美国文学史 意象主义和庞德

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The Coming of the Image
It came, it is true, as a reaction to the traditional English poetics with its iambic pentameter, its verbosity, and extra-poetic padding; but it served, first and foremost , to meet the need of expressing the temper of the age. (P158)
• two years later ,transferred to Hamilton College
Hamilton College
In 1908 he moved to Europe, living first in Venice but eventually settling in London.
• Pound define an image as that which presents an intellectual and emotional complex in an instant of time, and later he extended this definition when he stated that an image was “a vortex or cluster of fused ideas” “endowed with energy”.
The life of Pound
•born in Hailey, Idaho
•grew up and was educated mainly in Pennsylvania.
•In 1901 at the age of 15, he entered the University of Pennsylvania
In the years before the World War I, Pound was largely responsible for the appearance of Imagism, and coined the name of the movement Vorticism
In 1920, he moves to Paris and got acquainted with Gertrude stein and her circle of friends, then settled in Italy in 1924.
Pound self-published A Lume Spento, his first published collection of short poems, while living in Venice.
1912 he appointment himself foreign editior of Poetry (Chicago)
The movement underwent three phases in its brief yet immensely important history.
• It first begun in London in the years 1908-1909.
• The second phase of the movement was the period of some three years (1912-1914).
• The third phase of Imagism(1914-1917).
What is the Image as the Imagists saw it?
• T. E. Hulme said that the image must enable one “to dwell and linger upon a point of excitement, to achieve the impossible and convert a point a line.”
so much depends upon a red wheel barrow glazed with rain water
beside the whiteBiblioteka Baiduchickens.
Imagism
• It limitations are apparent.
• But the movement was important in a number of ways in the development of modern poetry.
Ezra Pound
1885—1972
Historic Position
A leading spokesman of the “Imagist Movement”
One of the most influential American poets and critic
The father of the American modern poetry
In a station of the metro
by Ezra Pound
The apparition of these faces in the crowd;
Petals on a wet, black bough
The Red Wheelbarrow
by William Carlos Williams
In 1912 Pound became the literary executor of Ernest Fenollosa(1853-1908)
Around 1915 he finished his volume of Chinses translations, Cathay, and began to work on his Cantos.
During the second World War ,he leaned in the direction of Mussolini’s fascist totalitarianism
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