy greatly stroke the Qing Government. This fastened the speed of surrender and finally they greed to sign the Treaty of Shimonoseki.The electron image projector of page turning reproduces the main content of the Treaty of Shimonoseki. And this reproduces the scene of negotiation of Chunfan House in Shimonoseki.According to the Treaty, the Qing Government has to compensate Japan 2,600 million tael of silver, which amounts to a total of more than three years of Qing Government’s revenue. Also, this large amount of money can constitute seven fleets with the same large scale of the North Marine Navy. It is 18 times more than the money embezzled by the Empress Dowager Cixi to constitute the Summer Palace. The huge sum of reparations strongly prospered the economy and military forces of Japan. Japan also tasted blood of war and then declared several times of wars against China.According to the Treaty of Shimonoseki, Taiwan was ceded to Japan, which infuriated the whole nation. Citizens in Taiwan acclaimed that “they would rather all die in the dust thus lose Taiwan, than surrender submissively”. They kept on fighting for more than four months under serious conditions without foreign aid. They killed more than 32,000 Japanese soldiers which amount to two times as manyas the Japanese casualties during the Sino-Japanese War. In the end, they failed and Taiwan was under the control of Japan for as long as 50 years. In 1945 after the victory of War of Resistance against Japan, Taiwan returned to the embrace of motherland.After the failure of Sino-Japanese War, the Werstern imperialist powers aroused the fanaticism of carving up China. Meanwhile, Liugong Island and Weihaiwei were forcibly leased by Britain. In 1925, Sir Wen Yiduo, the famous patriotic poet finished the song of seven sons, in which he metaphorized the seven places forcibly rented by the Western imperialist powers as seven sons taken away. These songs express the sadness of the sons roaming outside and being oppressed by different races. This is the fourth song, Weihaiwei.What the Sino-Japanese has told us is that “A country will be vulnerable to attack if lagging behind and will be ruined if corrupting”. History reminds us that we should learn the lesson and intensify the coast defenses so as to safeguard our territory.All has become the past. When looking back at history, we should be prepared for danger in times of safety and intensify the constitution of coast forces. Please be prepared.。
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中国甲午战争博物院陈列馆讲解词Good Morning, Ladies and gentlemen,Welcome to the Exhibition Hall of the Museum of Sino-Japanese War of 1894-1895. The exhibition hall covers a floor area of ten thousand square meters and its building area of is about 8,800 square meters. This is a comprehensive exhibition hall that fully displays the history of Sino-Japanese War.The building, designed by the Professor Peng Yigang, master architectural designer of China, creatively combines the main building, which signifies the vessel of the North Marine Navy, and the statue of a high-ranking military officer of the navy. The exhibition hall is praised as “the Chinese classical building during the 20th century“.The cast iron sculpture in the middle of the square, named as the soul of the sea,is the model of the vessel wreckage of the North Marine Navy. The exhibition hall has two levels, drawing a whole picture of the Sino-Japanese War with abundant cultural relic and historical material and data, and it is an important base for patriotic education.The relief sculpture on the peripheral part of the exhibition hall, called never forget the history of the Sino-Japanese War, displays the relative important figures and battles though artistic means, thus it has a strong sense of expression. Then, let’s get into the hall and get to know the history of this period.Ladies and gentlemen, we will then visit the Sino facts show, called National Grief of 1894-1895.The sequence hallThe bow-like sequence hall integrates with the sedimentary rocks background, which has a heavy sense of history.The failure of the Sino-Japanese War not only causes serious disaster to China, but also awakens the Chinese people. Just as what Liang Qicao, a famous politician in Modern Times of China, said before, “It is the Sino-Japanese War that awakens us who still indulge in the dream of the Celestial Empire.”Next, we will focus on the whole process of the War.China is an ocean power but the humiliation of modern china also starts from the collapse of coast defense. After the Opium War, the Qing Government realized the importance of building a modernized navy, and this also marks the beginning of the coast defense construction of modern China. Figures in the pictures are all the representatives of the Westernization Movement during Qing Dynasty. They claimed to learn advanced Western technology. Yi Xin, Prince Gong, the representative of the Westernization Movement in the central government, supported local representatives, such as Li Hongzhang, Zuo Zongtang and Zhang Zhidong, to build the modernized military industry.The Westernization Movement prospers the military industry and military education of modern China. In the middle of 19th century, the breechloadersreplaced the original old buggy rifles as the main military weaponry. Although they cannot put on a par with the modern weapons, they are much more advanced than the weapons used during the cold weapon age. Meanwhile, Chinese students were dispatched to Germany to learn artillery; Qing Government also bought advanced Krupp cannon—All those witnessed the development of modernization of modern Chinese military.The preparations were started in 1879 for the constitution of the North Marine Navy and finally in October 3rd, 1888, the promulgation of the Regulations of the North Marine Navy marked the establishment of the navy. When it was first constructed, the North Marine Navy owned 25 regular military naval vessels, which mostly bought from Britain and Germany. At that time, the strength of North Navy ranked the first in Asia and the forth in the world. Most of the high-ranking general officers of the navy had been abroad to receive advanced Western military education.Bases foundation acts as an important role in the development of the military forces. After careful investigation, the Qing Government built three bases—Dagu in Tianjin, Lvshun in Liaoning and Weihaiwei in Shantung Peninsula, a triangular defense system, to protect the capital and to fight against aggression.The North Marine Navy is the first standardized navy in modern China, which owns higher-educated general officers, excellent performance vessels and the tight defense base. But it is also such strong troop that was completely annihilated during the Sino-Japanese War. Why? Later, we will explain it to you.Japan, neighbor of China, developed fast and embarked on a road of militarism and overseas expansion. It made a policy of conquering China and finally dominating Asia and were carefully planned and prepared for this.Before the war broke out, Japanese government dispatched spies to make a comprehensive study of Chinese politics, economy, military forces and culture. It is said the Japanese spies can knew the exact location of a well which even the native Chinese didn’t know. Thus, we can see that this is a long-planned war of aggression against China. We see this is a series of plans of aggression drawn up by the Japanese. In order to put into action as soon as possible, Japan intensified the efforts to constitute the navy. Japanese, led by the Emperor, donated money to expand the navy. Meanwhile, in China, Qing government has stopped the continued development of the Navy. As the Empress Dowager Cixi diverted funds to build the Summer Palace and three Navy Sea Project, six years after constitution, the Northern Navy failed to add any equipment. In May, 1894, after reviewing the coast defense, Li Hongzhang issued a sighs worrying about the future. And just two months after that, the war broke out.From this map we know that it would be quite difficult for Japan to directly attack China from the sea. Then, Japan’s final strategy is to occupy Korea and then with Korea as a base and springboard, Japan continued to invade China.In the spring of 1894, taking the “Donghak Rebellion” uprising as an excuse, Japan invaded Korea. And then, Japan provoked war on the Toshima Sea. On August 1st, both sides, China and Japan, declared war against each other, the Sino-Japanese Warfinally broke out. This is the declaration of war edict of both countries. Pyongyang War is the first large scale confrontation between the Army after the outbreak of the Sino-battle. The Qing troops suffered heavy losses and retreat 500 Chinese miles through the Yalu River. Korea finally became the bases and springboard for Japan to invade China.The Sino-Japanese War includes naval battles, land battles and the battles with naval and ground forces working together. Many patriotic generals emerged during the war. This is Zuo Baogui, the representative of the Army, is the first high-level general officers sacrificing his life for the motherland in the Sino-War. During the war, wearing the yellow jacket bestowed by the emperor, he boarded Xuanwumen and commanded operations. After the gunner was killed, he took over his job and continued fighting against the enemy. Sadly, he was shot in the chest and died. He was only 57 at that time. Another representative of the navy is Chen Jingying. Before the wall broke out, he wrote a letter to his family. In his letter, he said, “As a soldier, I should totally devote myself to defending the country. Loyalty and filial piety cannot be achieved both since ancient times. All I could do is to serve the country.”After the war broke out, Chen Jingying went to the battlefield without hesitation. He died at the age of 32.Two days after the Battle of Pyongyang, the world-famous Yellow Sea Battle broke out on the Dadonggou territorial water outside the estuary of the Yalu River. Then, let’s step into the Demonstration Area of the Yellow Sea Battle.After the Yellow Sea Battle, the Japanese’s ambition of invasion exaggerated. After a month’s preparation, the Japanese military troops branched out into two columns and launch war of aggression against China. The first Japanese troop broke through Yalu River, the boundary of China and Korea, and stepped into the Chinese territory. Just on the same day, the second troop landed on Huayuankou of Liaoning and attacked Jinzhou of Lvshun under the cover of the navy. After occupying Jinzhou, the Japanese army committed rape, arson and murder and all kinds of evil. Here, we can see a really sorrowful story of 10 members of a family in Jinzhou drowning themselves in the well.At that time, a family, whose family name is Qu, lived in the southwest of Jinzhou. Seven female members of the family drew themselves into the well with three kids so as not to be insulted by the Japanese. The well is then called the “the Qu’s Well”. Jinzhou fell into enemy hands. After ten days of preparation, the Japanese army continued its invasion and attacked Lvshun. In just one day time, the so-called “the No.1 Far East Fort” Lvshun bases, which was painstakingly managed for 16 years by the Qing Government, was occupied by Japan. Then, after the occupation, the Japanese massacred the citizens and the massacre lasted for as long as three days and four nights. More than twenty thousands of Chinese citizens in Lvshun were murdered and only thirty-six survived. But these thirty-six citizens were left to bury the dead bodies. The Le Monde of America once criticized the brutal violence of Japanese army.“Japan has taken of the mask of civilization and revealed its real face of brutality.”After Lvshun fell into Japanese’s hands, the other military bases of LiaoningProvince also fell one after another. Then, the defensive system set in the southern part of Liaoning Province totally collapsed. The battle of Liaotung came to an end. After the Battle of Liaotung, Japan decided to enhance the strategy of attacking Shantung Peninsula, blocking the Bohai Sea Gulf, and finally annihilate North Marine Navy Fleet. On January 20th, 1895, they landed on Longxu Island of Rongcheng in the eastern part of Shantung Peninsula and launched a large scale invasion on Weihaiwei.This group of photos reappeared the scenes of the battle of safeguarding Weihaiwei.This is the statue of Ding Ruchang, prefect of the North Marine Navy. Ding, born in Lujiang, Anhui Province, is the first prefect of marine navy in the history of modern China. After being defeated, the Qing Government ordered to pluck the buttons (worn on Qing Dynasty officials' hats as a sign of rank), remove from the post, but still remain in office. During the battle of safeguarding Weihaiwei, Ding refused to surrender and asked Niu Changbing to invalid the jade seal of prefect of the North Marine Navy. At that night, he committed suicide in his living room. After his death, Niu Changbing drew up the capitulation on behalf of the prefect, and signed the Treaty of Weihai. After Ding’s death, the Government refused to endow any pension to his family. Besides, his corpse was even put on black prison garb and added three steel hoops outside his coffin, because “even dead, he was still guilty.”. His coffin was sent to his homeland but was not allowed to inter. It is not until 1910 that he regained his reputation and his family received pension.On February 17th1895, Japanese occupied Liugong Island and the North Marine Navy was completely annihilated. The captured Qing soldiers summed up to 5,137 and the captured vessels reached up to 11.The falling of Weihaiwei and the annihilation of North Marine Navy greatly stroke the Qing Government. This fastened the speed of surrender and finally they greed to sign the Treaty of Shimonoseki.The electron image projector of page turning reproduces the main content of the Treaty of Shimonoseki. And this reproduces the scene of negotiation of Chunfan House in Shimonoseki.According to the Treaty, the Qing Government has to compensate Japan 2,600 million tael of silver, which amounts to a total of more than three years of Qing Government’s revenue. Also, this large amount of money can constitute seven fleets with the same large scale of the North Marine Navy. It is 18 times more than the money embezzled by the Empress Dowager Cixi to constitute the Summer Palace. The huge sum of reparations strongly prospered the economy and military forces of Japan. Japan also tasted blood of war and then declared several times of wars against China.According to the Treaty of Shimonoseki, Taiwan was ceded to Japan, which infuriated the whole nation. Citizens in Taiwan acclaimed that “they would rather all die in the dust thus lose Taiwan, than surrender submissively”. They kept on fighting for more than four months under serious conditions without foreign aid. They killed more than 32,000 Japanese soldiers which amount to two times as manyas the Japanese casualties during the Sino-Japanese War. In the end, they failed and Taiwan was under the control of Japan for as long as 50 years. In 1945 after the victory of War of Resistance against Japan, Taiwan returned to the embrace of motherland.After the failure of Sino-Japanese War, the Werstern imperialist powers aroused the fanaticism of carving up China. Meanwhile, Liugong Island and Weihaiwei were forcibly leased by Britain. In 1925, Sir Wen Yiduo, the famous patriotic poet finished the song of seven sons, in which he metaphorized the seven places forcibly rented by the Western imperialist powers as seven sons taken away. These songs express the sadness of the sons roaming outside and being oppressed by different races. This is the fourth song, Weihaiwei.What the Sino-Japanese has told us is that “A country will be vulnerable to attack if lagging behind and will be ruined if corrupting”. History reminds us that we should learn the lesson and intensify the coast defenses so as to safeguard our territory.All has become the past. When looking back at history, we should be prepared for danger in times of safety and intensify the constitution of coast forces. Please be prepared.。