魔声的魔音Beats By Dr.Dre Mixr耳机试听
魔声“心动”耳机
性 能的耳 机选择 。
是一 个高科技 的时
配件 ， 也是一 件有
吸 引力的装饰 品。
身全 部镀铬 的宝 石 形 的耳 筒和 一 个在黑 色机 身上 发黑 的宝 石 形 耳 筒设计 。
心 动 “
”
耳机配 有设计美丽 的红 色携带盒 ，
并 附有一
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程 度和适 合每一 个佩 戴 者。 它们还 拥有魔 声独一 无 二 的扁平 电缆设计 ， 这 不 仅仅 集 中
的音 响再现 能 力 。 由于 魔 声的高保 真度
录音迷们使用 了最新的耳机技术和制造
技术， 从而 使得He a rtb e a ts
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Beats by Dr. Dre Executive 执行官银色顶级降噪
Beats by Dr. Dre Executive 执行官银色顶级降噪
年初曾与fragment design共同合作的耳机品牌Beats by Dr. Dre，近日再度发表新作。
此回这款"Executive"版本摆脱掉街头的设计感，而倾向较为高级的金属刷色以及典雅的钢琴烤漆，此外耳机本身的高品质音效展现，包含了杂音过滤、音质净化、重低音等，基本上就等同于随身鞋带一个高级音响。
设计优雅的Beats Executive 套耳式耳机，在奢华和功能上取得完美平衡，带来卓越的音色。
以噪音消除技术，以及长时间佩戴的舒适感，为你带来真正的音乐享受。
超凡音色
Beats by Dr. Dre 的特色音效，可丝毫不差地输出清脆的高音、特色低音，以及精准的中音。
专为旅途而设
这些耳机是专为精英旅行人士而设，轻盈、舒适，并采用方便折叠和收拾的设计。
主动噪音消除
功能强大，足以阻隔喷气引擎的噪音，由内置电池供电的杂讯消除技术，让你无间断享受音乐。
特色重点
可输出清脆和无间断的音色
精致的铝合金机身，经久耐用
柔软的皮革垫可输出平衡的音讯
採用轻盈而坚固的材料，以及独特的折叠式设计，携带方便
主动噪音消除（ANC）和客制化EQ 带来纯净和绝无外界噪音干扰的音讯提供清脆的高音、深沉的低音和精準的中音
来源地址：/s/blog_c2d0b82f01019zu6.html。
从里到外都发烧Monster新推Beats耳机
材 ， 有 内置 应 答按 钮 和 麦 克 风 功 能 ， 来 电时 可 暂停
播放 。 据称 ， 美 国篮球 国家 队出发到北京参加奥运
E=】 会 时 全 部 队 员 都 是 戴 着 B e a t s 耳 机 。
四日医团匠四四 M o n s t e r 新推B e a t s 耳机
■●●联
扬 声 器 单 元 直径 ： 4 0 ra m 频 率 响 应 ： 2 0 H z ～ 2 0 k Hz 灵敏 度 ： 1 1 0 d B (+ ／- 2 d B ) 操 作 电压 3 2 V 额 定功 率 L + R ： 6 0 ro W 净重 ： 2 5 0 9 ． 连 电池 2 7 0 g 耳 机线长： 1 3 m 3 5 ra m 金属接头 类型 ： 戴于耳 上 - 参考价格 ： 3 0 9 0 ／只
像 再 现 效果 ， 让 V P L — H W l 0 具 有 3 0 ，0 0 0 ：l
的对 比度 。 同时 ， 这 款 机 器 采 用 了 S o n y “24 p
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”
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P r o c e s s i n g )功 能 则 可 以 使 画 面 上 的 每 个
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(A U R a 』1 g e C r i s p F o c u s )镜 头 ， 由 6 组 1 5
个低 色散玻璃 制成的透 镜组 成 ， 这 些 玻璃
镜片均有镀膜 以防反射 。 该机还具 有一 个
，
等能力 。 该机 采用 的是全数字信号
魔声的传奇之路
• • •
谢谢观赏,
再见!
科技
• 魔声公司的另一项创造性成果是创立了魔声音乐公司（Monster Music），为音乐行业提供一种全新的 “SuperDisc” 先进格式技术， George Benson、Anjulie和其他音乐人都在音乐作品中利了 “SuperDisc”来提升音质效果。魔声音乐公司的HDS（High Definition Surround）高清环绕是一整套先进的录音、混音以及音频 再现技术，能够以高清5.1环绕效果重现音乐家原始演绎的声音动态 和音域。有了魔声HDS高清环绕技术，听众可以自由地选择高清晰度 立体声或者环绕声混音，能够在享受更高品质、更富激情的音乐聆听 体验的同时，领略到音乐真正的和声及丰富音调。HDS过程包括了从 录音、混音到编辑以及最后制作的方方面面，每个环节都严格按照 HDS协议和程序，满足魔声公司精益求精的标准。魔声HDS是对音乐 更加逼真、更加真实的再见。魔声的理念是“崇尚原声重现”，无论 你是一般的听众还是音乐发烧友，魔声SuperDisc的HDS都会带给你 无与伦比的音乐体验。
魔声中国
• 魔声贸易（上海）有限公司成立于2007年4月， 位于中国上海，是由魔声公司在中国独立投资的 分公司，其主要职能为中国区的市场做品牌推广， 销售及物流分拨中心，以提供更直接的产品宣传 及服务，更好地将魔声的产品及技术与中国的消 费者一起分享。 • 随着近十年中国经济的快速增长，中国国内具有 强大消费力的“中产阶层”和一些高端消费人群 已经初步形成。这些消费群体对于“高品质”、 “高美誉度”的高端产品的需求也在日益增长。 中国市场将成为魔声公司全球长期战略重点发展 目标之一。
beats studio
• 感受您的音乐 • Beats Acoustic Engine™令 你的聆听体验更加亲切、个 性、真实。我们独具特色的 DSP软件旨在重现音乐创作 者希望您真切感受到的那种 情感，不论是Dr. Dre、 Jimmy Iovine，还是音乐界 的其他杰出摇滚、嘻哈、流 行、电子以及节奏布鲁斯天 才。就像是这些音乐艺术家 在你面前，亲自为你演唱一 样。
魔声产品介绍
录音师（Beats Studio）佩戴舒适感：★★★★★音质：★★★★质感：★★★★录音师作为魔声中的核心产品，有着很高的性价比.它主动降噪功能强劲，能够阻挡飞机引擎级的噪音。
使用一对 7号电池的降噪技术，阻挡噪音的同时放大音量，持续为你提供强劲音质，让佩戴者原汁原味的感受音乐之美.低频下潜深，有着强烈的轰头感,可谓是动感十足.仿佛就像拳击手的重拳打在你耳膜上一样.有力度，有深度，又有速度和弹性.它颜色靓丽，共有9种基本配色，依次为：黑，白，红，宝蓝色，玫红色，紫色，绿色，银色，橙色.并配有2根魔声专用线，一根为带麦对录线，.3.5mmDJ转接头耳机收纳包等其余配件.舒适控制音量和暂停播放.一根为不带麦的对录线.佩戴舒适而言，录音师的佩戴舒适感也是顶级的.我给他5颗星的佩戴舒适度.总而言之，戴上他，这个世界属于你.短语总结：Beats Studio 耳机缔造专业级音质，为专业人士和音乐发烧友等人而设。
适合所有类型的音乐，能够连续长时间使用和抵受冲击。
Beats Studio 头戴式耳机是Beats by Dr. Dre 的标志性旗舰产品。
主动降噪功能令Studio 耳机拥有独一无二的输出和性能，戴上他，这个世界属于你.Solo hd（独奏高清）佩戴舒适感：★★音质：★★质感：★★Solo hd 其实是录音师简化版.从外观而言，它比录音师小了一圈.因此有很多新人误认为这就是录音师.它也缺少了录音师的降噪.音质上也简化了不少.个人认为，性价比不高.相比这几百块而言，还不如去买录音师.当然了，客户有他们的需求.该款的亮点是：轻便，小巧，便于出门携带.音质上虽然没有录音师那么强劲，但也可算是有点特色. 1.由于单元缩小了，低频不会有录音师那么强劲，当然解析也更清晰了.不太喜欢听低频强劲的歌曲的客户可以让他们选择这款.同样配有两根对录线，一根为带麦对录线，舒适控制音量和暂停播放.一根为不带麦的对录线.佩戴舒适度并没有录音师好.由于耳机弹性海绵缩小了，佩戴时会有相对的压迫感.它共有8种基本配色：黑色，白色，红色，宝蓝色，绿色，玫红色，天蓝色，紫色.特殊配色为官方限量版贾斯丁碧波儿的磨砂紫色.短语总结：Beats Solo hd 轻轻，便捷.PS:如果非要说解析好，我也加上吧。
无线耳机推销文案范文通用12篇
无线耳机推销文案范文通用12篇（经典版）编制人：__________________审核人：__________________审批人：__________________编制单位：__________________编制时间：____年____月____日序言下载提示：该文档是本店铺精心编制而成的，希望大家下载后，能够帮助大家解决实际问题。
文档下载后可定制修改，请根据实际需要进行调整和使用，谢谢!并且，本店铺为大家提供各种类型的经典范文，如工作总结、工作计划、合同协议、条据文书、策划方案、句子大全、作文大全、诗词歌赋、教案资料、其他范文等等，想了解不同范文格式和写法，敬请关注!Download tips: This document is carefully compiled by this editor. I hope that after you download it, it can help you solve practical problems. The document can be customized and modified after downloading, please adjust and use it according to actual needs, thank you!Moreover, our store provides various types of classic sample essays for everyone, such as work summaries, work plans, contract agreements, doctrinal documents, planning plans, complete sentences, complete compositions, poems, songs, teaching materials, and other sample essays. If you want to learn about different sample formats and writing methods, please stay tuned!无线耳机推销文案范文通用12篇无线耳机推销文案范文第一篇1、利客——听，自由飞翔。
FLAMMA 吉他综合效果器FX150 说明书
www.flShenzhenFlammaInnovationCo.,Ltd
目录
注意事项-----------------------------------------------------------------------------------------------------------01 性能概述-----------------------------------------------------------------------------------------------------------02 主面板说明----------------------------------------------------------------------------------------------------03-04 接口面板说明-------------------------------------------------------------------------------------- -----------05-06 应用场景连接说明------------------------------------------------------------------------------------ --------07-12 连接吉他功放后级+吉他箱体--------------------------------------------------------------------------------07 连接全频设备 - -----------------------------------------------------------------------------------------------08 全频+非全频设备混合连接 ----------------------------------------------------------------------------------09 连接吉他音箱的INPUT - -------------------------------------------------------------------------------------10 连接吉他音箱的FXLOOP------------------------------------------------------------------------------------11 四线接法 -----------------------------------------------------------------------------------------------------12 基本操作------------------------------------------------------------------------ ------------------------------13-19 开机 ----------------------------------------------------------------------------------------------------------13 主界面--------------------------------------------------------------------------------------------------------13 编辑界面-----------------------------------------------------------------------------------------------------14 选择预置音色--------------------------------------------------------------------------------------------15-17 编辑预置音色 ------------------------------------------------------------------------------------------------18 编辑效果链顺序----------------------------------------------------------------------------------------------19 预置音色保存------------------------------------------------------------------------------------------------19 调音器-------------------------------------------------------------------- -----------------------------------------20 LOOPER乐句循环功能--------------------------------------------------------------------------------------21-22
走进声音的殿堂 魔声Elements over ear耳机体验
走进声音的殿堂魔声Elements over ear耳机体验
佚名
【期刊名称】《新潮电子》
【年(卷),期】2016(0)10
【摘要】如果说声音是旅行的灵魂，那耳机便是灵魂间沟通的桥梁。
认为声音就是一切的魔声在过去近四十年间一直引领者耳机产品的创新，近期更以Elements 系列新品重新定义了无线耳机，灵感来自于自然元素Elements系列，再一次成功引领用户走进声音的殿堂。
【总页数】2页(P86-87)
【关键词】Elements;声音;over;殿堂;机体;无线耳机;自然元素;灵魂
【正文语种】中文
【中图分类】TP317.4
【相关文献】
1.超带感的"音乐大师"魔声灵晰贴耳式蓝牙耳机体验评测 [J], 吴小雪
2.专业体验魔声Beats Pro耳机 [J],
3.一戴就不愿放下 MONSTER Jamz In-Ear Headphones魔声JAMZ入耳式耳机[J], 无
4.时尚声音的演绎传奇魔声Clarity Around Ear耳机评测 [J],
5.体验声音之源声海（Sennheiser）举办耳机试听体验活动 [J],
因版权原因，仅展示原文概要，查看原文内容请购买。
Bose SoundLink 耳罩式蓝牙 耳机 用户指南说明书
目录使用耳机 (4)简介 (4)感谢您购买本产品 (4)耳机随附 (4)控制模块功能 (4)给电池充电 (5)延长电池寿命的提示 (5)连接耳机到蓝牙设备 (6)配对耳机和您的设备 (6)找到蓝牙设备列表 (7)电池充电水平（适用于 iOS 设备） (7)配对额外设备 (7)使用多个设备 (7)耳机的佩戴方法 (7)识别灯光和声音 (8)蓝牙指示灯 (8)电池指示灯 (8)音频提示音 (8)播放和电话操作 (8)使用选配的音频电缆 (9)连接音频电缆 (9)参考内容 (10)维护 (10)电池保养 (10)清洁耳机 (10)更换零件和配件 (10)重新安装耳罩垫 (11)故障诊断 (11)客户服务处 (12)有限质保 (12)技术信息 (12)简体中文 - 3使用耳机简介感谢您购买本产品感谢您选择 Bose® SoundLink®耳罩式蓝牙®耳机。
此无线立体声耳机具有卓越的音频性能，符合您对 Bose 耳机佩戴舒适的要求，而且与音源的距离没有限制。
耳机随附可选音频线缆便携包蓝牙®控制模块（可拆卸）USB 充电线缆控制模块功能多功能按钮音量上调音量下调蓝牙指示灯电池指示灯电源开关USB 充电插头4 - 简体中文简体中文 - 5使用耳机给电池充电尽管电池在出厂前已部分充电，但仍建议您在首次使用前为电池充足电。
充足电最长需要 3 小时。
1.将 USB 线较小的一端插入耳机。
2.将 USB 线较大的一端插入有关机构认证的墙式充电器（未提供）或电脑上通电的 USB 。
注意： 控制模块也可在从耳罩上取下后充电。
墙式充电器（未提供）计算机上的有电 USB 端口3.充足电最长需要 3 小时。
电池指示器在充电时发出闪烁的琥珀色光，充电完成时变成绿色。
电池指示灯注意： 充电时耳机不会工作。
注意： 充电之前，确保耳机处在 41ºF (5ºC) 至 104ºF (40ºC) 之间的室温下。
YAMAHA MOTIF XS6 XS7 XS8 说明书
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
The above warning is located on the rear of the unit.
Explanation of Graphical Symbols
JABRA solemate mini 捷波朗 魔音盒 迷你
jabra solemate mini 捷波朗迷你魔音盒
13
简体中文
音量调低 接听/挂断 （电池电量状态） 音量调高
6. 语音提示
6.1 打开语音提示
1. 关闭 Jabra Solemate Mini 捷波朗 魔音盒 迷 你。 2. 按住音量调高按钮，同时打开 Jabra Solemate Mini 捷波朗 魔音盒 迷你。 当听到 "Sound prompts on" 时松开音量调高按钮。
15
简体中文
7. 更新固件
要更新 Jabra Solemate Mini 捷波朗 魔音盒 迷 你 固件 ， 请访问 /solematemini 并在 支持专区下载最新固件。 按照屏幕说明操作。
jabra solemate mini 捷波朗迷你魔音盒
16
简体中文
8. 支持
8.1 常见问题解答
jabra solemate mini 捷波朗迷你魔音盒
17
简体中文
务必在关闭电源的情况下存放 Jabra Solemate Mini 捷波朗 魔音盒 迷你。 避免存放于极端温度环境（高于 -20°C/-68°F 或低于 65°C/149°F）。 因为这样会缩短电池 寿命，且可能影响扬声器工作性能。 不要让扬声器暴露于雨中或与其它液体接触。
注意： USB 连接只可用于充电，不可用于在电脑上播放音乐 或进行通话处理。
jabra solemate mini 捷波朗迷你魔音盒
7
简体中文
3.1 电池电量状态
您看到的情况 含义 电池处于满电状态
电池处于半满电状态 电池电量不足
电池电量处于临界低点，需要立即充电
电池完全充满电需要大约 3 个小时。 Jabra Solemate Mini 捷波朗 魔音盒 迷你 在充 电时也可以使用。
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音频设备连接器类型说明书
Sound & Lighting Manufacturers ListHey, take a look at our new LED lites. They work anywhere standard Littlites work! MPALLEN & HEATH..................GL 3, GL 4..........................................................................18G-HIGL 2000, 3300....................................................................18GML 3000, 4000, 5000..........................................................18XR-HI 4 PINPA12-CP, PA20-CP, PA12, PA20, PA28............................18XR-HI-4GL-4000..............................................................................12X-4 (X 2)GL 2400, GL 2800..............................................................18XR-HI-4GL 3800, GL 4800..............................................................18X-HI-4MIX WIZARD......................................................................18X-HI-4 ALTAIR..................................ELECTRA SERIES............................................................12X-HI NGLEY...........................................................................XLR-4 PINSR 6000..............................................................................XLR-4 PINSR 4000..............................................................................18GAMERICAN DJ......................XDM-352, XDM 242, XDM-3633 COMMANDER................12G-HIQ2422/SX, Q-2422/X, Q-3433/SX, Q-SPANDASM STEUERUNGSTE........R2D2...................................................................................12X-HIDX33...................................................................................6G-HIAUDIO INDEPENDENCE.....PARAGON..........................................................................12 OR 18X AVOLITES.............................AZURE SHADOW, AZURE PANEL...................................12XR-HI (SPECIAL WIRING)PEARL 2000.......................................................................12X-HI (SPECIAL WIRING)SAPPHIRE 96, SAPPHIRE 2000........................................12XR-HI (SPECIAL WIRING)DIAMOND II AND III AND 4................................................12XR-HI (SPECIAL WIRING) BEHRINGER.........................EURODESK MX8000A, 9000A, UB2442FX-PRO..............18G-HIEURODESK MX3282A, 2442A...........................................12G-HIBI AMP..................................COLUMBIA & OLYMPIA.....................................................12G CARVIN.................................FX.......................................................................................12GDX1642,1642P,2442...........................................................18X-HIFX1244,1244P,1644,2444..................................................18GMX2488...............................................................................6V BNCSL24....................................................................................18X-HI CASE....................................PROFESSIONAL 1 & 2.......................................................12XR-HI CELCO..................................NAVIGATOR 3....................................................................12GAVIATOR............................................................................18XRSERIES II GOLD................................................................12GPATHFINDER.....................................................................12GPULSAR MASTER..............................................................12GEXPLORER.........................................................................12GVENTURA 1000..................................................................12XR-HIR2D2...................................................................................12X-HICOLOR TRAN.......................MADILLION 2 -3.................................................................18XR-HI 4 PININNOVATOR.......................................................................18XR-HIENCORE.............................................................................18XR-HI 4 PIN COMPULITE.........................SPARK, SABRE. OVATION4D, MICRON 4D,SPARK4D...12XR-HI OR 18XR-HISPARK TOP, SPARK, PHOTON, RAVE............................12XR-HI OR 18XR-HI CRATE..................................CSX SERIES......................................................................12G-HI OR 18G-HICREST AUDIO......................OLD STYLES......................................................................12GSP,TC,GT,LM, X-FOUR.....................................................12X-HIGTX,VX, LMX, V-12............................................................18XR-HICENTURY GT AND VX......................................................18X-HIX-EIGHT, X-MONITOR, X-VCA..........................................18X-HIHS-48+4..............................................................................18XR-HIXR-20, XR-24, XR-M...........................................................12G-HIHP-8....................................................................................18G or 18G-LEDHPW...................................................................................18G-HID & R.....................................MERLIN..............................................................................12XR-HIVISION................................................................................18XR-HIORION................................................................................18XR-HITRITON..............................................................................18XR 4 PINAXION.................................................................................18XR 4 PIN DDA.......................................CS3, CS8, CS12.................................................................18XR-HIFORUM, Q2........................................................................12X-HIINTERFACE........................................................................12GDEVON..............................SMX-2000..............................................................................12G-HI DOD...................................822XL, 822RM.......................................................................12G-HI1222XL, 1222RM....................................................................12G-HICM300, 350, 750, 1642..........................................................12G-HI DENON..............................SMX 200DJ............................................................................6G-HISMX 2000...............................................................................12G-HI DOVE.................................1Q 24.....................................................................................12GTS48D....................................................................................12G-HIE-MU..................................MP-7, XL-7, PX-7...................................................................12G-HI ELECTRA...........................18:8:2, 24:8:2, 32:8:2, 40:8:2,................................................12X-HI48:8:2.....................................................................................12X-HI ELECTRO VOICE/TELEX..BK 32 AND 43SERIES...........................................................12GEVT 52 SERIES.....................................................................12GELAN......................................................................................12-18G-HIINTERFACE CONSOLES......................................................18XR-HIVECTOR................................................................................12GPSX1000, 1600, 2200............................................................12 or 18X ETC....................................EXPRESS SERIES...............................................................18X-HIOBSESSION SERIES............................................................18XR-HI FENDER............................PX 2208..................................................................................12G-HIPX 2208D...............................................................................12G-HIPX 2212D...............................................................................12G-HIPX 2216D...............................................................................12G-HIMX-5200.................................................................................18G-HIMX 5232.................................................................................18G-HIFLYING PIG.......................WHOLE HOG 1 & 2...............................................................12XR-HI FROG.................................FROG 2, FROG 24/48, FAT FROG, FROG BOX,.................18XR-HIFAT FROG, BULL FROG, LEAP FROG, MAMBO FROG GLI.....................................PMX 7000, 8000, 9500, 9900.................................................12G-HIGEM SOUND.....................DS 9000, 9905, DSP-6PRO...................................................12G-HIDMX-6, 52..............................................................................12G-HIDMX-525, 1030 & 1070..........................................................12G-HIMX-5216,5224,5232, MP3-PRO.............................................12G-HI GEMINI..............................TURNTABLES.......................................................................12G-HIHIGH END..........................STATUS CUE,.......................................................................12 OR 18X-HIPOWER CUE.........................................................................12G INKEL.................................CMX 1664..............................................................................18G INNOVASON......................SY80......................................................................................18XR-HI-4 (X 4)SY48......................................................................................12X-HI (X 2) INTER M............................CMX 1264/1664/2464.............................................................18G-HIKENSINGTON.......................................................................18XR-HI-4 JANDS...............................ESPII-24,................................................................................18XR-HIESPII-48, 60...........................................................................18XR-HI (X2)EVENT 24..............................................................................18XR-HI (X2)EVENT 36,48, 408, 416.........................................................18XR-HI (X2)EVENT PLUS 48 AND 60......................................................18XR-HI (X2)JANDS HOG 250, 600...........................................................18XR-HI (X2)HOG 500................................................................................18XR-HIHOG 1000..............................................................................18XR-HI (X2) JUICE GOOSE...................RP-100, RP-200-L..................................................................12G LEPRECON LLC................850.........................................................................................12XR1500.......................................................................................12G1600.......................................................................................12G2000.......................................................................................18XR-HI3000.......................................................................................18XR-HILP-X24, LP-X48.....................................................................12XR-HI 4 PIN (2) LMI.....................................CH 200...................................................................................12GDESIGNER............................................................................12G LSC....................................FOCAL CONSOLES..............................................................12X-HIFOCAL TOURING DIMMING................................................12X-HIATOM.....................................................................................12XR-HIAXIOM....................................................................................12X-HIMAXIM S, MAXIM M..............................................................12XR-HIMAXIML, MAXIMXL, MAXIM XXL..........................................12XR-HI (2)LINEARTECH.................................SL-2600, SL-3100, SL-4600.......................................12G LIGHTRONICS...............................TL-2448......................................................................18G-HI LITEPUTER........................................................................................................................18G-LED MA..................................................GRAND MA, LIGHT COMMANDER 48/6..................18XR-HI (X2)LIGHT COMMANDER 24/6........................................18XR-HIGRAND MA LIGHT, GRAND MA ULTRA-LIGHT......18X-HIGRAND MA MICROLIGHT COMMANDER 12/2 19".................................18X-HILIGHT COMMANDER 12/2, SCANCOMMANDER 19"MACKIE1604...........................................................................18G-HIOTTO 1604................................................................6G-HISR 24-4 VLZ PRO, ONYX 1640...............................18G-HISR 40.8, SR 56.8,......................................................18X-HI-4 PINCFX12, 1642-VLZ, ONYX 1620.................................12G-HICFX16........................................................................18G-HICFX 18, CFX20..........................................................18G-HISR24-4 VLZ PRO.......................................................18G-HISR32-4 VLX PRO.......................................................18G-HIONYX 4880, ONYX 4080, ONYX 3280......................18X-HI-4 (X3)ONYX 2480................................................................18X-HI-4 (X2)TT24...........................................................................12X-HI-4ONYX 24-4.................................................................18G-HI MARTIN.........................................CASE CONTROLLER P1, P2....................................18XR-HICASE CONTROLLER P1+, P2+................................18XR-HICASE CONTROLLER PLAYBACK WING.................18XR-HI MIDAS.............................................MIDAS, XL3, XL200, XL250, LEGEND.....................18X-HIHERITAGE 1000, 2000, 3000...................................18XR-HIXL-4...........................................................................12G-HIVENICE,....................................................................18X-HI-4 PINVENICE,....................................................................18X-4-LED-ISOHERITAGE 4000, SIENA, VERONA..................................18XR-HIMOOG MUSIC...............................VOYAGER................................................................12X-HI MITEC.............................................EVENT......................................................................18X-HI NSI..................................................PMC, TC...................................................................18X-HIMEL, MLC, 7424, 7500, 7532....................................12, OR 18G-HI NUMARK.........................................DM 1600X..................................................................12G-HI PANASONIC...................................WR-SX-1...................................................................12G-HI PEAVEY..........................................24-FX, 32-FX.............................................................12G-HIS-24...........................................................................18G-HI PHONIC..........................................DX SERIES...............................................................18G-HI PULSAR..........................................MASTERPIECE.........................................................12G RACKMAN......................................INNOVATIONS.........................................................12G-HI RAMSA...........................................SX-1..........................................................................12G OR 12G-HIWR-S840...................................................................12 OR 18G-HIWR-C900..................................................................12 OR 18G-HIWR-4000...................................................................12 OR 18G-HIROSS MIXING................................RCS 2842..................................................................12X-HIPC 8400....................................................................12G802, 1202, 1602, 2402...............................................12GSEE FACTOR.................................LD-500, LD-1000.......................................................12XR-HI SPECIAL WIRING S OUNDCRAFT...............................EUROPA, SERIES 2, SERIES 5 MONITOR & FOH18XR-HI 4-PINVIENNA, VENUE, DELTA.........................................18G-HIK-3 AND SM12, SM20..............................................18X-HI-4 PINK-2, MH3, MH4..........................................................18XR-HI-4SPIRIT 8 (24-40 CHANNEL......................................18X-HI-4 PINSPIRIT LX-7..............................................................18X-HISPIRIT MONITOR (24-40 CHANNEL)......................18X-HI-4 PINGB-4/16, GB-4/24, GB-4/32, GB-4/40.......................18X-HI-4 (2)GB-2/16, GB-2/24, GB-2/32......................................18X-HI-4SOUND TECH4150, 306D, 308D, ST-122, PC 803, PC1250...........12G-HIPANORAMIC.............................................................12G-HIST 164.......................................................................18GDJ 252, 262D............................................................12G-HISOUNDTRAC.................................MEGAS STAGE........................................................18G-HIMEGAS 2..................................................................18X-HISEQUEL....................................................................18X-HISEQUEL 2.................................................................18X-HISOLO........................................................................18G-HISOLO 8.....................................................................18X-HI STRAND.........................................500 SERIES..............................................................18X-HI STUDIO MASTER...........................SHOW MIX................................................................12 OR 18G-HISTAGEMASTER.......................................................12 OR 18G-HI TAPCO............................................BLEND 16.................................................................18G-HITAC(TOTAL AUDIO CONCEPTS)..SR 6000....................................................................18X-HI TACTILE TECHNOLOGY...............M4000.......................................................................18G-HI TARGET.........................................Q 328+6....................................................................12X-HIL 160+5.....................................................................12X-HIL 244+5.....................................................................12X-HI TASCAM.........................................200, 300....................................................................12G THEATRELIGHT.............................ALL MODELS............................................................N/A ULTRALITE.....................................MISSION CONTROL VX2.........................................18XR-HIMISSION CONTROL 1024........................................18X-HIVARI-LITE.......................................ALL MODELS............................................................18X-HI VOCO PRO.....................................KJ6200,PKJ-9090 PRO, KJ7800 PRO......................12G-HI YAMAHA.........................................PM 2000....................................................................18G-HIPM 1800A..................................................................18XR-HI-4 PINPM 3000 & 3500........................................................18XR-HI-4 PINPM 4000. PM 6000....................................................18XR-HI-4 PINPM-5D, PM-5D-RH....................................................18XR-HI-4 PINM3000.......................................................................18XR-HI-4 PINM2500.......................................................................18XR-HI-4 PINMX12/6, MV12/6........................................................12X-HIMX20/6, MV20/6........................................................18X-HIEMX 5000..................................................................18X-HI9000 PRO KYBD.......................................................18XR-HI-4 PINDM 2000 Ver 2..........................................................18XR-HI-4 PIN ZERO 88.........................................FROG........................................................................12XR-HIFAT FROG................................................................18XR-HILEAP FROG..............................................................12XR-HIBULL FROG..............................................................12XR-HILIGHTMASTER XL...................................................18XR-HILIGHTMASTER XLS.................................................18XR-HIILLUSION, SIRIUS 250, 24.......................................12XR-HI3G LIMITED........................................................................................................................18X-HIRight Angle 4 Pin XLRP SeriesPermanentG SeriesBNC Connector4 Pin XLR 3 Pin XLRRight Angle3 Pin XLRFor questions on any Littlite product contact: Littlite/ LLC, P. O. Box 430, Hamburg, MI 48139-0430PH810-231-9373orFAX810-231-1631,******************,Limited Lifetime Warranty Made in the USA Copyright Littlite LLC 2006 Publication #28-1024 6/2006This information is accurate to the best of our knowledge. Please consult your owner's manual.。
Denon DN-D4500 专业双CD MP3播放器说明书
3231A reliable,-S1200 COMPACT CD/USB MEDIAThis compact 8"-wide media player/controller features a slot-in CD drive (plays audio CDs, CD-R, CD-RW), USB MIDI & D interface, USB 2.0, touch-sensitive 110mm jog disc, D-Link, 7 onboard effects, 2 hot starts, 2 seamless loops, 24-bit audio processing, Denon DJ Music Manager PC appli-cation, and is firmware upgradeable. Compatible with Windows XP SP2, Vista, MAC OSX 10.4 or higher.AUSTRALIAN MONITOR MY MUSIC PROGRAM SOURCES These 3 program sources are available in a range of compact (1RU) playback devices. The CD players feature USB input for added flexibility. Dual units have independent RCA outputs.I EM DESCRIP T ION PRICE MYMDCD ...................Dual-CD/MP3 player program source...........................................695.22MYMDT ......................Dual-AM/FM tuner program source ..............................................299.88MYMTCD ....................CD player/tuner program source ..................................................499.70MYMDCD3232Follow us!DENON DNC615 SINGLE CD PLAYER Supports MP3/folder search and CD-RW T DEN ON DN C635 STUDIO CD PLAYER Supports MP3, CDR (without TOC),T DENON DN-C620 BROADCAST CD PLAYER Based on the DN-C640, this CD player T CDX-1210DENON DN-C640 SLOT-IN NETWORK CD PLAYER A full-featured, rackmounted T GALAXY AUDIO RM2 RACKMOUNT CHASSIS AND MODULES A diverse line of CD players, digital recorders, cassette players, and AM/FM tuners. Two 1/2 rack modules can be installed in various configurations into the single space RM2 rack chassis. The RM2 supplies power and provides useable rear panel inputs and outputs to the modules. It also features dedicated stereo RCA outs for each module, a priority stereo RCA out, a stereo RCA in for recording, and AM/FM antenna terminals. It has a universal power supply for use with AC anywhere in the world plus a 12VDC screw terminal power input.I T EM DESCRIP T ION PRICERM2-GALAXY .............1RU rackmount chassis...............................................................179.99RM-CASS ...................Cassette recorder ........................................................................189.99RM-CASSP .................Cassette player..............................................................................99.99RM-CD .......................CD player, plays MP3, USB & SD card input ................................199.99RM-CDAF ...................CD player, AM/FM tuner w/remote, plays MP3,USB & SD card input ...................................................................249.99RM-DIGIMP ...............Digital media player, USB & SD card input....................................99.99RM-DIGIREC ..............Digital recorder, USB & SD card input, 2 mic inputs (1/4") .........189.99RM-TUNER .................AM/FM digital tuner .......................................................................99.99DENON DN-F300/F400 SOLID-STATE& WAV files from SD or SDHC cards (theDN-F300 also reads from USB drives),ideal for audio playback in a myriad ofdemanding applications, including background music, fitness, message on holdT N E W!This innovative CD player provides flexible file display screen offers three selectable modes, as well as adjustable resistance for a custom feel. Other features include (6) DSP-powered effects, 3 programmable Hot Cues for instant N E W !PRICES SUBJECT TO CHANGE WITHOUT NOTICE. Call today or visit us online!3233CD MIXER W/ IPOD DOCK layer/mixers feature Numark’s tion jog/shuttle wheel for track searching and pitchbending/beat matching. The iCDMI X units also have replaceable crossfaders, PFL cueing, and seam-less looping, as well as RCA inputs for additional devices. ICDMIX2CDN77USBIPOD NOT INCLUDED.Features large 206 mm jogdial, front-load slot disc drive, rotary selector, browse buttons integrated within the unit's display, and an analog RCA output. Songs can be listed by title, the display. Works with mp3, AAC, WAV, AIFF files on CD-R/RWs and USB storage devices. Comes with rekordbox™ MAC and PC music management software, allowing you to create cue & loop settings, create & edit playlists, and T PRICECD/audio file DJ player ................................................................899.00Features loop creating functions (beat matching, Loop Divide, nome, auto BPM lock, tion, skip prevention,4 level tempo settings (±6%, ±10%, ±16%, ibility with DJ software. PIONEER CDJ-900 PRO DJ TABLETOP MULTI-FORMAT PLAYER d evices. A multi-format audio media player for DJs allows you to search, access and control your music with ease. Comes with Pioneer's Rekordbox music assignable buttons, slip mode for continued song playback during looping, reversing or scratching, and PRICE ......................1299.003234Follow us!PIONEER CDJ-2000MULTI-FORMAT DJ CD/MP3 PLAYER/CONTROLLER Play MP3, AIFF, WAV and AAC files on CDs, DVD-ROMs, SD cards and USB memory devices. Features a 6.1" color LCD panel & GUI, a Needle Search pad for in-song cueing, assignable buttons for DJ effects and software with MIDI mapping capability. Has Pro DJ Link which allows you to link as many as 4 player/controller units to one music source. Comes with Pioneer's Rekordbox Music Management software.I T EM DESCRIP T ION PRICECDJ2000 ....................Multi-format CD/MP3 player/controller ......................................1899.00T CDA750T CDA550T display tags and CD text. Provides features such as pitch control with an on/off knob, headphone-out with level control, RCA out, S/PDIF digital outputs (coaxial and optical), intro check, anti-shock memory, and a variety of playback modes. The CD-200i and CD-200iB have a slide-out iPod dock. The CD200iB also has dual balanced XLR outputs. All models include remote control.I T CD200CD200I CD200IB T EM DESCRIP T ION PRICE.......................MP3 player/card reader .........................97.88ROLLS MP322 MP3 PLAYER/CARD READER This device plays mp3 files off of SD cards, MMD cards and USB (1.1 and 2.0) jump drives (up to 2GB). Comes with wireless remote control and universal wall adapter. 1/8" and RCA output jacks.Para asistencia en Español llame al 800-356-5844 x1164 y x11783235YAMAHA CD-S300RK & CD-C600RK CD PLAYERS With numerous playback CD-S300-RKTEAC CDP1260 SINGLE CD PLAYER A table-top single-CD player that features 8 lution jog wheel with multi-style, illuminated STAN TON RACKMOUN T CD PLAYERS The C.402 is a single CD player that C402YAMAHA CD-C600 FIVE-DISC CD CHANGERN。
Native Instruments MASCHINE MK3 用户手册说明书
The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.6.11 (11/2017)Hardware version: MASCHINE MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 203B & 201B, Nanshan E-Commerce Base Of Innovative ServicesShi Yun Road, Shekou, Nanshan, Shenzhen China© NATIVE INSTRUMENTS GmbH, 2017. All rights reserved.Table of Contents1Welcome to MASCHINE (23)1.1MASCHINE Documentation (24)1.2Document Conventions (25)1.3New Features in MASCHINE 2.6.11 (27)2Basic Concepts (29)2.1Important Names and Concepts (29)2.2Adjusting the MASCHINE User Interface (32)2.2.1Adjusting the Size of the Interface (32)2.2.2Switching between Ideas View and Arranger View (33)2.2.3Showing/Hiding the Browser (34)2.2.4Minimizing the Mixer (34)2.2.5Showing/Hiding the Control Lane (35)2.3Common Operations (36)2.3.1Using the 4-Directional Push Encoder (36)2.3.2Pinning a Mode on the Controller (37)2.3.3Pinning a Mode on the Controller (38)2.3.4Undo/Redo (39)2.3.5List Overlay for Selectors (41)2.3.6Zoom and Scroll Overlays (42)2.3.7Focusing on a Group or a Sound (42)2.3.8Switching Between the Master, Group, and Sound Level (47)2.3.9Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.482.3.9.1Extended Navigate Mode on Your Controller (53)2.3.10Using Two or More Hardware Controllers (56)2.3.11Touch Auto-Write Option (58)2.4Native Kontrol Standard (60)2.5Stand-Alone and Plug-in Mode (62)2.5.1Differences between Stand-Alone and Plug-in Mode (62)2.5.2Switching Instances (63)2.5.3Controlling Various Instances with Different Controllers (64)2.6Preferences (65)2.6.1Preferences – General Page (66)2.6.2Preferences – Audio Page (70)2.6.3Preferences – MIDI Page (74)2.6.4Preferences – Default Page (77)2.6.5Preferences – Library Page (81)2.6.6Preferences – Plug-ins Page (89)2.6.7Preferences – Hardware Page (94)2.6.8Preferences – Colors Page (98)2.7Integrating MASCHINE into a MIDI Setup (100)2.7.1Connecting External MIDI Equipment (100)2.7.2Sync to External MIDI Clock (101)2.7.3Send MIDI Clock (102)2.8Syncing MASCHINE using Ableton Link (103)2.8.1Connecting to a Network (103)2.8.2Joining and Leaving a Link Session (103)2.9Using a Pedal with the MASCHINE Controller (105)2.10File Management on the MASCHINE Controller (105)3Browser (107)3.1Browser Basics (107)3.1.1The MASCHINE Library (107)3.1.2Browsing the Library vs. Browsing Your Hard Disks (108)3.2Searching and Loading Files from the Library (109)3.2.1Overview of the LIBRARY Pane (109)3.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (114)3.2.2.1Browsing by Product Category Using MASCHINE MK3 (118)3.2.2.2Browsing by Product Vendor Using MASCHINE MK3 (119)3.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (119)3.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (124)3.2.4Selecting a File Type (125)3.2.5Choosing Between Factory and User Content (126)3.2.6Selecting Type and Mode Tags (127)3.2.7List and Tag Overlays in the Browser (133)3.2.8Performing a Text Search (135)3.2.9Loading a File from the Result List (135)3.3Additional Browsing Tools (140)3.3.1Loading the Selected Files Automatically (140)3.3.2Auditioning Instrument Presets (142)3.3.3Auditioning Samples (143)3.3.4Loading Groups with Patterns (144)3.3.5Loading Groups with Routing (145)3.3.6Displaying File Information (145)3.4Using Favorites in the Browser (146)3.5Editing the Files’ Tags and Properties (152)3.5.1Attribute Editor Basics (152)3.5.2The BANK Page (154)3.5.3The TYPES and MODES Pages (155)3.5.4The PROPERTIES Page (157)3.6Loading and Importing Files from Your File System (158)3.6.1Overview of the FILES Pane (158)3.6.2Using Favorites (160)3.6.3Using the Location Bar (161)3.6.4Navigating to Recent Locations (162)3.6.5Using the Result List (163)3.6.6Importing Files to the MASCHINE Library (166)3.7Locating Missing Samples (168)3.8Using Quick Browse (170)4Managing Sounds, Groups, and Your Project (175)4.1Overview of the Sounds, Groups, and Master (175)4.1.1The Sound, Group, and Master Channels (176)4.1.2Similarities and Differences in Handling Sounds and Groups (177)4.1.3Selecting Multiple Sounds or Groups (178)4.2Managing Sounds (183)4.2.1Loading Sounds (185)4.2.2Pre-listening to Sounds (186)4.2.3Renaming Sound Slots (187)4.2.4Changing the Sound’s Color (187)4.2.5Saving Sounds (189)4.2.6Copying and Pasting Sounds (191)4.2.7Moving Sounds (194)4.2.8Resetting Sound Slots (196)4.3Managing Groups (197)4.3.1Creating Groups (198)4.3.2Loading Groups (200)4.3.3Renaming Groups (201)4.3.4Changing the Group’s Color (201)4.3.5Saving Groups (203)4.3.6Copying and Pasting Groups (205)4.3.7Reordering Groups (208)4.3.8Deleting Groups (209)4.4Exporting MASCHINE Objects and Audio (210)4.4.1Saving a Group with its Samples (211)4.4.2Saving a Project with its Samples (212)4.4.3Exporting Audio (214)4.5Importing Third-Party File Formats (221)4.5.1Loading REX Files into Sound Slots (221)4.5.2Importing MPC Programs to Groups (222)5Playing on the Controller (226)5.1Adjusting the Pads (226)5.1.1The Pad View in the Software (226)5.1.2Choosing a Pad Input Mode (228)5.1.3Adjusting the Base Key (231)5.1.4Using Choke Groups (233)5.1.5Using Link Groups (235)5.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (238)5.3Adjusting the Base Key (239)5.4Playing Tools (240)5.4.1Mute and Solo (241)5.4.2Choke All Notes (245)5.4.3Groove (246)5.4.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (248)5.4.5Tap Tempo (252)5.5Performance Features (253)5.5.1Overview of the Perform Features (253)5.5.2Selecting a Scale and Creating Chords (256)5.5.3Scale and Chord Parameters (256)5.5.4Creating Arpeggios and Repeated Notes (262)5.5.5Swing on Note Repeat / Arp Output (267)5.6Using Lock Snapshots (268)5.6.1Creating a Lock Snapshot (268)5.6.2Using Extended Lock (269)5.6.3Updating a Lock Snapshot (269)5.6.4Recalling a Lock Snapshot (270)5.6.5Morphing Between Lock Snapshots (270)5.6.6Deleting a Lock Snapshot (271)5.6.7Triggering Lock Snapshots via MIDI (272)5.7Using the Smart Strip (274)5.7.1Pitch Mode (274)5.7.2Modulation Mode (275)5.7.3Perform Mode (275)5.7.4Notes Mode (276)6Working with Plug-ins (277)6.1Plug-in Overview (277)6.1.1Plug-in Basics (277)6.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (281)6.1.3Loading, Removing, and Replacing a Plug-in (281)6.1.3.1Browser Plug-in Slot Selection (287)6.1.4Adjusting the Plug-in Parameters (290)6.1.5Bypassing Plug-in Slots (290)6.1.6Using Side-Chain (292)6.1.7Moving Plug-ins (292)6.1.8Alternative: the Plug-in Strip (294)6.1.9Saving and Recalling Plug-in Presets (294)6.1.9.1Saving Plug-in Presets (295)6.1.9.2Recalling Plug-in Presets (296)6.1.9.3Removing a Default Plug-in Preset (297)6.2The Sampler Plug-in (298)6.2.1Page 1: Voice Settings / Engine (300)6.2.2Page 2: Pitch / Envelope (302)6.2.3Page 3: FX / Filter (305)6.2.4Page 4: Modulation (307)6.2.5Page 5: LFO (309)6.2.6Page 6: Velocity / Modwheel (311)6.3Using Native Instruments and External Plug-ins (313)6.3.1Opening/Closing Plug-in Windows (313)6.3.2Using the VST/AU Plug-in Parameters (316)6.3.3Setting Up Your Own Parameter Pages (317)6.3.4Using VST/AU Plug-in Presets (322)6.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (325)7Working with Patterns (326)7.1Pattern Basics (326)7.1.1Pattern Editor Overview (327)7.1.2Navigating the Event Area (333)7.1.3Following the Playback Position in the Pattern (335)7.1.4Jumping to Another Playback Position in the Pattern (337)7.1.5Group View and Keyboard View (338)7.1.6Adjusting the Arrange Grid and the Pattern Length (341)7.1.7Adjusting the Step Grid and the Nudge Grid (344)7.2Recording Patterns in Real Time (349)7.2.1Recording Your Patterns Live (349)7.2.2The Record Prepare Mode (352)7.2.3Using the Metronome (353)7.2.4Recording with Count-in (354)7.2.5Quantizing while Recording (356)7.3Recording Patterns with the Step Sequencer (356)7.3.1Step Mode Basics (356)7.3.2Editing Events in Step Mode (359)7.3.3Recording Modulation in Step Mode (361)7.4Editing Events (361)7.4.1Editing Events with the Mouse: an Overview (362)7.4.2Creating Events/Notes (365)7.4.3Selecting Events/Notes (366)7.4.4Editing Selected Events/Notes (372)7.4.5Deleting Events/Notes (378)7.4.6Cut, Copy, and Paste Events/Notes (381)7.4.7Quantizing Events/Notes (383)7.4.8Quantization While Playing (385)7.4.9Doubling a Pattern (386)7.4.10Adding Variation to Patterns (387)7.5Recording and Editing Modulation (391)7.5.1Which Parameters Are Modulatable? (392)7.5.2Recording Modulation (393)7.5.3Creating and Editing Modulation in the Control Lane (395)7.6Creating MIDI Tracks from Scratch in MASCHINE (401)7.7Managing Patterns (403)7.7.1The Pattern Manager and Pattern Mode (403)7.7.2Selecting Patterns and Pattern Banks (406)7.7.3Creating Patterns (408)7.7.4Deleting Patterns (410)7.7.5Creating and Deleting Pattern Banks (411)7.7.6Naming Patterns (413)7.7.7Changing the Pattern’s Color (415)7.7.8Duplicating, Copying, and Pasting Patterns (416)7.7.9Moving Patterns (419)7.7.10Adjusting Pattern Length in Fine Increments (420)7.8Importing/Exporting Audio and MIDI to/from Patterns (421)7.8.1Exporting Audio from Patterns (421)7.8.2Exporting MIDI from Patterns (422)7.8.3Importing MIDI to Patterns (425)8Audio Routing, Remote Control, and Macro Controls (434)8.1Audio Routing in MASCHINE (435)8.1.1Sending External Audio to Sounds (436)8.1.2Configuring the Main Output of Sounds and Groups (441)8.1.3Setting Up Auxiliary Outputs for Sounds and Groups (446)8.1.4Configuring the Master and Cue Outputs of MASCHINE (450)8.1.5Mono Audio Inputs (456)8.1.5.1Configuring External Inputs for Sounds in Mix View (457)8.2Using MIDI Control and Host Automation (461)8.2.1Triggering Sounds via MIDI Notes (462)8.2.2Triggering Scenes via MIDI (469)8.2.3Controlling Parameters via MIDI and Host Automation (471)8.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (479)8.2.5Sending MIDI from Sounds (480)8.3Creating Custom Sets of Parameters with the Macro Controls (484)8.3.1Macro Control Overview (485)8.3.2Assigning Macro Controls Using the Software (486)8.3.3Assigning Macro Controls Using the Controller (492)9Controlling Your Mix (494)9.1Mix View Basics (494)9.1.1Switching between Arrange View and Mix View (494)9.1.2Mix View Elements (495)9.2The Mixer (497)9.2.1Displaying Groups vs. Displaying Sounds (498)9.2.2Adjusting the Mixer Layout (500)9.2.3Selecting Channel Strips (501)9.2.4Managing Your Channels in the Mixer (502)9.2.5Adjusting Settings in the Channel Strips (504)9.2.6Using the Cue Bus (508)9.3The Plug-in Chain (510)9.4The Plug-in Strip (511)9.4.1The Plug-in Header (513)9.4.2Panels for Drumsynths and Internal Effects (515)9.4.3Panel for the Sampler (516)9.4.4Custom Panels for Native Instruments Plug-ins (519)9.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (523)9.5Controlling Your Mix from the Controller (525)9.5.1Navigating Your Channels in Mix Mode (526)9.5.2Adjusting the Level and Pan in Mix Mode (527)9.5.3Mute and Solo in Mix Mode (528)9.5.4Plug-in Icons in Mix Mode (528)10Using the Drumsynths (529)10.1Drumsynths – General Handling (530)10.1.1Engines: Many Different Drums per Drumsynth (530)10.1.2Common Parameter Organization (530)10.1.3Shared Parameters (533)10.1.4Various Velocity Responses (533)10.1.5Pitch Range, Tuning, and MIDI Notes (533)10.2The Kicks (534)10.2.1Kick – Sub (536)10.2.2Kick – Tronic (538)10.2.3Kick – Dusty (541)10.2.4Kick – Grit (542)10.2.5Kick – Rasper (545)10.2.6Kick – Snappy (546)10.2.7Kick – Bold (548)10.2.8Kick – Maple (550)10.2.9Kick – Push (551)10.3The Snares (553)10.3.1Snare – Volt (555)10.3.2Snare – Bit (557)10.3.3Snare – Pow (559)10.3.4Snare – Sharp (560)10.3.5Snare – Airy (562)10.3.6Snare – Vintage (564)10.3.7Snare – Chrome (566)10.3.8Snare – Iron (568)10.3.9Snare – Clap (570)10.3.10Snare – Breaker (572)10.4The Hi-hats (574)10.4.1Hi-hat – Silver (575)10.4.2Hi-hat – Circuit (577)10.4.3Hi-hat – Memory (579)10.4.4Hi-hat – Hybrid (581)10.4.5Creating a Pattern with Closed and Open Hi-hats (583)10.5The Toms (584)10.5.1Tom – Tronic (586)10.5.2Tom – Fractal (588)10.5.3Tom – Floor (592)10.5.4Tom – High (594)10.6The Percussions (595)10.6.1Percussion – Fractal (597)10.6.2Percussion – Kettle (600)10.6.3Percussion – Shaker (602)10.7The Cymbals (606)10.7.1Cymbal – Crash (608)10.7.2Cymbal – Ride (610)11Using the Bass Synth (613)11.1Bass Synth – General Handling (614)11.1.1Parameter Organization (614)11.1.2Bass Synth Parameters (616)12Using Effects (618)12.1Applying Effects to a Sound, a Group or the Master (618)12.1.1Adding an Effect (618)12.1.2Other Operations on Effects (627)12.1.3Using the Side-Chain Input (629)12.2Applying Effects to External Audio (632)12.2.1Step 1: Configure MASCHINE Audio Inputs (632)12.2.2Step 2: Set up a Sound to Receive the External Input (635)12.2.3Step 3: Load an Effect to Process an Input (637)12.3Creating a Send Effect (639)12.3.1Step 1: Set Up a Sound or Group as Send Effect (639)12.3.2Step 2: Route Audio to the Send Effect (644)12.3.3 A Few Notes on Send Effects (646)12.4Creating Multi-Effects (647)13Effect Reference (650)13.1Dynamics (651)13.1.1Compressor (651)13.1.2Gate (655)13.1.3Transient Master (659)13.1.4Limiter (661)13.1.5Maximizer (665)13.2Filtering Effects (668)13.2.1EQ (668)13.2.2Filter (671)13.2.3Cabinet (675)13.3Modulation Effects (676)13.3.1Chorus (676)13.3.2Flanger (678)13.3.3FM (680)13.3.4Freq Shifter (681)13.3.5Phaser (683)13.4Spatial and Reverb Effects (685)13.4.1Ice (685)13.4.2Metaverb (687)13.4.3Reflex (688)13.4.4Reverb (Legacy) (690)13.4.5Reverb (692)13.4.5.1Reverb Room (692)13.4.5.2Reverb Hall (695)13.4.5.3Plate Reverb (698)13.5Delays (700)13.5.1Beat Delay (700)13.5.2Grain Delay (703)13.5.3Grain Stretch (705)13.5.4Resochord (707)13.6Distortion Effects (709)13.6.1Distortion (709)13.6.2Lofi (711)13.6.3Saturator (713)13.6.4Analog Distortion (716)13.7Perform FX (718)13.7.1Filter (719)13.7.2Flanger (721)13.7.3Burst Echo (724)13.7.4Reso Echo (726)13.7.5Ring (729)13.7.6Stutter (731)13.7.7Tremolo (734)13.7.8Scratcher (737)14Working with the Arranger (740)14.1Arranger Basics (740)14.1.1Navigating the Arranger (743)14.1.2Following the Playback Position in Your Project (745)14.1.3Jumping to Other Sections (746)14.2Using Ideas View (748)14.2.1Scene Overview (748)14.2.2Creating Scenes (750)14.2.3Assigning and Removing Patterns (751)14.2.4Selecting Scenes (755)14.2.5Deleting Scenes (757)14.2.6Creating and Deleting Scene Banks (758)14.2.7Clearing Scenes (759)14.2.8Duplicating Scenes (759)14.2.9Reordering Scenes (761)14.2.10Making Scenes Unique (762)14.2.11Appending Scenes to Arrangement (763)14.2.12Naming Scenes (764)14.2.13Changing the Color of a Scene (765)14.3Using Arranger View (767)14.3.1Section Management Overview (767)14.3.2Creating Sections (772)14.3.3Assigning a Scene to a Section (773)14.3.4Selecting Sections and Section Banks (774)14.3.5Reorganizing Sections (778)14.3.6Adjusting the Length of a Section (779)14.3.6.1Adjusting the Length of a Section Using the Software (781)14.3.6.2Adjusting the Length of a Section Using the Controller (782)14.3.7Assigning and Removing Patterns (783)14.3.8Duplicating Sections (785)14.3.8.1Making Sections Unique (786)14.3.9Removing Sections (787)14.3.10Renaming Scenes (789)14.3.11Clearing Sections (790)14.3.12Creating and Deleting Section Banks (791)14.3.13Enabling Auto Length (792)14.3.14Looping (793)14.3.14.1Setting the Loop Range in the Software (793)14.4Playing with Sections (794)14.4.1Jumping to another Playback Position in Your Project (795)14.5Triggering Sections or Scenes via MIDI (796)14.6The Arrange Grid (798)14.7Quick Grid (800)15Sampling and Sample Mapping (801)15.1Opening the Sample Editor (801)15.2Recording a Sample (802)15.2.1Opening the Record Page (802)15.2.2Selecting the Source and the Recording Mode (803)15.2.3Arming, Starting, and Stopping the Recording (806)15.2.5Checking Your Recordings (810)15.2.6Location and Name of Your Recorded Samples (813)15.3Editing a Sample (814)15.3.1Using the Edit Page (814)15.3.2Audio Editing Functions (820)15.4Slicing a Sample (828)15.4.1Opening the Slice Page (829)15.4.2Adjusting the Slicing Settings (830)15.4.3Live Slicing (836)15.4.3.1Live Slicing Using the Controller (836)15.4.3.2Delete All Slices (837)15.4.4Manually Adjusting Your Slices (837)15.4.5Applying the Slicing (844)15.5Mapping Samples to Zones (850)15.5.1Opening the Zone Page (850)15.5.2Zone Page Overview (851)15.5.3Selecting and Managing Zones in the Zone List (853)15.5.4Selecting and Editing Zones in the Map View (858)15.5.5Editing Zones in the Sample View (862)15.5.6Adjusting the Zone Settings (865)15.5.7Adding Samples to the Sample Map (872)16Appendix: Tips for Playing Live (875)16.1Preparations (875)16.1.1Focus on the Hardware (875)16.1.2Customize the Pads of the Hardware (875)16.1.3Check Your CPU Power Before Playing (875)16.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (876)16.1.5Consider Using a Limiter on Your Master (876)16.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (876)16.1.7Improvise (876)16.2Basic Techniques (876)16.2.1Use Mute and Solo (876)16.2.2Use Scene Mode and Tweak the Loop Range (877)16.2.3Create Variations of Your Drum Patterns in the Step Sequencer (877)16.2.4Use Note Repeat (877)16.2.5Set Up Your Own Multi-effect Groups and Automate Them (877)16.3Special Tricks (878)16.3.1Changing Pattern Length for Variation (878)16.3.2Using Loops to Cycle Through Samples (878)16.3.3Using Loops to Cycle Through Samples (878)16.3.4Load Long Audio Files and Play with the Start Point (878)17Troubleshooting (879)17.1Knowledge Base (879)17.2Technical Support (879)17.3Registration Support (880)17.4User Forum (880)18Glossary (881)Index (889)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE Getting Started: This document provides a practical approach to MASCHINE viaa set of tutorials covering easy and more advanced tasks in order to help you familiarizeyourself with MASCHINE.2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:▪Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.▪Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN We recommend that you follow along with these instructions while the respective appli-cation is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues. The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information can be expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software and paths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in the software is printed in blue. Whenever you see this formatting applied, you will find the same text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you see this formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you see this formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.Unlabeled Buttons on the ControllerThe buttons and knobs above and below the displays on your MASCHINE controller do not have labels.1234567812345678The unlabeled buttons and knobs on the MASCHINE controller.For better reference, we applied a special formatting here: throughout the document, the ele-ments are capitalized and numbered, so the buttons above the displays are written Button 1 to Button 8, while the knobs under the displays are written Knob 1 to Knob 8. E.g., whenever you see an instruction such as “Press Button 2 to open the EDIT page,” you’ll know it’s the second button from the left above the displays.1.3New Features in MASCHINE2.6.11The following two new features have been added to MASCHINE 2.6.11 and are only aimed at MASCHINE MK3 users:▪Introduction of the General, Audio, MIDI and Hardware Preferences direct from the MA-SCHINE MK3 controller using the SETTINGS button. For more information on using the Preferences from the hardware, refer to each section of the following chapter: ↑2.6, Prefer-ences.。
耳机的精彩宣传词（四篇）
耳机的精彩宣传词1. 每一种声音与魔声一同分享。
2. 没错，您所听到的不是幻觉，是真实的响彻耳际的震撼轻柔颤动深远——魔声耳机，带给奔赴现场!3. 聆听最美妙的旋律，感受最真实的声音。
4. 聆听节奏，聆听爱的声音，一切充满魔力。
-魔声耳机5. 魔声耳机，你就是我的魔力!6. 魔声耳机，魔力音乐，带你走进，魔力天堂。
7. 魔声耳机，魔力四射。
8. 立体音质，超值享受。
9. 酷享天籁，魔声耳机。
10. 就像身在演唱会现场一样，让我们一起为喜爱的名星呐喊吧!11. 革命性产品横空出世，魔声耳机改变世界!12. 风靡欧美，红遍中国，巨星最爱魔声MONSTER BEATS，团购不停歇，火热进行中!13. 耳听不凡，魔声之选。
14. 动听的旋律，跳动的音符，魔声架起与乐律的桥梁，置身曼妙旋律，体验与众不同。
15. 戴上它，一个人聆听，全世界，都是你的。
16. 此音只因天上有，魔音。
17. 超炫音质，潮人必备，魔声耳机值得你拥有。
18. 畅想运动静态音乐，魔声为你实现。
耳机的精彩宣传词（二）1. 魔声耳机，让世界为你着“魔”。
2. 音不在高，而在静，____耳机你最佳的选择。
3. 戴上一个世界，倾听您的心情____耳机4. 聆听____耳机的声音，那是声音里的世界。
5. ____耳机，给远方的你最亲近的关怀。
6. 在自己的世界，发出自己的声音。
7. ____耳机，让你我更加靠近8. ____耳机，心随你动9. 品质源于实力，实力缔造完美，金诺佳音传递声音传递美10. 一场听觉革命，一次随心而动。
____，一同聆听来自音乐的呼吸。
，独享你的安静世界11. 魔声耳机，让你免受噪音的骚扰。
12. 魔声耳机，让耳朵享受纯正的音乐。
13. 魔声耳机，名人能用我也用。
14. 魔声耳机，给心爱的耳朵放个假。
15. ____耳机，万籁俱寂只有你!16. 静听天籁，律动心弦，我们追求的不仅是音乐的品质，更是您的健康生活，____耳机，您身边的的音乐专家耳机的精彩宣传词（三）1. 一样的音乐，不一样的享受。
Samson SR880 闭环工作室头戴耳机说明书
SR880 CLOSED-BACK STUDIO HEADPHONESSafety PrecautionsWARNING! This product is capable of causing permanent damage to your hearing if used at excessive volumes!To protect your hearing, the Samson SR880 headphones should always be used at as low a volume as possible. We recommend that you stringently follow the guidelines established by the U.S. Occupational Safety Health Administration (OSHA) regarding maximum time exposure at various sound pressure levels:•Don’t use this product for more than 8 hours at 90 dB SPL •Don’t use this product for more than 4 hours at 95 dB SPL •Don’t use this product for more than 2 hours at 100 dB SPL •Don’t use this product for more than 1 hour at 105 dB SPL •Don’t use this product for more than 1/2 hour at 110 dB SPL •Don’t use this product for more than 15 minutes at 115 dB SPL • Don’t operate at listening levels of greater than 120 dB SPL!Pay attention to what your ears are telling you! Ringing is a sign that you have set the gain levels too high and that damage may result. We recommend that you consult with a qualified audiologist if you exhibit ringing or any other symptoms.© 2020 v1.2 Samson Technologies Corp.I f you want to dispose this product, do not mix it with general household waste. There is a separate collection system for used electronic products in accordance with legislation that requires propertreatment, recovery and recycling.Private household in the 28 member states of the EU, in Switzerland and Norway may return their usedelectronic products free of charge to designated collection facilities or to a retailer (if you purchase asimilar new one).For Countries not mentioned above, please contact your local authorities for a correct method ofdisposal.By doing so you will ensure that your disposed product undergoes the necessary treatment, recovery andrecycling and thus prevent potential negative effects on the environment and human health.IntroductionCongratulations on purchasing your new Samson SR880 Closed-Back Studio Headphones! The SR880 Closed-Back Studio Heapdhones offer complete sonic clarity, breadth and balance, ideal for any music lover. Comfortable and durable, the SR880’s provide a secure fit, a dynamic and detailed listening experience and exceptional bass response.We recommend you record your serial number in the space provided below for future reference.Serial number: _________________________Date of purchase: _________________________With proper care your SR880 headphones will operate trouble free for many years. Should your unit ever require servicing, a Return Authorization (RA) number must be obtained before shipping your unit to Samson. Without this number, the unit will not be accepted. Please call Samson at 1-800-3SAMSON (1-800-372-6766) for an RA number prior to shipping your unit. Please retain the original packing materials and, if possible, return the unit in the original carton. If you purchased your Samson product outside the United States, please contact your local distributor for warranty information and service.Highlights• Exceptional bass response with clear mids and highs• Over-ear, closed-back design with protein leather earpads• Large 50mm neodymium drivers• Adjustable headband• 20Hz-20kHz frequency response• 32 Ω Impedance• 1/4” adapter includedSR880 C losed-Ba ck Studio Headpho nesSpecificationsDriver type DynamicType Closed-BackDriver Unit 50 mm Neodymium magnetFrequency response 20 Hz - 20 kHzImpedance 32 ΩSensitivity 97dB @ 1kHz/1mWConnector G old-plated 1/8” (3.5 mm) stereo mini connectorwith gold-plated 1/8” (3.5 mm) to 1/4” (6.3 mm)adapterClamping Force 5NCable 8.25’ (2.5 m) longWeight 8.64 oz (245 g)Specifications subject to change without notice.Samson Technologies Corp.278-B Duffy AveHicksville, NY 11801。
蜂鸟电子Beats Studio3无线头戴器使用说明说明书
Turn your headphones on or offPress and hold the power button for 1 second.Set up and use your Studio Wireless headphonesLearn how to connect, charge, and use your Studio Wireless headphones with your devices.33Pair your headphonesIf you turn your headphones on and the indicator light turns on but doesn't flash, yourheadphones are already paired with a device. In that case, follow the steps to connect to a different device.Pair with an iPhone that uses iOS 11 or later1. On your iPhone, go to Settings > Bluetooth and make sure that Bluetooth is turned on.2. Press the power button on your headphones for 1 second.3. Hold your headphones within 2 inches of your unlocked iPhone. After a few seconds,your iPhone asks you to connect.4. Follow the instructions on your iPhone.Pair with your Mac or another device that uses Bluetooth1. Press the power button on your headphones for 5 seconds. When the five Fuel Gaugelights flash, your headphones are discoverable.2. Go to the Bluetooth settings on your device. For example, on your Mac, choose Apple( ) menu > System Preferences, then click Bluetooth. Make sure that Bluetooth is turned on.3. Select your headphones from the list of discovered Bluetooth devices.Your headphones automatically pair with your other devices that are signed in to iCloud and using iOS 11 or later, macOS Sierra or later, or watchOS 3 or later.Connect to a different Apple deviceYour headphones automatically reconnect to the last device you used with them. To connect to another device, follow these steps.Connect your headphones to your iPhone, iPad, or iPod touch1. Go to Settings > Bluetooth.2. Tap the name of your headphones in the list.Connect to other devices1. Go to the Bluetooth settings on your device. For example, on your Mac, click theBluetooth icon in the menu bar.2. Select your headphones from the list of Bluetooth devices. If you don't see yourheadphones in the list, press and hold the power button on your headphones for 5seconds.Charge your headphonesPlug your headphones into a power source using the included micro USB cable. As theheadphones charge, the five Fuel Gauge lights flash. When your headphones are fullycharged, all five lights remain lit.Your headphones provide up to 22 hours of playback from 90 minutes of charging, and up to40 hours when you turn off Pure ANC. And with Fast Fuel, your headphones provide up to 3hours of playback from a 10-minute charge.Check how much charge your headphones haveTo check the battery level, make sure your headphones are turned on, then tap the power button on your headphones and watch the five Fuel Gauge lights on the right earcup.Use your headphonesLearn how to play music, change the volume, use Siri, answer calls, and cancel noise.PlayUse the b button on the left earcup, or use the center button on the RemoteTalk cable in wired mode.To pause or play a track, press once.To skip to the next track, press twice. To skip backward, press three times.To scan forward through a track, press twice and hold on the second press. To scanbackward through a track, press three times and hold on the third press.Change the volumeTo control the playback volume or call volume, use the volume buttons above and below theb button on the left earcup. Or you can use the volume buttons on the RemoteTalk cable.Answer callsUse the b button on the left earcup, or use the center button on the RemoteTalk cable.To answer or end a call, press once.To answer a second incoming call and put the first call on hold, press once. When two calls are active, this switches between calls.To reject an incoming call, press and hold for 1 second.To stop listening through your headphones and send the call to the phone, press twice.Ask SiriTo activate Siri on your iOS device or the voice-command feature on another device, use theb button on the left earcup or use the center button on the RemoteTalk cable. Press and holduntil you hear a chime, then say what you need.Siri features might vary by country or region.Turn Pure ANC on or offPure ANC turns on each time you turn on your Beats Studio Wireless, reducing external noise3during playback. To turn Pure ANC on or off, double-press the power button while yourheadphones are connected to your device.UpdateIf you pair your headphones with an iPhone that uses iOS 11 or later, your headphones automatically update to the latest firmware.If your headphones aren't paired with an iPhone that uses iOS 11 or later, you can use the Beats firmware updater.Learn moreRead about Pure ANC (Pure Adaptive Noise Cancelation).Was this helpful?。
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魔声的魔音Beats By Dr.Dre Mixr耳机试听
刘宗宇;刘畅
【期刊名称】《微型计算机》
【年(卷),期】2012(000)025
【摘要】奥运赛场上，当孙杨和朴泰桓每次出场时，都头戴硕大的魔声Monster Beats By Dr Dre耳机，特别的拉风。
Beats耳机的频频出：擞湛至引起了奥运会的顶级赞助商三星的不满，因为三星的竞争对手HTC拥有Beats品牌．部分股份。
在三星的强烈抗议下，奥组委不得不发布正式声明，禁止运动员在奥运赛场，上使用Beats耳机。
【总页数】2页(P120-121)
【作者】刘宗宇;刘畅
【作者单位】
【正文语种】中文
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