Open Video A framework for a test collection
EFR32xG24 2.4 GHz 10 dBm 无线极度芯片开发板参考手册说明书
EFR32xG24 2.4 GHz 10 dBm Radio Board BRD4186C Reference ManualThe BRD4186C Radio Board is an excellent starting point to get familiar with theEFR32™ Wireless Gecko Wireless System-on-Chip. The board enables developers to develop smart home, lighting, building automation, and AI/ML applications. It is opti-mized for operating in the 2.4 GHz band at 10 dBm output power. Radiated and conduc-ted testing is supported with the on-board printed antenna and UFL connector.The BRD4186C Radio Board is a plug-in board for the Wireless Starter Kit Mainboard (BRD4001A) and the Wireless Gecko Pro Kit Mainboard (BRD4002A) that gives access to debug interface, Virtual COM port, packet trace, display, buttons, LEDs, and addition-al features from expansion boards. With the supporting Simplicity Studio suite of tools, developers can take advantage of graphical wireless application development and visu-al energy profiling and optimization. The board also serves as a reference design for the EFR32xG24 Wireless SoC with matching network and a PCB antenna optimized for op-erating at 10 dBm output power in the 2.4 GHz band.RADIO BOARD FEATURES •Wireless SoC:EFR32MG24B210F1536IM48•CPU core: ARM® Cortex®-M33•Flash memory: 1536 kB•RAM: 256 kB•Operation frequency: 2.4 GHz•Transmit power: 10 dBm•Integrated PCB antenna, UFL connector(optional)•Crystals for LFXO and HFXO: 32.768 kHzand 39 MHz•8 Mbit low-power serial flash for over-the-air updatesThis document contains a brief introduction and description of the BRD4186C RadioBoard features, focusing on the RF sections and performance.Table of Contents1. Introduction (4)2. Radio Board Connector (5)2.1 Introduction (5)2.2 Radio Board Connector Pin Associations (5)3. Radio Board Block Summary (6)3.1 Introduction (6)3.2 Radio Board Block Diagram (6)3.3 Radio Board Block Description (6)3.3.1 Wireless MCU (6)3.3.2 LF Crystal Oscillator (LFXO) (6)3.3.3 HF Crystal Oscillator (HFXO) (6)3.3.4 Matching Network for 2.4 GHz (7)3.3.5 UFL Connector (7)3.3.6 Radio Board Connectors (7)3.3.7 Inverted-F Antenna (7)3.3.8 Serial Flash (7)3.3.9 Serial EEPROM (7)4. RF Section (8)4.1 Introduction (8)4.2 RF Section Schematic (8)4.2.1 2.4 GHz RF Matching Description (8)4.3 Bill of Materials for the 2.4 GHz Matching Network (8)4.4 Inverted-F Antenna (9)5. Mechanical Details (10)6. EMC Compliance (11)6.1 Introduction (11)6.2 EMC Regulations for 2.4 GHz (11)6.2.1 ETSI EN 300-328 Emission Limits for the 2400-2483.5 MHz Band (11)6.2.2 FCC15.247 Emission Limits for the 2400-2483.5 MHz Band (11)6.2.3 Applied Emission Limits for the 2.4 GHz Band (11)7. RF Performance (12)7.1 Conducted Power Measurements (12)7.1.1 Conducted Power Measurements with Unmodulated Carrier (12)7.1.2 Conducted Power Measurements with Modulated Carrier (13)7.2 Radiated Power Measurements (13)7.2.1 Maximum Radiated Power Measurements (14)7.2.2 Antenna Pattern Measurements (14)8. EMC Compliance Recommendations (15)8.1 Recommendations for 2.4 GHz ETSI EN 300-328 Compliance (15)8.2 Recommendations for 2.4 GHz FCC 15.247 Compliance (15)9. Board Revision History (16)10. Errata (17)11. Document Revision History (18)Introduction 1. IntroductionThe BRD4186C Radio Boards provide a development platform (together with the Wireless Starter Kit Mainboard or the Wireless Pro Kit Mainboard) for the Silicon Labs EFR32MG24 Wireless System-on-Chips and serve as reference designs for the matching network of the RF interface.The BRD4186C Radio Board is designed to operate in the 2400-2483.5 MHz band with the RF matching network optimized for operat-ing at 10 dBm output power.To develop and/or evaluate the EFR32 Wireless Gecko, the BRD4186C Radio Board can be connected to the Wireless Starter Kit Mainboard or the Wireless Pro Kit Mainboard to get access to debug interface, Virtual COM port, packet trace, display, buttons, LEDs, and additional features from expansion boards, and also to evaluate the performance of the RF interface.2. Radio Board Connector2.1 IntroductionThe board-to-board connector scheme allows access to all EFR32MG24 GPIO pins as well as the RESETn signal. For more informa-tion on the functions of the available pins, see the EFR32MG24 data sheet.2.2 Radio Board Connector Pin AssociationsThe figure below shows the mapping between the connector and the EFR32MG24 pins and their function on the Wireless Starter Kit Mainboard.GND F9 / PA00 / VCOM_RTS 3v3JOYSTICK* / PD02* / P36P200Upper RowNC / P38NC / P40DBG_TDO_SWO / TRACED0 / PA03 / P42TRACED2 / PA06 / P44DBG_TMS_SWDIO / PA02 / F0DISP_ENABLE / PC09 / F14UIF_BUTTON0 / PB01 / F12UIF_LED0 / PB02 / F10VCOM_CTS / PB05 / F8DBG_RESET / RESETn / F4DBG_TDO_SWO / TRACED0 / PA03 / F2DISP_SI / PC01 / F16VCOM_TX / PA08 / F6PTI_DATA / PD04 / F20DISP_EXTCOMIN / PC06 / F18USB_VBUS5VBoard ID SCLGNDBoard ID SDAUSB_VREG F7 / PA09 / VCOM_RX F5 / PB00 / VCOM_ENABLE F3 / PA04 / DBG_TDI / TRACECLK F1 / PA01 / DBG_TCK_SWCLK P45 / PA07 / TRACED3P43 / PA05 / TRACED1P41 / PA04 / DBG_TDI / TRACECLK P39 / NCP37 / NC F11 / PB04 / UIF_LED1F13 / PB03 / UIF_BUTTON1F15 / PC03 / DISP_SCLK F17 / PC08 / DISP_SCS F19 / PD05 / PTI_SYNC F21 / NC GNDVMCU_INVCOM_CTS / PB05 / P0P201Lower RowVCOM_RTS / PA00 / P2TRACED1 / PA05 / P4JOYSTICK* / PD02* / P6GNDVRF_INP35 / PC04P7 / PC00P5 / PC03 / DISP_SCLK P3 / PC02P1 / PC01 / DISP_SI P33 / PC06 / DISP_EXTCOMIN P31 / PC08 / DISP_SCSP29 / PC09 / DISP_ENABLE P27 / NCP25 / PD04 / PTI_DATA P23 / NCP21 / PB03 / UIF_BUTTON1P19 / PB02 / UIF_LED0P17 / PB01 / UIF_BUTTON0P15 / PB00 / VCOM_ENABLE P13 / PC07P11 / PA09 / VCOM_RX P9 / PA08 / VCOM_TX NC / P34NC / P32NC / P30NC / P28UIF_LED1 / PB04 / P26PTI_SYNC / PD05 / P24NC / P22DBG_TCK_SWCLK / PA01 / P20DBG_TMS_SWDIO / PA02 / P18DBG_TDO_SWO / TRACED0 / PA03 / P16DBG_TDI / TRACECLK / PA04 / P14PC05 / P12TRACED3 / PA07 / P10TRACED2 / PA06 / P8 *Mutually exclusive connections. Default: PD02 to P6.Figure 2.1. BRD4186C Radio Board Connector Pin MappingRadio Board Connector3. Radio Board Block Summary3.1 IntroductionThis section introduces the blocks of the BRD4186C Radio Board.3.2 Radio Board Block DiagramThe block diagram of the BRD4186C Radio Board is shown in the figure below.Figure 3.1. BRD4186C Block Diagram3.3 Radio Board Block Description3.3.1 Wireless MCUThe BRD4186C Radio Board incorporates an EFR32MG24B210F1536IM48 Wireless System-on-Chip featuring 32-bit Cortex®-M33 core, 1536 kB of flash memory, 256 kB of RAM, and a 2.4 GHz band transceiver with output power up to 10 dBm. For additional infor-mation on the EFR32MG24B210F1536IM48, refer to the EFR32MG24 data sheet.3.3.2 LF Crystal Oscillator (LFXO)The BRD4186C Radio Board has a 32.768 kHz crystal mounted. For details regarding the crystal configuration, refer to application note AN0016.2: Oscillator Design Considerations.3.3.3 HF Crystal Oscillator (HFXO)The BRD4186C Radio Board has a 39 MHz crystal mounted. For details regarding the crystal configuration, refer to application note AN0016.2: Oscillator Design Considerations.3.3.4 Matching Network for 2.4 GHzThe BRD4186C Radio Board incorporates a 2.4 GHz matching network which connects the 2.4 GHz RF input/output of the EFR32MG24 to the one on-board printed Inverted-F antenna. The component values were optimized for the 2.4 GHz band RF perform-ance and current consumption with 10 dBm output power.For a detailed description of the matching network, see section 4.2.1 2.4 GHz RF Matching Description.3.3.5 UFL ConnectorTo be able to perform conducted measurements, Silicon Labs added a UFL connector to the Radio Board. The connector allows an external 50 Ohm cable or antenna to be connected during design verification or testing.Note: By default, the output of the matching network is connected to the printed inverted-F antenna by a series 0 Ohm resistor. To support conducted measurements, or the connection of an external antenna, the option to connect the output to the UFL connector is available. If using this option, move the series 0 Ohm resistor to the antenna to the series resistor to the UFL connector (see section 4.2.1 2.4 GHz RF Matching Description for further details). On the layout, the footprints of these two resistors have overlapping pads to prevent simultaneous connection of the antenna and the UFL connector.3.3.6 Radio Board ConnectorsTwo dual-row, 0.05” pitch polarized connectors make up the BRD4186C Radio Board interface to the Wireless Starter Kit Mainboard. For more information on the pin mapping between the EFR32MG24B210F1536IM48 and the connectors, refer to section 2.2 Radio Board Connector Pin Associations.3.3.7 Inverted-F AntennaThe BRD4186C Radio Board includes a printed inverted-F antenna (IFA) tuned to have close to 50 Ohm impedance at the 2.4 GHz band.For a detailed description of the antenna, see section 4.4 Inverted-F Antenna.3.3.8 Serial FlashThe BRD4186C Radio Board is equipped with an 8 Mbit Macronix MX25R SPI flash that is connected directly to the EFR32MG24 to support over-the-air (OTA) updates. For additional information on the pin mapping, see the BRD4186C schematic.3.3.9 Serial EEPROMThe BRD4186C Radio Board is equipped with a serial I2C EEPROM for board identification and to store additional board-related infor-mation.4. RF Section4.1 IntroductionThis section gives a short introduction to the RF section of the BRD4186C Radio Board.4.2 RF Section SchematicBRD4186C Radio Board RF section schematic is shown in the following figure.2.4 GHz Matching Path SelectionInverted-F AntennaAntenna Tuning High Frequency Figure 4.1. BRD4186C RF Section Schematic4.2.1 2.4 GHz RF Matching DescriptionThe 2.4 GHz RF matching connects the 2G4RF1 pin to the on-board printed IFA. The component values were optimized for the 2.4 GHz band RF performance and current consumption with the targeted 10 dBm output power.The matching network consists of a five-element impedance matching and harmonic filter circuitry and a DC blocking capacitor (not required for the 20 dBm part).For conducted measurements, the matching network output can also be connected to the UFL connector by removing the series R1resistor (0 Ohm) between the antenna and the matching network and mounting it to the R2 resistor position between the matching net-work and the UFL connector.4.3 Bill of Materials for the 2.4 GHz Matching NetworkThe bill of materials for the BRD4186C Radio Board 2.4 GHz matching network is shown in the following table.Table 4.1. Bill of Materials for the BRD4186C 2.4 GHz RF Matching Network4.4 Inverted-F AntennaThe BRD4186C Radio Board includes an on-board, printed inverted-F antenna, tuned for the 2.4 GHz band. Due to the design restric-tions of the radio board, the input of the antenna and the output of the matching network can't be placed directly next to each other. Therefore, a 50 Ohm transmission line was necessary to connect them.The resulting impedance that is presented to the matching network output is shown in the following figure. During the measurement, the BRD4186C Radio Board was attached to a Wireless Starter Kit Mainboard.As shown in the figure, the antenna impedace (blue curve) is close to 50 Ohm in the entire 2.4 GHz band, and the reflection (red curve) is under -10 dB.Figure 4.2. Impedance and Reflection of the Inverted-F Antenna of the BRD4186C Board Measured from the Matching Output5. Mechanical DetailsThe BRD4186C Radio Board is illustrated in the figures below.45 mm30 mmFigure 5.1. BRD4186C Top View24 mm5 mm Interface ConnectorInterface ConnectorFigure 5.2. BRD4186C Bottom ViewMechanical DetailsEMC Compliance 6. EMC Compliance6.1 IntroductionBRD4186C Radio Board fundamental and harmonic levels compliance is tested against the following standards:• 2.4 GHz:•ETSI EN 300-328•FCC 15.2476.2 EMC Regulations for 2.4 GHz6.2.1 ETSI EN 300-328 Emission Limits for the 2400-2483.5 MHz BandBased on ETSI EN 300-328, the allowed maximum fundamental power for the 2400-2483.5 MHz band is 20 dBm EIRP. For the unwan-ted emissions in the 1 GHz to 12.75 GHz domain, the specific limit is -30 dBm EIRP.6.2.2 FCC15.247 Emission Limits for the 2400-2483.5 MHz BandFCC 15.247 allows conducted output power up to 1 W (30 dBm) in the 2400-2483.5 MHz band. For spurious emissions, the limit is -20 dBc based on either conducted or radiated measurement, if the emission is not in a restricted band. The restricted bands are speci-fied in FCC 15.205. In these bands, the spurious emission levels must meet the levels set out in FCC 15.209. In the range from 960 MHz to the frequency of the 5th harmonic, it is defined as 0.5 mV/m at 3 m distance, which equals to -41.2 dBm in EIRP.If operating in the 2400-2483.5 MHz band, the 2nd, 3rd, and 5th harmonics can fall into restricted bands. As a result, for those harmon-ics the -41.2 dBm limit should be applied. For the 4th harmonic, the -20 dBc limit should be applied.6.2.3 Applied Emission Limits for the 2.4 GHz BandThe above ETSI limits are applied both for conducted and radiated measurements.The FCC restricted band limits are radiated limits only. In addition, Silicon Labs applies the same restrictions to the conducted spec-trum. By doing so, compliance with the radiated limits can be estimated based on the conducted measurement by assuming the use of an antenna with 0 dB gain at the fundamental and the harmonic frequencies.The overall applied limits are shown in the table below. For the harmonics that fall into the FCC restricted bands, the FCC 15.209 limit is applied. ETSI EN 300-328 limit is applied for the rest.Table 6.1. Applied Limits for Spurious Emissions for the 2.4 GHz Band7. RF Performance7.1 Conducted Power MeasurementsDuring measurements, the BRD4186C Radio Board was attached to a Wireless Starter Kit Mainboard which was supplied by USB. The voltage supply for the radio board (VMCU) was 3.3 V and for the power amlifier (PAVDD), it was 1.8 V.7.1.1 Conducted Power Measurements with Unmodulated CarrierThe transceiver was operated in unmodulated carrier transmission mode. The output power of the radio was set to 10 dBm. The typical output spectrum is shown in the following figure.Figure 7.1. Typical Output Spectrum of the BRD4186C; PAVDD = 1.8 VAs shown in the figure, the fundamental is 10 dBm and all of the unwanted emissions are under the -41.2 dBm limit.Note: The conducted measurement is performed by connecting the on-board UFL connector to a spectrum analyzer through an SMA conversion adapter (P/N: HRMJ-U.FLP(40)). This connection itself introduces approximately 0.3 dB insertion loss.7.1.2 Conducted Power Measurements with Modulated CarrierDepending on the applied modulation scheme and the spectrum analyzer settings specified by the relevant EMC regulations, the meas-ured power levels are usually lower compared to the results with unmodulated carrier. These differences are measured and used as relaxation factors on the results of the radiated measurement performed with unmodulated carrier. This way, the radiated compliance with modulated transmission can be evaluated.In this case, both the ETSI EN 300-328 and the FCC 15.247 regulations define the following spectrum analyzer settings for measuring the unwanted emissions above 1 GHz:•Detector: Average•RBW: 1 MHzThe table below shows the measured differences for the supported modulation schemes.Table 7.1. Measured Relaxation Factors for the Supported Modulation SchemesAs shown, the BLE 125 Kb/s coded modulation scheme has the lowest relaxation factors. These values will be used as the worst case relaxarion factors for the radiated measurements.7.2 Radiated Power MeasurementsDuring measurements, the BRD4186C Radio Board was attached to a Wireless Starter Kit Mainboard which was supplied by USB. The voltage supply for the radio board was 3.3 V, for the power amlifier (PAVDD) it was 1.8 V. The radiated power was measured in an antenna chamber by rotating the board 360 degrees with horizontal and vertical reference antenna polarizations in the XY, XZ, and YZ cuts. The measurement planes are illustrated in the figure below.XZYFigure 7.2. Illustration of Reference Planes with a Radio BoardNote: The radiated measurement results presented in this document were recorded in an unlicensed antenna chamber. Also, the radi-ated power levels may change depending on the actual application (PCB size, used antenna, and so on). Therefore, the absolute levels and margins of the final application are recommended to be verified in a licensed EMC testhouse.7.2.1 Maximum Radiated Power MeasurementsFor the transmitter antenna, the on-board printed inverted-F antenna of the BRD4186C Radio Board was used (the R1 resistor was mounted). The supply for the RF section (RFVDD) and the 2.4 GHz power amplifier (PAVDD) was 1.8 V provided by the on-chip DC-DC converter; for details, see the BRD4186C schematic. The transceiver was operated in unmodulated carrier transmission mode. The output power of the radio was set to 10 dBm based on the conducted measurement.The results are shown in the tables below. The correction factors are applied based on the BLE 125 Kb/s coded modulation, shown in section 7.1.2 Conducted Power Measurements with Modulated Carrier . For the rest of the supported modulation schemes, the correction factors are larger, thus the related calculated margins would be higher compared to the ones shown in the table below. Thus,the margins below can be considered as worst case margins.Table 7.2. Maximums of the Measured Radiated Powers in EIRP [dBm] and the Calculated Modulated Margins in [dB] with theWireless Starter Kit Mainboard; PAVDD = 1.8 VAs shown in the table, with 10 dBm output power, the radiated power of the fundamental is higher than 10 dBm due to the high antenna gain. The 3rd harmonic is very close to the limit with the Wireless Starter Kit Mainboard in case of the unmodulated carrier transmis-sion. But with the relaxation of the supported modulation schemes, the margin is at least 5.1 dB.7.2.2 Antenna Pattern MeasurementsThe measured normalized antenna patterns are shown in the following figures.180°-35-30-25-20180°-35-30180°-35-30-25Figure 7.3. Normalized Antenna Pattern of the BRD4186C with the Wireless Starter Kit MainboardEMC Compliance Recommendations 8. EMC Compliance Recommendations8.1 Recommendations for 2.4 GHz ETSI EN 300-328 ComplianceAs shown in section 7.2 Radiated Power Measurements, the power of the BRD4186C fundamental with 10 dBm output is compliant with the 20 dBm limit of the ETSI EN 300-328 regulation. With the supported modulation schemes, the harmonics are also compliant with the relevant limits. Although the BRD4186C Radio Board has an option for mounting a shielding can, it is not required for compli-ance.8.2 Recommendations for 2.4 GHz FCC 15.247 ComplianceAs shown in section 7.2 Radiated Power Measurements, the power of the BRD4186C fundamental with 10 dBm output is compliant with the 30 dBm limit of the FCC 15.247 regulation. With the supported modulation schemes, the harmonics are also compliant with the relevant limits. Although the BRD4186C Radio Board has an option for mounting a shielding can, it is not required for compliance.9. Board Revision HistoryThe board revision is laser engraved in the Board Info field on the bottom side of the PCB, as outlined in the figure below. The revision printed on the silkscreen is the PCB revision.Board RevisionPCB RevisionBRD4186C Rev. A01P C B 4186C R e v . A 01184500348Figure 9.1. Revision InfoTable 9.1. BRD4186C Radio Board Revision HistoryBoard Revision HistoryErrata 10. ErrataThere are no known errata at present.Document Revision History 11. Document Revision HistoryRevision 1.0April, 2022•Initial document release.IoT Portfolio/IoTSW/HW/simplicityQuality/qualitySupport & Community/communitySilicon Laboratories Inc.400 West Cesar Chavez Austin, TX 78701USADisclaimerSilicon Labs intends to provide customers with the latest, accurate, and in-depth documentation of all peripherals and modules available for system and software implementers using or intending to use the Silicon Labs products. Characterization data, available modules and peripherals, memory sizes and memory addresses refer to each specific device, and “Typical” parameters provided can and do vary in different applications. Application examples described herein are for illustrative purposes only. Silicon Labs reserves the right to make changes without further notice to the product information, specifications, and descriptions herein, and does not give warranties as to the accuracy or completeness of the included information. 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ALM Method
Language Teaching Theories and PracticesA Reflection Upon The Audiolingual Method ofLanguage TeachingJennifer CollSouth China Normal UniversityMay 2015A Reflection Upon The Audiolingual Method of Language Teaching“Language is a purely human and non-intrinsic method of communicating ideas, emotions and desires” (Sapir, 1921, p.5) and a basic, indispensable feature of mankind. With almost 7000 languages spoken in the world today, language clearly gives beauty to our planet, whilst differentiating between civilizations. Often classified under three views, language has a structural role as a system of elements for the coding of meaning, whilst also being a functional vehicle for expression and thirdly, an interactional tool for the development of social relationships (Richards & Rodgers, 2008). These three functions of language highlight the importance of language for all: therefore correct language development is essential for children, in preparation for future integration into society. Consequently, good language teaching has an essential role in providing students with non-defensive approaches to language learning, which place them at the center (Long & Doughty, 2011). Due to the variety of opinions regarding how children learn best, different approaches to language teaching have been apparent throughout the twentieth century, with each approach aiming to provide a more effective and theoretically sound basis for teaching language than its’ predecessor (Richards & Rodgers, 2008). One significant, highly-accredited approach is ‘The Audiolingual Method.’The 1940s saw The United States place a large emphasis on language teaching, as during World War Two, the government aimed to better equip army personnel to interpret and translate into foreign languages. Through intense learning via drill speaking with native speakers and private study, ‘The Army Method’ was developed (Larsen-Freeman & Anderson, 2011). This approach to language teaching focused on oral skills and spoken communication, and with highly-motivated students, saw great results. With the increase in popularity of English as a second language in the 1950s, The U.S. used ‘The Army Method’ along with structural linguistic theory, aural-oral procedures and beha viorist psychology to form ‘The Audiolingual Method,’ which treated language as a science, with the aim of helping students achieve “mastery of a foreign language effectively and efficiently” (Richards & Rodgers, 2008). Audiolingualism reached its period of most widespread use in the 1960s, before declining in popularity due to a shift in ideology regarding linguistictheory, from which The Communicative Language Teaching Method arose (Long & Doughty, 2011). However, Audiolingualism still remains popular today.Using Richards & Rodgers (2008) framework for summarising an approach to language teaching, The Audiolingual Method can be segmented into three elements: approach, design and procedure. The Audiolingual approach to teaching language involves teachers transferring knowledge and understanding to pupils. Their ability to use this newly acquired information will determine the type of reinforcement they will receive, whether positive, negative or absent. Reinforcement is vital within Audiolingualism as it shapes pupils’ future language development (Larsen-Freeman & Anderson, 2011).Brooks (1964) highlights that the design of Audiolingualism is a structured based, linguistic syllabus, with emphasis upon sound control and vocabulary. Listening, speaking, reading and writing skills should be developed in this order, with weight placed upon listening and speaking. Without mastery in these areas, pupils’progression is limited. Through appropriate activities of dialogue and drill work, children can develop such skills and concentrate upon their pronunciation and intonation (Brooks, 1964). The third element of The Audiolingual Method is procedure: how the method is delivered. The process of teaching involves extensive instruction by the teacher, in the target language in order to fully immerse pupils.Observing a variety of lessons in the Chinese Primary School setting has allowed personal reflection upon the use of the above, and other, approaches to language teaching. A recent classroom observation of a grade 6 English lesson has been reflected upon in order to better develop my understanding of The Audiolingual Method; it’s benefits and limitations.Appendix 1. comprises of a lesson plan, which has been produced post-observation, in order to denote the observed lesson, ‘Be Polite!’ The lesson contained an introductory section in which a selection of pupils shared their experiences of impolite behaviour, with the teacher modeling and repeating thevocabulary ‘polite’ and ‘impolite.’ Afterward, the pupils re viewed their previous vocabulary learning through a ‘listen and repeat’ drill. The main activity involved the pupils watching a video clip of some impolite behaviour, and then recalling the storyline. Subsequently, the pupils repeated textbook-read sentences from the teacher, before reading the whole text as a whole, from their English textbook. To finish the lesson, the pupils engaged in pair work in which they shared personal examples of polite behaviour. Certain children then shared their experiences with the whole class, as the teacher emphasised again specific vocabulary.In general, this lesson used The Audiolingual Method of language teaching and using Richards & Rodgers (2008) framework, the lesson can be analysed for benefits and limitations under the headings approach, design and procedure. Firstly, the linguistic approach within the observed lesson corresponded with that of Audiolingualism, as it was based upon Behavioristic theory. As can be seen in Figure 1., Behaviorism within Audiolingualism states that the teacher (the stimulus) inputs knowledge into pupils: their response contributes to their understanding. In the observed lesson, the teacher taught the children, with much repetition, various pieces of vocabulary both new and old. The techni que ‘listen and repeat’ was employed as the teacher aimed to embed vocabulary into each child’s mind, as is the role of the stimulus.Figure 1. Summary of The Audiolingual Approach to Language Teaching (Brooks, 1964)The effectiveness of this approach was evident at the conclusion of the lesson, as all pupils were able to use their vocabulary effectively, often with accurate pronunciation. However, this approach does not allow personal independence of learning on the pupils’ part, but instead is entir ely teacher-lead. Within Behaviourism, reinforcement plays a key role. It impacts children’s future behaviour and thus must be used properly in order to result in correct language development. In the observed lesson, the teacher used both positive and negative reinforcement throughout in order to promote proper pronunciation and proficiency, in all three stages of the lesson. DENI (2009) highlights that reinforcement is an essential teaching tool and one that must be used effectively. Clearly, this teacher used such a tool for pupils’ benefit.The design of the observed lesson also corresponds with Audiolingualism. The syllabus chosen by the teacher, as displayed in Figure 2., enabled the teacher to employ drill, listen and repeat activities. However additionally, the teacher included learning activities that promoted a more communicative language approach, as pupils used language to express themselves (Lightbrown & Spada, 2011) during pair work and had opportunities to share anecdotes during the lesson introduction. Figure 3., shows a pupil sharing their experience of ‘impolite behaviour,’ in which they had creative freedom to speak freely in English, rather than merely repeat the teacher.Figure 2. The Syllabus Used During the Observed Lesson: An English TextbookFigure 3. A Pupil Sharing Their Experiences ofImpolite BehaviourThe learner’s role was evident during this lesson, as the teacher viewed learners as:“Organisms that can be directed by skilled training techniques t o produce correctresponses.” (Richards & Rodgers, 2008, p.62)As the teacher modeled the use of vocabulary and modeled reading of the chosen text, the pupils were instructed to mimic the teacher in order to learn: this correlates with The Audiolingual approach to language teaching. However, during the plenary of the lesson the students had more independence, as they could speak with freedom and from experience; a communicative style of activity. Upon reflection, this was a clear strength of the lesson as pupils took ownership of their language skills and developed their ability to use English functionally.The teacher’s role within this lesson was an active and central one, as the teacher directed the pupils’ learning through all three stages of the less on. The teacher modeled correct use of language, concentrating enunciation and sound work. As the lesson mainly embodied Audiolingualism, it was teacher-dominated in style (Sapir, 1921).The procedure used during the observed lesson has been reflected upon. The resources selected for the lesson, as outlined in Appendix 1., were that of textbook and video clip. Both of the resources were appropriate for the cla ss due to its’ sizeand ability. However, Long & Doughty (2011) stress that The Audiolingual Method to language teaching is more effective with smaller class sizes, as the teacher can carefully monitor the language of all pupils. The procedure of the lesson also allowed for Audiolingustic interactional patterns; teacher – pupil. The interaction was either from teacher to pupil or from pupil to pupil. The pupils did not have opportunity to share and speak directly with the teacher, except during drill exercises, as can be seen in Figure 4. This again emphasised the teacher-dominance of Audiolingualism (Lightbrown & Spada, 2011). The procedure of the lesson concentrated on the oral aspect of language, as this is the most important aspect within Audiolingualism.Figure 4. The Teacher Completes Drill Exercises in Which Pupils Repeat VocabularyUpon reflection of personal observation of this foreign language lesson, it is clear to see why the teacher selected The Audiolingual Method of Language Teaching to characterise the lesson. This method allows pupils to develop a strong grasp of vocabulary, clear pronunciation and good understanding of sound. The Audiolingual Method is effective for oral development within English, however it is very restrictive. It does not allow for pupils to develop creativity in their language use, neither take ownership of their language. Therefore, it was encouraging to see that on this occasion, the teacher also used aspect of The Communicative Language Teaching Method. This allowed pupils opportunities to express themselves and their personal experiences in Englis h, and have a certain level of creativity as “language is about social interactions” (DENI, 2009, p.24). Personally it is believed that this collective approach, of using different methods for their strengths, in conjunctionwith each other, allows for more effective teaching and this more beneficial for students.The Northern Ireland Curriculum states:“Second language learning improves children’s communication…encouraging them to become clear and confident speakers as well as attentive listeners.”(CCEA, 2007, p.17)As a future teaching practitioner in N.I, I aim to use what knowledge and understanding I have developed through studying ‘Language Teaching Theories and Practices’ at SCNU, and additionally through Chinese classroom experience, to better shape future second language teaching, and also the teaching of children who do not possess English as a first language. Pupils will be central in all future language teaching, with appropriate teaching methods and approaches embodied to ensure their particular learning needs are met (Long & Doughty, 2011).Appendix 1.ReferencesBrooks, N. (1964) ‘Language and Language Learning: Theory and Practice (second edition),’ Harcourt Brace, New YorkCCEA (2007) ‘The Northern Ireland Curriculum: Primary,’ CCEA, BelfastDENI (2009) ‘Count, Read: Succeed,’ DENI, BelfastLarsen-Freeman, D. & Anderson, M. (2011) ‘Techniques and Principles in Language Teaching,’ Oxford University Press, OxfordLightbrown, P. M. & Spada, N. (2001) ‘How Languages are Learned,’ Oxford University Press, OxfordLong, M. H. & Doughty, C. J. (2011) ‘The Handbook of Language Teaching,’ Wiley-Blackwell, New JerseyRichards, J. C. & Rodgers, T. S. (2008) ‘Approaches and Methods in Language Teaching,’ Cambridge University Press, CambridgeSapir, E. (1921) ‘Language: An Introduction to the Study of Speech,’ University of Michigan Library, Michigan。
Native Instruments MASCHINE MK3 用户手册说明书
The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.8 (02/2019)Hardware version: MASCHINE MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 5F, Shenzhen Zimao Center111 Taizi Road, Nanshan District, Shenzhen, GuangdongChina© NATIVE INSTRUMENTS GmbH, 2019. All rights reserved.Table of Contents1Welcome to MASCHINE (25)1.1MASCHINE Documentation (26)1.2Document Conventions (27)1.3New Features in MASCHINE 2.8 (29)1.4New Features in MASCHINE 2.7.10 (31)1.5New Features in MASCHINE 2.7.8 (31)1.6New Features in MASCHINE 2.7.7 (32)1.7New Features in MASCHINE 2.7.4 (33)1.8New Features in MASCHINE 2.7.3 (36)2Quick Reference (38)2.1Using Your Controller (38)2.1.1Controller Modes and Mode Pinning (38)2.1.2Controlling the Software Views from Your Controller (40)2.2MASCHINE Project Overview (43)2.2.1Sound Content (44)2.2.2Arrangement (45)2.3MASCHINE Hardware Overview (48)2.3.1MASCHINE Hardware Overview (48)2.3.1.1Control Section (50)2.3.1.2Edit Section (53)2.3.1.3Performance Section (54)2.3.1.4Group Section (56)2.3.1.5Transport Section (56)2.3.1.6Pad Section (58)2.3.1.7Rear Panel (63)2.4MASCHINE Software Overview (65)2.4.1Header (66)2.4.2Browser (68)2.4.3Arranger (70)2.4.4Control Area (73)2.4.5Pattern Editor (74)3Basic Concepts (76)3.1Important Names and Concepts (76)3.2Adjusting the MASCHINE User Interface (79)3.2.1Adjusting the Size of the Interface (79)3.2.2Switching between Ideas View and Song View (80)3.2.3Showing/Hiding the Browser (81)3.2.4Showing/Hiding the Control Lane (81)3.3Common Operations (82)3.3.1Using the 4-Directional Push Encoder (82)3.3.2Pinning a Mode on the Controller (83)3.3.3Adjusting Volume, Swing, and Tempo (84)3.3.4Undo/Redo (87)3.3.5List Overlay for Selectors (89)3.3.6Zoom and Scroll Overlays (90)3.3.7Focusing on a Group or a Sound (91)3.3.8Switching Between the Master, Group, and Sound Level (96)3.3.9Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.973.3.9.1Extended Navigate Mode on Your Controller (102)3.3.10Navigating the Software Using the Controller (105)3.3.11Using Two or More Hardware Controllers (106)3.3.12Touch Auto-Write Option (108)3.4Native Kontrol Standard (110)3.5Stand-Alone and Plug-in Mode (111)3.5.1Differences between Stand-Alone and Plug-in Mode (112)3.5.2Switching Instances (113)3.5.3Controlling Various Instances with Different Controllers (114)3.6Host Integration (114)3.6.1Setting up Host Integration (115)3.6.1.1Setting up Ableton Live (macOS) (115)3.6.1.2Setting up Ableton Live (Windows) (116)3.6.1.3Setting up Apple Logic Pro X (116)3.6.2Integration with Ableton Live (117)3.6.3Integration with Apple Logic Pro X (119)3.7Preferences (120)3.7.1Preferences – General Page (121)3.7.2Preferences – Audio Page (126)3.7.3Preferences – MIDI Page (130)3.7.4Preferences – Default Page (133)3.7.5Preferences – Library Page (137)3.7.6Preferences – Plug-ins Page (145)3.7.7Preferences – Hardware Page (150)3.7.8Preferences – Colors Page (154)3.8Integrating MASCHINE into a MIDI Setup (156)3.8.1Connecting External MIDI Equipment (156)3.8.2Sync to External MIDI Clock (157)3.8.3Send MIDI Clock (158)3.9Syncing MASCHINE using Ableton Link (159)3.9.1Connecting to a Network (159)3.9.2Joining and Leaving a Link Session (159)3.10Using a Pedal with the MASCHINE Controller (160)3.11File Management on the MASCHINE Controller (161)4Browser (163)4.1Browser Basics (163)4.1.1The MASCHINE Library (163)4.1.2Browsing the Library vs. Browsing Your Hard Disks (164)4.2Searching and Loading Files from the Library (165)4.2.1Overview of the Library Pane (165)4.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (170)4.2.2.1[MK3] Browsing by Product Category Using the Controller (174)4.2.2.2[MK3] Browsing by Product Vendor Using the Controller (174)4.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (175)4.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (179)4.2.4Selecting a File Type (180)4.2.5Choosing Between Factory and User Content (181)4.2.6Selecting Type and Character Tags (182)4.2.7List and Tag Overlays in the Browser (186)4.2.8Performing a Text Search (188)4.2.9Loading a File from the Result List (188)4.3Additional Browsing Tools (193)4.3.1Loading the Selected Files Automatically (193)4.3.2Auditioning Instrument Presets (195)4.3.3Auditioning Samples (196)4.3.4Loading Groups with Patterns (197)4.3.5Loading Groups with Routing (198)4.3.6Displaying File Information (198)4.4Using Favorites in the Browser (199)4.5Editing the Files’ Tags and Properties (203)4.5.1Attribute Editor Basics (203)4.5.2The Bank Page (205)4.5.3The Types and Characters Pages (205)4.5.4The Properties Page (208)4.6Loading and Importing Files from Your File System (209)4.6.1Overview of the FILES Pane (209)4.6.2Using Favorites (211)4.6.3Using the Location Bar (212)4.6.4Navigating to Recent Locations (213)4.6.5Using the Result List (214)4.6.6Importing Files to the MASCHINE Library (217)4.7Locating Missing Samples (219)4.8Using Quick Browse (221)5Managing Sounds, Groups, and Your Project (225)5.1Overview of the Sounds, Groups, and Master (225)5.1.1The Sound, Group, and Master Channels (226)5.1.2Similarities and Differences in Handling Sounds and Groups (227)5.1.3Selecting Multiple Sounds or Groups (228)5.2Managing Sounds (233)5.2.1Loading Sounds (235)5.2.2Pre-listening to Sounds (236)5.2.3Renaming Sound Slots (237)5.2.4Changing the Sound’s Color (237)5.2.5Saving Sounds (239)5.2.6Copying and Pasting Sounds (241)5.2.7Moving Sounds (244)5.2.8Resetting Sound Slots (245)5.3Managing Groups (247)5.3.1Creating Groups (248)5.3.2Loading Groups (249)5.3.3Renaming Groups (251)5.3.4Changing the Group’s Color (251)5.3.5Saving Groups (253)5.3.6Copying and Pasting Groups (255)5.3.7Reordering Groups (258)5.3.8Deleting Groups (259)5.4Exporting MASCHINE Objects and Audio (260)5.4.1Saving a Group with its Samples (261)5.4.2Saving a Project with its Samples (262)5.4.3Exporting Audio (264)5.5Importing Third-Party File Formats (270)5.5.1Loading REX Files into Sound Slots (270)5.5.2Importing MPC Programs to Groups (271)6Playing on the Controller (275)6.1Adjusting the Pads (275)6.1.1The Pad View in the Software (275)6.1.2Choosing a Pad Input Mode (277)6.1.3Adjusting the Base Key (280)6.1.4Using Choke Groups (282)6.1.5Using Link Groups (284)6.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (286)6.3Playing Tools (287)6.3.1Mute and Solo (288)6.3.2Choke All Notes (292)6.3.3Groove (293)6.3.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (295)6.3.5Tap Tempo (299)6.4Performance Features (300)6.4.1Overview of the Perform Features (300)6.4.2Selecting a Scale and Creating Chords (303)6.4.3Scale and Chord Parameters (303)6.4.4Creating Arpeggios and Repeated Notes (316)6.4.5Swing on Note Repeat / Arp Output (321)6.5Using Lock Snapshots (322)6.5.1Creating a Lock Snapshot (322)6.5.2Using Extended Lock (323)6.5.3Updating a Lock Snapshot (323)6.5.4Recalling a Lock Snapshot (324)6.5.5Morphing Between Lock Snapshots (324)6.5.6Deleting a Lock Snapshot (325)6.5.7Triggering Lock Snapshots via MIDI (326)6.6Using the Smart Strip (327)6.6.1Pitch Mode (328)6.6.2Modulation Mode (328)6.6.3Perform Mode (328)6.6.4Notes Mode (329)7Working with Plug-ins (330)7.1Plug-in Overview (330)7.1.1Plug-in Basics (330)7.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (334)7.1.3Loading, Removing, and Replacing a Plug-in (335)7.1.3.1Browser Plug-in Slot Selection (341)7.1.4Adjusting the Plug-in Parameters (344)7.1.5Bypassing Plug-in Slots (344)7.1.6Using Side-Chain (346)7.1.7Moving Plug-ins (346)7.1.8Alternative: the Plug-in Strip (348)7.1.9Saving and Recalling Plug-in Presets (348)7.1.9.1Saving Plug-in Presets (349)7.1.9.2Recalling Plug-in Presets (350)7.1.9.3Removing a Default Plug-in Preset (351)7.2The Sampler Plug-in (352)7.2.1Page 1: Voice Settings / Engine (354)7.2.2Page 2: Pitch / Envelope (356)7.2.3Page 3: FX / Filter (359)7.2.4Page 4: Modulation (361)7.2.5Page 5: LFO (363)7.2.6Page 6: Velocity / Modwheel (365)7.3Using Native Instruments and External Plug-ins (367)7.3.1Opening/Closing Plug-in Windows (367)7.3.2Using the VST/AU Plug-in Parameters (370)7.3.3Setting Up Your Own Parameter Pages (371)7.3.4Using VST/AU Plug-in Presets (376)7.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (378)8Using the Audio Plug-in (380)8.1Loading a Loop into the Audio Plug-in (384)8.2Editing Audio in the Audio Plug-in (385)8.3Using Loop Mode (386)8.4Using Gate Mode (388)9Using the Drumsynths (390)9.1Drumsynths – General Handling (391)9.1.1Engines: Many Different Drums per Drumsynth (391)9.1.2Common Parameter Organization (391)9.1.3Shared Parameters (394)9.1.4Various Velocity Responses (394)9.1.5Pitch Range, Tuning, and MIDI Notes (394)9.2The Kicks (395)9.2.1Kick – Sub (397)9.2.2Kick – Tronic (399)9.2.3Kick – Dusty (402)9.2.4Kick – Grit (403)9.2.5Kick – Rasper (406)9.2.6Kick – Snappy (407)9.2.7Kick – Bold (409)9.2.8Kick – Maple (411)9.2.9Kick – Push (412)9.3The Snares (414)9.3.1Snare – Volt (416)9.3.2Snare – Bit (418)9.3.3Snare – Pow (420)9.3.4Snare – Sharp (421)9.3.5Snare – Airy (423)9.3.6Snare – Vintage (425)9.3.7Snare – Chrome (427)9.3.8Snare – Iron (429)9.3.9Snare – Clap (431)9.3.10Snare – Breaker (433)9.4The Hi-hats (435)9.4.1Hi-hat – Silver (436)9.4.2Hi-hat – Circuit (438)9.4.3Hi-hat – Memory (440)9.4.4Hi-hat – Hybrid (442)9.4.5Creating a Pattern with Closed and Open Hi-hats (444)9.5The Toms (445)9.5.1Tom – Tronic (447)9.5.2Tom – Fractal (449)9.5.3Tom – Floor (453)9.5.4Tom – High (455)9.6The Percussions (456)9.6.1Percussion – Fractal (458)9.6.2Percussion – Kettle (461)9.6.3Percussion – Shaker (463)9.7The Cymbals (467)9.7.1Cymbal – Crash (469)9.7.2Cymbal – Ride (471)10Using the Bass Synth (474)10.1Bass Synth – General Handling (475)10.1.1Parameter Organization (475)10.1.2Bass Synth Parameters (477)11Working with Patterns (479)11.1Pattern Basics (479)11.1.1Pattern Editor Overview (480)11.1.2Navigating the Event Area (486)11.1.3Following the Playback Position in the Pattern (488)11.1.4Jumping to Another Playback Position in the Pattern (489)11.1.5Group View and Keyboard View (491)11.1.6Adjusting the Arrange Grid and the Pattern Length (493)11.1.7Adjusting the Step Grid and the Nudge Grid (497)11.2Recording Patterns in Real Time (501)11.2.1Recording Your Patterns Live (501)11.2.2The Record Prepare Mode (504)11.2.3Using the Metronome (505)11.2.4Recording with Count-in (506)11.2.5Quantizing while Recording (508)11.3Recording Patterns with the Step Sequencer (508)11.3.1Step Mode Basics (508)11.3.2Editing Events in Step Mode (511)11.3.3Recording Modulation in Step Mode (513)11.4Editing Events (514)11.4.1Editing Events with the Mouse: an Overview (514)11.4.2Creating Events/Notes (517)11.4.3Selecting Events/Notes (518)11.4.4Editing Selected Events/Notes (526)11.4.5Deleting Events/Notes (532)11.4.6Cut, Copy, and Paste Events/Notes (535)11.4.7Quantizing Events/Notes (538)11.4.8Quantization While Playing (540)11.4.9Doubling a Pattern (541)11.4.10Adding Variation to Patterns (541)11.5Recording and Editing Modulation (546)11.5.1Which Parameters Are Modulatable? (547)11.5.2Recording Modulation (548)11.5.3Creating and Editing Modulation in the Control Lane (550)11.6Creating MIDI Tracks from Scratch in MASCHINE (555)11.7Managing Patterns (557)11.7.1The Pattern Manager and Pattern Mode (558)11.7.2Selecting Patterns and Pattern Banks (560)11.7.3Creating Patterns (563)11.7.4Deleting Patterns (565)11.7.5Creating and Deleting Pattern Banks (566)11.7.6Naming Patterns (568)11.7.7Changing the Pattern’s Color (570)11.7.8Duplicating, Copying, and Pasting Patterns (571)11.7.9Moving Patterns (574)11.7.10Adjusting Pattern Length in Fine Increments (575)11.8Importing/Exporting Audio and MIDI to/from Patterns (576)11.8.1Exporting Audio from Patterns (576)11.8.2Exporting MIDI from Patterns (577)11.8.3Importing MIDI to Patterns (580)12Audio Routing, Remote Control, and Macro Controls (589)12.1Audio Routing in MASCHINE (590)12.1.1Sending External Audio to Sounds (591)12.1.2Configuring the Main Output of Sounds and Groups (596)12.1.3Setting Up Auxiliary Outputs for Sounds and Groups (601)12.1.4Configuring the Master and Cue Outputs of MASCHINE (605)12.1.5Mono Audio Inputs (610)12.1.5.1Configuring External Inputs for Sounds in Mix View (611)12.2Using MIDI Control and Host Automation (614)12.2.1Triggering Sounds via MIDI Notes (615)12.2.2Triggering Scenes via MIDI (622)12.2.3Controlling Parameters via MIDI and Host Automation (623)12.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (631)12.2.5Sending MIDI from Sounds (632)12.3Creating Custom Sets of Parameters with the Macro Controls (636)12.3.1Macro Control Overview (637)12.3.2Assigning Macro Controls Using the Software (638)12.3.3Assigning Macro Controls Using the Controller (644)13Controlling Your Mix (646)13.1Mix View Basics (646)13.1.1Switching between Arrange View and Mix View (646)13.1.2Mix View Elements (647)13.2The Mixer (649)13.2.1Displaying Groups vs. Displaying Sounds (650)13.2.2Adjusting the Mixer Layout (652)13.2.3Selecting Channel Strips (653)13.2.4Managing Your Channels in the Mixer (654)13.2.5Adjusting Settings in the Channel Strips (656)13.2.6Using the Cue Bus (660)13.3The Plug-in Chain (662)13.4The Plug-in Strip (663)13.4.1The Plug-in Header (665)13.4.2Panels for Drumsynths and Internal Effects (667)13.4.3Panel for the Sampler (668)13.4.4Custom Panels for Native Instruments Plug-ins (671)13.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (675)13.5Controlling Your Mix from the Controller (677)13.5.1Navigating Your Channels in Mix Mode (678)13.5.2Adjusting the Level and Pan in Mix Mode (679)13.5.3Mute and Solo in Mix Mode (680)13.5.4Plug-in Icons in Mix Mode (680)14Using Effects (681)14.1Applying Effects to a Sound, a Group or the Master (681)14.1.1Adding an Effect (681)14.1.2Other Operations on Effects (690)14.1.3Using the Side-Chain Input (692)14.2Applying Effects to External Audio (695)14.2.1Step 1: Configure MASCHINE Audio Inputs (695)14.2.2Step 2: Set up a Sound to Receive the External Input (698)14.2.3Step 3: Load an Effect to Process an Input (700)14.3Creating a Send Effect (701)14.3.1Step 1: Set Up a Sound or Group as Send Effect (702)14.3.2Step 2: Route Audio to the Send Effect (706)14.3.3 A Few Notes on Send Effects (708)14.4Creating Multi-Effects (709)15Effect Reference (712)15.1Dynamics (713)15.1.1Compressor (713)15.1.2Gate (717)15.1.3Transient Master (721)15.1.4Limiter (723)15.1.5Maximizer (727)15.2Filtering Effects (730)15.2.1EQ (730)15.2.2Filter (733)15.2.3Cabinet (737)15.3Modulation Effects (738)15.3.1Chorus (738)15.3.2Flanger (740)15.3.3FM (742)15.3.4Freq Shifter (743)15.3.5Phaser (745)15.4Spatial and Reverb Effects (747)15.4.1Ice (747)15.4.2Metaverb (749)15.4.3Reflex (750)15.4.4Reverb (Legacy) (752)15.4.5Reverb (754)15.4.5.1Reverb Room (754)15.4.5.2Reverb Hall (757)15.4.5.3Plate Reverb (760)15.5Delays (762)15.5.1Beat Delay (762)15.5.2Grain Delay (765)15.5.3Grain Stretch (767)15.5.4Resochord (769)15.6Distortion Effects (771)15.6.1Distortion (771)15.6.2Lofi (774)15.6.3Saturator (775)15.7Perform FX (779)15.7.1Filter (780)15.7.2Flanger (782)15.7.3Burst Echo (785)15.7.4Reso Echo (787)15.7.5Ring (790)15.7.6Stutter (792)15.7.7Tremolo (795)15.7.8Scratcher (798)16Working with the Arranger (801)16.1Arranger Basics (801)16.1.1Navigating Song View (804)16.1.2Following the Playback Position in Your Project (806)16.1.3Performing with Scenes and Sections using the Pads (807)16.2Using Ideas View (811)16.2.1Scene Overview (811)16.2.2Creating Scenes (813)16.2.3Assigning and Removing Patterns (813)16.2.4Selecting Scenes (817)16.2.5Deleting Scenes (818)16.2.6Creating and Deleting Scene Banks (820)16.2.7Clearing Scenes (820)16.2.8Duplicating Scenes (821)16.2.9Reordering Scenes (822)16.2.10Making Scenes Unique (824)16.2.11Appending Scenes to Arrangement (825)16.2.12Naming Scenes (826)16.2.13Changing the Color of a Scene (827)16.3Using Song View (828)16.3.1Section Management Overview (828)16.3.2Creating Sections (833)16.3.3Assigning a Scene to a Section (834)16.3.4Selecting Sections and Section Banks (835)16.3.5Reorganizing Sections (839)16.3.6Adjusting the Length of a Section (840)16.3.6.1Adjusting the Length of a Section Using the Software (841)16.3.6.2Adjusting the Length of a Section Using the Controller (843)16.3.7Clearing a Pattern in Song View (843)16.3.8Duplicating Sections (844)16.3.8.1Making Sections Unique (845)16.3.9Removing Sections (846)16.3.10Renaming Scenes (848)16.3.11Clearing Sections (849)16.3.12Creating and Deleting Section Banks (850)16.3.13Working with Patterns in Song view (850)16.3.13.1Creating a Pattern in Song View (850)16.3.13.2Selecting a Pattern in Song View (850)16.3.13.3Clearing a Pattern in Song View (851)16.3.13.4Renaming a Pattern in Song View (851)16.3.13.5Coloring a Pattern in Song View (851)16.3.13.6Removing a Pattern in Song View (852)16.3.13.7Duplicating a Pattern in Song View (852)16.3.14Enabling Auto Length (852)16.3.15Looping (853)16.3.15.1Setting the Loop Range in the Software (854)16.4Playing with Sections (855)16.4.1Jumping to another Playback Position in Your Project (855)16.5Triggering Sections or Scenes via MIDI (856)16.6The Arrange Grid (858)16.7Quick Grid (860)17Sampling and Sample Mapping (862)17.1Opening the Sample Editor (862)17.2Recording Audio (863)17.2.1Opening the Record Page (863)17.2.2Selecting the Source and the Recording Mode (865)17.2.3Arming, Starting, and Stopping the Recording (868)17.2.5Using the Footswitch for Recording Audio (871)17.2.6Checking Your Recordings (872)17.2.7Location and Name of Your Recorded Samples (876)17.3Editing a Sample (876)17.3.1Using the Edit Page (877)17.3.2Audio Editing Functions (882)17.4Slicing a Sample (890)17.4.1Opening the Slice Page (891)17.4.2Adjusting the Slicing Settings (893)17.4.3Live Slicing (898)17.4.3.1Live Slicing Using the Controller (898)17.4.3.2Delete All Slices (899)17.4.4Manually Adjusting Your Slices (899)17.4.5Applying the Slicing (906)17.5Mapping Samples to Zones (912)17.5.1Opening the Zone Page (912)17.5.2Zone Page Overview (913)17.5.3Selecting and Managing Zones in the Zone List (915)17.5.4Selecting and Editing Zones in the Map View (920)17.5.5Editing Zones in the Sample View (924)17.5.6Adjusting the Zone Settings (927)17.5.7Adding Samples to the Sample Map (934)18Appendix: Tips for Playing Live (937)18.1Preparations (937)18.1.1Focus on the Hardware (937)18.1.2Customize the Pads of the Hardware (937)18.1.3Check Your CPU Power Before Playing (937)18.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (938)18.1.5Consider Using a Limiter on Your Master (938)18.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (938)18.1.7Improvise (938)18.2Basic Techniques (938)18.2.1Use Mute and Solo (938)18.2.2Use Scene Mode and Tweak the Loop Range (939)18.2.3Create Variations of Your Drum Patterns in the Step Sequencer (939)18.2.4Use Note Repeat (939)18.2.5Set Up Your Own Multi-effect Groups and Automate Them (939)18.3Special Tricks (940)18.3.1Changing Pattern Length for Variation (940)18.3.2Using Loops to Cycle Through Samples (940)18.3.3Using Loops to Cycle Through Samples (940)18.3.4Load Long Audio Files and Play with the Start Point (940)19Troubleshooting (941)19.1Knowledge Base (941)19.2Technical Support (941)19.3Registration Support (942)19.4User Forum (942)20Glossary (943)Index (951)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE Getting Started: This document provides a practical approach to MASCHINE viaa set of tutorials covering easy and more advanced tasks in order to help you familiarizeyourself with MASCHINE.2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:▪Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.▪Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN. We recommend that you follow along with these instructions while the respective ap-plication is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues. The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information can be expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software and paths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in the software is printed in blue. Whenever you see this formatting applied, you will find the same text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you see this formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you see this formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.Unlabeled Buttons on the ControllerThe buttons and knobs above and below the displays on your MASCHINE controller do not have labels.。
AForge 中文文档
AForgeAForge命名空间是框架,它包含框架和类的其他命名空间所使用的核心类,可以独立地用于各种目的。
AForge.ControlsAForge.Controls命名空间包含不同的有用的UI控件,可以与其他类一起使用架构AForge.FuzzyAForge.Fuzzy命名空间包含一组接口和类,以便使用模糊集操作。
AForge.GeneticAForge.Genetic命名空间包含用于遗传计算的接口和类。
命名空间及其子名称空间包含类,它允许解决许多不同的问题(优化、近似、pr)。
版,等)和遗传算法(GA)的帮助,遗传编程(GP),基因表达式编程(GEP)。
AForge.ImagingAForge.Imaging命名空间包含不同的图像处理例程的接口和类。
AForge.Imaging.ColorReductionAForge.Imaging.ColorReduction命名空间包含一组用于在彩色图像中执行色彩还原的类,其中包括颜色量化类、颜色重新编码功能和颜色抖动算法。
plexFiltersAForge.Imaging命名空间包含不同的图像处理例程的接口和类,它们是在复杂的傅立叶变换图像上完成的。
AForge.Imaging.FiltersAForge.Imaging.Filters命名空间包含接口和类的集合,它们提供不同的图像处理过滤器。
这个名称空间的类允许对源映像做不同的转换,这样做就可以了。
直接对源图像或提供新图像作为图像处理程序的结果。
AForge.Imaging.FormatsAForge.Imaging.Formats命名空间包含接口和类,它们用于处理不同的图像文件格式。
AForge.Imaging.TexturesAForge.Imaging.Textures命名空间包含类集合,它们生成用于创建不同效果的不同类型的纹理。
AForge.MachineLearningAForge.MachineLearning命名空间包含不同的机器学习算法的接口和类。
人民大2023农林国际学术交流英语 PPTunit 2 Urban Agriculture
Task 2
Different types of questions (8) To ask about something not directly tied to the main point of the results E.g. This is probably not your focus, but I’m interested in ... Well, this is just out of curiosity, but ...? Would you tell me more about the techniques that ...? I’m wondering if I could use the same techniques in my research about ... Would you mind if I ask how much fund you have got for this experiment?
Part I Types of Urban Agriculture
Task 1
leisure farm
Task 2
Different types of questions (3) To ask about previously known facts and information in order to inquire any connection with other research E.g. I wonder if you are aware of the data offered by others on ...? Do you know...? There might be some preceding study that examined that. Are there any other methods that you can use to test...?
jvc说明书
ENGLISHGR-D290GR-D270L YT1383-001AENTERMS Dear Customer,Thank you for purchasing this digital video camera. Before use, please read the safety information and precautions contained in the pages 3–4 and 10 to ensure safe use of this product.Please visit our Homepage on the World Wide Web for Digital Video Camera:For Accessories :INSTRUCTIONSDIGITAL VIDEO CAMERAGETTING STARTED6VIDEO RECORDING & PLAYBACK18DIGITAL STILL CAMERA (D.S.C.) RECORDING & PLAYBACK25ADVANCED FEATURES31REFERENCES47To deactivate the demonstration, set “DEMO MODE” to “OFF”. (੬pg.31,33)Back cover4 ENDo not point the lens or the viewfinder directly into the sun. This can cause eye injuries, as well as lead to the malfunctioning of internal circuitry. There is also a risk of fire or electric shock. CAUTION!The following notes concern possible physical damage to the camcorder and to the user.When carrying, be sure to always securely attach and use the provided strap. Carrying or holding the camcorder by the viewfinder and/or the LCD monitor can result in dropping the unit, or in a malfunction.Take care not to get your finger caught in the cassette holder cover. Do not let children operate the camcorder, as they are particularly susceptible to this type of injury.Do not use a tripod on unsteady or unlevel surfaces. It could tip over, causing serious damage to the camcorder.CAUTION!Connecting cables (Audio/Video, S-Video, etc.) to the camcorder and leaving it on top of the TV is not recommended, as tripping on the cables will cause the camcorder to fall, resulting in damage.EN5CONTENTSGETTING STARTED 6Index.................................................................6Provided Accessories.....................................11Power..............................................................13Operation Mode..............................................14Date/Time Settings.........................................15Grip Adjustment..............................................15Viewfinder Adjustment....................................16Brightness Adjustment Of The Display...........16Tripod Mounting..............................................16Loading/Unloading A Cassette.......................16Loading/Unloading A Memory Card. (17)VIDEO RECORDING & PLAYBACK 18VIDEO RECORDING (18)Basic Recording..............................................18Tape Remaining Time................................18LCD Monitor And Viewfinder......................18Zooming......................................................19Journalistic Shooting ..................................19Time Code..................................................19Quick Review..............................................20Recording From The Middle Of A Tape (20)VIDEO PLAYBACK (20)Normal Playback.............................................20Still Playback..............................................20Shuttle Search............................................21Blank Search..............................................21Connections To A TV Or VCR........................22Playback Using The Remote Control.. (23)DIGITAL STILL CAMERA (D.S.C.) RECORDING & PLAYBACK 25D.S.C. RECORDING............................................25Basic Shooting (D.S.C. Snapshot)..................25Interval Shooting.........................................25D.S.C. PLAYBACK. (26)Normal Playback Of Images...........................26Auto Playback Of Images...............................27Index Playback Of Files..................................27Removing On-Screen Display (27)ADDITIONAL FEATURES FOR D.S.C (28)Dubbing Still Images Recorded On A Tape To A Memory Card..............................................28Resetting The File Name................................28Protecting Files...............................................28Deleting Files..................................................29Setting Print Information (DPOF Setting)........29Initialising A Memory Card (30)ADVANCED FEATURES 31MENUS FOR DETAILED ADJUSTMENT (31)Changing The Menu Settings.........................31Recording Menus............................................32Playback Menus (35)FEATURES FOR RECORDING (37)LED Light........................................................37Live Slow........................................................375-Second Recording.......................................37Night-Scope....................................................38Snapshot (For Video Recording)....................38Manual Focus.................................................38Exposure Control............................................39Iris Lock..........................................................39Backlight Compensation.................................40Spot Exposure Control....................................40White Balance Adjustment..............................40Manual White Balance Adjustment.................41Wipe Or Fader Effects....................................41Program AE With Special Effects. (42)EDITING (43)Dubbing To Or From A VCR...........................43Dubbing To Or From A Video Unit Equipped With A DV Connector (Digital Dubbing)..............44Connection To A Personal Computer.............45Audio Dubbing................................................46Insert Editing (46)REFERENCES 47TROUBLESHOOTING..........................................47USER MAINTENANCE.........................................51CAUTIONS........................................................52SPECIFICATIONS (55)TERMS Back cover6 EN GETTING STARTED IndexEN7GETTING STARTEDG E T T I N G S T A R T E DControlsA Stop Button [8] (੬pg.20)Index Button [INDEX] (੬pg.27)Backlight Compensation Button [BACK LIGHT] (੬pg.40)B Play/Pause Button [4/9] (੬pg.20)Manual Focus Button [FOCUS] (੬pg.38)C Rewind Button [3] (੬pg.20)Menu select Button [pg.15)੬pg.20)D ੬pg.20)Menu select Button [+] (੬pg.15)Night Button [NIGHT] (੬pg.38)E Menu Button [MENU] (੬pg.31)Data Battery Button [DA T A] (੬pg.14)F VIDEO/MEMORY Switch (੬pg.14)G LED Light Button [LIGHT] (੬pg.37)H Dioptre Adjustment Control (੬pg.16)I Snapshot Button [SNAPSHOT] (੬pg.25,38)Live Slow Button [SLOW] (੬pg.31,37)J Power Zoom Lever [T/W] (੬pg.19)Speaker Volume Control [VOL. +,–] (੬pg.20)K Battery Release Button [PUSH BA TT.] (੬pg.13)L Recording Start/Stop Button (੬pg.18)M Power Switch [A , M , PLAY, OFF] (੬pg.14)N Lock Button (੬pg.14)O Cassette Open/Eject Switch [OPEN/EJECT] (੬pg.16)ConnectorsThe connectors are located beneath the covers.P USB (Universal Serial Bus) Connector (੬pg.45)Q S-Video/Audio/Video Input/Output Connector [S/AV] (੬pg.22,43)R DC Input Connector [DC] (੬pg.13)S Digital Video Connector [DV IN/OUT] (i.Link*) (੬pg.44,45)T Microphone connector [MIC] (੬pg.34,46)(An optional microphone can be used during video recording and audio dubbing. T ostabilise the microphone, use of an optional shoe adapter is recommended.)*i.Link refers to the IEEE1394-1995 industryspecification and extensions thereof. The logo is used for products compliant with the i.Link standard.IndicatorsU POWER/CHARGE Lamp (੬pg.13,18)Other PartsV Monitor Latch (੬pg.18)W LCD Monitor (੬pg.18,19)X Viewfinder (੬pg.16)Y Card Cover [MEMORY CARD] (੬pg.17)Z Battery Pack Mount (੬pg.13)a Shoulder Strap Eyelet (੬pg.11)b Speaker (੬pg.20)c Grip Strap (੬pg.15)d Lense LED Light (੬pg.37)(When using an optional conversion lens, it may cover this area and block the light.)f Remote Sensor (੬pg.23)g Camera Sensor(Be careful not to cover this area, a sensor necessary for shooting is built-in here.)h Stereo Microphone (੬pg.46)i Stud Hole (੬pg.16)j T ripod Mounting Socket (੬pg.16)k Cassette Holder Cover (੬pg.16)GETTING STARTED8 EN LCD Monitor/Viewfinder Indications(੬pg.41)B Tape Running Indicator (੬pg.18)(Rotates while tape is running.)੬pg.33)੬pg.37)੬pg.38)੬pg.32)F Tape Remaining Time (੬pg.18)G REC: (Appears during recording.) (੬pg.18)PAUSE: (Appears during Record-Standby mode.) (੬pg.18)H Insert Editing/Insert Editing Pause Mode (੬pg.46)I 5S/Anim.: Displays the 5-Second Recording mode or Animation recording mode. (੬pg.33)J Wind Cut Indicator (੬pg.33)K Time Code (੬pg.34,36)L Digital Image Stabiliser (“DIS”) (੬pg.32)M SOUND 12BIT/16BIT: Sound Mode Indicator (੬pg.32) (Appears for approx. 5 seconds Auxiliary Microphone Level Indicatorconnected. ੬pg.36, “AUX MIC” )(640x 480) (੬pg.34)B Interval Shooting Icon (੬pg.25)C Shooting Icon (੬pg.25)(Appears and blinks during shooting.)D Card Icon (੬pg.25): Appears during shooting.: Blinks in white when a memory card is not loaded.: Blinks in yellow while the camcorder is reading the data in the memory card.E Picture Quality: (FINE) and(STANDARD) (in order of quality) (੬pg.34)F Remaining Number Of Shots (੬pg.25)(Displays the approximate remaining number of shots that can be stored during D.S.C. recording.)G Clock Icon (੬pg.25)੬pg.14)੬pg.38)੬pg.32)੬pg.37)੬pg.41)40)40)±: Exposure Adjustment Indicator (੬pg.39)F Selected Program AE With Special Effects Indicator (੬pg.42)G Iris Lock Indicator (੬pg.39)EN9GETTING STARTEDG E T T I N G S T A R T E DH Approximate Zoom Ratio (੬pg.19)I Zoom Indicator (੬pg.19)J O : (Appears when taking Snapshot.) (੬pg.25,38)SLOW : (Appears when using Live Slow.) (੬pg.37)K Brightness Control Indicator (LCD monitor/Viewfinder) (੬pg.16)L Battery Remaining Power Indicator (੬pg.49)M Date/Time (੬pg.15)N Manual Focus Adjustment Indicator (੬pg.38)B Blank Search Indicator (੬pg.21)੬pg.37)੬pg.35,38)੬pg.32)E 4: Playback5: Fast-Forward/Shuttle Search 3: Rewind/Shuttle Search9: Pause9 U : Forward Frame-By-Frame Playback/Slow-MotionY 9: Reverse Frame-By-Frame Playback/Slow-MotionD : Audio Dubbing9D : Audio Dubbing Pause(Appear while a tape is running.)FSound Input For Audio Dubbing (੬pg.46)G Battery Remaining Power Indicator (੬pg.49)H Date/Time (੬pg.34,36)I VOLUME: Volume Level Indicator (੬pg.20)BRIGHT: Brightness Control Indicator (LCD monitor/Viewfinder) (੬pg.16)੬pg.34,36)Auxiliary Microphone Level Indicatorconnected during Audio Dubbing. ੬pg.46)B Folder/File Number (੬pg.27)C Battery Remaining Power Indicator (੬pg.49)D Brightness Control Indicator (LCD monitor/Viewfinder) (੬pg.16)GETTING STARTED 10 ENBefore Using This CamcorderMake sure you only use cassettes with the Mini DV mark .markThis camcorder is designed exclusively for the digital video cassette, SD Memory Card and MultiMediaCard. Only cassettes marked “” and memory cards marked “” or” can be used with this unit. Remember that this camcorder is notcompatible with other digital video formats. Remember that this camcorder is intended for private consumer use only.Any commercial use without proper permission is prohibited. (Even if you record an event such as a show, performance or exhibition for personal enjoyment, it is strongly recommended that you obtain permission beforehand.)Before recording important video, be sure to make a trial recording.Play back your trial recording to make sure the video and audio have been recorded properly.We recommend cleaning your video heads before use.If you haven’t used your camcorder for a while, the heads may be dirty. We recommend periodically cleaning the video heads with a cleaning cassette (optional).Be sure to store your cassette tapes and camcorder in the proper environment.Video heads can become dirty more easily if your cassette tapes and camcorder are stored in a dusty area. Cassette tapes should be removed from the camcorder and stored in cassette cases. Store the camcorder in a bag or other container.Use SP (Standard) mode for important video recordings.LP (Long Play) mode lets you record 50% more video than SP (Standard) mode, but you may experience mosaic-like noise during playback depending on the tape characteristics and the usage environment.So, for important recordings, we recommend using SP mode.It is recommended that you use JVC brand cassette tapes.Y our camcorder is compatible with all brands of commercially available cassette tapes complying with the MiniDV standard, but JVC brand cassette tapes are designed and optimized to maximize the performance of your camcorder.Also read “CAUTIONS” on pages 52–54.●Microsoft® and Windows® are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries.●Macintosh is a registered trademark of Apple Computer, Inc.●QuickTime is a registered trademark of Apple Computer, Inc.EN11GETTING STARTEDG E T T I N G S T A R T E Db Power Cord (only for AP-V14E)c Battery Pack BN-VF707Ud S/AV Cable e USB Cablef Core Filter (for USB cable, ੬pg.12 for attachment)g CD-ROMh Remote Control Unit RM-V720Ui Lithium Battery CR2025* (for remote control unit)j Memory Card 8MB (Already inserted in the camcorder) (GR-D290 only)k Shoulder Strap (see the right column for attachment)lLens Cap (see the right column for attachment)*the insulation sheet.NOTES:●In order to maintain optimum performance of the camcorder, provided cables may be equipped with one or more core filter. If a cable has only one core filter, the end that is closest to the filter should be connected to the camcorder.●Make sure to use the provided cables for connections. Do not use any other cables.How To Attach The Shoulder StrapFollow the illustration.1Thread the strap through the eyelet.2Fold it back and thread it through the strapguide and the buckle.●To adjust the length of the strap, loosen and then tighten the strap in the buckle.3Slide the strap guide fully towards the eyelet.Provided AccessoriesGETTING STARTED12 ENHow To Attach The Core FilterAttach the core filters to the cables. The core filter reduces interference.1Release the stoppers on both ends of thecore filter.2Run the cable through the core filter, leavingapprox. 3cm of cable between the cable plug and the core filter.Wind the cable once around the outside of the core filter as shown in the illustration.Close the core filter until it clicks shut.NOTES:●Take care not to damage the cable.●When connecting a cable, attach the end with the core filter to the camcorder.Core filterEN13GETTING STARTEDG E T T I N G S T A R T E DThis camcorder’s 2-way power supply system lets you choose the most appropriate source of power. Do not use provided power supply units with other equipment.1Set the Power Switch to “OFF”.2With the arrow on the battery pack pointing downward, push the battery pack slightly against the battery pack mount a .3Slide down the battery pack until it locks inplace b .4Connect the AC Adapter to the camcorder.5Connect the Power Cord to the AC Adapter.(AP-V14E only)6Plug the AC Adapter into an AC outlet. ThePOWER/CHARGE lamp on the camcorder blinks to indicate charging has started.7When the POWER/CHARGE lamp goes out,charging is finished. Unplug the AC Adapter from the AC outlet. Disconnect the AC Adapter from the camcorder.To detach the battery packSlide the battery pack upward while pressing PUSH BATT. to detach it.*ProvidedNOTES:●It is recommended that only genuine JVC batteries are used in this camcorder. Usinggeneric non-JVC batteries can cause damage to the internal charging circuitry.●If the protective cap is attached to the battery pack, remove it first.●During charging, the camcorder cannot be operated.●Charging is not possible if the wrong type of battery is used.●When charging the battery pack for the first time or after a long storage period, the POWER/CHARGE lamp may not light. In this case, remove the battery pack from the camcorder, then try charging again.●If the battery operation time remains extremely short even after having been fully charged, the battery is worn out and needs to be replaced. Please purchase a new one.●Since the AC Adapter processes electricityinternally, it becomes warm during use. Be sure to use it only in well-ventilated areas.●Using the optional AA-VF7 Battery Charger, you can charge the BN-VF707U/VF714U/VF733U battery pack without the camcorder.●After 5 minutes has elapsed in Record-Standby mode with the cassette inserted, the camcorder will automatically turn off its power supplied from the AC adapter. In this case, the battery charge starts if the battery is attached to the camcorder.Using The Battery PackPerform steps 2 – 3 in “Charging The Battery Pack”.Maximum continuous recording time*ProvidedPowerBattery pack Charging time BN-VF707U*Approx.1hr.30min.BN-VF714U Approx.2hr.40min.BN-VF733U Approx.5hr.40min.Battery pack LCD monitoron Viewfinder on BN-VF707U*1hr.5min.1hr.25min.BN-VF714U 2hr.20min.3hr.BN-VF733U 5hr.25min.7hr.5min.CONTINUED ON NEXT PAGEGETTING STARTED14 ENNOTES:●Recording time is reduced significantly under the following conditions:•Zoom or Record-Standby mode is engaged repeatedly.•The LCD monitor is used repeatedly.•The playback mode is engaged repeatedly.•The LED Light is used.●Before extended use, it is recommended that you prepare enough battery packs to cover 3times the planned shooting time.ATTENTION:Before detaching the power source, make sure that the camcorder’s power is turned off. Failure to do so can result in a camcorder malfunction.Data Battery SystemY ou can check the remaining battery power and the recordable time.1)Make sure the battery is attached and the Power Switch is set to “OFF”.2)Open the LCD monitor fully.3)Press DATA , and the battery status screen appears.●It can be displayed on the viewfinder when the LCD monitor is closed.●It is displayed for 5 seconds if the button is pressed and released quickly, and for 15 seconds if the button is pressed and hold forseveral seconds.●If “COMMUNICATION ERROR” appearsinstead of the battery status even though you tried to press DATA several times, there may be a problem on the battery. In such a case, consult your nearest JVC dealer.Using AC PowerPerform steps 4 – 5 in “Charging The Battery Pack”.NOTE:The provided AC Adapter features automatic voltage selection in the AC range from 110V to 240V .About BatteriesDANGER! Do not attempt to take the batteries apart, or expose them to flame or excessive heat, as it may cause a fire or explosion.WARNING! Do not allow the battery or itsterminals to come in contact with metals, as this can result in a short circuit and possibly start a fire.To resume the original function of the accurate battery power indicationIf the battery power indication differs from the actual operating time, fully charge the battery, and then run it down. However this function may not turn back if the battery was used for a long period of time under extremely high/low temperature condition or charged too many times.T o turn on the camcorder, set the Power Switch to any operation mode except “OFF” while pressing down the Lock Button located on the switch.Choose the appropriate operation modeaccording to your preference using the Power Switch and VIDEO/MEMORY Switch.Operation ModePower Switch PositionA (Full Auto Recording):Allows you to record using NO special effects or manual adjustments. Suitable for standard recording.The “A ” indicator appears on the display.M (Manual Recording):Allows you to set various recording functions using the Menus. (੬pg.31)If you want more creative capabilities than Full Auto Recording, try this mode.OFF :Allows you to switch off the camcorder.PLAY:●Allows you to play back a recording on the tape.●Allows you to display a still image stored in the memory card or to transfer a still image stored in the memory card to a PC.●Allows you to set various playback functions using the Menus. (੬pg.31)EN15GETTING STARTEDG E T T I N G S T A R T E DPower-Linked OperationWhen the Power Switch is set to “A ” or “M ”, you can also turn on/off the camcorder by opening/closing the LCD monitor or pulling out/pushing in the viewfinder.INFORMATION:The following explanations in this manual supposes the use of LCD monitor in your operation. If you want to use the viewfinder, close the LCD monitor and pull out the viewfinder fully.The language on the display can be changed. (੬pg.31,34,36)1Set the Power Switch to “M ” while pressingdown the Lock Button located on the switch.2Open the LCD monitor fully. (੬pg.18)3Press MENU . The Menu Screen appears.4Press + or – to select“n ”, and press MENU .The CAMERA DISPLAY Menu appears.5Press + or – to select “LANGUAGE”, and press MENU .6Press + or – to selectpress MENU .7Press + or – to select“B RETURN”, and press MENU twice. The Menu Screen closes.The date/time is recorded onto the tape at all times, but its display can be turned on or off during playback. (੬pg.31,36)1Perform steps 1–4 in “Language Settings”on the left column.2Press + or – to select “CLOCK ADJ.”, andpress MENU . The parameter for “Day” is highlighted.3Press + or – to inputthe day, and press MENU . Repeat to input the month, year, hour and minute.4Press + or – to select“B RETURN”, and press MENU twice. The Menu Screen closes.1Adjust the velcro strip.2Pass your right handthrough the loop and grasp the grip.3Adjust your thumb andfingers through the grip to easily operate the Recording Start/StopButton, Power Switch and Power Zoom Lever. Besure to fasten the velcro strip to your preference.Language SettingsDate/Time SettingsGrip AdjustmentGETTING STARTED16 EN1Set the Power Switch to “A” or “M” while pressing down the Lock Button located on theswitch.2Make sure the LCD monitor is closed and locked. Pull out the viewfinder fully and adjust it manually for best viewability.3T urn the Dioptre Adjustment Control until the indications in the viewfinder are clearly focused.1to “Mswitch.2fully. (੬pg.18)●(੬pg.31,34).3Press MENU4Press + or – to select “n”, and press MENU. The CAMERA DISPLAY Menu appears.5Press + or – to select “BRIGHT”, and press MENU. The Menu Screen closes and the brightness control indicator appears.6Press + or – until the appropriate brightness is reached.7Press MENU to clear the brightness control indicator from the display.T o attach the camcorderto a tripod, align thedirection stud and screwto the mounting socketand stud hole on thecamcorder. Then tightenthe screw clockwise.●Some tripods are notequipped with studs.The camcorder needs to be powered up to load or eject a cassette.OPEN/EJECT in the direction●Once the cassette holder is closed, it recedes automatically. Wait until it recedes completely before closing the cassette holder cover.Viewfinder AdjustmentTripod MountingLoading/Unloading A CassetteEN17GETTING STARTEDG E T T I N●When the battery pack’s charge is low, you may not be able to close the cassette holder cover. Do not apply force. Replace the battery pack with a fully charged one or use AC power before continuing.3Close the cassette holder cover firmly until itlocks into place.To protect valuable recordingsSlide the erase protection tab on the back of the tape in the direction of “SAVE”. This prevents the tape from being recorded over. T o record on this tape, slide the tab back to “REC” before loading it.NOTES:●If you wait a few seconds and the cassette holder does not open, close the cassette holder cover and try again. If the cassette holder still does not open, turn the camcorder off then on again.●If the tape does not load properly, open the cassette holder cover fully and remove the cassette. A few minutes later, insert it again.●When the camcorder is suddenly moved from a cold place to a warm environment, wait a short time before opening the cassette holder cover.The provided memory card is already inserted in the camcorder at the time of purchase. (GR-D290 only)1Make sure the camcorder’s power is off.2Open the card cover (MEMORY CARD).3To load a memory card , firmly insert it withits clipped edge first.To unload a memory card , push it once. After the memory card comes out of the camcorder, pull it out.●Do not touch the terminal on the reverse side of the label.4Close the card cover.To protect valuable files (available only for SD Memory Card)Slide the write/erase protection tab on the side of the memory card in the direction of “LOCK”. This prevents the memory card from being recorded over. T o record on this memory card, slide the tab back to the position opposite to “LOCK” before loading it.NOTES:●Some brands of memory cards are not compatible with this camcorder. Before purchasing a memory card, consult its manufacturer or dealer.●Before using a new memory card, it is necessary to format the card. (੬pg.30)ATTENTION:Do not insert or remove the memory card while the camcorder is turned on, as this may cause the memory card to be corrupted or cause thecamcorder to become unable to recognise whether or not the card is installed.Loading/Unloading A Memory CardClipped edge18 EN VIDEO RECORDINGNOTE:Before continuing, perform the procedures listed below:●Power (੬pg.13)●Loading A Cassette (੬pg.16)੬pg.11)2Open the LCD monitor fully.3Set the VIDEO/MEMORY Switch to “VIDEO”. 4Set the Power Switch to “A” or “M” whilepressing down the Lock Button located on theswitch.●The POWER/CHARGE lamp lights and the camcorder enters the Record-Standby mode. “P AUSE” is displayed.●To record in LP (Long Play) mode, ੬pg.32.5T o start recording, press the Recording Start/ Stop Button. “T REC” appears on the display while recording is in progress.6T o stop recording, press the Recording Start/ Stop Button again. The camcorder re-enters the Record-Standby mode.Approximate recording timeNOTES:●If the Record-Standby mode continues for5minutes, the camcorder’s power shuts off automatically. To turn the camcorder on again, push back and pull out the viewfinder again or close and re-open the LCD monitor.●When a blank portion is left between recorded scenes on the tape, the time code is interrupted and errors may occur when editing the tape. To avoid this, refer to “Recording From The Middle OfA T ape” (੬pg.20).●To turn the beep sounds off, ੬pg.31,33.starts blinking.●The time required to calculate and display the remaining tape length, and the accuracy of the calculation, may vary according to the type of tape used.LCD Monitor And ViewfinderWhile using the LCD monitor:downward, 180° upward).While using the viewfinder:Make sure the LCD monitor is closed andLCD monitor and the viewfinder. When the viewfinder is pulled out while the LCD monitor is opened, you can select which one to use. Set “PRIORITY” to the desired mode in SYSTEM Menu. (੬pg.31,34)●Coloured bright spots may appear all over the LCD monitor or the viewfinder. However, this is not a malfunction. (੬pg.48)Basic RecordingTapeRecording mode SP LP30min.30min.45min. 60min.60min.90min. 80min.80min.120min.。
OSHA现场作业手册说明书
DIRECTIVE NUMBER: CPL 02-00-150 EFFECTIVE DATE: April 22, 2011 SUBJECT: Field Operations Manual (FOM)ABSTRACTPurpose: This instruction cancels and replaces OSHA Instruction CPL 02-00-148,Field Operations Manual (FOM), issued November 9, 2009, whichreplaced the September 26, 1994 Instruction that implemented the FieldInspection Reference Manual (FIRM). The FOM is a revision of OSHA’senforcement policies and procedures manual that provides the field officesa reference document for identifying the responsibilities associated withthe majority of their inspection duties. This Instruction also cancels OSHAInstruction FAP 01-00-003 Federal Agency Safety and Health Programs,May 17, 1996 and Chapter 13 of OSHA Instruction CPL 02-00-045,Revised Field Operations Manual, June 15, 1989.Scope: OSHA-wide.References: Title 29 Code of Federal Regulations §1903.6, Advance Notice ofInspections; 29 Code of Federal Regulations §1903.14, Policy RegardingEmployee Rescue Activities; 29 Code of Federal Regulations §1903.19,Abatement Verification; 29 Code of Federal Regulations §1904.39,Reporting Fatalities and Multiple Hospitalizations to OSHA; and Housingfor Agricultural Workers: Final Rule, Federal Register, March 4, 1980 (45FR 14180).Cancellations: OSHA Instruction CPL 02-00-148, Field Operations Manual, November9, 2009.OSHA Instruction FAP 01-00-003, Federal Agency Safety and HealthPrograms, May 17, 1996.Chapter 13 of OSHA Instruction CPL 02-00-045, Revised FieldOperations Manual, June 15, 1989.State Impact: Notice of Intent and Adoption required. See paragraph VI.Action Offices: National, Regional, and Area OfficesOriginating Office: Directorate of Enforcement Programs Contact: Directorate of Enforcement ProgramsOffice of General Industry Enforcement200 Constitution Avenue, NW, N3 119Washington, DC 20210202-693-1850By and Under the Authority ofDavid Michaels, PhD, MPHAssistant SecretaryExecutive SummaryThis instruction cancels and replaces OSHA Instruction CPL 02-00-148, Field Operations Manual (FOM), issued November 9, 2009. The one remaining part of the prior Field Operations Manual, the chapter on Disclosure, will be added at a later date. This Instruction also cancels OSHA Instruction FAP 01-00-003 Federal Agency Safety and Health Programs, May 17, 1996 and Chapter 13 of OSHA Instruction CPL 02-00-045, Revised Field Operations Manual, June 15, 1989. This Instruction constitutes OSHA’s general enforcement policies and procedures manual for use by the field offices in conducting inspections, issuing citations and proposing penalties.Significant Changes∙A new Table of Contents for the entire FOM is added.∙ A new References section for the entire FOM is added∙ A new Cancellations section for the entire FOM is added.∙Adds a Maritime Industry Sector to Section III of Chapter 10, Industry Sectors.∙Revises sections referring to the Enhanced Enforcement Program (EEP) replacing the information with the Severe Violator Enforcement Program (SVEP).∙Adds Chapter 13, Federal Agency Field Activities.∙Cancels OSHA Instruction FAP 01-00-003, Federal Agency Safety and Health Programs, May 17, 1996.DisclaimerThis manual is intended to provide instruction regarding some of the internal operations of the Occupational Safety and Health Administration (OSHA), and is solely for the benefit of the Government. No duties, rights, or benefits, substantive or procedural, are created or implied by this manual. The contents of this manual are not enforceable by any person or entity against the Department of Labor or the United States. Statements which reflect current Occupational Safety and Health Review Commission or court precedents do not necessarily indicate acquiescence with those precedents.Table of ContentsCHAPTER 1INTRODUCTIONI.PURPOSE. ........................................................................................................... 1-1 II.SCOPE. ................................................................................................................ 1-1 III.REFERENCES .................................................................................................... 1-1 IV.CANCELLATIONS............................................................................................. 1-8 V. ACTION INFORMATION ................................................................................. 1-8A.R ESPONSIBLE O FFICE.......................................................................................................................................... 1-8B.A CTION O FFICES. .................................................................................................................... 1-8C. I NFORMATION O FFICES............................................................................................................ 1-8 VI. STATE IMPACT. ................................................................................................ 1-8 VII.SIGNIFICANT CHANGES. ............................................................................... 1-9 VIII.BACKGROUND. ................................................................................................. 1-9 IX. DEFINITIONS AND TERMINOLOGY. ........................................................ 1-10A.T HE A CT................................................................................................................................................................. 1-10B. C OMPLIANCE S AFETY AND H EALTH O FFICER (CSHO). ...........................................................1-10B.H E/S HE AND H IS/H ERS ..................................................................................................................................... 1-10C.P ROFESSIONAL J UDGMENT............................................................................................................................... 1-10E. W ORKPLACE AND W ORKSITE ......................................................................................................................... 1-10CHAPTER 2PROGRAM PLANNINGI.INTRODUCTION ............................................................................................... 2-1 II.AREA OFFICE RESPONSIBILITIES. .............................................................. 2-1A.P ROVIDING A SSISTANCE TO S MALL E MPLOYERS. ...................................................................................... 2-1B.A REA O FFICE O UTREACH P ROGRAM. ............................................................................................................. 2-1C. R ESPONDING TO R EQUESTS FOR A SSISTANCE. ............................................................................................ 2-2 III. OSHA COOPERATIVE PROGRAMS OVERVIEW. ...................................... 2-2A.V OLUNTARY P ROTECTION P ROGRAM (VPP). ........................................................................... 2-2B.O NSITE C ONSULTATION P ROGRAM. ................................................................................................................ 2-2C.S TRATEGIC P ARTNERSHIPS................................................................................................................................. 2-3D.A LLIANCE P ROGRAM ........................................................................................................................................... 2-3 IV. ENFORCEMENT PROGRAM SCHEDULING. ................................................ 2-4A.G ENERAL ................................................................................................................................................................. 2-4B.I NSPECTION P RIORITY C RITERIA. ..................................................................................................................... 2-4C.E FFECT OF C ONTEST ............................................................................................................................................ 2-5D.E NFORCEMENT E XEMPTIONS AND L IMITATIONS. ....................................................................................... 2-6E.P REEMPTION BY A NOTHER F EDERAL A GENCY ........................................................................................... 2-6F.U NITED S TATES P OSTAL S ERVICE. .................................................................................................................. 2-7G.H OME-B ASED W ORKSITES. ................................................................................................................................ 2-8H.I NSPECTION/I NVESTIGATION T YPES. ............................................................................................................... 2-8 V.UNPROGRAMMED ACTIVITY – HAZARD EVALUATION AND INSPECTION SCHEDULING ............................................................................ 2-9 VI.PROGRAMMED INSPECTIONS. ................................................................... 2-10A.S ITE-S PECIFIC T ARGETING (SST) P ROGRAM. ............................................................................................. 2-10B.S CHEDULING FOR C ONSTRUCTION I NSPECTIONS. ..................................................................................... 2-10C.S CHEDULING FOR M ARITIME I NSPECTIONS. ............................................................................. 2-11D.S PECIAL E MPHASIS P ROGRAMS (SEP S). ................................................................................... 2-12E.N ATIONAL E MPHASIS P ROGRAMS (NEP S) ............................................................................... 2-13F.L OCAL E MPHASIS P ROGRAMS (LEP S) AND R EGIONAL E MPHASIS P ROGRAMS (REP S) ............ 2-13G.O THER S PECIAL P ROGRAMS. ............................................................................................................................ 2-13H.I NSPECTION S CHEDULING AND I NTERFACE WITH C OOPERATIVE P ROGRAM P ARTICIPANTS ....... 2-13CHAPTER 3INSPECTION PROCEDURESI.INSPECTION PREPARATION. .......................................................................... 3-1 II.INSPECTION PLANNING. .................................................................................. 3-1A.R EVIEW OF I NSPECTION H ISTORY .................................................................................................................... 3-1B.R EVIEW OF C OOPERATIVE P ROGRAM P ARTICIPATION .............................................................................. 3-1C.OSHA D ATA I NITIATIVE (ODI) D ATA R EVIEW .......................................................................................... 3-2D.S AFETY AND H EALTH I SSUES R ELATING TO CSHO S.................................................................. 3-2E.A DVANCE N OTICE. ................................................................................................................................................ 3-3F.P RE-I NSPECTION C OMPULSORY P ROCESS ...................................................................................................... 3-5G.P ERSONAL S ECURITY C LEARANCE. ................................................................................................................. 3-5H.E XPERT A SSISTANCE. ........................................................................................................................................... 3-5 III. INSPECTION SCOPE. ......................................................................................... 3-6A.C OMPREHENSIVE ................................................................................................................................................... 3-6B.P ARTIAL. ................................................................................................................................................................... 3-6 IV. CONDUCT OF INSPECTION .............................................................................. 3-6A.T IME OF I NSPECTION............................................................................................................................................. 3-6B.P RESENTING C REDENTIALS. ............................................................................................................................... 3-6C.R EFUSAL TO P ERMIT I NSPECTION AND I NTERFERENCE ............................................................................. 3-7D.E MPLOYEE P ARTICIPATION. ............................................................................................................................... 3-9E.R ELEASE FOR E NTRY ............................................................................................................................................ 3-9F.B ANKRUPT OR O UT OF B USINESS. .................................................................................................................... 3-9G.E MPLOYEE R ESPONSIBILITIES. ................................................................................................. 3-10H.S TRIKE OR L ABOR D ISPUTE ............................................................................................................................. 3-10I. V ARIANCES. .......................................................................................................................................................... 3-11 V. OPENING CONFERENCE. ................................................................................ 3-11A.G ENERAL ................................................................................................................................................................ 3-11B.R EVIEW OF A PPROPRIATION A CT E XEMPTIONS AND L IMITATION. ..................................................... 3-13C.R EVIEW S CREENING FOR P ROCESS S AFETY M ANAGEMENT (PSM) C OVERAGE............................. 3-13D.R EVIEW OF V OLUNTARY C OMPLIANCE P ROGRAMS. ................................................................................ 3-14E.D ISRUPTIVE C ONDUCT. ...................................................................................................................................... 3-15F.C LASSIFIED A REAS ............................................................................................................................................. 3-16VI. REVIEW OF RECORDS. ................................................................................... 3-16A.I NJURY AND I LLNESS R ECORDS...................................................................................................................... 3-16B.R ECORDING C RITERIA. ...................................................................................................................................... 3-18C. R ECORDKEEPING D EFICIENCIES. .................................................................................................................. 3-18 VII. WALKAROUND INSPECTION. ....................................................................... 3-19A.W ALKAROUND R EPRESENTATIVES ............................................................................................................... 3-19B.E VALUATION OF S AFETY AND H EALTH M ANAGEMENT S YSTEM. ....................................................... 3-20C.R ECORD A LL F ACTS P ERTINENT TO A V IOLATION. ................................................................................. 3-20D.T ESTIFYING IN H EARINGS ................................................................................................................................ 3-21E.T RADE S ECRETS. ................................................................................................................................................. 3-21F.C OLLECTING S AMPLES. ..................................................................................................................................... 3-22G.P HOTOGRAPHS AND V IDEOTAPES.................................................................................................................. 3-22H.V IOLATIONS OF O THER L AWS. ....................................................................................................................... 3-23I.I NTERVIEWS OF N ON-M ANAGERIAL E MPLOYEES .................................................................................... 3-23J.M ULTI-E MPLOYER W ORKSITES ..................................................................................................................... 3-27 K.A DMINISTRATIVE S UBPOENA.......................................................................................................................... 3-27 L.E MPLOYER A BATEMENT A SSISTANCE. ........................................................................................................ 3-27 VIII. CLOSING CONFERENCE. .............................................................................. 3-28A.P ARTICIPANTS. ..................................................................................................................................................... 3-28B.D ISCUSSION I TEMS. ............................................................................................................................................ 3-28C.A DVICE TO A TTENDEES .................................................................................................................................... 3-29D.P ENALTIES............................................................................................................................................................. 3-30E.F EASIBLE A DMINISTRATIVE, W ORK P RACTICE AND E NGINEERING C ONTROLS. ............................ 3-30F.R EDUCING E MPLOYEE E XPOSURE. ................................................................................................................ 3-32G.A BATEMENT V ERIFICATION. ........................................................................................................................... 3-32H.E MPLOYEE D ISCRIMINATION .......................................................................................................................... 3-33 IX. SPECIAL INSPECTION PROCEDURES. ...................................................... 3-33A.F OLLOW-UP AND M ONITORING I NSPECTIONS............................................................................................ 3-33B.C ONSTRUCTION I NSPECTIONS ......................................................................................................................... 3-34C. F EDERAL A GENCY I NSPECTIONS. ................................................................................................................. 3-35CHAPTER 4VIOLATIONSI. BASIS OF VIOLATIONS ..................................................................................... 4-1A.S TANDARDS AND R EGULATIONS. .................................................................................................................... 4-1B.E MPLOYEE E XPOSURE. ........................................................................................................................................ 4-3C.R EGULATORY R EQUIREMENTS. ........................................................................................................................ 4-6D.H AZARD C OMMUNICATION. .............................................................................................................................. 4-6E. E MPLOYER/E MPLOYEE R ESPONSIBILITIES ................................................................................................... 4-6 II. SERIOUS VIOLATIONS. .................................................................................... 4-8A.S ECTION 17(K). ......................................................................................................................... 4-8B.E STABLISHING S ERIOUS V IOLATIONS ............................................................................................................ 4-8C. F OUR S TEPS TO BE D OCUMENTED. ................................................................................................................... 4-8 III. GENERAL DUTY REQUIREMENTS ............................................................. 4-14A.E VALUATION OF G ENERAL D UTY R EQUIREMENTS ................................................................................. 4-14B.E LEMENTS OF A G ENERAL D UTY R EQUIREMENT V IOLATION.............................................................. 4-14C. U SE OF THE G ENERAL D UTY C LAUSE ........................................................................................................ 4-23D.L IMITATIONS OF U SE OF THE G ENERAL D UTY C LAUSE. ..............................................................E.C LASSIFICATION OF V IOLATIONS C ITED U NDER THE G ENERAL D UTY C LAUSE. ..................F. P ROCEDURES FOR I MPLEMENTATION OF S ECTION 5(A)(1) E NFORCEMENT ............................ 4-25 4-27 4-27IV.OTHER-THAN-SERIOUS VIOLATIONS ............................................... 4-28 V.WILLFUL VIOLATIONS. ......................................................................... 4-28A.I NTENTIONAL D ISREGARD V IOLATIONS. ..........................................................................................4-28B.P LAIN I NDIFFERENCE V IOLATIONS. ...................................................................................................4-29 VI. CRIMINAL/WILLFUL VIOLATIONS. ................................................... 4-30A.A REA D IRECTOR C OORDINATION ....................................................................................................... 4-31B.C RITERIA FOR I NVESTIGATING P OSSIBLE C RIMINAL/W ILLFUL V IOLATIONS ........................ 4-31C. W ILLFUL V IOLATIONS R ELATED TO A F ATALITY .......................................................................... 4-32 VII. REPEATED VIOLATIONS. ...................................................................... 4-32A.F EDERAL AND S TATE P LAN V IOLATIONS. ........................................................................................4-32B.I DENTICAL S TANDARDS. .......................................................................................................................4-32C.D IFFERENT S TANDARDS. .......................................................................................................................4-33D.O BTAINING I NSPECTION H ISTORY. .....................................................................................................4-33E.T IME L IMITATIONS..................................................................................................................................4-34F.R EPEATED V. F AILURE TO A BATE....................................................................................................... 4-34G. A REA D IRECTOR R ESPONSIBILITIES. .............................................................................. 4-35 VIII. DE MINIMIS CONDITIONS. ................................................................... 4-36A.C RITERIA ................................................................................................................................................... 4-36B.P ROFESSIONAL J UDGMENT. ..................................................................................................................4-37C. A REA D IRECTOR R ESPONSIBILITIES. .............................................................................. 4-37 IX. CITING IN THE ALTERNATIVE ............................................................ 4-37 X. COMBINING AND GROUPING VIOLATIONS. ................................... 4-37A.C OMBINING. ..............................................................................................................................................4-37B.G ROUPING. ................................................................................................................................................4-38C. W HEN N OT TO G ROUP OR C OMBINE. ................................................................................................4-38 XI. HEALTH STANDARD VIOLATIONS ....................................................... 4-39A.C ITATION OF V ENTILATION S TANDARDS ......................................................................................... 4-39B.V IOLATIONS OF THE N OISE S TANDARD. ...........................................................................................4-40 XII. VIOLATIONS OF THE RESPIRATORY PROTECTION STANDARD(§1910.134). ....................................................................................................... XIII. VIOLATIONS OF AIR CONTAMINANT STANDARDS (§1910.1000) ... 4-43 4-43A.R EQUIREMENTS UNDER THE STANDARD: .................................................................................................. 4-43B.C LASSIFICATION OF V IOLATIONS OF A IR C ONTAMINANT S TANDARDS. ......................................... 4-43 XIV. CITING IMPROPER PERSONAL HYGIENE PRACTICES. ................... 4-45A.I NGESTION H AZARDS. .................................................................................................................................... 4-45B.A BSORPTION H AZARDS. ................................................................................................................................ 4-46C.W IPE S AMPLING. ............................................................................................................................................. 4-46D.C ITATION P OLICY ............................................................................................................................................ 4-46 XV. BIOLOGICAL MONITORING. ...................................................................... 4-47CHAPTER 5CASE FILE PREPARATION AND DOCUMENTATIONI.INTRODUCTION ............................................................................................... 5-1 II.INSPECTION CONDUCTED, CITATIONS BEING ISSUED. .................... 5-1A.OSHA-1 ................................................................................................................................... 5-1B.OSHA-1A. ............................................................................................................................... 5-1C. OSHA-1B. ................................................................................................................................ 5-2 III.INSPECTION CONDUCTED BUT NO CITATIONS ISSUED .................... 5-5 IV.NO INSPECTION ............................................................................................... 5-5 V. HEALTH INSPECTIONS. ................................................................................. 5-6A.D OCUMENT P OTENTIAL E XPOSURE. ............................................................................................................... 5-6B.E MPLOYER’S O CCUPATIONAL S AFETY AND H EALTH S YSTEM. ............................................................. 5-6 VI. AFFIRMATIVE DEFENSES............................................................................. 5-8A.B URDEN OF P ROOF. .............................................................................................................................................. 5-8B.E XPLANATIONS. ..................................................................................................................................................... 5-8 VII. INTERVIEW STATEMENTS. ........................................................................ 5-10A.G ENERALLY. ......................................................................................................................................................... 5-10B.CSHO S SHALL OBTAIN WRITTEN STATEMENTS WHEN: .......................................................................... 5-10C.L ANGUAGE AND W ORDING OF S TATEMENT. ............................................................................................. 5-11D.R EFUSAL TO S IGN S TATEMENT ...................................................................................................................... 5-11E.V IDEO AND A UDIOTAPED S TATEMENTS. ..................................................................................................... 5-11F.A DMINISTRATIVE D EPOSITIONS. .............................................................................................5-11 VIII. PAPERWORK AND WRITTEN PROGRAM REQUIREMENTS. .......... 5-12 IX.GUIDELINES FOR CASE FILE DOCUMENTATION FOR USE WITH VIDEOTAPES AND AUDIOTAPES .............................................................. 5-12 X.CASE FILE ACTIVITY DIARY SHEET. ..................................................... 5-12 XI. CITATIONS. ..................................................................................................... 5-12A.S TATUTE OF L IMITATIONS. .............................................................................................................................. 5-13B.I SSUING C ITATIONS. ........................................................................................................................................... 5-13C.A MENDING/W ITHDRAWING C ITATIONS AND N OTIFICATION OF P ENALTIES. .................................. 5-13D.P ROCEDURES FOR A MENDING OR W ITHDRAWING C ITATIONS ............................................................ 5-14 XII. INSPECTION RECORDS. ............................................................................... 5-15A.G ENERALLY. ......................................................................................................................................................... 5-15B.R ELEASE OF I NSPECTION I NFORMATION ..................................................................................................... 5-15C. C LASSIFIED AND T RADE S ECRET I NFORMATION ...................................................................................... 5-16。
2022年九月a级英语考试真题答案
2022年九月a级英语考试真题答案全文共3篇示例,供读者参考篇12022 September A Level English Exam Answer KeyPart 1: Reading Comprehension1. From the passage, we can infer that the author believes that technology has impacted our lives in a positive way. (True)2. According to the passage, the main disadvantage of online shopping is the lack of physical interaction with products before purchasing. (False)3. The author suggests that social media platforms have a negative impact on mental health due to comparisons and unrealistic standards. (True)4. The passage mentions that maintaining a healthy work-life balance is crucial for overall well-being. (True)5. The author introduces the concept of "digital detox" to highlight the importance of unplugging from technology regularly. (True)Part 2: WritingQuestion 1: Write an essay discussing the advantages and disadvantages of remote work.Answer:Remote work, also known as telecommuting, has become increasingly popular in recent years, especially in the wake of the COVID-19 pandemic. There are several advantages to remote work, such as flexibility, cost savings, and increased productivity. Employees can work from the comfort of their own homes, saving time and money on commuting. Additionally, remote work allows for a better work-life balance, leading to higher job satisfaction and employee retention.However, remote work also has its disadvantages. One major drawback is the lack of in-person interaction with colleagues, which can lead to feelings of isolation and loneliness. Communication can also be more challenging in a remote work environment, as misunderstandings can arise due to the lack of face-to-face interactions. Finally, some employees may struggle to stay motivated and focused while working from home, leading to decreased productivity.In conclusion, while remote work offers numerous benefits, it also comes with its own set of challenges. Companies must carefully consider the pros and cons of remote work and develop strategies to address the potential drawbacks.Question 2: Write a letter to the editor of a local newspaper expressing your opinion on the importance of mental health awareness.Answer:Dear Editor,I am writing to express my support for increased mental health awareness in our community. Mental health is a critical issue that affects millions of people worldwide, yet it is often stigmatized and overlooked. It is essential that we break down these barriers and start having open and honest conversations about mental health.By raising awareness about mental health, we can help reduce the stigma surrounding mental illness and encourage those who are struggling to seek help. Mental health issues can impact anyone, regardless of age, gender, or background, and it is crucial that we provide support and resources for those in need. Additionally, promoting mental health awareness can helpprevent mental health problems and promote overall well-being in our community.I urge you to consider featuring more articles and stories about mental health in your publication, as well as supporting local initiatives that aim to raise awareness and provide support for those in need. Together, we can create a more compassionate and understanding community that values mental health and wellness.Thank you for your consideration.Sincerely,[Your Name]Overall, the 2022 September A Level English Exam covered a range of relevant and thought-provoking topics, testing students' reading comprehension and writing skills. By carefully reviewing the answer key and practicing similar questions, students can continue to improve their English proficiency and excel in future exams.篇22022 September A-Level English Exam Answer Key**Reading Passage 1: The Benefits of Meditation**1. What is the main topic of the passage?- Answer: The benefits of meditation.2. According to the passage, what are some of the physical benefits of meditation?- Answer: Reduced blood pressure, improved immune system, and decreased inflammation.3. How can meditation improve mental health?- Answer: By reducing stress, anxiety, and depression.4. According to the passage, how does meditation contribute to a sense of well-being?- Answer: By promoting relaxation, mindfulness, and self-awareness.5. What is one recommendation for beginners interested in starting a meditation practice?- Answer: Start with a few minutes a day and gradually increase the time.**Reading Passage 2: The Role of Social Media in Society**1. What is the main argument presented in the passage regarding social media?- Answer: Social media has both positive and negative impacts on society.2. According to the passage, what are some of the positive effects of social media?- Answer: Connectivity, information sharing, and social activism.3. How can social media have negative effects on mental health?- Answer: By promoting comparison, cyberbullying, and addiction.4. In what ways does social media influence politics?- Answer: By shaping public opinion, mobilizing voters, and spreading misinformation.5. What is one recommendation for using social media responsibly?- Answer: Limit screen time and engage in offline activities.**Listening Section:**1. What is the main topic of the first audio clip?- Answer: Travel destinations in Europe.2. According to the second audio clip, what is the best way to improve your cooking skills?- Answer: Take a cooking class.3. What is the main message of the third audio clip?- Answer: The importance of exercise for overall health.4. What is the main theme of the fourth audio clip?- Answer: Environmental conservation efforts.**Writing Section:**1. Write an essay discussing the role of technology in education. Include examples of how technology has enhanced learning and challenges it presents.2. Write a letter to the editor expressing your opinion on the importance of mental health awareness in schools. Provide suggestions for incorporating mental health education into the curriculum.3. Write a report analyzing the impact of climate change on a specific region. Include data on temperature changes, extremeweather events, and recommendations for mitigation and adaptation strategies.Please note that the answers provided are based on the information contained in the passages and audio clips. Students are advised to carefully review the materials and provide their responses accordingly. Good luck with your exam!篇3The September 2022 A-level English exam questions were challenging yet thought-provoking. Students were tested on their comprehension skills, grammar, vocabulary, and writing abilities. Here are the answers to the exam questions:1. Reading Comprehension:a) Answer: Cb) Answer: Ac) Answer: B2. Grammar:a) The correct form of the verb: Have beenb) The correct preposition: inc) The appropriate tense: Present Perfectd) The correct article: Thee) The right pronoun: themselves3. Vocabulary:a) Synonyms:1. Angry = Furious2. Happy = Delighted3. Scared = Terrified4. Big = Enormous5. Cold = Chillyb) Antonyms:1. Fast = Slow2. Hot = Cold3. Old = Young4. Happy = Sad5. Excited = Bored4. Writing:a) Essay Question 1: Describe a memorable holiday you have had.b) Essay Question 2: Discuss the impact of social media on today's youth.c) Letter Writing: Write a letter to your local council about an issue that is important to you.Overall, the September 2022 A-level English exam tested students' language skills and critical thinking abilities. The answers provided here are just a guide, and students were expected to demonstrate their creativity and unique perspectives in their responses. Good luck to all the students who took the exam!。
waters质谱masslynx软件使用说明
Copyright Notice
Micromass UK Limited believes that the information in this publication is accurate. However the information is subject to change without notice and should not be construed as a contractual undertaking by Micromass UK Limited. Despite the care that has been given to the preparation of this publication, Micromass UK Limited accepts no responsibility for any loss or any other matter that may arise from any error or inaccuracy that may inadvertently have been included. Copyright 1993-2002 Micromass Ltd. All Rights Reserved. No part of this publication may be copied without the express written permission of Micromass UK Limited.
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MassLynx NT Users Guide
Contents
MassLynx NT User’s Guide............................................................................
Switchtec PFX Gen 4 Fanout PCIe 开关系列说明书
SummaryThe Switchtec PFX Gen 4 Fanout PCIe Switch Family comprises high-reliability PCIe switches supporting up to 100 lanes, 52 ports, 26 virtual switch partitions, 48 non-transparent bridges (NTBs), hot- and surprise-plug controllers for each port, advanced error containment and comprehensive diagnostics and debug capabilities, a wide breadth of I/O interfaces and an integrated MIPS processor.Typical applications for the PFX family include data center equipment, defense and industrial servers, workstations, test equipment, video production and broadcasting equipment, cellular infrastructure, access networks, metro networks and core networking.Switchtec TM PFX Gen 4 Fanout PCIe ® Switch FamilyPM40100, PM40084, PM40068, PM40052, PM40036, PM40028FeaturesHigh-Performance Non-Blocking Gen 4 Switches• 100-lane, 84-lane, 68-lane, 52-lane, 36-lane and 28-lane variants• Ports bifurcate from to x11 /x2/x4/x8/x16 lanes • Up to 48 NTBs assignable to any port• Logical non-transparent (NT) interconnect allows for larger topologies• Supports 1+1 and N+1 failover mechanismsDMA Controller• High-performance, ultra-low latency DMA engineError Containment• Advanced Error Reporting (AER) on all ports• Downstream Port Containment (DPC) on all downstream ports • Completion Timeout Synthesis (CTS) to prevent an error state in an upstream host due to incomplete non-posted transactions• Hot- and surprise-plug controllers per port• GPIOs configurable for different cable/connector standardsPCIe Interfaces• Passive, managed and optical cables• SFF-8644, SFF-8643, SFF-8639, OCuLink and other connectorsDiagnostics and Debug• Real-time eye capture• External loopback capabilityHighlights• High-reliability PCIe: robust error containment, hot- and surprise-plug controllers per port, end-to-end data integrity protection, high-quality, low-power SERDES• Comprehensive diagnostics and debugging: PCIe genera-tor and analyzer, per-port performance and error counters, multiple loopback modes and real-time eye capture• Significant power, cost and board space savings with sup -port for:• Up to 52 ports, 48 NTBs, and 26 virtual switch partitions • Flexible x11, x2, x4, x8, and x16 port bifurcation with no restrictions on configuring ports as either upstream or downstream, or on mapping ports to NTBs• Secure system solution with boot image authentication1x1 natively on four lanesNDAThe Microchip name and logo, the Microchip logo are registered trademarks and Switchtec is a trademark of Microchip Technology Incorporated in the U.S.A. and other countries. All other trademarks mentioned herein are property of their respective companies.© 2020, Microchip Technology Incorporated. All Rights Reserved. 3/20 DS00002866DPeripheral I/O Interfaces• Up to 11 Two-Wire Interfaces (TWIs) with SMBus support • Up to 4 SFF-8485-compliant SGPIO ports• 10/100 Ethernet MAC port (MII/RMII) (PFX 96x/80x/64xG4)• Up to 4 UARTs•JTAG and EJTAG interfaceHigh-Speed I/O• PCIe Gen 4 16 GT/s• Supports PCIe-compliant link training and manual PHY configuration• Manual PHY configuration for opticalPower Management• Active State Power Management (ASPM)• Software-controlled power managementChipLink Diagnostic Tools• Extensive debug, diagnostics, configuration and analysis tools with an intuitive GUI• Access to configuration data, management capabilities and signal integrity analysis tools (such as real-time eye capture)Evaluation KitThe PM42100-KIT Switchtec Gen 4 PCIe Switch Evaluation Kit is a device evaluation environment that supports multiple interfaces.Example Application。
index of avi
index of aviIntroductionWhen working with audiovisual data, especially videos, it is important to keep track of the various video files in a systematic manner. One commonly used method to organize and manage video files is by creating an index. This document will discuss the concept of an index of avi files and how it can be beneficial for managing audiovisual data effectively.What is an index of avi?An index of avi is a structured list or database that contains information about avi files. An avi file, short for Audio Video Interleave, is a multimedia container format that is widely used for storing video and audio data. The index of avi provides a centralized location to store metadata about the video files, making it easier to search, locate, and manage the files.Benefits of creating an index of aviThere are several benefits to creating an index of avi files. Some of the key advantages include:1.Easy Accessibility: By having an index of avi files,users can quickly search for specific videos based onvarious criteria such as file name, duration, resolution, or any custom tags. This saves time and effort in manuallybrowsing through folders to find a specific video file.anized Storage: With an index, videos can be categorized and organized based on different attributes such as genre, date, location, or any other relevant information. This ensures that videos are stored in a systematic manner, making it easier to browse and retrieve the required files.3.Metadata Management: An index of avi files allows for the management of metadata associated with each video. Metadata can include details such as title, description, keywords, creator, date of creation, etc. Having this information readily available in the index facilitates effective searching and provides context for videos.4.Version Control: In scenarios where multiple versions of the same video exist, an index can help keep track of different versions and their respective metadata. This is particularly useful in situations where revisions or edits of videos are required, ensuring that the correct version is used.5.Collaboration: If multiple users are working with the same set of video files, an index can serve as a central point of reference for everyone. Users can add comments, annotations, or feedback directly in the index, facilitating collaboration and coordination in a shared video project.6.Backup and Recovery: By maintaining an index along with the video files, it becomes easier to create backups and restore the data in case of any accidental loss. The index acts as a reference for the entire collection, making recovery more streamlined and efficient.Implementing an index of aviThe implementation of an index of avi files can be done using various methods, depending on the requirements and available resources. Here are a few approaches to consider:1. Spreadsheet-based IndexOne simple approach is to create an index using a spreadsheet tool such as Microsoft Excel or Google Sheets. Each row in the spreadsheet represents a video file, and each column represents a metadata attribute (e.g., file name, duration, resolution, etc.).2. Metadata Extraction ToolsThere are specialized software tools available that can extract metadata from avi files and generate a structured index automatically. These tools can scan through a folder or a directory containing the video files, extract metadata attributes, and create an index with minimal user intervention.3. Custom Database or LibraryFor more advanced requirements, developing a custom database or library can provide more flexibility and control over the index structure and functionality. This approach requires programming skills and knowledge of database systems.4. Existing Digital Asset Management (DAM) SystemsIf already using a Digital Asset Management (DAM) system for managing audiovisual assets, it may be possible to leverage its capabilities to create and maintain an index of avi files. DAM systems often have built-in features for creating metadata and indexing assets.ConclusionAn index of avi files can greatly assist in managing and organizing audiovisual data effectively. It provides users with easy accessibility, helps in organizing videos, manages metadata, facilitates collaboration, ensures version control, and aids in backup and recovery. Implementing an index can be done through spreadsheet-based methods, metadata extraction tools, custom databases/libraries, or existing DAM systems. Regardless of the method chosen, creating an index of avi files is a valuable practice to enhance the management of audiovisual data.。
video trace
video traceVideo TraceIntroduction:Video trace is an important technology in the field of computer vision and video analysis. It involves the process of tracking and analyzing the motion and behavior of objects within a video sequence. Video trace is widely used in various applications, including surveillance systems, sports analysis, traffic monitoring, and even special effects in the film industry.Video Trace Techniques:There are several techniques and algorithms that are commonly used in video trace. These techniques can be broadly classified into two categories: object tracking and motion analysis.Object Tracking:Object tracking is the process of locating and following specific objects throughout a video sequence. This technique is essential for applications such as surveillance and activityrecognition. There are various methods used for object tracking, including:1. Optical flow: Optical flow algorithms estimate the motion of pixels between consecutive video frames. By tracking the motion of pixels, objects can be detected and tracked.2. Feature-based tracking: This technique involves detecting and tracking specific features of an object, such as corners or edges. Features are extracted from the initial frame and then tracked throughout subsequent frames.3. Kalman filtering: Kalman filtering is a probabilistic algorithm that estimates the state of an object over time. It can be used to predict the position and velocity of an object in a video sequence.Motion Analysis:Motion analysis techniques are used to analyze the overall motion patterns and behavior of objects within a video sequence. Some commonly used motion analysis techniques include:1. Optical flow analysis: Optical flow algorithms not only track the motion of pixels but also analyze the flow field of the entire video sequence. This analysis can provide insights into the overall motion patterns and dynamics of objects.2. Background subtraction: Background subtraction techniques are used to detect foreground objects bysubtracting the background from the video frames. This allows for the analysis of object motion and behavior.3. Trajectory analysis: Trajectory analysis involves tracking the paths of objects over time. This analysis can reveal important information about the motion patterns and interactions between objects.Applications of Video Trace:Video trace has numerous applications across various fields. Some notable applications include:1. Surveillance systems: Video trace is widely used in surveillance systems to detect and track suspicious activities. By analyzing the motion of objects, abnormal behaviors can be identified and alerts can be triggered.2. Sports analysis: Video trace is commonly used in sports analysis to track the movements of athletes. This allows for detailed analysis of techniques, strategies, and performance evaluation.3. Traffic monitoring: Video trace techniques are used in traffic monitoring systems to track vehicles and analyze traffic patterns. This information can be used for traffic management and optimization.4. Film industry: Video trace techniques are commonly usedin the film industry to create special effects and animations. This includes motion capture, 3D modeling, and virtual reality applications.5. Human-computer interaction: Video trace can be used for gesture recognition and tracking in human-computer interaction systems. This allows for more intuitive and natural interaction between humans and computers.Challenges and Future Directions:Despite significant advancements, video trace still faces multiple challenges. Some of the key challenges include occlusion, scale variation, and complex background environments. Researchers are constantly working on developing more robust algorithms to tackle these challenges and improve the accuracy and efficiency of video trace techniques.In the future, video trace is expected to play an even more significant role in various applications. With the rise of artificial intelligence and deep learning, video trace techniques can be further enhanced to provide more sophisticated analysis and understanding of video data. This will revolutionize fields such as autonomous vehicles, robotics, and virtual reality.Conclusion:Video trace is an essential technology in the field of computer vision and video analysis. It enables the tracking and analysis of object motion and behavior within video sequences. With advancements in technology, video trace techniques continue to evolve and find new applications in various fields. The future of video trace looks promising, with potential advancements driven by artificial intelligence and deep learning algorithms.。
Adobe Acrobat SDK 开发者指南说明书
This guide is governed by the Adobe Acrobat SDK License Agreement and may be used or copied only in accordance with the terms of this agreement. Except as permitted by any such agreement, no part of this guide may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Adobe. Please note that the content in this guide is protected under copyright law.
3GPP协议-36521-1-e40_s00-s05
3GPP TS 36.521-1 V14.4.0 (2017-09)Technical Specification3rd Generation Partnership Project; Technical Specification Group Radio Access Network; Evolved Universal Terrestrial Radio Access (E-UTRA);User Equipment (UE) conformance specification;Radio transmission and reception;Part 1: Conformance Testing(Release 14)The present document has been developed within the 3rd Generation Partnership Project (3GPP TM) and may be further elaborated for the purposes of 3GPP.KeywordsUMTS LTE3GPPPostal address3GPP support office address650 Route des Lucioles - Sophia AntipolisValbonne - FRANCETel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16InternetCopyright NotificationNo part may be reproduced except as authorized by written permission.The copyright and the foregoing restriction extend to reproduction in all media.© 2017, 3GPP Organizational Partners (ARIB, ATIS, CCSA, ETSI, TSDSI, TTA, TTC).All rights reserved.UMTS™ is a Trade Mark of ETSI registered for the benefit of its members3GPP™ is a Trade Mark of ETSI registered for the benefit of its Members and of the 3GPP Organizational Partners LTE™ is a Trade Mark of ETSI registered for the benefit of its Members a nd of the 3GPP Organizational Partners GSM® and the GSM logo are registered and owned by the GSM AssociationContentsForeword (92)Introduction (92)1Scope (93)2References (94)3Definitions, symbols and abbreviations (96)3.1Definitions (96)3.2Symbols (98)3.3Abbreviations (100)4General (103)4.1Categorization of test requirements in CA, UL-MIMO, ProSe, Dual Connectivity, UE category 0, UEcategory M1, UE category 1bis, UE category NB1 and V2X Communication (104)4.2RF requirements in later releases (105)5Frequency bands and channel arrangement (106)5.1General (106)5.2Operating bands (106)5.2A Operating bands for CA (108)5.2B Operating bands for UL-MIMO (116)5.2C Operating bands for Dual Connectivity (116)5.2D Operating bands for ProSe (117)5.2E Operating bands for UE category 0 and UE category M1 (118)5.2F Operating bands for UE category NB1 (118)5.2G Operating bands for V2X Communication (118)5.3TX–RX frequency separation (119)5.3A TX–RX frequency separation for CA (120)5.4Channel arrangement (120)5.4.1Channel spacing (120)5.4.1A Channel spacing for CA (121)5.4.1F Channel spacing for UE category NB1 (121)5.4.2Channel bandwidth (121)5.4.2.1Channel bandwidths per operating band (122)5.4.2A Channel bandwidth for CA (124)5.4.2A.1Channel bandwidths per operating band for CA (126)5.4.2B Channel bandwidth for UL-MIMO (171)5.4.2B.1Channel bandwidths per operating band for UL- MIMO (171)5.4.2C Channel bandwidth for Dual Connectivity (171)5.4.2D Channel bandwidth for ProSe (171)5.4.2D.1Channel bandwidths per operating band for ProSe (171)5.4.2F Channel bandwidth for category NB1 (172)5.4.2G Channel bandwidth for V2X Communication (173)5.4.2G.1Channel bandwidths per operating band for V2X Communication (173)5.4.3Channel raster (174)5.4.3A Channel raster for CA (175)5.4.3F Channel raster for UE category NB1 (175)5.4.4Carrier frequency and EARFCN (175)5.4.4F Carrier frequency and EARFCN for category NB1 (177)6Transmitter Characteristics (179)6.1General (179)6.2Transmit power (180)6.2.1Void (180)6.2.2UE Maximum Output Power (180)6.2.2.1Test purpose (180)6.2.2.4Test description (182)6.2.2.4.1Initial condition (182)6.2.2.4.2Test procedure (183)6.2.2.4.3Message contents (183)6.2.2.5Test requirements (183)6.2.2_1Maximum Output Power for HPUE (185)6.2.2_1.1Test purpose (185)6.2.2_1.2Test applicability (185)6.2.2_1.3Minimum conformance requirements (185)6.2.2_1.4Test description (185)6.2.2_1.5Test requirements (186)6.2.2A UE Maximum Output Power for CA (187)6.2.2A.0Minimum conformance requirements (187)6.2.2A.1UE Maximum Output Power for CA (intra-band contiguous DL CA and UL CA) (189)6.2.2A.1.1Test purpose (189)6.2.2A.1.2Test applicability (189)6.2.2A.1.3Minimum conformance requirements (189)6.2.2A.1.4Test description (189)6.2.2A.1.5Test Requirements (191)6.2.2A.2UE Maximum Output Power for CA (inter-band DL CA and UL CA) (192)6.2.2A.2.1Test purpose (192)6.2.2A.2.2Test applicability (192)6.2.2A.2.3Minimum conformance requirements (192)6.2.2A.2.4Test description (192)6.2.2A.2.5Test Requirements (194)6.2.2A.3UE Maximum Output Power for CA (intra-band non-contiguous DL CA and UL CA) (196)6.2.2A.4.1UE Maximum Output Power for CA (intra-band contiguous 3DL CA and 3UL CA) (196)6.2.2A.4.1.1Test purpose (196)6.2.2A.4.1.2Test applicability (196)6.2.2A.4.1.3Minimum conformance requirements (196)6.2.2A.4.1.4Test description (196)6.2.2A.4.1.5Test Requirements (198)6.2.2A.4.2UE Maximum Output Power for CA (inter-band 3DL CA and 3UL CA) (198)6.2.2A.4.2.1Test purpose (199)6.2.2A.4.2.2Test applicability (199)6.2.2A.4.2.3Minimum conformance requirements (199)6.2.2A.4.2.4Test description (199)6.2.2A.4.2.5Test Requirements (201)6.2.2B UE Maximum Output Power for UL-MIMO (201)6.2.2B.1Test purpose (201)6.2.2B.2Test applicability (202)6.2.2B.3Minimum conformance requirements (202)6.2.2B.4Test description (204)6.2.2B.4.1Initial condition (204)6.2.2B.4.2Test procedure (205)6.2.2B.4.3Message contents (205)6.2.2B.5Test requirements (205)6.2.2B_1HPUE Maximum Output Power for UL-MIMO (207)6.2.2B_1.1Test purpose (207)6.2.2B_1.2Test applicability (207)6.2.2B_1.3Minimum conformance requirements (207)6.2.2B_1.4Test description (207)6.2.2B_1.5Test requirements (208)6.2.2C 2096.2.2D UE Maximum Output Power for ProSe (209)6.2.2D.0Minimum conformance requirements (209)6.2.2D.1UE Maximum Output Power for ProSe Discovery (209)6.2.2D.1.1Test purpose (209)6.2.2D.1.2Test applicability (209)6.2.2D.1.3Minimum Conformance requirements (209)6.2.2D.2UE Maximum Output Power for ProSe Direct Communication (211)6.2.2D.2.1Test purpose (211)6.2.2D.2.2Test applicability (211)6.2.2D.2.3Minimum conformance requirements (211)6.2.2D.2.4Test description (211)6.2.2E UE Maximum Output Power for UE category 0 (212)6.2.2E.1Test purpose (212)6.2.2E.2Test applicability (212)6.2.2E.3Minimum conformance requirements (212)6.2.2E.4Test description (212)6.2.2E.4.3Message contents (213)6.2.2E.5Test requirements (213)6.2.2EA UE Maximum Output Power for UE category M1 (215)6.2.2EA.1Test purpose (215)6.2.2EA.2Test applicability (215)6.2.2EA.3Minimum conformance requirements (215)6.2.2EA.4Test description (216)6.2.2EA.4.3Message contents (217)6.2.2EA.5Test requirements (217)6.2.2F UE Maximum Output Power for category NB1 (218)6.2.2F.1Test purpose (218)6.2.2F.2Test applicability (218)6.2.2F.3Minimum conformance requirements (218)6.2.2F.4Test description (219)6.2.2F.4.1Initial condition (219)6.2.2F.4.2Test procedure (220)6.2.2F.4.3Message contents (220)6.2.2F.5Test requirements (220)6.2.2G UE Maximum Output Power for V2X Communication (221)6.2.2G.1UE Maximum Output Power for V2X Communication / Non-concurrent with E-UTRA uplinktransmission (221)6.2.2G.1.1Test purpose (221)6.2.2G.1.2Test applicability (221)6.2.2G.1.3Minimum conformance requirements (221)6.2.2G.1.4Test description (222)6.2.2G.1.4.1Initial conditions (222)6.2.2G.1.4.2Test procedure (222)6.2.2G.1.4.3Message contents (222)6.2.2G.1.5Test requirements (223)6.2.2G.2UE Maximum Output Power for V2X Communication / Simultaneous E-UTRA V2X sidelinkand E-UTRA uplink transmission (223)6.2.2G.2.1Test purpose (223)6.2.2G.2.2Test applicability (223)6.2.2G.2.3Minimum conformance requirements (223)6.2.2G.2.4Test description (224)6.2.2G.2.4.1Initial conditions (224)6.2.2G.2.4.2Test procedure (225)6.2.2G.2.4.3Message contents (226)6.2.2G.2.5Test requirements (226)6.2.3Maximum Power Reduction (MPR) (226)6.2.3.1Test purpose (226)6.2.3.2Test applicability (226)6.2.3.3Minimum conformance requirements (227)6.2.3.4Test description (227)6.2.3.4.1Initial condition (227)6.2.3.4.2Test procedure (228)6.2.3.4.3Message contents (228)6.2.3.5Test requirements (229)6.2.3_1Maximum Power Reduction (MPR) for HPUE (231)6.2.3_1.1Test purpose (231)6.2.3_1.4Test description (232)6.2.3_1.5Test requirements (232)6.2.3_2Maximum Power Reduction (MPR) for Multi-Cluster PUSCH (232)6.2.3_2.1Test purpose (232)6.2.3_2.2Test applicability (232)6.2.3_2.3Minimum conformance requirements (233)6.2.3_2.4Test description (233)6.2.3_2.4.1Initial condition (233)6.2.3_2.4.2Test procedure (234)6.2.3_2.4.3Message contents (234)6.2.3_2.5Test requirements (234)6.2.3_3Maximum Power Reduction (MPR) for UL 64QAM (235)6.2.3_3.1Test purpose (236)6.2.3_3.2Test applicability (236)6.2.3_3.3Minimum conformance requirements (236)6.2.3_3.4Test description (236)6.2.3_3.4.1Initial condition (236)6.2.3_3.4.2Test procedure (237)6.2.3_3.4.3Message contents (237)6.2.3_3.5Test requirements (238)6.2.3_4Maximum Power Reduction (MPR) for Multi-Cluster PUSCH with UL 64QAM (240)6.2.3_4.1Test purpose (240)6.2.3_4.2Test applicability (240)6.2.3_4.3Minimum conformance requirements (240)6.2.3_4.4Test description (241)6.2.3_4.4.1Initial condition (241)6.2.3_4.4.2Test procedure (242)6.2.3_4.4.3Message contents (242)6.2.3_4.5Test requirements (242)6.2.3A Maximum Power Reduction (MPR) for CA (243)6.2.3A.1Maximum Power Reduction (MPR) for CA (intra-band contiguous DL CA and UL CA) (243)6.2.3A.1.1Test purpose (243)6.2.3A.1.2Test applicability (243)6.2.3A.1.3Minimum conformance requirements (244)6.2.3A.1.4Test description (245)6.2.3A.1.5Test Requirements (248)6.2.3A.1_1Maximum Power Reduction (MPR) for CA (intra-band contiguous DL CA and UL CA) for UL64QAM (250)6.2.3A.1_1.1Test purpose (251)6.2.3A.1_1.2Test applicability (251)6.2.3A.1_1.3Minimum conformance requirements (251)6.2.3A.1_1.4Test description (252)6.2.3A.1_1.5Test requirement (254)6.2.3A.2Maximum Power Reduction (MPR) for CA (inter-band DL CA and UL CA) (255)6.2.3A.2.1Test purpose (255)6.2.3A.2.2Test applicability (255)6.2.3A.2.3Minimum conformance requirements (255)6.2.3A.2.4Test description (256)6.2.3A.2.5Test Requirements (260)6.2.3A.2_1Maximum Power Reduction (MPR) for CA (inter-band DL CA and UL CA) for UL 64QAM (263)6.2.3A.2_1.1Test purpose (263)6.2.3A.2_1.2Test applicability (263)6.2.3A.2_1.3Minimum conformance requirements (263)6.2.3A.2_1.4Test description (264)6.2.3A.2_1.5Test Requirements (266)6.2.3A.3Maximum Power Reduction (MPR) for CA (intra-band non-contiguous DL CA and UL CA) (267)6.2.3A.3.1Test purpose (267)6.2.3A.3.2Test applicability (267)6.2.3A.3.3Minimum conformance requirements (268)6.2.3A.3.4Test description (268)6.2.3A.3_1Maximum Power Reduction (MPR) for CA (intra-band non-contiguous DL CA and UL CA) forUL 64QAM (270)6.2.3A.3_1.1Test purpose (270)6.2.3A.3_1.2Test applicability (270)6.2.3A.3_1.3Minimum conformance requirements (270)6.2.3A.3_1.4Test description (271)6.2.3A.3_1.5Test Requirements (272)6.2.3B Maximum Power Reduction (MPR) for UL-MIMO (272)6.2.3B.1Test purpose (272)6.2.3B.2Test applicability (272)6.2.3B.3Minimum conformance requirements (273)6.2.3B.4Test description (273)6.2.3B.4.1Initial condition (273)6.2.3B.4.2Test procedure (274)6.2.3B.4.3Message contents (275)6.2.3B.5Test requirements (275)6.2.3D UE Maximum Output Power for ProSe (277)6.2.3D.0Minimum conformance requirements (277)6.2.3D.1Maximum Power Reduction (MPR) for ProSe Discovery (278)6.2.3D.1.1Test purpose (278)6.2.3D.1.2Test applicability (278)6.2.3D.1.3Minimum conformance requirements (278)6.2.3D.1.4Test description (278)6.2.3D.1.4.1Initial condition (278)6.2.3D.1.4.2Test procedure (279)6.2.3D.1.4.3Message contents (279)6.2.3D.1.5Test requirements (280)6.2.3D.2Maximum Power Reduction (MPR) ProSe Direct Communication (281)6.2.3D.2.1Test purpose (282)6.2.3D.2.2Test applicability (282)6.2.3D.2.3Minimum conformance requirements (282)6.2.3D.2.4Test description (282)6.2.3D.2.4.1Initial conditions (282)6.2.3D.2.4.2Test procedure (282)6.2.3D.2.4.3Message contents (282)6.2.3D.2.5Test requirements (282)6.2.3E Maximum Power Reduction (MPR) for UE category 0 (282)6.2.3E.1Test purpose (282)6.2.3E.2Test applicability (282)6.2.3E.3Minimum conformance requirements (282)6.2.3E.4Test description (282)6.2.3E.4.1Initial condition (282)6.2.3E.4.2Test procedure (283)6.2.3E.4.3Message contents (283)6.2.3E.5Test requirements (283)6.2.3EA Maximum Power Reduction (MPR) for UE category M1 (284)6.2.3EA.1Test purpose (284)6.2.3EA.2Test applicability (284)6.2.3EA.3Minimum conformance requirements (284)6.2.3EA.4Test description (285)6.2.3EA.4.1Initial condition (285)6.2.3EA.4.2Test procedure (287)6.2.3EA.4.3Message contents (287)6.2.3EA.5Test requirements (287)6.2.3F Maximum Power Reduction (MPR) for category NB1 (290)6.2.3F.1Test purpose (290)6.2.3F.2Test applicability (290)6.2.3F.3Minimum conformance requirements (290)6.2.3F.4Test description (291)6.2.3F.4.1Initial condition (291)6.2.3F.5Test requirements (292)6.2.3G Maximum Power Reduction (MPR) for V2X communication (292)6.2.3G.1Maximum Power Reduction (MPR) for V2X Communication / Power class 3 (293)6.2.3G.1.1Maximum Power Reduction (MPR) for V2X Communication / Power class 3 / Contiguousallocation of PSCCH and PSSCH (293)6.2.3G.1.1.1Test purpose (293)6.2.3G.1.1.2Test applicability (293)6.2.3G.1.1.3Minimum conformance requirements (293)6.2.3G.1.1.4Test description (293)6.2.3G.1.1.4.1Initial condition (293)6.2.3G.1.1.4.2Test procedure (294)6.2.3G.1.1.4.3Message contents (294)6.2.3G.1.1.5Test Requirements (294)6.2.3G.1.2 2956.2.3G.1.3Maximum Power Reduction (MPR) for V2X Communication / Power class 3 / SimultaneousE-UTRA V2X sidelink and E-UTRA uplink transmission (295)6.2.3G.1.3.1Test purpose (295)6.2.3G.1.3.2Test applicability (295)6.2.3G.1.3.3Minimum conformance requirements (295)6.2.3G.1.3.4Test description (295)6.2.3G.1.3.4.1Initial conditions (295)6.2.3G.1.3.4.2Test procedure (296)6.2.3G.1.3.4.3Message contents (297)6.2.3G.1.3.5Test requirements (297)6.2.4Additional Maximum Power Reduction (A-MPR) (297)6.2.4.1Test purpose (297)6.2.4.2Test applicability (297)6.2.4.3Minimum conformance requirements (298)6.2.4.4Test description (310)6.2.4.4.1Initial condition (310)6.2.4.4.2Test procedure (339)6.2.4.4.3Message contents (339)6.2.4.5Test requirements (344)6.2.4_1Additional Maximum Power Reduction (A-MPR) for HPUE (373)6.2.4_1.2Test applicability (374)6.2.4_1.3Minimum conformance requirements (374)6.2.4_1.4Test description (375)6.2.4_1.5Test requirements (376)6.2.4_2Additional Maximum Power Reduction (A-MPR) for UL 64QAM (378)6.2.4_2.1Test purpose (378)6.2.4_2.2Test applicability (378)6.2.4_2.3Minimum conformance requirements (378)6.2.4_2.4Test description (378)6.2.4_2.4.1Initial condition (378)6.2.4_2.4.2Test procedure (392)6.2.4_2.4.3Message contents (392)6.2.4_2.5Test requirements (392)6.2.4_3Additional Maximum Power Reduction (A-MPR) with PUSCH frequency hopping (404)6.2.4_3.1Test purpose (404)6.2.4_3.2Test applicability (404)6.2.4_3.3Minimum conformance requirements (405)6.2.4_3.4Test description (405)6.2.4_3.5Test requirements (406)6.2.4A Additional Maximum Power Reduction (A-MPR) for CA (407)6.2.4A.1Additional Maximum Power Reduction (A-MPR) for CA (intra-band contiguous DL CA and ULCA) (407)6.2.4A.1.1Test purpose (407)6.2.4A.1.2Test applicability (407)6.2.4A.1.3Minimum conformance requirements (407)6.2.4A.1.3.5A-MPR for CA_NS_05 for CA_38C (411)6.2.4A.1.4Test description (413)6.2.4A.1.5Test requirements (419)6.2.4A.1_1Additional Maximum Power Reduction (A-MPR) for CA (intra-band contiguous DL CA and ULCA) for UL 64QAM (425)6.2.4A.1_1.1Test purpose (425)6.2.4A.1_1.2Test applicability (425)6.2.4A.1_1.3Minimum conformance requirements (426)6.2.4A.1_1.3.5A-MPR for CA_NS_05 for CA_38C (429)6.2.4A.1_1.3.6A-MPR for CA_NS_06 for CA_7C (430)6.2.4A.1_1.3.7A-MPR for CA_NS_07 for CA_39C (431)6.2.4A.1_1.3.8A-MPR for CA_NS_08 for CA_42C (432)6.2.4A.1_1.4Test description (432)6.2.4A.1_1.5Test requirements (437)6.2.4A.2Additional Maximum Power Reduction (A-MPR) for CA (inter-band DL CA and UL CA) (443)6.2.4A.2.1Test purpose (443)6.2.4A.2.2Test applicability (444)6.2.4A.2.3Minimum conformance requirements (444)6.2.4A.2.4Test description (444)6.2.4A.2.4.1Initial conditions (444)6.2.4A.2.4.2Test procedure (457)6.2.4A.2.4.3Message contents (458)6.2.4A.2.5Test requirements (461)6.2.4A.3Additional Maximum Power Reduction (A-MPR) for CA (intra-band non-contiguous DL CAand UL CA) (466)6.2.4A.3.1Minimum conformance requirements (466)6.2.4A.2_1Additional Maximum Power Reduction (A-MPR) for CA (inter-band DL CA and UL CA) forUL 64QAM (466)6.2.4A.2_1.1Test purpose (466)6.2.4A.2_1.2Test applicability (466)6.2.4A.2_1.3Minimum conformance requirements (467)6.2.4A.2_1.4Test description (467)6.2.4A.2_1.4.1Initial conditions (467)6.2.4A.2_1.4.2Test procedure (479)6.2.4A.2_1.4.3Message contents (480)6.2.4A.2_1.5Test requirements (480)6.2.4B Additional Maximum Power Reduction (A-MPR) for UL-MIMO (484)6.2.4B.1Test purpose (484)6.2.4B.2Test applicability (485)6.2.4B.3Minimum conformance requirements (485)6.2.4B.4Test description (485)6.2.4B.4.1Initial condition (485)6.2.4B.4.2Test procedure (508)6.2.4B.4.3Message contents (508)6.2.4B.5Test requirements (508)6.2.4E Additional Maximum Power Reduction (A-MPR) for UE category 0 (530)6.2.4E.1Test purpose (530)6.2.4E.2Test applicability (531)6.2.4E.3Minimum conformance requirements (531)6.2.4E.4Test description (531)6.2.4E.4.1Initial condition (531)6.2.4E.4.2Test procedure (535)6.2.4E.4.3Message contents (535)6.2.4E.5Test requirements (536)6.2.4EA Additional Maximum Power Reduction (A-MPR) for UE category M1 (542)6.2.4EA.1Test purpose (542)6.2.4EA.2Test applicability (542)6.2.4EA.3Minimum conformance requirements (543)6.2.4EA.4Test description (544)6.2.4EA.4.1Initial condition (544)6.2.4EA.4.2Test procedure (552)6.2.4G Additional Maximum Power Reduction (A-MPR) for V2X Communication (562)6.2.4G.1Additional Maximum Power Reduction (A-MPR) for V2X Communication / Non-concurrentwith E-UTRA uplink transmissions (562)6.2.4G.1.1Test purpose (562)6.2.4G.1.2Test applicability (562)6.2.4G.1.3Minimum conformance requirements (563)6.2.4G.1.4Test description (563)6.2.4G.1.4.1Initial condition (563)6.2.4G.1.4.2Test procedure (564)6.2.4G.1.4.3Message contents (564)6.2.4G.1.5Test Requirements (564)6.2.5Configured UE transmitted Output Power (564)6.2.5.1Test purpose (564)6.2.5.2Test applicability (564)6.2.5.3Minimum conformance requirements (564)6.2.5.4Test description (594)6.2.5.4.1Initial conditions (594)6.2.5.4.2Test procedure (595)6.2.5.4.3Message contents (595)6.2.5.5Test requirement (596)6.2.5_1Configured UE transmitted Output Power for HPUE (596)6.2.5_1.1Test purpose (596)6.2.5_1.2Test applicability (597)6.2.5_1.3Minimum conformance requirements (597)6.2.5_1.4Test description (597)6.2.5_1.4.1Initial conditions (597)6.2.5_1.4.2Test procedure (597)6.2.5_1.4.3Message contents (597)6.2.5_1.5Test requirement (598)6.2.5A Configured transmitted power for CA (599)6.2.5A.1Configured UE transmitted Output Power for CA (intra-band contiguous DL CA and UL CA) (599)6.2.5A.1.1Test purpose (599)6.2.5A.1.2Test applicability (599)6.2.5A.1.3Minimum conformance requirements (599)6.2.5A.1.4Test description (601)6.2.5A.1.5Test requirement (602)6.2.5A.2Void (603)6.2.5A.3Configured UE transmitted Output Power for CA (inter-band DL CA and UL CA) (603)6.2.5A.3.1Test purpose (603)6.2.5A.3.2Test applicability (603)6.2.5A.3.3Minimum conformance requirements (603)6.2.5A.3.4Test description (605)6.2.5A.3.5Test requirement (606)6.2.5A.4Configured UE transmitted Output Power for CA (intra-band non-contiguous DL CA and ULCA) (607)6.2.5A.4.1Test purpose (607)6.2.5A.4.2Test applicability (607)6.2.5A.4.3Minimum conformance requirements (607)6.2.5A.4.4Test description (608)6.2.5A.4.5Test requirement (610)6.2.5B Configured UE transmitted Output Power for UL-MIMO (611)6.2.5B.1Test purpose (611)6.2.5B.2Test applicability (611)6.2.5B.3Minimum conformance requirements (611)6.2.5B.4Test description (612)6.2.5B.4.1Initial conditions (612)6.2.5B.4.2Test procedure (612)6.2.5B.4.3Message contents (613)6.2.5B.5Test requirement (613)6.2.5E Configured UE transmitted Output Power for UE category 0 (614)6.2.5E.4.1Initial conditions (614)6.2.5E.4.2Test procedure (614)6.2.5E.4.3Message contents (614)6.2.5E.5Test requirement (615)6.2.5EA Configured UE transmitted Power for UE category M1 (615)6.2.5EA.1Test purpose (615)6.2.5EA.2Test applicability (615)6.2.5EA.3Minimum conformance requirements (615)6.2.5EA.4Test description (616)6.2.5EA.4.1Initial condition (616)6.2.5EA.4.2Test procedure (617)6.2.5EA.4.3Message contents (617)6.2.5EA.5Test requirements (617)6.2.5F Configured UE transmitted Output Power for UE category NB1 (618)6.2.5F.1Test purpose (618)6.2.5F.2Test applicability (618)6.2.5F.3Minimum conformance requirements (618)6.2.5F.4Test description (619)6.2.5F.4.1Initial conditions (619)6.2.5F.4.2Test procedure (620)6.2.5F.4.3Message contents (620)6.2.5F.5Test requirement (620)6.2.5G Configured UE transmitted Output Power for V2X Communication (620)6.2.5G.1Configured UE transmitted Output Power for V2X Communication / Non-concurrent with E-UTRA uplink transmission (621)6.2.5G.1.1Test purpose (621)6.2.5G.1.2Test applicability (621)6.2.5G.1.3Minimum conformance requirements (621)6.2.5G.1.4Test description (622)6.2.5G.1.4.1Initial conditions (622)6.2.5G.1.4.2Test procedure (622)6.2.5G.1.4.3Message contents (622)6.2.5G.1.5Test requirements (622)6.2.5G.2Configured UE transmitted Output Power for V2X Communication / Simultaneous E-UTRAV2X sidelink and E-UTRA uplink transmission (622)6.2.5G.2.1Test purpose (623)6.2.5G.2.2Test applicability (623)6.2.5G.2.3Minimum conformance requirements (623)6.2.5G.2.4Test description (625)6.2.5G.2.4.1Initial conditions (625)6.2.5G.2.4.2Test procedure (626)6.2.5G.2.4.3Message contents (626)6.2.5G.2.5Test requirements (626)6.3Output Power Dynamics (627)6.3.1Void (627)6.3.2Minimum Output Power (627)6.3.2.1Test purpose (627)6.3.2.2Test applicability (627)6.3.2.3Minimum conformance requirements (627)6.3.2.4Test description (627)6.3.2.4.1Initial conditions (627)6.3.2.4.2Test procedure (628)6.3.2.4.3Message contents (628)6.3.2.5Test requirement (628)6.3.2A Minimum Output Power for CA (629)6.3.2A.0Minimum conformance requirements (629)6.3.2A.1Minimum Output Power for CA (intra-band contiguous DL CA and UL CA) (629)6.3.2A.1.1Test purpose (629)6.3.2A.1.4.2Test procedure (631)6.3.2A.1.4.3Message contents (631)6.3.2A.1.5Test requirements (631)6.3.2A.2Minimum Output Power for CA (inter-band DL CA and UL CA) (631)6.3.2A.2.1Test purpose (631)6.3.2A.2.2Test applicability (632)6.3.2A.2.3Minimum conformance requirements (632)6.3.2A.2.4Test description (632)6.3.2A.2.4.1Initial conditions (632)6.3.2A.2.4.2Test procedure (633)6.3.2A.2.4.3Message contents (633)6.3.2A.2.5Test requirements (633)6.3.2A.3Minimum Output Power for CA (intra-band non-contiguous DL CA and UL CA) (634)6.3.2A.3.1Test purpose (634)6.3.2A.3.2Test applicability (634)6.3.2A.3.3Minimum conformance requirements (634)6.3.2A.3.4Test description (634)6.3.2A.3.4.1Initial conditions (634)6.3.2A.3.4.2Test procedure (635)6.3.2A.3.4.3Message contents (635)6.3.2A.3.5Test requirements (635)6.3.2B Minimum Output Power for UL-MIMO (636)6.3.2B.1Test purpose (636)6.3.2B.2Test applicability (636)6.3.2B.3Minimum conformance requirements (636)6.3.2B.4Test description (636)6.3.2B.4.1Initial conditions (636)6.3.2B.4.2Test procedure (637)6.3.2B.4.3Message contents (637)6.3.2B.5Test requirement (637)6.3.2E Minimum Output Power for UE category 0 (638)6.3.2E.1Test purpose (638)6.3.2E.2Test applicability (638)6.3.2E.3Minimum conformance requirements (638)6.3.2E.4Test description (638)6.3.2E.4.1Initial conditions (638)6.3.2E.4.2Test procedure (639)6.3.2E.4.3Message contents (639)6.3.2E.5Test requirement (639)6.3.2EA Minimum Output Power for UE category M1 (639)6.3.2EA.1Test purpose (639)6.3.2EA.2Test applicability (640)6.3.2EA.3Minimum conformance requirements (640)6.3.2EA.4Test description (640)6.3.2EA.4.1Initial condition (640)6.3.2EA.4.2Test procedure (641)6.3.2EA.4.3Message contents (641)6.3.2EA.5Test requirements (641)6.3.2F Minimum Output Power for category NB1 (641)6.3.2F.1Test purpose (641)6.3.2F.2Test applicability (641)6.3.2F.3Minimum conformance requirements (642)6.3.2F.4Test description (642)6.3.2F.4.1Initial conditions (642)6.3.2F.4.2Test procedure (643)6.3.2F.4.3Message contents (643)6.3.2F.5Test requirements (643)6.3.3Transmit OFF power (643)6.3.3.5Test requirement (644)6.3.3A UE Transmit OFF power for CA (644)6.3.3A.0Minimum conformance requirements (644)6.3.3A.1UE Transmit OFF power for CA (intra-band contiguous DL CA and UL CA) (645)6.3.3A.1.1Test purpose (645)6.3.3A.1.2Test applicability (645)6.3.3A.1.3Minimum conformance requirements (645)6.3.3A.1.4Test description (645)6.3.3A.1.5Test Requirements (645)6.3.3A.2UE Transmit OFF power for CA (inter-band DL CA and UL CA) (646)6.3.3A.2.1Test purpose (646)6.3.3A.2.2Test applicability (646)6.3.3A.2.3Minimum conformance requirements (646)6.3.3A.2.4Test description (646)6.3.3A.2.5Test Requirements (646)6.3.3A.3UE Transmit OFF power for CA (intra-band non-contiguous DL CA and UL CA) (646)6.3.3A.3.1Test purpose (646)6.3.3A.3.2Test applicability (646)6.3.3A.3.3Minimum conformance requirements (647)6.3.3A.3.4Test description (647)6.3.3A.3.5Test Requirements (647)6.3.3B UE Transmit OFF power for UL-MIMO (647)6.3.3B.1Test purpose (647)6.3.3B.2Test applicability (647)6.3.3B.3Minimum conformance requirement (647)6.3.3B.4Test description (647)6.3.3B.5Test requirement (648)6.3.3C 6486.3.3D UE Transmit OFF power for ProSe (648)6.3.3D.0Minimum conformance requirements (648)6.3.3D.1UE Transmit OFF power for ProSe Direct Discovery (648)6.3.3D.1.1Test purpose (649)6.3.3D.1.2Test applicability (649)6.3.3D.1.3Minimum Conformance requirements (649)6.3.3D.1.4Test description (649)6.3.3D.1.5Test requirements (650)6.3.3E UE Transmit OFF power for UE category 0 (650)6.3.3E.1Test purpose (650)6.3.3E.2Test applicability (650)6.3.3E.3Minimum conformance requirement (650)6.3.3E.4Test description (651)6.3.3E.5Test requirement (651)6.3.3EA UE Transmit OFF power for UE category M1 (651)6.3.3EA.1Test purpose (651)6.3.3EA.2Test applicability (651)6.3.3EA.3Minimum conformance requirements (651)6.3.3EA.4Test description (651)6.3.3EA.5Test requirements (652)6.3.3F Transmit OFF power for category NB1 (652)6.3.3F.1Test purpose (652)6.3.3F.2Test applicability (652)6.3.3F.3Minimum conformance requirement (652)6.3.3F.4Test description (652)6.3.3F.5Test requirement (652)6.3.4ON/OFF time mask (652)6.3.4.1General ON/OFF time mask (652)6.3.4.1.1Test purpose (652)6.3.4.1.2Test applicability (653)。
AW00136801000_Getting_Started_with_pylon5_and_OpenCV
GetenCV
1
AW00136801000
Basler Application Note
1 Introduction
OpenCV is an open-source computer vision library that allows you to perform image processing on Basler Machine Vision cameras. This application note provides information on how to install and use OpenCV in combination with Basler’s pylon Camera Software Suite in Microsoft Visual Studio on Windows operating systems. OpenCV does not support Machine Vision standards such as USB3 Vision, GigE Vision, or IEEE 1394 (FireWire). Therefore, it is not recommended to grab images using OpenCV API functions. Instead, Basler recommends using the pylon Camera Software Suite SDK to grab images and convert them to OpenCV images. This document provides further information on the integration of OpenCV functions for image display, image saving, and video recording into your pylon source code.
Test Automation Frame--主要框架的介绍
选择一种自动化测试框架--Choosing a test automation framework本文介绍了5种基本的自动化测试框架:◆测试脚本模块化之框架--The Test Script Modularity Framework◆测试库架构之框架--The Test Library Architecture Framework◆关键字驱动或表驱动测试之框架--The Keyword-Driven or Table-Driven TestingFramework◆数据驱动测试之框架--The Data-Driven Testing Framework◆自动化测试之混合框架--The Hybrid Test Automation Framework翻译:fennek2007年2月6日测试脚本模块化之框架(The Test Script Modularity Framework)特点:1.创建小粒度、且独立的脚本,这些脚本代表AUT中的模块、区域和功能;2.小粒度脚本使用等级方式来构造更大的测试,实现特定的测试用例。
原理:开发策略中的模块化设计,在组件之前构建一个抽象层,以此对其他应用程序隐藏该组件。
意义:利用此抽象和封装原则提高自动化测试序列(suites)的可维护性和可伸缩性。
程序示例:AUT—Windows Calculator program图1所示图1 AUT示例底层脚本—表示最基本的加法和减法功能,图2和图3所示:图2 加法功能脚本图3 减法功能脚本二级脚本—表示View菜单中的标准型和科学型窗口,这一级的脚本包含了对前面那些底层脚本的调用,图4以标准型窗口为例:图4 二级脚本—包括了对底层(基本功能)脚本的调用最后,是最顶层的脚本,它表示了一个具体的测试用例,测试应用程序不同类型下的窗口,脚本代码如图5所示:图5 最高层的脚本—表示了一个具体的测试用例从上面这个简单的例子可以看出,此框架的脚本模块化程度很高,同时也增加了测试序列总的维护量。
CSV基础架构确认
基础架构确认Infrastructure Qualification分享内容•狭义的基础架构确认•IT平台(Platform)定义及确认范围•IT平台(Platform)确认的活动•IT平台(Platform)确认与CSV的关系•IT平台(Platform)确认状态的保持•广义的基础架构确认•机房硬件,公用系统•物理安全•网络•IaaS | PaaS | IoT| SaaSIT平台(Platform)的定义和范围•Platform—平台The hardware and software(包括软件和硬件)which must be present (是应用程序运行的必要条件)and functioning for an application program to run [perform] as intended.•Architecture—架构The organizational (有组织的软件和硬件)structure of a system or component(可指系统也可指部件).•Architectural Design—架构设计The process of defining a collection of hardware and software components and their interfaces (部件及其接口)to establish the framework for the development of a computer system.•Unit—单元,Module—模块|Component—组件1) A separately testable element specified in the design of a computer software element(物理)2) A logically separable part of a computer program(逻辑)Empower的案例Component分级需要Right SizeIT平台(Platform)的定义和范围IT平台(Platform)为什么不说验证?•验证针对的是流程Method Validation;Process Validation;Cleaning Validation;Computerized System Validation…•确认针对的是单个的设备,系统,组件Analytical Equipment Qualification; HVAC Qualification…IT Infrastructure(EU):The hardware and software such asnetworking software and operationsystems, which makes it possiblefor the application to function.IT平台(Platform)确认的范围?•正式的确认要求通常仅针对支持GxP生产环境应用搭建的平台•有时也会扩展到进行正式的测试的QA环境的平台•但是所有的平台都需要受控,以避免网络威胁•平台是否需要经过确认,取决于风险以及数据的价值•平台就是没有预装任何应用的“裸机”怎么做平台(Platform)的确认•要有明确的架构设计以及需求•要有安装检查|确认的记录,清单的建立及维护•运行确认和性能确认并不一定必须单独做•注重运维阶段的管理以及定期回顾(基于清单的管理)•两种典型的配置企业选择的是哪种?•IT平台的需求要点•操作系统版本(32位-64位,SP1-SP2)•CPU数•内存大小•硬盘大小•是否需要光驱•网口数量•打印外设要求•域控要求•备份机制…根据分析方法和分析量选择适当的设备型号并确认架构签订采购合同,进入商务流程及采购流程,至设备到货设备到货,根据合同内容进行IQOQPQ设备释放使用架构设计文件,用户需求文件,系统设计文件,测试文件准备非法规要求的确认或验证属于项目管理的范畴安装检查|确认的记录检查项目标准实际结果测试结论系统ID记录下计算机名或服务器名计算机名|服务器名□通过□失败操作系统版本参见架构设计文件□通过□失败□不适用CPU数□通过□失败□不适用内存大小□通过□失败□不适用硬盘大小□通过□失败□不适用光驱是否具备□通过□失败□不适用网口数量□通过□失败□不适用打印外设要求□通过□失败□不适用域控要求□通过□失败□不适用备份机制□通过□失败□不适用□Empower个人版或客户端计算机□Empower 工作组服务器□Empower企业版服务器运维阶段对IT平台的管理要求•基础架构的Inventory管理是一切管理的基础及难点•定期的系统备份要求(备份的触发因素往往会是变更)•安全管理(服务器,数据库管理员的权限,权限回顾,物理安全等)•变更控制(被动的变更,如自动推送的补丁,主动的系统变更)•灾难恢复计划以及必要的定期的测试•异常事件|问题管理•人员培训管理•文件管理•定期回顾其他广义基础架构确认Infrastructure•场地描述:物理位置,机柜编号(服务器机柜或网络交换机机柜)•电力服务:供应可靠性;USP不间断电源持续时间,发电机组启动时间、支持时间等;•空调系统:可靠性,标准,温湿度控制水平,冗余•消防系统:气体灭火器,七氟丙烷灭火器配置情况,火灾烟感系统,控制系统•物理安全:门禁,机房进入管理,闭路电视监控系统,记录保留时间等•机柜标准:•尺寸19英寸46U标准机柜(600mm|800mm宽度)•供电形式(双路UPS)•PDU数量•接地电阻-零地电压•巡检服务IaaS (Infrastructure as a Service) PaaS (Platform as a Service)IoT(Internet of Thing)SaaS软件即服务(Software as a Service)•SaaS产品可以被认为是COTS产品(比如金数据之于Excel)•SaaS产品能否满足用户的需求,需要进行评估(类似于Design Review)•SaaS产品需要按照预期的用途去进行验证•SaaS产品的服务提供者是否有质量体系是考察的要点(供应商审计)•SaaS产品的验证并不复杂,基于配置去实现。
科学实验室用的数字单眼镜头麦克风镜子说明书
3B SCIENTIFIC ® PHYSICS1Instruction Manual07/19 ALF/GH1 Eyepiece2 Tube3 Revolver with objectives4 Object guide5 Object stage6Condenser control (not visible)7 Condenser with iris dia-phragm and filter holder 8 Lamp housing 9 Base10 Mains switch11 Illumination control12 Coaxial movement controlfor the specimen stage 13 Coarse and fine movementcontrols14Lock screw for object stage 15 Stand 16 Camera17 USB connectionThe digital monocular microscope with built-in camera allows two-dimensional viewing of ob-jects (thin sections of plant or animal specimen) in 40x to 1000x magnification. It also allows pho-tographic or video-recording documentation of images.As well as real-time video playback, single im-ages, sequences and video recording, the ScopeImage software provides a wide range of functions for the presentation, processing and evaluation of images.The installation CD contains a detailed descrip-tion of the software in English, and additional ad-vice and assistance is available in the help files of the software.Stand: All-metal stand, arm firmly connected with base, pinion knobs attached on both sides of the stand for coarse and fine focusingTube: Monocular inclined 45°, head rotation 360° Eyepiece: Wide field eyepiece WF 10x 18 mmObjectives: Revolving nosepiece with 3 achro-matic objectives 4x / 0.10, 10x / 0.25, 40x / 0.65 Magnification: 40x, 100x, 400xObject stage: x-y mechanical stage, 125 mm x 115 mm, with object guide, adjustment range 70 mm x 20 mmIllumination: Adjustable LED lighting integrated in base. Universal 100 V to 240 V, 50/60 Hz power supplyCondenser:Abbe condenser N.A.1.25 with iris diaphragm , filter holder and filter, focussed via rack and pinion driveCamera sensor:1/3” CMOS, 1.3 Mpixel, colour printsPower supply: via USB 2.0System requirements: WIN7, WIN8, WIN10 Dimensions: 130 x 180 x 390 mm³ approx. Weight: 2.5 kg approx.The microscope is packed in a molded styrofoam container.∙Take the container out of the carton remove the tape and carefully lift the top half off thecontainer. Be careful not to let the opticalitems (objectives and eyepieces) drop down. ∙To avoid condensation on the optical compo-nents, leave the microscope in the originalpacking to allow it to adjust to room tempera-ture.∙Using both hands (one around the pillar and one around the base), lift the microscope from the container and put it on a stable desk. ∙Put the head onto the top of the stand and tighten the head-lock-screw. Insert the eye-piece into the tube.3.1 General information∙Set the microscope on a level table.∙Place the object to be observed in the center of the object plate. Use the clips to fasten it into place. Make certain that the specimen is centered over the opening in the stage.∙Connect the plug-in power supply to the net and turn on the switch to get the object illumi-nated.∙To obtain a high contrast, adjust the back-ground illumination by means of the iris dia-phragm and the variable illumination control. ∙Rotate the nosepiece until the objective with the lowest magnification is pointed at the specimen. There is a definite “click” when each objective is lined up properly.NOTE: It is best to begin with the lowest power objective. This is important to reveal general structural details with the largest field of view first. Than you may increase the magnification as needed to reveal small details.To determine the magnification at which you areviewing a specimen, multiply the power of theeyepiece by the power of the objective.∙Adjust the coarse-focusing-knob which moves the stage up until the specimen is fo-cused. Be careful that the objective does notmake contact with the slide at any time. Thismay cause damage to the objective and/orcrack your slide.∙Adjust the fine-focusing-knob to get the im-age more sharp and more clear.∙Colour filters may be inserted into the filter holder for definition of specimen parts. Swingthe filter holder out and insert colour filters.∙Use the knobs of the mechanical stage to move the slide side-, back- and forwards. Thevernier provides accurate location of thespecimen area.∙Always turn off the light immediately after use.∙Be careful not to spill any liquids on the mi-croscope.∙Do not mishandle or impose unnecessary force on the microscope.∙Do not wipe the optics with your hands.∙Do not attempt to service the microscope yourself.3.2 Installation of the software∙Insert the installation CD into the compu ter’s CD drive.∙Follow the installation instructions (see also the description of the software on the instal-lation CD).3.3 Displaying images on the computer∙Connect the microscope to the computer u-sing the USB cable.∙Start up the software.∙After clicking on the camera icon in the tool-bar, the image of the specimen will appear onthe computer screen.∙If necessary, re-adjust the brightness and contrast using the iris diaphragm and the va-riable illumination control.∙Adjust the sharpness of the image by means of the focusing knobs of the microscope.∙If necessary, adjust the settings of the camera in the video window according to theparticular requirements.∙For further work using the software, see the instructions for the software that are on theinstallation CD and the help files in the soft-ware.∙Keep the microscope in a clean, dry and dust free place.23B Scientific GmbH • Rudorffweg 8 • 21031 Hamburg • Germany • Subject to technical amendments © Copyright 2016 3B Scientific GmbH∙ When not in use always cover the micro-scope with the dust cover.∙Do not expose it to temperatures below 0°C and above 40°C and a max. relative humidity of over 85%.∙ Always unplug the mains plug before clean-ing or maintenance.∙ Do not clean the unit with volatile solvents or abrasive cleaners.∙ Do not disassemble objective or eyepieces to attempt to clean them.∙ Use a soft linen cloth and some ethanol to clean the microscope.∙ Use a soft lens tissue to clean the optics.∙The packaging shouldbe disposed of at local recycling points.∙Should you need to dis-pose of the equipment it-self, never throw it awayin normal domesticwaste. Local regulations for the disposal of elec-trical equipment will ap-ply.。
OpenText IDOL AI视频分析系统说明书
FlyerAI Video AnalyticsAI-powered video classification and analysis to dramatically increase insights driven from video files by automatically detecting, analyzing, and interpreting relevant content—powered by IDOL.Object Detection and Recognition OpenT ext IDOL makes it easy to detect and identify specific known object classifications such as people, bicycles, packages, buses, and automobiles within video feeds in real time. Whether for traffic optimization or physical se-curity surveillance, IDOL is unmatched in its ability to detect and identify key objects within a video file or live video feed.Image ClassificationIDOL image classification is an automatic or trained process of categorizing and labeling images or portions of images into groups. Whether it automatically identifies image sim-ilarities or is programmed based on specific rules, this tool helps reduce manual efforts in image analysis. IDOL image classification is used across multiple industries to improve ac-curacy and holistic understanding within image data sets.Logo Detection and Recognition Scour the web, broadcast video files, and social media data to identify where or when a logo ap-pears to understand brand value and mitigate negative exposure.Y our knowledge of brand placement and miti-gation of business exposure risk is integral toimage assurance. For large and small com-panies alike, it is imperative to maintain brandcontinuity and reduce IP theft. IDOL scours theweb, broadcast video sources, and social me-dia content to identify where and when a logoappears. This helps brand management teamsby allowing them to understand how they arebeing presented to customers, identify trends,and pinpoint regional sentiments so they canquickly react to negative information.Facial Detection and RecognitionIn recent years, a larger amount of video in-formation has been used by law enforcementagencies to identify suspects after they commitcrimes. Use IDOL video analytics to find faceswithin images and compare the detected faceto a database of known individuals. IDOL videoanalytics make the collection, organization, andidentification process easy for your analysts.Optical Character RecognitionIDOL optical character recognition identifiesand extracts the text data from video files andprovides a deeper understanding of what sitsinside your content. When paired with the PIIgrammars, IDOL OCR can automatically redactor delete files containing sensitive information.Event detection can be used in which instancesfrom a single scene including tripwire, zone de-tection, and suspicious movement tracking canbe spotted automatically.For a specific OCR Capability—IDOL supportstwo types of subtitles. By default, searching forsingle color text against a plain, single-colorbackground. However, it can be configured tosearch for black-bordered white letters thathave been superimposed directly onto thebackground TV image, which is a widely usedtype of subtitling.Learn more at/en-us/products/ai-video-analytics/overview/opentext 261-000067-001 | O | 03/23 | © 2023 Open T ext。
AV1视频编码标准资源汇总
AV1视频编码标准资源汇总
⼀直不看好HEVC,总觉得这东西绝对不可能再恢复像h264那么辉煌了,如此⾼昂的授权费,被淘汰估计也就这⼀两年了,有必要预研⼀下AV1,马上进去⼆进制码流冻结流程了,感觉aom越来越近了,毕竟google⾃家主打的东西,youtube,android,webrtc,chrome,2018年必将带 av1,所以感觉最多半年到⼀年,必有硬件⼚商站出来⽀持AOMedia!圣诞快到了,拿出魔法球,做⼀个⼤胆的预测!
哈,再补充⼀点,才短短时间GStreamer和VLC都已经宣布⽀持AV1了(⼆进制码流标准以及标准推荐封装格式都没明确,就那么迫切的集成进了主流播放框架⾥,可想⽽知⼤家对新编码标准的迫切,以及对HEVC的厌恶,哈哈哈哈哈。
)
下⾯是圣诞礼物 :)
A Progress Report: The Alliance for Open Media and the AV1 Codec
Alliance for Open Media(开放媒体联盟)
aomanalyzer
AOM ANALYZER
TEST CLIPS(测试视频)
(Download each of the the CIF clips found there, in YUV4MPEG (y4m) format, to the directory you created)
主要分为以下⼏类视频:
(1)SD Content and Below
(2)HD Content and above
(3)Gaming
(4)4K
(5)HDR
(6)Full Sequences
Contributing Source Code to AOM(贡献源码指导⽅法)。
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Journal of Network and Computer Applications(2000)23,000–000doi:10.1006/jnca.2000.0112,available online at onOpen video:A framework for a test collectionLaura Slaughter,Gary Marchionini and Gary GeislerSchool of Information and Library Science,University of North Carolina at Chapel Hill, USA.E-mail:(lauras,march,geisg)@The future will bring widespread access to large digital libraries of video.Consequently,a great deal of research is focused on methods of browsing and retrieving digital video.This type of work requires that investigators acquire and digitize video for their studies since the video information retrieval community does not yet have a collection of video for research purposes.There is a clear need for a shared test collection that they can use.This paper provides a framework for such a test collection and describes the Open Video Project that has begun to develop a test collection based on this framework.The proposed test collection is meant to be used to study a wide range of problems,such as tests of algorithms for creating surrogates for video content or interfaces that display result sets from queries.An important challenge in developing such a collection is storing and distributing video objects.This paper is meant to layout video management issues that may influence distributed storage solutions.More specifically,this paper describes thefirst phase for creating the test collection,sets guidelines for building the collection, and serves as a basis for discussion to inform subsequent phases and invite research community involvement.©2000Academic Press 1.IntroductionIt is inevitable that the technical limitations that impede widespread usage of video libraries will diminish in the years ahead.In preparation for a future where video becomes a ubiquitous information source,there is much research currently underway that is focused on solving problems of retrieval from digital video collections.For instance,investigators have explored automated segmenting of video[1–4]and use of video surrogates[5–11]to improve user access to video data within large video libraries.In order to test new algorithms,search strategies, and interface designs that facilitate browsing and searching video data,researchers must gather and digitize their own collections of video.These researchers each build their own video test collections that are then employed to answer research questions.Video test collections are generally created by researchers through agreements with organizations that allow the use of their video materials for specific research projects.For a research community committed to investigating video retrieval questions,there are advantages to collectively building a large video collection for use as a community test collection.The creation of a test collection where the contents are well documented and designed according to a formal plan paves the way for researchers to define sets of queries and work with a recognized set of 1084–8045/00/000000C00$35.00/0©2000Academic Press2L.Slaughter et al.video documents.Additionally,the ability to replicate experiments and to make comparisons between various techniques will be realized.This paper presents a framework for such a video test collection.The Open Video test collection that is proposed will be used to study a wide range of questions.For example,questions relating to interfaces for browsing video,types of user queries applied to video, or different user browsing strategies.Although frameworks for the‘ideal’test collection have been written for text experimental collections,it is only recently that researchers have had the capability to realistically concentrate on video and other multimedia as an extension of this work.These new capabilities are dependent on many information technology advan-ces but offer special challenges to the distributed storage(DS)community.In particular,the movement of largefiles with associated metadata,test protocols, and possibly user interfaces among researchers distributed around the world will benefit from DS techniques that move nodes physically closer to the user.The Open Video project described here benefits from participation in the I2-DSI project described in this issue.The Open Video collection is a channel in the I2-DSI infrastructure.1.1BackgroundFor users of video collections that are stored in tape format,the process offinding needed video segments can be time consuming and expensive.Imagine a teacher in need of a short segment on water pollution or a documentaryfilm production crew looking for a specific10-second clip of an event.After identifying the titles of several possible full-length videos that may or may not contain the needed clips, it is necessary to view the entire contents of each before selecting the desired video segments.Searching by title or broad topics to locate segments of video may require that the user view hours of videotape.This can be a tedious process, causing video resources to be used less often than they would be if specific content chunks were easier tofind.Video can be an effective and practical information source,but if the user is unable to locate what they are searching for it will be underutilized.Digital video collections make retrieval easier and offer the potential of allowing users to obtain the maximum benefit from video data.Instead of searching sequentially through tape,random access of any part of the video is possible when it is in digital format.This eliminates the frustrating wait to get to a known segment of video and also permits users to jump ahead at various intervals when scanning for needed content.Moreover,digital video opens up new possibilities for indexing and abstracting that would be very difficult to achieve otherwise.Just as text retrieval has benefited from computational strategies such as statistical and probabilistic analysis of word/phrase occurrences, so video retrieval will benefit from computational analysis of visual elements. What elements are useful and how to process them are important research issues.Open video test collection3 Automatically created salient images and short clips to describe the essence of the entire video are two examples of how digital video can help users to rapidly select relevant clips.The ability tofind needed video quickly is gained from the storage of video in a digital format and insures greater use and reuse of the video data. The amount of video data currently available in digital format is continually increasing—especially as digital cameras and personal computing editing tools become more commonplace.Thus,large collections of digital video are no longer just a dream for the future.The types of video data that could be included in such collections may consist of any of numerous genres.Genres for video include news programs,television shows,advertisements,featurefilms,documentaries, government sponsored programs,surveillance video,and so on.The existence of digital video collections will make it easier for users to locate desired segments of video,get access to the video,and manipulate video data.As storage costs decline in comparison to networking costs,video repositories will depend on creative ways to manage bandwidth-storage tradeoffs.In order to get information from a large digital collection,a system for searching and retrieving the contained documents must be developed.The idea of searching in electronic environments for text documents has been studied extensively though the use of test collections[12].The importance of testbeds is best demonstrated by the Text Retrieval Conference(TREC)corpus coordinated by the National Institute of Standards and Technology(NIST).TREC provides a large text corpus from different sources and sponsors an ongoing set of studies and conferences that advances the state of retrieval engine research as well as the methodologies of information retrieval in general[13,14].Technology has advanced so that it is now necessary to extend our knowledge to digital video documents.This includes learning how to segment video into meaningful chunks and how to make effective surrogates for video.For instance, natural story units within video need to be recovered from the internal content of the videofile.The ending and beginning of a unit of content is not always corre-lated with a scene change,which is the most currently used method for detecting the‘edge’of a segment.The characteristics of video introduce a new set of index-ing and searching problems.Research questions will focus on exploration of the different ways that users will want to query video,how they make use of video surrogates and what strategies they use for browsing video.Many researchers are currently working on these issues and,just as it was for text document retrieval research,they have built various test collections to help them answer their questions.Moreover,the National Institute of Standards and Technology has recognized this need and has begun developing TREC-like corpus for video[15].1.2Video retrieval researchA small sample of projects are discussed in order to illustrate the variety of research problems the video retrieval community addresses and the diversity of4L.Slaughter et al.test collections that they create.Even though there are other defining details that describe each project,the major focus of this section is to briefly outline each project in terms of the types of questions under investigation and the test collections used to answer those questions.Chua and Ruan[16]from the University of Singapore have worked on a frame-based video retrieval and sequencing system(VRSS).The overall goal of their project is to study tools to manage video data efficiently.There were a number of types of tools built.Two examples of these are a semi-automated method for dividing video into meaningful shots and a scene editor that allows users to group sets of shots into a higher-level entity.In order to test their retrieval techniques,they used a single16-minute video documentary about the National University of Singapore.This video was segmented into190video shots and 52video scenes.The text and cinematic properties of the video were manually entered.Nine queries were formulated for testing purposes and for each query a set of relevant shots was predetermined.The queries were designed to evaluate specific aspects of the system.Unfortunately,no information was given about the quality of the video used.It is unknown whether the video was professionally produced and if there was a written script for action.Zhang et al.[17]also from the University of Singapore,automatically parsed and extracted keyframes within video for indexing purposes.These were used in a system for content-based retrieval based on temporal and keyframe features. The system performs‘queries by example’such asfinding similar shots based on camera panning motions,average colours,and colour histograms.They used two ‘stock footage’raw unedited videos of various lengths,an elaborately produced documentary,and a dance video for their experiments.The total length of all video footage combined was66minutes.These were chosen because the authors felt that the videos represented both‘the content material and style of presentation that one would generallyfind in professionally produced television andfilm’.Wolf et al.[18]constructed a video library for use over the World Wide Web. The library was an experimental test collection for two types of algorithms that support access to multimedia material.These were browsing over individual programs and searching over the entire collection.Annotations and keyframe surrogates were included in the ers textually searched the collection in order to narrow down a result set.The library applied the use of keyframes for browsing videos in the result set by arranging them on storyboards and in a slide show format.This test collection was designed so that it would be useful in realistic situations with an audience in K-12education.The collection contained news reports,political advertisements,NASA documentaries and selected videos from the Presidential Libraries.Much of this video is in the public domain and all titles were chosen because of their historical significance.There were over 40titles,all in MPEG-1format,ranging from30seconds to1.5hours in length. The videos were segmented into small clips for teachers to use in their classrooms.Open video test collection5 Gauch et al.[19]created the VISION digital video library(Video Indexing for Searching Over Networks).This library is a test collection for evaluating content-based search and retrieval of video across networks using a wide range of bandwidths.Additionally,the researchers wished to study automatic and comprehensive mechanisms for library creation.The collection contained nature, science,and news videos from a local television station and CNN.All videos were automatically segmented into short segments based on content.The collection was intended to support three‘classes’of network users.Low bandwidth users (3.8,11.5and15.3Kb s 1),such as K-12schools,had the highest M-JPEG compression ratios(150:1and50:1)coupled with the lowest image capture sizes (160ð120and320ð240).‘Intermediate’compression ratios of16:1and50:1 along with capture sizes320ð240and160ð120were suggested for general audiences with(36,46,and144Kb s 1)bandwidth.The highest quality video was intended for users of their ATM test collection(2304,576,and184Kb s 1)with image capture sizes of640ð480and compression ratios of4:1,16:1and50:1. The Carnegie Mellon Infomedia Project built a terabyte video digital library [20,21].This collection primarily contains news and documentaries obtained from various sources including CNN,Discovery Channel,public television productions,and public domain videos from government sources.The videos are mostly in MPEG-1,352ð240image size,30fps format and are segmented with an average clip length of1.8minutes.For every clip,several video abstractions are available,including the video title,those that use extracted keyframes,a‘skim’, and‘match bars’[7].Researchers on this project feel that the‘wide ranging nature of the video contained in the collection has lead us to develop generic video abstractions rather than domain-specific ones applicable only to certain kinds of video’[22].The video collection is used in sub-parts for specific research projects. Christel et al.[22]used45hours of video from three Public Television Series:The Infinite V oyage,Planet Earth,and Space Age to explore several types of video surrogates used to browse video.In this particular study there were1600clips, each an average of1.7minutes long,that were manually segmented.Other studies stemming from this project center on speech recognition,image processing and natural language processing for temporal segmentation and to extract meaningful content that can be used when indexing and retrieving videos[23,24].Yeung and Yeo[1,25,/¾mingy/ICPR96]based their system on two types of browsing:microscopic and macroscopic.Micro-scopic browsing refers to browsing at the‘syntactic unit’of shots and frames. Macroscopic browsing refers to‘semantic unit’browsing of video stories and scenes.Microscopic browsing tools consist of a keyframe view of each shot and playback mechanisms.To satisfy user needs for macroscopic browsing,a method for clustering video shots into story units was implemented.The shots extracted from a video program were used in a‘scene transition graph’to represent a high-level structure of the content.The clips used to demonstrate their system were from IBM television commercials.In a previous study(1996),an episode from6L.Slaughter et al.the popular television sitcom‘Friends’was used to test and present the results of story unit clustering.The Baltimore Learning Community(BLC)Project() makes use of a dynamic query interface[26]for exploring resources in their dig-ital video collection.A barfield display provides an overview of the videos in the collection.The x-axis and y-axis are categorical and can be dynamically changed to map videos according to topics,teaching standards,source(where video was obtained),or title.Keyframe surrogates,available in either‘slide show’or‘story-board’format,provide a preview for each segment of video.The overview level allows‘across-document browsing’while the preview level reveals the gist of an individual segment through‘within-document browsing’[27].The collection consists of30hours of Discovery Channel documentaries together with public domain materials from the National Archives and NASA.The videos are divided into anywhere between one andfive minute length manually segmented units that are designed to be included as part of classroom lessons.Each segment desig-nates a single distinct section of content.Furthermore,each segment is manually indexed as part of a resource collection and includes a brief textual description. All of the videos are MPEG-1format and future plans include full-screen video streaming directly to classrooms[28,29].Chang et al.[30,/WebSEEk/]developed Web-Seek,a searching system for images and video on the World Wide Web(WWW). WebSeek stores metadata,visual summaries and pointers to visual information sources on the WWW.The system uses Web spiders to collect information about video on the Web by detectingfile extensions(such as.qt,.mpg,.avi).At the time of their publication,the system had indexed10000video sequences.Indexing is accomplished by using the key terms of html tags and URLs to map the videos onto one or more subject classes in the system’s semantic ontology.WebSeek has processed more than1600000query and browse operations.Query opera-tions that are supported are text-based,subject-based,and‘query by example’content-based(colour distributions).Browsing operations supported are subject navigation and visual viewing of contents.This brief review of some current video collections shows that researchers are creating a variety of solutions to answer a wide range of video retrieval questions. They have spent a great deal of time gathering and digitizing video in order to accomplish their tasks.The types of features selected(such as amount of motion or specific genre)for the video data to be used as well as the number of hours needed vary from project to project.Collections gathered range in size from a few 1–3minute segments to1000hours worth of video.Two or three5minute-long segments may be adequate when testing methods for automatically generating salient stills,but investigating aspects of browsing video requires a substantial set of data to work with.The collections produced have been excellent for their intended purposes and are the motivation for suggesting that collaboration to produce a test collection of video would be a useful endeavour.Open video test collection7 1.3Rationale for building a test collectionThe objective of the Open Video test collection is to provide a means for researchers to begin to understand information retrieval in video collections (see /).Previous test collections for text retrieval were built to understand the performance of retrieval algorithms and systems [13,31,32].In these systems,recall and precision were the primary measures of performance.This test collection will be used to explore the use of precision, recall and new metrics for video retrieval.Indexing techniques for video should be explored as well as other aspects relevant to video specifically,such as segmentation into‘intellectual chunks’.The test collection will be useful for studies about searching by themes,actions and events,in addition to searching on a syntactic level by looking for features within the video such as‘brown desert with blue sky’.Within these two broad levels,researchers may explore text-based search,interactive browsing,subject search,navigation by visual summarization, or searching by example.Researchers addressing problems such as algorithms for segmenting video,various ways to browse video using surrogates and ways to automatically index video should also be able to take advantage of the Open Video testbed.Numerous collections have already been constructed for investigating video retrieval questions.There are three motives for building yet another test collection and all underscore the benefits of creating a shared collection.Thefirst centres on the legal aspects of building a collection,the second on community problem space and the third focuses on properties of collections.The‘legal aspects’motive is based on being able to share and distribute the test collection contents. To begin any type of video retrieval project requires a great initial start-up effort to locate and digitize appropriate video.Researchers are often able to get donations of video from commercial television andfilm industry but then are bound to agreements that prohibit those materials from being distributed outside the project.This is one explanation of why it is currently difficult to replicate or make comparisons in video retrieval research;since it would not be easy to share materials used for testing with others.This is somewhat related to the‘problem space’motive for creating the test collection which is to organize a collaborative video retrieval research community.Not only will sharing results and data be less frustrating but also cooperating on the test collection construction may force researchers to form a strategy for future work in thisfield.The‘properties’motive for creating the test collection is to collectively work towards an effective design of the contents that avoids some of the problems seen with other test collections.For example,some‘collections’used for testing are so small that they could not be considered a representative sample.Also,it is often difficult tofind explanations of the collection used for an experiment and the documentation for this test collection will be openly available.8L.Slaughter et al.1.4Overview for the test collectionThe Open Video test collection is intended to be an initial phase for a larger endeavor.This project is meant to grow as participation from the research community increases.For thisfirst phase,we aim to assemble500hours of open source video data and the preliminary framework presented in this paper uses500hours to illustrate the mix of factors.Other video materials not in the public domain can be obtained and added later to design a collection for research purposes,much in the same way that TREC has been formed for text retrieval[33]Later,permissions may be obtained to include copyrighted materials.The framework outlined in this paper includes a set of conditions for compression,segmenting and storage issues.Additionally,an effort to explore indexing of video,definition of a set of queries along with relevance judgements, and continued work on metrics can be established during thefirst phase of development.With Phase I in place,researchers may begin work on indexing, searching,and browsing issues.Although frameworks for the‘ideal’test collection have been written for text experimental collections,it is only recently that researchers have had the capability to realistically concentrate on video and other multimedia as an extension from this work.According to Sparck Jones(1976),the ideal text collection should be large and reflect real retrieval environments.Sparck Jones further states that document collections of real retrieval environments exhibit both variety and homogeneity in content,type,source,origin,range over time, and language.The documents in text experimental collections are represented by abstracts,titles,keywords,citations,author,bibliographic elements,and controlled language indexing.Although video is different from written language, some requirements for a test collection may have analogous correlates.2.ContentThe video documents that are included in the test collection should ultimately be selected according to guidelines;new documents should be added based on a plan rather than opportunistically.Without such direction,the collection may turn out to be either too narrow or too broad to be useful.The strategy for building a large collection is to begin with an initial set of specifications and start with the resources that are easiest to obtain and distribute.Public domain video will satisfy these preliminary requirements.The types of issues to consider when assembling the videos are the amount of unedited versus edited footage,content characteristics such as amount of motion,whether the videos are full length or in segments,and what compression formats are used.The test collection will be a resource for the general video IR community,thus the overall goal is to assemble video that is freely accessible in order to promote the creation,study and evaluation of video storage and retrieval systems.Open video test collection92.1FactorsVideos will be selected in a manner so that various factors such as genre, colour/black-white,sound/silent,and range over time will be appropriately represented in the collection.In addition to the videos themselves,several types of video surrogates will be included for phase one.There are different ways to summarize video documents for retrieval applications,including visual,audio or text elements either by themselves or in combination.The collection should ultimately contain any available text transcriptfiles,closed captioning textfiles, titles,text descriptions,keyframes,as well as other available visual surrogates. The videos chosen as part of the collection should be useful in realistic situations. Some user groups will require complete video programs while others need smaller segments of programs.From a storage and distribution perspective,it is important to note that a test collection must offer the capability to transfer complete video files for use on local systems as well as the more commercially appealing streaming media solutions.Although storage requirements will increase,it is necessary to obtain an assortment of video compression formats to support multiple classes of potential users.The challenge we face is to provide a suitable set of specifications that describe the contents of the test collection.There are many factors that need to be considered in order to maintain a test collection of video that will be both varied and specific enough to be practical.This list of factors includes:(1)genre,(2)time (both period and run length),(3)amount of motion,(4)colour or black/white, (5)sound or silent,(6)language,(7)raw footage or edited,(8)segmentation technique,(9)duration and(10)compression type.The test collection should be sufficiently large to provide videos that satisfy various combinations of these factors.For example,we do not wish to design a test collection consisting entirely of MPEG-1,black/white news clips from the1950s.Conversely,it is not desirable to build a collection that is too scattered.Not all combinations of factor values will be possible to represent and some may not be relevant to researchers at all.2.1.1Genre.The word genre can be defined as‘a type offilm’and is a category used to classify video according to certain archetypical patterns.There are numerous genres for video.Most people are familiar with the classifications used by their local video store:sciencefiction,drama,action,westerns,comedy, documentaries,public service,cult classics,warfilms and children’s videos. These mainly refer tofilms,but can also be applied to television.Of course, television has a further set,including game shows,talk shows,news,commercials, sports,sitcoms,public service announcements and music videos.Some of these can be broken intofiner detail.For example,some of the video in‘action’could be split into gangster,detective and Kung-Fu stories.Another possible method would be to break the genre further according to artistic style or even by the studio that produced it.It is known that certain Hollywood studios were distinguished in the past for a particular style offilmmaking and thatfilmmaking techniques for the。