假如给我三天光明——翻译
励志英语美文摘抄《假如给我三天光明》带翻译
励志英语美文摘抄《假如给我三天光明》带翻译今天小编给大家带来的是励志英语美文摘抄的片段，里面还带有翻译哦。
特别适合给孩子们当培养英语兴趣爱好使用。
Three Days to See(Excerpts)假如给我三天光明(节选)All of us have read thrilling stories in which the hero had only a limited and specified time tolive. Sometimes it was as long as a year, sometimes as short as 24 hours. But always we wereinterested in discovering just how the doomed hero chose to spend his last days or his lasthours. I speak, of course, of free men who have a choice, not condemned criminals whosesphere of activities is strictly delimited.Such stories set us thinking, wondering what we should do under similar circumstances. Whatevents, what experiences, what associations should we crowd into those last hours as mortalbeings, what regrets?Sometimes I have thought it would be an excellent rule to live each day as if we should dietomorrow. Such an attitude would emphasize sharply the values of life. We should live eachday with gentleness, vigor and a keenness of appreciation which are often lost when timestretches before us in the constant panorama of more days and months and years to come.There are those, of course, who would adopt the Epicurean motto of “Eat, drink, and bemerry”. But most people would be chastened by the certainty of impending death.In stories the doomed hero is usually saved at the last minute by some stroke of fortune, butalmost always his sense of values is changed. He becomes more appreciative of the meaning oflife and its permanent spiritual values. It has often been noted that those who live, or havelived, in the shadow of death bring a mellow sweetness to everything they do.Most of us, however, take life for granted. We know that one day we must die, but usually wepicture that day as far in the future. When we are in buoyant health, death is all butunimaginable. We seldom think of it. The days stretch out in an endless vista. So we go aboutour petty tasks, hardly aware of our listless attitude toward life.The same lethargy, I am afraid, characterizes the use of all our faculties and senses. Only thedeaf appreciate hearing, only the blind realize the manifoldblessings that lie in sight.Particularly does this observation apply to those who have lost sight and hearing in adult life.But those who have never suffered impairment of sight or hearing seldom make the fullest useof these blessed faculties. Their eyesand ears take in all sights and sounds hazily, withoutconcentration and with little appreciation. It is the same old story of not being grateful forwhat we have until we lose it, of not being conscious of health until we are ill.I have often thought it would be a blessing if each human being were stricken blind and deaffor a few days at some time during his early adult life. Darkness would make him moreappreciative of sight; silence would teach him the joys of sound.假如给我三天光明(节选)我们都读过震撼人心的故事，故事中的主人公只能再活一段很有限的时光，有时长达一年，有时却短至一日。
假如给我三天光明书评英语小作文
假如给我三天光明书评英语小作文English:The Three Days to See is a thought-provoking essay written by Helen Keller, in which she imagines what it would be like if she could regain her sight for only three days. Throughout the essay, Keller emphasizes the importance of cherishing the gift of sight and not taking it for granted. She eloquently describes the beauty of the world, from the colors of nature to the expressions of love and kindness on people's faces. Keller's writing evokes a sense of gratitude and appreciation for the things we often overlook in our busy lives. She urges readers to see beyond the surface and truly appreciate the wonders of the world around them. The essay serves as a reminder to live in the present moment and not let life pass by unnoticed.中文翻译:《假如给我三天光明》是海伦·凯勒写的一篇发人深省的散文，她在其中想象如果她只能恢复视力三天会是什么样子。
海伦凯勒 《假如给我三天光明》 中英文读后感
海伦凯勒《假如给我三天光明》中英文读后感After reading the story of Helen Keller, "Three Days to See," I am overwhelmed with emotions and thoughts. As Helen Keller faced deafness and blindness early in life, she developed a unique perspective on the world that fascinated and inspired me.In her essay, "Three Days to See," Helen Keller imagines what it would be like to have sight for just three days and explores what she would do, see, and appreciate during that time. This essay resonated with me and made me deeply reflect on the meaning of life.Helen Keller's vivid descriptions of the beauty in nature and human nature during her hypothetical three days of sight demonstrate the power of perspective in understanding the world around us. If given three days of sight, she would marvel at the colors and details present in flowers, trees, and animals. She would also be in awe of the beautiful art, architecture, and sculptures created by humans.What struck me most about Helen's perspective was her appreciation for the human spirit and kindness. She mentions that "We, in our folly and ignorance, don't realize what very wonderful creatures we are." She focuses on the connections between humans, cherishing the smiles, laughter, and embraces exchanged by individuals. She writes, "If I did have sight for three days, I would like to see the work of love and friendship and service in the world."Reading Helen's essay made me aware of how much I often take for granted. The things that we see or experience daily often go unnoticed, and we neglect to appreciate their beauty and importance. Helen's essay inspires me to re-examine my surroundings and appreciate the simple things that make life so meaningful.Furthermore, her essay pushes me to be more compassionate and understanding towards others. Just as she was grateful for the little acts of kindness and love exchanged between individuals, I realized that I should also focus on the importance of relationships and the bigger picture of life.In conclusion, Helen Keller's "Three Days to See" essay brings profound thoughts and emotions on the beauty of life. Her story and perspective teach us not to take anything for granted and helped me understand the importance of appreciating the beauty in the most mundane things. I learned that experiencing life's simple wonders and fostering strong relationships are key elements in a fulfilling life.中文翻译：当我读完海伦·凯勒的《假如给我三天光明》后，我的情绪和思考被深深地触动了。
朗读材料原文及翻译
1．Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. These passions, like great winds, have blown me hither and thither, in a wayward course, over a great ocean of anguish, reaching to the very verge of despair.I have sought love, first, because it brings ecstasy - ecstasy so great that I would often have sacrificed all the rest of life for a few hours of this joy. I have sought it, next, because it relieves loneliness--that terrible loneliness in which one shivering consciousness looks over the rim of the world into the cold unfathomable lifeless abyss. I have sought it finally, because in the union of love I have seen, in a mystic miniature, the prefiguring vision of the heaven that saints and poets have imagined. This is what I sought, and though it might seem too good for human life, this is what--at last--I have found.With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway above the flux. A little of this, but not much, I have achieved.Love and knowledge, so far as they were possible, led upward toward the heavens. But always pity brought me back to earth. Echoes of cries of pain reverberate in my heart. Children in famine, victims tortured by oppressors, helpless old people a burden to their sons, and the whole world of loneliness, poverty, and pain make a mockery of what human life should be. I long to alleviate this evil, but I cannot, and I too suffer.This has been my life. I have found it worth living, and would gladly live it again if the chance were offered me.关键字:英语美文欣赏生词表:∙unbearable [ʌn´beərəbəl] a.不堪忍受的∙wayward[´weiwəd] a.任性的；不易控制的∙lifeless[´laifləs] a.无生命的，无生气的∙mystic[´mistik] a.神秘的；难以理解的∙apprehend[,æpri´hend] vt.理解；忧虑；逮捕次。
假如给我三天光明(中英对照)
假如给我三天光明（中英对照）I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days at some time during his early adult life. Darkness would make him more appreciative of sight; silence would tech him the joys of sound.我常常想，如果每个人在他成年的早期有一段时间致瞎致聋，那会是一种幸事，黑暗会使他更珍惜视力，寂静会教导他享受声音。
Now and then I have tested my seeing friends to discover what they see. Recently I was visited by a very good friends who had just returned from a long walk in the woods, and I asked her what she had observed.. “Nothing in particular, “ she replied. I might have been incredulous had I not been accustomed to such reposes, for long ago I became convinced that the seeing see little.我不时地询问过我的能看见东西的朋友们，以了解他们看到什么。
最近，我的一个很好的朋友来看我，她刚从一片森林里散步许久回来，我问她看到了什么，她答道：“没什么特别的。
”如果我不是习惯了听到这种回答，我都可能不相信，因为很久以来我已确信这个情况：能看得见的人却看不到什么。
外研版(2019)选择性必修第一册 Unit 2 Developing ideas three days to see课文中英文
Three Days to See假如给我三天光明1 I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days at some time during his early adult life. Darkness would make him more appreciative of sight; silence would teach him the joys of sound.我常常思忖，如果每个人在青年时期都有一段时间看不见、听不见，那会是一件幸运的事情，因为黑暗会使人更加珍惜视力，静默能教会人享受声音的美妙。
2 Now and then I have tested my seeing friends to discover what they see. Recently, I asked a friend who had just returned from a long walk in the woods what she had observed. “Nothing in particular,”she replied.我时常询问我那些看得见的朋友们，想了解他们看到了什么。
最近，我问一个从林子里散步了许久回来的朋友观察到了什么，她答道：“没什么特别的。
”3 How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. If I can get so much pleasure from touch, how much more beauty must be revealed by sight? And I have imagined what I should most like to see if I were given the use of my eyes, say for just three days.我问自己，在林子里散步一小时之久却没有看到任何值得注意的东西，这怎么可能呢？我一个看不见的人，仅仅通过触觉，就能发现成百上千件引起我兴趣的东西。
假如给我三天光明英文版附翻译
假如给我三天光明英文版附翻译《假如给我三天光明》是作者海伦·凯勒的自传，被誉为“世界文学史上无与伦比的杰作”。
她以自己的经历告诫人们应珍惜生命，珍惜造物主赐予的一切。
如果你想欣赏一下这篇经典名作的话，那么就不要错过下面店铺为大家带来假如给我三天光明完整英文版及中文翻译，希望大家喜欢!假如给她三天光明，她第一天想看看让她的生命变得有价值的人，第二天想看光的变幻莫测和日出，第三天想探索与研究。
以一个盲人的身份想象如果自己能够有三天的时间看到世界，将会去做哪些事——包括去看看帮助过自己的人，以及去感受自然，品味艺术世界。
All of us have read thrilling stories in which the hero had only a limited and specified time to live. Sometimes it was as long as a year; sometimes as short as twenty-four hours.But always we were interested in discovering just how the doomed man chose to spend his last days or his last hours. I speak, of course, of free men who have a choice, not condemned criminals whose sphere of activities is strictly delimited.Such stories set us thinking, wondering what we should do under similar circumstances. What events, what experiences, what associations should we crowd into those last hours as mortal beings? What happiness should we find in reviewing the past, what regrets?Sometimes I have thought it would be an excellent rule to live each day as if we should die tomorrow. Such an attitude would emphasize sharply the values of life. We should live each day with a gentleness, a vigor, and a keenness of appreciation which are often lost when time stretches before us in theconstant panorama of more days and months and years to come. There are those, of course, who would adopt the Epicurean motto of "Eat, drink, and be merry," but most people would be chastened by the certainty of impending death.In stories the doomed hero is usually saved at the last minute by some stroke of fortune, but almost always his sense of values is changed. he becomes more appreciative of the meaning of life and its permanent spiritual values. It ahs often been noted that those who live, or have lived, in the shadow of death bring a mellow sweetness to everything they do.Most of us, however, take life for granted. We know that one day we must die, but usually we picture that day as far in the future. When we are in buoyant health, death is all but unimaginable. We seldom think of it. The days stretch out in an endless vista. So we go about our petty tasks, hardly aware of our listless attitude toward life.The same lethargy, I am afraid, characterizes the use of all our faculties and senses. Only the deaf appreciate hearing, only the blind realize the manifold blessings that lie in sight. Particularly does this observation apply to those who have lost sight and hearing in adult life. But those who have never suffered impairment of sight or hearing seldom make the fullest use of these blessed faculties. Their eyes and ears take in all sights and sounds hazily, without concentration and with little appreciation. It is the same old story of not being grateful for what we have until we lose it, of not being conscious of health until we are ill.I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days at some time during his early adult life. Darkness would make him more appreciative of sight; silence would tech him the joys of sound.Now and them I have tested my seeing friends to discover what they see. Recently I was visited by a very good friends who had just returned from a long walk in the woods, and I asked her what she had observed.. "Nothing in particular, " she replied.I might have been incredulous had I not been accustomed to such reposes, for long ago I became convinced that the seeing see little.How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough, shaggy bark of a pine. In the spring I touch the branches of trees hopefully in search of a bud the first sign of awakening Nature after her winter's sleep. I feel the delightful, velvety texture of a flower, and discover its remarkable convolutions; and something of the miracle of Nature is revealed to me. Occasionally, if I am very fortunate, I place my hand gently on a small tree and feel the happy quiver of a bird in full song. I am delighted to have the cool waters of a brook rush thought my open finger. To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug. T o me the page ant of seasons is a thrilling and unending drama, the action of which streams through my finger tips.At times my heart cries out with longing to see all these things. If I can get so much pleasure from mere touch, how much more beauty must be revealed by sight. Yet, those who have eyes apparently see little. the panorama of color and action which fills the world is taken for granted. It is human, perhaps, to appreciate little that which we have and to long for that which we have not,but it is a great pity that in the world of light the gift of sight is used only as a mere conveniences rather than as a means of adding fullness to life.If I were the president of a university I should establish a compulsory course in "How to Use Your Eyes". The professor would try to show his pupils how they could add joy to their lives by really seeing what passes unnoticed before them. He would try to awake their dormant and sluggish faculties.Perhaps I can best illustrate by imagining what I should most like to see if I were given the use of my eyes, say, for just three days. And while I am imagining, suppose you, too, set your mind to work on the problem of how you would use your own eyes if you had only three more days to see. If with the on-coming darkness of the third night you knew that the sun would never rise for you again, how would you spend those three precious intervening days? What would you most want to let your gaze rest upon?I, naturally, should want most to see the things which have become dear to me through my years of darkness. You, too, would want to let your eyes rest on the things that have become dear to you so that you could take the memory of them with you into the night that loomed before you.If, by some miracle, I were granted three seeing days, to be followed by a relapse into darkness, I should divide the period into three parts.The First DayOn the first day, I should want to see the people whose kindness and gentleness and companionship have made my life worth living. First I should like to gaze long upon the face of my dear teacher, Mrs. Anne Sullivan Macy, who came to me when Iwas a child and opened the outer world to me. I should want not merely to see the outline of her face, so that I could cherish it in my memory, but to study that face and find in it the living evidence of the sympathetic tenderness and patience with which she accomplished the difficult task of my education. I should like to see in her eyes that strength of character which has enabled her to stand firm in the face of difficulties, and that compassion for all humanity which she has revealed to me so often.I do not know what it is to see into the heart of a friend through that "Window of the soul", the eye. I can only "see" through my finger tips the outline of a face. I can detect laughter, sorrow, and many other obvious emotions. I know my friends from the feel of their faces. But I cannot really picture their personalities by touch. I know their personalities, of course, through other means, through the thoughts they express to me, through whatever of their actions are revealed to me. But I am denied that deeper understanding of them which I am sure would come through sight of them, through watching their reactions to various expressed thoughts and circumstances, through noting the immediate and fleeting reactions of their eyes and countenance.Friends who are near to me I know well, because through the months and years they reveal themselves to me in all their phases; but of casual friends I have only an incomplete impression, an impression gained from a handclasp, from spoken words which I take from their lips with my finger tips, or which they tap into the palm of my hand.How much easier, how much more satisfying it is for you who can see to grasp quickly the essential qualities of another person by watching the subtleties of expression, the quiver of a muscle,the flutter of a hand. But does it ever occur to you to use your sight to see into the inner nature of a friends or acquaintance/ Do not most of you seeing people grasp casually the outward features of a face and let it go at that?For instance can you describe accurately the faces of five good friends? some of you can, but many cannot. As an experiment, I have questioned husbands of long standing about the color of their wives' eyes, and often they express embarrassed confusion and admit that they do not know. And, incidentally, it is a chronic complaint of wives that their husbands do not notice new dresses, new hats, and changes in household arrangements.The eyes of seeing persons soon become accustomed to the routine of their surroundings, and they actually see only the startling and spectacular. But even in viewing the most spectacular sights the eyes are lazy. Court records reveal every day how inaccurately "eyewitnesses" see. A given event will be "seen" in several different ways by as many witnesses. Some see more than others, but few see everything that is within the range of their vision.Oh, the things that I should see if I had the power of sight for just three days!The first day would be a busy one.I should call to me all my dear friends and look long into their faces, imprinting upon my mind the outward evidences of the beauty that is within them. I should let my eyes rest, too, on the face of a baby, so that I could catch a vision of the eager, innocent beauty which precedes the individual's consciousness of the conflicts which life develops.And I should like to look into the loyal, trusting eyes of mydogs - the grave, canny little Scottie, Darkie, and the stalwart, understanding Great Dane, Helga, whose warm, tender , and playful friendships are so comforting to me.On that busy first day I should also view the small simple things of my home. I want to see the warm colors in the rugs under my feet, the pictures on the walls, the intimate trifles that transform a house into home. My eyes would rest respectfully on the books in raised type which I have read, but they would be more eagerly interested in the printed books which seeing people can read, for during the long night of my life the books I have read and those which have been read to me have built themselves into a great shining lighthouse, revealing to me the deepest channels of human life and the human spirit.In the afternoon of that first seeing day. I should take a long walk in the woods and intoxicate my eyes on the beauties of the world of Nature trying desperately to absorb in a few hours the vast splendor which is constantly unfolding itself to those who can see. On the way home from my woodland jaunt my path would lie near a farm so that I might see the patient horses ploughing in the field 9perhaps I should see only a tractor!) and the serene content of men living close to the soil. And I should pray for the glory of a colorful sunset.When dusk had fallen, I should experience the double delight of being able to see by artificial light which the genius of man has created to extend the power of his sight when Nature decrees darkness.In the night of that first day of sight, I should not be able to sleep, so full would be my mind of the memories of the day.The Second DayThe next day - the second day of sight - I should arise withthe dawn and see the thrilling miracle by which night is transformed into day. I should behold with awe the magnificent panorama of light with which the sun awakens the sleeping earth.This day I should devote to a hasty glimpse of the world, past and present. I should want to see the pageant of man's progress, the kaleidoscope of the ages. How can so much be compressed into one day? Through the museums, of course. Often I have visited the New York Museum of Natural History to touch with my hands many of the objects there exhibited, but I have longed to see with my eyes the condensed history of the earth and its inhabitants displayed there - animals and the races of men pictured in their native environment; gigantic carcasses of dinosaurs and mastodons which roamed the earth long before man appeared, with his tiny stature and powerful brain, to conquer the animal kingdom; realistic presentations of the processes of development in animals, in man, and in the implements which man has used to fashion for himself a secure home on this planet; and a thousand and one other aspects of natural history.I wonder how many readers of this article have viewed this panorama of the face of living things as pictured in that inspiring museum. Many, of course, have not had the opportunity, but I am sure that many who have had the opportunity have not made use of it. there, indeed, is a place to use your eyes. You who see can spend many fruitful days there, but I with my imaginary three days of sight, could only take a hasty glimpse, and pass on.My next stop would be the Metropolitan Museum of Art, for just as the Museum of Natural History reveals the material aspects of the world, so does the Metropolitan show the myriad facets of the human spirit. Throughout the history of humanitythe urge to artistic expression has been almost as powerful as the urge for food, shelter, and procreation. And here , in the vast chambers of the Metropolitan Museum, is unfolded before me the spirit of Egypt, Greece, and Rome, as expressed in their art. I know well through my hands the sculptured gods and goddesses of the ancient Nile-land. I have felt copies of Parthenon friezes, and I have sensed the rhythmic beauty of charging Athenian warriors. Apollos and Venuses and the Winged Victory of Samothrace are friends of my finger tips. The gnarled, bearded features of Homer are dear to me, for he, too, knew blindness.My hands have lingered upon the living marble of roman sculpture as well as that of later generations. I have passed my hands over a plaster cast of Michelangelo's inspiring and heroic Moses; I have sensed the power of Rodin; I have been awed by the devoted spirit of Gothic wood carving. These arts which can be touched have meaning for me, but even they were meant to beseen rather than felt, and I can only guess at the beauty which remains hidden from me. I can admire the simple lines of a Greek vase, but its figured decorations are lost to me.So on this, my second day of sight, I should try to probe into the soul of man through this art. The things I knew through touch I should now see. More splendid still, the whole magnificent world of painting would be opened to me, from the Italian Primitives, with their serene religious devotion, to the Moderns, with their feverish visions. I should look deep into the canvases of Raphael, Leonardo da Vinci, Titian, Rembrandt. I should want to feast my eyes upon the warm colors of Veronese, study the mysteries of E1 Greco, catch a new vision of Nature from Corot. Oh, there is so much rich meaning and beauty in the art of theages for you who have eyes to see!Upon my short visit to this temple of art I should not be able to review a fraction of that great world of art which is open to you. I should be able to get only a superficial impression. Artists tell me that for deep and true appreciation of art one must educated the eye. One must learn through experience to weigh the merits of line, of composition, of form and color. If I had eyes, how happily would I embark upon so fascinating a study! Yet I am told that, to many of you who have eyes to see, the world of art is a dark night,unexplored and unilluminated.It would be with extreme reluctance that I should leave the Metropolitan Museum, which contains the key to beauty -- a beauty so neglected. Seeing persons, however, do not need a metropolitan to find this key to beauty. The same key lies waiting in smaller museums, and in books on the shelves of even small libraries. But naturally, in my limited time of imaginary sight, I should choose the place where the key unlocks the greatest treasures in the shortest time.The evening of my second day of sight I should spend at a theatre or at the movies. Even now I often attend theatrical performances of all sorts, but the action of the play must be spelled into my hand by a companion. But how I should like to see with my own eyes the fascinating figure of Hamlet, or the gusty Falstaff amid colorful Elizabethan trappings! How I should like to follow each movement of the graceful Hamlet, each strut of the hearty Falstaff! And since I could see only one play, I should be confronted by a many-horned dilemma, for there are scores of plays I should want to see. You who have eyes can see any you like. How many of you, I wonder, when you gaze at a play, a movie, or any spectacle, realize and give thanks for the miracleof sight which enables you to enjoy its color , grace, and movement?I cannot enjoy the beauty of rhythmic movement except in a sphere restricted to the touch of my hands. I can vision only dimly the grace of a Pavlowa, although I know something of the delight of rhythm, for often I can sense the beat of music as it vibrates through the floor. I can well imagine that cadenced motion must be one of the most pleasing sights in the world. I have been able to gather something of this by tracing with my fingers the lines in sculptured marble; if this static grace can be so lovely, how much more acute must be the thrill of seeing grace in motion.One of my dearest memories is of the time when Joseph Jefferson allowed me to touch his face and hands as he went through some of the gestures and speeches of his beloved Rip Van Winkle. I was able to catch thus a meager glimpse of the world of drama, and I shall never forget the delight of that moment. But, oh, how much I must miss, and how much pleasure you seeing ones can derive from watching and hearing the interplay of speech and movement in the unfolding of a dramatic performance! If I could see only one play, I should know how to picture in my \mind the action of a hundred plays which I have read or had transferred to me through the medium of the manual alphabet.So, through the evening of my second imaginary day of sight, the great fingers of dramatic literature would crowd sleep from my eyes.The Third DayThe following morning, I should again greet the dawn, anxious to discover new delights, for I am sure that, for those who have eyes which really see, the dawn of each day must be aperpetually new revelation of beauty.This, according to the terms of my imagined miracle, is to be my third and last day of sight. I shall have no time to waste in regrets or longings; there is too much to see. The first day I devoted to my friends, animate and inanimate. The second revealed to me the history of man and Nature. Today I shall spend in the workaday world of the present, amid the haunts of men going about the business of life. And where can one find so many activities and conditions of men as in New York? So the city becomes my destination.I start from my home in the quiet little suburb of Forest Hills, Long Island. Here , surrounded by green lawns, trees, and flowers, are neat little houses, happy with the voices and movements of wives and children, havens of peaceful rest for men who toil in the city. I drive across the lacy structure of steel which spans the East River, and I get a new and startling vision of the power and ingenuity of the mind of man. Busy boasts chug and scurry about the river - racy speed boat, stolid, snorting tugs. If I had long days of sight ahead, I should spend many of them watching the delightful activity upon the river.I look ahead, and before me rise the fantastic towers of New York, a city that seems to have stepped from the pages of a fairy story. What an awe-inspiring sight, these glittering spires. these vast banks of stone and steel-structures such as the gods might build for themselves! This animated picture is a part of the lives of millions of people every day.How many, I wonder, give it so much as a seconds glance? Very few, I fear, Their eyes are blind to this magnificent sight because it is so familiar to them.I hurry to the top of one of those gigantic structures, theEmpire State Building, for there , a short time ago, I "saw" the city below through the eyes of my secretary. I am anxious to compare my fancy with reality. I am sure I should not be disappointed in the panorama spread out before me, for to me it would be a vision of another world.Now I begin my rounds of the city. First, I stand at a busy corner, merely looking at people, trying by sight of them to understand something of their live. I see smiles, and I am happy.I see serious determination, and I am proud, I see suffering, and I am compassionate.I stroll down Fifth Avenue. I throw my eyes out of focus, so that I see no particular object but only a seething kaleidoscope of colors. I am certain that the colors of women's dresses moving in a throng must be a gorgeous spectacle of which I should never tire. But perhaps if I had sight I should be like most other women -- too interested in styles and the cut of individual dresses to give much attention to the splendor of color in the mass. And I am convinced, too, that I should become an inveterate window shopper, for it must be a delight to the eye to view the myriad articles of beauty on display.From Fifth Avenue I make a tour of the city-to Park Avenue, to the slums, to factories, to parks where children play. I take a stay-at-home trip abroad by visiting the foreign quarters. Always my eyes are open wide to all the sights of both happiness and misery so that I may probe deep and add to my understanding of how people work and live. my heart is full of the images of people and things. My eye passes lightly over no single trifle; it strives to touch and hold closely each thing its gaze rests upon. Some sights are pleasant, filling the heart with happiness; but some are miserably pathetic. To these latter I do not shut my eyes,for they, too, are part of life. To close the eye on them is to close the heart and mind.My third day of sight is drawing to an end. Perhaps there are many serious pursuits to which I should devote the few remaining hours, but I am afraid that on the evening of that last day I should again run away to the theater, to a hilariously funny play, so that I might appreciate the overtones of comedy in the human spirit.At midnight my temporary respite from blindness would cease, and permanent night would close in on me again. Naturally in those three short days I should not have seen all I wanted to see. Only when darkness had again descended upon me should I realize how much I had left unseen. But my mind would be so crowded with glorious memories that I should have little time for regrets. Thereafter the touch of every object would bring a glowing memory of how that object looked.Perhaps this short outline of how I should spend three days of sight does not agree with the program you would set for yourself if you knew that you were about to be stricken blind. I am, however, sure that if you actually faced that fate your eyes would open to things you had never seen before, storing up memories for the long night ahead. You would use your eyes as never before. Everything you saw would become dear to you. Your eyes would touch and embrace every object that came within your range of vision. Then, at last, you would really see, and a new world of beauty would open itself before you.I who am blind can give one hint to those who see -- one admonition to those who would make full use of the gift of sight: Use your eyes as if tomorrow you would be stricken blind.And the same method can be applied to the other senses.Hear the music of voices, the song of a bird, the mighty strains of an orchestra, as if you would be stricken deaf tomorrow.Touch each object you want to touch as if tomorrow your tactile sense would fail. Smell the perfume of flowers, taste with relish each morsel, as if tomorrow you could never smell and taste again. Make the most of every sense: glory in all the facets of pleasure and beauty which the world reveals to you through the several means of contact which Nature provides. But of all the senses, I am sure that sight must be the most delightful.。
假如给我三天光明(中英文版)
we find in reviewing(looking back upon回顾) the past, what regrets?
Such stories set us thinking, wondering what we should do under similar circumstances(conditions;situation情况;环境). What events, what experiences, whaБайду номын сангаас associations(交往)
man chose to spend his last days or his last hours. I speak, of course, of free men who have a choice, not
condemned(sentence 判刑) criminals(犯人) whose sphere(area范围) of activities is strictly delimited(to fix the limits of限定).
Sometimes I have thought it would be an excellent rule(habit) to live each day as if we should die
tomorrow. Such an attitude would emphasize(stress 强调) sharply(鲜明地) the values of life. We should live each day with a gentleness, avigor, and a keenness(热心;渴望) of appreciation(欣赏;评定) which are often
假如给我三天光明英文版附翻译
假如给我三天光明英文版附翻译《假如给我三天光明》是作者海伦凯勒的自传，被誉为世界文学史上无与伦比的杰作。
她以自己的经历告诫人们应珍惜生命，珍惜造物主赐予的一切。
如果你想欣赏一下这篇经典名作的话，那么就不要错过下面小编为大家带来假如给我三天光明完整英文版及中文翻译，希望大家喜欢!目录假如给我三天光明英文版假如给我三天光明中文版假如给我三天光明简介：假如给她三天光明，她第一天想看看让她的生命变得有价值的人，第二天想看光的变幻莫测和日出，第三天想探索与研究。
以一个盲人的身份想象如果自己能够有三天的时间看到世界，将会去做哪些事包括去看看帮助过自己的人，以及去感受自然，品味艺术世界。
假如给我三天光明英文版：返回目录All of us have read thrilling stories in which the hero had only a limited and specified time to live. Sometimes it was as long as a year; sometimes as short as twenty-four hours.But always we were interested in discovering just how the doomed man chose to spend his last days or his last hours. I speak, of course, of free men who have a choice, not condemned criminals whose sphere of activities is strictlydelimited.Such stories set us thinking, wondering what we should do under similar circumstances. What events, what experiences, what associations should we crowd into those last hours as mortal beings? What happiness should we find in reviewing the past, what regrets?Sometimes I have thought it would be an excellent rule to live each day as if we should die tomorrow. Such an attitude would emphasize sharply the values of life. We should live each day with a gentleness, a vigor, and a keenness of appreciation which are often lost when time stretches before us in the constant panorama of more days and months and years to come. There are those, of course, who would adopt the Epicurean motto of Eat, drink, and be merry, but most people would be chastened by the certainty of impending death.In stories the doomed hero is usually saved at the last minute by some stroke of fortune, but almost always his sense of values is changed. he becomes more appreciative of the meaning of life and its permanent spiritual values. It ahs often been noted that those who live, or have lived, in the shadow of death bring a mellow sweetness to everything they do.Most of us, however, take life for granted. We know that one day we must die, but usually we picture that day as far in the future. When we are in buoyant health, death is all but unimaginable. We seldom think of it. The days stretch out in an endless vista. So we go about our petty tasks, hardly aware of our listless attitude toward life.The same lethargy, I am afraid, characterizes the use of all our faculties and senses. Only the deaf appreciate hearing, only the blind realize the manifold blessings that lie in sight. Particularly does this observation apply to those who have lost sight and hearing in adult life. But those who have never suffered impairment of sight or hearing seldom make the fullest use of these blessed faculties. Their eyes and ears take in all sights and sounds hazily, without concentration and with little appreciation. It is the same old story of not being grateful for what we have until we lose it, of not being conscious of health until we are ill.I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days at some time during his early adult life. Darkness would make him more appreciative of sight; silence would tech him the joys of sound.Now and them I have tested my seeing friends to discoverwhat they see. Recently I was visited by a very good friends who had just returned from a long walk in the woods, and I asked her what she had observed.. Nothing in particular, she replied. I might have been incredulous had I not been accustomed to such reposes, for long ago I became convinced that the seeing see little.How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough, shaggy bark of a pine. In the spring I touch the branches of trees hopefully in search of a bud the first sign of awakening Nature after her winters sleep. I feel the delightful, velvety texture of a flower, and discover its remarkable convolutions; and something of the miracle of Nature is revealed to me. Occasionally, if I am very fortunate, I place my hand gently on a small tree and feel the happy quiver of a bird in full song. I am delighted to have the cool waters of a brook rush thought my open finger. To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug. To me the page ant of seasons is athrilling and unending drama, the action of which streams through my finger tips.At times my heart cries out with longing to see all these things. If I can get so much pleasure from mere touch, how much more beauty must be revealed by sight. Yet, those who have eyes apparently see little. the panorama of color and action which fills the world is taken for granted. It is human, perhaps, to appreciate little that which we have and to long for that which we have not, but it is a great pity that in the world of light the gift of sight is used only as a mere conveniences rather than as a means of adding fullness to life.If I were the president of a university I should establish a compulsory course in How to Use Your Eyes. The professor would try to show his pupils how they could add joy to their lives by really seeing what passes unnoticed before them. He would try to awake their dormant and sluggish faculties.Perhaps I can best illustrate by imagining what I should most like to see if I were given the use of my eyes, say, for just three days. And while I am imagining, suppose you, too, set your mind to work on the problem of how you would use your own eyes if you had only three more days to see. If with the on-coming darkness of the third night you knew that the sunwould never rise for you again, how would you spend those three precious intervening days? What would you most want to let your gaze rest upon?I, naturally, should want most to see the things which have become dear to me through my years of darkness. You, too, would want to let your eyes rest on the things that have become dear to you so that you could take the memory of them with you into the night that loomed before you.If, by some miracle, I were granted three seeing days, to be followed by a relapse into darkness, I should divide the period into three parts.The First DayOn the first day, I should want to see the people whose kindness and gentleness and companionship have made my life worth living. First I should like to gaze long upon the face of my dear teacher, Mrs. Anne Sullivan Macy, who came to me when I was a child and opened the outer world to me. I should want not merely to see the outline of her face, so that I could cherish it in my memory, but to study that face and find in it the living evidence of the sympathetic tenderness and patience with which she accomplished the difficult task of my education. I should like to see in her eyes that strength ofcharacter which has enabled her to stand firm in the face of difficulties, and that compassion for all humanity which she has revealed to me so often.I do not know what it is to see into the heart of a friend through that Window of the soul, the eye. I can only see through my finger tips the outline of a face. I can detect laughter, sorrow, and many other obvious emotions. I know my friends from the feel of their faces. But I cannot really picture their personalities by touch. I know their personalities, of course, through other means, through the thoughts they express to me, through whatever of their actions are revealed to me. But I am denied that deeper understanding of them which I am sure would come through sight of them, through watching their reactions to various expressed thoughts and circumstances, through noting the immediate and fleeting reactions of their eyes and countenance.Friends who are near to me I know well, because through the months and years they reveal themselves to me in all their phases; but of casual friends I have only an incomplete impression, an impression gained from a handclasp, from spoken words which I take from their lips with my finger tips, or which they tap into the palm of my hand.How much easier, how much more satisfying it is for you who can see to grasp quickly the essential qualities of another person by watching the subtleties of expression, the quiver of a muscle, the flutter of a hand. But does it ever occur to you to use your sight to see into the inner nature of a friends or acquaintance/ Do not most of you seeing people grasp casually the outward features of a face and let it go at that?For instance can you describe accurately the faces of five good friends? some of you can, but many cannot. As an experiment, I have questioned husbands of long standing about the color of their wives eyes, and often they express embarrassed confusion and admit that they do not know. And, incidentally, it is a chronic complaint of wives that their husbands do not notice new dresses, new hats, and changes in household arrangements.The eyes of seeing persons soon become accustomed to the routine of their surroundings, and they actually see only the startling and spectacular. But even in viewing the most spectacular sights the eyes are lazy. Court records reveal every day how inaccurately eyewitnesses see. A given event will be seen in several different ways by as many witnesses. Some see more than others, but few see everything that is within therange of their vision.Oh, the things that I should see if I had the power of sight for just three days!The first day would be a busy one.I should call to me all my dear friends and look long into their faces, imprinting upon my mind the outward evidences of the beauty that is within them. I should let my eyes rest, too, on the face of a baby, so that I could catch a vision of the eager, innocent beauty which precedes the individuals consciousness of the conflicts which life develops.And I should like to look into the loyal, trusting eyes of my dogs - the grave, canny little Scottie, Darkie, and the stalwart, understanding Great Dane, Helga, whose warm, tender , and playful friendships are so comforting to me.On that busy first day I should also view the small simple things of my home. I want to see the warm colors in the rugs under my feet, the pictures on the walls, the intimate trifles that transform a house into home. My eyes would rest respectfully on the books in raised type which I have read, but they would be more eagerly interested in the printed books which seeing people can read, for during the long night of my life the books I have read and those which have been read tome have built themselves into a great shining lighthouse, revealing to me the deepest channels of human life and the human spirit.In the afternoon of that first seeing day. I should take a long walk in the woods and intoxicate my eyes on the beauties of the world of Nature trying desperately to absorb in a few hours the vast splendor which is constantly unfolding itself to those who can see. On the way home from my woodland jaunt my path would lie near a farm so that I might see the patient horses ploughing in the field 9perhaps I should see only a tractor!) and the serene content of men living close to the soil. And I should pray for the glory of a colorful sunset.When dusk had fallen, I should experience the double delight of being able to see by artificial light which the genius of man has created to extend the power of his sight when Nature decrees darkness.In the night of that first day of sight, I should not be able to sleep, so full would be my mind of the memories of the day.The Second DayThe next day - the second day of sight - I should arise with the dawn and see the thrilling miracle by which night is transformed into day. I should behold with awe themagnificent panorama of light with which the sun awakens the sleeping earth.This day I should devote to a hasty glimpse of the world, past and present. I should want to see the pageant of mans progress, the kaleidoscope of the ages. How can so much be compressed into one day? Through the museums, of course. Often I have visited the New York Museum of Natural History to touch with my hands many of the objects there exhibited, but I have longed to see with my eyes the condensed history of the earth and its inhabitants displayed there - animals and the races of men pictured in their native environment; gigantic carcasses of dinosaurs and mastodons which roamed the earth long before man appeared, with his tiny stature and powerful brain, to conquer the animal kingdom; realistic presentations of the processes of development in animals, in man, and in the implements which man has used to fashion for himself a secure home on this planet; and a thousand and one other aspects of natural history.I wonder how many readers of this article have viewed this panorama of the face of living things as pictured in that inspiring museum. Many, of course, have not had theopportunity, but I am sure that many who have had the opportunity have not made use of it. there, indeed, is a place to use your eyes. You who see can spend many fruitful days there, but I with my imaginary three days of sight, could only take a hasty glimpse, and pass on.My next stop would be the Metropolitan Museum of Art, for just as the Museum of Natural History reveals the material aspects of the world, so does the Metropolitan show the myriad facets of the human spirit. Throughout the history of humanity the urge to artistic expression has been almost as powerful as the urge for food, shelter, and procreation. And here , in the vast chambers of the Metropolitan Museum, is unfolded before me the spirit of Egypt, Greece, and Rome, as expressed in their art. I know well through my hands the sculptured gods and goddesses of the ancient Nile-land. I have felt copies of Parthenon friezes, and I have sensed the rhythmic beauty of charging Athenian warriors. Apollos and Venuses and the Winged Victory of Samothrace are friends of my finger tips. The gnarled, bearded features of Homer are dear to me, for he, too, knew blindness.My hands have lingered upon the living marble of roman sculpture as well as that of later generations. I have passed myhands over a plaster cast of Michelangelos inspiring and heroic Moses; I have sensed the power of Rodin; I have been awed by the devoted spirit of Gothic wood carving. These arts which can be touched have meaning for me, but even they were meant to beseen rather than felt, and I can only guess at the beauty which remains hidden from me. I can admire the simple lines of a Greek vase, but its figured decorations are lost to me.So on this, my second day of sight, I should try to probe into the soul of man through this art. The things I knew through touch I should now see. More splendid still, the whole magnificent world of painting would be opened to me, from the Italian Primitives, with their serene religious devotion, to the Moderns, with their feverish visions. I should look deep into the canvases of Raphael, Leonardo da Vinci, Titian, Rembrandt. I should want to feast my eyes upon the warm colors of Veronese, study the mysteries of E1 Greco, catch a new vision of Nature from Corot. Oh, there is so much rich meaning and beauty in the art of the ages for you who have eyes to see!Upon my short visit to this temple of art I should not be able to review a fraction of that great world of art which isopen to you. I should be able to get only a superficial impression. Artists tell me that for deep and true appreciation of art one must educated the eye. One must learn through experience to weigh the merits of line, of composition, of form and color. If I had eyes, how happily would I embark upon so fascinating a study! Yet I am told that, to many of you who have eyes to see, the world of art is a dark night,unexplored and unilluminated.It would be with extreme reluctance that I should leave the Metropolitan Museum, which contains the key to beauty -- a beauty so neglected. Seeing persons, however, do not need a metropolitan to find this key to beauty. The same key lies waiting in smaller museums, and in books on the shelves of even small libraries. But naturally, in my limited time of imaginary sight, I should choose the place where the key unlocks the greatest treasures in the shortest time.The evening of my second day of sight I should spend at a theatre or at the movies. Even now I often attend theatrical performances of all sorts, but the action of the play must be spelled into my hand by a companion. But how I should like to see with my own eyes the fascinating figure of Hamlet, or the gusty Falstaff amid colorful Elizabethan trappings! How Ishould like to follow each movement of the graceful Hamlet, each strut of the hearty Falstaff! And since I could see only one play, I should be confronted by a many-horned dilemma, for there are scores of plays I should want to see. You who have eyes can see any you like. How many of you, I wonder, when you gaze at a play, a movie, or any spectacle, realize and give thanks for the miracle of sight which enables you to enjoy its color , grace, and movement?I cannot enjoy the beauty of rhythmic movement except ina sphere restricted to the touch of my hands. I can vision only dimly the grace of a Pavlowa, although I know something of the delight of rhythm, for often I can sense the beat of music as it vibrates through the floor. I can well imagine that cadenced motion must be one of the most pleasing sights in the world. I have been able to gather something of this by tracing with my fingers the lines in sculptured marble; if this static grace can be so lovely, how much more acute must be the thrill of seeing grace in motion.One of my dearest memories is of the time when Joseph Jefferson allowed me to touch his face and hands as he went through some of the gestures and speeches of his beloved Rip Van Winkle. I was able to catch thus a meager glimpse of theworld of drama, and I shall never forget the delight of that moment. But, oh, how much I must miss, and how much pleasure you seeing ones can derive from watching and hearing the interplay of speech and movement in the unfolding of a dramatic performance! If I could see only one play, I should know how to picture in my \mind the action of a hundred plays which I have read or had transferred to me through the medium of the manual alphabet.So, through the evening of my second imaginary day of sight, the great fingers of dramatic literature would crowd sleep from my eyes.The Third DayThe following morning, I should again greet the dawn, anxious to discover new delights, for I am sure that, for those who have eyes which really see, the dawn of each day must be a perpetually new revelation of beauty.This, according to the terms of my imagined miracle, is to be my third and last day of sight. I shall have no time to waste in regrets or longings; there is too much to see. The first day I devoted to my friends, animate and inanimate. The second revealed to me the history of man and Nature. Today I shall spend in the workaday world of the present, amid the hauntsof men going about the business of life. And where can one find so many activities and conditions of men as in New York? So the city becomes my destination.I start from my home in the quiet little suburb of Forest Hills, Long Island. Here , surrounded by green lawns, trees, and flowers, are neat little houses, happy with the voices and movements of wives and children, havens of peaceful rest for men who toil in the city. I drive across the lacy structure of steel which spans the East River, and I get a new and startling vision of the power and ingenuity of the mind of man. Busy boasts chug and scurry about the river - racy speed boat, stolid, snorting tugs. If I had long days of sight ahead, I should spend many of them watching the delightful activity upon the river.I look ahead, and before me rise the fantastic towers of New York, a city that seems to have stepped from the pages of a fairy story. What an awe-inspiring sight, these glittering spires. these vast banks of stone and steel-structures such as the gods might build for themselves! This animated picture is a part of the lives of millions of people every day.How many, I wonder, give it so much as a seconds glance? Very few, I fear, Their eyes are blind to this magnificent sightbecause it is so familiar to them.I hurry to the top of one of those gigantic structures, the Empire State Building, for there , a short time ago, I saw the city below through the eyes of my secretary. I am anxious to compare my fancy with reality. I am sure I should not be disappointed in the panorama spread out before me, for to me it would be a vision of another world.Now I begin my rounds of the city. First, I stand at a busy corner, merely looking at people, trying by sight of them to understand something of their live. I see smiles, and I am happy. I see serious determination, and I am proud, I see suffering, and I am compassionate.I stroll down Fifth Avenue. I throw my eyes out of focus, so that I see no particular object but only a seething kaleidoscope of colors. I am certain that the colors of womens dresses moving in a throng must be a gorgeous spectacle of which I should never tire. But perhaps if I had sight I should be like most other women -- too interested in styles and the cut of individual dresses to give much attention to the splendor of color in the mass. And I am convinced, too, that I should become an inveterate window shopper, for it must be a delight to the eye to view the myriad articles of beauty on display.From Fifth Avenue I make a tour of the city-to Park Avenue, to the slums, to factories, to parks where children play. I take a stay-at-home trip abroad by visiting the foreign quarters. Always my eyes are open wide to all the sights of both happiness and misery so that I may probe deep and add to my understanding of how people work and live. my heart is full of the images of people and things. My eye passes lightly over no single trifle; it strives to touch and hold closely each thing its gaze rests upon. Some sights are pleasant, filling the heart with happiness; but some are miserably pathetic. To these latter I do not shut my eyes, for they, too, are part of life. To close the eye on them is to close the heart and mind.My third day of sight is drawing to an end. Perhaps there are many serious pursuits to which I should devote the few remaining hours, but I am afraid that on the evening of that last day I should again run away to the theater, to a hilariously funny play, so that I might appreciate the overtones of comedy in the human spirit.At midnight my temporary respite from blindness would cease, and permanent night would close in on me again. Naturally in those three short days I should not have seen all I wanted to see. Only when darkness had again descendedupon me should I realize how much I had left unseen. But my mind would be so crowded with glorious memories that I should have little time for regrets. Thereafter the touch of every object would bring a glowing memory of how that object looked.Perhaps this short outline of how I should spend three days of sight does not agree with the program you would set for yourself if you knew that you were about to be stricken blind. I am, however, sure that if you actually faced that fate your eyes would open to things you had never seen before, storing up memories for the long night ahead. You would use your eyes as never before. Everything you saw would become dear to you. Your eyes would touch and embrace every object that came within your range of vision. Then, at last, you would really see, and a new world of beauty would open itself before you.I who am blind can give one hint to those who see -- one admonition to those who would make full use of the gift of sight: Use your eyes as if tomorrow you would be stricken blind.And the same method can be applied to the other senses. Hear the music of voices, the song of a bird, the mighty strainsof an orchestra, as if you would be stricken deaf tomorrow.Touch each object you want to touch as if tomorrow your tactile sense would fail. Smell the perfume of flowers, taste with relish each morsel, as if tomorrow you could never s mell and taste again. Make the most of every sense: glory in all the facets of pleasure and beauty which the world reveals to you through the several means of contact which Nature provides. But of all the senses, I am sure that sight must be the most delightful.假如给我三天光明中文版翻译：返回目录我们大家都读过一些令人激动的故事，这些故事里的主人公仅仅活在有限并且特定的时间内，有时长达一年，有时短到24小时。
假如给我三天光明中英文对照
假如给我三天光明中英文对照if, by some miracle, i ere granted three seeing days, to be folloed by a relapse into darkness, i should divide the period into three parts.如果由某种奇迹，我获得了能看见东西的3天，随后又沉陷于一片黑暗之中，我该将这段时间分为３个部分。
th e first day第一天on t he first d a y, i shoul d ant to se e the peopl e hose kind n ess and ge n tleness an d companion s hip have m a de my life orth livin g.第一天，我想看到这些人，他们的善良、温柔和友情使我的生命值得活下去。
fi r st i shoul d like to g a ze long up o n the face of my dear teacher, m r s. anne su l livan macy,首先我想仔细长久地观看我那亲爱的老师安妮·萨利文·梅西夫人的面容。
ho c a me to me h e n i as a c h ild and op e ned the ou t er orld to me.当我还是一个孩子的时候，她来到我面前，并向我打开了外部世界。
i sh o uld ant no t merely to see the ou t line of he r face, so t hat i coul d cherish i t in my mem o ry,我不仅要看她脸部的轮廓，以便我能把它珍藏在我的记忆中，but to s tudy that f ace and fi n d in it th e living ev i dence of t h e sympathe t ic tendern e ss and pat i ence ith h i ch she acc o mplished t h e difficul t task of m y education.而且我还要研究这张脸庞，在那里找到富有同情心、温柔和耐心的活证据，她就是以这种温柔和耐心完成了教育我的艰难的任务。
假如给我三天光明高中课本选修原文
假如给我三天光明高中课本选修原文16假如给我三天光明海伦·凯特啊，如果我有三天视力的话，我该看些什么东西呢？第一天，我要看到那些好心的、温和的、友好的、使我的生活变得有价值的人们。
首先，我想长时间地凝视着我亲爱的教师安妮·莎莉文·麦西夫人的脸，当我还在孩稚时，她就来到我家，是她给我打开了外部世界。
我不仅要看她的脸部的轮廓，为了将她牢牢地放进我的记忆，还要仔细研究那张脸，并从中找出同情的温柔和耐心的生动的形迹，她就是靠温柔与耐心来完成教育我的困难任务。
我要从她的眼睛里看出那使她能坚定地面对困难的坚强毅力和她那经常向我显示出的对于人类的同情心。
第一天将是一个紧张的日子。
我要将我的所有亲爱的朋友们都叫来，好好端详他们的面孔，将体现他们内在美的外貌深深地印在我的心上。
我还要看一个婴儿的面孔，这样我就能看到一种有生气的、天真无邪的美，它是一种没有经历过生活斗争的美。
我还要看看我那群忠诚的、令人信赖的狗的眼睛——那沉着而机警的小斯科第、达基和那高大健壮而懂事的大戴恩、海尔加，它们的热情、温柔而淘气的友谊使我感到温暖。
在那紧张的第一天里，我还要仔细观察我家里那些简朴小巧的东西。
我要看看脚下地毯的艳丽色彩，墙壁上的图画和那些把一所房屋改变成家的熟悉的小东西。
我要用虔敬的目光凝视我所读过的那些凸字书，不过这眼光将更加急于看到那些供有视力的人读的印刷书。
因为在我生活的漫长黑夜里，我读过的书以及别人读给我听的书，已经变成一座伟大光明的灯塔，向我揭示出人类生活和人类精神的最深泉源。
在能看见东西的第一天下午，我将在森林里作一次长时间的漫步，让自己的眼睛陶醉在自然界的美色里，在这有限的几小时内我要如醉如痴地欣赏那永远向有视力的人敞开的壮丽奇景。
结束短暂的森林之旅，回来的路上可能经过一个农场，这样我便能看到耐心的马匹犁田的情景（或许我只能看到拖拉机了！）和那些以土地为生的人的宁静满足的生活。
我还要为绚丽夺目而又辉煌壮观的落日祈祷。
假如给我三天光明(中英对照)
假如给我三天光明（中英对照）I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days at some time during his early adult life. Darkness would make him more appreciative of sight; silence would tech him the joys of sound.我常常想，如果每个人在他成年的早期有一段时间致瞎致聋，那会是一种幸事，黑暗会使他更珍惜视力，寂静会教导他享受声音。
Now and then I have tested my seeing friends to discover what they see. Recently I was visited by a very good friends who had just returned from a long walk in the woods, and I asked her what she had observed.. “Nothing in particular, “ she replied. I might have been incredulous had I not been accustomed to such reposes, for long ago I became convinced that the seeing see little.我不时地询问过我的能看见东西的朋友们，以了解他们看到什么。
最近，我的一个很好的朋友来看我，她刚从一片森林里散步许久回来，我问她看到了什么，她答道：“没什么特别的。
”如果我不是习惯了听到这种回答，我都可能不相信，因为很久以来我已确信这个情况：能看得见的人却看不到什么。
假如给我三天光明(选段)翻译
姓名：章曦之学号：2010932105 班级：英教3班Three days to see 假如给我三天光明我们都读过这样激励人心的故事，在这些故事里，主人公往往都只能活一段极其有限的时光，有时长达一年，有时短如一日。
但往往越是如此，我们就越是想知道，这些注定离去的人会选择如何度过他的余生。
当然，我说的是那些有权利选择自由的人，而不是那些在死囚牢房里各种活动范围都被严格限定的囚犯。
这样的故事令我们深思，要是在同样的情况下我们会怎么办。
作为一个将死之人，我们会做些什么？经历些什么？亦或是作什么联想？又是否会有悔恨呢？有时我想，如果我们每个人都把明天当成是生命的最后一天来过，也不失为一个极好的生活法则。
这样的生活态度将会大大提高生活质量。
我们将会怀着一颗感恩之心，以一种充沛的精力和优雅的姿态度过每一天，而这样的生活态度往往在岁月静好、来日方长的想法中消失殆尽。
当然，也有一些人奉行“吃好、喝好、玩好”的生活准则，然而，当死亡渐渐逼近时，绝大多数人总会因此而悔恨。
在故事中，主人公往往会在命悬一线时得到幸运之神的眷顾，而后他的价值观便会发生转变。
他会愈发珍惜和感激生命的意义及其永恒的精神价值。
值得注意的是，那些活着或是已经死去的人，在死亡的阴影下他们所做的一切对他们来说都充满了甜蜜与芬芳。
然而，我们绝大多数人都视生命为理所当然。
我们知道人终有一死，但我们往往把那一天放在遥远的将来。
当我们身体健康时，死亡几乎是件不可想象的事，于是，我们从不去考虑。
日子一天一天地过着，似乎永无尽头。
所以我们终日忙于琐事而很少意识到我们对于生活那种漠视的态度。
同样的懒散，恐怕也成为了我们所有天赋与本能感官的特征。
只有聋子才珍惜听力，只有瞎子才能体会到能看见事物的种种幸福。
这样的结论往往更容易在那些后天失聪或失明的人身上找到。
然而那些从来没有遭受到过视觉或听觉损伤之苦的人却很少充分利用这些天赐的感官能力。
尽管他们能眼观八方，耳听六路，然而却不甚模糊朦胧，毫无重点，丝毫不懂得珍惜。
假如给我三天光明诗歌原文
假如给我三天光明诗歌原文我们谁都知道自己难免一死。
但是这一天的到来，似乎遥遥无期。
当然人们要是健康无恙，谁又会想到它，谁又会整日去惦念它。
于是饱食终日，无所事事。
有的时候，要是人们把活着的某一天看作是生命的最后一天该多好啊！这就更能显示出生命的价值。
如果认为岁月还很漫长，我们的每一天就不会过得那样有意义、有朝气，我们对生活就不会总是充满热情。
我们对待生命如此倦怠，在对待自己的各种天赋及使用自己的器官上又何尝不是如此？只有那些聋了的人才更加珍惜光明。
那些成年后失明、失聪的人就更是如此。
那些耳聪目明的正常人却从来不好好地去利用他们这些天赋。
他们视而不见，充耳不闻，无任何鉴赏之心。
事情往往就是这样，一旦失去了的东西，人们才会留恋它，人得了病才想到健康的幸福。
我有过这样的想法，如果让每一个人在他成年后的某一阶段瞎上几天、聋上几天该有多好。
黑暗将使他们更加珍惜光明；寂静将教会他们真正领略喧哗的快乐。
最近一位朋友来看我，他刚从林中散步回来。
我问他看到些什么，他说没什么特别的东西。
要不是我早习惯了这样的回答，我真会大吃一惊。
我终于领会了这样一个道理，明眼人往往熟视无睹。
我多么渴望看看这世上的一切，如果说凭我的触觉能得到如此大的乐趣，那么能让我亲眼目睹一下该有多好。
奇怪的是明眼人对这一切却如此淡漠！那点缀世界的五彩缤纷和千姿百态在他们看来是那么的平庸。
也许有人就是这样，有了的东西不知道欣赏，没有的东西又一味追求。
在明眼人的世上，视力这种天赋不过增添一点方便罢了，并没有赋予他们的生活更多的意义。
假如我是一位大学校长，我要设一门必修课程：“如何使用眼睛”。
教授应该让他的学生知道，看清他们面前一闪而过的东西会给他们的生活带来多大的乐趣，从而唤醒人们那麻木、呆滞的心灵。
请你思考一下这个问题；假如你只有三天的光明，你将如何使用你的眼睛？想到三天以后，太阳再也不会从你眼前升起，你又将如何度过这宝贵的三日？你又会让你的眼睛停留在何处？第一天，我要看人，他们的善良、温厚与友谊使我的生活值得一过。
《假如给我三天光明》英语原文
《假如给我三天光明》英语原文《假如给我三天光明》是美国作家海伦·凯勒的自传小说，以下是其中的一段英文原文："The first thing I saw when they brought me out was Tante Lou's face. She was holding up the curtain for me. And when I saw her, I knew that everything was going to be all right. But when I tried to reach out and touch her, I found that I couldn't move my arms or legs. And then I began to cry.""Tante Lou held me close and told me that I was going to be all right. She said that I was going to learn to talk and walk again. And then she showed me my room. It was a small room, but it was all mine. And when I saw my bed and my dresser and my window, I knew that I was going to be happy.""I was scared when I first saw Miss Sullivan, but I soon learned that she was going to be my teacher. And I learned to talk by using my hands and my eyes. I would point to things and make certain sounds, and Miss Sullivan would help me to understand what I was saying.""I learned to read and write and do many things that I had never thought about before. I even learned to play the piano and to swim. And when I went to college, I met people who were justlike me. They were all blind and deaf, but they were happy and they were strong.""I have been blind and deaf for most of my life, but I have never been alone. I have always had my imagination and my memory. And now, when I close my eyes, I can see and hear everything that I have ever known."。
《假如给我三天光明》中英文摘抄
If, by some miracle, I were granted three seeing days, to be followed by a relapse into darkness, I should divide the period into three parts.如果因为某种奇迹，我获得了能看见东西的三天，随后乂将沉陷丁一片黑暗之中，我会将这段时间分为三个部分。
The First Day第一天On the first day, I should want to see the people whose kindness and gentleness and companionship have made my life worth living. First I should like to gaze long upon the face of my dear teacher, Mrs. Anne Sullivan Macy, who came to me when I was a child and opened the outer world to me. I should want not merely to see the outline of her face, so that I could cherish it in my memory, but to study that face and find in it the living evidence of the sympathetic tendernessand patience with which she accomplished the difficult task of my education. I should like to see in her eyes that strength of character, which has enabled her to stand firm in the face of difficulties, and that compassion for all humanity, which she has revealed, to me so often.第一天，我想看到这些人，他们的善良，温柔和友情使我的生命变得有价值。
假如给我三天光明
一颗创造美和崇高精神的
细读文章 —感受海伦内心崇高的精神境界
下面三个问题,请同学们自由研读讨论。
1.有了三天光明的海伦· 凯勒，为什么首先要“长 时间地凝视着我亲爱的老师安妮· 莎莉文· 麦西夫 人的脸”？
2.如何理解海伦· 凯勒在能见到光明的第三天， 最后一眼要看的是喜剧？ 3.“假如”是一种假想，从海伦凯勒的实际情况 来看是不可能实现的，如何理解作者在文章所 见、所闻和所想的真实性和感染力?
时间 日 期 活动
白天
看望麦西夫人、约朋友来 家、树林散步、看落日 参观自然历史博物馆、 参观艺术博物馆 游览纽约城、看日常世界
夜晚
回忆这一天
第一天 第二天 第三天
看戏
看喜剧
有了三天光明的海伦· 凯勒，为什 么首先要“长时间地凝视着我亲爱的 老师安妮· 莎莉文· 麦西夫人的脸”？
有了三天刮 有了三天鼓
有了三天光明的海伦· 凯勒，为什么首先要“长时间地凝视着我亲爱 的老师安妮· 莎莉文· 麦西夫人的脸”？ 如何理解作者在能见到光明的第三天，最后一眼要看的是喜剧？ 海伦最突出的精神品质是什么？
如何理解作者在能见到光明的第三 天，最后一眼要看的是喜剧？海伦 最突出的精神品质是什么？
如何理解作者在能见到光明的第三 天，最后一眼要看的是喜剧？海伦 最突出的精神品质是什么？
时间 第 一 天
所见所闻
我的教师（莎莉文） 所有的朋友、婴儿 狗的眼睛、书 森林中漫步、农场日落 灯光
所思所想
温柔、耐心、坚强、同情 内在美的外貌、天真无邪 生活和精神的泉源 壮丽、宁静满足、绚丽 人类的天才 奇迹和壮丽 艰难曲折、兴衰沧桑 精神之美、人类的灵魂 色彩、优美、动作
海伦凯勒英语课文翻译
海伦凯勒英语课文翻译海伦凯勒英语课文翻译相信大家都听过不少海伦凯勒的传奇故事，很难一个女孩是如何一步一步的冲破难关直到梦想实现。
本文的内容是海伦凯勒课文翻译，欢迎大家阅读。
海伦凯勒英语课文翻译In 1882 a baby girl caught a fever that was so fierce she nearly died. She survived but the fever left its mark — she could no longer see or hear. Because she could not hear she also found it very difficult to speak.So how did this child, blinded and deafened at 19 months old, grow up to become a world-famous author and public speaker?The fever cut her off from the outside world, depriving her of sight and sound. It was as if she had been thrown into a dark prison cell from which there could be no release.Luckily Helen was not someone who gave up easily. Soon she began to explore the world by using her other senses. She followed her mother wherever she went, hanging onto her skirts, She touched and smelled everything she came across. She copied their actions and was soon able to do certain jobs herself, like milking the cows or kneading dough, She even learnt to recognize people by feeling their faces or their clothes. She could also tell where she was in the garden by the smell of the different plants and the feel of the ground under her feet.By the age of seven she had invented over 60 different signs by which she could talk to her family, If she wanted bread for example, she would pretend to cut a loaf and butter the slices. If she wanted ice cream she wrapped her arms around herself andpretended to shiver.Helen was unusual in that she was extremely intelligent and also remarkably sensitive. By her own efforts she had managed to make some sense of an alien and confusing world. But even so she had limitations.At the age of five Helen began to realize she was different from other people. She noticed that her family did not use signs like she did but talked with their mouths. Sometimes she stood between two people and touched their lips. She could not understand what they said and she could not make any meaningful sounds herself. She wanted to talk but no matter how she tried she could not make herself understood. This make her so angry that she used to hurl herself around the room, kicking and screaming in frustration.As she got older her frustration grew and her rages became worse and worse. She became wild and unruly . If she didn't get what she wanted she would throw tantrums until her family gave in. Her favourite tricks included grabbing other people's food from their plates and hurling fragile objects to the floor. Once she even managed to lock her mother into the pantry. Eventually it became clear that something had to be done. So, just before her seventh birthday, the family hired a private tutor — Anne Sullivan.Anne was careful to teach Helen especially those subjects in which she was interested. As a result Helen became gentler and she soon learnt to read and write in Braille. She also learnt to read people's lips by pressing her finger-tips against them and feeling the movement and vibrations. This method is called Tadoma and it is a skill that very, very few people manage to acquire. She also learnt to speak, a major achievement for someone who could not hear at all.Helen proved to be a remarkable scholar, graduating with honours from Radcliffe College in 1904. She had phenomenal powers of concentration and memory, as well as a dogged determination to succeed. While she was still at college she wrote ‘The Story of My Life'. This was an immediate success and earned her enough money to buy her own house.She toured the country, giving lecture after lecture. Many books were written about her and several plays and films were made about her life. Eventually she became so famous that she was invited abroad and received many honours from foreign universities and monarchs. In 1932 she became a vice-president of the Royal National Institute for the Blind in the United Kingdom.After her death in 1968 an organization was set up in her name to combat blindness in the developing world. Today that agency, Helen Keller International, is one of the biggest organizations working with blind people overseas.翻译1882，一个女婴发烧得厉害，差点儿死了。
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Most of us, however, take life for granted. We know that one day we must die, but usually we picture that day as far in the future. When we are in buoyant health, death is all but unimaginable. We seldom think of it. The days stretch out in an endless vista. So we go about our petty tasks, hardly aware of our listless attitude toward life.
The same lethargy, I am afraid, characterizes the use of all our faculties and senses. Only the deaf appreciate hearing, only the blind realize the manifold blessings that lie in sight. Particularly does this observation apply to those who have lost sight and hearing in adult life. But those who have never suffered impairment of sight or hearing seldom make the fullest use of these blessed faculties. Their eyes and ears take in all sights and sounds hazily, without concentration and with little appreciation. It is the same old story of not being grateful for what we have until we lose it, of not being conscious of health until we are ill.
I have often thought it would be a blessing if each human being were stricken blind and deaf for a few days at some time during his early adult life. Darkness would make him more appreciative of sight; silence would teach him the joys of sound.
Now and then I have tested my seeing friends to discover what they see. Recently I was visited by a very good friend who had just returned from a long walk in the woods, and I asked her what she had observed. "Nothing in particular," she replied. I might have been incredulous had I not been accustomed to such responses, for long ago I became convinced that the seeing see little.
How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough, shaggy bark of a pine. In spring I touch the branches of trees hopefully in search of a bud, the first sign of awakening Nature after her winter's sleep. I feel the delightful, velvety texture of a flower, and discover its remarkable convolutions; and something of the miracle of Nature is revealed to me. Occasionally, if I am very fortunate, I place my hand gently on a small tree and feel the happy quiver of a bird in full song. I am delighted to have the cool waters of a brook rush through my open fingers. To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug. To me the pageant of seasons is a thrilling and unending drama, the action of which streams through my finger tips.
然而，我们大多数人都把人生视为当然。
我们知道有一天我们必得死去，但我们总是把那一天想得极其遥远。
我们处于精神活泼、身体轻快的健康状态，死亡简直是不可想像的，我们难得想到它。
日子伸延到无穷无尽的远景之中，所以，我们总是做些无价值的工作，几乎意识不到我们对生活的懒洋洋的态度。
我担心，我们全部的天赋和感官都有同样的懒惰的特征。
只有聋人才珍惜听觉，只有盲人才体会重见天日的种种幸福。
这种看法特别适用于那些成年后失去视觉和听觉的人。
但是，那些在视觉或听觉上没有蒙受损害的人，却很少能够充分地利用这些可贵的感官。
他们的眼睛和耳朵模模糊糊地吸收了一切景色和声音，他们并不专心也很少珍惜它们。
我们并不感激我们的所有，直到我们丧失了它；我们意识不到我们的健康，直到我们生了病——自古以来，莫不如此。
我常想，如果每个人在他的初识阶段患过几天盲聋症，这将是一种幸福。
黑暗会使他更珍惜视觉；哑默会教导他更喜慕声音。
我时常测验我那些有视觉的朋友，看他们究竟看见了
什么。
前几天，一位很要好的朋友来探望我，她刚从树林里远足而来，于是我就问她，她观察到一些什么。
“没有什么特别的。
”她回答说。
要不是我惯于听到这样的回答（因为我很久就已确信有视觉的人看得很少），我简直会不相信我的耳朵。
在树林中穿行一个小时，却没有看到什么值得注意的东西，这怎么可能呢？我自问着。
我这个不能用眼睛看的人，仅仅凭借触觉，就能发现好几百种使我感兴趣的东西。
我用双手亲切地抚摸一株桦树光滑的外皮，或者一株松树粗糙不平的树皮。
在春天，我摸着树枝，满怀希望地寻找蓓蕾，寻找大自然冬眠之后苏醒过来的第一个征兆。
有时，我感觉到一朵花的可爱而柔润的肌理，发现它那不平常的卷曲。
偶然，如果我非常走运，将手轻柔地放在小树上，我可以感觉到小鸟在音律丰满的歌声中快乐地跳跃。
我非常喜欢让小溪凉爽的流水从我张开的手指缝隙间急促地淌过。