京剧中的丑角
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英教-4班 陆靓 侯琳 汪蕊 邓迪予
Chou
The Chou is one of the main roles in Peking Opera. The eyes and nose are surrounded by a white patch, so Chou is also known as Xiao Hua Lian (partly painted face). Chou has the meaning "ugly". This reflects the traditional belief that the clown's combination of ugliness and laughter Βιβλιοθήκη Baiduould drive away evil spirits.
Wen Chou, also called xiao hua lian (little hua
lian) or san hua lian (the third-rank hua lian). who is usually a civilian, such as a jailer（狱 卒）, servant, merchant（商人） or scholar.
Clown’s Face (丑角脸) :In Beijing Opera, there are strict rules for the facial patterns of Chou (clown) roles. Usually, black is used to delineate the sense organs, then white is applied to the part between the eyes, and the nose and mouth, to form square, kidney or date stone shapes for different roles.
Wu Chou, who performs minor military roles as a soldier and must be skilled in acrobatics. His costume is either elaborate or fussy if of high social standing, but simple if of a low standing.
Wu Chou is also known as Kai Kou Tiao. It requires not only a good command of the martial （军事的；战 争的）arts or acrobatics （杂技；技巧）, but also the ability to deliver the lines both clearly and fluently. The movements should be light and powerful.
朱世慧，湖北省京剧院院长， 国家一级演员，著名京剧表演 艺术家。被誉为“当今中国京 剧第一名丑”。常演的传统剧 目有《群英会》、《法门寺》、 《审头刺汤》、《望江亭》等， 主演的新创京剧《徐九经升官 记》、《膏药章》、《法门众 生相》等誉满艺坛。曾获梅兰 芳金奖、二度梅花奖、文华表 演奖、白玉兰奖等。
A typical civilian clown, the character’s face is painted with a white square, and his eyes and brows are lightly delineated. This pattern is primarily aimed at showing the foolishness and snobbishness（势利 ） of a book worm.
The Chou roles originated in Southern Drama of the Song and Yuan dynasties (9601368) and appear in various kinds of operas. They portray various kinds of characters, some are warm-hearted, simple and sincere, and some are sinister and mean.
In modern operas, the performance of Chou roles has developed rapidly, and different operas have their own styles. In general, the Chou roles do not focus on singing, but the dialogue is clear and fluent. According to the social positions, characters and skills demanded, the Chou roles are divided into two categories: Wen Chou (civilian) and Wu Chou (martial). Both have their own special features.
Chou
The Chou is one of the main roles in Peking Opera. The eyes and nose are surrounded by a white patch, so Chou is also known as Xiao Hua Lian (partly painted face). Chou has the meaning "ugly". This reflects the traditional belief that the clown's combination of ugliness and laughter Βιβλιοθήκη Baiduould drive away evil spirits.
Wen Chou, also called xiao hua lian (little hua
lian) or san hua lian (the third-rank hua lian). who is usually a civilian, such as a jailer（狱 卒）, servant, merchant（商人） or scholar.
Clown’s Face (丑角脸) :In Beijing Opera, there are strict rules for the facial patterns of Chou (clown) roles. Usually, black is used to delineate the sense organs, then white is applied to the part between the eyes, and the nose and mouth, to form square, kidney or date stone shapes for different roles.
Wu Chou, who performs minor military roles as a soldier and must be skilled in acrobatics. His costume is either elaborate or fussy if of high social standing, but simple if of a low standing.
Wu Chou is also known as Kai Kou Tiao. It requires not only a good command of the martial （军事的；战 争的）arts or acrobatics （杂技；技巧）, but also the ability to deliver the lines both clearly and fluently. The movements should be light and powerful.
朱世慧，湖北省京剧院院长， 国家一级演员，著名京剧表演 艺术家。被誉为“当今中国京 剧第一名丑”。常演的传统剧 目有《群英会》、《法门寺》、 《审头刺汤》、《望江亭》等， 主演的新创京剧《徐九经升官 记》、《膏药章》、《法门众 生相》等誉满艺坛。曾获梅兰 芳金奖、二度梅花奖、文华表 演奖、白玉兰奖等。
A typical civilian clown, the character’s face is painted with a white square, and his eyes and brows are lightly delineated. This pattern is primarily aimed at showing the foolishness and snobbishness（势利 ） of a book worm.
The Chou roles originated in Southern Drama of the Song and Yuan dynasties (9601368) and appear in various kinds of operas. They portray various kinds of characters, some are warm-hearted, simple and sincere, and some are sinister and mean.
In modern operas, the performance of Chou roles has developed rapidly, and different operas have their own styles. In general, the Chou roles do not focus on singing, but the dialogue is clear and fluent. According to the social positions, characters and skills demanded, the Chou roles are divided into two categories: Wen Chou (civilian) and Wu Chou (martial). Both have their own special features.