珐琅彩英文介绍

清“康乾盛世”是中国历史上发展程度最高、最兴旺繁荣的时代，当时的帝王励精图治，完成了古代圣贤所订定的为政最高标准——国富而民庶。康熙帝在位61年，集中精力孜孜求治，行“宽仁之政”，采取宽赋等系列政策措施，开创了中国封建社会的130多年的盛世。国泰民安是艺术创作的基础。康熙帝在位期间，积极发展社会生产，拓展与外界的联系，珐琅彩瓷正式在这样的盛世之下产生的。

康熙帝对珐琅彩瓷十分重视，在故宫养心殿设窑炉，亲自参与瓷器的烧制，在皇帝的亲历亲为的条件下，珐琅彩瓷器的制作技术也更臻于完美，使得珐琅彩以崭新的面貌在中国陶瓷史上翻开了史无前例的篇章。珐琅彩瓷器作为清康乾盛世的秘制秘藏之物，无论在制作工艺上，还是在艺术格调上都反映了那个时代中外文化交流和中国瓷器艺术制作的辉煌成就。

珐琅彩亦称瓷胎画珐琅，是吸取了铜胎画珐琅的技法，在瓷质的胎上，用各种珐琅彩料描绘而成的一种新釉上彩瓷。清康熙时，铜胎画珐琅技法被成功移植到瓷胎上，珐琅彩瓷由此诞生。

自诞生之时起，珐琅彩瓷的制作就不同于其他瓷器。珐琅彩是在问世之初就由皇帝直接督办，选取景德镇御窑厂烧制的上好白瓷素胎，经宫廷画师出具样稿、绘画、填彩等工序之后，将其放入宫内窑炉由皇宫内“造办处”烧制，生产过程受皇室亲自监控及严谨审查。

珐琅彩细润的胎瓷、精致的画工、明艳的色彩，尽显皇室雍容华贵的风采；瓷、画、料都带着皇家气派，成为专供皇室御赏极名贵的

一种宫廷御用瓷。

瓷胎画珐琅的创烧，与康熙皇帝对画珐琅的喜爱有密切关系。其兴起于康熙年间，在乾隆末年没落，是“庶民弗得一窥”的御用品。具有极高的文化价值和艺术价值。著名古瓷专家叶佩兰女士对瓷胎珐琅彩做过如下评价“宫廷秘藏，制作不易，传世极少，难以估量其价格”。据2012年拍卖年鉴记载，一件清乾隆蓝地珐琅彩双龙莲纹碗以人民币50,236,740.00元成交。珐琅彩瓷的艺术价值及收藏价值正不断升高。

玉瓷珐琅彩是我公司经长期细酌研制而成，采用传统制作与现代科技相结合，将古代瓷胎珐琅彩艺术工艺、掐丝珐琅器艺术效果及书画艺术完美结合，应用到玉瓷装饰中。玉瓷珐琅彩瓷质细润，色如凝脂、内壁洁白、色泽鲜艳明丽、画工精致；在光照之下，胎釉透亮、光泽如玉。采用现代技术烧制的玉瓷珐琅彩瓷器，同样具有极高的艺术鉴赏价值、文化价值与收藏价值。

玉瓷珐琅彩继承了历史上中国陶瓷发展以来的各种优点，技术上融合现代创新工艺，对工艺流程、用料、色料进行创新，全部采用天然矿物质原料，采用自生釉工艺，烧成温度由800度提高到1300度，做到了无毒无害，铅镉溶出量真正达到了国际国内的相关标准和要求。胎釉中含铁量低，含钾量高，烧成后外观甜净，温润高贵，其工艺精湛程度远非其他瓷器所能比，堪称瓷器中的“贵族”。

Ｂｒｉｌｌｉａｎｔ Enameled Porcelain

Ｉｎ Kangxi-Qianlong Era

Kangxi-Qianlong Era in Qing Dynasty presents the most thriving and prosperous age in Chinese history,emperors in this period made every effort to reach the highest development of making the people and the nation more wealthy and much stronger. Emperor Kangxi, reigns for 61 years , he took series of benevolent policy measures, to enhance national development and strengthen the trade overseas,creating a peaceful and prosperity feudal nation which lasted for 130 years,and just in this harmonious time, the Enameled Porcelain came into our eyes occasionally but naturally.

Emperor Kangxi was fond of Enameled Porcelain and paid more attention on it, he set an Imperial Kiln in the Hall of Yangxin in Forbidden City , as an emperor,he participated in firing the porcelain,with his great enthusiasm , the Enameled Porcelain manufacture workmanship was growing faster,and the technology of it is close to be perfect at his time, the Enameled Porcelain,a newly founded porcelain,opens an unprecedented new chapter in the Chinese ceramics history. And as the royal possessions,the fine Enameled Porcelain ,whether its technology or artistic style,both reflect the brilliant achievements of the production of Chinese porcelain art and the cultural exchange between China and foreign countries at that time.

Enamel,also known as porcelain body painted enamel, came from the inspiration of Enameled bronze ware technique, enameled bronze ware painting techniques had been successfully transplanted to the porcelain body in Emperor Kangxi times,glazing the porcelain body after depicting a variety of enamel on it, that's the Enameled Porcelain.

The production of Enameled Porcelain is quite different from other porcelain since its beginning. The whole production process is personally supervised by the emperor ,the needed white prime material was strictly selected from the Official kiln in Jingdezhen,where the high-standard plain porcelain body had been made,then the plain porcelain body would be transported to the Imperial Kiln in the palace ,after designing,drawing and painting by the court painter, it would be baked, the whole manufacture process was monitored and rigorous reviewed by the royal family.

Both of its fine,smooth porcelain body and exquisite painting with vibrant colors are splendid and magnificent,fully demonstrate the kingly imposing manner , it's destined exclusively for the royal court .

The development of the Enameled Porcelain rose in Emperor Kangxi times, declined in late Emperor Qianlong,it 's dedicated to Imperial court, it has such a high cultural and artistic value, that the common people never had the