SANAA的台中城市文化中心竞赛方案

SANAA的台中城市文化中心竞赛方案（第一名）

项目概况：

竞标项目名称：台中城市文化中心 Taichung City Cultural Center

造价预算：约新台币24.1亿元

基地面积：共计约2.6公顷

投标单位：妹岛和世+西泽立卫/ SANAA 国籍：日本

共同投标单位：刘培森建筑师事务所

Tenderer: Kazuyo Sejima + Ryue Nishizawa / SANAA Nationality: Japan

Joint Tenderer: Ricky Liu & Associates Architects+Planners / Ricky Liu Nationality: Taiwan (ROC)

评委名单：安郁茜、Kurt Forster、刘育东、潘冀、彭云宏、Linda Pollak、仙田满

获奖名次：第一名 First Prize

设计概念Design Concepts（中文翻译）：

台中城市文化中心将建于台中水湳经贸园区内，基地位在水湳经贸园区北端，经贸园区从总体规划南端延伸到北端，跨越由山丘、树木、微气候设备创造出的各种气候区域。文化中心将包含市立美术馆及市立图书馆，共用公共设施及能将活动延伸到邻近公园和城区的公共广场。

我们将台中城市文化中心想像成公园和城市的延伸，随着设计和文化需求从城市延伸到建筑物本体，景观如同空气、灯光、花园、平台一般，延展到建筑物里面。访客可邻着花园中庭，享受阅读时光：亦可在以公园为背景的展览空间内看展。同时，由于工作坊有机会向平台延伸，常保活动与自然亲近。

本建筑物有十个大小不一的空间单位，满足各种设计需求。有些空间在地面上，有些空间则悬浮着，为其下各种公共空间提供遮荫。这些空间的悬浮，使建筑物各面互相连结，风从建筑物底下舒适的公共空间吹过。根据设计需求，各种空间或紧邻、或彼此交集，与环境产生

关系。例如，提供各种装置展示的Project Room（展厅）就与入口大厅及展览空间相连着，并且对外面向着公园，欢迎着访客走进文化中心。

整个建筑物具通透性，透明程度不一。藉由移转不同设计需求的空间，交错出许多中庭似的空间环境，丰富访客的体验。空透的设计，使访客视线可穿透建筑物内各式活动。各种视觉关系应运而生—不管是横穿过建筑物的、或在建筑物上方或下层—缤纷而富有动态感。靠近这个建筑物，从外墙看到里面的活动，就是因为这样，每一次的造访都是全新的感受。

我们希望建筑物成为景观的一部份，而地景随着人口增长而变化，我们希望在地台中居民成为形塑文化馆的一份力量，将文化馆内的活动呈现到公园里，进而到城市中。

设计概念Design Concepts（英文）：

Taichung City Cultural Center is a project within the Gateway District in Taichung, Taiwan. The site is on the Northern side of the Gateway Park that stretches from the South to the North of the master plan with many different climatic zones created by hills, a variety of trees, and mechanical devices. The Cultural Center will hold a Municipal Fine Arts Museum and a new Municipal Library, which share public facilities, as well as public plazas that extend its activities to the surrounding park and the city.

We imagine the Taichung City Cultural Center as an extension of the park and the city. While the programmatic and cultural needs extend into the building from the city, the landscape continues into the building as air, light, garden, and terraces. While some visitors are reading next to a garden courtyard, other visitors may be enjoying an exhibit with the park in the background. Also at the same time, there are opportunities for workshops to extend on to the terrace so the activities are always close to nature.

The building is divided into 10 volumes of various sizes which each hold a distinct program. Some volumes are on the ground and some are lifted to provide various shaded public spaces. By raising the volumes, the different sides of the building connect while the breeze pass through the comfortable public space below the building. According to the programmatic needs, the volumes are at times placed close by or are intersected with one another while creating relationships with the surroundings. For example, the Project Room, where many special installations take place, connects the lobby and the exhibition space. This space faces out towards the park welcoming visitors to the Cultural Center.

The overall building is porous with a varying degree of transparency. By shifting the volumes of program, many courtyard-like in-between spaces are created allowing for visitors to experience new encounters. Visitors see across the building through many layers of activities. Various visual relationships are made - across, above, and below –that are complex and dynamic. When approaching the building, some activities will show through the façade. This way, each time a visitor passes by the Cultural Center, the building will give off a different impression.

We hope that the architecture will become a part of the landscape that changes with the growing population of Taichung. We would like for the people of Taichung to become a part of the identity of the Cultural Center and let the activities happening within to show through to the park and further to the city.