英美文学术语汇总

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英美文学之文学术语

英美文学之文学术语

英美文学之文学术语文学术语汇编11.Literature of the absurd: (荒诞派文学) The term is applied to a number of works in drama and prose fiction which have in common the sense that the human condition is essentially absurd, and that this condition can be adequately represented only in works of literature that are themselves absurd. The current movement emerged in France after the Second World War, as a rebellion against essential beliefs and values of traditional culture and traditional literature. They hold the belief that a human being is an isolated existent who is cast into an alien universe and the human life in its fruitless search for purpose and meaning is both anguish and absurd.2.Theater of the absurd: (荒诞派戏剧) belongs to literature of the absurd. Two representatives of this school are Eugene Ionesco, French author of The Bald Soprano (1949) (此作品中文译名<秃头歌女>), and Samuel Beckett, Irish author of Waiting for Godot (1954) (此作品是荒诞派戏剧代表作<等待戈多>). They project the irrationalism, helplessness and absurdity of life in dramatic forms that reject realistic settings, logical reasoning, or a coherently evolving plot.3.Black comedy or black humor: (黑色幽默) it mostly employed to describe baleful, naïve, or inept characters in a fantastic or nightmarish modern world playing out their roles in what Ionesco called a “tragic farce”, in which the events are often simultaneously comic, horrifying, and absurd. Joseph Heller’s Catch-22 (美国著名作家约瑟夫海勒<二十二条军规>) can be taken as an example of the employment of this technique.文学术语汇编24. Aestheticism or the Aesthetic Movement(唯美主义): it began to prevail in Europe at the middle of the 19th century. The theory of “art for art’s sake” was first put forward by some French artists. They declared that art should serve no religious, moral or social purpose. The two most important representatives of aestheticists in English literature are Walt Pater and Oscar Wilde.5. Allegory(寓言): a tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities, such as John Bunyan’s The Pilgrim’s Progress. An allegory is a story with two meanings, a literal meaning and a symbolic meaning.6. Fable(寓言): is a short narrative, in prose or verse, that exemplifies an abstract moral thesis or principle of human behavior. Most common is the beast fable, in which animals talk and act like the human types they represent. The fables in Western cultures derive mainly from the stories attributed to Aesop, a Greek slave of the sixth century B. C.7. Parable(寓言): is a very short narrative about human beings presented so as to stress analogy with a general lesson that the narrator is trying to bring home to his audience. For example, the Bible contains lots of parables employed by Jesus Christ to make his flock understand his preach.(注意以上三个词在汉语中都翻译成语言,但是内涵并不相同,不要搞混)8. Alliteration(头韵): the repetition of the initial consonant sounds. In Old English alliterative meter, alliteration is the principal organizing device of the verse line, such as in Beowulf.9. Consonance is the repetition of a sequence of two or more consonants but with a change in the intervening vowel, such as “live and love”.10. Assonance is the repetition of identical or similar vowel, especially in stressed syllables, in a sequence of nearby words, such as “child of silence”.11. Allusion (典故)is a reference without explicit identification, to a literary or historical person, place, or event, or to another literary work or passage. Most literary allusions are intended to be recognized by the generally educated readers of the author’s time, but some are aimed at a special group.12. Ambiguity(复义性): Since William Empson(燕卜荪)published Seven Types of Ambiguity(《复义七型》), the term has been widely used in criticism to identify a deliberate poetic device: the use of a single word or expression to signify two or more distinct references, or to express two or more diverse attitudes or feeling.文学术语汇编313. Antihero(反英雄):the chief character in a modern novel or play whose character is totally different from the traditional heroes. Instead of manifesting largeness, dignity, power, or heroism, the antihero is petty, passive, ineffectual or dishonest. For example, the heroine of Defoe’s Moll Flanders is a thief and a prostitute.14. Antithesis(对照):(a figure of speech)An antithesis is often expressed in a balanced sentence, that is, a sentence in which identical or similar syntactic structure is used to express contrasting ideas. For example, “Marriage has many pains, but celibacy(独身生活)has no pleasures.” by Samuel Johnson obviously employs antithesis.15. Archaism(拟古):the literary use of words and expressions that have become obsolete in the common speech of an era. For example, the translators of the King James Version of Bible gave weight and dignity to their prose by employing archaism.16. Atmosphere(氛围): the prevailing mood or feeling of a literary work. Atmosphere is often developed, at least in part, through descriptions of setting. Such descriptions help to create an emotional climate to establish the reader’s expectations and attitudes.文学术语汇编417. Ballad(民谣):it is a song, transmitted orally, which tells a story. It originated and was communicated orally among illiterate or only partly literate people. It exists in many variant forms. The most common stanza form, called ballad stanza is a quatrain in alternate four- and three-stress lines; usually only the second and fourth lines rhyme. Although many traditional ballads probably originated in the late Middle Age, they were not collected and printed until the eighteenth century.18. Climax:as a rhetorical device it means an ascending sequence of importance. As a literary term, it can also refer to the point of greatest intensity, interest, or suspense in a story’s turning point. The action leading to the climax and the simultaneous increaseof tension in the plot are known as the rising action. All action after the climax is referred to as the falling action, or resolution. The term crisis is sometimes used interchangeably with climax.19. Anticlimax(突降):it denotes a writer’s deliberate drop from the serious and elevated to the trivial and lowly, in order to achieve a comic or satiric effect. It is a rhetorical device in English.20. Beat Generation(垮掉一代):it refers to a loose-knit group of poets and novelists, writing in the second half of the 1950s and early 1960s, who shared a set of social attitudes – antiestablishment, antipolitical, anti-intellectual, opposed to the prevailing cultural, literary, and moral values, and in favor of unfettered self-realization andself-expression. Representatives of the group include Allen Ginsberg, Jack Kerouac and William Burroughs. And most famous literary creations produced by this group should be Allen Ginsberg’s long poem Howl and Jack Kerouac’s On the Road.文学术语汇编521. Biography(传记):a detailed account of a person’s life written by another person, such as Samuel Johnson’s Lives of the English Poets and James Boswell’s Life of Samuel Johnson.22. Autobiography(自传):a person’s account of his or her own life, such as Benjamin Franklin’s autobiography.23. Blank verse(无韵体): Verse written in unrhymed iambic pentameter. It is the verse form used in some of the greatest English poetry, including that of William Shakespeare and John Milton.24. A parody(模仿)imitates the serious manner and characteristic features of a particular literary work, or the distinctive style of a particular author, or the typical stylistic and other features of a serious literary genre, and deflates the original by applying the imitation to a lowly or comically inappropriate subject.文学术语汇编625. Celtic Revival also known as the Irish Literary Renaissance (爱尔兰文艺复兴)identifies the remarkably creative period in Irish literature from about 1880 to the death of William Butler Yeats in 1939. The aim of Yeats and other early leaders of the movement was to create a distinctively national literature by going back to Irish history, legend, and folklore, as well as to native literary models. The major writers of this movement include William Butler Yeats, Lady Gregory, John Millington Synge and Sean O’Casey and so on.26. Characters(人物)are the persons represented in a dramatic or narrative work, who are interpreted by the reader as being endowed with particular moral, intellectual, and emotional qualities by inferences from the dialogues, actions and motivations. E. M. Forster divides characters into two types: flat character, which is presented without much individualizing detail; and round character, which is complex in temperament and motivation and is represented with subtle particularity.27. Chivalric Romance (or medieval romance) (骑士传奇或中世纪传奇)is a type of narrative that developed in twelfth-century France, spread to the literatures of other countries. Its standard plot is that of a quest undertaken by a single knight in order to gain a lady’s favor; frequently its central interest is courtly love, together with tournaments fought and dragons and monsters slain. It stresses the chivalric ideals of courage, loyalty, honor, mercifulness to an opponent, and elaborate manners.28. Comedy:(喜剧)in general, a literary work that ends happily with a healthy, amicable armistice between the protagonist and society.29. Farce (闹剧)is a type of comedy designed to provoke the audience to simple and hearty laughter. To do so it commonly employs highly exaggerated types of characters and puts them into improbable and ludicrous situations.30. Confessional poetry(自白派诗歌)designates a type of narrative and lyric verse, given impetus by Robert Lowell’s Life Studies, which deals with the facts and intimate mental and physical experiences of the poet’s own life. Confessional poetry was written in rebellion against the demand for impersonality by T. S. Elliot and the New Criticism. The representative writers of confessional school include Robert Lowell, Anne Sexton and Sylvia Plath and so on.31. Critical Realism:(批判现实主义)The critical realism of the 19th century flourished in the fouties and in the beginning of fifties. The realists first and foremost set themselves the task of criticizing capitalist society from a democratic viewpoint and delineated the crying contradictions of bourgeois reality. But they did not find a way to eradicate social evils. Representative writers of this trend include Charles Dickens and William Makepeace Thackeray and so on.32. Drama:(戏剧)The form of composition designed for performance in the theater, in which actors take the roles of the characters, perform the indicated action, and utter the written dialogue. (The common alternative name for a dramatic composition is a play.)文学术语汇编733. Dramatic Monologue:(戏剧独白)a monologue is a lengthy speech by a single person. Dramatic monologue does not designate a component in a play, but a type of lyric poem that was perfected by Robert Browning. By using dramatic monologue, a single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment. For example, Robert Browning’s famous poem “My Last Duchess” was written in dramatic monologue. 34. Elegy(哀歌或挽歌):a poem of mourning, usually over the death of an individual. An elegy is a type of lyric poem, usually formal in language and structure, and solemn or even melancholy in tone.35. Enlightenment(启蒙运动):The name applied to an intellectual movement which developed in Western Europe during the seventeenth century and reached its height in the eighteenth. The common element was a trust in human reason as adequate to solve the crucial problems and to establish the essential norms in life, together with the belief that the application of reason was rapidly dissipating the remaining feudal traditions. It influenced lots of famous English writers especially those neoclassic writers, such as Alexander Pope.36. Epic(史诗):it is a long verse narrative on a serious subject, told in a formal and elevated style, and centered on a heroic or quasi-divine figure on whose actions depends the fate of a tribe, a nation, or the human race.37. Epiphany:(顿悟)In the early draft of A Portrait of the Artist as a Young Man, James Joyce employed this term to signify a sudden sense of radiance and revelation that one may feel while perceiving a commonplace object. “Epiphany” now has become the standard term for the description, frequent in modern poetry and prose fiction, of the sudden flare into revelation of an ordinary object or scene.38. Epithet(移就): as a term in criticism, epithet denotes an adjective or adjectival phrase used to define a distinctive quality of a person or thing. This method was widely employed in ancient epics. For example, in Homer’s epic, the epithet like “the wine-dark sea” can be found everywhere.39. Essay:(散文)any short composition in prose that undertakes to discuss a matter, express a point of view, persuade us to accept a thesis on any subject, or simply entertain. The essay can be divided as the formal essay and the informal essay (familiar essay).40. Euphemism(委婉语): An inoffensive expression used in place of a blunt one that is felt to be disagreeable or embarrassing, such as “pass away” instead of “die”41. Expressionism(表现主义):a German movement in literature and the other arts which was at its height between 1910 and 1925 – that is, in the period just before, during, and after WWⅠ. The expressionist artist or writer undertakes to express a personal vision – usually a troubled or tensely emotional vision – of human life and human society. This is done by exaggerating and distorting. We recognize its effects, direct or indirect, on the writing and staging of such plays as Arthur Miller’s Death ofa Salesman as well as on the theater of the absurd.42. Free verse(自由体诗):Like traditional verse, it is printed in short lines instead of with the continuity of prose, but it differs from such verse by the fact that its rhythmic pattern is not organized into a regular metrical form – that is, into feet, or recurrent units of weak and strong stressed syllables. Most free verse also hasirregular line lengths, and either lacks rhyme or else uses it only occasionally. Walt Whitman is a representative who employed this poem form successfully.文学术语汇编843. Gothic novel:(哥特式小说)It is a type of prose fiction. The writers of this type of fictions mostly set their stories in the medieval period and in a Catholic country, especially Italy or Spain. The locale was often a gloomy castle. The typical story focused on the sufferings imposed on an innocent heroine by a cruel villain. This type of fictions made bountiful use of ghosts, mysterious disappearances, and other supernatural occurrences. The principle aim of such novels was to evoke chilling terror and the best of this type opened up to the fiction the realm of the irrational and of the perverse impulses and nightmarish terrors that lie beneath the orderly surface of the civilized mind. Some famous novelists liked to employ some Gothic elements in their novels, such as Emily Bronte’s Wuthering Heights.44. Graveyard poets(墓园派诗歌): A term applied to eighteenth-century poets who wrote meditative poems, usually set in a graveyard, on the theme of human mortality, in moods which range from pensiveness to profound gloom. The vogue resulted in one of the most widely known English poems, Thomas Gray’s“Elegy Written in a Country Churchyard”.45. Harlem Renaissance(哈莱姆文艺复兴):a period of remarkable creativity in literature, music, dance, painting, and sculpture by African-Americans, from the end of the First World War in 1917 through the 1920s. As a result of the mass migrations to the urban North in order to escape the legal segregation of the American South, and also in order to take advantage of the jobs opened to African Americans at the beginning of the War, the population of the region of Manhattan known as Harlem became almost exclusively Black, and the vital center of African American culture in America. Distinguished writers who were part of the movement included Langston Hughes and Jean Toomer. The Great Depression of 1929 and the early 1930s broughtthe period of buoyant Harlem culture – which had been fostered by prosperity in the publishing industry and the art world – effectively to an end.46. Heroic Couplet(英雄双韵体)refers to lines of iambic pentameter which rhyme in pairs: aa, bb, cc, and so on. The adjective “heroic” was applied in the later seventeenth century because of the frequent use of such couplets in heroic poems and dramas. This verse form was introduced into English poetry by Geoffrey Chaucer. From the age of John Dryden through that of Samuel Johnson, the heroic couplet was the predominant English measure for all the poetic kinds; some poets, including Alexander Pope, used it almost to the exclusion of other meters.47. Hyperbole(夸张):this figure of speech called hyperbole is bold overstatement, or the extravagant exaggeration of fact or of possibility. It may be used either for serious or ironic or comic effect.48. Understatement(轻描淡写):this figure of speech deliberately represents something as very much less in magnitude or importance than it really is, or is ordinarily considered to be. The effect is usually ironic.49. Imagism(意象派):it was a poetic vogue that flourished in England, and even more vigorously in America, between the years 1912 and 1917. It was planned and exemplified by a group of English and American writers in London, partly under the influence of the poetic theory of T. E. Hulme, as a revolt against the sentimental and mannerish poetry at the turn of the century. The typical Imagist poetry is written in free verse and undertakes to be as precisely and tersely as possible. Meanwhile, the Imagist poetry likes to express the writers’ momentary impression of a visual object or scene and often the impression is rendered by means of metaphor without indicating a relation. Most famous Imagist poem, “In a Station of the Metro”, was written by Ezra Pound. Imagism was too restrictive to endure long as a concerted movement, but it influenced almost all modern poets of Britain and America.50. Irony(反讽):This term derives from a character in a Greek comedy. In most of the modern critical uses of the term “irony”, there remains the root sense of dissembling or hiding what is actually the case; not, however, in order to deceive, but to achieve rhetorical or artistic effects.51. Local Colorism(地方色彩)was a literary trend belonging to Realism. It refers to the detailed representation in prose fiction of the setting, dialect, customs, dress and ways of thinking and feeling which are distinctive of a particular region. After the Civil War a number of American writers exploited the literary possibilities of local color in various parts of America. The most famous representative of local colorism should be Mark Twain who took his hometown near the Mississippi as the typical setting of nearly all his novels.52. Lyric(抒情诗):in the most common use of the term, a lyric is any fairly short poems consisting of the utterance by a single speaker, who expresses a state of mind or a process of perception, thought and feeling.。

英美文学术语

英美文学术语

1. Allusion (典故)is a reference without explicit identification, to a literary or historical person, place, or event, or to another literary work or passage. Most literary allusions are intended to be recognized by the generally educated readers of the aut hor’s time, but some are aimed at a special group.2. Atmosphere(氛围): the prevailing mood or feeling of a literary work. Atmosphere is often developed, at least in part, through descriptions of setting. Such descriptions help to create an emotional climate to establish the reader’s expectations and attitudes.3. Climax:as a rhetorical device it means an ascending sequence of importance. As a literary term, it can also refer to the point of greatest intensity, interest, or suspense in a story’s turning poi nt. The action leading to the climax and the simultaneous increase of tension in the plot are known as the rising action. All action after the climax is referred to as the falling action, or resolution. The term crisis is sometimes used interchangeably with climax.4. Anticlimax(突降):it denotes a writer’s deliberate drop from the serious and elevated to the trivial and lowly, in order to achieve a comic or satiric effect. It is a rhetorical device in English.5. Characters(人物)are the persons represented in a dramatic or narrative work, who are interpreted by the reader as being endowed with particular moral, intellectual, and emotional qualities by inferences from the dialogues, actions and motivations. E. M. Forster divides characters into two types: flat character, which is presented without much individualizing detail; and round character, which is complex in temperament and motivation and is represented with subtle particularity.6. Comedy:(喜剧)in general, a literary work that ends happily with a healthy, amicable armistice between the protagonist and society.7. Farce (闹剧)is a type of comedy designed to provoke the audience to simple and hearty laughter. To do so it commonly employs highly exaggerated types of characters and puts them into improbable and ludicrous situations.of other meters.8. Hyperbole(夸张):this figure of speech called hyperbole is bold overstatement, or the extravagant exaggeration of fact or of possibility. It may be used either for serious or ironic or comic effect.9. Understatement(轻描淡写):this figure of speech deliberately represents something as very much less in magnitude or importance than it really is, or is ordinarily considered to be. The effect is usual ly ironic.10. Irony(反讽):This term derives from a character in a Greek comedy. In most of the modern cr itical uses of the term “irony”, there remains the root sense of dissembling or hiding what is actually the case; not, however, in order to deceive, but to achieve rhetorical or artistic effects.11. Theme(主题):The term is usually applied to a general concept or doctrine, whether implicit or asserted, which an imaginative work is designed to incorporate and make persuasive to the reader.12. Multiple Point of View (多重视角):It is one of the literary techniques William Faulkner used, which shows within the same story how the characters reacted differently to the same person or the same situation. The use of this technique gave the story a circular form wherein one event was the center, with various pointsof view radiating from it. The multiple points of view technique makes the reader recognize the difficulty of arriving at a true judgment.13. Flashback(闪回):interpolating narratives or scenes which represent events that happened before the time at which the work opened; for example, it is used in Arthur Miller’s Death of a Salesman.14. Plot(情节):The plot in a dramatic or narrative work is constituted by its events and actions, as these are rendered and ordered toward achieving particular artistic and emotional effects.15. Short Story: A fictional prose take of no specified length,but too short to be published as a volume on its own.A short story will normally concentrate on a single event with only one or two characters,more economically than a novel's sustained exploration of social background.There are similar fictional forms of greater antiquity,but the short story,as we know it,flourished in the magazines of the 19th and early 20th centuries,especially in the USA,which has a particularly strong tradition.16.Narration: Like description, narration is a part of conversation and witting. Narration is the major technique used in expository witting, such as autobiography. Successful narration must grow out of good observation,to-the-point selection from observation, and clear arrangement of details in logical sequence, which is usually chronological. Narration gives an exact picture of things as they occur.17. Renaissance:The term originally indicated a revival of classical (Greek and Roman) arts and sciences after the dark ages of medieval obscurantism18. Symbol: A symbol is a sign which suggests more than its literal meaning. In other words, a symbol is both literal and figurative. A symbol is a way of telling a story and a way of conveying meaning. The best symbols are those that are believable in the lives of the characters and also convincing as they convey a meaning beyond the literal level of the story. If the symbol is obscure or ambiguous, then the very obscurity and the ambiguity may also be part of the meaning of the story.19. Symbolism:Symbolism is the writing technique of using symbols. It’s a literary movement that arose in France in the last half of the 19th century and that greatly influenced many English writers, particularly poets, of the 20th century. It enables poets to compress a very complex idea or set of ideas into one image or even one word. It’s one of the most powerful devices that poets employ in creation.20. Theme; The general idea or insight about life that a writer wishes to express in a literary work. All the elements of a literary work-plot, setting, characterization, and figurative language-contribute to the development of its theme.21. Tone: The attitude a writer takes toward his or her subject, characters, or audience. The tone of a speech ora piece of writing can be formal or intimate; outspoken or reticent; abstruse or simple; solemn or playful; angry or loving; serious or ironic.22. Tragedy: In general, a literary work in which the protagonist meets an unhappy or disastrous23. Motif: A recurring feature (such as a name, an image, or a phrase) in a work of literature. A motif generally contributes in some way to the theme of a short story, novel, poem, or play. At times, motif is used to refer to some commonly used plot or character type in literature.24. Motivation:The reasons, either stated or implied, for a character’s behavior. To make a story believable, a writer must provide characters with motivation sufficient to explain what they do. Characters may be motivated by outside events, or they may be motivated by inner needs or fears.25.Narrator: One who narrates, or tells, a story. A story may be told by a first-person narrator, someone who is either a major or minor character in the story. Or a story may be told by a third-person narrator, someone who is not in the story at all. The word narrator can also refer to a character in a drama who guides the audience through the play, often commenting on the action and sometimes participating in it.26. Novel: A book-length fictional prose narrative, having may characters and often a complex plot.27.Plot: Plot is the first and most obvious quality of a story. It is the sequence of events or actions in a short story, novel, play, or narrative poem. For the reader, the plot is the underlying pattern in a work of fiction, the structural element that gives it unity and order. For the writer, the plot is the guiding principle of selection and arrangement. Conflict, a struggle of some kind, is the most important element of plot. Each event in the plot is related to the conflict, the struggle that the main character undergoes. Conflict may be external or internal, and there may be more than one form of conflict in a work. As the plot advances, we learn how the conflict is resolved. Action is generally introduced by the exposition, information essential to understanding the situation. The action rises to a crisis, or climax. This movement is called the rising action. The falling action, which follows the crisis, shows a reversal of fortune for the protagonist. The denouement or resolution is the moment when the conflict ends and the outcome of the action is clear.28. Point of view: The vantage point from which a narrative is told. There are two basic points of view:first-person and third-person. In the first-person point of view, the story is told by one of the characters in his or her own words. The first-person point of view is limited. In the third-person point of view, the narrator is not a character in the story. The narrator may be an omniscient. On the other hand, the third-person narrator mighttell a story from the point of view of only one character in the story.29. Protagonist: The central character of a drama, novel, short story, or narrative poem. The protagonist is the character on whom the action centers and with whom the reader sympathizes most. Usually the protagonist strives against an opposing force, or antagonist , to accomplish something30. Diction:A writer’s choice of words, particularly for clarity, effectiveness, and precision.31. Exp osition: (1) That part of a narrative or drama in which important background information is revealed. (2) It is the kind of writing that is intended primarily to present information. Exposition is one of the major formsof discourse. The most familiar form it takes is in essays. Exposition is also that part of a play in which important background information is revealed to the audience.32. Figurative language: Language that is not intended to be interpreted in a literal sense. By appealing to the imagination, figurative language provides new ways of looking at the world. Figurative language consists of such figures of speech as hyperbole, metaphor, metonymy, oxymoron矛盾修饰法, personification, simile, and synecdoche.33. Figure of speech: A word or an expression that is not meant to be interpreted in a literal sense. The most common kinds of figures of speech—simile, metaphor, personification, and metonymy—involve a comparison between unlike things.34. Foreshadowing: The use of hints or clues in a narrative to suggest what will happen later. Writers use foreshadowing to create interest and to build suspense. Sometimes foreshadowing also prepares the reader for the ending of the story.35. Irony: A contrast or an incongruity between what is stated and what is really meant, or between what is expected to happen and what actually happens. Three kinds of irony are (1) verbal irony, in which a writer or speaker says one thing and means something entirely different; (2) dramatic irony, in which a reader or an audience perceives something that a character in the story or play does not know; (3) irony of situation, in which the writer shows a discrepancy between the expected results of some action or situation and its actual results.36. Antagonist: A person or force opposing the protagonist in a narrative; a rival of the hero or heroine.37. Denouement结局: The outcome of a plot. The denouement is that part of a play, short story, novel, or narrative poem in which conflicts are resolved or unraveled, and mysteries and secrets connected with the plot are explained.。

(完整版)英美文学名词解释最全版

(完整版)英美文学名词解释最全版

01. Humanism(人文主义)1>Humanism is the essence of the Renaissance.2> it emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.02. Renaissance(文艺复兴)1>The word “Renaissance”means “rebirth”, it meant the reintroduction into western Europe of the full cultural heritage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3> the real mainstream of the English Renaissance is the Elizabethan drama with William Shakespeare being the leading dramatist.03. Metaphysical poetry(玄学派诗歌)1>Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit, the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods, and echoes the words and cadences of common speech.4>the imagery is drawn from actual life.04. Classicism(古典主义)Classicism refers to a movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.05. Enlightenment(启蒙运动)1>Enlightenment movement was a progressive philosophical and artistic movement which flourished in France and swept through western Europe in the 18th century.2> the movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality, equality and science. It advocated universal education.5>famous among the great enlighteners in England were those great writers like Alexander pope. Jonathan Swift. etc.06.Neoclassicism(新古典主义)1>In the field of literature, the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3> they believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.07. The Graveyard School(墓地派诗歌)1>The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life. Past and present ,with death and graveyard as themes.2>Thomas Gray is considered to be the leading figure of this school and his Elegy written in a country churchyard is its most representative work.08. Romanticism(浪漫主义)1>In the mid-18th century, a new literary movement called romanticism came to Europe and then to England.2>It was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticism gave primary concern to passion, emotion, and natural beauty.3>In the history of literature. Romanticism is generally regarded as the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and experience. 4> The English romantic period is an age of poetry which prevailed in England from 1798 to 1837. The major romantic poets include Wordsworth, Byron and Shelley.09. Byronic Hero(拜伦式英雄)1>Byronic hero refers to a proud, mysterious rebel figure of noble origin.2> with immense superiority in his passions and powers, this Byronic Hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society. And would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with unconquerable wills and inexhaustible energies.3> Byron’s chief contribution to English literature is his creation of the “Byronic Hero”10. Critical Realism(批判现实主义)1>Critical Realism is a term applied to the realistic fiction in the late 19th and early 20th centuries.2> It means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues.3> Realist writers were all concerned about the fate of the common people and described what was faithful to reality.4> Charles Dickens is the most important critical realist.11. Aestheticism(美学主义)1>The basic theory of the Aesthetic movement--- “art for art’s sake” was set forth by a French poet, Theophile Gautier, the first Englishman who wrote about the theory of aestheticism was Walter Pater.2> aestheticism places art above life, and holds that life should imitate art, not art imitate life.3> According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake, can it be immortal. They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style.4> This is one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.美学运动的基本原则”为艺术而艺术”最初由法国诗人西奥费尔.高缔尔提出,英国运用该美学理论的第一人是沃尔特.佩特.美学主义崇尚艺术高于生活,认为生活应模仿艺术,而不是艺术模仿生活.在美学主义看来,所有的艺术创作都是绝对主观而非客观的产物.艺术不应受任何功利的影响,只有当艺术为艺术而创作时,艺术才能成为不朽之作.他们还认为艺术不应只关注一些热点话题如政治和道德问题,艺术应着力于以华丽的风格张扬美.这是对维多利亚工业发展时期物质崇拜的一种回应,也是向艺术为道德或为金钱而服务的维多利亚传统的挑战.12.The Victorian period(维多利亚时期)1>In this period, the novel became the most widely read and the most vital and challenging expression of progressive thought. While sticking to the principle of faithful representation of the 18th century realist novel, novelists in this period carried their duty forward to criticism of the society and the defense of the mass.2> although writing from different points of view and with different techniques, they shared one thing in common, that is, they were all concerned about the fate of the common people. They were angry with the inhuman social institutions, the decaying social morality as represented by the money-worship and Utilitarianism, and the widespread misery, poverty and injustice.3>their truthful picture of people’s life and bitter and strong criticism of the society had done much in awakening the public consciousness to the social problems and in the actual improvement of the society.4> Charles Dickens is the leading figure of the Victorian period.13. Modernism(现代主义)1>Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2> modernism takes the irrational philosophy and the theory of psycho-analysis as its theoretical case.3> the term pertains to all the creative arts. Especially poetry, fiction, drama, painting, music and architecture.4> in England from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions. fresh ways of looki ng at man’s position and function in the universe and many experiments in form and style. It is particularly concerned with language and how to use it and with writing itself.14. Stream of consciousness(意识流)(or interior monologue)In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow, tracing as they do a character’s fragmentary thoughts and sensory feelings. Famous writers to employ this technique in the English language include James Joyce and William Faulkner.学术界认为意识流是一种通过直接描述人物思维过程来寻求个人视角的文学写作技巧。

英美文学史:术语定义总结期末考复习

英美文学史:术语定义总结期末考复习

英美文学名词解释Epic(史诗): a long narrative poem in elevated style recounting the deeds of a legendary or historical hero.叙事诗一种长篇的叙事诗,风格高雅,叙述传奇或历史英雄的事迹Ballad(民谣):A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of British and Irish popular poetry and song from the later medieval period until the 19th century and used extensively across Europe and later North America, Australia and North Africa. 民谣是诗歌的一种形式,通常是音乐的一种叙述。

从中世纪晚期到19世纪,民谣是英国和爱尔兰流行诗歌和歌曲的特色,在欧洲、北美、澳大利亚和北非广泛使用。

Romance(浪漫,冒险风格作品): a medieval tale based on legend, chivalric love and adventure, or the supernatural.一个基于传说、骑士爱情和冒险或超自然的中世纪故事。

Renaissance(文艺复兴): the transitional movement in Europe between medieval and modern times beginning in the 14th century in Italy, lasting into the 17th century, and marked by a humanistic revival of classical influence expressed in a flowering of the arts and literature and by the beginnings of modern science.从14世纪的意大利开始,一直持续到17世纪的欧洲中世纪到现代的过渡运动,以人文主义的复兴为标志,这种复兴体现在艺术和文学的繁荣以及现代科学的开始。

英美文学有关术语

英美文学有关术语

1. Epic 史诗,叙事诗A long narrative poem, typically a recounting of history or legendor of the deeds of a national hero and of reflecting the values of the society from which it originated. Many epics were drawn from anoral tradition and were transmitted by song and recitation beforethey were written down. Later on this literary genre was written down by the poets, such as Paradise Lost, Paradise Regained. Twoof the greatest epics are Homer’s Iliad and Odyssey. While in British literary history, the national epic is Beowulf.2. Metaphysical Poetry [.metə'fizikəl]玄学派诗歌T he poetry of John Donne and other seventeenth-century poets who wrote in a similar style. Metaphysical poetry is characterized by verbal wit and excess, ingenious structure, irregular meter, colloquial language, elaborate imagery, and a drawing together of dissimilar ideas.3. Sentimentalism 感伤主义Sentimentalism originated in the 18th century, and was a direct reaction against the cold, hard commercialism and rationalism that had dominated people’s life since the last decades of the 17th century. Besides, it seemed to have appeared hand in hand with the rise of realistic English novel. Sentimentalism often relates to sentimentality and sensibility in some literary works such as Richardson’s Pamela; Goldsmith’s The Vicar of Wakefield; S terne’s A Sentimental Journey through France and Italy. In Poetry, we have Thomas Gray’s “An Elegy Written in a Country Churchyard”, Goldsmith’s “The Deserted Village”, and Cowper’s “Task”, not mention the various odes of sensibility which flourished in the later half of the century.4. Humanism 人道主义Humanism refers to the main literary trend and is the keynote of English Renaissance. Humanists took interest in human life and human activities and gave expression to the new feeling of admiration for human beauty, human achievement.5. Puritanism 清教主义The term is used in a narrow sense of religious practice and attitudes, and in a broad sense of an ethical outlook, which is much less easy to define.1). In its strict sense, “Puritan” was applied to tho se Protestant reformers who rejected Queen Elizabeth’s religious settlement of 1560. This settlement sought a middle way between Roman Catholicism and the extreme spirit of reform of Geneva. The Puritans, influenced by Geneva, Zurich, and other continental centers, objected to the retention of bishops and to any appearance of what they regarded as superstition in church worship---the wearing of vestments by the priests, and any kind of religious image. Apart from their united opposition to Roman Catholicism and their insistence on simplicity in religious forms, Puritans disagreed among themselves on questions of doctrine and church organization. Puritans were very strong in the first half of 17th century and reached its peak of power after the Civil War of 1642-6, a war, which was ostensibly religious, although it was also political.2). In the broad sense of a whole way of life, Puritanism has always represented strict obedience to the dictates of conscience and strong emphasis on the virtue of self-denial. The word “Puritan” is often thought to imply hostility to arts, but this is not necessarily true.6. Renaissance [rə'neisəns]文艺复兴It is a cultural movement of the rising bourgeoisie. The key word for it is humanism, which emphasizes the belief in human beings, his environment and doings and his brave fight for the emancipation of man from the tyranny of the church and religious dogmas. It originally indicates a revival of classical arts and learning after the dark ages of medieval obscurantism. Its aim is to get rid of those old feudalist ideas in medieval time and introduce new ideas that express the interests of the rising bourgeoisie. Shakespeare, Spenser, and Marlowe are all famous literary figures in this period.7.. Neo-classicism:新古典派A revival in the seventeenth and eighteenth centuries of classical standards of order, balance and harmony in literature. John Dryden was the first person who started the movement at the end of the 17th century, while Alexander Pope brought it to its culmination.8. Sentimentalism:Sentimentalism originated in the 18th century, and was a direct reaction against the cold, hard commercialism and rationalism that had dominatedpeople’s life since the last decades of the 17th century. Besides, it seemed to have appeared hand in hand with the rise of realistic English novel. Sentimentalism often relates to sentimentality and sensibility in some literary works such as Richardson’s Pamela; Goldsmith’s The Vicar of Wakefield; Sterne’s A Sentimental Journey t hrough France and Italy. In Poetry, we have Thomas Gray’s “An Elegy Written in a Country Churchyard”, Goldsmith’s “The Deserted Village”,not mention the various odes of sensibility which flourished in the later half of the century.9.Enlightenment:启蒙Enlightenment is a progressive intellectual movement, which sweptover England and other lands in Western Europe in the 18th century. Enlightenment freed and reformed the thinking of man. Enlighteners strove to clear away the feudal remnants and replace them by bourgeois ideologue.10. “Transcendentalism”[.trænsen'dentəlizəm]超验主义is defined as the recognition in man of the capacity of acquiring knowledge transcending the reach of the five senses, or of knowing truth intuitively, or of reaching the divine without the need of an intercessor. It was the first American intellectual movement. It stressed the power of intuition and the significance of the individual. It placed spirit first and matter second, and took nature as symbolic of God.11. Naturalism 自然主义Is a kind of social Darwinism, which holds that the weak and stupid would fall victim to economic forces. Literary naturalism holds that humans are controlled by laws of heredity and environment, and that the universe is cold and hostile to human desires. American naturalists wrote in a daring, open, and direct manner.12. Local Colorism: 本土特色地方色彩The local color writing was a form of regionalism popular after the Civil War. As a subordinate order of realism, regionalism (乡土主义,地方色彩) stresses a faithful representation of the habits, speech, manners, history, folklore, or beliefs of a particular geographical section. It’s characterized by vernacular language and satirical humor.13. Imagism: 意象主义It is a Movement in U.S. and English poetry characterized by the use of concrete language and figures of speech, modern subject matter, metrical freedom, and avoidance of romantic or mystical themes, aiming at clarity of expression through the use of precise visual images.It grew out of the Symbolist Movement in 1912 and was initially led by Ezra Pound, Amy Lowell, and others.14.Metaphysical: 玄学派诗歌或诗人的It refers to the school of poets that appeared in the Revolutionary period in England by using quite unconventional and often surprising conceits; the metaphysical poets wrote poems full of wits and humor. But sometimes the logic argument and conceits become persuasive, going to preposterous dimensions. The language is colloquial but very powerful, creating unorthodox images on the reader’s mind. John Donne is the representative metaphysical poets.15. Blank verse: 无韵诗,素体诗Blank verse is unrhymed poetry, typically in iambic pentameter, and, as such, the dominant verse form of English dramatic and narrative poetry since the mid-16th century. Blank verse is not written in stanza form. Instead, the poem is developed in verse paragraphs that vary in length. Blank verse is flexible form of expression that gives the poet a choice of many variations within the metrical pattern. Because of its flexibility, blank verse is especially appropriate for narrative and dramatic poetry and other longer kinds of poetry. Christopher Marlowe and Shakespeare used this form with great power and variety in their plays.16. Free verse: (不受格律约束的)自由诗体Free verse refers to a kind of poetry whose rhythmical lines vary in length, adhering to no fixed metrical pattern or the usually rhyming system, such poetry may seem formless, but it does have a form or pattern, often largely based on repetition and parallel structure. Walt Whitman’s poems are typical example.。

(完整word版)英美文学名词解释总结中文版(东北师大重点)

(完整word版)英美文学名词解释总结中文版(东北师大重点)

名词解释1. Abby Theatre 阿贝剧院阿贝剧院是爱尔兰的国家剧院,由爱尔兰著名诗人William Butler Yeats和Lady Augusta Gregory创建。

该剧院上演爱尔兰剧作家的作品。

Lady Gregory是阿贝剧院的导演,同时也是个剧作家(dramatist)。

2。

Aestheticism 唯美主义基本原则:Art for art’s sake.基本人物:英国运用该美学理论的第一人士Walter Pater。

Oscar Wilder(Picture of Dorian Gray)是该理论的杰出代表。

基本思想:唯美主义崇尚艺术高于生活,生活应该模仿艺术,而不是艺术模仿生活。

这是对Victorian工业发展时期宣扬的物质崇拜(materialism)和商业主义(commercialism)的一种反抗,也是艺术为道德或金钱而服务(art for money’s sake)的维多利亚传统的挑战。

3. Age of Enlightenment 启蒙时代1. 英国的18世纪又被称为启蒙时代,总的来说是资本主义反对封建主义的时代.2. 启蒙运动是一场进步的思想运动,盛行于法国后传播到西欧。

3. 启蒙运动是15和16世界文艺复兴运动的延续和深入,它的目的是用现代哲学和艺术观点启蒙整个世界.4。

崇尚理性,平等,和科学,倡导大众教育。

文学在当时变成了非常受欢迎的公众教育的手段,带有强烈的说教和道德教育性质。

5. 代表人物:Alexander Pope,Jonathan Swift.4. Age of Realism现实主义时期1。

现实主义是对浪漫主义时期一种反抗,并铺就了通往现代主义文学的道路。

2。

在这一时期,新一代的作家对于老一辈的浪漫主义和感伤主义的思想非常不满,提出一个新的灵感,其特点就是在生活现实方面有着极大的兴趣.它的目标是描写生活每一方面的现实,抛弃主观偏见,理想主义或者任何浪漫的色彩。

英美文学名词解释

英美文学名词解释

英美文学名词解释英美文学是指英国和美国地区的文学作品和文学传统。

在这个领域中,存在着许多特殊的术语和概念,有助于我们理解和欣赏这些文学作品。

本文将解释和介绍一些常见的英美文学名词,以帮助读者深入理解和掌握这些文学作品。

一、1.文学流派(Literary Genre):指文学作品按照特定主题、风格或结构的类别进行分类。

常见的文学流派包括小说、诗歌、戏剧、散文等。

不同的文学流派具有独特的特点和写作风格,反映了不同的文学趣味和审美观念。

2.现实主义(Realism):是19世纪中期兴起的一种文学流派,强调对现实生活的逼真描写和展示。

现实主义文学追求真实、客观和可信的表达方式,通过描绘日常生活和社会环境来反映现实社会的不同层面。

3.自然主义(Naturalism):自然主义是现实主义的一种延伸,强调环境和遗传因素对人的行为和命运的决定性作用。

自然主义文学突出了人类生存环境对人性的影响,对人类行为进行科学观察和探索。

4.浪漫主义(Romanticism):浪漫主义强调个体情感、想象力和超验的体验,追求自由和独立的精神境界。

浪漫主义文学追求充满激情、抒发个人感受和探索内心世界的形式。

二、1.象征主义(Symbolism):象征主义是19世纪末20世纪初出现的一种文学和艺术运动,强调使用象征性的意象和隐喻来表达深层的情感和思想。

象征主义文学倾向于表达个体的情感体验和心灵探索。

2.现代主义(Modernism):现代主义是20世纪初兴起的一种文学和艺术运动,强调对传统形式和观念的挑战和颠覆。

现代主义文学追求形式上的创新和实验,探索自我意识、哲学思考和社会变革。

3.后现代主义(Postmodernism):后现代主义是现代主义的继承和超越,强调文化多样性、相对主义和戏仿。

后现代主义文学打破传统的叙事和结构规则,以戏仿和颠覆的方式探索权力、真实性和历史观念。

4.现实主义小说(Realistic Novel):现实主义小说以真实的描写和社会批判为特征,通过塑造现实人物的经历和命运来反映社会问题。

英美文学 文学术语

英美文学 文学术语

文学术语复习1.sonnet十四行诗,商籁诗type of poem containing 14 lines, eachof 10 syllables, and with a formal pattern of rhymes2.tragedy悲剧 A drama or similar work, in which the maincharacter is brought to ruin or otherwise suffers the extremeconsequences of some tragic flaw or weakness of character;Play, novel or other narrative, depicting serious and important events, in which the main character (usually a good and noble person of high rank) comes to an unhappy end.3.neo-classicism新古典主义A mid 18th Century art movementstarted in Rome and aimed at recreating the art of ancient Greece and Rome. It was a reaction to the excesses of Baroque and Rococo and part of a Classical revival that prevailed into the 19th Century.4.realism现实主义The nineteenth- century literary movement thatreacted to romanticism by insisting on a faithful, objectivepresentation of the details of everyday life. Also regarded as the style of art and literature in which things, especially unpleasant things, are shown or described as they really are in life5.Renaissance文艺复兴(period of the) revival of art andliterature in the 14th, 15th and 16th centuries, based on classical forms. The term originally indicated a revival of classical arts and science after the dark ages of medieval obscurantism, being viewed as a bridge between the Middle Ages and the Modern era. The study and propagation of classical learning and art was carried o n by the progressive thinkers of the humanists. They held their chief interest not in ecclesiastical knowledge, but in man, his environment and doings and bravely fought for the emancipation of man from the tyranny of the church and religious dogmas6.free verse自由诗体A poetic form divided into lines of noparticular length or meter, without a rhyme scheme Also called open form poetry, free verse refers to poems characterized by theirnonconformity to established patterns of meter, rhyme, and stanza.Free verse uses elements such as speech patterns, grammar, emphasis, and breath pauses to decide line breaks, and usually does not rhyme.7.imagism(意象派):it was a poetic vogue that flourished in England,and even more vigorously in America, between the years 1912 and 1917.The typical Imagist poetry is written in free verse and undertakes to be as precisely and tersely as possible. Meanwhile, the Imagist poetry likes to express the writers’ momentary impression of a visual object or scene and often the impression is rendered by means of metaphor without indicating a relation.8.Local Colorism(地方色彩)was a literary trend belonging toRealism. It refers to the detailed representation in prose fiction of the setting, dialect, customs, dress and ways of thinking and feeling which are distinctive of a particular region. After the Civil War a number of American writers exploited the literary possibilities of local color in various parts of America. The most famousrepresentative of local colorism should be Mark Twain who took his hometown near the Mississippi as the typical setting of nearly all his novels.9.epic(史诗): A long narrative poem, elevated and dignified in theme,tone, and style, celebrating heroic deeds and historically (at times cosmically) important events; usually focuses on the adventures ofa hero who has qualities that are superhuman or divine and on whosefate very often depends the destiny of a tribe, a nation, or even the whole of the human race.10.Puritanism:清教主义 is behavior or beliefs that are based onstrict moral or religious principles, especially the principle that people should avoid physical pleasures,advocating for more "purity"of worship and doctrine, as well as personal and group piety.11.tragic flaw: 悲剧性缺陷the principal defect in character orjudgment that leads to the downfall of the tragic hero.In a tragedy, the quality within the hero or heroine which leads to his or her downfall. Examples of the tragic flaw include Othello's jealousy and Hamlet's indecisiveness, although most great tragedies defy such simple interpretation.12.heroic couplet(英雄双韵体)refers to lines of iambic pentameterwhich rhyme in pairs: aa, bb, cc, and so on. Or two lines of poetry one after the other that RHYME and usually contain ten syllables and five stresses13.stream of consciousness意识流 a continuous flow of ideas,thoughts, and feelings, as they are experienced by a person; a style of writing that expresses this without using the usual methods of description andconversation: Virginia Woolf's use of stream of consciousness in her novel 'Mrs Dalloway'。

英语专业考研整理之英美文学术语整理

英语专业考研整理之英美文学术语整理

1.美国清教主义①清教主义是16世纪晚期在英国教会进行的一场宗教改革。

②在教会和皇权的重压下,清教的一个分支于17世纪30年代40年代迁至美洲新大陆的北方殖民地,为新英格兰奠定了宗教,知识,和社会秩序的基础。

③清教主义不仅符合新大陆成立的特定历史,而且还影响了美国的生活方式。

④在教义上讲,清教徒遵循1619年多特宗教会议制定的信条:宿命论,原罪说,全体堕落,有限的救赎。

1.美国文艺复兴、美国浪漫主义、①美国浪漫主义是美国文学史上最重要的时期之一,始于18世纪末期,一直到美国内战的爆发。

它以华盛顿欧文的《见闻杂记》开始到惠特曼《草叶集》结束。

这是美国文学空前繁盛的时期,也被称为美国的文艺复兴时期。

②美国浪漫主义受欧洲浪漫主义运动的影响,并沿袭了部分特点。

他注重自然,强调人的情感和想象力,追求自由,向既定社会制度和传统的挑战,与古典主义形式分离。

③尽管如此,美国浪漫主义文学仍有自由的独特风格。

A.美国浪漫主义本质上是一个“全新的经历”的表达,因新大陆充满生机与活力使美国浪漫主义有种异国情调。

B.清教主义对美国浪漫主义有显著影响。

④美国浪漫主义作家包括:华盛顿欧文,詹姆斯库伯,艾默生,梭罗,纳撒尼尔霍桑,麦尔维尔,惠特曼等。

2.新英格兰的超验主义①超验主义是1836年到1860年在新英格兰发起的一场文化,哲学,艺术运动,是浪漫主义在新英格兰的代名词。

②这场运动由爱默生领导,由其他一些有影响力的知识分子发起。

③核心思想是人能够超越感觉和理性直接认识真理。

超验主义者强调超灵,个人和自然的重要性。

人人都有内在的神性,只有通过接触自然才能使神性和天性相互融合,从而超验主义者强调个人主义,自立,拒绝传统的权威思想。

超验主义者从自然中汲取灵感④美国的超验主义作为一种文化遗产,对美国的道德观产生了深远的影响,对美国的浪漫主义的影响也十分显著。

代表作:艾默生的《论自然》《美国学者》,梭罗的《瓦尔登湖》3.象征主义象征主义是19世纪末在文学和视觉领域中始于法国的一次运动,它首先出现在法国诗人波德莱尔的诗歌中。

英美文学名词解释

英美文学名词解释

1.古英语:(Old English或Anglo-Saxon)是指从450年到1150年间的英语。

古英语和现代英语无论在读音、拼写、词汇和语法上都很不一样。

古英语的语法和德语比较相近,形态变化很复杂。

公元410年,罗马人结束了对英国的占领,随后,来自德国北部平原的三个日耳曼部落:昂格鲁人(Angles),撒克逊人,和朱尔特人开始到不列颠定居.英语就是盎格鲁_撒克逊的人的语言.语言史家一般把英语的历史分为三个时期:古英语,中英语,现代英语.古英语的名词有数和格的分别。

数分为单数、复数;格分为主格、所有格、与格、宾格。

因此一个名词加起来共有8种变化形式。

此外,名词还分阳性、中性和阴性。

但是比较奇怪的是,这些性的区分并不是以性别来判断的,而且没有性别的事物也未必是中性。

例如妇女就是阳性的。

2. 头韵(Alliteration):是英语语言学分支文体学的重要术语。

头韵是英语语音修辞手段之一,它蕴含了语言的音乐美和整齐美,使得语言声情交融、音义一体,具有很强的表现力和感染力.从应用范围、结构特征以及审美价值三个方面对其进行分析讨论,将有助于我们理解和欣赏这一辞格. 头韵在英语里叫alliteration,又叫initial rhyme,或head rhyme,是从拉丁语短语ad literam (根据字母)转化而来的,指两个单词或两个单词以上的首字母相同,形成悦耳的读音,最常见的押头韵的短语有:first and foremost(首先)、(with)might and main (尽全力地)、saints and sinners (圣人与罪人)、(in)weal and (or) woe(无论是福是祸)。

若追本探源的话,恐怕押头韵手法可以上溯到古英语(Old English)时期。

大约五世纪时,盎格鲁萨克逊( Anglo-Saxons)入侵者给英国人带来了作为现代英语(Modern English)基础的盎格鲁萨克逊语,或许就在那时还带来一种新的诗歌形式,其主要特征就是频繁使用押头韵手法。

英美文学术语

英美文学术语

TERMS IN ENGLISH LITERATURE1.Allegory寓言;讽喻A narrative in which the characters and the setting stand for abstract qualities and ideas. The writer of an allegory is not primarily trying to make the characters and their actions realistic, but to make them representative of ideas or truths.2. Alliteration (头韵)The repetition of similar sounds, usually consonants or consonant clusters, in a group of words . Some-times the term is limited to the repetition of initial consonant sounds.3. Assonance(腹韵,半谐音)The repetition of similar vowel sounds , especially in poetry . Here is an example of assonance from John Keat s’s Ode on a Grecian Urn : “Thou foster ch i ld of s i lence and slow t i me .”4. Ballad民谣;叙事诗歌A story told in verse and usually meant to be sung .5. Blank Verse无韵诗,素体诗(不押韵的五音步诗行)Verse written in unrhymed iambic pentameter.6. Byronic Hero拜伦的,拜伦风格的,冷笑而浪漫的The hero with the characteristic of Lord Byron or the hero in his poetry, who is contemptuous of and rebelling against conventional morality, or defying fate, and who is a mixture of good and evil, selflessness and sin, isolated, rebellious, passionate and self-reliant, etc.7. Characterization特性描述;(对书或戏剧中人物的)刻画,塑造The personality a character displays; also, the means by which a writer reveals that personality. Generally, a writer develops a character in one or more of the following ways:1)through the character’s actions;2)through the character’s thoughts and speeches;3)through a physical description of the character;4)through the opinions others have about the character;5)through a direct statement about the character telling what the writer thinks of him or her.8. Classicism古典主义,古典风格A movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome . Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance , and order . Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes .9. ClimaxThe point of greatest intensity, interest, or suspense in a narrative . The climax usually marks a story’s turning point.10. ComedyIn general, a literary work that ends happily with a healthy, amicable armistice between the protagonist and society.11. Comedy of MannersA term most commonly used to designate the realistic, often satirical comedy. In the stricter sense of the term, the type is concerned with the manners and conventions of an artificial, highly sophisticated society. The fashions, manners and outlook on life of this social group are reflected. The characters are more likely to be types than individualized personalities. Plot, though ofteninvolving a clever handling of situation and intrigue, is less important than atmosphere, dialogue and satire, The dialogue is witty and finished, often brilliant. Satire is directed against the deficiencies of typical characters.12. Conceit (文学中)巧妙的比喻,别出心裁的对比A kind of metaphor that makes a comparison between two startlingly different things.13. Consonance(谐辅音)The repetition of similar consonant sounds in a group of words . Sometimes the term refers to the repetition of consonant sounds in the middle or at the end of words, as in this line from Thomas Gray’s “ Elegy Written in a Country Churchyard ”: “ And a ll the air a so l emn sti ll ness ho l ds . ”Sometimes the term is used for slant rhyme (or partial rhyme) in which initial and final consonants are the same but the vowels different : l itter/l etter , gree n/groa n .14. Couplet相连并押韵的两行诗,对句Two consecutive lines of poetry that rhyme.15. Dramatic MonologueA poem in which there is an imaginary speaker, at some specific and critical moment, addressing an imaginary, silent but identifiable audience, thereby unintentionally revealing his or her essential personality or temperament. In Browning’s My Last Duchess,for example, he penetrates to the depth the psychology of his characters and through their own speeches, he analyzes and reveals the innermost secret of their lives.16. Heroic Couplet(两行相互押韵、每行分五音节的)英雄偶句诗An iambic pentameter couplet.17. Elegy悲歌;挽歌;挽诗A poem of mourning, usually over the death of an individual.18. Epic叙事诗;史诗;史诗般的作品A long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated.19. Fable寓言A story with a moral lesson, often employing animals who talk and act like human beings.20 The Graveyard SchoolA group of 18th-century poets, and among them are Thomas Gray, Robert Blair, Thomas Parnell, and Edward Young, who wrote on funeral subjects.21. Iambic Pentameter五音步抑扬格A poetic line consisting of five verse feet (penta-is from a Greek word meaning “five”), with each foot an iamb—that is, an unstressed syllable followed by a stressed syllable. Iambic pentameter is the most common verse line in English poetry.22. ImageryWords or phrases that create pictures, or images, in the reader’s mind .23. LyricA poem, usually a short one, that expresses a speaker’s personal thoughts or feelings. The elegy, ode, and sonnet are all forms of the lyric.24. Metaphysical PoetryThe poetry of John Donne and other seventeenth-century poets who wrote in a similar style. Metaphysical poetry is characterized by verbal wit and excess, ingenious structure, irregular meter, colloquial language , elaborate imagery , and a drawing together of dissimilar ideas .25. MeterA generally regular pattern of stressed and unstressed syllables in poetry.26. Narrative PoemA poem that tells a story .One kind of narrative poem is the epic, a long poem that sets forth the heroic ideals of a particular society. Beowulf is an epic. The ballad is another kind of narrative poem.27. NarratorOne who narrates, or tells, a story. A story may be told by a first-person narrator, someone who is either a major or a minor character in the story. Or a story may be told by a third-person narrator, someone who is not in the story at all.28. NaturalismAn extreme form of realism. Naturalistic writers usually depict the sordid side of life and show characters who are severely limited by their environment or heredity, two forces beyond man’s control.29. NeoclassicismA revival in the seventeenth and eighteenth centuries of classical standards of order, balance, and harmony in literature. John Dryden and Alexander Pope were major exponents of the neoclassical school.30. OctiveAn eight-line poem or stanza. Usually the term octave refers to the first eight lines of an Italian sonnet. The remaining six lines form a sestet.31. OdeA complex and often lengthy lyric poem, written in a dignified formal style on some serious subject.32. ParadoxA statement that reveals a kind of truth, although it seems at first to be self-contradictory and untrue .33. Point of viewThe vantage point from which a narrative is told. There are two basic points of view: first-person and third person. In the first-person point of view, the story is told by one of the characters in his or her own words. In the third-person point of view, the narrator is not a character in the story. The narrator may be an omniscient, or “all-knowing” observer.34. PunThe use of a word or phrase to suggest two or more meanings at the same time. Puns are generally humorous.35. RealismThe 19th century literary movement that reacted to romanticism by insisting on a faithful, objective presentation of the details of everyday life.36. The RenaissanceThe period in Europe between the 14th century and the 17th century. During this period, the classical arts and learning were discovered again and widely studied, so the term originally indicates a revival of classical(Roman and Greek) arts and learning after the dark ages of Medieval obscurantism, it also marked the beginning of the bourgeois revolution.In the Renaissance period, scholars and educators called themselves humanists and began toemphasize the capacities of the human mind and they held their chief interest in man’s values and his environment and doings. So humanism became the keynote of the English Renaissance.37. RomanceAny imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters. Originally, the term referred to a medieval tale dealing with the loves and adventures of kings , queens , knights , and ladies , and including unlikely or supernatural happenings . Sir Gawain and the Green Knight is the best of the medieval romances.38. RomanticismRomanticism is a literary movement which came into being in England early in the latter half of the 18th century and prevailed in the first half of the nineteenth century . This literary trend began with the publication of Wordsworth’s Lyrical Ballads(抒情歌谣集) and ended with Walter Scott’s death. It is a reaction against the classicism or Neoclassicism of the 18th century. Romantic writing emphasizes emotions and feelings instead of reason and logic. It also focuses on the life of common people and encourages an appreciation of nature instead of society. The subject matters of Romanticism can be listed: sensibility, love of nature, interest in the past ,mysticism , individualism , exotic pictures , strong-willed heroes , sometimes resort to symbolism39. SestetA six-line poem or stanza. Usually the term sestet refers to the last six lines of an Italian sonnet . The first eight lines of an Italian sonnet form an octave.40. SentimentalismThe middle of the 18th century in England sees the inception of a new literary current---that of sentimentalism, which came into being as a bitter discontent in social reality on the part of certain enlighteners who found the power of reason to be insufficient in dealing with social injustices, and therefore, appealed to sentiment as a means of achieving happiness and justice.The term is used in two senses in the study of literature. The first is overindulgence in emotion, especially the conscious effort to induce emotion in order to analyze or enjoy it and the failure to restrain or evaluate emotion through the exercise of the judgement. The second is optimistic overemphasis of the goodness of humanity. Sentimentalism is concerned with the development of primitivism. In the first sense given above, sentimentalism is found in the melancholy verse of the Graveyard School.41. SoliloquyIn drama, an extended speech delivered by a character alone onstage. The character reveals his or her innermost thoughts and feelings directly to the audience, as if thinking aloud.42. SonnetA fourteen-line lyric poem, usually written in rhymed iambic pentameter.43. Stream of ConsciousnessA method of telling a story in which a writer lets the reader know every thought that enters a character’s mind. This method tries to imitate the way in which people actually think. Therefore , the character’s thoughts are presented in the order in which they occur , and this order is not necessarily logical . When the stream-of-consciousness technique is used, the story is always written from the first-person point of view.44. Spenserian StanzaA nine-line stanza with the following rhyme scheme: ababbcbcc. The first eight lines are written iniambic pentameter. The last line is written in iambic hexameter . The Spenserian Stanza was invented by Edmund Spenser for his epic poem The Fairie Queen.45. StyleAn author’s characteristic way of writing, determined by the choice of words, the arrangements of words in a sentence, and the relationship of sentences to one another. Style is the total qualities and characteristics that distinguish the writings of one writer from those of another.46. TragedyIn general, a literary work in which the protagonist meets an unhappy or disastrous end. Unlike comedy, tragedy depicts the actions of a central character who is usually dignified or heroic. Through a series of events, this main character, or tragic hero , is brought to a final downfall .47. ForeshadowingA device by means of which the author hints at something to follow.48. Understatement(轻描淡写的陈述)A figure of speech that consists of saying less than what one means, or of saying what one means with less force than the occasion warrants.49. University WitsA name given to a group of Elizabethan playwrights who had studied at the universities of Oxford or Cambridge. John Lyly and Thomas Lodge were at Oxford; Robert Greene, Thomas Nashe and Christopher Marlowe came from Cambridge.50. The Wessex NovelsThe Wessex Novels : novels by Hardy of describing the characters and environment of his native countryside. These novels have for their setting the agricultural region of the Southern counties of England. Hardy truthfully depicts the impoverishment and decay of small farmers who became hired fieldhands and roam the country in search of seasonal jobs. These laborers are mercilessly exploited by the rich landowners. The author is pained to see the decline of the idyllic life in rural England. This is one of the reasons for Hardy’s pessimistic tone throughout his novels. His pessimistic philosophy seems to show that mankind is subjected to human life. Determinism is a tendency in his writings. The major Wessex Novels include:1. Under the Greenwood Tree2. Far from the Madding Crowd3. The Return of the Native4. The Mayor of Casterbridge5. Tess of the D’Urbervilles6. Jude the Obscure。

英美文学术语,中英对照简洁版

英美文学术语,中英对照简洁版

1. Allegory (寓言)A tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities. 寓言,讽喻:一种文学、戏剧或绘画的艺术手法,其中人物和事件代表抽象的观点、原则或支配力。

2. Alliteration (头韵)Alliteration is the repetition of the same initial consonant sound within a line or a group of words.头韵:在一组词的开头或重读音节中对相同辅音或不同元音的重复。

3. Allusion (典故)A reference to a person, a place, an event, or a literary work that a writer expects the reader to recognize and respond to. 典故:作者对某些读者熟悉并能够作出反映的特定人物,地点,事件,文学作品的引用。

4. Analogy (类比)A comparison made between two things to show the similarities between them. 类比:为了在两个事物之间找出差别而进行的比较。

5. Antagonist (反面主角)The principal character in opposition to the protagonist or hero or heroine of a narrative or drama.反面主角:叙事文学或戏剧中与男女主人公或英雄相对立的主要人物。

6. Antithesis (对仗)The balancing of two contrasting ideas, words, or sentences. 对仗:两组相对的思想,言辞,词句的平衡。

英美文学常用术语及解释

英美文学常用术语及解释

英美文学常用术语及解释下面是店铺整理的一些英美文学常用术语及解释,希望对大家有帮助。

01. Allegory(寓言)Allegory is a story told to explain or teach something. Especially a long and complicated story with an underlying meaning different from the surface meaning of the story itself.2>allegorical novels use extended metaphors to convey moral meanings or attack certain social evils. characters in these novels often stand for different values such as virtue and vice.3>Bunyan’s Pilgrim’s Progress, Melville’s Moby Dick are such examples.02. Alliteration(头韵)Alliteration means a repetition of the initial sounds of several words in a line or group.2>alliteration is a traditional poetic device in English literature.3>Robert Frost’s Acq uainted with the Night is a case in point:” I have stood still and stopped the sound of feet”03. Ballad(民谣)Ballad is a story in poetic from to be sung or recited. in more exact literary terminology, a ballad is a narrative poem consisting of quatrains of iambic tetrameter alternating with iambic trimester.(抑扬格四音步与抑扬格三音步诗行交替出现的四行叙事诗)2>.ballads were passed down from generation to generation.3>Coleridge’s The Rime of the Ancient Mariner is a 19th century English ballad.04. epic(史诗)Epic, in poetry, refers to a long work dealing with the actionsof goods and heroes.2>Epic poems are not merely entertaining stories of legendary or historical heroes; they summarize and express the nature or ideals of an entire nation at a significant or crucial period of its history.3>Beowulf is the greatest national Epic of the Anglo-Saxons.05. Lay(短叙事诗)It is a short poem, usually a romantic narrative, intended to be sung or recited by a minstrel.06. Romance(传奇)Romance is a popular literary form in the medic England.2>it sings knightly adventures or other heroic deeds.3>chivalry is the spirit of the romance.07. Alexandrine(亚历山大诗行)The name is derived from the fact that certain 12th and 13th century French poems on Alexander the Great were written in this meter.2>it is an iambic line of six feet, which is the French heroic verse.08. Blank Verse(无韵诗或素体广义地说)Blank verse is unrhymed poetry. Typically in iambic pentameter, and as such, the dominant verse forms of English dramatic and narrative poetry since the mid-16th century.09. Comedy(喜剧)Comedy is a light form of drama that aims primarily to amuse and that ends happily. Since it strives to provoke smile and laughter, both wit and humor are utilized. In general, the comic effect arises from recognition of some incongruity of speech, action, or character revelation, with intricate plot.10. Essay(随笔)The term refers to literary composition devoted to the presentation of the writer’s own ideas on a topic and generally addressing a particular aspect of the subject. Often brief in scope and informal in style, the essay differs from such fomal forms as the thesis, dissertation or treatise.11. Euphuistic style(绮丽体)Its principle characteristics are the excessive use of antithesis, which is pursued regardless of sense, and emphasized by alliteration and other devices; and of allusions to historical and mythological personages and to natural history drawn from such writers as Plutarch(普卢塔克), Pliny(普林尼), and Erasmus(伊拉兹马斯).2>it is the peculiar style of Euphues(优浮绮斯)12. History Plays(历史剧)History plays aim to present some historical age or character, and may be either a comedy or a tragedy. They almost tell stories about the nobles, the true people in history, but not ordinary people. the principle idea of Shakespeare’s history plays is the necessity for national unity under a mighty and just sovereign.13. Masques or Masks(假面剧)Masques (or Masks) refer to the dramatic entertainments involving dances and disguises, in which the spectacular and musical elements predominated over plot and character. As they were usually performed at court, often at very great expense, many have political overtones.14. Morality plays(道德剧)A kind of medic and early Renaissance drama that presents the conflict between the good and evil through allegorical characters. The characters tend to be personified abstractions of vices and virtues, which can be named as Mercy. Conscience, etc. unlike a mystery or a miracle play, morality play does notnecessarily use Biblical or strictly religious material because it takes place internally and psychologically in every human being.15.Sonnet(十四行诗)It is a lyric poem of 14 lines with a formal or recited and characterized by its presentation of a dramatic or exciting episode in simple narrative form.2>it is one of the most conventional and influential forms of poetry in Europe.3>Shakespeare’s sonnets are well-known.16. Spenserian Stanza(斯宾塞诗节)Spenserian Stanza is the creation of Edmund spenser.2>it refers to a stanza of nine lines, with the first eight lines in iambic pentameter(五音步抑扬格) and the last line in iambic hexameter(六音步抑扬格),rhyming ababbcbcc. 3>Spenser’s the Faerie Queen was written in this kind of stanza.17. Stanza(诗节)Stanza is a group of lines of poetry, usually four or more, arranged according to a fixed plan.2>the stanza is the unit of structure in a poem and poets do not vary the unit within a poem.18. Three Unities(三一原则)Three rules of 16th and 17th century Italian and French drama, broadly adapted from Aristotle’s Poetics<诗学>:2>the unity of time, which limits a play to a single day; the unity of place, which limits a play’s setting in a single location; and the unity of action, which limits a play to a single story line.19. Tragedy(悲剧)In general, a literary work in which the protagonist meets an unhappy or disastrous end. Unlike comedy, tragedy depicts the actions of a central character who is usually dignified or heroic.20.Conceit(奇特比喻)Conceit is a far-fetched simile or metaphor, a literary conceit occurs when the speaker compares two highly dissimilar things.2>conceit is extensively employed in John Donne’s poetry.21.Metar(格律)The word”meter” is derived from the Greek word”metron” meaning”measure”.2>in English when applied to poetry, it refers to the regular pattern of stressed and unstressed syllables.3>the analysis of the meter is called scansion(格律分析)22. University Wits(大学才子)University Wits refer to a group of scholars during the Elizabethan Age who graduated from either oxford or Cambridge. They came to London with the ambition to become professional writers. Some of them later became famous poets and playwrights. They were called” University Wits”23.Foreshadowing(预兆)Foreshadowing, the use of hints or clues in a novel or drama to suggest what will happen next. Writers use Foreshadowing to create interest and to build suspense.method used to build suspense by providing hints of what is to come.24. Soliloquy(独白)Soliloquy, in drama, means a moment when a character is alone and speaks his or her thoughts aloud..2>the line“to be, or no t to be, that is the question”, which begins the famous soliloquy from Shakespeare’s Hamlet.25.Narrative Poem(叙述诗)Narrative Poem refers to a poem that tells a story in verse,2>three traditional types of narrative poems include ballads,epics, metrical romances.3>it may consist of a series of incidents, as John Milton’s paradise lost.26.Robin Hood(罗宾.豪)Robin hood is a legendary hero of a series of English ballads, some of which date from at least the 14th century.2>the character of Robin Hood is many-sided. Strong, brave and intelligent, he is at the same time tender-hearted and affectionate.3>the dominant key in his character is his hatred for the cruel oppression and his love for the poor and downtrodden.4>another feature of Robin’s view is his reverence for the king, Robin Hood was a people’s hero.27. Beowulf(贝奥武甫)Beowulf, a typical example of old English poetry, is regarded as the greatest national epic of t he Anglo-Saxons. 2>the epic describes the exploits of a Scandinavian hero, Beowulf, in fighting against the monster Grendel, his revengeful nother, and a fire-breathing dragon in his declining years. While fight against the dragon, Beowulf was mortally wounded, however, he killed the dragon at the cost of his life, Beowulf is shown not only as a glorious hero but also as a protector of the people.28. Baroque(巴罗克式风格)This is originally a term of abuse applied to 17th century Italian art and that of other countries. It is characterized by the unclassical use of classical forms, in a literary context; it is loosely used to describe highly ornamented verse or prose, abounding in extravagant conceits.这原本是用来指17世纪的意大利艺术和其他国家艺术滥用的一个术语.这种风格主要是指对古典形式的非古典运用.在文学领域,这种风格松散地用来指十分雕饰的,大量运用奇思妙想的诗歌或散文.29. Cavalier poets(骑士派诗人)A name given to supporters of Charles I in the civil war. These poets were not a formal group, but all influenced by Ben Jonson and like him paid little attention to the sonnet. Their lyrics are distinguished by short lines, precise but idiomatic diction, and an urbane and graceful wit.30. Elegy(挽歌)Elegy has typically been used to refer to reflective poems that lament the loss of something or someone, and characterized by their metrical form.31. Restoration Comedy(复辟时期喜剧)Restoration Comedy, also the comedy of manners, developed upon the reopening of the theatres after the re-establishment of monarchy with the return of Charles II.. Its predominant tone was witty, bawdy, cynical, and amoral. Standard characters include fops, bawds, scheming valets, country squires, and sexually voracious young widows and older women. The principle theme is sexual intrigue, either for its own sake or for money.复辟时期的喜剧,又称社会习俗讽刺喜剧,是在查理二世君主复辟后剧院重新开业的基础上发展起来的,其主要的基调是诙谐,淫秽,挖苦和非道德.标准的角色包括花花公子,鸨母,诡计多端的仆人,乡绅,性欲旺盛的年轻寡妇和老女人.主要的主题是奸情,有的是为了性,有的是为了钱.。

(完整word版)英美文学术语(英文版)_literary_terms

(完整word版)英美文学术语(英文版)_literary_terms

英国文学Alliteration:押头韵repetition of the initial sounds(不一定是首字母)Allegory:寓言a story with two meanings, a literal meaning and a symbolic meaning.Allusion:典故a reference in a literary work to person, place etc. often to well-known characters or events. Archetype:原型Irony:反讽intended meaning is the opposite of what is statedBlack humor:黑色幽默Metaphor: 暗喻Ballad: 民谣about the folk logeEpic:史诗in poetry, refers to a long work dealing with the actions of gods and heroes.Romance: 罗曼史/骑士文学is a popular literary form in the medieval England./ChivalryEuphuism: 夸饰文体This kind of style consists of two distinct elements. The first is abundant use of balanced sentences, alliterations and other artificial prosodic means. The second element is the use of odd similes and comparisons.Spenserian stanza: It refers to a stanza of nine lines, with the first eight lines in iambic pentameter and the last line in iambic hexameter. 斯宾塞诗节新诗体,每一节有9排,前8排是抑扬格五步格诗,第9排是抑扬格六步格诗。

文学英语词汇大全了解经典文学作品的专业术语

文学英语词汇大全了解经典文学作品的专业术语

文学英语词汇大全了解经典文学作品的专业术语文学作品是人类智慧与情感的结晶,它们通过语言表达思想,启迪读者的想象力与情感。

作为文学爱好者,了解并掌握相关的文学英语词汇是必不可少的。

本文将介绍一些经典文学作品中常见的专业术语,帮助读者更好地理解文学作品。

一、小说常用词汇1. Protagonist(主角)- 故事的中心人物,通常是发展故事情节的主要推动力。

2. Antagonist(对手)- 与主角相对立的人物,通常是制造冲突和故事发展的阻碍者。

3. Plot(情节)- 故事的基本框架,包括起承转合等不同部分。

4. Setting(背景)- 故事发生的地点和时间背景。

5. Conflict(冲突)- 故事中出现的矛盾和问题,是推动情节发展的驱动力。

6. Theme(主题)- 故事的核心思想或主旨。

7. Foreshadowing(暗示)- 在故事中提前暗示后续发展的情节或事件。

8. Symbolism(象征主义)- 通过特定的符号或象征来传递更深层次的意义。

9. Irony(讽刺)- 用逆转的手法展示出与表面相反的结果或意义。

10. Point of view(视角)- 故事叙述的角度,可以是第一人称、第三人称等。

二、诗歌专业术语1. Rhyme(押韵)- 诗歌中相邻句子或词语的音韵相同或相似。

2. Meter(韵律)- 诗歌中由重音和轻音组成的节奏。

3. Stanza(诗节)- 诗歌中的一组排列整齐的行。

4. Simile(明喻)- 通过使用"like"或"as"来进行比喻的修辞手法。

5. Metaphor(隐喻)- 直接将一个事物比作另一个事物的修辞手法。

6. Personification(拟人)- 赋予非人事物以人类特征的修辞手法。

7. Alliteration(头韵)- 诗句中多个字母或音节以相同的辅音开头。

8. Assonance(押韵)- 诗句中多个字母或音节以相同的元音结尾。

常用英美文学术语

常用英美文学术语

常用英美文学术语下面是店铺整理的一些常用英美文学术语,欢迎大家阅读!01. Humanism(人文主义)Humanism is the essence of the Renaissance.2>it emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.02. Renaissance(文艺复兴)The word“Renaissance”means“rebirth”, it meant the reintroduction into westerm Europe of the full cultural heritage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3>the real mainstream of the english Renaissance is the Elizabethan drama with william shakespeare being the leading dramatist.03. Metaphysical poetry(玄学派诗歌)Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit, the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods, and echoes the wordsand cadences of common speech.4>the imagery is drawn from actual life.04. Classcism(古典主义)Classcism refers to a movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.05. Enlightenment(启蒙运动)Enlightenment movement was a progressive philosophical and artistic movement which flourished in france and swept through western Europe in the 18th century.2>the movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality, equality and science. It advocated universal education.5>famous among the great enlighteners in england were those great writers like Alexander pope. Jonathan swift.etc.06.Neoclassicism(新古典主义)In the field of literature, the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3>they believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.07. The Graveyard School(墓地派诗歌)The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life. Past and present, with death and graveyard as themes.2>Thomas Gray is considered to be the leading figure of this school and his Elegy written in a country churchyard is its most representative work.08. Romanticism(浪漫主义)1>In the mid-18th century, a new literary movement called romanticism came to Europe and then to England.2>It was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticism gave primary concern to passion, emotion, and natural beauty.3>In the history of literature. Romanticism is generally regarded as the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and experience. 4>The English romantic period is an age of poetry which prevailed in England from 1798 to 1837. The major romantic poets include Wordsworth, Byron and Shelley.09. Byronic Hero(拜伦式英雄)Byronic hero refers to a proud, mysterious rebel figure of noble origin.2>with immense superiority in his passions and powers, this Byronic Hero would carry on his shoulders the burden of rightingall the wrongs in a corrupt society. And would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with unconquerable wills and inexhaustible energies.3>Byron’s chief contribution to English literature is his creation of the“Byronic Hero”10. Aestheticism(美学主义)The basic theory of the Aesthetic movement---“art for art’s sake” was set forth by a French poet, Theophile Gautier, the first Englishman who wrote about the theory of aestheticism was Walter Pater.2>aestheticism places art above life, and holds that life should imitate art, not art imitate life.3>According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake, can it be immortal. They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style.4>This is one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.美学运动的基本原则”为艺术而艺术”最初由法国诗人西奥费尔.高缔尔提出,英国运用该美学理论的第一人是沃尔特.佩特.美学主义崇尚艺术高于生活,认为生活应模仿艺术,而不是艺术模仿生活.在美学主义看来,所有的艺术创作都是绝对主观而非客观的产物.艺术不应受任何功利的影响,只有当艺术为艺术而创作时,艺术才能成为不朽之作.他们还认为艺术不应只关注一些热点话题如政治和道德问题,艺术应着力于以华丽的风格张扬美.这是对维多利亚工业发展时期物质崇拜的一种回应,也是向艺术为道德或为金钱11. Critical Realism(批判现实主义)Critical Realism is a term applied to the realistic fiction in the late 19th and early 20th centuries.2>It means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues.3>Realist writers were all concerned about the fate of the common people and described what was faithful to reality.4>Charles Dickens is the most important critical realist.而服务的维多利亚传统的挑战.12.The Victorian period(维多利亚时期)In this period, the novel became the most widely read and the most vital and challenging expression of progressive thought. While sticking to the principle of faithful representation of the 18th century realist novel, novelists in this period carried their duty forward to criticism of the society and the defense of the mass.2>although writing from different points of view and with different techniques, they shared one thing in common, that is, they were all concerned about the fate of the common people. They were angry with the inhuman social institutions, the decaying social morality as represented by the money-worship and Utilitarianism, and the widespread misery, poverty and injustice.3>their truthful picture of people’s life and bitter and strong criticism of the society had done much in awakening the public consciousness to the social problems and in the actualimprovement of the society.4>Charles Dickens is the leading figure of the Victorian period.13. Modernism(现代主义)Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2>modernism takes the irrational philosophy and the theory of psycho-analysis as its theoretical case.3>the term pertains to all the creative arts. Especially poetry, fiction, drama, painting, music and architecture.4>in England from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions. fresh ways of looking at man’s position and function in the universe and many experiments in form and style. It is particularly concerned with language and how to use it and with writing itself.14. Stream of consciousness(意识流)(or interior monologue)In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized byassociative leaps in syntax and punctuation that can make the prose difficult to follow, tracing as they do a c haracter’s fragmentary thoughts and sensory feelings. Famous writers to employ this technique in the English language include James Joyce and William Faulkner.学术界认为意识流是一种通过直接描述人物思维过程来寻求个人视角的文学写作技巧。

英美文学名词解释汉语版

英美文学名词解释汉语版

英美文学名词解释汉语版
1. 小说 (Novel): 是一种长篇的虚构故事,通常以人物形象和情节为主要构成要素。

2. 散文 (Prose): 是一种以自由的、非诗歌形式的文学作品,通常有较为正式的句子结构和逻辑表达方式。

3. 诗歌 (Poetry): 是一种以押韵、节奏和音乐性为特点的文学形式,通常用比喻、象征和意象来表达作者的情感和观点。

4. 戏剧 (Drama): 是一种能够在舞台上演出的文学形式,通常包括对话、角色互动和舞台指导。

5. 悲剧 (Tragedy): 是一种戏剧类型,通常描绘了主角在命运和自身缺陷之间的斗争,并以悲惨结局告终。

6. 喜剧 (Comedy): 是一种戏剧类型,通常以幽默和滑稽情节为特点,旨在给观众带来愉快和欢笑。

7. 叙事诗 (Epic poem): 是一种长篇叙事诗歌,从古代传统英雄故事中派生而来,通常讲述了一个英雄或重大事件的史诗式叙事。

8. 短篇小说 (Short story): 是一种长度较短的虚构故事,通常聚焦于一个具体的事件或角色,呈现出作者的观点或主题。

9. 传记 (Biography): 是一种通过详细描述一个人的生平和事迹来记录他们的生活和成就的文学作品。

10. 自传 (Autobiography): 是一种以作者自己的经历和回忆为基础写成的传记,通常描绘了作者的成长经历和个人观点。

英美文学术语(英文版) literary terms

英美文学术语(英文版) literary terms

英国文学Alliteration:押头韵repetition of the initial sounds(不一定是首字母)Allegory:寓言a story with two meanings, a literal meaning and a symbolic meaning.Allusion:典故a reference in a literary work to person, place etc. often to well-known characters or events. Archetype:原型Irony:反讽intended meaning is the opposite of what is statedBlack humor:黑色幽默Metaphor: 暗喻Ballad: 民谣about the folk logeEpic:史诗in poetry, refers to a long work dealing with the actions of gods and heroes.Romance: 罗曼史/骑士文学is a popular literary form in the medieval England./ChivalryEuphuism: 夸饰文体This kind of style consists of two distinct elements. The first is abundant use of balanced sentences, alliterations and other artificial prosodic means. The second element is the use of odd similes and comparisons.Spenserian stanza: It refers to a stanza of nine lines, with the first eight lines in iambic pentameter and the last line in iambic hexameter. 斯宾塞诗节新诗体,每一节有9排,前8排是抑扬格五步格诗,第9排是抑扬格六步格诗。

英美文学_英美文学术语大全

英美文学_英美文学术语大全

《英美文学_英美文学术语大全》摘要:rlrgll, " g g b" r r x r b l r, r , r xggr r r r r l r rk r, rk, brrg r r r r rr r g rr glg k r xr_r_r, r ( R, lr llg) r b g r r r ll r lrbl, , rrl, rrl Lk r grv lgg, r rv lr rv r lll b r lr lr, lk r,kg, ll lv B vlr r lg r, l lg, r g, b rl l l r g lg , b r r lgr l rbg g r l rr l l下面是编整理些英美学术语全欢迎!r (氛围)rvlg r lg lrr rkbgr (传)r r r l3 Bll (民谣)rrv r z, r , lk rg b g r rv b r bll r L bllr, " ," l g k, lr r rrv, ll bll vlv, l r , lg k r rg r r g g r r k rl bll (lr bll r lk bll), r rll; br bll, r l gl ; lrr bll (r r bll), rl bllBll z (民谣诗节)rl z, r r l v r r r r llbl; r l v r r5 Bgr (传记)l r l r b r r传记由他人篆写关某人生平详细记录6 (对仗)blg rg , r, r对仗两组相对思想言辞词句平衡7 r (警句), xrg r lvr brv b l警句蕴含关人生真理明智看法精练语句8 (旁白)lg r l r b r r g旁白只说给观众而认不会让台上其他演员听到段对话9r (呼语)r r b r gr r r r br, ll gr r r呼语直接称呼不场或虚构人物或称呼拟人事物尤指作演讲或作程离题话0 (类韵)r lr vl , ll r类音类韵相或相似元音重复尤其指诗歌重复llgr (寓言)l vr r r rr, , r g rr br r rl qlr gg r r llgr r lrr vr lr r g, "B l " r, llgr r rgr v r g gg rl l lgg llgr q lgg gv r, lgl r , l r rl l rg R r r b llgr bl lrg, bl k r " llgr b rl br rlgg," b " bl l rk rl k llgbl"寓言讽喻种学、戏剧或绘画艺术手法其人物和事件代表抽象观、原则或支配力llr (头韵)llr r l l r gr rllr r, b lr r llbl头韵组词开头或重音节对相辅音或不元音重复3ll (故)rr r, l, v, r lrr rk rr x rr rgz r故作者对某些者熟悉并能够作出反映特定人物地事件学作品引用lg (类比)r b g lr b类比了两事物出差别而进行比较5 g (反面主角)rl rr rg r r r r rrv r r反面主角叙事学或戏剧与男女主人公或英雄相对立主要人物6Blk Vr (无韵体诗)Vr r r b r l r 50 r r, rl rr, v rg gl qvl Vrgl&#39; r l xr Grb (56), kvll r r blk vr r, r rl kr 590 l rg r r L (667)7 r (休止)brk r l r8 ()rl v lg诗首长诗主要部分9 rr (夸张讽刺)xggr r r k gr r r rl夸张讽刺了使人物显得可笑而使用夸张或扭曲人物形象手法0 rrz (人物刻画)b rr rvl rl rr人物刻画作者表现作品人物性格方法l (古主义)v r r, lrr, r rl rl r Gr R古主义种学艺术音乐领域体现古代希腊罗马风格运动lx (高潮)gr , r, r rrv3 (喜剧)r rk r r rl ll rl l喜剧轻松和常有幽默感或调子上是讽刺戏剧作品常包括主题冲突愉快(奇想)k r k r b rlgl r g l, g xr_r_r r , ll r x r奇想种截然不事物建立起比喻5 l (冲突)rggl b g r r rr r r, vl, l, r rrv冲突故事说戏剧相对力量和人物对立6 (外延)ll r r r r外延包括单词面思外或被该词汇唤起全部涵义7 (辅音韵)r r r, ll r辅音韵辅音或辅音模式重复尤指位词尾8 l (双韵体)vr g v l, ll rg vg r rg l g r双韵体包括两相连诗行种诗单位通常压韵并具有样格律常组成完整思和句法单位9 r l (英雄双韵体)l r b r ll r l英雄双韵体五步抑扬格双韵体称英雄双韵体30 (涵)lrl r r g r直接义词面义或词义3 (结局)l rl r lr r r rrv l结局戏剧或叙事场景结3 (措辞)rr r r rg, rlrl r lr, v, r措词讲话或写出表述清晰言简赅对词语使用或选择33 (不协和)r r grbl b ; r3 r lg (戏剧独白)k rrv rr k r r lr rl r gv35 lg (挽歌)r g ll l r r挽歌挽诗专门悼念某死者所写诗或歌36 bl g (象征)vrbl r gr lg r rl r rlg g37 (史诗)x rrv lv r g lgg, lbrg lgr r rl r rlg vl r rg r r r rl r r r b g r br r r Lr lrr gr r b , r L, r Rg gr r r l l Br lrr r, l Bl rg R, rl r z史诗用严肃或庄重语言写成叙事长诗歌颂传奇或历史上英雄丰功伟绩38 gr (隽语), lvr, rxl , ll r隽语简明机智常常似是而非陈述,常以诗形式出现39 gr (引语开场白)r q bgg lrr , g r引语部学作品开头引言警句阐明主题0 lg (结语收场白)r r lg lrr rk, lg r rr l ll , l ll rr结语学作品结束简短附加或总结性节常常关作品人物也作义上也可称作 rr(顿悟)ll, ll rr r r rk顿悟对现实真谛顿悟或洞察,通常出现作品结尾(墓志铭)r b r r r b墓志铭刻墓碑上用以怀念死者碑铭3 (表述词语)r rrz r r g表述词语用表示某人某物特性表达(散)r lrr gl b, ll rg rl v r散容通常论及主题短通常表达作者人观5 xl (说教故事)l, ll r x r, llr rl rl说教故事种短体现某种道德原则故事性通常出现布道6 bl (寓言)br r l r rl, r rl l寓言种体现某种道德观念或实用价值说教性7 r (轻喜剧)k b rl , r rr轻喜剧种以可笑情节基础喜剧通常包含固定角色8 grv Lgg (象征性语言)Lgg b rr lrl象征性语言不能直接用面义理语言9 gr (比喻)r r xr b rr lrl比喻不能直接按照面义理词语或表述方法50 lbk(倒叙)lrr v rlr v r rrv倒叙闪回镜头种学或电影表现手法往往段按正常顺序记叙叙事插入件以前发生事情5 l (陪衬)rr r rr b r陪衬用反衬其他人物人物5 rg (铺垫)r l rrv gg ll lr铺垫用预示将要发生事情线或暗示53 r vr (由诗体)Vr r rl r r rglr r由诗体既不具格式韵律又不具常规格律诗体5 rbl (夸张法)gr xggr r r夸张法种比喻使用夸张强调或产生某种效55 b r (五步抑扬格)l g v vr , b , r llbl ll b r llbl五步抑扬格种诗句形式每行诗句包含五抑扬格音步56 gr(象)r r r r r, r g, rr象用者思维唤起某种图示或形象词汇57 rl r (递进重复)r rv l r l, b lg vr v rrv z b z递进重复诗歌对上行或几行重复但每次重复都有定变化而且每节重复叙述都有所强化58 vr (倒装句)q rvrg, r vrg rl r rr倒装句种将句子正常表达方法倒置技巧59 v (开祷告)ll , g r r r r bgg r r开祷告史诗或诗歌开企神灵给予启示60 r (反语)r b rll , r b x ll反语种建立面表述和真实义上或期待产生结和真实结对比6Kg (隐喻语)grv, ll xr l r , ll l gl l r r r xl, r r kg r bl隐喻语尤指古英语和古斯堪纳维亚语诗种比喻性表名或名词常用复合表达方式如剑风暴是战争隐喻语6 Lr (抒情诗), ll r , xr kr rl g r lg抒情诗种用抒发作者感情或思想短诗63 q (假面剧)r r, ll rr b k lr rrg lgl r llgrl gr, lr gl 6 rl 7 r假面剧种戏剧性娱乐由代表神话或寓言人物佩戴面具者表演该娱乐形式6世纪和7世纪早期英国很流行6 lr (情节剧)r r rr, xggr , l llg r r r g llvl vll65 r (隐喻)gr r r r rrl g g g r, kg l r隐喻种语言表达手法通常用指某物词或词组指代他物从而暗示它们相似处66l r (玄学派诗歌)7r gl , vr rrz b llll llgg l x r rg vr lr g l r b vrbl x, g rr, rrglr r, llql lgg, lbr gr, rg gr lr玄学派诗歌7世纪英国诗人诗歌这种诗歌特是风格极具智慧引人深思善用引申暗喻对比极其不事物67 r (格律)grll rglr r r r llbl r格律诗歌通常重音节和非重音节排列模式68 (喻)gr r r r b r r ll喻种词或词组被另与有紧密系词或词组替换修辞方法69 k (讽刺史诗)lrr r r rvl b gr, r l讽刺史诗种用史诗宏风格描写微不足道事情喜剧形式70 (主旨)rrr l r r lrr rk主题艺术品或学作品反复体现、揭示主题部分7 v (动机)r, r r l, r rr bvr动机引发作品人物行理由7 (神话)r, b rl rlg rl, gv g r rl神话种释世界上神现象关神灵或宗教仪式有系故事73 rrv (叙事诗)ll r叙事诗讲述故事诗歌7 rrr (叙述者)rr r ll r叙述者讲述或叙述故事人75 rl (然主义)r rbg rl l r l lrr, xr r rl然主义学精确地描述人类现实环境实践,现实主义高表现形式76 l (新古主义)rvvl lrr l 7 8 r, rrz b rgr r ll l r, r, rr l新古主义7、8世纪晚期学复兴以尊重古代型推理形式和严谨体特征77 vl (说)bk lg l r rrv, vg rr lx l说虚构叙述性有定长较多人物和思想复杂情节78 v (八行诗)gl r z79 (颂)lx lg lr , r g rl l l r r b颂种复杂具有定长诗歌通常以高贵风格写成用表述些高尚或严肃主题80 (拟声)r r r b g b r rr拟声通模仿事物或行动声音构词方法8 xr (矛盾修饰法)rrl gr b r rr r r b, g l rl矛盾修饰法种把相矛盾或不调和词合起修辞手法如"震耳欲聋沉默"和"悲伤乐观"8 rx (似非而是)rvl k r, lg r b lrr r rl r r lrr r r rv r rl r x r lg似非而是种面上看起相矛盾却体现着定真理说法83 rlll (并行)r, l, r r lr r lr rr r g并行结构或义相近词汇子句句子并用8r (模仿诗)r rk r r r rlrgll, " g g b" r r x r b l r, r , r xggr r r r r l r rk r, rk, brrg r r r r rr r g rr glg k r xr_r_r模仿诗种取得喜剧或嘲讽效而对某艺术作品进行滑稽模仿85 rl (田诗)k , l lz r r l田诗种用理想手法体现牧羊人乡村生活诗歌86 (悲怅)ql rk lrr r r r rr lg , rr, r r rr悲怅学艺术作品种引发者怜悯情或伤感特质87 r (拟人)gr b r br r ql r r rr g r q rg br, g, r l r k r, r r br , lk lv, l b V, r vrl, k b l k lk 拟人给无生命东西或者抽象东西赋予人性或绘以人形象88 l (情节)l v r r vl, rrv r r情节说故事,或戏剧事件概要或主要故事89 v (视角)r r r r视角作者阐述故事角90 rg (主角)rr r r r lrr rk主角戏剧或其他学作品主要人物9 l (赞美诗)g r lr r G赞美诗用颂扬上帝诗歌或抒情诗9 (双关语)r r r gg r r g双关语用词表示两涵93 Qr (四行诗)z r r l9 Rl (现实主义)rr r r lrr b, , r l ll r, lz r r br r r r, rr rvl r r, rv klg, r, g vr vl, q rg G vr现实主义艺术或学将事物行或社会状况按其起初情况进行表现而不用模糊形式表现或理想化95 Rr (副句)r, vr, r gr vr r rvl rg g r , ll z副句副歌短语、句诗或组诗句首歌或诗每隔段重复次尤其每诗节结尾处96 R (压韵)r r r r r r r l r ( R, lr llg) r b g r r r ll r lrbl, , rrl, rrl Lk r grv lgg, r rv lr rv r lll b r lr lr, lk r压韵音两或两以上词汇或短语重复97 R (格律)rrg r r llbl r重音节和非重音节固定排列模式98 R (传奇故事)gv lrr lz rl l r vr bl b g vl传奇故事设定想象世界以英雄冒险和善恶斗争题材学作品99 R (浪漫主义)r lll v rgg r l 8 r vl xr g, rr r r l浪漫主义起8世纪末期欧洲种重人情感和想象力表达艺术和知识上运动它与古主义观和形式相悖00 r (讽刺)k rg l rl r k rgg vl, r grlkg rrv rl r, , , ll, r, bl讽刺种讽刺人习俗或人性缺或错误体0 (韵律分析)l vr r r韵律分析将诗划分成音步分析方法0 (六行诗)xl r z03 g (背景), l, r rrv, r, r vl k l背景记叙、戏剧或说发生、地和环境0 l (明喻)r b g rg r r明喻两种事物借助比喻词汇进行比较05 llq (独白)r r lrr r r rr rvl rr g l r r r r rr独白种戏剧或学说话形式其某角色独人或不知道其他角色存情况下展示角色思想06 g (歌)r lr l ql, rll r b歌种具有型音乐特征抒情诗体通常谱曲而作07 (十四行诗)l vr r ll r b r十四行诗种由十四行组成诗歌形式通常以五步抑扬格押韵形式08 r z (斯宾塞诗体)l z llg r bbbb09 r (识流)l rg rl l rr g, lg rl, l g rr xr识流种模仿作品人物思想思维精神活动然程写作技巧0l(风格)r rr rg ,r b r, rrg r , rl r风格由词汇选择句子词汇安排句子关系形成某作特定写作方式(悬念)ql r, vl, r r k rr r r b v悬念说故事戏剧所具有使者对结局产生不安或紧张感觉特质bl (象征)b, r, l, r g l l r g lrgr l, ql, , r bl象征身具有义用体现高身义思想观人物行地3 bl (象征主义)lrr v l9 r, rrz b bl rr g象征主义十九世纪种学潮流运用象征体现事物(提喻法)gr r r l提喻法种以局部代表整体修辞方法5 rz r (三行体)l vr r g r r l z l l z r r r l llg z(b bb , ) 6 (主题)grl r g b l rr xr lrr rk作者作品表现对生活总观或看法7 (调子)rr k r r r b, rr, r调子作者对作品主题人物和者所持态8 rg (悲剧)grl, lrr rk rg r r悲剧以主人公可悲或灾难性结局结束故事9 (睿智)brll qk r b lvr xr睿智巧妙思维和睿智表达结合0x (评)r rrv r r, r bkgr r rvl评记叙或戏剧向者介绍主要背景情况部分ll rg 8 r, r r g l, r rl rl l l l 7 r B, v r r rl gl vl l rl l bl lrr rk Rr l; Gl Vr kl; r l r rg r l r, v Gr lg r r rr, Gl r Vllg, r k, vr bl lr lr l rrr lrr r k gl R k r l v gv xr_r_r lg r r b, v3 Rlrl v rg brg k r r , z bl bg, vr g brv g r r r r rlg g rgll rvvl ll r lrg r rk g br g r l l r xr r rg brg kr, r, rl r ll lrr gr rlglg rgrv lll v, vr gl r l r r 8 r lg r rr kg lgr rv lr l r rl b brg lg5 R Ll r , , b r x l6 RR l vr ( l l), g r l r, bgg, r rl r, l7rl ; gl, llbl g lg llbl r llbl8 Grr l ll lrgr r lrr v, rgl lg "" blg Grk k r gr rlr, , r r gr, r r bgr r r b r, r xl, r br b rk (g, vl) rk (g, ) l gr, b vl r, r r r b kg lrr r l l b g r r v lv9 rr r b B l rg r, rg lg lg , lq b, lr l r vr rr r r, rr r lk rr30 rl RR l, rr bgg (l r) r ( r); l, r g l l3vlrvlr r rr kg, ll lv B vlr r lg r, l lg, r g, b rl l l r g lg , b r r lgr l rbg g r l rr l 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英美文学术语大全

英美文学术语大全

英美文学术语大全下面是店铺整理的一些英美文学术语大全,欢迎大家阅读!1.Atmosphere (氛围)The prevailing mood or feeling of a literary work.2. Autobiography (自传)A person‘s account of his or her own life.3. Ballad (民谣)A narrative poem in short stanzas, with or without music,often of folk origin and intended to be sung. The term derives by way of French ballade from Latin ballare, "to dance," and once meant a simple song of any kind, lyric or narrative, especially one to accompany a dance. As ballads evolved, most lost their association with dance, although they kept their strong rhythms. Modern usage distinguishes three major kinds: the anonymous traditional ballad (popular ballad or folk ballad), transmitted orally; the broadside ballad, printed and sold on single sheets; and the literary ballad (or art ballad), a sophisticated imitation of the traditional ballad.4. Ballad Stanza (民谣诗节)A type of four-line stanza, the first and the third lines have four stressed words or syllables; the second and fourth lines have three stresses.5. Biography (传记)A detailed account of a person‘s life written by another person.传记:由他人篆写的关于某人生平的详细记录。

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1.An image is initially thought as a verbal picture, an object seen, or the concrete representation of the outward form of a person. An image can also be what is heard or what is felt: a sound, a touch, an odour, a taste and any bodily sensation. Broadly defined, and image is a word or a sequence of words which refers to any sensory experience.2. A symbol is a special kind of image, for it exceeds the image in the richness of its connotations. It is usually a visual object or an action which suggests some further meaning in addition to itself. By tradition, a rose is thought to represent love, a cross Christianity, and a national patriotism.3. The Lost Generation refers to the group of American writers who came of age during World War I and established their reputations in the 1920s. The writers considered themselves “lost” because their inherited values could not operate in the postwar world. The term is commonly applied to Hart Crane, Ernest Hemingway, F. Scott Fitzgerald and others.4. In West European literature, critical realism is the traditional inheritance and development of realism; it is one of the specific literary thought and creative method in the 19th century. Critical realism refers to those novels which reflects the real life of society in 19th century through the descriptions of the relationship among people and a show of the real world and reveals the contradiction and dark aspects of the society.5. Puritanism is a Protestant movement which spread its influence into the New England colonies in the 17th century. The American Puritanism believed that the Church should be restored to the “purity” as established by Christ himself. They accepted the doctrine of predestination, original sin, total depravity and limited atonement.6. Rhyme occurs when two words or phrases contain an identical or similar vowel sound, usually assented, and an identical consonant sound that follows the vowel sound. Rhyme is the major sound element, which contributes to the music of poetry.7. Romanticism was an artistic, literary and intellectual movement that originated in Europe toward the end of the 18th century. It heightened interest in nature and lay emphasis on the individual’s expression of emotion and imagination.8. Personification is an expression in which an object or an abstract concept is made human or endowed with animate or living qualities.When we say, “The yellow leaves flaunted their colors gaily in the wind.”we give the yellow leaves a human behavior and thus make them look like human.9. Sonnet is a poetic form which originated in Italy, By the thirteenth century it signified a poem of fourteen lines that follows a strict rhyme scheme and specific structure. In English, both English type (Shakespearean) sonnets and Italian type (Petrarchan [,pi'trɑ:kən) sonnets are traditionally written in iambic pentameter lines.10. The Stream of Consciousness is the continuous flow of sense-perceptions, thoughts, feelings, and memories in the human mind or a literary method of representing a blending of mental processes in fictional characters, usually in an unpunctuated or disjointed form of interior monologue.11.Alliteration is the repetition of the same consonant sound in a line, especially at the initial letter of successive words, e.g. “The sun sank slowly”and “Round the rocks runs the river.”The alliteration leads to repetition and music, and thus creates power aids to memory.12. Transcendentalism is a literary movement that flourished during the middle 19th century. Transcendentalism can be defined as the recognition in man of the capacity of knowing truth intuitively, or of attaining knowledge transcending the reach of the senses.13. Assonance is the repetition of the same sound in a line. Like alliteration, it may occur at the beginning of words, e.g “al l the aw ful au guries.” or within the words, e.g. “I r o se and t o ld of my w o e”Assonance creates music which draws attention to the sound, creates emphasis and makes the particular words and phrases memorable.14. A simile is a direct comparison of two different things, usually using connectives like “as”, “like” and “than”. A metaphor is an indirect or hidden comparison of two different things, usually by equating the two or by replacing one with the other.15. Hyperbole is a statement containing an exaggeration. For example, if one says, “I have told you a thousand times,” one does no mean “thousand times” literally. It is a deliberate exaggeration which is employed for the purpose of emphasis.16. Connotation: all the emotions and associations that a word or phrase may arouse. Connotation is distinct from denotation, which is the literal or “dictionary” meaning of a word or phrase.17. Essay: a piece of prose writing, usually short, that deals with a subject in a limited way and expresses a particular point or view. An essay may be serious or humorous, tightly organized or rambling, restrained or emotional.18. Irony: A contrast or an incongruity between what is stated and what is really meant, or between what is expected to happen and what actually happens. Three kinds of irony are (1)verbal irony, in which a writer says one thing and means something entirely different (2)dramatic irony, in which a reader or an audience perceives something that a character in the story or play does not know; (3)irony of situation, in which the writer shows a discrepancy between the expected results of some action or situation and its actual results.19. Humanism refers to the main literary trend and is the keynote of English Renaissance. Humanists took interest in human life and human activities and gave expression to the new feeling of admiration for human beauty, human achievement.20. A ballad is a form of verse, often a narrative set to music. Ballads were particularlycharacteristic of the popular poetry and song of the British Isles from the later medieval period until the 19th century used extensively across Europe and later the Americas, Australia and North Africa.。

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