the translation of film names
电影片名翻译
例如：
Moonstruck 月色撩人 Sand and Blood 碧血黄沙 Music of the Heart 弦动我心 My Fair Lady 窈窕淑女 Steal Happiness 没事偷着乐 Days Touched by Love 花样年华 My Best Friend’s Wedding 新娘不是 我
电影名称翻译原则
(一)直译法 (Transliteration) (二)音译法(Literal translation) (三)意译法(Liberal translation) (四)直意结合法
(一) 直译
直译是指在片名浅显易懂, 不会产生误解的情况 下, 按照片名的字面意思或发音直接翻译。如: 直译： Beauty and The Beast 美女和野兽 Brave Heart 勇敢的心 Qiuju Goes to Court 秋菊打官司 Raise the Red Lantern 大红灯笼高高挂 Turn left, Turn Right 向左走, 向右 走 Love of May 五月之恋
(二) 音译
在音译英语电影片名中一些姓名时, 应该遵从 简略原则。 例如：Annien 译为“安妮”, 不是“安妮恩” Schindler 译为“辛德勒”，而非“斯辛 德勒” 音译采用译音表中所规定的汉字 例如： Jurassik 译为“侏罗纪”, 却不能译成“侏儒纪”
(三) 意译
在全面深刻地了解影片的内容的基础 上, 充分发挥自己的主观能动性, 对原 片名作些加工, 使译名既忠实于原文, 又能传达出影片的内容或基调, 真正做 到传神达意.
这个译名意味深长， 无论你是东邪还是 西毒，武功再高还 不是最后都成了时 间的灰烬？
(四)直意结合法 Robinson Crusoe《鲁宾逊漂流记》 Shakespeare in Love《莎翁情史》 Notting Hill《诺丁山情缘》 Philladelphia《费城故事》 Shrek《怪物史莱克》 The Island《神秘岛》 The Ring《午夜凶铃》 The Year of the Yao《姚明年》
The translation of movie title 电影名翻译
The translation of movie title 电影名翻译音译《Jane Eyre》《简. 爱》《Casablanca》《卡萨布兰卡》《Billy Elliot 》《比利.艾略特》《Evelyn 》《伊芙琳》《Garfield 》《加菲猫》《Harry Potter 》《哈里.波特》《Hannibal 》《汉尼拔》《King Kong》《金刚》直译《The Godfather》《教父》《Mr. and Mrs. Smith》《史密斯夫妇》《史密斯夫决战史密斯妇》《Fahrenheit 9/11》《华氏911》《Gosford Park》《高斯福德庄园》《Gladiator》《角斗士》《Hotel Rwanda》《卢旺达饭店》《Kill Bill》《杀死比尔》《Basic Instinct》《本能》意译《The Waterloo Bridge》《魂断蓝桥》《The Bridges of Madison Country》《廊桥遗梦》《Lolita》《一树梨花压海棠》《Leon the Professional》《这个杀手不太冷》《Lethal Weapon》《轰天炮》《Impossible Mission 》《碟中谍》《E.T》《外星人》《Bridget Jones》《BJ单身日记》《Bruce Almighty》《冒牌天神》《The Matrix》(1999) 《黑客帝国》《The Matrix Reloaded 》(2003) (重装上阵) 《The Matrix Revolutions 》(2003) (矩阵革命)《Going On 30》《女孩梦三十》《Holes》《别有洞天》《The Interpreter》《翻译风波》《Home Alone 》《小鬼当家》混译《Schindl er’s List》《辛德勒的名单》《Sissi》《西西公主》《Elizabeth》《伊丽莎白女王》《Forrest Gump》《阿甘正传》《Joe Dirt》《乔-德特历险记》《Kangaroo Jack》《抢钱袋鼠》《Lost in Translation》《迷失东京》《Shakespeare In Love 》《莎翁情史》中国电影的英文译名《Farewell My Concubine》《霸王别姬》《Be There or Be Square》《不见不散》《Seventeen Years》《回家过年》《Ashes of Time》《东邪西毒》《All Men Are Brothers: Blood of the Leopard》《水浒传》《Chinese Odyssey 1: Pandora‘s Box》中国的奥德赛1：潘多拉宝盒（《大话西游之月光宝盒》《Chinese Odyssey 2: Cinderella 》灰姑娘（《大话西游之仙履奇缘》《Funeral of the Famous Star》《大腕》明星的葬礼港台电影译名《Legally Blonde》台湾翻译：金法尤物香港翻译：律政可人儿《Moulin Rouge 》台湾翻译：红磨坊香港翻译：情陷红磨坊《The One》宇宙追缉令台湾翻译：救世主香港翻译：最后一强《Pay It Forward 》《浮世因缘》台湾翻译：让爱传出去香港翻译：拉阔爱的人《Amelie》艾梅丽台湾翻译：艾蜜莉的异想世界香港翻译：天使爱美丽《Rush Hour》台湾翻译：尖峰时刻香港翻译：火并时速《Chocolate》台湾翻译：浓情巧克力香港翻译：情迷朱古力《Tomb Raider》古墓丽影台湾翻译：古墓奇兵香港翻译：盗墓者罗拉《Cats &Dogs 》台湾翻译：猫狗大战香港翻译：猫狗斗一番《Dr. Dolittle》台湾翻译：怪医杜立德香港翻译：D老笃日记American Sweethearts》台湾翻译：美国甜心香港翻译：甜心人《Billy Elliot》芭蕾之梦台湾翻译：舞动人生香港翻译：跳出我天地On Translating English Film Titles from the CulturalPerspective IntroductionAs an audiovisual art, film is one of the most influential mass media, it follows and reflects people’s life and it is a product of particular culture. Over the past decades, with the increase in cultural exchanges, the western movies have gradually entered the Chinese market and held an important position in Chinese people’s recreational life.The film title, being short in form but rich in meaning, has its own cultural, linguistic, aesthetic features. A properly-translated English movie title should be concise, condensed and compact, which can grip the attention of the audience at their first sight and stimulate their association with the plot, reveal the theme or offer some clue. So they deserve careful investigation and consideration from the translator. However, as a branch of non-literary translation, it has not yet received due attention despite their importance.Therefore, in this thesis, I will introduce the general features and functions of English film titles, analyzing the translation techniques largely employed in film title translation. Furthermore, I will examine from the cultural perspective the different versions in Mainland, Hong Kong and Taiwan, and analyze the relevant strategies adopted and the effectiveness of these strategies. The social-cultural context of each region will be explored to find the factors resulting in this disunity in versions作为一种视听艺术，电影是最有影响力的大众媒体，它遵循并反映人民群众的生命，它也是一种特别的文化产品。
第三章影视片名的翻译详解
阳光下的罪恶
双城记 后窗 星球大战
直译要避免望文生义，应仔细斟酌，避免误译。 如电影The Last of the Mohicans 在香港译为《最后一个 莫希干人》，但片名中mohicans 是复数，而且片中讲的不 仅仅是最后一个莫希干人，而是三个，尽管其中男主角拥有 白人血统，译为《最后的莫希干人》更合适。
2. 文化价值原则(value of culture)
文化价值的实现首先表现在充分理解、准确传递原片名所承载的文 化信息、情感、社会问题、哲理，避免出现误译。
So we can say that the film title is just like a bridge connecting people in different culture, the carrier of culture may varies, but what are behind the
们翻译电影名给异国观众时，必须采用异国各个文化层次的观众都能
接受的形式。在电影片名翻译跨文化、跨语言的转换过程中，往往体 现了四项最为基本翻译原则和价值取向。
1. 信息价值原则(value of information)
片名翻译要忠实传递与原片内容相关的信息，做到翻译标题形
式与原片内容的统一。捕风捉影，离题万里，背离信息价值的翻译是
culture, which in detail ,are the emotions, the annoyance resulted from
social contradictions ,the philosophy of life, the chasing of an equal and peaceful world,are common wherever in the world .
论文：英语电影片名的翻译
毕业论文题目英语电影片名的翻译TITLE the Translation of English Film Titles 专业姓名学号指导老师中文摘要经过一个多世纪的发展，电影如今已经成为了一种常见的娱乐方式。
而随着全球化的发展，人们有了更多的机会来欣赏制作精良、精彩纷呈的外国电影。
为了使中国观众明白整部电影的内容，就需要将电影翻译成中文，这其中就包括了电影片名的翻译。
作为影片不可或缺的一部分，电影片名有其独特的语言特色和民族文化内涵，是电影艺术性和票房商业性的集中体现。
电影片名翻译属于实用英语翻译的范畴。
一部电影片名的功能就是要吸引观众走进影院去观赏这部电影，这也同样是翻译电影片名的目的。
本文以起源于德国的功能派翻译理论为基础，对电影片名翻译的现象作出了解释，并分析了在目的论指导下，音译、直译、意译及改译几种翻译策略在英语电影片名汉译中的应用。
关健词: 电影片名翻译，功能翻译，目的论，翻译策略IAbstractHaving developed for over a century, film has become one of the most popular ways of entertainment for people. People have much more chances to appreciate the elaborate and excell ent films. In order to enable the Chinese audience to understand the film's content, thewhole film should be translated, including its title. As an indispensable part of a film, the title has its unique linguistic feature and culture connotation.Film title translation belongs to general English-Chinese translation. Its function is to push the audience to go to the cinema after seeing the title, which is also the skopos of film title translation.In this thesis, the author makes an analysis of the film title translation from the functional perspective. And the application of translation strategies, namely, transliteration, literal translation, liberal translation and adaption, is also analyzed with rich examples under the guidance of the functionalist approach.Keywords: film title translation; functionalist approach; Skopos theory; translation strategiesII中文文摘电影是一种集艺术性和商业性于一体的艺术形式，是最具有影响力的媒体之一。
满江红英语翻译及语法填空课件
As the most recent suspense
comedy Man Jiang Hong
becomes the box office champion during the Spring Festival movie season in history with a cumulative(累积的) box office of over 3.6 billion yuan, the English translation of
not the 3.___f_i_r_s_t__(one) to have disgraced(侮辱) these figures.
The statues of the infamous(臭名远扬的) politician Qin Hui and
his wife are 4.r_e_g_u__la_r_l_y_(regular) slapped and have been
What is the original verse of the following sentence?
Should youthful heads in vain turn grey, We would regret for aye.
莫等闲、白了少年头，空悲切！
《 满 江 红 ·写 怀 》 岳飞பைடு நூலகம்
Full River Red:逐字翻译即大白话?
越简单越留以想象空间 朗朗上口，铿锵有力 许渊冲： 水龙吟 water dragon chant 清平乐 pure serene music
《 满 江 红 ·写 怀 》 岳飞
怒发冲冠，凭栏处、潇潇雨歇。 抬望眼、仰天长啸，壮怀激烈。 三十功名尘与土， 八千里路云 和月。莫等闲、白了少年头， 空悲切！
师范英语毕业论文题目
师范英语毕业论文题目Ⅰ文学类1. Love, Equality and Tolerance—On the Nature of Love of Jane and Tess2. On the Endings and Features of O · Henry's Short Stories3. Paradise Lost—The War in the Heaven4. Jane Austen's Marriage Conception in Pride and Prejudice5. A Brief Approach to the Influence of the Religion on Literature6. A Study on the Characterization of Great Expectations7. Catherine Earnshaw: An Irreproachable Woman8. Individual Has Integrated into the Society — An Analysis of Hester in The Scarlet Letter9. The Stream-of-Consciousness Techniques Used in Ulysses10. The Attractions of The Waste Land11. Moral Lessons in Vanity Fair12. On the Religious Color of Characterization in Uncle Tom's Cabin13. An Unfortunate but Strong Woman —An Analysis of Tess in Tess of D'uberville14. A Gentleman or a Rural Man?—The Analysis of the Characteristics of Mr. Bennet in Pride and Prejudice15. Thoreau's Walden: A Book of Inward Exploration16. The Death of Martin Eden17. Beautiful Women—Analysis of Female Characters in The Merchant of Venice18. The Conflicts between the Reality and Ideals in Jude the Obscure19. The Pursuit of Beauty in Keats's Poetry20. The Great Gatsby and the Collapse of the American Dream21. The Significance of the Scarlet Letter A22. Tom Sawyer and Huckleberry Finn: A Comparison23. The Influence of Edgar Allan Poe's Life on his Writing24. Comment on the Causes of Tess's Tragedy25. Characters Features and Social Satire in Vanity Fair26. Money and Marriage—An Analysis of Women's Social Status in Pride and Prejudice27. Appreciation of Ironic Art in Pride and Prejudice28. Hemingway's Philosophy as Lost Generation Seen FromA Fare Well to Arms29. Three Female Characters in Sons and Lovers—An analysis of Feminism in Sons and Lovers30. Robinson Crusoe's Philosophy of Life31. The Study of Interpersonal Relationships in Sons and Lovers32. An Approach to the Contradictory Characters of Angel Clave in Tess of D'uberville33. Egdon Heath in The Return of Native34. The Theme of Money in Sense and Sensibility35. The Biblical Allusions and Symbols in The Grapes of Wrath36. A Journey of Outward and Inward Exploration—A Brief Analysis of Walden37. Humanitarianism in A Tale of Two Cities38. The Return of the Lion39. The Tragedy of Love in Wuthering Heights40. The Social Significance of Oliver Twist41. The Image of a New Woman—Comments on Hester Prynne in The Scarlet Letter42. Resurrection in A Tale of Two Cities43. The Duality in Robinson Crusoe's Character44. A Book that Rocked the World—Comments on the Successful Elements of Uncle T om's Cabin45. On the Racial and Cultural Conflicts in Leatherstocking TalesⅡ教学法类1. On Classroom Activities and the Training of Oral Communicative Competence of Junior Middle School Students2. The Impropriety of Children's English Learning in the Countryside of China3. Communicative Competence and Focused Task-based Teaching Approach4. On Developing English Reading Skills5. Interaction in Oral English Teaching6. Improvement of Students' Oral Communicative Competence and Interactivity through In Class Performance7. GTM: Review and Prospect8. The Application of Schemata in the Teaching of Reading Comprehension9. Multicultural Education in Chinese and American Elementary Education10. Communicative Activities in CLT11. Role-play in English Teaching12. The Use of Body Language in English Class13. Teaching English in English14. Effective Factors to Improve Middle School Students'Listening Skill15. Cultural Teaching in English in Middle School16. The Application of Cooperative Learning Theory in Senior High School English Reading Teac hing17. The Change of English Teacher's Role in Middle School18. Communicative Language T eaching and Classroom English Teaching in China19. Contextual Analysis of the E-C Translation20. A Conceptual Discussion on Classroom Teamwork Strategy21. Obstacles in Listening Comprehension and the Ways to Remove them22. On Sino—Western Cultural Differences and the Structure of Chinese College students' Chingli sh23. The Application of Communicative Approach to ELT in Chinese Middle School24. The Conversion and Development of English Teaching Methods in China25. The Comparison and Analysis of Three Teaching Models26. Using Questions in English Reading Teaching27. A Study on Animal Metaphors in English and ChineseⅢ翻译类1. The Application of Semiotic Approach in Translation2. Language, Culture and Translation—the Influence of Cultures on Translation and Communicati on3. A Brief Study on English Antonyms4. Translation —An Unsubstitutable Means of English Teaching5. Idiom Translation and Culture Differences6. Chinese—English Cultural Differences and Translation7. On the Translation of Advertisement and Brand Name8. On the Translation of Film Names9. Discourse Analysis of the Dialogues in Films10. On Cultural Impact on Translation of Idioms11. The Comparison of English and Chinese Euphemisms for Death12. The Formation and Social Function of English Euphemism13. The Variation of Maxims and the Humor of Advertisement14. Colorful Language — On the Differences in the Symbolic Meaning of the Color between Chin ese and Western Culture15. A Study of Dialect in View of Social and Literary Contexts16. On Translating English Negative Sentence into Chinese17. Translating the Lengthy Chinese Sentences into English18. Two Patterns of Translating the Classical English Poetry into Chinese19. How to Get Poetic Flavor in Translation20. Cultural Difference and Translation21. On Cultural Factors in Translation22. Comparison of Chinese and English Forms of Addresses23. Translation of Chinese Brand into English24. Analysis on Two English Versions of Honglou Meng in Terms of Literal Translation and Free Translation25. Taboos in Western Social Customs26. Similarities and Dissimilarities of Euphemisms in Chinese and English27. A Study on Animal Metaphors in English and ChineseⅣ跨文化类1. The Symbolic Meanings of Color in Chinese and Western Cultures2. Body Language in Nonverbal Communication3. The Obstacle of Intercultural Communication4. Comparison between Chinese Collectivism and American Individualism in Oral Speaking5. On the Differences in Nonverbal Communication between the Chinese and the American and the British6. The Body Language in Intercultural Communication7. On Colors and Color Words in Chinese and in English8. The Influence of Cultural Origin of East and Western on Intercultural Communication9. The Importance of Body Language in Different Cultures10. A Comparison of Intercultural Usages between Chinese and Western Courtesy Languages11. The Discrepancy of Chinese and Western Culture in Advertisement12. General Features of Language in Postmodern Culture13. On the Cultural Implications of Body Language14. Contrasts of Body Language between China and English-Speaking Countries from the Perspec tive of Culture15. Cultural Comparison of Chinese Lunar New Year and American Christmas Day16. On Cultural Differences between Chinese and English Idioms17. On Dissimilation and Assimilation in Terms of Culture18. Comparison of Body Languages in Cross—Cultural Communication19. Comparison between Traditional Chinese and Western Families20. Connotation of Animal Words in Chinese and English Idioms21. A Comparison of Taboos between Chinese Culture and British Culture22. A Contrastive Study of Western and Chinese Traditional Wedding Customs23. Comparison of Food Culture between China and West from Table Manners24. A Brief Comment on Discourse Hegemony of American Media25. Family Education Differences Between China and Western Countries26. Body Language in a Cross-Cultural Perspective27. The Cultural Differences in Body Language between China and America28. Color Words, Colorful World—The Symbolic Meaning of Color Words29. On Development of Euphemism and its Social Value in Intercultural Communication Ⅴ语言学类1. On the Use of Euphemism—The Purpose and Principles of Euphemism2. A Survey on Loan Words of English3. Death Metaphors in English4. A Philosophical Approach to the Origin of Pragmatics5. The Pragmatic Functions of Intonation for Language Acquisition6. The Change of English Word Meaning: Factors and Types7. Ways of Child Language Acquisition。
电影名的翻译
• (四)直意结合法法
• 有些片名虽然能按照字面意义直译，但译 文仍不够理想。此时，可采用直译与意译 相结合的方法，即在原意的基础上适当地 调整，按照电影内容及风格增词，减词， 换词，以求达到更佳的效果。
《人鬼情未了》 • Waterloo Bridge 《魂断蓝桥》 • The Bridge of Madison County《廊桥遗梦》 • Home Alone 《小鬼当家》
有时候，在翻译过程中也要求我们做到注重 审美，注重词语的使用，讲究炼字，达到传 神，使翻译更加具有文学色彩。这就要求我 们有深厚的文学功底。 i.e. （1）You Can’ t Take It With You V1: 《 你无法带走》V2: 《 浮生若梦》 (2) Ordinary People V1: 《普通人》 V2 《凡夫俗子》
• （一）音译法
• 在英美影片中，常用主人公的名字或故事 发生的地点作为片名，很多以为观众们所 熟悉，因此，翻译时可直接采取音译法。 • i.e. Jane Eyre 《简爱》 • Titannic 《泰坦尼克号》 • Elizebeth 《伊丽莎白》 • Chicago 《芝加哥》
• （二）直译法
• （2）习语，典故中负载了大量的文化信息， 在翻译过程中，我们不能仅从字面上的意 义理解，这时，也要求我们能掌握一定的 典故之类的文化信息。 • One Flew the Cuckoo’ s Nest,其实Cuckoo’ s Nest在英语中是精神病院的意思，因而，在 翻译时，不以为杜鹃窝，整个片名被译为 《飞越疯人院 》
电影名字的翻译
天生杀人狂
隐形人
1．首字母缩略词或缩写
这种方法就是从原作名字的一系列的单词中 用其首字母组成一个新词，这种技巧通常用 于一些著名的大片。 通常在原作的海报出现了缩写的，我们就用 这种方法来翻译，否则还是用正常的翻译方 法。
MIB星际战警，黑超特警组
2. 运用汉语的优势
汉语语言有着悠久的历史，其词汇量之丰富 令世人叹为观止，一些好词更能表达原作的 意思。有时正确运用汉语词汇进行翻译，这 样翻译出来的汉语名字会比英文名字更为传 神。
一、一般技巧 二、基本技巧 三、其他技巧
1．字面翻译 所谓字面翻译，从表面上讲， 就是不改变 词与句。 但严格说来就是不改变原作的观点且忠实于 原作， 是对原作在思想内容和写种再现， 并 且应尽可能多的忠实于原作的修辞。 许多电影制片者都喜欢用人名、地名或某事 物名字作为电影的名字， 在这种情况下， 这 种方法就是译者的首选方法。
1．增词
增词就是在对原作正确理解的基础上，在翻 译时增加一些词。 在翻译电影名字时，适当的增词能使观众更 好的理 解电影内容。下面是我们比较熟悉的几个例 子：
克莱默夫妇
七宗罪
2．减词
减词是与增词相反的一种翻译方法。因为在一种语 言中，自然而不可缺少的元素可能在另一种语言中则是 多余的，甚至是另一种语言发展的障碍。因此，在翻译 电影名字时，我们不必将所有词都翻译成汉语，尤其当英文 名字非常长时，在这种情况下，翻译几个关键词就 够了。
Translation of Film Title 电影名字的翻译
Class 1 郝晶晶 06 薛骏慧 19
众所周知， 正确翻译电影名字是很重要的。 当观众看电影时， 第一件事就是看其名字， 如果这名字很吸引人的话，就会引起观众的 兴趣，同时，也会给票房带来可观的收入。 因此,我们在翻译时， 应根据原作名字的特点， 使翻译后的名字一方面要涵盖电影的内容， 另一方面又要简练并具有吸引力。Fra bibliotek碟中谍
A Study on the Translation of English Movie Titles
A Study on the Translation of English Movie TitlesAbstract随着时代的发展和文化的交流，英文电影日益受到人们的欢迎，片名的翻译也愈加受到人们的重视。
电影对于人们来说，不仅是喜闻乐见的一种艺术形式，同时也是一种商品。
它已成为我们生活中不可或缺的一部分，越来越多的英文影视作品被引进了我们国家。
这些影视也成为文化交流的重要手段。
本文研究英文电影片名翻译的特点和功能，并通过对当前英文电影片名翻译实践的研究，举例分析了英文电影片名翻译的标准和常用的方法。
With the development of the times and cultural exchanges, English movies are getting more and more popular, the film title translation is also more and more attention. The movie for people, not only is a beloved form of art as well as a commodity. It has become an indispensable part of our life, more and more English film and television works was introduced in our country. The film has also become an important means of cultural exchange. The thesis studies the features and functions of movie titles. And through the study of English film title translation practice, makes an analysis of English film title translation standards and methodsKey Words: English Movie Title Translation Title Features and Functions Translation StrategiesA Study on the Translation of English Movie Titles1 Introduction电影，又被称为“第七艺术”，它能传递信息、抒发情感，是一种深受大众喜爱的艺术表现形式，英文电影片名的翻译也引起越来越多的关注。
英文电影字幕翻译的原则和技巧
从思维方式看中英科普文章的差异空间介词在英汉时间表达中的隐喻性用法对比研究从《喜福会》母女冲突看中美家庭教育差异论奥斯丁女性主义观点在《爱玛》中的体现从小飞侠彼得.潘浅析詹姆斯.巴里的悲剧人生从《徳伯家的苔丝》看哈代的贞操观和道德观A Study of Nonverbal Communication英汉颜色词的文化内涵与翻译《红楼梦》委婉语翻译探究Psychological Analysis of Stuttering in The King’s Speech英汉鸟类词汇文化内涵比较中西校园流行语的文化对比The Inconsistencies between Margaret Mitchell’s Gone with the Wind and Alexandra Ripley’s Scarlett英汉语篇衔接手段对比研究A Research on the Translation of the Chinese Dish Names反讽艺术在《傲慢与偏见》中的应用论文化背景在高中英语阅读教学中的作用On the Pursuit of Ideal Home in Cold MountainOn the Absurdity in Waiting for Godot奴隶制下的压迫与爱——浅析托尼.莫里森的《宠儿》霍桑《红字》女性主义的探析探析《最蓝的眼睛》中女主人公的悲剧根源TPR教学法在幼儿英语教学中的应用中西文化中颜色词的象征意义中西方跨文化交际中非语言行为的文化差异从价值观系统角度浅析中美商务谈判中的文化冲突《飘》中斯佳丽的人物形象浅析浅谈在华跨国公司的本土化策略论《宠儿》中的象征意象“eye”的认知分析如何增强小学生英语课堂教学的趣味性A Study of Intertextuality in Advertising Text从纽马克的交际翻译和语义翻译理论论英语新闻标题的翻译Saussure’s Five Contributions to Linguistic Study and Its Modern Applications海明威《印第安人营地》新解论礼貌原则在国际商务信函的应用A Study of Narrative V oice in Jodi Picoult’s My Sister’s Keeper(英语系经贸英语)从“口红效应”看中国文化产业的机遇从美国影视剧中浅析委婉语的语用功能英汉“走类”动词短语概念隐喻的对比研究《德伯家的苔丝》中苔丝悲剧的分析福克纳《我弥留之际》中达尔形象解析Application of Foregrounding Theory to Translation of Simile and Metaphor经贸翻译中英汉词汇研究从生态批评角度解析杰克.伦敦的动物小说《野性的呼唤》和《白獠牙》《永别了，武器》悲剧特征分析解析《爱玛》中女主人公的形象修辞在政治演讲中的作用－－以奥巴马获胜演讲为例浅谈商务谈判语言的特点字母拼读法在小学英语语音教学中的应用从《大象的眼泪》看人与动物的关系从精神分析学的角度论劳伦斯小说《查泰莱夫人的情人》从关联理论角度看英语广告中修辞手法的翻译中西问候语差异对比从跨文化交际角度分析中美商务谈判风格的差异On the Translation of Chinese Dishes广告英语修辞特点及其翻译浅析《老人与海》中的英雄主义《红字》中霍桑的女性观初探法律英语用词的准确性与模糊性析《虹》中的象征意义浅析合作原则在汉英广告语翻译中的运用论中国古典诗歌意象和意境英译——基于萨皮尔-沃夫假说从《盲人》中的“血性意识”看劳伦斯的文明观美国黑人英语在美国电影中的应用汉英“甜”字隐喻用法对比论商务谈判中的文化因素(英语系经贸英语)贸易壁垒下中国企业跨国经营的突破之路—以华为为例中西幽默异同探析归化与异化策略在字幕翻译中的运用从婚姻和家庭看中美核心价值观对比差异论国际商务非礼貌言语行为论《格列佛游记》的社会意义书面语言输入与输出对英语词汇习得的影响高中英语阅读课堂教师提问策略对学生口语输出的影响戏剧《哥本哈根》中体现的两性家庭分工差异浅析《理智与情感》中简奥斯汀的婚姻观解读《爱玛》中的女性主体意识从浪漫主义角度剖析《海上钢琴师》在中国流行的原因中西文化中颜色词的互译词汇和背景知识对英语阅读理解的重要影响及应对策略从空间语言的角度分析中美隐私观念的差异英汉音节结构对比基于语义场理论的英语词汇习得研究埃德加.爱伦.坡恐怖小说的哥特式特征分析比较分析《野草在歌唱》与《倾城之恋》中女性的爱情婚姻观《长日入夜行》中玛丽的悲剧和反抗许渊冲的“三美”原则在国外化妆品品牌名汉译中的应用从电视剧《绝望主妇》看委婉语的交际功能从中英文动物隐喻看中国与英语国家的文化差异从USP理论角度论苹果公司的广告策略论中美商务沟通中的跨文化意识《爱玛》中的女权思想解读跨文化交际中的语用失误及对策中西方文化背景对理解隐喻的影响译前准备对交替传译成效的课堂研究——以礼仪祝辞类口译为例汉英谚语中关于文化价值观的比较新课程背景下中学英语教学培养学生跨文化交际能力的意义与对策作为失败者的淑：双性同体视角Analysis of the Subtitle of White Collar under Skopostheorie英汉语中恐惧隐喻的认知分析英汉自谦语的对比研究元认知策略对英语写作的影响从谷歌和百度两大企业的管理方式看中美企业文化的差异从餐桌礼仪中的非语言交际角度看中英文化差异A Brief Analysis of Female Consciousness in Cat in the Rain英语词汇学习存在的问题及对策研究Cultural Input and Syllabus in English Teaching从《阿甘正传》看美国青年文化从动态对等角度论英语俚语的翻译The Tragic Destiny of Brett Ashley in The Sun Also Rises试析《野性的呼唤》中的生态观从礼貌原则看中英委婉语的差异The Conflict between Desire and Surroundings：an Analysis of Clyde in An American Tragedy 关于英语课堂中教师体态语的研究浅析舒肤佳品牌的翻译美剧《欲望都市》中女性语言的语用分析高中英语教学中跨文化心理学的研究跨文化交际中的中西方时间观念中英死亡委婉语翻译的跨文化研究中英植物词语隐喻的文化对比英语听力理解障碍及应对策略Cultural Differences Between English and Chinese by Analyzing Brand Names海明威《太阳照样升起》中的象征主义中英道歉语的比较分析英汉文化中颜色词语象征意义的对比研究The Conditioning Factors of Juvenile Delinquency in the United States (-)《傲慢与偏见》折射出的奥斯汀的婚姻观A Study of Cultural Differences Reflected in Chinese and English Proverbs英汉“悲”、“喜”情感隐喻的认知比较研究美狄亚的女性主义分析An Analysis of Symbols in The Great Gatsby论AIDA模式在大众汽车英文广告中的语言体现英语习语汉译方法浅析英语中的性别歧视模糊数词在英语习语中的构成形式及其修辞功能男权制度下的悲剧——论《德伯家的苔丝》从功能翻译理论看企业简介汉英翻译从文化视角看中西方婚礼习俗的差异影响高中学生英语学习兴趣因素的调查及分析—以x市高中学生为调查对象目的论在英语儿歌翻译中的应用美国黑人社会地位的历史演变从目的论角度看公司网页误译An Analysis of the Translation of Film Titles从英汉习语的翻译看中西方文化差异论中英思维方式差异对主语翻译的影响从文化角度看品牌名称翻译中英日委婉语语言特征浅析《阿拉比》中男孩的心理成长历程透过《马丁.伊登》看杰克伦敦对超人哲学的矛盾心态运用超验主义解读《小妇人》中的女性形象英汉动物词语文化内涵的差异对意象翻译的初步研究英语习语学习策略的探究《愤怒的葡萄》中的圣经原型《了不起的盖茨比》——论美国梦的破灭Cultural Factors in the Translation of English Idioms从成长小说角度解读《马丁.伊登》《麦琪的礼物》的叙事技巧分析Gothic Romance: Inheritance and Development of Medieval Romance－－A Case Study of The Castle of Otranto《苍蝇》的叙事艺术及悲剧主题探究从奈达的功能对等看句式转换在《青铜女像》译本中的应用试究中国古诗词英译中的常用技巧—以《发如雪》为例《外婆的日常家当》中女性形象象征意义中学生学习英语的焦虑感及对策中介语石化现象成因及应对策略功能对等理论视角下汉语新词的翻译杰克的悲剧与海明威的世界观Psychological Analyses of Sethe in Beloved身势语在演讲中的重要性和运用研究从《推销员之死》看消费主义时代美国梦的破灭从《简.爱》的多译本看中国两性关系的变化浅谈文化差异对英语明喻汉译的影响Analysis on Moon Image in Lawrence’s Novels－－－－－－Industrialism and Chauvinism 迷失的童年——从成长小说的角度解读伊恩.麦克尤恩的《蝴蝶》《动物农庄》中的象征意义研究从生态批评角度分析《野性的呼唤》认识、寻找和实现自我价值——剖析《飘》中的人生价值礼貌用语中的语用失误海明威的生态意识在《老人与海》中的体现沃尔特·惠特曼及其诗歌研究《恋爱中的女人》欧秀拉和古迪兰的性格对其爱情观的影响An Analysis of He mingway’s Attitude towards War in For Whom the Bell TollsOn Sentence Division and Combination in C-E Literature Translation从目的论视角看英汉成语的直译和意译从概念整合视角解读《老友记》中的言语幽默沮丧与感情的冲突On the Irony in Pride and PrejudiceGrowing Pains—An Analysis of J. D. Salinger’s T he Catcher in the Rye as a Bildungsroman 论小说《苔丝》中环境描写的作用欧.亨利短篇小说中的美式幽默风格的翻译“庸人”自扰——《普鲁弗洛克情歌》主题探究基于认知的颜色词隐喻研究An Exploration to Humor Translation in The Million Pound Note: An Functionalist Approach 从《丧钟为谁而鸣》看海明威死亡情节成因A Contrastive Analysis of Chinese and English Address Terms边缘人群的孤独与无奈——对《夜访吸血鬼》中路易斯的研究英文电影字幕翻译的原则和技巧浅析电影《风雨哈佛路》中女主人公的性格特征。
电影名称的翻译方法
摘要：电影作为现代社会的一种文化形式，在很大程度上促进了世界各国间的文化交流。
近年来，我国引进了大量国外影片，其中不乏经典之作，但也参有许多糟粕，那么电影爱好者们面对这些琳琅满目的电影作品，该如何取其精华之作呢？电影名称的翻译在其中起到了很大的作用。
如何把电影名称翻译得既不脱离电影的本意，又能吸引观众的兴趣，就成了电影翻译者们的任务。
本文列举了一些电影名称的翻译实例，总结出了几种常见的翻译方法，即音译，直译,意译，音意结合法。
关键词：电影名称翻译；音译；直译；意译；音意结合法Abstract:As a cultural form of modern society, film has greatly promoted cultural exchanges between countries in the world. In recent years, China has introduced a large number of foreign films, including many classic works, but also a lot of dross. So how do movie lovers get the best of them when they face these dazzling movie works? The translation of the film name plays a big role in it. How to translate the name of a movie without breaking the original intention of the film and attracting the interest of the audience has become the task of the film translators. This article gives some examples of translation of movie titles, and summarizes several common translation methods, namely transliteration, literal translation, free translation, and the combination transliteration and free translation.Keywords: translation of film names; transliteration; literal translation; free translation; combining transliteration and free translation。
英语本科（师范类）毕业论文备选题大全
英语本科（师范类）毕业论文备选题Ⅰ文学类1.Love, Equality and Tolerance—On the Nature of Love of Jane and Tess2.On the Endings and Features of O · Henry's Short Stories3.Paradise Lost—The War in the Heaven4.Jane Austen's Marriage Conception in Pride and Prejudice5. A Brief Approach to the Influence of the Religion on Literature6. A Study on the Characterization of Great Expectations7.Catherine Earnshaw: An Irreproachable Woman8.Individual Has Integrated into the Society —An Analysis of Hesterin The Scarlet Letter9.The Stream-of-Consciousness Techniques Used in Ulysses10.The Attractions of The Waste Land11.Moral Lessons in Vanity Fair12.On the Religious Color of Characterization in Uncle Tom's Cabin13.An Unfortunate but Strong Woman —An Analysis of Tess in Tess ofD'uberville14. A Gentleman or a Rural Man?—The Analysis of the Characteristics ofMr. Bennet in Pride and Prejudice15.Thoreau's Walden: A Book of Inward Exploration16.The Death of Martin Eden17.Beautiful Women—Analysis of Female Characters in The Merchant ofVenice18.The Conflicts between the Reality and Ideals in Jude the Obscure19.The Pursuit of Beauty in Keats's Poetry20.The Great Gatsby and the Collapse of the American Dream21.The Significance of the Scarlet Letter A22.Tom Sawyer and Huckleberry Finn: A Comparison23.The Influence of Edgar Allan Poe's Life on his Writingment on the Causes of Tess's Tragedy25.Characters Features and Social Satire in Vanity Fair26.Money and Marriage—An Analysis of Women's Social Status in Prideand Prejudice27.Appreciation of Ironic Art in Pride and Prejudice28.Hemingway's Philosophy as Lost Generation Seen From A Fare Well toArms29.Three Female Characters in Sons and Lovers—An analysis of Feminismin Sons and Lovers30.Robinson Crusoe's Philosophy of Life31.The Study of Interpersonal Relationships in Sons and Lovers32.An Approach to the Contradictory Characters of Angel Clave in Tessof D'uberville33.Egdon Heath in The Return of Native34.The Theme of Money in Sense and Sensibility35.The Biblical Allusions and Symbols in The Grapes of Wrath36. A Journey of Outward and Inward Exploration—A Brief Analysis ofWalden37.Humanitarianism in A Tale of Two Cities38.The Return of the Lion39.The Tragedy of Love in Wuthering Heights40.The Social Significance of Oliver Twist41.The Image of a New Woman—Comments on Hester Prynne in The ScarletLetter42.Resurrection in A Tale of Two Cities43.The Duality in Robinson Crusoe's Character44. A Book that Rocked the World—Comments on the Successful Elementsof Uncle Tom's Cabin45.On the Racial and Cultural Conflicts in Leatherstocking Tales46. A Ruined Pure Woman——Comments on Tess of the D'Urbervilles47.Jane Eyre as a Humanist48.Tess: A Spokesman of Rebellious Spirit49.Rebecca: A Speculator or A Path—breaker?50.The Distorted Love in Sons and Lovers51.The Impact of Puritanism on Hawthorne—A Psychological Approach toThe Scarlet Letter52.An Analysis of the Three Major Characters in Tess of D’Urbervilles53.The Power of Love—On Heathcliff's Devotion to Love54.On the Characterization and Writing Techniques in Rebecca55. A Brief Analysis of the Image of Bertha—the Madwoman in Jane Eyre56.On the Cold Imagery in Jane Eyre57.Who is the Murderer?—An Analysis of Heathcliff's Tragedy58.Sense and Sensibility—An analysis of the Love Stories in OliverTwist59.Connotations in Oliver Twist60.Themes of Pride and Prejudice61.Being a Woman: Sense Or Sensibility?—An Analysis of Jane Austen'sNovel Sense and Sensibility62.Symbolism in Tess of the D'Urbervilles63.Guided by God in the Life—Jane Eyre's Religious Ideas64.The Comparison on Love Values between Chinese and Western Women—DuLiniang's Sex Awakening and Juliet's Childish Love65.On the Suffering and Struggling of Women as Seen in Jane Eyre andTess of D'Urbervilles66.Explicating Human Nature in Wuthering Heights67.The View of Love and Marriage in Sense and Sensibility68.Symbolism and The Scarlet Letter: The Scarlet Letter as I See it69.Which Course to Follow: Voices from The Bottom of Women's Heart70.Henchard—A Tragic Hero and an Epitome of the Society71.On the Symbols of Bible in Tess of the D'Urbervilles72.Wordsworth: Nature's Favorite Son73.Resistence in the Same Way Leading to Different Outcome: A Comparisonbetween Becky Sharp and Jane Eyre74.Destroyed but not Defeated —On the Theme of The Old Man and Sea75.Tomorrow is Another Day: An Analysis of Scarlet's Positive View ofLife and the Slavery in the South76.Two Aspects Reflected from Robinson Crusoe: Society and Natureparison and Contrast of Some Characters in Jane Eyre78. A Comparative Study of Jane Eyr e with Wuthering Heights: A Discussionon Themes and Heroines at the Two Novels79.On Idiot Benjy's Stream of Consciousness in The Sound and the Fury80.The Superman Complex in Love of Life81.The Spirit of Scarlet82.Tess's Tragedy, Who is to Blame?Ⅱ教学法类1.On Classroom Activities and the Training of Oral CommunicativeCompetence of Junior Middle School Students2.The Impropriety of Children's English Learning in the Countrysideof Chinamunicative Competence and Focused Task-based Teaching Approach4.On Developing English Reading Skills5.Interaction in Oral English Teaching6.Improvement of Students' Oral Communicative Competence andInteractivity through In Class Performance7.GTM: Review and Prospect8.The Application of Schemata in the Teaching of Reading Comprehension9.Multicultural Education in Chinese and American Elementary Educationmunicative Activities in CLT11.Role-play in English Teaching12.The Use of Body Language in English Class13.Teaching English in English14.Effective Factors to Improve Middle School Students' Listening Skill15.Cultural Teaching in English in Middle School16.The Application of Cooperative Learning Theory in Senior High SchoolEnglish Reading Teaching17.The Change of English Teacher's Role in Middle Schoolmunicative Language Teaching and Classroom English Teaching inChina19.Contextual Analysis of the E-C Translation20. A Conceptual Discussion on Classroom Teamwork Strategy21.Obstacles in Listening Comprehension and the Ways to Remove them22.On Sino—Western Cultural Differences and the Structure of ChineseCollege students' Chinglish23.The Application of Communicative Approach to ELT in Chinese MiddleSchool24.The Conversion and Development of English Teaching Methods in China25.The Comparison and Analysis of Three Teaching Modelsing Questions in English Reading Teaching27.Remarks on the Factors Influencing the Individual Language Learners28.Tentative Approaches to the Teaching of English ReadingComprehension in High School29.Chinese Expression in Translation of EST30.Development of the Children's Learning Autonomy in the ClassroomTeaching of Cambridge Young Learner English31.Task-based Language Teaching Methodology and its Application inReading32.The Application of Performance in English Learning and Adjustmentof the English Teacher's Role33.Cultural Factors in Foreign Language Teaching34.English Songs—An Effective and Supplementary Medium of EnglishTeaching35.The Non-intelligence Factors in English Learning36.The Use of Instructional Technology in English Listening Teaching37.Student Groupings in Teaching Spoken English in Middle Schools38.Modern English Teaching and the Reform of English Education inCountryside Middle School39.On Art of Teacher Talk40.The Application of Multimedia Technology in the High School EnglishTeaching41.Culture Education in English Teaching42.The Principles and Methods of Spoken English Teaching43.How to Improve the Teaching of Listening and Speaking by Activities44.Motivating Students' Interest to Improve Junior English VocabularyTeaching45.Teaching Reading of SEFC: How to Design Efficient Questions46.On Approaches to Improving Vocabulary Instruction47.The Factors Influencing Junior Students' English Listening andMethods of Traininging Task-based Method and Internet Resource to Improve Teachingof Classroom ReadingⅢ翻译类1.The Application of Semiotic Approach in Translationnguage, Culture and Translation—the Influence of Cultures onTranslation and Communication3. A Brief Study on English Antonyms4.Translation — An Unsubstitutable Means of English Teaching5.Idiom Translation and Culture Differences6.Chinese—English Cultural Differences and Translation7.On the Translation of Advertisement and Brand Name8.On the Translation of Film Names9.Discourse Analysis of the Dialogues in Films10.On Cultural Impact on Translation of Idioms11.The Comparison of English and Chinese Euphemisms for Death12.The Formation and Social Function of English Euphemism13.The Variation of Maxims and the Humor of Advertisement14.Colorful Language — On the Differences in the Symbolic Meaning ofthe Color between Chinese and Western Culture15. A Study of Dialect in View of Social and Literary Contexts16.On Translating English Negative Sentence into Chinese17.Translating the Lengthy Chinese Sentences into English18.Two Patterns of Translating the Classical English Poetry into Chinese19.How to Get Poetic Flavor in Translation20.Cultural Difference and Translation21.On Cultural Factors in Translationparison of Chinese and English Forms of Addresses23.Translation of Chinese Brand into English24.Analysis on Two English Versions of Honglou Meng in Terms of LiteralTranslation and Free Translation25.Taboos in Western Social Customs26.Similarities and Dissimilarities of Euphemisms in Chinese andEnglish27. A Study on Animal Metaphors in English and ChineseⅣ跨文化类1.The Symbolic Meanings of Color in Chinese and Western Cultures2.Body Language in Nonverbal Communication3.The Obstacle of Intercultural Communicationparison between Chinese Collectivism and American Individualismin Oral Speaking5.On the Differences in Nonverbal Communication between the Chineseand the American and the British6.The Body Language in Intercultural Communication7.On Colors and Color Words in Chinese and in English8.The Influence of Cultural Origin of East and Western on InterculturalCommunication9.The Importance of Body Language in Different Cultures10. A Comparison of Intercultural Usages between Chinese and WesternCourtesy Languages11.The Discrepancy of Chinese and Western Culture in Advertisement12.General Features of Language in Postmodern Culture13.On the Cultural Implications of Body Language14.Contrasts of Body Language between China and English-SpeakingCountries from the Perspective of Culture15.Cultural Comparison of Chinese Lunar New Year and American ChristmasDay16.On Cultural Differences between Chinese and English Idioms17.On Dissimilation and Assimilation in Terms of Cultureparison of Body Languages in Cross—Cultural Communicationparison between Traditional Chinese and Western Families20.Connotation of Animal Words in Chinese and English Idioms21. A Comparison of Taboos between Chinese Culture and British Culture22. A Contrastive Study of Western and Chinese Traditional WeddingCustomsparison of Food Culture between China and West from Table Manners24. A Brief Comment on Discourse Hegemony of American Media25.Family Education Differences Between China and Western Countries26.Body Language in a Cross-Cultural Perspective27.The Cultural Differences in Body Language between China and America28.Color Words, Colorful World—The Symbolic Meaning of Color Words29.On Development of Euphemism and its Social Value in InterculturalCommunicationⅤ语言学类1.On the Use of Euphemism—The Purpose and Principles of Euphemism2. A Survey on Loan Words of English3.Death Metaphors in English4. A Philosophical Approach to the Origin of Pragmatics5.The Pragmatic Functions of Intonation for Language Acquisition6.The Change of English Word Meaning: Factors and Types7.Ways of Child Language Acquisition。
从中西方文化差异的角度来看电影片名的翻译-开题报告
[8]邓晾平，(2002),趣味英语成语故事[ M]，江西:江西文化音像出版社.
[3]Hawkins, Del I. et. Al, (1998).Consumer Behavior---Building Marketing Strategy[M]. Boston: Irwin McGraw-Hill.
[4]Munday, Jeremy, (2001).Translation Theories and Applications[M]. London and New York: Routledge.
（三）课题研究目的:
电影作为人们日常生活中必不可少的一种休闲方式，也是西方文化对中国文化产生影响的主要手段，同样应引起我们的重视。电影片名翻译如同书名的翻译，将直接影响到观众对影片的第一印象，本论文分析电影片名的产生及其翻译策略，并试图通过以上分析揭示中国和英语国家的文化差异。
（四）学术价值或实际应用价值：
Chapter One Introduction
1.1The Background of This Thesis
1.2 The Structure of This Thesis
Chapter Two Literature Review
2.1Study on the Translation of Film Titles in China
3.2.1 Naming by Background
3.2.2 Naming by Theme
英文电影片名的翻译策略
英文电影片名的翻译策略Title Translation Strategies for English MoviesAbstract：As one of the important parts of film marketing and promotion, the translation of English movie titles plays an essential role in attracting audiences and conveying the theme and essence of the film. However, due to the different cultural backgrounds and language systems of different countries, the translation of movie titles is always a challenging task. This paper aims to explore some common translation strategies for English movie titles, including literal translation, transliteration, adaptation, and free translation, and analyzes their advantages and disadvantages. In addition, based on the analysis of several cases, this paper suggests that a successful translation of movie titles should take into account not only the linguistic and cultural factors but also the commercial and social factors.Keywords: English movie titles, translation strategies, cultural differences, marketingIntroduction:In the globalized world today, English-language films have become a universal cultural product that people from different cultures and languages can enjoy and appreciate. However, while the films themselves may cross cultural and linguistic barriers, their titles often do not, requiring creative translation. A good title can make or break a movie, and the choice of an effective title is an important part ofthe marketing campaign for any film. In this context, translation of English movie titles plays a vital role in attracting audiences and delivering the theme and essence of the movie.Yet the translation of movie titles is itself a challenging task. A movie title is not just a simple piece of vocabulary that can be translated word to word. It is an artistic expression that is as much a part of the film as its story and characters. This paper aims to explore some common translation strategies for English movie titles such asliteral translation, transliteration, adaptation, and free translation and analyze their advantages and disadvantages. Additionally, it will analyze some case studies and highlight examples to help understand the translation of English movie titles.1. The importance of English movie titlesMovie titles play a crucial role in determining how a film will be received. They are a mark of identity, informing audience members around the world about the world of cinema. The title of a film can make or break it. A memorable title can make a movie easier to remember long after it has left theaters, contributing to a successful marketing campaignthat can draw people into the theatre. Take, for instance, the film "Jaws", where the title itself has become an iconic cultural reference point. In contrast, a dull or obscuretitle provides little help or appeal and often fades from view quickly.In addition to its marketing value, a movie title creates a first impression of the film, and when the title is translated to another language, cultural and linguistic differences must also be taken into consideration. Therefore,it is important that the translator not only translates but also interprets the title in its new context, ensuring thatit is not misunderstood or misrepresented.2. Translation strategies for English movie titlesEnglish movie titles can be translated by using various translation strategies, depending on the specific circumstances and requirements. Common strategies includeliteral translation, transliteration, adaptation, and free translation. Each approach has its advantages and drawbacks, and the translator must carefully assess the situation and choose the best strategy.2.1 Literal TranslationLiteral translations directly translate the words and structure of the source language to the target language. This strategy is often used when the original title is already a well-known brand or an easily recognizable phrase. In such circumstances, translation of the title is less importantthan maintaining the connection and recognition of theoriginal linguistics elements. Examples include "Titanic", "Pulp Fiction," and "The Godfather," which have maintainedtheir names in virtually almost every language due to their cultural significance.The literal translation strategy is simple to process, and this reduces human error in interpreting the title. Moreover, it saves time and money, and where there are rights issues, a literal translation can be beneficial by creating continuity with the original language. However, in some cases, literal translation may be inappropriate, as it can be overly simplistic or have connotations that are not present in the original language. As a result, the strategy of literal translation can be more beneficial in some circumstances thanin others.2.2. TransliterationTransliteration involves the letter-for-letter transfer of a title from one language to another. Because thisstrategy tries to capture the sound of a word or phrase in a foreign language, it is often used for films that have a culturally significant title that is difficult to translate. For example, "Crouching Tiger, Hidden Dragon" (卧虎藏龙) uses the stroke count and sound of the Chinese sequence of characters in transliterating the title into English.Transliteration is a useful technique for preserving cultural elements within a foreign title, but it is not a complete solution for translation. The strategy of transliteration can often make the title difficult to pronounce in its new language, and this can lead to confusion and misunderstanding. Moreover, the sound effect of the original title in the source language will not carry overinto the target language in the same way. Finally, this method may not reflect the meaning of the film or fail to attract the target audience.2.3 AdaptingAdapting is a strategy in which the title is modified so that it is closer to the target culture's linguistic and cultural expectations. It relies heavily on localization-sensitive translation whereby translators are encouraged to work on recreating the semantic impact of the title in a new language. The constituent elements can be changed to reflect local customs and sound concepts, such as puns, idioms, metaphors, or even quotes. For example, "The Devil Wears Prada," in which the original title has been localized with a popular fashion magazine in the United States.Adapting is a preferable strategy where the target culture has significant cultural or linguistic differences from the source culture. It typically results in a better understanding of the title from the target audience and makes the title more appealing. However, there is a need for translators to consider how the adaptation will reflect the essence of the film while still maintaining the meaningfulness of the title. Changing the title too much could diminish its intended impact or reduce its appeal to the target audience.2.4 Free translationFree translation is a strategy in which the title and meaning are interpreted in such a way to achieve a similar effect in the target culture but without necessarilyretaining any of the original lexical content or structure. This strategy is often used for movies in which the title's original impact does not carry over into the target culture; "The Silence of the Lambs" is a prime example of a successful free translation, as it effectively conveys a sense of mystery and intrigue bordering on horror in Chinese.Free translation can effectively reinvent a title tosuit new cultural audiences. It allows translators to express the meaning behind the title in a way that resonates with the target audience. It also enables the translators to add a personal touch to the title to reflect an angle or perspective that appeals to the target audience. However, free translation is not always appropriate, particularly when the title is already well-known, and preserving its literal association must be maintained. Consequently, free translations are not ideal when the original name of the movie has a strong cultural appeal and recognition.3. ConclusionThis paper has examined the various strategies for translating English movie titles. The choice of which one to use will depend upon the movie's title's linguistic, cultural, and marketing goals, and the specific linguistic and cultural nuances of the target language and culture. A successfultitle must be relatable, culturally sensitive, easy to recall, and marketing-friendly. The translator must be aware of the purpose of the film, the market, and the target audience, as well as the culture in which the translated title will appear. Proper language and cultural research techniques must be employed to arrive at a robust title translation forsuccessful localization. Therefore, thorough research and profiling of the culture are crucial to the process of selecting the right title translation method.Overall, title translations should be respectful to the original name of the movie while also being localized to complement the target market's expectations and values. Atitle is a gateway to a film that can either attract or deter audiences. Hence, an effective title is an essential part ofa movie's marketing strategy and cultural appeal. A goodtitle reflects its meaning and essence and represents thefilm's overall performance, capturing the essence of themovie while maintaining authenticity and cultural relevance.。
浅析英语电影片名的翻译
- 214-校园英语 / 翻译研究浅析英语电影片名的翻译扬州高等职业技术学校基础教育部/邵静【Abstract 】As regard to the disunity in translated version, this thesis discusses and compares the different translation methods applied and the different features of the versions in the three regions respectively, and holds that the differences in socio-cultural context are the main reasons for the disunity. Proceeding from the features and functions of the film title, this thesis analyzes the main translation methods and strategies applied in the translation of English film title. The merits and limitations of each method are discussed. This thesis intends to argue that the translation of English film title should be under the audience-oriented principle through adopting translation methods properly.【Key words 】film title; translation; methods1. IntroductionWith the rapid economic and social progress, China has witnessed remarkable changes in its people ’s lives over recent years. People become more and more internationally-minded than ever before. Over the past decades of reform and opening up to the outside world, with China ’s more frequent cultural, economic and political exchange with foreign countries, foreign films and TV plays, particularly films in English language, have entered the China ’s market and held a very important position in Chinese people ’s recreational life.Film is one of the most influential mass media. As an audiovisual art, it follows and reflects people ’s life. It is a product of particular culture, but there ’re only very few people who can understand original English films. No matter how perfect the original works are, they have to be translated to reach the Chinese audience of vast size. So translating foreign audiovisual arts has become a significant activity in promoting cultural exchanges. With more and more foreign films introduced into the Chinese market, film translation has been attached increasing attention. However, film translation is far from being explored, especially in the translation of film title. The famous professor of film translation Qian Shaochang said, “People always pay less attention to film translation than literary translation. This is not suitable to the social role of film translations.”(钱绍昌,2000:61)Being a special and significant part of film translation, the translation of film title, however, is an area far from being explored. A good film with an unforgettable title translation would be worldly famous and can exert great influences upon generations of people. On the contrary, a poor translation may fail to attract audience, mislead the audience, but degrade the value and beauty of the original film on the whole. But the reality is that the translation of film title at the moment is in a state of disorderand disunity. Sometimes the audiences are completely confused by the translated version. Therefore, it is really high time to give enough attention to the field of the translation of English film title.2. Translation of Film Titles 2.1 TransliterationTransliteration is a method of translation. As a phenomenon of language, it deeply reflects the trace of cultural exchange. The early translation of Buddhist sutras has made full use of transliteration, even created many words. Now there are many transliteration emerging in large numbers, such as “E-mail ” (伊妹儿), “Hacker ” (黑客), “copy ” (拷贝).Transliteration is the product of cultural exchange; at the same time it provides an effective approach to cultural exchange. Movie is also a cultural phenomenon. So transliteration in the translation of English film title is effective, but few people use it.In particular, the name of person or place in the titles tends to be transliterated when the film is adopted from world famous or classical novel, and the novel ’s name is kept as film title, because such names have been familiar to and memorized by the audience as literature readers, and the success of the literary works can have a positive impact on the box office of such films. If they are translated in other ways, the moviegoers may take it as an ordinary film and might as well feel no interest in the film. Therefore, many films adapted from famous literary works just follow the transliterated names of the original, such as Romeo and Juliet is translated into “罗密欧与朱丽叶”, Tess into “苔丝” and Jane Eyre into “简爱”.2.2 Literal translationIn dealing with the translation of film title, we should be convinced that the work which should be done is to translate the titles rather re-entitle the movies. As titles usually aim to bring an image as well as connotation to the audience, literal translation is widely applied so long as it is not concerned with the very obstacles in terms of either language or culture.1) Named by character ’s nameSome films were named by character ’s name, especially some famous works, and then we can use literal translation. For example:Sister Carrie 嘉莉妹妹Dr. Edward 爱德华大夫2) Named by character ’s nicknameIt is interesting to translate literally those films. Just as Rain man (雨人), it has nothing to do with rain, it is vulgate of infantile autism. From this film title we can know the leading character is a man who is unsocial. The film Sleep-less in Seattle (西雅图未眠校园英语 / 翻译研究人) further prove it. Through literal translation we can know the theme of the title.3) Named by summarizationSome film titles summarize the films. Such as American Beauty, Dance with Wolves, Instinct, The Fifth Element, we usually translate them into “美国丽人”, “与狼共舞”, “本能”, “第五元素”.2.3 Free translationFree translation is used in film title translation mainly to convey the meaning and the spirit of the original title without sticking mechanically to the form. This method is most frequently applied when it is really impossible for the translator to use the methods previously discussed. Or, if it is literally translated, the version will be incomprehensible to the audience or highly ambiguous, dry and awkward.Take the following four titles as examples. If these titles are translated literally, most probably, the audience will still be confused by the clueless or awkward versions. Then the translation fails its functions as a film title.One Flew Over the Cuckoo’s Nest 飞越疯人院Terms of Endearment 母女情深Reds 烽火赤焰万里情(TW) Traffic 毒网2.4 The Combination of literal and free approachesThe combination of literal and free translation is a technique that frequently applied in the translation of film title. For some titles, literal translation or that with amplification may seem dull or awkward in the target language, or it still poses difficulties or barriers for the audience to understand the title, even running the risk of distorting the meaning and then misleading the audience. In such cases, the literal translation fails the functions that a title has, hence literal translation combined with free translation, or free translation is needed to fulfill the task.The strongpoint of this technique is that literal translation can deliver the literal meaning of the title at the surface level, and at the same time free translation expresses the implied meaning of the title in a depth. Such a combination can transmit the message to the most extent and add to the artistic appeal of the title. Most successful renderings of English films have fully demonstrated this.Take Shooting First as example. It is translated into “先发制人” instead of “率先开枪” or else. The phrase “先发制人” not only fully expresses the surface meaning of the original title, but also dig further into the implied meanings of the title, which is to “shoot first to take the control”.The translation of Blood and Sand “碧血黄沙” serves as another good example. It is a movie about a young man, Juan Gallardo, a poor boy who realizes his lifelong ambition to become the most famous matador in Spain. If the title is slavishly translated into “血与沙”, the version is 100 percent faithful to the original but tends to be unattractive. The translator does a good job by adding two color words, “碧” and “黄”, based on the content of the film. The Chinese characters “碧血” originate from Zhuang Zi (《庄子•外物》), a classic of traditional Chinese literature. The book recorded a story of Chang Hong (苌弘), a faithful and patriotic politician of the Kingdom of Zhou, who devoted his life to his country. It was said that three years after his death, Chang Hong’s blood turned into “green jade” (“碧玉”) (原文：“苌弘死于蜀，藏其血，三年而化为碧”——《庄子•外物》). Since then, people would use “碧血” to symbolize sacrifice of one’s blood or life for justice and honorable causes, or the strong loyalty one holds towards his career.More examples are listed as follows:Moonlight 披星戴月Who Shall Live and Who Shall Die 生杀大权Moonstruck 月色撩人Shakespeare In love 莎翁情史Scent Of A Woman 闻香识女人3. ConclusionWith the further expansion of China’s reform and opening up to the outside, the communication between China and other countries in the world become more and more frequent. There’re large quantities of English films being introduced into China. Although film translation has been developing quickly in the past two or three decades, most attention was given to the audiovisual translation. Being a special and significant part of film translation, the translation of film title is a far less explored field. Up to now, few translators have ever offered a practical principle for the translation of film title. As for the same original film title, the mainland version, Hong Kong version and Taiwan version coexist, causing confusion to the audience, even bringing barriers to communication across the straits. As we all know, the translation of film title is to call upon the audience to appreciate the film. As the audiences of different regions live in different cultures, it is natural that translators in the different regions will adopt different translation strategies in order to attract their target audience. The translator should bear the unique cultural features of the regions and provide the qualified translation which conforms to the local flavor.References:[1]李群.片名翻译对“忠实”的颠覆——电影片名翻译的现状及理论根据[J].北京第二外国语学院学报,2002(5).[2]钱绍昌.影视翻译——翻译园地中愈来愈重要的领域[J].中国翻译,2000(1).[3]裘键.英文电影片名的翻译原则与方法[J].电影文学,2009(2).作者简介：邵静(1988.10-)，女，汉族，江苏扬州人，助教，本科，专业：英语师范。
电影翻译2
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He’s just not that into you 他其实没那么喜欢你 其实你不懂他的心 收错爱情风
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No Strings Attached 不求回报 无性不爱 藕断丝未连 枕边无情人（港） 饭饭之交（台）
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• Wish you won’t miss the movie you are interested because of the improper translation of names. • Have fun when you watching movies!
But I don’t know why
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Our cinema is one of the best. Would you help me figure out what’s wrong with us?
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电影片名的几种翻译方法
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电影片名的几种翻译方法
romise,也是基于西方观众对中国历史不熟悉而做的“别译”。虽然中国文化在这样的翻译转变中意味尽失,但毕竟不能和西方人去解释朴素的道家思想:无极生太极,太极生两仪,两仪生四象,四象生八卦,八卦生万物等。同样, “Pinocchio”是欧美国家老百姓熟悉的一个童话人物,但如果直接翻译成“匹诺曹”,中国观众就很难接受了,但翻译成《木偶奇遇记》却能使中国观众接受并对故事内容有所了解。三、总结电影片名是一部优秀影片的眼睛,片名的好坏直接影响到电影的整体效果。包惠南指出,影片名的翻译“既要符合语言规范,又要富有艺术魅力,既要忠实于原片名的内容,又要体现原名的语言特色,力求达到艺术的再创造”。因此在做片名翻译时,一定要注意东西方语言文化的差异,在忠于影片的基础上,选择合适的翻译方法,结合文化背景因素,精雕细琢地进行翻译,帮助观众跨越中西方文化的鸿沟,创造出既能传情达意又能吸引观众的影片译名。参考文献:包惠南.文化语境与语言翻译.北京:中国对外翻译出版公司, 2001, 92.张晓轲.东西方文化差异下的电影片名翻译.长沙铁道
电影片名的几种翻译方法
电影⽚名的⼏种翻译⽅法电影⽚名的⼏种翻译⽅法引⾔电影⽚名就是电影的商标和⼴告，因⽽电影⽚名的翻译“不是⽂本翻译，⽽是⼴告翻译”。
翻译时必须注意⼴告语⾔的感召⼒。
⼒求⼤众化、⼝语化。
要充分考虑⽚名的⽂化性、商业性、观众⼼理、社会效应等多⽅⾯的因素。
译⽂务必做到⽂字优美、传情达意、琅琅上⼝、雅俗共赏，令观众过⽬不忘．其翻译的⽅法常见的有以下⼏种：直译、意译、加注、⾳译、⾳译与直译相结合或直译与意译相结合。
⼀、直译直译也可称为全译，指在语⾔共性的基础上，在合乎译⽂的全民规范的情况下，也就是在译⽂语⾔条件许可时。
既保持原⽂的思想内容，⼜尽可能保持与原⽂语⾔形式相对应的形式(如⽐喻、形象和民族地⽅⾊彩等)的翻译。
有的⽚名是以⽚中主⾓的名字为⽚名，可采⽤直译，这样，既忠实于原⽂，表达了原作的意向，⼜能浑成⾃然。
例如。
英国影⽚《简爱》(Jane Eyre)，美国影⽚《斯巴达克斯》(Spartacus)，《嘉莉妹妹》(Sister Carrie)，《爱德华⼤夫》(Dr．Edward)等都是根据原义，⼀字不漏地译出，⼀⽬了然。
也有的影⽚⽚名以⽚中主⼈公的绰号为⽚名，以著名实⼒派巨星达斯丁?霍夫曼主演的《⾬⼈》(RainMan)为例，“⾬⼈”是“孤僻症”的俗称，直译⽚名就暗⽰了主⾓雷蒙是个性格孤僻，不善社交，只会⾃我思考，类似⽩痴，但智⼒超群的⼈。
直译的佳例还有：The Banquet《夜宴》、ThePatrio《爱国者》、Gladiator《⾓⽃⼠》Love At First Sigh 《⼀见钟情》、Brave Heart《勇敢的⼼》、CityofAngle 《天使之城》。
⼆、意译“意译法”定义为：译者在受到译语社会⽂化差异的局限时，不得不舍弃原⽂的字⾯意思，以求译⽂与原⽂的内容相符和主要语⾔功能相似，在不得已的情况下，以对影⽚内容的正确把握为根据，抓住原⽂的意义，抛弃原⽂的形式，意译与直译的区别主要体现在表达形式这⼀层⾯上，例如：根据英⽂名篇⼩说Gone with the Wind改编的同名影⽚在中国公映时被译为《乱世佳⼈》，既切合题意⼜赏⼼悦⽬，乃成功翻译的典范之作若直译为《飘》或《随风飘逝》虽⽆可厚⾮，却逊⾊不少。
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《twin warriors》——《太极张三丰》（张三丰是双胞胎 吗？！）
Interesting!
《farewell my concubine》——再见了，我的小老婆 （《霸 王别姬》几个意思啊？） 《seventeen years》——十七年（《回家过年》故弄玄虚）
《ashes of time》——时间的灰烬（《东邪西毒》，这个译 名意味深长，无论你是东邪还是西毒，武功再高还不是最后 都成了时间的灰烬？good！）
Ip Man
《色戒》——《Lust, Caution》 《非诚勿扰》——《If You are the One》 直译：
《大红灯笼高高挂》—《Raise The Red Lantern》
Red Cliff
《大腕》——《Funeral of the Famous star》 《功夫之王》——《The Forbidden Kingdom》
The Maze Runner——《移动迷宫》
Escape Plan——金蝉脱壳
Different Translations between Mainland and Hongkong&Taiwan • Mission Impossible
台湾翻译： 不可能的任务 香港翻译： 职业特工队 大陆翻译： 碟中谍
• • • • • • •
Man in Black(Black Man)——《黑衣人》 Schindler’s List——《辛德勒的名单》 Pride and prejudice——《傲慢与偏见》 The Sound of Music——《音乐之声》 The Lord of the Rings——《指环王》 Pirates of the Caribbean——《加勒比海盗》 The Shawshank Redemption——《肖申克的 救赎》
The Penguins of Madagascar
Edge of Tomorrow
Interstellar
The Hobbit
Fast & Furious
Liberal translation（意译法）
It requests us to express the general ideas of the original naturally and fluently on the premise of grasping the marrow deeply, not to be formalistic.
The Translation of Film Names
I.The Chinese translation of English movies
Main measures
Transliteration(音译法)
Literal translation（直译法） Liberal translation（意译法）
• Sound of Music
台湾翻译： 真善美 香港翻译：• Inception
台湾翻译： 全面启动 香港翻译： 潜行凶间 大陆翻译： 盗梦空间
The Translation of Some Chinese Film
意译： 《甲方乙方》 ——《Dream Factory》 《有话好好说》——《Keep Cool》
• • • •
The Wizard of Oz——《绿野仙踪》 Sister Act——《修女也疯狂》 Gone with the Wind——《乱世佳人》 One Flew Over the Cuckoo's Nest——《飞越 疯人院》 • Billy Elliot——《舞动人生》 • Enemy at the Gates ——《兵临城下》
Translations in defferent area
I.Translation of Some Chinese Film
Transliteration(音译法)
Translate with the pronunciation
Literal translation（直译法）
It is known as a direct translation in everyday usage has the meaning of the rendering of text from one language to another "word-for-word" (Latin: "verbum pro verbo") rather than conveying the sense of the original.