Nouveau_ROUGE A Novelty Metric fora
adventure novel名词解释
Adventure NovelIntroductionAn adventure novel is a genre of literature that focuses on thethrilling and exciting experiences of the protagonist as they embark on a dangerous journey or quest. These novels typically involve a combination of action, suspense, and exploration, often set in exotic or unfamiliar locations. Adventure novels have captivated readers for centuries, offering an escape from reality and taking them on a rollercoaster ride of emotions and adrenaline.Characteristics of Adventure Novels1.Heroic Protagonist: Adventure novels usually feature a brave andcourageous protagonist who possesses exceptional skills orabilities. This character is often driven by a strong sense ofjustice or a desire for discovery.2.Quest or Journey: The storyline revolves around a quest orjourney that the protagonist undertakes, which may involveovercoming obstacles, battling enemies, or solving mysteries. This journey often takes them through different landscapes or evendifferent worlds.3.Exotic Locations: Adventure novels frequently take place inremote, unexplored, or exotic locations. These settings add anelement of mystery and wonder to the story, allowing readers tovicariously experience the thrill of exploring new places.4.Action and Suspense: Adventure novels are known for their fast-paced and action-packed narrative. They are filled with thrilling scenes, such as daring escapes, intense battles, or adrenaline-fueled chases. Suspense is often built through unexpected plottwists and cliffhangers, keeping readers on the edge of theirseats.5.Sense of Danger: Adventure novels create a sense of danger andrisk, as the protagonist faces life-threatening situations andencounters formidable adversaries. This constant threat addstension and excitement to the story, making it difficult forreaders to put the book down.6.Themes of Exploration and Discovery: Adventure novels oftenexplore themes of exploration, discovery, and self-discovery. The protagonist may embark on a physical journey to uncover hiddentreasures or secrets, but they also undergo an internal journey of personal growth and transformation.7.Dynamic Characters: Adventure novels feature a diverse cast ofcharacters, including allies, mentors, and villains. Thesecharacters often have complex motivations and backstories, adding depth and richness to the narrative.Notable Adventure Novels1.“Treasure Island” by Robert Louis Stevenson: This classicadventure novel tells the story of young Jim Hawkins, who embarks on a treasure hunt after discovering a pirate’s map. Filled with swashbuckling pirates, buried treasure, and a memorable cast ofcharacters, this book has become a defining work in the adventure genre.2.“The Adventures of Huckleberry Finn” by Mark Twain: Set alongthe Mississippi River, this novel follows the escapades of HuckFinn and his friend Jim, a runaway slave. Together, they navigate through various challenges, including encounters with thieves, con artists, and slave hunters, highlighting the social issues of the time.3.“The Hobbit” by J.R.R. Tolkien: This fantasy adventure novelintroduces readers to the world of Middle-earth and follows Bilbo Baggins as he accompanies a group of dwarves on a quest to reclaim their homeland. Along the way, Bilbo faces numerous dangers,including encounters with trolls, goblins, and the fearsome dragon Smaug.4.“Jurassic Park” by Michael Crichton: In this thrilling sciencefiction adventure, a group of scientists and tourists visit aremote island where dinosaurs have been brought back to lifethrough genetic engineering. As chaos ensues and the dinosaursescape, the characters must fight for their survival in adangerous and unpredictable environment.5.“The Da Vinci Code” by Dan Brown: Combining elements ofadventure, mystery, and historical fiction, this novel followssymbologist Robert Langdon as he unravels a complex web of cluesand symbols in a quest to uncover a hidden secret. The fast-paced narrative takes readers on a thrilling journey through famouslandmarks and historical events.ConclusionAdventure novels provide readers with an exhilarating and immersive experience, transporting them to worlds filled with danger, excitement, and discovery. Through the heroic actions of the protagonists, readers can vicariously experience the thrill of embarking on daring quests and facing formidable challenges. Whether set in the past, present, or future, adventure novels continue to captivate audiences of all ages, reminding us of the boundless possibilities that lie beyond our everyday lives.。
译林版高中英语选择性必修第三册 Unit 1 Section A
e as no surprise 不足为奇,毫不奇怪
Ⅱ.阅读导学
A.根据P2—P3课文内容,选择正确答案。
1.How many territories is Canada made up of?
A.Two. B.Three. 答案 B
C.Four. D.Five.
2.What can reflect the diversity of Canada’s residents?
It was a center of creativity,until the public began to be admitted in 1793.Throughout the French Revolution and the years ruled by Napoleon Ⅰ,the art collection in the Louvre grew greatly.
A.Stretching coastlines.
B.Unique scenic spots.
C.Rural areas and urban centers.
D.Fiddle tunes and subcultures. 答案 C
3.Where can you go if you want to taste food with a typical French flavor? A.Vancouver. B.Montreal. C.Cape Breton Island. D.Dr Sun Yat-Sen Classical Chinese Garden. 答案 B
Unfortunately,Francois Ⅰ died before the work was completed,but the work continued until the death of the head architect④.Afterwards,several generations of French royalty⑤ lived in the palace until Louis ⅩⅣ,the last of the French rulers to call the Louvre home,left in 1682.The Louvre,however, was far from abandoned⑥.For about 30 years after Louis ⅩⅣ’s death in 1715,the Louvre became the home of artists and scholars⑦.Its art collection grew from about 200 paintings in 1643 to about 2,500 works of art in 1715.
Euodionosides A–G Megastigmane glucosides from leaves of Euodia meliaefolia
Euodionosides A–G:Megastigmane glucosides fromleaves of Euodia meliaefoliaMiwako Yamamoto a ,Takeyuki Akita a ,Yuka Koyama a ,Etsuko Sueyoshi a ,Katsuyoshi Matsunami a ,Hideaki Otsuka a,*,Takakazu Shinzato b ,Atsushi Takashima c ,Mitsunori Aramoto d ,Yoshio Takeda eaGraduate School of Biomedical Sciences,Hiroshima University,1-2-3Kasumi,Minami-ku,Hiroshima 734-8553,Japan bSubtropical Field Science Center,Faculty of Agriculture,University of the Ryukyus,1Sembaru,Nishihara-cho,Nakagami-gun,Okinawa 903-0213,JapancYona Field,Subtropical Field Science Center,Faculty of Agriculture,University of the Ryukyus,685Aza Yona,Kunigami-son,Kunigami-gun,Okinawa 905-1427,JapandIriomote Station,Tropical Biosphere Research Center,University of the Ryukyus,870Aza Uehara,Taketomi-cho,Yaeyama-gun,Okinawa 907-1541,JapaneFaculty of Integrated Arts and Sciences,The University of Tokushima,1Minamijosanjima-cho,Tokushima 770-8502,JapanReceived 9August 2007;received in revised form 28December 2007Available online 11March 2008AbstractFrom a 1-BuOH-soluble fraction of the MeOH extract of leaves of Euodia meliaefolia ,collected in Okinawa,seven megastigmane glucosides,named euodionosides A–G,were isolated together with three known megastgmane glucosides,and two aliphatic and three phenolic compounds.Their structures were elucidated through a combination of spectroscopic analyses and application of the modified Mosher’s method.Ó2008Elsevier Ltd.All rights reserved.Keywords:Euodia meliaefolia ;Rutaceae;Euodionoside;Megastigmane glucoside;Modified Mosher’s method1.IntroductionThe fruits of Evodia rutaecaepa (Rutaceae)are a well known crude drug included in the Japanese Pharmaco-poeia XV and contain characteristic indole alkaloids,i.e.rutaecarpine and evodiamine.However,in reliable plant name databases (IPNI ),such as the Index Kewensis,Aus-tralian Plant Name Index and Gray Card Index,the genus name E v odia is not listed under the Rutaceae.Instead,many Euodia species appear in the databases as Rutaceous plants.Probably,some previous investigators made a mis-take due to the resemblance of the letters u and v.Thereaf-ter,even an isolated compound was erroneously named evodiamine.A closely related species,E.meliaefolia ,is a tall deciduous tree of about 15m in height and found in southern Kyushu through Okinawa,Taiwan and China (Hatusima,1975).Currently no chemical and medicinal investigations of this plant have been reported.In a continuing study on Okina-wan plants,the chemical constituents of E .meliaefolia ,collected in Okinawa,were investigated.From a 1-BuOH-soluble fraction of the MeOH extract of leaves of E .meliaefolia ,10megastigmane glucosides (1–10)were isolated together with two known aliphatic [(Z )-3-hexenyl b -D -glucopyranoside (11)(Mizutani et al.,1988)and 3,7-dimethylocte-1-en-3,6,7-triol 6-O -b -D -gluco-pyranoside (12)(Manns,1995)]and three phenolic [(+)-catechin (13)(Nay et al.,2001),syringin (14)DellaGreca0031-9422/$-see front matter Ó2008Elsevier Ltd.All rights reserved.doi:10.1016/j.phytochem.2008.01.020*Corresponding author.Tel./fax:+81822575335.E-mail address:hotsuka@hiroshima-u.ac.jp (H.Otsuka)./locate/phytochemAvailable online at Phytochemistry 69(2008)1586–1596PHYTOCHEMISTRYet al.,1998)and1-b-D-glucopyranosyloxy-3-methoxy-5-hydroxybenzene(15)(Sakar et al.,1993)]compounds.Of the ten megastigmane glucosides,three were known com-pounds,namely spinoside A(8)(C¸alisßet al.,2002),staph-ylionoside D(9)(Yu et al.,2005),and corchoionoside C (10)(Yoshikawa et al.,1997).This paper deals with struc-tural elucidation of the seven new megastigmane glucosides.2.Results and discussionAir-dried leaves of E.meliaefolia were extracted with MeOH three times and the concentrated MeOH extract was partitioned with solvents of increasing polarity.The n-BuOH soluble fraction was separated by means of vari-ous chromatographic procedures including column chro-matography(CC)on a highly porous synthetic resin (Diaion HP-20),then normal silica gel and reversed-phase octadecyl silica gel(ODS)CC,droplet counter-current chromatography(DCCC),and high-performance liquid chromatography(HPLC)to afford15compounds(1–15). The details and yields are given under Section4.The struc-tures of the new megastigmane glucosides(17)were eluci-dated on the basis of spectroscopic evidence,that obtained with the modified Mosher’s method(Ohtani et al.,1991),and those of known compounds were identi-fied by comparison of spectroscopic data with those reported in the literature(Fig.1).The13C NMR spectro-scopic data of spinoside A(8)in CD3OD are included under Section4for the readers’convenience.Euodionoside A(1),½a 26D À40.5,was isolated as anamorphous powder and its elemental composition was determined to be C19H30O9by HR-ESI-TOF-MS.The IR spectrum indicated the presence of a sugar moiety (3395cmÀ1)and a ketonic functional group(1673cmÀ1), and the UV spectrum a conjugated system(235nm).The 1H and13C MR spectra showed the presence of six signalsassignable to b-glucopyranose,the remaining13carbon signals comprising four singlet methyls,two methylenes, one methine with a hydroxyl substituent,and four quater-nary carbons,and a disubstituted trans double bond,which must form the megastigmane skeleton.Judging from the chemical shifts,one(d H2.29)of the methyl groups must be adjacent to the carbonyl functional group,and one (d C200.1)and two(d C72.1and67.0)of the quaternary carbons must have a carbonyl group and oxygen substitu-ents,respectively.Whenfive degrees of unsaturation and a deficiency of one oxygen atom for three hydroxyl groups are considered,an epoxy ring must be required for one more cyclic system between C-5and C-6of megastigmane skeleton.In the H–H COSY spectrum,H2-2through H2-4 showed a significant correlation,and the correlations between H-7(d H7.08)and H-10(d H2.29),and the car-bonyl carbon(d C200.1)in the HMBC spectrum estab-lished a structure as1(Fig.1).The hydroxyl group at the C-3(d C72.1)position is the sole site to be glucosylated.To clarify the relative arrangement of the substituents,the phase-sensitive(PH)-NOESY spectrum was examined. Judging from the key correlations between H-3(d H3.98) and H3-11ax(d H1.25),H3-11and H-7(d H7.08),and H-4eq(d H2.38)and H3-13(d H1.17),H-3,the epoxy ring is in an anti orientation,in contrast to in the case of icariside B2,which was isolated from Epimedium grandiflorum var. thunbergianum(Miyase et al.,1987).On enzymatic hydro-lysis,an aglycone(1a)and D-glucose were obtained.From the b-D-glucosylation-induced shift-trend between the13C NMR spectra of1and1a,the absolute configuration of the3-position was determined to be R(Table1,a)(Kasai et al.,1977).This was further confirmed by the modified Mosher’s method(Fig.2)(Ohtani et al.,1991).Therefore, the structure of euodionoside A(1)was elucidated to be (3R,5R,6S,7E)-megastigman-7-en-5,6-epoxy-3-ol-9-one3-O-b-D-glucopyranoside,as shown in Fig.1.Euodionosides B(2),½a 25D24.8,and C(3),½a 26DÀ56.3, were isolated as amorphous powders and their elemental compositions were determined to be C19H32O8by HR-FAB-MS.The1H and13C NMR spectra indicated that euodionosides B(2)and C(3)were compounds analogous to euodionoside A(1),except for the presence of hydroxyl groups at their9-positions,instead of the carbonyl func-tional group found in1.The HMBC spectra showed a cor-relation between the anomeric proton(d H4.30)and C-3(d C 72.2)in the case of2,but between the former and(d H4.28) and C-9(d C74.8)in the case of3.The stereochemistry of the ring system of2was expected to be the same as that of1,since the13C NMR spectrum of2showed essentially the same chemical shifts as that of1.On enzymatic hydro-lysis of2,an aglycone(2a)(½aD+8.4)and D-glucose were obtained.The stereochemistry of the9-position of2a was found with the modified Mosher’s method to be S,and that of the ring portion was also confirmed by the PH-NOESY spectrum to comprise the3R,5R and6S configurations (Fig.2).The stereochemistry of the9-position of euodion-oside C(3)can be deduced with the b-D-glucosylation-induced shift-trend rule(Kasai et al.,1977)to be S,which is the same as that of2a,and that of the ring system was also expected to be the same as that of2.However,the ste-reochemistry of the ring system must be determined inde-pendently.Although the optical rotation value for theaglycone(3a)(½aD+5.2)of3was close to that of2a,the stereochemistry of2a was similarly established with the modified Mosher’s method(Fig.2).Therefore,the struc-tures of euodionosides B(2)and C(3)were elucidated to be(3R,5R,6S,7E,9S)-megastigman-7-en-5,6-epoxy-3,9-diol 3-and9-O-b-D-glucopyranosides,respectively.Euodionoside D(4),½aDÀ42.7,was isolated as an amorphous powder and its elemental composition was determined to be C19H34O9by HR-ESI-TOF-MS.On anal-yses of the NMR spectroscopic data,4was also expected to be a derivative of a megastigmane glucoside with four hydroxyl groups at the C-3,5,6,and9positions.The HMBC correlation between the anomeric proton(d H 4.38)and C-9(d C75.7)established that the sugar unitM.Yamamoto et al./Phytochemistry69(2008)1586–15961587was linked to the hydroxyl group at the9-position,and the coupling pattern of H-3(d H4.06,dddd,J=12,12,6,6Hz) indicated that the hydroxyl group at the3-position was in an equatorial orientation.From this evidence together with the results of comparison of the13C NMR spectroscopic data,the relative orientations of the substitutents of the ring system were found to be the same as those of (3S,5R,6R,7E,9S)-megastigman-7-ene-3,5,6,9-tetrol9-O-b-D-glucopyranoside isolated from Glochidion zeylanicum. According to the b-D-glucosylation-induced shift-trend rule (Kasai et al.,1977)the absolute configuration of the9-posi-tion was the same in the megastigmanes from E.meliaefo-lium and G.zeylanicum.However,although NMR data for the ring systems of these two compounds were essentially the same,the stereochemistries of the side chain and the ring system must be determined independently(Otsuka et al.,2003a).Thus,the modified Mosher’s method was applied to the aglycone(4a)(Fig.2),which was shown to have opposite absolute configurations to that from G.zey-lanicum.Therefore,the structure of euodionoside D(4) was elucidated to be(3R,5S,6S,7E,9S)-megastigman-7-ene-3,5,6,9-tetrol9-O-b-D-glucopyranoside,as shown in Fig.1.1588M.Yamamoto et al./Phytochemistry69(2008)1586–1596Table 113C NMR spectroscopic data for euodionosides A–G (1–7)(CD 3OD,100MHz)C 1234567135.935.835.940.740.937.537.3241.0(À3.3)a 41.444.446.446.348.648.7372.1(+8.2)a 72.263.865.365.1202.4202.2438.4(À1.6)a 38.640.245.738.7121.7123.3567.066.266.277.783.2172.3167.8672.172.272.179.179.248.447.97143.7124.3128.2135.5136.327.227.68134.6140.1136.9133.3132.737.4(À2.5)b 39.89200.168.774.875.775.777.7(+8.8)b 68.91027.324.022.522.622.521.9(À4.1)b 23.61125.025.125.327.527.627.727.71227.527.227.226.326.328.928.91321.021.822.227.720.365.270.9–O C H 348.710103.0102.9101.4100.7100.5104.0103.52075.175.175.175.175.075.475.13078.178.178.478.478.478.378.34071.871.871.871.971.771.771.75078.077.978.178.078.177.978.26063.062.963.063.062.862.962.9a D d 1–1a .bD d 6–7a .M.Yamamoto et al./Phytochemistry 69(2008)1586–15961589Euodionoside E(5),½aD À35.0,was isolated as anamorphous powder,and the one-and two-dimensional NMR spectroscopic data showed that it was a compound analogous to euodionoside D(4)with similar substituents on the six-membered ring.In the NMR spectra,a methoxyl signal was observed[d H3.21(3H,s)and d C48.7(q)],and the presence of an extra carbon atom was also supported by the HR-ESI-TOF-MS data(C20H36O9).From the HMBC spectroscopic correlation between d H3.21and d C 83.2(C-5),the position of the methoxyl group was assigned as C-5,and from the PH-NOESY spectrum,the relative orientations of the substituents were found to be the same as those of4.The absolute configurations of the ring sys-tem were also determined by the application of the modi-fied Mosher’s method to the aglycone(5a)(Fig.2). Therefore,the structure of euodionoside E(5)was eluci-dated to be(3R,5S,6S,7E,9S)-megastigman-7-ene-5-meth-oxy-3,6,9-triol9-O-b-D-glucopyranoside.A similar megastigmane derivative,which has a methoxyl group at the6-position,was isolated as staphylionoside J from Staphylea bumalda(Yu et al.,2005).Euodionosides F(6),½aD À0.7and G(7),½aD+5.9,were isolated as amorphous powders and their elemental compositions were determined to be C19H32O8by HR-ESI-TOF-MS.The IR(1649and1651cmÀ1,respectively) and UV(238and237nm,respectively)spectra showed the presence of a conjugated ketone,their NMR spectra being similar,with two singlet and one doublet methyls, and one primary and one secondary alcohol.Thus,one of the methyl groups was expected to be oxidized to a pri-mary alcohol,whose proton signals(d H4.16and4.32,and d H4.37and4.53,respectively)showed correlation to C-5 resonances(d C172.3and d C167.8)in the HMBC spectra. These facts were coincident with that C-13was oxidized to a primary alcohol.The HMBC spectra also indicated that6 and7were isomers of each other as to the positions of sugar linkages,the former had a sugar on the hydroxyl group at the9-position and the latter on that at the13-position,since correlation between anomeric protons and C-9(d C77.3)in6,and C-13(d C70.9)in7was observed, respectively.The absolute configuration of the9-position of6was determined to be R on comparison with a similar compound(Takeda et al.,1997)and that of the6-position was also assigned as R according to the circular dichroism (CD)spectral data(Otsuka et al.,2003b).The absolute configuration of the9-position was further supported by application of the b-D-glucosylation-induced shift-trend rule(Table1,b)(Otsuka et al.(1995)),Therefore,the struc-ture of euodionoside F(6)was elucidated to be(6R,9R)-megastigman-4-ene-9,13-diol9-O-b-D-glucopyranoside. Since euodionoside G(7)was an isomeric form of6,the absolute configuration of the9-position was expected to be the same as that of6.However,for the same reason as that for euodionoside D(4),the absolute configurations of the6-and9-positions were independently established by CD spectral analysis and the modified Mosher’s method (Fig.2),respectively.Although the exact D d S–d R values for the H2-7and eight protons could not be calculated, due to overlapping of their signals,they obviously had minus signs,whereas that for the H3-10protons had a sig-nificant plus value(+0.063)(Fig.2).As a result,the struc-ture of euodionoside G(7)was elucidated to be(6R,9R)-megastigman-4-ene-9,13-diol13-O-b-D-glucopyranoside.A compound closely related to6has been isolated from G.zeylanicum as glochidionionoside B,which has the9S configuration(Otsuka et al.,2003).3.Concluding remarksAlthough fruits of closely related species,E.rutaecarpa, are used for stomachic antipyretic and diuretic in tradi-tional Chinese medicine,there has been no report on the medicinal use of E.meloaefolia.Due to usage of leaves for this experiment,alkaloids are so far not isolated.Bio-logical evaluation and chemical investigation of fruits of E.meloaefolia will be subject of a future study.Megastigmane and its glycosides are currently an expanding class of compounds.Even with only13carbon atoms in the basic skeleton of megastigmane,several oxida-tion steps and glycosylation afforded many kinds of meg-astigmane derivatives and their glycosidic forms.In this experiment,seven new megastigmane glucosides were iso-lated from leaves of the title plant.Their stereostructures were established by the modified Mosher’s method.4.Experimental4.1.General experimental proceduresOptical rotations and CD spectra were measured on JASCO P-1030and JASCO J-720polarimeters,respec-tively.IR and UV spectra were measured on Horiba FT-710and JASCO V-520UV/Vis spectrophotometers, respectively.1H and13C NMR spectra were taken on a JEOL JNM a-400spectrometer at400MHz and 100MHz,respectively,with tetramethylsilane as an inter-nal standard.Negative-ion HR-MS was performed with a JEOL SX-102spectrometer in the FAB mode and posi-tive-ion HR-MS with an Applied Biosystem QSTAR XL system ESI(Nano Spray)-TOF-MS.A highly-porous synthetic resin(Diaion HP-20)was purchased from Mitsubishi Kagaku(Tokyo,Japan).Silica gel CC and reversed-phase[octadecyl silica gel(ODS)] open CC were performed on silica gel60(Merck,Darms-tadt,Germany)and Cosmosil75C18-OPN(Nacalai Tes-que,Kyoto,Japan)[U=50mm,L=25cm,linear gradient:MeOH–H2O(1:9,1L)?(1:1,1L),fractions of 10g being collected],respectively.Droplet counter-current chromatography(DCCC)(Tokyo Rikakikai,Tokyo, Japan)was equipped with500glass columns(U=2mm, L=40cm),and the lower and upper layers of a solvent mixture of CHCl3–MeOH–H2O–n-PrOH(9:12:8:2)were1590M.Yamamoto et al./Phytochemistry69(2008)1586–1596used for the stationary and mobile phases,respectively. Five-gram fractions were collected and numbered accord-ing to their order of elution with the mobile phase.HPLC was performed on an ODS column(Inertsil;GL Science, Tokyo,Japan;U=6mm,L=25cm),and the eluate was monitored with a UV detector at254nm and a refractive index monitor.Emulsin was purchased from Tokyo Chemical Indus-tries Co.Ltd.(Tokyo,Japan),and crude hesperidinase was a gift from Tokyo Tanabe Pharmaceutical Co.Ltd. (Tokyo,Japan).(R)-and(S)-a-methoxy-a-trifluoromethyl-phenylacetic acids(MTPA)were the products of Wako Pure Chemical Industry Co.Ltd.(Tokyo,Japan).4.2.Plant materialLeaves of E.meliaefolia Benth.(Rutaceae)were col-lected in Okinawa,Japan,in August2002,and a voucher specimen was deposited in the Herbarium of Pharmaceuti-cal Sciences,Graduate School of Biomedical Sciences, Hiroshima University(02-EM-Okinawa-0704).4.3.Extraction and isolationDried leaves of E.meliaefolia(15.7kg)were extracted three times with MeOH(45l)at25°C for one week and then concentrated to6l in vacuo.The extract was washed with n-hexane(6l,531g)and then the MeOH layer was concentrated to a gummy mass.The latter was suspended in water(6l)and then extracted with EtOAc(6l)to give 165g of an EtOAc-soluble fraction.The aqueous layer was extracted with1-BuOH(6l)to give a1-BuOH-soluble fraction(409g),and the remaining water-layer was concen-trated to furnish971g of a water-soluble fraction.A portion(154g)of the1-BuOH-soluble fraction was subjected to a Diaion HP-20column(U=50mm, L=50cm)using H2O–MeOH(4:1,8l),(2:3,8l),(3:2, 8l),and(1:4,8l),and MeOH(6l),1l fractions were being collected.The residue(27.6g in fractions6–12)of the20–40%MeOH eluent was subjected to silica gel(1.50kg) CC,with elution with CHCl3(6l)and CHCl3–MeOH [(99:1,6l),(97:3,6l),(19:1,6l),(37:3,6l),(9:1,6l),(7:1, 6l),(17:3,6l),(33:7,6l),(4:1,6l),(31:9,6l),(3:1,6l), and(7:3,6l)],1l fractions being bined frac-tions31–39(1.20g)were separated by RPCC.The residue (383mg)of fractions62–78was subjected to DCCC to give 25.4mg of11in fractions35–40,and the residue(44.5mg) in fractions44–52was further purified by prep.HPLC with MeOH–H2O(3:7)to give7.6mg of13at R t10min.The residue(112mg)in fraction94–114obtained on RPCC was subjected to DCCC to give3.9mg of1in fractions 63–72,and the residue(10.6mg in fractions21–27)was fur-ther purified by prep.HPLC with MeOH–H2O(3:7)to give 3.9mg of4at R t13min.The residue(85mg)in fractions 115–132obtained on RPCC was also subjected to DCCC to give two fractions,10.2mg in fractions90–105and 37.3mg in fractions109–136.Prep.HPLC of the former fraction with CH3CN–H2O(3:17)gave1.4mg of6and 2.8mg of7at R t s16min and18min,respectively.The lat-ter was found to be a pure compound,14.The residue(1.50g out of3.03g)in fractions40–45 obtained on15–17.5%MeOH eluate on silica gel CC was subjected to RPCC to givefive fractions,172mg in frac-tions37–47,87.0mg in fractions62–65,150mg in fractions 81–89,116mg in fractions98–104,and101mg in fractions 112–123.Thefirst fraction was purified by DCCC to give 144mg of15in fractions21–29.The second fraction was purified by DCCC(40.1mg in fractions47–57)and then prep.HPLC with MeOH–H2O(1:4)to afford5.4mg of8 at R t30min.The third fraction was subjected to prep. HPLC with MeOH–H2O(1:3)to give two partially purified fractions at R t s34min(36.0mg)and42min(59.4mg).The former was repeatedly purified by prep.HPLC with CN3CN–H2O(1:9)to give15.3mg of9and5.2mg of10 at R t s56min and68min,respectively.The latter gave 21.0mg of2on prep.HPLC with CH3CN–H2O(13:87) at R t44min.The residue of the fourth fraction was found to be a pure compound,3.Thefifth fraction was subjected to prep.HPLC with MeOH–H2O(19:31)to give8.5mg of 6at R t18min.The residue(1.61g)in fractions46–51obtained from the17.5–20%MeOH eluate on silica gel CC was subjected to RPCC to give two fractions,130mg in fractions40–46 and20.0mg in fractions146–153.The former was further purified by DCCC to give29.6mg of15in fractions53–58and the latter was a pure compound,5.4.4.Characterization data4.4.1.Euodionoside A(1)Amorphous powder;½a 26DÀ40.5(c=0.25,MeOH);IR m max(film)cmÀ1:3395,2926,1673,1455,1367,1076;UV k max(MeOH)nm(log e):235(3.75);1H NMR(CD3OD, 400MHz)d:7.08(1H,d,J=16Hz,H-7),6.20(1H,d, J=16Hz,H-8),4.31(1H,d,J=8Hz,H-10),3.98(1H, dddd,J=11,10,7,7Hz,H-3), 3.87(1H,dd,J=12, 2Hz,H-60a), 3.65(1H,dd,J=12,6Hz,H-60b), 3.42–3.25(3H,m,H-30,40and50),3.12(1H,dd,J=9,8Hz, H-20), 2.38(1H,dd,J=15,7Hz,H-4pseudo-eq), 2.29 (3H,s,H3-10),1.98(1H,dd,J=15,10Hz,H-4pseudo-ax), 1.50(1H,dd,J=11,7Hz,H-2eq), 1.49(1H,dd, J=11,11Hz,H-2ax),1.25(3H,s,H3-11),1.17(3H,s, H3-13),0.97(3H,s,H3-12);13C NMR(CD3OD, 100MHz):Table1;HR-ESI-TOF-MS(positive-ion mode) m/z:409.1856[M+Na]+(calcd for C19H30O8Na,409.1832).4.4.2.Euodionoside B(2)Amorphous powder;½a 25D–24.8(c=0.79,MeOH);IR m max(film)cmÀ1:3367,2965,1653,1453,1379,1075;1H NMR(CD3OD,400MHz)d:5.84(1H,dd,J=16,1Hz, H-7), 5.67(1H,dd,J=16,6Hz,H-8), 4.30(1H,d, J=8Hz,H-10),4.29(1H,qdd,J=6,6,1Hz,H-9),3.94 (1H,dddd,J=11,10,7,6HZ,H-3), 3.86(1H,dd, J=12,2Hz,H-6b),3.65(1H,dd,J=12,6Hz,H-60b),M.Yamamoto et al./Phytochemistry69(2008)1586–159615913.36–3.25(3H,m,H-30,40and50),3.12(1H,dd,J=9, 8Hz,H-20),2.32(1H,ddd,J=15,7,1Hz,H-4pseudo-eq), 1.89(1H,dd,J=15,10Hz,H-4pseudo-ax), 1.49 (2H,m,H2-2),1.23(3H,d,J=6Hz,H3-10),1.20(3H,s, H3-13), 1.16(3H,s,H3-11),0.97(3H,s,H3-12);13C NMR(CD3OD,100MHz):Table1;HR-FAB-MS(nega-tive-ion mode)m/z:387.2028[MÀH]À(calcd for C19H31O8,387.2019).4.4.3.Euodionoside C(3)Amorphous powder;½a 24D À56.3(c=7.20,MeOH);IRm max(film)cmÀ1:3395,2965,1649,1452,1368,1075;1H NMR(CD3OD,400MHz)d:6.01(1H,dd,J=16,1Hz, H-7),5.57(1H,ddd,J=16,7,1Hz,H-8),4.52(1H,br dq,J=7,6Hz,H-9),4.28(1H,d,J=8Hz,H-10),3.86 (1H,dd,J=12,2Hz,H-60a), 3.81(1H,m,H-3), 3.64 (1H,dd,J=12,6Hz,H-60b),3.32–3.14(4H,m,H-20,30, 40and50), 2.21(1H,dd,J=15,7Hz,H-4pseudo-eq), 1.71(1H,dd,J=15,10Hz,H-4pseudo-ax),1.46(1H,dd, J=12,12Hz,H-2ax), 1.28(3H,d,J=6Hz,H3-10), 1.27(1H,m,H-2eq),1.23(3H,s,H3-13),1.17(3H,s,H3-11),0.96(3H,s,H3-12);13C NMR(CD3OD,100MHz): Table1;HR-FAB-MS(negative-ion mode)m/z:387.2021 [MÀH]À(calcd for C19H31O8,387.2018).4.4.4.Euodionoside D(4)Amorphous powder;½a 24D À42.7(c=0.28,MeOH);IRm max(film)cmÀ1:3395,2927,1649,1372,1072,1027;1H NMR(CD3OD,400MHz)d:6.16(1H,d,J=16Hz,H-7),5.63(1H,dd,J=16,8Hz,H-8),4.52(1H,dq,J=8, 7Hz,H-9),4.38(1H,d,J=8Hz,H-10),4.06(1H,dddd, J=12,12,6,6Hz,H-3),3.87(1H,dd,J=12,2Hz,H-60a),3.65(1H,dd,J=12,6Hz,H-60b),3.35–3.18(4H, m,H-20,30,40and50),1.76(2H,m,H2-4),1.65(1H,dd, J=12,12Hz,H-2ax),1.45(1H,ddd,J=12,4,2Hz,H-2eq),1.31(3H,d,J=7Hz,H3-10),1.173(3H,s,H3-12), 1.165(3H,s,H3-13),0.85(3H,s,H3-11);13C NMR (CD3OD,100MHz):Table1;HR-ESI-TOF-MS(posi-tive-ion mode)m/z:429.2098[M+Na]+(calcd for C19H34O9Na,429.2095).4.4.5.Euodionoside E(5)Amorphous powder;½a 24D À35.0(c=1.13,MeOH);IRm max(film)cmÀ1:3395,2931,1635,1370,1077,1035;1H NMR(CD3OD,400MHz)d:6.13(1H,d,J=16Hz,H-7),5.59(1H,dd,J=16,9Hz,H-8),4.49(1H,dq,J=9, 6Hz,H-9),4.37(1H,d,J=8Hz,H-10),3.85(1H,dd, J=12,2Hz,H-60a),3.83(1H,dddd,J=12,12,4,4Hz, H-3),3.67(1H,dd,J=12,6Hz,H-60b),3.33–3.18(4H, m,H-20,30,40and50),3.21(3H,s,–OCH3),2.10(1H, ddd,J=12,4,2Hz,H-4eq),1.65(1H,dd,J=12,12Hz, H-2ax),1.57(1H,dd,J=14,12Hz,H-4ax),1.45(1H, ddd,J=12,4,2Hz,H-2eq),1.30(3H,d,J=6Hz,H3-10),1.11(3H,s,H3-13),1.10(3H,s,H3-12),0.85(3H,s, H3-11);13C NMR(CD3OD,100MHz):Table1;HR-ESI-TOF-MS(positive-ion mode)m/z:443.2244 [M+Na]+(calcd for C20H36O9Na:443.2251).4.4.6.Euodionoside F(6)Amorphous powder;½a 24DÀ0.70(c=0.55,MeOH);IR m max(film)cmÀ1:3396,2930,1649,1076,1037;UV k max (MeOH)nm(log e):238(3.88);1H NMR(CD3OD, 400MHz)d:6.60(1H,br s,H-4),4.33(1H,d,J=8Hz, H-10),4.32(1H,dd,J=18,1Hz,H-13a),4.16(1H,dd, J=18,1Hz,H-13b),3.84(1H,m,H-60a),3.82(1H,m, H-9),3.67(1H,dd,J=11,6Hz,H-60b),3.36–3.26(3H, m,H-30,40and50),3.15(1H,dd,J=9,8Hz,H-20),2.58 (1H,d,J=17Hz,H-2a),2.03(1H,d,J=17Hz,H-2b), 1.92(1H,m,H-6),1.80-1.52(4H,m,H2-7and8),1.24 (3H,d,J=6Hz,H3-10),1.11(3H,s,H3-12),1.02(3H,s, H3-11);13C NMR(CD3OD,100MHz):Table1;CD nm (D e):219(+2.24),278(À0.11),335(+0.51) (c=3.94Â10À5M,MeOH);HR-ESI-TOF-MS(positive-ion mode)m/z:411.1983[M+Na]+(calcd for C19H32O8Na, 411.1989).4.4.7.Euodionoside G(7)Amorphous powder;½a 27D+5.9(c=0.19,MeOH);IR m max(film)cmÀ1:3367,2927,1651,1077,1040;UV k max (MeOH)nm(log e):237(3.57);1H NMR(CD3OD, 400MHz)d:6.17(1H,br s,H-4),4.53(2H,dd,J=18, 2Hz,H-13a), 4.37(1H,dd,J=18,2Hz,H-13b), 4.33 (1H,d,J=8Hz,H-10),3.88(1H,dd,J=12,2Hz,H-60a), 3.68(1H,m,H-9), 3.62(1H,dd,J=12,6Hz,H-60b), 3.36–3.15(4H,m,H-20,30,40and50), 2.54(1H,d, J=18Hz,H-2a),2.03(1H,t,J=6Hz,H-6),2.03(1H,d, J=18Hz,H-2b),1.80–1.52(4H,m,H2-7and8),1.60(3H, d,J=6Hz,H3-10),1.11(3H,s,H3-11),1.03(3H,s,H3-12);13C NMR(CD3OD,100MHz):Table1;CD nm(D e): 235(+1.78),276(À0.21),337(+0.29)(c=3.22Â10À5M, MeOH);HR-ESI-TOF-MS(positive-ion mode)m/z: 411.1995[M+Na]+(calcd for C19H32O8Na,411.1989).4.4.8.Enzymatic hydrolysis of euodionosides A(1)–E(5) and G(7)Euodionoside A(1)(3.8mg)in2ml of H2O was hydro-lyzed with emulsin(6.0mg)and crude hesperidinase (6.0mg)for15h at37°C.The reaction mixture was evap-orated to dryness,and then the methanolic solution was absorbed on silica gel and subjected to silica gel CC (20g,U=18mm,L=18cm)with CHCl3(100ml)and CHCl3–MeOH(19:1,100ml,9:1,100ml,17:3,100ml and7:3,300ml),12ml fractions being collected.An agly-cone(1a)(1.8mg,82%)and D-glucose(1.3mg,77%)were recovered in fractions15–25and37–47,respectively.Agly-cone(1a):An amorphous powder,½a 25D+27.9(c=0.12, MeOH);1H NMR(CD3OD,400MHz)d:7.08(1H,d, J=16Hz,H-7),6.20(1H,d,J=16Hz,H-8),3.85(1H, dddd,J=12,10,7,4Hz,H-3),2.28(3H,s,H3-10),2.24 (1H,ddd,J=15,7,2Hz,H-4pseudo-eq),1.73(1H,dd, J=15,10Hz,H-4pseudo-ax), 1.48(1H,dd,J=12, 12Hz,H-2ax), 1.33(1H,ddd,J=12,4,2Hz,H-2eq), 1.24(3H,s,H3-11)1.17(3H,s,H3-13),0.96(3H,s,H3-12);13C NMR(CD3OD,100MHz)d:143.8(C-7),134.6 (C-8),63.9(C-3),44.3(C-2),40.0(C-4),36.0(C-1),27.61592M.Yamamoto et al./Phytochemistry69(2008)1586–1596(C-12),27.3(C-10),25.2(C-11),21.4(C-13),singlet car-bons(C-5,6and9)were not observed;HR-ESI-TOF-MS (positive-ion mode)m/z:247.1307[M+Na]+(calcd forC13H20O3Na,247.1304).D-Glucose:½a 25D +32.2°(c=0.087,H2O,24h after being dissolved in the solvent).From euodionoside B(2)(12mg),6.8mg(91%)of an aglycone(2a)and4.9mg(83%)of D-glucose were obtained:Aglycone(2a):an amorphous powder;½a 25D +8.4(c=0.31,MeOH);1H NMR(CD3OD,400MHz)d:5.85(1H,dd, J=16,1Hz,H-7),5.67(1H,dd,J=16,6Hz,H-8),4.30 (1H,qd,J=6,1Hz,H-9),3.81(1H,dddd,J=12,10,7, 4Hz,H-3),2.20(1H,ddd,J=15,7,2Hz,H-4pseudo-ax),1.71(1H,dd,J=15,10Hz,H-4pseuo-eq),1.46(1H, dd,J=12,12Hz,H-2ax),1.28(1H,ddd,J=12,4,2Hz, H-2eq),1.23(3H,d,J=6Hz,H3-10),1.20(3H,s,H3-13),1.15(3H,s,H3-11),0.95(3H,s,H3-12);13C NMR (CD3OD,100MHz)d:140.1(C-8),124.4(C-7),72.0(C-6),68.7(C-9),66.1(C-5),63.8(C-3),44.5(C-2),40.2(C-4),36.0(C-1),27.2(C-12),25.3(C-11),23.9(C-10),21.8 (C-13);HR-ESI-TOFMS(positive-ion mode)m/z: 249.1466[M+Na]+(calcd for C13H22O5Na,249.1461).D-Glucose,½a 24D +41.3°(c=0.33,H2O,24h after being dis-solved in the solvent).From euodionoside B(3)(17mg),5.2mg(49%)of an aglycone(3a)and5.8mg(69%)of D-glucose were obtained.Aglycone(3a):An amorphous powder;½a 24D +5.2(c=0.41,MeOH);1H NMR(CD3OD,400MHz)d:5.85(1H,dd,J=16,1Hz,H-7),5.67(1H,dd,J=16,6Hz,H-8),4.30 (1H,qd,J=6,1Hz,H-9),3.81(1H,dddd,J=12,10,7, 4Hz,H-3),2.20(1H,ddd,J=15,7,2Hz,H-4pseudo-eq), 1.71(1H,dd,J=15,10Hz,H-4pseudo-ax), 1.46 (1H,dd,J=12,12Hz,H-2ax),1.28(1H,ddd,J=12,4, 2Hz,H-2eq),1.23(3H,d,J=6Hz,H3-10),1.20(3H,s, H3-13), 1.15(3H,s,H3-11),0.95(3H,s,H3-12);13C NMR(CD3OD,100MHz)d:140.1(C-8),124.4(C-7), 72.0(C-6),68.7(C-9),66.1(C-5),63.8(C-3),44.5(C-2), 40.3(C-4),36.0(C-1),27.2(C-12),25.3(C-11),23.9(C-10),21.8(C-13);HR-ESI-TOFMS(positive-ion mode)m/ z:249.1466[M+Na]+(calcd for C13H22O5Na,249.1464). D-Glucose,½a 27D+51.6(c=0.38,H2O,24h after being dis-solved in the solvent).From euodionoside B(4)(3.8mg),1.8mg(79%)of an aglycone(4a)and 1.1mg(65%)of D-glucose wereobtained.Aglycone(4a):An amorphous powder;½a 30D +18.6(c=0.19,MeOH);1H NMR(CD3OD,400MHz) d: 6.06(1H,d,J=16Hz,H-7), 5.63(1H,dd,J=16, 6Hz,H-8), 4.34(1H,qd,J=6,1Hz,H-9), 4.05(3H, m,H-3), 1.78(1H,ddd,J=13,5,2Hz,H-4eq), 1.73 (1H,dd,J=13,12Hz,H-4ax), 1.65(1H,dd,J=12, 12Hz,H-2ax), 1.44(1H,ddd,J=12,4,2Hz,H-2eq), 1.27(3H,d,J=6Hz,H3-10),1.20(3H,s,H3-12),1.14 (3H,s,H3-13),0.84(3H,s,H3-11);13C NMR(CD3OD, 100MHz)d:136.2(C-7),131.3(C-8),83.6(C-6),77.8 (C-5),69.6(C-9),65.3(C-3),46.5(C-2),45.8(C-4), 40.8(C-1),27.5(C-11),27.1(C-13),26.3(C-12),24.3 (C-10);HR-ESI-TOFMS(positive-ion mode)m/z: 267.1554[M+Na]+(calcd for C13H24O4Na,247.1566).D-Glucose,½a 27D+25.0(c=0.073,H2O,24h after being dissolved in the solvent).From euodionoside B(5)(10.4mg),5.3mg(83%)of an aglycone(5a)and3.5mg(78%)of D-glucose were obtainedAglycone(5a):An amorphous powder;½a 25D+25.5°(c=0.35,MeOH);1H NMR(CD3OD,400MHz)d:5.95 (1H,d,J=16Hz,H-7),5.65(1H,dd,J=16,9Hz,H-8), 4.21(1H,m,H-9),3.73(1H,m,H-3),3.09(3H,s,-OMe), 1.99(1H,ddd,J=14,4,2Hz,H-4eq), 1.55(1H,dd, J=12,12Hz,H-2ax),1.45(1H,dd,J=14,12Hz,H-4ax),1.35(1H,ddd,J=12,4,2Hz,H-2eq),1.15(3H,d, J=6Hz,H3-10),1.02(3H,s,H3-12),0.97(3H,s,H3-13),0.74(3H,s,H3-11);13C NMR(CD3OD,100MHz): d135.6(C-7),131.5(C-8),83.3(C-5),79.0(C-6),69.7(C-9),65.2(C-3),48.4(–OCH3),46.5(C-2),40.9(C-1),38.8 (C-4),27.7(C-11),26.4(C-12),24.2(C-10),19.7(C-13); HR-ESI-TOFMS(positive-ion mode)m/z:281.1729 [M+Na]+(calcd for C14H26O4Na,281.1723).D-Glucose,½a 25D+49.7(c=0.23,H2O,24h after being dissolved in the solvent).From euodionoside G(7)(2.5mg),1.2mg(82%)of an aglycone(7a)and1.0mg(86%)of D-glucose were obtained.Aglycone(7a):An amorphous powder;½a 25D+61.7°(c=0.08,MeOH);1H NMR(CD3OD,400MHz)d:6.06 (1H,br s,H-4),4.30(1H,dd,J=18,2Hz,H-13),4.15 (1H,dd,J=18,2Hz,H-13),3.66(1H,qd,J=6,6Hz, H-9), 2.54(1H,dd,J=18,1Hz,H-2), 2.03(1H,ddd, J=18,1,1Hz,H-2), 1.94(1H,dd,J=5,5Hz,H-6), 1.821.49(4H,m,H2-7,8),1.16(3H,d,J=6Hz,H3-10), 1.11(3H,s,H3-11),1.02(3H,s,H3-12);13C NMR (CD3OD,100MHz)d:172.3(C-5),121.7(C-4),68.9 (C-9),65.1(C-13),48.7(C-2),48.4(C-6),39.9(C-8),37.4 (C-1),28.9(C-12),28.0(C-7),27.6(C-11),23.6(C-10); HR-ESI-TOF-MS(positive-ion mode)m/z:249.1465 [M+Na]+(calcd for C13H22O2Na,249.1461).D-Glucose,½a 27D+20.4(c=0.07,H2O,24h after being dissolved in the solvent).4.4.9.Preparation of(R)-and(S)-MPTA estersA solution of1a(0.9mg)in1ml of dehydrated CH2Cl2was reacted with(R)-MTPA(27mg)in the pres-ence of1-ethyl-3-(3-dimethylaminopropyl)cardodiimide hydrochloride(EDC)(16mg)and N,N-dimethyl-4-ami-nopyridine(4-DMAP)(11mg),and then the mixture was occasionally stirred at25°C for30min.After the addition of1ml of CH2Cl2,the solution was washed with H2O(1ml),5%HCl(1ml),NaHCO3–saturated H2O,and then brine(1ml),successively.The organic layer was dried over Na2SO4and then evaporated under reduced pressure.The residue was purified by preparative TLC[silica gel(0.25mm thickness),being applied for 18cm,developed with CHCl3–(CH3)2CO(19:1)for 9cm,and then eluted with CHCl3–MeOH(9:1)]to fur-nish an ester,1b(1.2mg,68%).Through a similar proce-dure,1c(1.3mg,73%)was prepared from1a(0.9mg) using(S)-MTPA(27mg),EDC(17mg),and4-DMAP (12mg).M.Yamamoto et al./Phytochemistry69(2008)1586–15961593。
卢浮宫旅游英语(本)教学辅导课件
Guide Services and Cultural Relics Explanation
选择导览服务
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根据个人需求选择合适的导览服务,如私人导览、团体导览等。
了解导览内容
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提前了解导览过程中会涉及到的文化和历史背景,以便更好地
理解导览内容。
参与互动讲解
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积极参与导览过程中的讲解和互动环节,与导游交流并提问,
Museum: the Louvre Museum
Sculpture: the Venus de Milo
Archaeological Find: the Rosetta Stone
Explanation of Louvre Cultural Relics in English
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The Mona Lisa is a portrait painted by Leonardo da Vinci.
Preparation and ticket purchase before the visit
了解参观信息
提前了解卢浮宫的开放时间、门票价格、参观须知等 信息,以便做好充分的准备。
预定门票
通过官方网站或第三方平台预定门票,避免排队等待 购票。
准备必备物品
携带必要的物品,如相机、地图、舒适的鞋子等,以 便更好地参观和记录。
The architectural style and characteristics of the Louvre
The Louvre is a representative example of French classical architecture.
The Louvre's most famous landmark is the glass pyramid entrance designed by architect I.M. Pei.
英美文学选读(英国)浪漫主义时期笔记
Chapter 3 The Romantic Period1. The Romantic Period: The Romantic period is the period generally said to have begun in 1798 with the publication of Wordsworth and Coleridge’s Lyrical Ballads and to have ended in 1832 with Sir Walter Scott’s death and the passage of the first Reform Bill in the Parliament. It is emphasized the special qualities of each individual’s mind.2.Social background:a. during this period, England itself had experienced profound economic and social changes. The primarily agricultural society had been replaced by a modern industrialized one.b. With the British Industrial Revolution coming into its full swing, the capitalist class came to dominate not only the means of production, but also trade and world market.3.The Romantic Movement: it expressed a more or less negative attitude toward the existing social and political conditions that came with industrialization and the growing importance of the bourgeoise. The romantics demontrated a a strong reaction against the dominant modes of thinking of the 18th-century writers and philosophers. They saw man as an individual in the solitary state. Thus, the Romanticism actually constitutes a change of direction from the outer world of social civilization to the inner world of the human spirit.The Romantic period is an age of poetry. Blake, Wordsworth, Coleridge, Byron, Shelley and Keats are the major Romantic poets. They started a rebellion against the neoclassical literature, which was later regarded as the poetic revolution. Wordsworth and Coleridge were the major representatives of this movement. Wordsworth defines the poet as a “man speaking to men”, and poetry as “the spontaneous overflow of powerful feelings.” Imagination, defined by Coleridge, is the vital faculty that creates new wholes out of disparate elements. The Romantics not only extol the faculty of imamgination, but also elevate the concepts of spontaneity and inspiration, regarding them as something crucial for true poetry. The natural world comes to the forefront of the poetic imagination. Nature is not only the major source of the poetic imagery, but also provides the dominant subject mattre. It is in solitude, in communion with the natural universe, that man can exercise this most valuable of faculties.Romantics also tend to be nationalistic, defending the great poets and dramatists of their own national heritage against the advocates of classical rules.Poetry: to the Romantics, poetry should be free from all rules.they would turn to the humble people and the common everyday life for subjects.Prose: It’s also a great age of prose. With education greatly developed for the middle-class people, there was a rapid growth in the reading public and an increasing demand for reading materials.Romantics made literary comments on the writers with high standards, which paved the way for the development of a new and valuable type of critical writings. Colerige, Hazlitt, Lamb, and De Quincey were the leading figures in this new development.Novel: the 2 major novelists of the period are Jane Austen and Walter Scott.Gothic novel: a tyoe of romantic fiction that predominated in the late 18th century, was one of the Romantic movement. Its principal elements are violence, horror, and the supernatural, which strongly appeal to the reader’s emotion. With is description of the dark, irritional side of human nature, the Gothic form exerted a great influence over the writers of the Romantic period.3. Ballads: the most important form of popular literature; flourished during the 15th century; Most written down in 18th century; mostly written in quatrains; Most important is the Robin Hood ballads.4. Romanticism: it is romanticism is a literary trend. It prevailed in England during the period of 1798-1832. Romanticists were discontent with and opposed to the development of capitalism. They split into two groups.Some Romantic writers reflected the thinking of those classes which had been ruined by the bourgeoisie called Passive Romantic poets represented by Wordsworth, Coleridge and Southey.Others expressed the aspiration of the labouring classes called Active or Revolutionary Romantic poets represented by Byron and Shelley and Keats.5. Lake Poets:Wordsworth, Coleridge and Robert Southey have often been mentioned as the “Lake Poets” because they lived in the Lake District in the northwestern part of England6. Byronic Hero a proud, mysterious rebelling figure of noble origin rights all the wrongs in a corrupt society, and is against any kind of tyrannical rules; It appeared first in Childe H arold’s Pilgrimage and then further developed in later works as the Oriental Tales, Manfred and Don Juan; the figure is somewhat modeled on the life and personality of Byron himself, and makes Byron famous both at home and abroad.7. Main Writers:A. William Blake(1757-1827):1. Literarily, Blake was the first important Romantic poet, showing a comtempt for the rule of reason, opposing the calssical tradition of the 18th century,and treasuring the individual’s imagination.2. His first printed work, Poetic Skelches, is a collection of youthful verse. Joy, laughter, love and harmony are the prevailing notes.3. The Songs of Innocence is a lovely volume of of poems, presenting a happy and innocent world, though not without its evils and sufferings. The wretched child described in “The Chimney Sweeper,”orphaned, exploited, yet touched by visionary rapture, evokes unbearable poignancy when he finally puts his trust in the order of the universe as he knows it. Blake experimented in meter and rhyme and introduced bold metrical innovations which could not be found in the poetry of his contemporaries.4. The Songs of Experience paints a different world, a world of misery, poverty, disease, war and repression with a malancholy tone. The little chinmney sweeper sings “notes of woe” while his parents go to the church and praise “God & his Priest & King”—the very intrument of their repression. A number of poems in the Songs of Experience also find a counterpart in the Songs of Experience. The 2 books hold the similar subject-matter, but the tone, emphasis and conclusion differ.5. Childhood is central to Blake’s concern in the Songs of Innocence and the Songs of Experience, and this concern gives the 2 books a strong social and historical reference. The two “Chimney Sweeper”poems are good examples to reveal the relation between an economic ciecumstance, i.e. the exploitation of child labor, and an ideological circumstance, i.e. the role played by religion in making people compliant to exploitation. The poem from the Songs of Innocence indicates the conditions which make religion a consolation, a prospect “illusionary happiness;”the poem from the Songs of Experience reveals the nature of religion which helps bring misery to the poor children.6. Blake’s Marriage of Heaven and Hell marks his entry into maturity. The poem plays the double role both as a satire and a revolutionary prophecy. Blake explores the relationship of the contrries. Attraction and repulsion, reason and energy, love and hate, are necessary to human existence. The “Marriage”means the reconciliation of the contraries, not the subordination of the one to the other.Main works: Poetical SketchesSongs of Innocence is a lovely volume of poemsHoly Thursday reminds us terribly of a world of loss and institutional cruelty.Songs of Experience paints a different world, a world of misery, poverty, disease, war and repression with a melancholy tone.Marriage of Heaven and HellThe book of UrizenThe Book of LosThe Four ZoasMilton7. Language Character: he writes his poems in plain and direct language. His poems often carry the lyric beauty with immense compression of meaning. He distrusts the abstractness and tends to embody his views with visual images. Symbolism in wide range is also a distinctive feature of his poetry.B. William Wordsworth(1770-1850) In 1842 he received a government pension, and in the following year he succeeded Southey as Poet Laureate.Lyrical Ballads:But the Lyrical Ballads differs in marked ways from his early poetry, notably the uncompromising simplicity of much of the language, the strong sympathy not merely with the poor in general but with particular, dramatized examples of them, and the fusion of natural description with expressions of inward states of mind.Short poems:According to the subjects, Wordsworth’s short poems can be calssified into two groups: poems about nature and poems about human life.Wordsworth is regarde as a “worshipper of nature.”He can penetrate to the heart of things and give the reader the very life of nature. “I Wandered Lonely as a Cloud”is perhaps the most anthologized poem in english literature, and one that takes us to the core of Wordsworth’s poetic beliefs. It’s nature that gives him “strength and knowledge full of peace.”Wordswoth thinks that common life is the only subject of literary interest. The joys and sorrows of the common people are his themes. “The Solitary Reaper” and “To a Highland Girl” use rural figures to suggest the timeless mystery of sorrowful humanity and its radiant beauty. In its daring use of subject matter and sense of the authenticity of the experience of the poorest, “Resolution and Independence ” is the triumphant conclusion of ideas first developed in the Lyrical Ballads.Wordsworth is a poet in memory of the past. To him, life is a cyclical journey. Its beginning finally turns out to be its end. His philosophy of life is presented in his masterpiece The Prelude.Wordsworth deliberate simplicity and refusal to decorate the truth of experience produced a kind of pure and profoud poetry which no othr poet has ever equaled. He maintained that the scenes and events of everyday life and the speech of ordinary people were the raw material of which poetry could and should be made.Main Works:Descriptive Sketches, and Evening WalkLyrical Ballads.The PreludePoems in Two VolumesOde: Intimations of ImmortalityResolution and Independence.The ExcursionPoets: The Sparrow’s Nest, To a Skylark, To the Cuckoo, To a Butterfly, I Wandered Lonely as a Cloud( is perhaps the most anthologized poem in English literature.), An Evening Walk, My Heart Leaps up, Tintern AbbeyThe ThornThe sailor’s motherMichael,The Affliction of MargaretThe Old Cumberland BeggarLucy PoemsThe Idiot BoyMan, the heart of man, and human life.The Solitary ReaperTo a Highland GirlThe Ruined CottageThe PreludeLanguage character: he can penetrate to the heart of things and give the reader the very life of nature. And he thinks that common life is the only subject of literary interest. The joys and sorrows of the common people are his themes. His sympathy always goes to the suffering poor.He is the leading figure of the English romantic poetry, the focal poetic voice of the period. His is a voice of searchingly comprehensive humanity and one that inspires his audience to see the world freshly, sympathetically and naturally. The most important contribution he has made is that he has not only started the modern poetry, the poetry of the growing inner self, but also changed the course of English poetry by using ordinary speech of the language and by advocating a return to natureC. Percy Bysshe Shelley(1792-1822)he grew up with violent revolutionary ideas, so he held a lifelong aversion to crulty, injusticce, authority, institutional religion and the formal shams of respectable society, condemming war, tyranny and exploitation. He realized that the evil was also in man’s mind. Even after a revolution, that is after the restoration of human morality and creativity, the evil deep in man’s heart might again be loosed. So he predicated that only through gradual and suitable reforms of the existing institutions couls benevolence be universally established and none of the evils would survive in this “genuin society,”where people could live together happily, freely and peacefully.Shelley expressed his love of freedom and his hatredtoward tyranny in several of his lyrics. One of the greatest political lyrics is “Men of England.” It is not only a war cry calling upon all working people to risse up against their political oppressors, but an address to them pointing out the intolerable injustice of economic exploitation. The poem was later to become a rallying song of the British Comuunist Party.Best of all the well-known lyric pieces is Shelley’s “Ode to the West Wind” here Shelley’s rhapsodic and declamatory tendencies find a subject perfectly suited to them. The autumn wind, burying the dead year, preparing for a new spring, becoms an image of Shelley himself, as he would want to be, in its freedom, its destructive-constructive potential, its universality. The whole poem had a logic of feeling,a not easily analyzable progression that leads to the triumphant, hopeful and convincing conclusion: if winter comes, can spring be far behind?Shelley’s greatest achievement is his four-act poetic drama, Prometheus Unbound. The play is an exultant work in praise of humankind’s potential, and Shelley himself recognized it as “the most perfect of my products.”Main works:The Necessity of Atheism, Queen Mab: a Philosophical Poem, Alastor, or The Spirit of SolitudePoem: Hymn to Intellectual Beauty, Mont BlancJulian and Maddalo, The Revolt of Islam, the Cenci, Prometheus Unbound, Adonais, Hellas,Prose: Defence of PoetryLyrics:genuine society,“Ode to Liberty”,“Old to Naples”“Sonnet: England in 1819”, The Cloud, To a Shylark, Ode to the West WindPolitical lyrics: Men of EnglandElegy: Adonais is a elegy for John Keats’s early deathTerza rimaPersonal Characters: he grew up with violent revolutionary ideas under the influence of the free thinkers like Hume and Godwin, so he held a life long aversion to cruelty, injustice, authority, institutional religion andthe formal shams of respectable society, condemning war, tyranny and exploitation. He expressed his love for freedom and his hatred toward tyranny in several of his lyrics such as “Ode to Liberty”,“Old to Naples”“Sonnet: England in 1819”Shelley is one of the leading Romantic poets, and intense and original lyrical poet in the English language. Like Blake, he has a reputation as a difficult poet: erudite, imagistically complex, full of classical and mythological allusions. His style abounds in personification and metaphor and other figures of speech which describe vividly what we see and feel. Or express what passionately moves us.D: Jane Austen(1755-1817): born in a country clergyman’s family:Main Works:Novel: Sense and SensibilityPride and Prejudice(the most popular)Northanger AbbeyMansfield ParkEmmaPersuasionThe WatsonsFragment of a NovelPlan of a NovelPersonal Characters: she holds the ideals of the landlord class in politics, religion and moral principles; and her works show clearly her firm belief in the predominance of reason over passion, the sense of responsibility, good manners and clear—sighted judgment over the Romantic tendencies of emotion and individuality.Her Works’ Characters: his works’s concern is about human beings in their personal relationships. Because of this, her novels have a universal significance. It is her c onviction that a man’s relationship to his wife and children is at least as important a part of his life as his concerns about his belief and career. Her thought is that if one wants to know about a man’s talents, one should see him at work, but if one wan ts to know about his nature and temper, one should see him at home. Austen shows a human being not at moments of crisis, but in the most trivial incidents of everyday life. She write within a very narrow sphere. The subject matter, the character range, the social setting, and plots are all restricted to the provincial life of the late 18th century England. Concerning three or four landed gentry families with their daily routine life.Her novels’ structure is exquisitely deft, the characterization in the hig hest degree memorable, while the irony has a radiant shrewdness unmatched elsewhere. Her works’ at one delightful and profound, are among the supreme achievements of English literature. With trenchant observation and in meticulous details, she presents the quiet, day-to-day country life of the upper-middle-class English.G: Questions and answers:1. what are the characteristics of the Romantic literature? Please discuss the above question in relation to one or two examples.a. in poetry writing, the romanticists employed new theories and innovated new techniques, for example, the preface to the second edition of the Lyrical Ballads acts as a manifesto for the new school.b. the romanticists not only extol the faculty of imagination, but also elevate the concepts of spontaneity and inspiration.c. they regarded nature as the major source of poetic imagery and the dominant subject.d. romantics also tend to be nationalistic.2.Make a contrast between the two generations of Romantic poets during the Romantic AgeThe poetic ideals announced by Wordsworth and Coleridge provided a major inspiration for the brilliant young writers who made up the second generation of English Romantic poets. Wordsworth and Coleridge both became more conservative politically after the democratic idealism. The second generation of Romantic poets are revolutionary in thinking. They set themselves against the bourgeois society and the ruling class.3.what are Austen’s writing features?Jane Austen is one of the realistic novelists. Aust en’s work has a very narrow literary field. Her novels showa wealth of humor, wit and delicate satire.4. what is the historical and cultural background of English Romanticism?a. Historically, it was provoked by the French Revolution and the English Industrial Revolution.b. Culturally, the publication of French philosopher Rousseau’s two books provided necessary guiding principles for the French Revolution which aroused great sympathy and enthusiasm in England;c. England experienced profound economic and social changes: the enclosure movement and the agricultural mechanization; the capitalist class grasped the political power and came to dominate the English society.H. topic discussion:1. Discuss the artistic features of Shelley’s poems.A. Percy Bysshe Shelly is an intense and original lyrical poet in the English language.B. His poems are full of classical and mythological allusions.C. His style abounds in personification and metaphor and other figures of speechD. He describes vividly what we see and feel, or expresses what passionately moves us.2. What does Wordsworth mean when he said “All good poetry is the spontaneous overflow of powerful feelings recollected in tranquility”?This sentence is considered as the principle of Wordsworth’s poetry c reation which was set forth in the preface to the Lyrical Ballads. Wordsworth appealed directly on individual sensations, as the foundation in the creation and appreciation of poetry.3. How do you describe the writing style of Jane Austen? What is the significance of her works?Jane Austen is a writer of the 18th century through she lived mainly in the 19th century. She holds the ideals of the landlord class in politics, religion, and moral principles. Austen’s main literary concern is about human beings in their personal relationships. Austen defined her stories within a very narrow sphere.。
创新力英语作文
Innovation is the driving force behind progress in any field,and in the realm of English composition,it plays a pivotal role.Here are some key elements that can enhance the innovativeness of an English essay:1.Originality of Ideas:Start with a fresh perspective or a unique angle on a common topic.This can be achieved by exploring lessdiscussed aspects or by applying a novel theoretical framework.2.Cultural Insights:Incorporate elements from different cultures to enrich the content. This not only makes the essay more interesting but also showcases the writers global outlook.3.Interdisciplinary Approach:Blend knowledge from various disciplines such as science, arts,or social sciences to create a multidimensional analysis of the topic.e of Metaphors and Similes:Employing figurative language can make abstract concepts more tangible and engaging for the reader.5.Innovative Structure:Instead of following the traditional introductionbodyconclusion format,experiment with different structures like a narrative,dialogue,or a series of short vignettes.6.Creative Use of Language:Play with language by using alliteration,assonance,or other literary devices to create a rhythmic and memorable writing style.7.Incorporation of Multimedia:If the medium allows,integrating visual or auditory elements can add a new dimension to the essay.8.Research and Evidence:Support your innovative ideas with solid research and evidence.This lends credibility to your arguments and makes your essay more persuasive.9.Personal Experiences:Weave personal anecdotes or experiences into the essay to give it a unique flavor and make it relatable to the reader.10.Critical Thinking:Challenge conventional wisdom and provoke thought by presenting counterarguments and engaging in a critical analysis of the topic.11.Humor:When appropriate,using humor can make the essay more enjoyable and memorable,while also demonstrating the writers wit.12.Visual Elements:If the platform supports it,consider using graphs,charts,or illustrations to support your points visually.13.Interactive Elements:For digital essays,consider incorporating interactive elements such as quizzes or polls to engage the reader.14.Reflection and SelfCritique:Show your thought process by including moments of reflection and selfcritique,which can make the essay more authentic and relatable.15.Call to Action:End the essay with a call to action that encourages the reader to think or act in a certain way,leaving a lasting impression.By incorporating these elements,your English composition can stand out for its innovative approach,engaging the reader in a thoughtprovoking and memorable way.。
意象派画作英语作文
意象派画作英语作文The Impressionist Movement: A Captivating Journey through the Lens of Artistic ExpressionThe Impressionist movement, a pivotal era in the history of art, has left an indelible mark on the world of visual expression. Emerging in the late 19th century, this artistic revolution challenged the traditional norms of painting, giving rise to a new perspective that celebrated the fleeting moments of everyday life. Through the masterful brushstrokes and vivid color palettes of the Impressionist artists, we are invited to experience the world through a lens of ethereal beauty, where the essence of a scene is captured in a single, breathtaking moment.At the heart of the Impressionist movement lies the notion of capturing the immediate sensations and impressions of a subject, rather than striving for meticulous detail or realism. The Impressionists embraced the idea of painting en plein air, or outdoors, allowing them to immerse themselves in the natural world and observe the ever-changing effects of light, color, and atmosphere. This approach resulted in a style that was characterized by loose, expressive brushwork, a focus on the play of light, and arejection of the rigid academic traditions that had long dominated the art world.One of the most renowned Impressionist painters, Claude Monet, is celebrated for his masterful depictions of the natural world. His series of paintings featuring the water lilies in his beloved garden at Giverny are a testament to his ability to capture the fleeting beautyof a moment. In these works, Monet's brushstrokes dance across the canvas, creating a mesmerizing interplay of light and color that seems to transport the viewer into the serene tranquility of the pond. The viewer is invited to lose themselves in the shimmering reflections, the delicate petals, and the ever-changing play of light, as if they too are immersed in the tranquil setting.Another iconic Impressionist, Pierre-Auguste Renoir, is renowned for his joyful and celebratory portrayals of everyday life. His paintings, such as "Dance at Le Moulin de la Galette," capture the vibrant energy and joie de vivre of the people he observed. Renoir's use of vibrant colors and loose, expressive brushwork imbues his scenes with a sense of movement and vitality, inviting the viewer to partake in the festivities and experience the warmth and conviviality of the moments he depicts.The Impressionist movement also gave rise to the work of Édouard Manet, whose paintings challenged the conventional norms ofartistic representation. Manet's bold and unconventional compositions, such as "Luncheon on the Grass," subverted the traditional expectations of the art world, sparking controversy and debate. His paintings often featured modern subjects and a striking use of light, color, and brushwork that defied the traditional academic style.The Impressionist artists' revolutionary approach to painting was not limited to the canvas; it also extended to the realm of sculpture. Auguste Rodin, considered one of the greatest sculptors of the Impressionist era, is renowned for his dynamic and expressive works that capture the essence of the human form. Rodin's sculptures, such as "The Thinker," are characterized by a sense of movement and emotion that transcends the static nature of the medium, inviting the viewer to engage with the work on a deeply personal level.The legacy of the Impressionist movement continues to resonate with art enthusiasts and scholars alike. The sheer beauty and emotional resonance of these works have captivated audiences for generations, inspiring countless artists to explore the limitless possibilities of visual expression. Through the Impressionist lens, we are invited to see the world anew, to appreciate the fleeting moments that make up the tapestry of our existence, and to revel in the transformative power of art.As we immerse ourselves in the captivating world of Impressionist painting, we are reminded of the profound impact that this artistic revolution has had on the way we perceive and experience the world around us. The Impressionists' celebration of the ephemeral, their embracement of the natural world, and their bold experimentation with form and color have left an indelible mark on the artistic landscape, inspiring generations of artists to push the boundaries of what is possible in the realm of visual expression.。
简单侦探类小说英语作文
In the heart of the bustling city,a mysterious case unfolded,captivating the attention of its citizens and the local police force.The story revolves around a renowned art gallery owner,Mr.Pierre Dupont,who was found murdered in his own gallery one fateful evening.The crime scene was meticulously arranged,with no signs of struggle or forced entry,leading the investigators to believe that the murderer was someone close to Mr. Dupont.The protagonist of our story is Detective Jean Leclair,a seasoned investigator with a keen eye for detail and an uncanny ability to unravel the most complex of mysteries.Upon arriving at the crime scene,Detective Leclair immediately noticed the peculiar arrangement of the art pieces,which seemed to be a clue in itself.The painting of a solitary figure standing on a bridge was slightly askew,and a small,seemingly insignificant,note was found tucked beneath the frame.The note read,The truth lies beneath the eyes of the beholder.Intrigued,Detective Leclair began to scrutinize the gallerys visitors and employees,each with their own motives and alibis.Among them were:1.Madeleine Rousseau,the gallerys curator,who had a tumultuous relationship with Mr. Dupont due to disagreements over the curation of the art collection.2.Lucien Moreau,a struggling artist whose work had been rejected by Mr.Dupont multiple times,harboring a deep resentment towards the gallery owner.3.Henrietta Dubois,a wealthy patron of the arts who had a secret affair with Mr.Dupont, and was rumored to have been involved in some shady dealings with him.4.Gaston Lefèvre,the gallerys security guard,who had access to the premises and was known to have gambling debts that he could not repay.As the investigation progressed,Detective Leclair discovered that the painting with the note was not an original piece but a forgery.This revelation led him to the underground world of art forgery,where he found a connection between Mr.Dupont and a notorious forgery ring.The ringleader,known only as The Master,had a reputation for ruthlessly eliminating anyone who threatened to expose their operation.Through a series of clever deductions and a bit of luck,Detective Leclair managed to piece together the puzzle.The truth was that Mr.Dupont had discovered the forgery ring and was planning to expose it to the authorities.In a desperate attempt to protect their operation,The Master had orchestrated Mr.Duponts murder,using one of the gallery employees as an unwitting accomplice.The climax of the story occurs when Detective Leclair confronts The Master during ahighstakes art auction,where a rare and valuable painting is being sold.With the help of his trusted partner,Detective Leclair manages to apprehend the elusive criminal,bringing an end to the forgery ring and avenging Mr.Duponts death.The story concludes with a sense of justice served,as the truth behind the murder is revealed,and the guilty parties are brought to justice.Detective Leclairs reputation as a brilliant investigator is further solidified,and he is celebrated for his unwavering commitment to uncovering the truth,no matter how deeply it is buried.。
法式鹅肝的英文小作文
法式鹅肝的英文小作文French foie gras is a delicacy renowned for its rich flavor and luxurious texture. Originating from France, this gourmet dish has gained worldwide acclaim for its unique taste and exquisite preparation.Foie gras, which translates to "fatty liver" in English, is typically made from the liver of ducks or geese thathave been specially fattened. The process of fattening the liver involves force-feeding the birds to stimulate the accumulation of fat in the liver, resulting in adistinctive, buttery texture and a flavor that is both savory and subtly sweet.The production of foie gras is a meticulous and time-intensive process that requires precision and expertise. It begins with the selection of high-quality duck or goose liver, which is then cleaned and deveined to remove any impurities. The liver is then seasoned with salt, pepper, and other spices before being gently cooked or processedinto various forms, such as pâté or terrine.One of the most famous preparations of foie gras is the French-style foie gras, known for its decadent taste and elegant presentation. In this preparation, the foie gras is often pan-seared or gently cooked to achieve a golden crust on the outside while maintaining a creamy interior. It is then served with accompaniments such as toasted brioche,fruit compote, or a drizzle of balsamic reduction to enhance its flavor profile.The consumption of foie gras has sparked controversy in recent years due to concerns about animal welfare andethical practices in its production. Critics argue that the force-feeding process, known as gavage, is inhumane and causes unnecessary suffering to the birds involved. However, supporters of foie gras production maintain that when done properly and responsibly, gavage is not harmful to the animals and is an essential part of traditional foie gras production.Despite the ethical debates surrounding its production,French foie gras remains a coveted delicacy enjoyed by gourmands and food enthusiasts around the world. Its rich, buttery flavor and luxurious texture make it a standout ingredient in gourmet cuisine, whether served as a standalone dish or incorporated into elaborate recipes.In conclusion, French foie gras is a culinary treasure celebrated for its unparalleled taste and exquisite preparation. While its production may be controversial, there is no denying the allure of this gourmet delicacy, which continues to captivate the palates of food lovers everywhere.。
介绍椰雕英语作文
椰雕的魅力与工艺椰雕, a unique and exquisite craft originating from China's tropical regions, has a rich history and cultural significance. The art of carving intricate designs on coconut shells is not only a testament to the skilled craftsmanship of generations but also a symbol of theregion's rich natural resources and cultural heritage.The coconut, a common fruit in tropical regions, provides the perfect medium for this intricate art form.The hard, yet slightly flexible, outer shell of the coconut offers a natural canvas for artists to carve their designs. The shells are first cleaned and dried, then smoothed to a shiny finish before the artist begins their meticulous work. The designs on椰雕vary greatly, reflecting thediversity of cultural influences and artistic styles. Some feature traditional motifs like flowers, birds, and landscapes, while others are more contemporary,incorporating modern elements and abstract designs. The intricate details and the smooth finish of the carvings are what truly set椰雕apart from other crafts.The process of carving椰雕requires immense patienceand skill. Artists use a variety of tools, including knives, chisels, and files, to create their designs. They must be extremely precise, as any mistake can ruin the entire piece. The finished product is a testament to the artist's dedication and craftsmanship.椰雕is not just a decorative item; it is also apractical utility. Items like椰雕bowls, cups, and vasesare not only beautiful but also durable and long-lasting. The natural material and the lack of any harmful chemicals make椰雕a popular choice for those seeking eco-friendlyand sustainable products.In recent years,椰雕has gained popularity outside its traditional markets, with people from all over the world appreciating its unique beauty and craftsmanship. The industry has also evolved, with artists experimenting with new designs and techniques to keep the art form relevantand appealing to a wider audience.The future of椰雕looks bright, with more and more people recognizing its value as a unique and sustainable craft. With the right support and promotion,椰雕has thepotential to become a global brand, representing the rich cultural heritage and skilled craftsmanship of China's tropical regions.椰雕的魅力与工艺椰雕,源自中国热带地区的一种独特而精致的手工艺品,具有丰富的历史和文化意义。
法国鹅肝英语作文
法国鹅肝英语作文French Foie GrasFoie gras, which translates to "fatty liver" in English, is a popular and controversial delicacy in French cuisine. It is made from the liver of a duck or goose that has been specially fattened through force-feeding. The process of force-feeding, also known as gavage, involves inserting a tube into the bird's esophagus and pumping large amounts of food into its stomach over a period of time. This resultsin a liver that is significantly enlarged and fatty, creating the rich and creamy texture that is prized in foie gras.The controversy surrounding foie gras stems from the ethical concerns related to the force-feeding process. Animal rights activists argue that gavage is cruel and inhumane, causing unnecessary suffering to the birds involved. They also point out that the enlarged liver can lead to health issues for the animals. Opponents of foie gras production have called for bans on its sale and consumption in various countries.On the other hand, supporters of foie gras argue that the force-feeding process is not as harmful as it is often portrayed. They maintain that when done properly, gavage does not cause distress to the birds and that the practice has been refined over centuries. Additionally, they emphasize the cultural and historical significance of foie gras in French gastronomy, viewing it as a cherished tradition that should be preserved.From a culinary perspective, foie gras is prized for its unique and indulgent flavor. When prepared, it can be enjoyed in various forms, such as terrines, pâtés, or as a standalone dish. Its rich, buttery texture and delicate, savory taste make it a sought-after ingredient in upscale restaurants and gourmet markets around the world.In France, foie gras is often associated with festive occasions and special celebrations. It is a staple of traditional holiday meals, particularly during Christmas and New Year's Eve. The luxurious and decadent nature of foie gras makes it a symbol of luxury and opulence in French culinary culture.Despite the controversies that surround it, foie gras continues to be a prominent fixture in French cuisine, with a devoted following of enthusiasts and connoisseurs. Whether it is savored for its exquisite taste or criticized for its production methods, foie gras remains a complex and polarizing aspect of the culinary world.法国鹅肝鹅肝是法国美食中备受争议的一种美味。
介绍椰雕英语作文
介绍椰雕英语作文回答1:Coconut carving, also known as coconut art, is a traditional craft that involves carving intricate designs and patterns into the shell of a coconut. This art form has been practiced for centuries, particularly in countries such as India, Thailand, and the Philippines. The delicate and detailed carvings created on the coconut shell showcase the skill and creativity of the artists who specialize in this unique art form.The process of coconut carving begins with the selection of a ripe and mature coconut. The outer husk is removed, leaving behind the hard and smooth shell of the coconut. The artist then uses specialized tools such as chisels, knives, and drills to carefully carve and etch designs onto the surface of the coconut shell. These designs can range from simple motifs to elaborate scenes depicting nature, animals, or cultural symbols.One of the remarkable aspects of coconut carving is the level of precision and attention to detail required to create intricate patterns on a curved and uneven surface. The artists often demonstrate remarkable dexterity and patience as theywork on transforming the coconut shell into a piece of art.Coconut carving holds significant cultural and artistic value in many regions where it is practiced. In addition to being a form of artistic expression, coconut carving is also used to create functional items such as containers, utensils, and decorative ornaments. These intricately carved coconut products are often used in traditional ceremonies, festivals, and as souvenirs for tourists.The art of coconut carving is not only a visual treat but also a testament to the creativity and craftsmanship of the artists. It serves as a reminder of the rich cultural heritage and traditions that have been passed down through generations. With its blend of artistic expression and functional utility, coconut carving continues to captivate and inspire people around the world.Now, let's switch to Chinese to further explore the art of coconut carving.椰雕,也被称为椰壳雕刻,是一种传统工艺,包括在椰子壳上雕刻复杂的图案和纹样。
一种珍贵的品种英语作文
一种珍贵的品种英语作文I want to talk about a precious breed of dog called the Tibetan Mastiff. This breed is known for its large size, thick fur, and strong, muscular build. They are also known for their loyalty and protective nature, making them excellent guard dogs.The Tibetan Mastiff has a long history and is considered one of the oldest and most primitive breeds of dogs. They were originally bred by nomadic cultures of Tibet, China, Nepal, and India to protect sheep from predators such as wolves, leopards, and bears.One of the most striking features of the TibetanMastiff is its thick, double coat, which providesinsulation from the harsh Himalayan climate. This coat comes in a variety of colors, including black, brown, and blue-gray. The breed also has a distinctive mane around the neck and shoulders, giving them a majestic appearance.In recent years, the Tibetan Mastiff has gained popularity as a luxury pet in China, with some individuals selling for millions of dollars. This has led to concerns about overbreeding and the welfare of these dogs, as they require a lot of space, exercise, and socialization to be happy and healthy.Despite their high price tag, the Tibetan Mastiff is not a breed for everyone. They are independent, strong-willed, and can be aggressive towards strangers if not properly trained and socialized. Potential owners should do thorough research and consider their lifestyle and experience with large, powerful breeds before bringing a Tibetan Mastiff into their home.In conclusion, the Tibetan Mastiff is a precious and ancient breed with a rich history and unique characteristics. While they may not be suitable for everyone, those who appreciate their beauty, loyalty, and protective nature will find them to be a truly special and valuable companion.。
葡萄花鸟纹银香囊 英文介绍
葡萄花鸟纹银香囊英文介绍Grape Vine and Bird Pattern Silver SachetThe Grape Vine and Bird Pattern Silver Sachet is a beautifully crafted accessory that exudes elegance and style. Made from high-quality silver, this unique item combines traditional Chinese craftsmanship with a modern design, creating a stunning piece that is both functional and decorative.The silver sachet features intricate grape vine and bird patterns, which are traditional motifs in Chinese art and symbolize prosperity, happiness, and good luck. The meticulous detailing on the sachet showcases the artistic skills of the craftsmen who brought this piece to life. The grape vines are delicately intertwined, creating an enchanting visual effect, while the birds add a touch of liveliness and playfulness to the design.This silver sachet is not only a fashion accessory but also serves a practical purpose. It can be used to store fragrance as the silver material helps preserve the scent for a longer duration. Simply place a small piece of scented cotton or a sachet of dried herbs inside the pouch, and your favorite fragrance will linger throughout the day. The compact size of the sachet makes it convenient to carry around in a purse or pocket, allowing you to enjoy your favorite scent wherever you go.The Grape Vine and Bird Pattern Silver Sachet is also an ideal gift for special occasions such as birthdays, anniversaries, or holidays. Its unique design and cultural significance make it a thoughtful and meaningful present for friends, family, and loved ones. Whether asa luxurious decorative piece in their home or a personal scent accessory, this silver sachet is sure to be cherished and appreciated.To maintain the beauty and shine of the silver sachet, it is advisable to clean it regularly and store it in a moisture-free environment. Avoid contact with harsh chemicals or abrasive materials as they may damage the silver surface. A simple wipe with a soft cloth or silver polishing cloth is sufficient to keep it looking brand new.The Grape Vine and Bird Pattern Silver Sachet offers a blend of traditional craftsmanship and modern functionality. With its exquisite design and practicality, it is a must-have accessory for those who appreciate fine art and culture. Whether for personal use or as a gift, this silver sachet is a timeless piece that will add a touch of elegance and sophistication to any occasion.。
介绍肉桂的话术英文作文
介绍肉桂的话术英文作文"英文,"Cinnamon is one of those spices that can instantly transport you to a cozy, warm feeling. Its aroma fills the air with a sense of comfort and nostalgia, reminiscent of holiday baking and festive gatherings. This versatile spice has a rich history and a myriad of uses, making it a staple in kitchens all around the world.Cinnamon comes from the inner bark of several tree species belonging to the genus Cinnamomum. The most common type is known as Cassia cinnamon, which is widely producedin Indonesia, China, Vietnam, and Sri Lanka. Anothervariety is Ceylon cinnamon, also called "true" cinnamon, which is primarily cultivated in Sri Lanka and has a milder, sweeter flavor profile.In terms of flavor, cinnamon adds warmth and depth to both sweet and savory dishes. For example, sprinklingcinnamon over oatmeal or apple slices can enhance their natural sweetness, while adding a pinch to a savory stew or curry can impart a subtle complexity to the dish. 。
制作法国鹅肝酱英语作文
制作法国鹅肝酱英语作文Title: Making French Foie Gras PâtéFrench foie gras pâté, a delicacy treasured for its rich and luxurious taste, has been a symbol of fine dining for centuries. The process of creating this exquisite dish requires precision, patience, and a deep understanding of culinary techniques. From the selection of topquality goose liver to the intricate steps of preparation and cooking, every detail is crucial to achieving the perfect balance of flavors and textures that define authentic foie gras pâté.To begin the process of making French foie gras pâté, one must first source the finest goose liver available. The liver should be fresh, firm, and free of any blemishes or discoloration. The quality of the liver is paramount, as it forms the foundation of the dish and determines its overall taste and texture. Once the liver has been carefully selected, it is essential to handle it with care to preserve its delicate structure and flavor.Next, the liver is meticulously cleaned and deveined to remove any impurities or excess fat. This step requires precision and attention to detail, as any residual veins or membranes can compromise the quality of the final dish. Once the liver has been cleaned, it is seasoned with a blend of salt,pepper, and spices to enhance its natural flavor and prepare it for cooking.The liver is then gently poached in a mixture of water, wine, and aromatics to achieve a tender and velvety texture. The poaching process is a critical stage in the preparation of foie gras pâté, as it allows the liver to cook slowly and evenly, ensuring that it remains moist and succulent. After poaching, the liver is chilled to set its shape and enhance its flavor profile.Once the liver has been chilled, it is ready to be transformed into a luscious pâté. The liver is finely chopped or pureed and combined with butter, cream, and seasonings to create a smooth and decadent mixture. This mixture is then transferred to molds or ramekins and chilled to set before serving.The final step in making French foie gras pâté is the presentation. The pâté is typically served chilled and sliced thin, allowing diners to savor its rich flavor and creamy texture. Accompaniments such as toasted brioche, fruit compote, or a drizzle of balsamic reduction can complement the pâté and enhance its overall taste experience.In con clusion, the art of making French foie gras pâté is a labor of love that requires skill, dedication, and a passion for fine cuisine. From the careful selection of topquality goose liver to the precise techniques of preparation and cooking,every step in the process contributes to creating a dish that is truly exceptional. For those who appreciate the finer things in life, a taste of authentic French foie gras pâté is an experience that delights the senses and lingers in the memory long after the last bite.。
法国鹅肝英语作文
法国鹅肝英语作文France is world-renowned for its exquisite cuisine, and one of its most famous dishes is foie gras, which is French for "fatty liver." This delicacy is made from the liver of a duck or goose that has been force-fed a diet high in calories to enlarge its liver to an unnatural size.The result is a rich, creamy texture and a depth of flavor that is unparalleled in other liver dishes.Foie gras is considered a gourmet food in many parts of the world, and it is often enjoyed as a luxury item on special occasions.In France, it is particularly popular during the festive winter holidays, when it is served alongside traditional French dishes such as roasted turkey or game.The production of foie gras, however, has been the subject of much controversy in recent years.Animal rights activists have criticized the force-feeding method as inhumane, arguing that it causes physical and psychological harm to the birds.As a result, the production and sale of foie gras have been banned in some countries and regions, including California and the United Kingdom.Despite the controversy, foie gras remains a beloved culinary tradition in France.The French culinary establishment has defended the practice, arguing that it is a long-standing cultural tradition that should be preserved.They also point out that the birds used in the production of foie gras are well cared for and that the process is carried out by skilledartisans who take pride in their work.In conclusion, foie gras is a controversial delicacy that is both loved and reviled around the world.While its production methods have come under attack from animal rights activists, it remains a cherished part of French cuisine.Whether you choose to enjoy it or not, it is a dish that is sure to elicit a strong reaction from everyone who tries it.。
老舍茶馆英语作文
Laoshes Teahouse is a classic piece of modern Chinese literature that offers a vivid portrayal of the social changes in Beijing during the late Qing Dynasty,the Republic of China,and the early years of the Peoples Republic of China.The play is set in a single location,the Yutai Teahouse,which serves as a microcosm of Chinese society,reflecting the lives and struggles of its diverse patrons.The story unfolds over the course of fifty years,beginning in1898and ending in1948. Throughout this period,the teahouse owner,Wang Lifa,and his family witness the rise and fall of various social classes and political regimes.The play is divided into three acts, each representing a different era.In the first act,set during the late Qing Dynasty,the teahouse is a bustling hub of activity, frequented by a mix of scholars,officials,and commoners.The patrons engage in lively debates and discussions,reflecting the intellectual ferment of the time.However,the presence of corrupt officials and the exploitation of the poor also become apparent, foreshadowing the social upheavals to come.The second act takes place during the Republic of China era,when the teahouse has fallen into disrepair.The patrons are now a mix of warlords,politicians,and foreign invaders,each with their own agendas.The social fabric of the teahouse,and by extension,Chinese society,is further unraveled by the chaos and corruption of this period.In the final act,set in the early years of the Peoples Republic of China,the teahouse has been transformed into a governmentrun establishment.The patrons are now workers and officials of the new regime,but the underlying social issues have not been resolved.The teahouse becomes a battleground for the competing ideologies and interests of the new society.Throughout the play,the characters of Teahouse are richly drawn and serve as archetypes of their respective social classes.Wang Lifa,the teahouse owner,is a wellmeaning but ultimately ineffectual figure,unable to stem the tide of change.His wife,Qin Er,is a strongwilled woman who tries to adapt to the changing times but is ultimately overwhelmed by the forces at play.The play also features a host of memorable supporting characters,including the wise and cynical Song Shunbao,the ambitious and opportunistic Tang Tiezhu,and the tragic figure of the old man,who represents the dispossessed and forgotten of society.Teahouse is a powerful commentary on the tumultuous changes that have shaped modern China.It is a testament to the enduring power of literature to capture the humanexperience in all its complexity and diversity.Through its vivid characters and compelling narrative,the play offers a poignant reflection on the human condition and the struggle for a better world.。
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SquibsNouveau-ROUGE:A Novelty Metric forUpdate SummarizationJohn M.Conroy∗IDA/Center for Computing SciencesJudith D.Schlesinger∗IDA/Center for Computing SciencesDianne P.O’Leary∗∗University of MarylandAn update summary should provide afluent summarization of new information on a time-evolving topic,assuming that the reader has already reviewed older documents or summaries. In2007and2008,an annual summarization evaluation included an update summarization task.Several participating systems produced update summaries indistinguishable from human-generated summaries when measured using ROUGE.However,no machine system performed near human-level performance in manual evaluations such as pyramid and overall responsive-ness scoring.We present a metric called Nouveau-ROUGE that improves correlation with manual evaluation metrics and can be used to predict both the pyramid score and overall responsiveness for update summaries.Nouveau-ROUGE can serve as a less expensive surrogate for manual evaluations when comparing existing systems and when developing new ones.1.IntroductionUpdate summaries focus on what is new relative to a previous body of information. They pose new challenges both to algorithm developers and to evaluation of sum-maries.In2007,DUC(Document Understanding Conference)introduced an update summarization task,repeated in2008for TAC(Text Analysis Conference).1This task consisted of producing a multi-document summary for a set of articles on a single topic, followed by one(2008)or two(2007)multi-document summaries for sets of articles on ∗Institute for Defense Analyses,Center for Computing Sciences,17100Science Drive,Bowie,MD20715USA.E-mail:{judith,conroy}@.∗∗Computer Science Department,Institute for Advanced Computer Studies,University of Maryland, College Park,MD20742USA.E-mail:oleary@.1DUC(),the summarization evaluation event,was replaced in2008by TAC(/tac).Both were sponsored by NIST,the U.S.National Institute of Standards and Technology.Submission received:14January2010;revised submission received:15May2010;accepted for publication: 27September2010.©2011Association for Computational LinguisticsComputational Linguistics Volume37,Number1 the same topic published at later dates.The goal was to generate a goodfirst summary, along with update(s)that contained new content and minimized redundancy.The modifier manual is used to identify evaluations,and the corresponding scores, produced by humans.The modifier automatic is used to identify evaluations,and the corresponding scores,produced by machines.Similarly,human-generated and machine-generated will be used to distinguish between summaries created by humans and those generated by machine systems,respectively.2Because we are working with update summarization,there is a minimum of two summaries for a set of documents.Thefirst summary for the document set is called the original(Task A)summary and a later summary is called an update(Task B)summary.Several machine summarizing systems produced update summaries that were statistically indistinguishable from human-generated summaries,as measured by the ROUGE metrics,the standard metrics for automatic evaluation of summaries.However, none of these machine systems performed near human levels in overall responsiveness or pyramid evaluation,the currently used manual evaluation metrics.We define the metric gap(or gap)as the distance between a prediction of a manual score,based on automatic scores,and the observed manual score.The purpose of our work is to investigate and mitigate this metric gap by in-troducing an automatic evaluation that is a better predictor of manual evaluation. Reducing the metric gap is important for two reasons.First,the gap severely limits the usefulness of automatic evaluation and forces the use of much more expensive manual evaluation for comparing existing systems.More importantly,however,this gap is a severe handicap to research on new update summarization methods because it makes it difficult to evaluate new ideas and compare them with existing methods.In Section2,we analyze the results of the TAC2008summarization task,demon-strating the large gap between ROUGE automatic metrics and manual evaluation of update summaries.In Section3,we modify ROUGE to produce scores that correlate significantly better with manual evaluation.We evaluate our new metric on TAC2008 data in Section4,demonstrating its superiority as a predictor of manual evaluations.2.State-of-the-Art Evaluation of Update SummariesTAC2008presented4820-document sets,with10documents in each of two subsets,A and B.Subset B documents were more recent.Original summaries were generated for the A subsets and update summaries were then produced for the B subsets.In TAC2008,ROUGE was used for automatic evaluation.ROUGE(Lin and Hovy 2000)compares any summary to any other(typically human-generated)summary using a recall-oriented approach.ROUGE-1and-2are based on unigrams and bigrams, respectively;ROUGE-SU4uses bigrams with a maximum skip distance of4between bigrams;ROUGE-BE(Hovy,Lin,and Zhou2005)is an n-gram approach based on basic elements,computed via parsing or automatic entity recognition.ROUGE-2,ROUGE-SU4,and ROUGE-BE were the official automatic metrics for TAC2008,used to com-pare machine-generated summaries to human-generated summaries,and to compare human-generated summaries to each other using a jackknife approach.In addition to the three official metrics,we include ROUGE-1in our study as it is often competitive with the official metrics.2NIST uses“model”for human-generated summaries and“peer”for machine-generated summaries.2Conroy,Schlesinger,and O’Leary Nouveau-ROUGE Three manual evaluation metrics were used in TAC2008:pyramid,overall respon-siveness,and linguistic quality(not considered in our work).The pyramid method (Nenkova and Passonneau2004)is a content-based metric for which human annotators mark content units in the human-generated summaries.The content units are collected across a set of human-generated summaries for a topic,and a weight is computed based on how many human-generated summaries include this content unit.TAC2008 also used a manual overall responsiveness score.After evaluating data from2005–2007(Dang2007;Conroy and Dang2008),NIST decided that this score,which eval-uates summary usefulness including linguistic quality,is a reliable and stable manual evaluation.We analyzed the three official TAC2008automatic evaluation scores to see how well they predict the manual evaluation metrics of overall responsiveness and pyramid score.Figure1shows scatter plots of responsiveness and pyramid scores vs.the three official ROUGE measures for the TAC2008update task.Each solid data point represents the average score for a human summarizer over24document sets,and a dashed line marks the minimum;each open data point represents the average score for a machine system.We also show robust linear least squaresfits to the data as well as the Pearson correlation coefficients between ROUGE-BE,-2,and-SU4and the manual-evaluation scores.Surprisingly,these correlations are higher for the update task than for the original summarization task(data not shown);nevertheless,the gap between the lines’predictions and the scores for the human-generated summaries is larger.Figure1TAC2008:The update task(Task B)responsiveness and pyramid scores vs.ROUGE scores; human-generated summaries(solid points)and machine-generated summaries(open points).3Computational Linguistics Volume37,Number1 We report correlation coefficients only for the machine-generated summaries.Scores for the human-generated summaries are distributed differently,and correlation for the set of human-generated summaries is often not significant due to the small number of human summarizers.The correlation coefficients in Figure1show that the automatic metrics do well in predicting responsiveness and pyramid scoring for machine-generated summaries.In contrast,the scores for human-generated summaries far exceed the predictions,with a large gap between predicted and actual scores.As may be expected,ROUGE is more highly correlated with the pyramid evaluation,which is a pure content evaluation score, whereas the responsiveness score also reflects linguistic quality.3.Improving Automatic Evaluation—Nouveau-ROUGEWe more formally define the metric gap to be the absolute value of the difference between a manual evaluation score and our prediction of it based only on automatic evaluation scores.A number of TAC2008machine systems performed within statistical confidence of human performance in the automatic evaluation metrics,but no system performed near human performance in the manual evaluations.This has also been observed in previous summarization evaluations(Conroy and Dang2008).Progress has been made in closing this metric gap but it persists,especially for update summaries.A good update summary must contain essential information but focus on new information.When a machine-generated update summary is good,it is similar to the human-generated update summaries.This is assessed quite well by a ROUGE score.But the machine-generated update summary should also be different from the human-generated original summaries,and we need an automatic metric to assess this difference,or lack of redundancy.We suggest using a ROUGE score to measure similarity,and thus redun-dancy,between a given original summary and an update summary:A high ROUGE score indicates high redundancy.To illustrate this,we used the CLASSY algorithm(Conroy,Schlesinger,and O’Leary 2006;Schlesinger,O’Leary,and Conroy2008)to produce original summaries and update summaries for the TAC2008data.We also produced update summaries using a variant, projected-CLASSY,that reduces overlap by using a linear algebra projection of the term-sentence matrix(Conroy,Schlesinger,and O’Leary2007)of candidate sentences against the matrix for the original(Task A)summary in order to favor new infor-mation.Table1gives average ROUGE-2scores and95%confidence intervals,com-puted via bootstrapping(Efron and Tibshirani1993),over the48document sets.Two scores are given:R(BB)2compares each CLASSY update(Task B)summary to thehuman-generated summaries,and R(AB)2compares each to the original(Task A)modelsummaries.Whereas the two variants score comparably using R(BB)2,there is a significantdifference in the R(AB)2metric,as desired.Table1TAC2008:Average ROUGE-2scores and95%confidence intervals for update summaries produced by two variants of CLASSY.Variation R(BB)2R(AB) 2projected-CLASSY0.087(0.080,0.094)0.075(0.070,0.079) CLASSY0.089(0.082,0.096)0.083(0.078,0.088)4Conroy,Schlesinger,and O’Leary Nouveau-ROUGETable2TAC2008:Nouveau-ROUGEα-parameters.Predicting Responsiveness Predicting Pyramid Scoresαi,0αi,1αi,2αi,0αi,1αi,2R1−0.0271−7.355013.4227−0.2143−1.9011 3.1118R20.9126−5.453621.1556−0.0143−1.3499 4.3778R SU4 1.1381−2.693135.85550.0346−1.16807.2589R BE 1.0602−5.081124.83650.0145−1.3156 5.0446Given this evidence,we propose predicting manual scores for update summaries byusing two ROUGE scores,R(AB)i and R(BB)i(i=1,2,SU4,...),in a three-parameter modelcalled Nouveau-ROUGE:N i=αi,0+αi,1R(AB)i +αi,2R(BB)iWe determine theαparameters(Table2)using robust linear regression on the TAC2008 evaluation data so that the Nouveau-ROUGE score N i best predicts the manual scores of responsiveness and pyramid performance.Nouveau-ROUGE could be used by researchers to predict how a new system would compare with the TAC2008systems in overall responsiveness and pyramid scoring,a comparison that up to now has been impossible.4.Evaluating Nouveau-ROUGEWe evaluate Nouveau-ROUGE using cross validation studies to demonstrate that if manual scores are available for a subset of summaries(in this case,those from29 machine systems,half of those that participated in TAC2008),then Nouveau-ROUGE can predict manual scores for the remaining(held-back)summaries.4.1Improved Correlation with Manual EvaluationCorrelation scores between automatic and manual scores have traditionally been used as a measure of the effectiveness of automatic evaluation as a surrogate for manual evaluation.Pearson correlation coefficients,shown in Table3,were computed for the scores for the held-back subset of summaries.Correlation is indeed higher for the Nouveau-ROUGE scores than for any of the ROUGE scores.Table3Correlation scores for TAC2008human evaluations.Average Responsiveness Score Average Pyramid ScoreMetric i=1i=2i=SU4i=BE i=1i=2i=SU4i=BER(AB) i 0.6760.5760.6190.4900.6980.5920.6340.483R(BB) i 0.8700.9210.9020.9330.9100.9520.9330.964N i0.8880.9290.9120.9350.9460.9610.9510.9695Computational Linguistics Volume37,Number1Figure2TAC2008:ROUGE and Nouveau-ROUGE responsiveness and pyramid predictions for subtask B.6Conroy,Schlesinger,and O’Leary Nouveau-ROUGETable4TAC2008:Median Pearson correlation coefficients for automatic vs.manual evaluations.Average Responsiveness Score Jackknife Pyramid ScoreMetric R(AB)i R(BB)iN i p-value R(AB)iR(BB)iN i p-valueR10.3780.8040.920 5.4e-2840.4060.8370.943 3.5e-307R20.1490.8890.925 1.6e-1040.1770.9090.941 1.8e-99R SU40.2670.8460.913 1.3e-1760.2910.8750.9338.7e-214R BE0.2220.9130.919 6.2e-090.2430.9240.933 1.7e-17Figure2shows that ROUGE-BE and ROUGE-1predictions of both responsiveness and pyramid scores are inferior to the Nouveau-ROUGE-BE predictions.Plots for N2 and N SU4are omitted due to space restrictions,but performance improvement relative to ROUGE is greater than that for N BE and less than that for N1.4.2Validation Using Bootstrapping ExperimentsTo show that our results are not due to a lucky partitioning of the data,we used bootstrapping(Efron and Tibshirani1993),a resampling method,which allows us to compute our statistical confidence in the results.This model assumes that observed data (scores for the58systems)characterize all data.Given this model,the proper sampling method is to choose subsets with replacement.We chose58systems(with replacement) and used half to determine the Nouveau-ROUGE parameters and half to test the model. We repeated this process1,000times.Table4gives the correlation coefficients(for the tested-half of the data)for all four ROUGE metrics with each of the manual evalua-tions when comparing the machine-generated summaries with the human-generated summaries.Data in the columns labeled“p-value”result from a Mann-Whitney U-test for equal medians of R(BB)i and N i of the distributions of correlations returned bythe bootstrapping procedure.Because all p-values are small,we can conclude that thedifferences between the R(BB)i and N i correlation scores are statistically significant for allvariants of ROUGE.4.3Narrowing the Gap for Update SummariesTable5gives the median gap on the TAC2008data for predicting responsiveness and pyramid scores.Recall that the gap is the absolute value of the difference between the Table5Narrowing the TAC2008metric gap.Responsiveness Metric Gap Pyramid Metric GapMetric R Gap N Gap p-value R Gap N Gap p-valueR1 2.025 1.2777.8e-030.2850.1877.8e-03R2 1.655 1.5187.8e-030.2410.1977.8e-03R SU4 1.887 1.3447.8e-030.2730.2067.8e-03R BE 1.591 1.5477.8e-030.2290.2067.8e-037Computational Linguistics Volume37,Number1 manual score and the prediction of it.The median gap is always smaller for Nouveau-ROUGE than for ROUGE;in fact,the gap is smaller on every trial.We used the Wilcox sign test to test the significance of this observation.The null hypothesis is that the differences in the gaps between ROUGE and Nouveau-ROUGE has median0.The p-values from the Wilcox test indicate that the null hypothesis is true with probability1128≈7.812×10−3,so it can be safely rejected.5.ConclusionOur new metric,Nouveau-ROUGE,includes a measure of novelty for an update sum-mary.We demonstrated that it has higher correlation to manual evaluation of overall responsiveness and to pyramid scores than does ROUGE.The most obvious deficiency in ROUGE is the lack of a linguistic quality measurement,which we take to encompass all language-related issues:lexical,syntactic,and semantic.Therefore,we conjecture that most remaining prediction error in Nouveau-ROUGE is a result of omitting linguistic quality and caution that better prediction would be achieved only for systems of comparable linguistic quality.We believe that responsiveness is an imperfect surrogate for task-based summary evaluation such as that done in SUMMAC(Mani et al.1999).We would welcome a return to task-based evaluation,as well as research increasing the reliability and consistency of manual evaluation metrics.Investigation could also quantify the impact of low responsiveness and pyramid scores on the ability to perform a specific task.ReferencesConroy,John M.and Hoa Trang Dang.2008. 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