莎士比亚sonnet及其翻译
莎士比亚十四行诗Sonnet21汉译
莎士比亚十四行诗Sonnet21汉译SONNET 21So is it not withme as with that Muse,Stirr'd by a painted beauty to his verse;Who heaven itself for ornament doth use, And every fair with his fair doth rehearse;诗之于我，跟那位诗人迥然相异，脂粉美人把灵感抛洒到他的行间字里；他于是不惜拿天堂来做装饰，在美则美矣中捧出溢美之词；Making a couplement of proud compare,With sun and moon, with earth and sea's rich gems, With April's first-born flowers, and all things rare That heaven's air in this huge rondure hems.他竟敢做如此大言不惭的比拟，日月减光辉，水陆藏瑰奇；四月初绽的群花不美，世间所有的珍宝不丽，大气怀抱的一切都不能企及。
O' let me, true in love, but truly write,And then believe me, my love is as fairAs any mother'schild, though not so brightAs those gold candles fix'd in heaven's air:我忠于此爱，用真心握笔，请相信我，我的挚爱亦如此——她的美貌绝不输所有母亲生的孩子，即使比不上金色烛台镶嵌在天上那般绚丽。
Let them say more than like of hearsay well;I will not praise, that purpose not to sell.任由他们说尽滥调陈词；我不会自卖自夸，事实已足够有力。
莎士比亚sonnet及其翻译
SONNET 106 十四行诗第106首 [英] 莎士比亚When in the chronicle of wasted time 我看到往昔年代的史书－I see descriptions of the fairest wights, 对风流人物的详尽绘述，And beauty making beautiful old rhyme 美艳成就了古老的诗赋－In praise of ladies dead, and lovely knights, 赞翩翩骑士和绝代尤物；Then in the blazon of sweet beauty's best, 那么，这些对绝色的夸耀， Of hand, of foot, of lip, of eye, of brow, 手足与朱唇、靓眸与眉毛，I see their antique pen would have express'd 依稀这表述之古风笔调－Even such a beauty as you master now. 宛然你而今的潇洒风貌。
So all their praises are but prophecies 故所有的赞词，仅在预示－Of this our time, all you prefiguring; 预述你的一切，且系此时；And, for they look'd but with divining eyes, 而他们只是以慧眼瞩视，They had not skill enough your worth to sing: 却无力去歌颂你的价值。
For we, which now behold these present days, 而我们，见到了当今时代，Have eyes to wonder, but lack tongues to praise. 不由惊艳失语，目瞪口呆。
－by William Shakespeare (1564－1616)附1］：卞之琳译本－过往世代的记载里常常见到前人把最俊俏人物描摹尽致，美貌如何使古老的诗句也美妙，配得上歌颂美女和风流骑士，看人家夸赞美貌是怎样的无比，什么手，什么脚，什么嘴，什么眼，什么眉，我总是看出来他们古雅的手笔差不多恰好表现了你的秀美。
莎士比亚十四行诗第六十六首赏析及翻译sonnet 66
Sonnet 66Tired with all these, for restful death I cry,As, to behold desert a beggar born,And needy nothing trimmed in jollity,And purest faith unhappily forsworn（背叛）,And gilded honour shamefully misplaced,And maiden virtue rudely strumpeted,And right perfection wrongfully disgraced,And strength by limping sway disabled,And art made tongue-tied by authority,And folly, doctor-like, controlling skill,And simple truth miscalled simplicity,And captive good attending captain ill.Tired with all these, from these would I be gone,Save that（只是）, to die, I leave my love alone.1.我看透啦，我呼喊着，不如入黄泉！请看，天才注定做乞丐要饭，草包似的废料一个个锦绣衣冠，最纯洁的信誓被不幸地背叛，荣誉的金冠被可耻地滥送，少女的贞节遭到粗暴的侮弄，完善的正义也蒙受不白之冤，有权的瘸子作践着铮铮铁汉。
官爷把艺术弹压得张口结舌，博士虚衘的愚蠢控制着真知，纯粹的真理被屈称为头脑简单，“善”被抓去侍候“恶”，“恶”却是长官。
这一切使我厌极，我愿离开这些而长逝，但我一死呀，我爱友将孤单地留在人世。
It is a Shakespearean sonnet of 14 lines of iambic pentameter, consisting of 3 quatrains and 1 couplet, riming abab cdcd efef gg.。
莎士比亚十四行诗原文译文探析
莎士比亚十四行诗原文译文探析莎士比亚（William Shakespeare）作为英国文学史上最重要的艺术家之一，其作品一直被世人推崇。
他的十四行诗（sonnet）尤为著名，这些诗歌探讨了爱情、时间、美丽和死亡等永恒的主题。
本文将深入探讨莎士比亚十四行诗的原文及其中文译文，并分析其中蕴含的深刻意义。
首先我们来看莎士比亚的第一首十四行诗，即《莎士比亚十四行诗之一》。
我们首先注意到的是这首诗歌采用了抑扬格的形式，每行由十个音节组成。
莎士比亚通过这种形式的诗歌，表达了对美丽的渴望和对时间流逝的思考。
诗中他说“我们渴望美好的事物能够繁衍，这样美丽之花永不凋谢。
但是随着时光流逝，其越成熟的身影消逝，而他的后代要承载其记忆。
但是你呀，被局限在自己明亮的双眼里，用自我实质的燃料来滋养你的光芒，使得丰富之处变成了匮乏，你是你自己的敌人，对自己太残忍。
”莎士比亚通过这首诗表达了对美丽的追求，以及对个体自我局限的思考。
对于这首诗歌的中文译文，我们可以感受到译者对文章语言美感的运用，使得诗歌在翻译过程中没有失去原有的意境和氛围。
我们可以注意到这首诗歌的表现手法同样采用了抑扬格的形式，每行也由十个音节组成。
诗中莎士比亚表达了对爱人美好容颜的赞美以及对其永恒之美的祝福。
他说：“我要拿你和夏日作比较吗？你比夏天更可爱更温和：狂风能把五月里娇嫩的花蕾摇得摇摆；夏季风光太短促了。
时而天国之眼的光线太过灼热，经常神色黯淡；任何美景都有它的凋残时刻，无论是偶然或是自然因素的干扰。
但是你的永恒夏日永不凋谢，不会失去那属于你的美；死亡也不能夸耀你在他的阴影下徘徊；当你在永恒的诗行里，与时间一同成长，只要人类能喘息，眼睛还能看，你就会永世长存，这首诗也会永存，并为你赋予生命。
”这首诗歌充满了对爱人的赞美和祝福，表达了作者的深情厚爱。
对于这样一首表达深情的诗歌，在翻译的过程中，译者的语言功底和艺术修养显得尤为重要。
他们需要将原文中的美感和情感完整地传递给读者，使读者在欣赏翻译诗歌时能够感受到原诗所传达的深厚意蕴。
Sonnet18（屠岸）
William Shakespeare（1564—1616）作者简介：剧作家、诗人。
一生创作三十七部戏剧，154首十四行诗。
其十四行诗大部分是献给一位贵族青年，有二十余篇则是献给一位“黑肤女士”（the dark lady）.Sonnet 18Shall I compare thee to a summer’s day?Thou art more lovely and more temperate:Rough winds do shake the darling buds of May,A nd summer’s lease hath all too short a date:Sometimes too hot the eye of heaven shines,And often is his gold complexion dimmed;And every fair from fair sometimes declines,By chance, or nature’s changing course, untrimm’d;But thy eternal summer shall not fade,Nor lose possession of that fair thou ow’st;Nor shall Death brag thou wander’st in his shade,When in eternal lines to time thou grow’st.So long as men can breathe or eyes can see,So long lives this, and this gives life to thee.注释:Compare ···to 把什么比做什么。
Thou, thee 第二人称单数代词，前者主格，后者宾格。
现已为you 所取代。
莎士比亚十四行诗最好的翻译版本
莎士比亚十四行诗最好的翻译版本
莎士比亚的十四行诗在英语中的原始形式，即抑扬格（iambic pentameter），给了他的诗歌独特的节奏和韵律。
因此，为了保持其韵律和诗意，在翻译莎士比亚的十四行诗时，译者经常采用相似的节奏和韵律。
以下是莎士比亚十四行诗“Shall I compare thee to a summer's day?”（Sonnet 18）的一种常见翻译版本，由齐赛尔（Géza Tholkosich）完成：
我将你同夏日相比较，夏日更凉爽、更和顺;
但你歌颂的夏天会凋谢，永生却成了你的基础，
有时瞬息即逝的金光会变暗，时间的石穿越花园
冲走了坚固的山峰，只有美丽的种子可以长存。
从往昔的死亡中你已转生，得以重生、常年盛世，
受到艰辛岁月的磨砺，常显得美丽自信勇敢
只要那甜美芬芳永存，你也将保持青春美丽。
但随岁月的流逝，你将继续成长，直至永远不死。
这首诗表达了对传统美丽的赞美，并将其与人类的衰老和死亡形成鲜明对比。
尽管人类会衰老和死去，但美丽的艺术作品可以永远存留，永远保持新鲜和美丽。
尽管这只是其中一种译文选择，但它保留了原始诗歌的节奏和韵律，并尝试在目标语言中传达莎士比亚的意义和表达方式。
对于莎士比亚的诗歌翻译，不同的译者可能会采用不同的翻译策略和风格，所以有很多版本可供选择，每个人都会有自己喜欢的版本。
莎士比亚十四行诗第十八首
莎士比亚十四行诗第十八首Sonnet 18 铁冰译文1 Shall I compare thee to a summer's day 我该不该把你比作怡人的夏天？2 Thou art more lovely and more temperate: 你却比她更加可爱更加温情。
3 Rough winds do shake the darling buds of May, 五月的娇蕊总是被狂风吹断，4 And summer's lease hath all too short a date: 夏天也只是一道短暂的美景。
5 Sometime too hot the eye of heaven shines, 苍穹的目光有时会过于灼热，6 And often is his gold complexion dimm'd; 那金色的脸庞也常黯淡无光。
7 And every fair from fair sometime declines, 人间一切瑰丽终将失去秀色，8 By chance, or nature's changing course, untrimm'd; 湮没于不测风云和世事沧桑。
9 But thy eternal summer shall not fade, 但是，你常青的夏季永不消逝，10 Nor lose possession of that fair thou owest; 你拥有的美丽也将永不折损，11 Nor shall Death brag thou wander'st in his shade, 或许死神的阴影会笼罩着你，12 When in eternal lines to time thou growest; 你却和这不朽的诗句千古长存。
13 So long as men can breathe, or eyes can see, 只要人类还在呼吸、眼睛还在欣赏，14 So long lives this, and this gives life to thee. 我的诗就会活着，令你生命绽放。
莎士比亚_sonnet_18_29_66的中文翻译与评析
18 莎士比亚的十四行诗总体上表现了一个思想：爱征服一切。
他的诗充分肯定了人的价值、赞颂了人的尊严、个人的理性作用。
诗人将抽象的概念转化成具体的形象，用可感可见的物质世界，形象生动地阐释了人文主义的命题。
诗的开头将“你”和夏天相比较。
自然界的夏天正处在绿的世界中，万物繁茂地生长着，繁阴遮地，是自然界的生命最昌盛的时刻。
那醉人的绿与鲜艳的花一道，将夏天打扮得五彩缤纷、艳丽动人。
但是，“你”却比夏天可爱多了，比夏天还要温婉。
五月的狂风会作践那可爱的景色，夏天的期限太短，阳光酷热地照射在繁阴班驳的大地上，那熠熠生辉的美丽不免要在时间的流动中凋残。
这自然界最美的季节和“你”相比也要逊色不少。
而“你”能克服这些自然界的不足。
“你”在最灿烂的季节不会凋谢，甚至“你”美的任何东西都不会有所损失。
“你”是人世的永恒，“你”会让死神的黑影在遥远的地方停留，任由死神的夸口也不会死去。
“你”是什么？“你”与人类同在，你在时间的长河里不朽。
那人类精神的精华——诗，是你的形体吗？或者，你就是诗的精神，就是人类的灵魂。
诗歌在形式上一改传统的意大利十四行诗四四三三体，而是采用了四四四二体：在前面充分地发挥表达的层次，在充分的铺垫之后，用两句诗结束全诗，点明主题。
全诗用新颖巧妙的比喻，华美而恰当的修饰使人物形象鲜明、生气鲜活。
诗人用形象的表达使严谨的逻辑推理变得生动有趣、曲折跌宕，最终巧妙地得出了人文主义的结论。
二十九首就是其中的一首。
这首诗热情地歌颂爱情,诗人在创作这首诗时,充分发挥了十四行诗的长处,采用了“先抑后扬”手法,层层推进,波澜起伏,道出了诗人的思想感情发展变化过程,开头四句这样写道:When ,in disgrace with Fortune and men’ eyes ,sI all alone beweep my outcast state ,And trouble deaf heaven with my bootless cries , And look upon myself ,and curse my fate ,从这四句我们可以读出,一开始诗人悲悲切切地唱出自己的悲惨处境“in disgrace with Fortune and ,men’ eyes (失去了幸福,又遭人白眼。
莎士比亚sonnet及其翻译
莎士比亚sonnet及其翻译SONNET 106 十四行诗第106首[英] 莎士比亚When in the chronicle of wasted time 我看到往昔年代的史书－I see descriptions of the fairest wights, 对风流人物的详尽绘述，And beauty making beautiful old rhyme 美艳成就了古老的诗赋－In praise of ladies dead, and lovely knights, 赞翩翩骑士和绝代尤物；Then in the blazon of sweet beauty's best, 那么，这些对绝色的夸耀，Of hand, of foot, of lip, of eye, of brow, 手足与朱唇、靓眸与眉毛，I see their antique pen would have express'd 依稀这表述之古风笔调－Even such a beauty as you master now. 宛然你而今的潇洒风貌。
So all their praises are but prophecies 故所有的赞词，仅在预示－Of this our time, all you prefiguring; 预述你的一切，且系此时；And, for they look'd but with divining eyes, 而他们只是以慧眼瞩视，They had not skill enough your worth to sing: 却无力去歌颂你的价值。
For we, which now behold these present days, 而我们，见到了当今时代，Have eyes to wonder, but lack tongues to praise. 不由惊艳失语，目瞪口呆。
－by William Shakespeare (1564－1616)附1］：卞之琳译本－过往世代的记载里常常见到前人把最俊俏人物描摹尽致，美貌如何使古老的诗句也美妙，配得上歌颂美女和风流骑士，看人家夸赞美貌是怎样的无比，什么手，什么脚，什么嘴，什么眼，什么眉，我总是看出来他们古雅的手笔差不多恰好表现了你的秀美。
莎士比亚十四行诗翻译和解读
莎⼠⽐亚⼗四⾏诗翻译和解读Sonnet 181. Shall I compare thee to a summer's day?Could I compare you to the time/days of summer?2. Thou art more lovely and more temperate:You are more lovely and more gentle and mild than the days.3. Rough winds do shake the darling buds of May,The wild wind shakes the favorite flowers of May.4. And summer's lease hath all too short a dateAnd the duration of summer has a limited period of time.5. Sometime too hot the eye of heaven shines,Sometimes the sun shinning is too hot.6. And often is his gold complexion dimmed,And his gold skin of the face will be dimmed by the clouds.7. And every fair from fair sometime declines,Every beautiful thing and person will decline from previous state of beauty.8. By chance, or nature's changing course untrimmed:(the beauty) will be stripped of by chance or changes of season in the nature.9. But thy eternal summer shall not fade,But your summer exists forever and will not lose color/freshness or vigor. 10. Nor lose possession of that fair thou ow'st,You will never lose your own beauty either.11. Nor shall death brag thou wander'st in his shade,The Death can’t boast that you wander in his shadow.12. When in eternal lines to time thou grow'st,You grow as time grows in the undying lines of my verse.13. So long as men can breathe, or eyes can see,So long as men can live in the world with sight and breath,14. So long lives this, and this gives life to thee.This poem will exist and you will live in it forever.Formal features14 lines4 stanzas: 3 quatrains + 1 coupletRhythm & meter: 10 syllables (5 feet) each line, iambic pentameterRhyme scheme: abab cdcd efef ggStructure:1st – 2nd quatrains: an introduction to and development of a problem3rd quatrain: a volta or a turn “突转”(a change in direction, thought, or emotion)the couplet: a summary or conclusionThe theme:The main theme is t he power of the speaker’s poem to defy time and last forever, carrying the beauty of the beloved down to future generations.What is it about?The speaker opens the poem with a question addressed to the beloved: “Shall I compare thee toa summer’s day?” The next eleven lines are devoted to such a comparison. Summer: (Line 3: rough winds；4：too short；5. too hot；6. too dimmed；7&8. beautiful things will die) Sonnet 18 is the first poem in the sonnets not to explicitly encourage the young man to have children. The “procreation” sequence of the first 17 sonnets ended with the speaker’s realization that the young man might not need children to preserve his beauty; he could also live forever in this poem.Figures of speechIn line (5 ) There is a Metaphor .In line ( 5+6 ) There is a Personification .( eye of Heaven shines ) : Eye of heaven = the sunThe sun became dark because dark of clouds .In Line (9+10+12 ) There is a Hyperbole .In Line ( 11 )There is a personification .In Line ( 14 ) There is an Inverted order .Analysis: （拓展）The poem works at a rather curious level of achieving its objective through dispraise.The summer's day is found to be lacking in so many respects (too short, too hot, too rough, and sometimes too dingy), but curiously enough one is left with the abiding impression that 'the lovely boy' is in fact like a summer's day at its best, fair, warm, sunny, temperate, one of the darling buds of May, and that all his beauty has been wonderfully highlighted by the comparison.Sonnet 1301. My mistress' eyes are nothing like the sun;My lady’s eyes aren’t like the sun at all.2. Coral is far more red, than her lips red:Coral is much redder than her lips.3. If snow be white, why then her breasts are dun;If snow is white, then her breasts are brown.4. If hairs be wires, black wires grow on her head.If hair is as coarse as threads, then her hair is full of black threads.5. I have seen roses damasked, red and white,I have seen the pinkish, red and white roses.6. But no such roses see I in her cheeks;But I can see such kinds of roses in her cheeks.7. And in some perfumes is there more delightThere is much tempting/attractive fragrance.8. Than in the breath that from my mistress reeks.The fragrance is more attractive than her steamy, sweaty and unsavory smells.9. I love to hear her speak, yet well I knowI like listening to her speaking, but I am also aware that10. That music hath a far more pleasing sound:The sound of music is much more favorable than her sound.11. I grant I never saw a goddess go,I admit that I never saw a goddess walking by.12. My mistress, when she walks, treads on the ground:My mistress stamps on the floor when she walks.13. And yet by heaven, I think my love as rare,But I can swear to God that my lover is as precious as15. As any she belied with false compare.As any woman who has been misrepresented by ridiculous comparisons.Formal features14 lines4 stanzas: 3 quatrains + 1 coupletRhythm & meter: 10 syllables (5 feet) each line, iambic pentameterRhyme scheme: abab cdcd efef ggStructure:1st – 2nd quatrains: an introduction to and development of a problem3rd quatrain: a volta or a turn “突转”(a change in direction, thought, or emotion)the couplet: a summary or conclusionThemeThe poet suggests their love is rare because he does not desire her to be something she is not.It's about finding love in spite of (or maybe even because of) physical flaws.It pokes fun at our obsession with looks and to show how ridiculous it is to ask any person to live up to some ideal of perfect beauty.Figures of speechNegative similesSimile may also be expressed in the negative form“My mistress’ eyes are nothing like the sun”Etc.Ironic toneThe sonnet appears to be humorous, but the couplet displays the deeply romantic tone of the poem.Analysis（拓展）In many ways, Shakespeare’s sonnets subvert and reverse the conventions of the Petrarchan love sequence: the idealizing love poems, for instance, are written not to a perfect woman but to an admittedly imperfect man, and the love poems to the dark lady are anything but idealizing, like this one. He describes the woman that he loves in extremely unflattering terms but claims that he truly loves her, which lends credibility to his claim because even though he does not find her attractive, he still declares his love for her.Sonnet 1291. The expense of spirit in a waste of shameThe expenditure of sexual energy in a desert of shameful moral decay2. Is lust in action: and till action, lustIs the lust/letch acting: and before having sexual intercourse, lust3. Is perjured, murderous, bloody, full of blame,Is dishonest, murderous, violent and blameworthy with a lot of guilt.4. Savage, extreme, rude, cruel, not to trust;Barbaric, extreme, rude, cruel, and untrustworthy.5. Enjoyed no sooner but despised straight;As soon as lust has been enjoyed, it is hated.6. Past reason hunted; and no sooner had,Lust is pursued beyond the control of reason, as soon as lust is fulfilled,7. Past reason hated, as a swallowed bait,It is hated irrationally like a bait that a fish swallows8. On purpose laid to make the taker mad.(The bait) set on purpose to make the trapped creature react with frenzy.9. Mad in pursuit and in possession so;10. Had, having, and in quest to have extreme;The taker is insane in pursuing one's lust and mad in possessing the object of lust: going to extremes in having had it, in the having of it, and in seeking to have it;11. A bliss in proof, and proved, a very woe;A heavenly sensation while it is being experienced. Once you are done, it is a true sorrow.12. Before, a joy proposed; behind a dream.An expected joy exists before having it; after having it, it seems like a dream.13. All this the world well knows; yet none knows wellEveryone in the world knows it very well, but no one knows14. To shun the heaven that leads men to this hell.To avoid the tempting sense of delight which leads men to hell.Formal features14 lines4 stanzas: 3 quatrains + 1 coupletRhythm & meter: 10 syllables (5 feet) each line, iambic pentameterRhyme scheme: abab cdcd efef ggStructure:1st – 2nd quatrains: an introduction to and development of a problem3rd quatrain: a volta or a turn “突转”(a change in direction, thought, or emotion)the couplet: a summary or conclusionThemeAbout lust.–Lines 1-2: lust in action (shameful and wasteful...)–Lines 3-4: lust before action (dishonest, murderous, bloody…)–Lines 5-8: a comparison between lust before and after action (enjoyed vs.despised; both are past-reason / mad) – lust causes madness!–Lines 9-12: a comparison between lust before and after action. (bliss vs. woe;joy vs. dream) – lust causes sadness and disillusionment.–Lines 13-14: a conclusion.Figures of speechSimile: taker of lust as a hooked fishPersonification: lust as a personContrasts: "before" vs. "behind" (after), "heaven" vs. "hell," and so on.Analysis （拓展）The profound hatred of sexuality, sexual pessimismIts hatred of sexuality derives from the Christian imperative of the virginal life and the dislike of all bodily functionsIt gives essentially a phallo-centric view of sexImpersonal tone: The speaker never says outright that he is writing about his own experience; instead, he presents the poem as an impersonal description, a catalogue of the kinds of experience offered by lust.。
Sonnet--莎士比亚
• But thy eternal summer shall not fade, • Nor lose possession of that fair thou ow’st, 但是你的长夏永远不 会雕落 也不会损失你这皎洁 的红芳
• Nor shall Death brag thou wander'st in his shade, • When in eternal line to time thou grow’st. 或死神夸口你在他影 里漂泊， 当你在不朽的诗里与 时同长。
• Sometime too hot the eye of heaven shines， • And often is his gold complexion dimm‘d； 天上的眼睛有时照得 太酷烈， 它那炳耀的金颜又常 遭掩蔽。
• And every fair from fairce, or nature's changing course, untrimm'd;
• So long as men can breathe or eyes can see’ • So long lives this and this gives life to thee. 只要人类在呼吸，眼 睛看得见， 我这首诗就活着，使 你的生命绵延。
Sonnet---William Shakespeare
• Shall I compare thee to a summer's day? • Thou art more lovely and more temperate. 我怎么能够把你来比作 夏天？ 你不独比它可爱也比它 温婉。
• Rough winds do shake the darling buds of May, • And summer's lease hath all too short a date. 狂风把五月宠爱的嫩蕊作 践， 夏天出赁的期限又未免太 短。
莎士比亚十四行情诗英文版
莎士比亚十四行情诗英文版（中英文实用版）Sonnet 18 by William ShakespeareShall I compare thee to a summer"s day?Thou art more lovely and more temperate:Rough winds do shake the darling buds of May,And summer"s lease hath all too short a date:对照：我能将你比作夏日吗？你更可爱，更为温婉：狂风摇撼五月的娇蕾，夏天的租期也太短暂：Straightaway the facial appearance of the poemWhen40in his burning wheel, the eye of heaven shall shine And often is his gold complexion dimmed;And every fair from fair sometime declines,By chance or nature"s changing course untrimmed;对照：当他的火焰之轮，天堂之眼照耀金色的面容常被遮蔽；每一美物终将衰退，或偶然，或自然变迁无常。
A twist in style, a shift in toneBut thy eternal summer shall not fadeor lose possession of that fair thou owest; Death shall not brag thou wanderest in his shade, When in eternal lines to time thou growest:对照：但你永恒的夏日不会消逝也不会失去你所拥有的美丽；死神无法夸口你在他阴影中徘徊，当你随时光在永恒的诗行中生长：A conclusion with a flourishSo long as men can breathe or eyes can see,So long lives this, and this gives life to thee.对照：只要人还能呼吸，眼睛还能看见，这诗便长存，它赋予你生命。
莎士比亚十四行诗原文译文探析
莎士比亚十四行诗原文译文探析莎士比亚（William Shakespeare）是英国文学史上的一位伟大的戏剧家和诗人，他的作品流传于世并对后世文学产生了深远的影响。
莎士比亚的十四行诗是他众多杰作中的一部分，他以其深刻的思想和优美的诗句赢得了世人的赞誉。
在这篇文章中，我们将对莎士比亚的十四行诗进行原文、译文以及探析。
我们先来看一首莎士比亚的十四行诗原文：Sonnet 18接下来是这首诗的译文：第18首十四行诗我是否应该把你比作夏日？你比夏日更可爱更温和：狂风摇曳着五月娇艳的花蕾，夏日的期限太短暂了：太阳有时候照得太热烈，有时候他那金色的容颜也黯淡无光；天生的美丽有时会减退，不管是偶然或是自然的变化所致；但是你那永恒的夏天绝不会褪色，也不会失去你拥有的那份美丽；死亡也不能夸耀说你属于他的阴影，当你那永恒的形象随时间而增长；只要有人们的呼吸或者眼睛还能看到，这首诗就将长存，这首诗给了你生命。
莎士比亚的十四行诗常常采用押韵的手法，并且以iambic pentameter的形式出现。
这首Sonnet 18即为莎士比亚的经典之作，通过比喻把描绘出了诗人对爱人的赞美之情。
诗的开篇即以修辞设问来呈现，作者在问自己是否应该将心上人比作夏日，然后通过下文的赞美，表达出对心上人更为深切的赞美之情。
他认为心上人的美丽胜过夏日，夏日虽然美丽，却不如心上人温和可爱。
由此，诗中呈现了作者对心上人的赞美之情。
在诗的后半部分，诗人使用了“永恒的夏天”来包含对心上人的赞美之语，不管是风吹雨打，都不会改变。
随后，诗人再以修辞手法呼唤死亡无法摧毁对心上人的赞美之情，并肯定了这份美丽将长存与时间，给了心上人永生。
通过以上对原文和译文的对比分析，我们不难发现莎士比亚的十四行诗所蕴含的深刻情感。
诗人通过对夏日和心上人的比较，抒发了对心上人深切的赞美之情，并以永恒的夏天来喻示继续深切的情感长存。
这首诗也正是莎士比亚情感抒发的一个缩影，其深情款款的语言和艺术手法让我们感受到了莎士比亚伟大的文学魅力。
莎士比亚十四行诗原文译文探析
莎士比亚十四行诗原文译文探析莎士比亚（William Shakespeare）是英国文学史上最杰出的剧作家和诗人之一，他的作品被翻译成多种语言，并在全球范围内广泛传播。
莎士比亚的十四行诗（Sonnet）尤为著名，这些诗歌以其深刻的情感、优美的语言和细腻的描写而闻名于世。
本文将对莎士比亚的十四行诗原文进行解析，并对其进行中文翻译，以探讨其诗歌魅力及特点。
我们可以以莎士比亚的第18首十四行诗为例，来进行原文分析和翻译。
翻译：我将你比作夏日吗？你比夏日更可爱温柔：大风摇曳着五月的娇蕾，夏日的时光太短促：有时天上的眼睛闷热骄阳，金色的脸庞也会变得阴霾；一切美丽都要有凋零的时刻，不论是偶然或是自然的更迭；但你永恒的夏日不会凋零，也不会失去你所拥有的美丽；死亡也不会得意你在他阴影下徘徊，当你在永恒的诗行中与时间一同成长：只要人类还能呼吸，眼睛还能看到，这首诗就会活着，而这诗为你赋予永生。
在这首诗中，莎士比亚通过比喻的手法将爱情赋予了永恒的生命力，表达了对爱情的赞美和珍视。
诗中描述了夏日的短暂和变化，与之相比，诗人认为所爱的人之美将永存不朽，不受时间和死亡的摧残。
莎士比亚用极其婉转的语言，表达了对所爱之人深切的感情和艳丽的赞美。
诗中对时间的描绘和爱情的延续也是莎士比亚十四行诗的常见主题。
莎士比亚的十四行诗在原文中运用了丰富的修辞手法，包括比喻、排比、转折等，使诗歌语言优美、精练，并能够深刻表达其情感。
莎士比亚对押韵和韵脚的运用也非常出色，使得诗歌在朗诵时具有优美的韵律感，增强了诗歌的感染力和表现力。
对于翻译而言，莎士比亚的十四行诗的翻译可以说是一项极具挑战性的任务。
翻译者需要理解莎士比亚的原文意境和表达方式，将其准确地传达到目标语言中去。
在保持原文风格和韵律的基础上，翻译者还需尽量使译文通顺、自然，表达出原文的情感和内涵。
莎士比亚的十四行诗翻译对于翻译者的语言功底和文学素养都有较高的要求。
莎士比亚的十四行诗中常常运用反讽、夸张等修辞手法，这些手法使诗歌在表达情感时更显得生动、深刻。
Sonnet
Sonnet 130 与我的翻译My mistress' eyes are nothing like the sun/我的爱⼈，她的眼睛不似太阳般明亮/Coral is far more red than her lips' red/嘴唇⽆法⽐拟珊瑚的红艳/If snow be white/ why then her breasts are dun/双乳不⽐雪的纯⽩ /If hairs be wires/ black wires grow on her head/⿊发也像铁丝⼀样/I have seen roses damask'd,red and white/我见过轻纱般粉柔的玫瑰/But no such roses see I in her cheeks她的脸庞并没有这般容光/And in some perfumes is there more delight/我闻过让⼈欢欣的芬芳/Than in the breath that from my mistress reeks/远甚于她的⽓息/I love to hear her speak, yet well I know/我爱听她说话/That music hath a far more pleasing sound/但我知道她的嗓⾳远没有⾳乐那样动听/I grant I never saw a goddess go/我从未见过⼥神的姿态/My mistress, when she walks, treads on the ground/我的爱⼈⾛路时没有⼥神那样的优雅/And yet, by heaven/尽管如此，我指天发誓/I think my love as rare as any she belied with false compare.在我⼼中，我的爱⼈珍贵⽆⽐，胜过世间所有的美。
莎⼠⽐亚太巧妙，把爱⼈的特质与世间之最做对⽐。
莎士比亚-sonnet-18-29-66的中文翻译及评析
18莎士比亚的十四行诗总体上表现了一个思想：爱征服一切。
他的诗充分肯定了人的价值、赞颂了人的尊严、个人的理性作用。
诗人将抽象的概念转化成具体的形象，用可感可见的物质世界，形象生动地阐释了人文主义的命题。
诗的开头将“你〞和夏天相比较。
自然界的夏天正处在绿的世界中，万物繁茂地生长着，繁阴遮地，是自然界的生命最昌盛的时刻。
那醉人的绿与鲜艳的花一道，将夏天打扮得五彩缤纷、艳丽动人。
但是，“你〞却比夏天可爱多了，比夏天还要温婉。
五月的狂风会作践那可爱的景色，夏天的期限太短，阳光酷热地照射在繁阴班驳的大地上，那熠熠生辉的美丽不免要在时间的流动中凋残。
这自然界最美的季节和“你〞相比也要逊色不少。
而“你〞能克服这些自然界的不足。
“你〞在最灿烂的季节不会凋谢，甚至“你〞美的任何东西都不会有所损失。
“你〞是人世的永恒，“你〞会让死神的黑影在遥远的地方停留，任由死神的夸口也不会死去。
“你〞是什么？“你〞与人类同在，你在时间的长河里不朽。
那人类精神的精华——诗，是你的形体吗？或者，你就是诗的精神，就是人类的灵魂。
诗歌在形式上一改传统的意大利十四行诗四四三三体，而是采用了四四四二体：在前面充分地发挥表达的层次，在充分的铺垫之后，用两句诗结束全诗，点明主题。
全诗用新颖巧妙的比喻，华美而恰当的修饰使人物形象鲜明、生气鲜活。
诗人用形象的表达使严谨的逻辑推理变得生动有趣、曲折跌宕，最终巧妙地得出了人文主义的结论。
二十九首就是其中的一首。
这首诗热情地歌颂爱情,诗人在创作这首诗时,充分发挥了十四行诗的长处,采用了“先抑后扬〞手法,层层推进,波澜起伏,道出了诗人的思想感情发展变化过程,开头四句这样写道:When ,in disgrace with Fortune and men’ eyes ,sI all alone beweep my outcast state ,And trouble deaf heaven with my bootless cries ,And look upon myself ,and curse my fate ,从这四句我们可以读出,一开始诗人悲悲切切地唱出自己的悲惨处境“in disgrace with Fortune and,men’ eyes (失去了幸福,又遭人白眼。
莎士比亚十四行诗第六十六首赏析及翻译sonnet 66
Sonnet 66Tired with all these, for restful death I cry,As, to behold desert a beggar born,And needy nothing trimmed in jollity,And purest faith unhappily forsworn（背叛）,And gilded honour shamefully misplaced,And maiden virtue rudely strumpeted,And right perfection wrongfully disgraced,And strength by limping sway disabled,And art made tongue-tied by authority,And folly, doctor-like, controlling skill,And simple truth miscalled simplicity,And captive good attending captain ill.Tired with all these, from these would I be gone,Save that（只是）, to die, I leave my love alone.1.我看透啦，我呼喊着，不如入黄泉！请看，天才注定做乞丐要饭，草包似的废料一个个锦绣衣冠，最纯洁的信誓被不幸地背叛，荣誉的金冠被可耻地滥送，少女的贞节遭到粗暴的侮弄，完善的正义也蒙受不白之冤，有权的瘸子作践着铮铮铁汉。
官爷把艺术弹压得张口结舌，博士虚衘的愚蠢控制着真知，纯粹的真理被屈称为头脑简单，“善”被抓去侍候“恶”，“恶”却是长官。
这一切使我厌极，我愿离开这些而长逝，但我一死呀，我爱友将孤单地留在人世。
It is a Shakespearean sonnet of 14 lines of iambic pentameter, consisting of 3 quatrains and 1 couplet, riming abab cdcd efef gg.。
莎士比亚第30首sonnet
When to the sessions of sweet silent thoughtI summon up remembrance of things past,I sigh the lack of many a thing I sought,And with old woes new wail my dear time’s waste:Then can I drown an eye, unused to flow,For precious friends hid in death’s dat eless night,And weep afresh love’s long since canceled woe,And moan the expense of many a vanished sight:Then can I grieve at grievances foregone.And heavily from woe to woe tell o’erThe sad account of fore-bemoaned moan,Which I new pay as if not paid before.But if the while I think on thee, dear friend,All losses are restored and sorrows end.译文：当我传唤对已往事物的记忆；出庭于那馨香的默想的公堂；我不禁为命中许多缺陷叹息，带着旧恨，重新哭蹉跎的时光；于是我可以淹没那枯涸的眼，为了那些长埋在夜台的亲朋，哀悼着许多音容俱渺的美艳，痛哭那情爱久已勾消的哀痛：于是我为过去的惆怅而惆怅，并且一一细算，从痛苦到痛苦，那许多呜咽过的呜咽的旧账，仿佛还未付过，现在又来偿付。
但是只要那刻我想起你，挚友，损失全收回，悲哀也化为乌有。
注释：1-2 这两行的正常语序是When I summon up rememberance of things past to the sessions of sweet silent thought。
Shakespeare_Sonnet-译文
只因它們遭遇不測或者自然之變的剝奪
Sonnet 18
But thy eternal summer shall not fade,
但是你的常住之夏將要永不消褪，
Nor lose possession of that fair thou ow'st,
那為你所有之美也將永無改觀；
Sonnet 18
Nor shall death brag thou wander'st in his shade,
我詩長存予君生命至無極。
當你已在不朽的詩篇中和時間合一，
When in eternal lines to time thou growest:
死神便休再誇口你正在他的陰影中盤桓；
Sonnet 18
So long as men can breathe or eyes can see,
斯世尚有人視息，
So long lives this and this gives life to thee.
天上日照有時又何炎熾，
And often is his gold complexion dimm'd;
太陽的黃金臉色也復常被陰翳掩沒；
Sonnet 18
And every fair from fair sometime declines,
美麗的事物終有一天會失去著它們的美麗
By chance, or nature's changing course untrimmed:
Rough winds do shake the darling buds of May,
強風誠有吹撼五月可愛的花蕾，
And summer's lease hath all too short a date:
- 1、下载文档前请自行甄别文档内容的完整性，平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益，请联系客服反馈,我们会尽快为您处理(人工客服工作时间：9:00-18:30)。
S O N N E T106十四行诗第106首[英]莎士比亚
When in the chronicle of wasted time 我看到往昔年代的史书－
I see descriptions of the fairest wights, 对风流人物的详尽绘述，And beauty making beautiful old rhyme 美艳成就了古老的诗赋－
In praise of ladies dead, and lovely knights, 赞翩翩骑士和绝代尤物；
Then in the blazon of sweet beauty's best, 那么，这些对绝色的夸耀，
Of hand, of foot, of lip, of eye, of brow, 手足与朱唇、靓眸与眉毛，I see their antique pen would have express'd 依稀这表述之古风笔调－
Even such a beauty as you master now. 宛然你而今的潇洒风貌。
So all their praises are but prophecies 故所有的赞词，仅在预示－
Of this our time, all you prefiguring; 预述你的一切，且系此时；
And, for they look'd but with divining eyes, 而他们只是以慧眼瞩视，
They had not skill enough your worth to sing: 却无力去歌颂你的价值。
For we, which now behold these present days, 而我们，见到了当今时代，Have eyes to wonder, but lack tongues to praise. 不由惊艳失语，目瞪口呆。
－by William Shakespeare (1564－1616)
附1］：卞之琳译本－
过往世代的记载里常常见到
前人把最俊俏人物描摹尽致，
美貌如何使古老的诗句也美妙，
配得上歌颂美女和风流骑士，
看人家夸赞美貌是怎样的无比，
什么手，什么脚，什么嘴，什么眼，什么眉，
我总是看出来他们古雅的手笔
差不多恰好表现了你的秀美。
所以他们的赞词都无非是预言
我们这时代，都把你预先描画；
他们却只用猜度的眼睛来观看，
还不够有本领歌唱你的真价：
我们呢，亲眼看到了今天的风光，
眼睛会惊讶，舌头却不会颂扬。
［附4］：屠岸译本－
我翻阅荒古时代的历史记载，
见到最美的人物被描摹尽致，
美使得古代的诗歌也美丽多彩，
歌颂着以往的绝世佳人，可爱的骑士；
见到古人夸奖说最美的美人有
怎样的手足，嘴唇，眼睛和眉毛，于是我发现古代的文笔早就
表达出来了你今天具有的美貌。
那么，古人的赞辞都只是预言—
预言了我们这时代：你的仪态；
但古人只能用预想的眼睛测看，
还不能充分歌唱出你的价值来：
至于我们呢，看见了今天的景象，
有眼睛惊讶，却没有舌头会颂扬。
［附7］：铁冰译本－
我从远古时代的历史记载里
读到过描写风流人物的篇章—
一位位绝世佳人和翩翩骑士，
隽秀风姿化作了隽永的诗行。
古诗中传诵的人儿完美无比，
那最最动人的手足、唇齿、眼眉，让我感慨古人已用神来之笔
描绘了你现在所拥有的绝美。
前人的千般赞赏，都是在预言
你的绝代风华胜却世间无数。
他们虽有诗心慧眼却与你无缘，终究歌咏不尽你所有的好处；
今朝我们虽可亲睹你的风采，
却枉自惊叹有幸，只恨称颂无才。
在时间的无涯记事里，
绝代芳华被前人描尽，
天姿使古老诗句韵起，
颂扬远逝的佳人武衿；
生花妙笔成就美俊，
纤手玉足唇小眉眼清，
古笔朴拙墨香传神韵，
美人如伊小立黯繁星；
华章丽藻携佳句天成，
穿越时空描摹你容颜，
昔人遥望美人幻如风，
丹青有色奈何价难咏；
今人饱览风光无限醉，
望而兴叹言语欠雕缀。