京剧英语

在上世纪下半叶,人们目睹了京剧观众数量持续下降的状况。 This
这是由于传统戏在表演质量上的下降和无法同现代生活相结合的原因。
The
西方快节奏文化的影响也让年轻一代对节奏缓慢的京剧失去了耐心。
In
response, peking opera began to reform，it was starting in the 1990s. reforms have taken the form of creating a school of performance theory to increase performance quality, utilizing modern elements to attract new audiences, and performing new plays outside of the traditional canon. 现代元素来吸引新观众,并表演传统标准外的新剧本。
Peking Opera
14新闻六组
Catalog
Origins
Development
The
role type
makeup
Facial
Figure
Origins & Development
Although
it is called Peking Opera, the origins of Peking Opera are not in Beijing but in the provinces of Anhui (East China) and Hubei (South-central China). Its rise is due in great part to the favorable eyes and patronage of the imperial royalties.
旦(female roles):
(1) 青衣(a woman with a strict moral code)
(2) 花旦(Young girl)
(3) 老旦( an elderly woman)
净(roles with painted faces):
(1)文净(civilian type) (2)武净(wFra Baidu bibliotekrrior type)
湖北、安徽的戏曲家们经常在舞台上合作表演并互相学习彼此的技能、
After
1840，Peking Opera was formally took shape. During the reign of the Empress Dowager Cixi (1835-1908), who was an opera aficionado, peking opera was growing faster and faster.Classic Peking Opera repertoires and the names of the first-generation masters were on the lips of the people in Beijing, and eventually prevalent around the country.
丑(a comic character ):
(1)文丑(civilian clown) (2)武丑(clown with martial skills)
Facial makeup
Beijing
opera types of facial makeup in operas, is a special feature of a national cosmetic. As each historical figure or a certain type of person has an approximate spectral type, like sing, play music to the music, so called “types of facial makeup in operas”. On the types of facial makeup in operas sources, the general view is from mask.
展得非常快。经典剧目和初代戏曲大师的名字在北京可谓是家喻户晓 , 京剧最终在全国流行开来。
1840年后,京剧的发展初具规模,在京剧迷慈禧太后的统治期间，京剧发
Development
During
the second half of the 20th century, peking opera witnessed a steady decline in audience numbers. has been attributed both to a decrease in performance quality and an inability of the traditional opera form to capture modern life. influence of Western culture has also left the younger generations impatient with the slow pacing of peking opera.
京剧虽然被称为京剧 ,但它的起源不在北京，而是在中国的安徽省和湖
北省。它的兴起在很大程度上是由于清朝的特许制度和当时对其（发展） 有利的欣赏眼光。
Peking
Opera is a purely Chinese opera form dating back to the year 1790, when the famous Four Anhui Opera Troupes first came to Beijing in celebration of the 80th birthday of Emperor Qianlong (1711-1799) of the Qing Dynasty (1644-1911). The tour was a hit and the troupes stayed. In 1828, some famous Hubei Opera Troupe players came to Beijing.
Yellow
types of facial makeup in operas that vicious brutality, such as Dian Wei
Blue
or green，types of facial makeup in operas that some of the figures represented irritable, such as Dou Ambassador(窦尔敦), Ma Wu .
General
treacherous court official said the types of facial makeup in operas white, bad guys, such as Xu jia.
Figure
梅 兰 芳
Mr Meilanfang is the symbol of Chinese acting art and holds with him our pride. 梅兰芳先生是中国表演艺术的象征，是我国人民的骄傲。
谢
谢观看
京剧是一种纯粹的戏曲形式 , 可追溯到 1790 年。 1790 年，安徽戏剧团到
北京给清朝的乾隆皇帝庆祝80岁的诞辰。当时戏剧团的表演带来了轰动， 因此他们留在了北京。在 1828 年 , 一些剧团里著名的戏曲演员也来到北 京。
The
artists of Hubei and Anhui troupes often jointly performed on the stage and absorbed repertoires, music, arias and performing techniques of each other and from other operas like Kun Qu, Qin Qiang and Bang Zi, as well as the local dialect and customs of Beijing. Its repertoires mainly depict fairy tales of preceding dynasties and important historical events. 乐声、咏叹调和演唱方法并兼收并蓄了其他派系里面的优秀文化，如昆 曲、秦腔、梆子，当然也结合了北京的方言的习俗。京剧主要表演内容 是地方神话传说和前朝重大的历史事件。
Red
has expressed his Warriors of strong types of facial makeup in operas such as Guan Yu.
Black
said the types of facial makeup in operas means criticized people, integrity, bravery and even reckless, such as Zhang Fei.
为了解决这种困境,京剧在九十年代开始进行改革。 Such
为了提高戏曲表演质量，这些改革已经创造了一套系统表演理论 ,利用
The role type
生(male roles):
(1) 老生(middle-aged or old men) (2) 小生(young men) (3) 武生(men with martial skills)