Killing spinors of some supergravity solutions

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Unit1Period2Learningaboutlanguage(分层作业)(原卷版)

Unit1Period2Learningaboutlanguage(分层作业)(原卷版)

Unit 1 Period 2 Learning about languageⅠ.语境填词1. The bacteria were then examined under the __________ (显微镜).2. There is no __________ (证据) that the house which they are living in belongs to her.3. Customs officials have made a series of __________ (相互矛盾的) statements about the equipment.4. To go from one robot to __________ (多种多样的) robots, you need all three of those ideas.5. Most __________ (家庭) now own at least one car.6. So what we would do is that we would then perform an __________ (干涉).7. According to official __________ (统计数字), the disease killed over 500 people.8. They report the finding in the latest issue of the journal of __________ (流行病学) and munity health.9. In remote regions, the air is __________ (干净的) and the crops are free of poisonous insecticides.10. What was the author’s __________ (最初的) purpose of collecting newspaper articles?II.选词填空2. The employment rate has continued to rise in big cities __________ the efforts of the local government.3. I was thinking that my mum would __________ me __________ not preparing for the test.4. My main reason for __________ New Scientist is to keep pace with advances in science.5. It is a surprise that the faraway village __________ a famous tourist city in only ten years.6. And their hope is, obviously, to end this conflict __________.7. When I woke up, I found my watch gone. I __________ Tom __________ stealing it.8. Experts believe that the illness __________ the use of polluted water.9. There were so many customers that the shop assistants couldn’t __________ them all.10. The number of poor men is __________ as the economy is growing.I.单句语法填空1. Roberta felt __________ (frustrate) and angry at the news.2. In recent years, the population in this town __________ (decrease) to 100,000.3. It was Emma who was __________ (blame) for the accident.4. Exercising makes you more awake and ready __________ (handle) whatever is ahead of you for the day.5. The result will help to predict some major and __________ (severely) diseases and your preference for diet.6. They help the body defend itself against some kinds of __________ (infect).7. My idea is __________ we should start making preparations right now.8. If I’m a bit sleepy in the lecture, it’s __________ I was up all night yesterday.9. The problem is __________ she didn’t go back home directly yesterday evening.10. The mountain village is no longer __________ it used to be since a highway was built ten years ago.II.语法填空阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式。

恐龙话题的英文作文

恐龙话题的英文作文

恐龙话题的英文作文Dinosaurs are such fascinating creatures. The thought of these massive, ancient reptiles roaming the earth millions of years ago is mind-boggling. It's hard to imagine what life would have been like with these creatures around.One of the most intriguing things about dinosaurs is their incredible size. Some of them were as small as chickens, while others were as large as buildings. It's hard to fathom the sheer scale of these animals, and it's amazing to think about how they managed to move around and survive in such a different world.The variety of dinosaurs is also incredible. There were meat-eating dinosaurs, plant-eating dinosaurs, flying dinosaurs, and swimming dinosaurs. It's like a real-life version of a fantasy world, with creatures that seem almost too fantastical to be true.It's fascinating to think about how dinosaurs lived and interacted with each other. Did they hunt in packs, or were they solitary creatures? How did they communicate with each other, and what kinds of social structures did they have?It's a mystery that we may never fully unravel, but it'sfun to speculate about.The extinction of dinosaurs is a topic that has puzzled scientists for years. What could have caused such a massive die-off of these incredible creatures? The theories range from a massive asteroid impact to dramatic climate change.It's a sobering thought to consider that such powerful and dominant creatures could be wiped out so completely.Despite the fact that dinosaurs are long gone, their legacy lives on. We can see evidence of their existence in fossils, and their images are everywhere in popular culture. It's amazing to think that creatures that lived so long ago can still capture our imaginations today.。

犯罪心理名人名言

犯罪心理名人名言

《犯罪心理》前五季名人名言Season 1◎Episode 1: Extreme Aggressor(2005.09.22)●The belief in a supernatural source of evil is not necessary. Men alone are quite capable of every wickedness.——Joseph Conrad 【约瑟夫·康拉德(波兰出生的英国作家):将邪恶的产生归结于超自然的因素是没有必要的,人类自身就足以实施每一种恶行。

】(Gideon)●Try again. Fail again. Fail better.——Samuel Beckett【Samuel Beckett(当代最著名的荒诞剧作家):再试,再失败,更好地失败。

】(Gideon剧中台词)●Try not. Do or do not.——Yoda【尤达大师(『星球大战』中的主角):别试。

做或者不做。

】(Morgan剧中台词)●All is riddle,and the key to a riddle... is another riddle.——Emerson【爱默生(美国诗人、散文家、哲学家):所有的事物都是谜团,而解开一个谜的钥匙……是另一个谜。

】(Gideon)●The farther backward you can look, the farther forward you will see.——Winston Churchill【温斯顿·邱吉尔:你回首看得越远,你向前也会看得越远。

】(Gideon)●When you look long into an abyss, the abyss looks into you.——Nietzsche【尼采:当你凝视深渊时,深渊也在凝视你。

】(Gideon)◎Episode 2: Compulsion(2005.09.28)●There are certain clues at a crime scene which, by their very nature, do not lend themselves to being collected or examined. How does one collect love, rage, hatred, fear?——Dr. James T. Reese【詹姆斯·瑞斯博士(美国精神创伤压力处理方面的专家):犯罪现场中的某些线索根据它们自己本身的性质,是不容易收集起来检测的。

了不起的盖茨比第四章英语单词知乎

了不起的盖茨比第四章英语单词知乎

了不起的盖茨比第四章英语单词知乎全文共3篇示例,供读者参考篇1The Dazzling Words of West Egg: A Student's Guide to Chapter 4 VocabularyHey there, fellow bookworms! As a self-proclaimed word nerd, I can't help but geek out over the intricate language used in literary masterpieces like The Great Gatsby. And let me tell you, Chapter 4 is an absolute feast for the senses, with its lush descriptions and evocative vocabulary that transport us straight into the heart of West Egg's glittering world.Let's kick things off with a word that perfectly encapsulates the opulent lifestyle of our enigmatic protagonist: "supercilious." When Nick describes Tom's "supercilious" manner, he's painting a vivid picture of his arrogant, condescending attitude – the kind of superiority complex that comes with being a part of the old money elite. It's a deliciously snobbish word that just rolls off the tongue.Speaking of tongue-twisters, how about "obsequious"? This gem of a word is used to depict the overly attentive andflattering behavior of the party guests towards Gatsby. Can't you just envision a swarm of sycophants fawning over the mysterious millionaire, their obsequious smiles and fawning gazes masking their true intentions? It's a word that perfectly captures the insincerity and social climbing rampant in this crowd.But amidst all the superficial grandeur, there's an undercurrent of something more sinister lurking beneath the surface. Enter "censorious," a word that aptly describes the judgmental attitudes of the old money set towards Gatsby's newly acquired wealth. With their censorious glares and whispered barbs, they make it clear that no matter how much money he has, he'll never truly belong in their exclusive circle – a harsh reality that adds a layer of pathos to Gatsby's relentless pursuit of Daisy.And let's not forget the deliciously evocative "sumptuous," a word that practically drips with luxury and indulgence. When Nick describes the "sumptuous" buffet laid out at Gatsby's party, you can almost taste the succulent dishes and imagine the decadent spread fit for a king (or, in this case, a self-made millionaire). It's a word that perfectly captures the over-the-top extravagance that Gatsby uses to try and impress his guests –and, perhaps more importantly, his lost love.But amidst all the glitz and glamour, there's a sense of disillusionment and disenchantment that permeates Chapter 4. And no word encapsulates this feeling better than "inexplicable." As Nick grapples with Gatsby's "inexplicable" desire to recreate his past with Daisy, we're reminded of the futility of trying to recapture something that's long gone – a harsh truth that adds a melancholic undertone to Gatsby's grand gestures.These are just a few of the linguistic gems that make Chapter 4 such a rich and rewarding read. From the hauteur of the old money set to the unapologetic opulence of Gatsby's parties, each word is carefully chosen to paint a vivid picture of this decadent world – a world where appearances are everything, and the pursuit of happiness often comes at a steep price.So the next time you find yourself immersed in the pages of The Great Gatsby, take a moment to savor the delicious vocabulary. Let the words linger on your tongue, allowing their nuances and connotations to transport you into the heart of West Egg's glittering realm. Because in the end, it's these carefully crafted turns of phrase that truly bring Fitzgerald's masterpiece to life.篇2The Great Gatsby Chapter 4 Vocabulary on ZhihuWhat's up, fellow bookworms and word nerds? I'm here to break down some of the juiciest vocab from Chapter 4 of the classic novel "The Great Gatsby" by F. Scott Fitzgerald. Get ready to sound like a literary genius at your next book club meeting!Let's kick things off with "riotous." This adjective means "involving wild and unrestrained behavior or emotions." In the chapter, Fitzgerald uses it to describe the colorful party scenes at Gatsby's mansion: "There was a riotous debauchery that night..."Speaking of debauchery, that's another doozy of a word we encounter. It refers to excessive indulgence in sensual pleasures like sex, alcohol, etc. The lavish parties definitely had a debauched vibe going on.Then we've got "unction," which means "a vaguely unctuous quality or the trait of being smug or self-complacent." Nick notices that some of the party guests had an "unaffected pride...and a certain unction" about them. Basically, they were pretty full of themselves in an obvious way.Let's not forget "sumptuous," meaning "extremely costly, rich, luxurious." Everything about Gatsby's parties was just sumptuous to the max - the food, drinks, whole atmosphere. Itmakes you wonder how much money that guy was blowing every weekend!One vocab word that really stuck out to me was "putrid." It's an intense adjective meaning "foul-smelling, rotten." Fitzgerald uses it to describe the humid night air closing in around the guests: "...a putrid taste on the air." Yuck, that doesn't sound fun at all!We also can't ignore "thwart," meaning "to oppose successfully; prevent from accomplishing a purpose." Apparently, there was a butler at the party who tried to thwart Gatsby's grandiose hosting style. Wonder how that went over with the big man himself?Moving on to "pique," which can mean "to provoke, arouse, or awaken" (as in curiosity or interest). Nick's interest was definitely piqued in learning more about the enigmatic Mr. Gatsby after witnessing his extravagant affairs.Then there's "reproach," which shows up as both a noun and verb in the chapter. As a noun, it means "an expression of rebuke or disapproval." As a verb, it means "to express disapproval or disappointment." Nick sensed an underlying reproach towards the partygoers for their reckless behaviors.I loved the use of "ineffable" to describe the Gatsby aura and persona. It means "incapable of being expressed or described in words." There was just something about Gatsby that was indescribable, elusive, ineffable.Finally, let's look at "intermittent" - it means "occurring at irregular intervals; not continuous or steady." This relates to the way Gatsby would briefly appear at his own parties in intermittent bursts, almost like a fleeting vision.Whew, that's a lot of advanced vocabulary to unpack! Fitzgerald's writing is so lush and evocative, playing with deep symbolism and complex themes. But breaking down these words helps decode some of the layered nuances.I'd highly recommend looking up any other unfamiliar terms as you read through this incredible novel. Getting familiar with the language gives you a fuller appreciation for Fitzgerald's storytelling mastery. His vocabulary choices were so purposeful and powerful.This chapter in particular is pivotal, as we really start to lift the veil on the mysteries surrounding the great Gatsby himself. The dazzling party scenes give a glimpse into his world of decadence and excess. But there are also those fleetingmoments of reproach, of something deeper and darker lingering beneath the sumptuous surface.By studying the sophisticated vocab, you can better understand the intricate textures and social commentary woven throughout the narrative. It's what makes this book such a captivating classic that English students analyze over and over.So keep that dictionary handy as you journey through the rest of this literary masterpiece. I guarantee you'll walk away with an expanded vocabulary and greater insight into the human experiences Fitzgerald was exploring. Honestly, what could be better than that? Now if you'll excuse me, I've got to go look up a few more fancy words...篇3The Great Gatsby Chapter 4 Vocab on ZhihuWhat's up everyone! For my English Lit class, we're reading the classic novel The Great Gatsby by F. Scott Fitzgerald. I have to admit, some of the vocabulary in this book is pretty tricky, especially in Chapter 4. I thought I'd make a Zhihu post going over some of the tougher words and phrases to help out any other students feeling a bit lost.Let's start with "supercilious" which is used to describe the aproned monologue of a woman speaking about her daughter. Supercilious means behaving or looking as though you think you are superior to others. So this woman was kind of acting all hoity-toity and full of herself when talking about her kid.Then we've got "ineffable" which is used to describe the energy and intimacy contained within the courting couples on Tom's veranda. Ineffable means too great or extreme to be expressed in words. So the vibe and connection between these lovebirds was just indescribable.The word "sumptuous" caught my eye too when it's used to describe the buffet tables laden with glistening hors d'oeuvre. Sumptuous means expensive and impressive. So we're talking some seriously fancy and over-the-top appetizers at this shindig.Raise your hand if you had to Google "obsequious" when Nick describes the behavior of Tom's lawn attendants. Obsequious means obedient or attentive to an excessive degree. So these poor guys were basically falling all over themselves to be really subservient toward Tom.Okay, this one is just a handy vocab word in general - "ostentation." It's used to describe how objects in one ofGatsby's rooms were "not calculated to strike" ostentation. Ostentation is the pretentious or。

我读了一本好书《西游记》的英语

我读了一本好书《西游记》的英语

我读了一本好书《西游记》的英语全文共3篇示例,供读者参考篇1My Experience Reading the Classic Novel "Journey to the West"Have you ever read a book that left a lasting impression on you, one that transported you to a different world filled with adventure, challenges, and life lessons? For me, that book was the renowned Chinese classic "Journey to the West" by Wu Cheng'en. As a student of literature and an avid reader, I was captivated by this epic tale from the moment I cracked open its pages.Initially, the sheer length of the novel – spanning one hundred chapters – seemed daunting. However, as I delved into the story, I found myself eagerly turning the pages, unable to resist the allure of the extraordinary journey undertaken by the legendary Xuanzang and his three formidable disciples: Sun Wukong (the Monkey King), Zhu Bajie, and Sha Wujing.The novel's rich tapestry of characters immediately drew me in. Sun Wukong, the mischievous and powerful Monkey King,with his unwavering loyalty and unbreakable spirit, quickly became my favorite. His rebellious nature, coupled with his unwavering determination to protect Xuanzang, made him a captivating figure. I found myself rooting for him as he faced countless trials and tribulations, from battling fearsome demons to overcoming his own impulsive tendencies.Xuanzang, the humble Buddhist monk, embodied the virtues of perseverance, faith, and compassion. His unwavering dedication to his spiritual quest, even in the face of overwhelming obstacles, was truly inspiring. As I journeyed alongside him, I gained a deeper appreciation for the power of resilience and the importance of maintaining a steadfast commitment to one's goals.The novel's rich symbolism and allegories also resonated deeply with me. The perilous journey to the Western Paradise, fraught with demons and challenges, served as a metaphor for the human condition – our constant struggle against temptations, doubts, and inner demons. Each character represented a different facet of the human experience, from the impulsive and reckless Sun Wukong to the disciplined and faithful Xuanzang.As a student, I found myself drawing parallels between the novel's themes and my own life experiences. The characters' struggles with self-discipline, temptation, and personal growth mirrored the challenges I faced in my academic pursuits and personal development. Through their triumphs and failures, I learned valuable lessons about the importance of perseverance, self-control, and the pursuit of knowledge and enlightenment.Beyond the captivating characters and profound themes, I was enchanted by the novel's vivid descriptions of the fantastical realms and mythical creatures encountered along the journey. Wu Cheng'en's imaginative world-building transported me to a realm where the lines between reality and fiction blurred, igniting my imagination and fueling my sense of wonder.As I neared the end of the novel, I found myself reluctant to part ways with these beloved characters. Their journey had become an integral part of my own, and I felt a sense of sadness knowing that their adventures would soon come to a close. However, the novel's profound impact on me remained, leaving an indelible mark on my understanding of life, perseverance, and the human spirit.In retrospect, reading "Journey to the West" was more than just an literary experience; it was a transformative journey initself. The novel's timeless themes and captivating storytelling have cemented its place as a literary masterpiece, transcending cultural boundaries and resonating with readers across generations.As a student, I am grateful for the opportunity to have embarked on this extraordinary journey. The lessons I gleaned from the novel's pages have shaped my perspective and deepened my appreciation for the richness of Chinese literature and culture. Whether you are a student, a lover of adventure, or simply someone seeking profound wisdom, I highly recommend immersing yourself in the world of "Journey to the West." For within its pages, you will find a treasure trove of inspiration, wisdom, and a celebration of the indomitable human spirit.篇2I Read an Awesome Book - "Journey to the West"Hey there! I'm so excited to share about this amazing book I just finished reading called "Journey to the West." It's this epic Chinese novel from the 16th century that tells the wildly imaginative story of a Buddhist monk's pilgrimage to India to obtain sacred texts. But get this - the monk has these crazy powerful supernatural protectors that travel with him and getinto all sorts of mischief and battles along the way. It's like Lord of the Rings meets The Avengers, but a thousand years earlier!To give you some background, the book was written by Wu Cheng'en during the Ming Dynasty. It draws from ancient folk tales and Buddhist mythology to create this allegorical adventure that touches on themes of perseverance, virtue, violence, and spiritual enlightenment. Heady stuff for what seems at first like a wacky fantasy romp, right? But that's part of what makes it so genius.The story centers around Xuanzang, a monk sent on a sacred quest by the Buddha to journey to the "western regions" and obtain Buddhist scriptures. Since the road is so treacherous, the Buddha assigns Xuanzang three supernatural protectors - Monkey King, Pigsy, and Sandy. From the start, this crew is totally dysfunctional in the most hilarious way.You've got Monkey King, who's basically a big troublemaker and constantly getting into brawls and causing chaos. He was born from a stone egg on a mountain and has mastered supernatural powers like cloud-riding and shape-shifting. With his confidence and swagger, he kind of reminds me of Tony Stark from the Marvel movies if Tony was a monkey instead of a billionaire genius.Then there's Pigsy, who used to be a spirit enslaved to a nasty river monster. He's honestly kind of gross with his love of food, booze, and ogling ladies. But he has this crazy powerful rake that can summon winds to fly, so he comes in clutch during fights. Sandy is the last protector, an actual篇3I Read an Awesome Book Called "Journey to the West"Hey everyone! I'm so excited to share my thoughts on this classic Chinese novel that I just finished reading called "Journey to the West." It's considered one of the four great classic novels of Chinese literature, and let me tell you, it totally lives up to the hype!The story follows the legendary journey of the Buddhist monk Xuanzang as he travels from China to India to obtain sacred texts and bring them back home. But he's not alone on this epic quest - he's joined by three supernatural protectors who aid him along the way. There's the mischievous monkey king Sun Wukong, the kind-hearted pig monster Zhu Bajie, and the fearsome river monster Sha Wujing. Together, they face countless perils and demons determined to stop them at every turn.I have to start by talking about Sun Wukong because he's just the coolest character ever. This monkey was born from a stone egg on a mountain of flowers and fruits, gifted with incredible strength, speed, and magical abilities. He's arrogant and constantly gets into trouble, but also incredibly brave and loyal once he joins Xuanzang's crew. Some of the most entertaining parts are when he unleashes his insane powers to fend off demons and monsters trying to devour them. Seriously, this dude has a magic staff that can grow massive and shrink tiny, cloud-riding boots for flying, and he even rebels against Heaven at one point! An absolute legend.But the story isn't just a fun action-adventure romp. It's packed with deep Buddhist philosophy and religious teachings about attaining enlightenment and triumphing over one's own inner demons. Each member of Xuanzang's crew represents different flaws that humans must overcome, like greed, ignorance, and unrestrained desire. Their journey forces them to confront their vices through countless trials. There are so many profound yet simply stated truths, like "No blame can attach to the great bright mirror, when dirt accumulates on its surface" which seems to mean that our essential nature is pure but gets clouded by our earthly attachments and delusions.Speaking of profound, some of the craziest sequences happen when they enter these surreal Buddhist realms inhabited by immortals, celestial beings, and monsters beyond imagination. There's one part where Wukong ascends to the highest heaven and gets to see the cosmic workings of the universe laid bare before his eyes. The author's imagination was off the charts!I don't want to give away too many spoilers, but the ending where they finally make it to India after overcoming a demonic army that pursues them across oceans and celestial kingdoms is just so satisfying and uplifting. You can feel Xuanzang's joy and spiritual fulfillment wash over you when he attains the sutras he sought. And the way the pilgrims attain Buddhahood for their efforts is such a rewarding payoff.But the book isn't just about the epic quest - it's also absolutely hilarious in parts. The banter and fighting between Wukong, Bajie, and Wujing had me cracking up constantly. Bajie is basically this lazy couch potato who only wants to eat and sleep, so whenever he has to lift a finger it's comedy gold. Wujing is so righteous and easily annoyed by the other two's antics. Their dynamics are pure reality TV show levels of entertainment. I loved their nicknames for each other too, like"Pious Ape" or "Friar Sand" or "Bacon Monger." The author must have had such a sharp, playful wit.In terms of criticisms, I guess the only thing is that it does get a bit long-winded and slow at times when it's just long stretches of Xuanzang reciting Buddhist scriptures or monologuing about enlightenment. As a pretty impatient modern reader, I gotta admit my mind started to wander a bit during those parts. But hey, religious texts were kind of the whole point of the journey so I can't fault the novel too much.Overall, Journey to the West is an absolute masterpiece that blew my mind on multiple levels. It's an action-packed magical fantasy filled with riotous humor, but it's also this deeply philosophical and culturally important exploration of Buddhist beliefs and the search for spiritual enlightenment. Theworld-building is richly imaginative and filled with vivid monsters and celestial realms. The characters are unforgettable, from the egotistical yet heroic Monkey King to the humble yet unyielding Xuanzang persistently pursuing his quest.It's the kind of book that I can see myself rereading over and over again at different points in my life to uncover new philosophical insights and spiritual meaning. I feel like I leveled up as a person just by immersing myself in this sweeping epicthat captures the essence of Chinese mythology, folklore, and religious beliefs so poetically. It's a portal into ancient Chinese culture and a universally human story about striving, perseverance, and enlightenment all at once.If you're a fan of grand adventures, memorable characters, profound wisdom, or just pure imagination let loose on the page, then you owe it to yourself to experience the awesomeness of Journey to the West. This book is going to stick with me for a long, long time and I can't recommend it enough to anyone looking for a fun yet deeply meaningful read. Thanks for indulging me as I gushed about why I loved this novel so much - hopefully it inspires some of you to pick it up! Let me know if you decide to take the plunge down this iconic rabbit hole of Chinese literature.。

生活大爆炸经典台词

生活大爆炸经典台词

生活大爆炸经典台词I thought she was a highly evolved creature of pure intellect, like me. But recent events indicate that she may be a slave to her baser urges. 我以为她是个高度进化的纯高智商物种,就像我。

而最近的事件表明她也许不过是个屈服于低级欲望的生物。

If the correct way to do it is the wrong way, then I yield.如果胡来才是正确的方法的话,那我闭嘴。

Sheldon: Scissors cuts paper, paper covers rock, rock crushes lizard, lizard poisons Spock, Spock smashes scissors, scissors decapitates lizard, lizard eats paper, paper disproves Spock, Spock vaporizes rock, and as it always has, rock crushes scissors.谢耳朵:剪刀剪纸,纸包石头,石头砸蜥蜴,蜥蜴毒死斯巴克,斯巴克击碎剪刀,剪刀砍断蜥蜴,蜥蜴吃了纸,纸反驳斯巴克,斯巴克蒸发石头,最后就是一直都那样的,石头硌坏剪刀。

Sheldon: Why are you crying?Penny: Because I'm stupid!Sheldon: That's no reason to cry. One cries because one is sad. For example, I cry because others are stupid, and that makes me sad.谢耳朵:你为嘛哭呢?佩妮:因为我太傻了!谢耳朵:这可不是什么好理由。

高考英语试题及答案

高考英语试题及答案

高考英语试题及答案高考英语试题(2019年)第一部分:听力(共20小题,每小题1分,满分20分)第一节听下面5段对话。

每段对话后有一个小题,从题中所给的A、B、C 三个选项中选出最佳选项,并标在试卷的相应位置。

听完每段对话后,你都有10秒钟的时间来回答有关小题和阅读下一小题。

每段对话仅读一遍。

1. What will the woman do tonight?A. Go to a party.B. Watch a movie.C. Play computer games.2. How does the woman go to work?A. By car.B. By bicycle.C. By subway.3. What does the woman mean?A. She wants Mr. Brown to study harder.B. She will try her best to help Mr. Brown.C. The man is doing well in his studies.4. What does the man mean?A. The woman shouldn't have bought the shirt.B. The color of the shirt doesn't suit the woman.C. The shirt the woman bought is very nice.5. How will the speakers probably go to the party?A. By bus.B. By bike.C. By taxi.第二节听下面5段对话或独白。

每段对话或独白后有几个小题,从题中所给的A、B、C三个选项中选出最佳选项,并标在试卷的相应位置。

听每段对话或独白前,你将有时间阅读各个小题,每小题五秒钟;听完后,各小题将给出五秒钟的作答时间。

怎样描写动物的英语作文,描写小狗

怎样描写动物的英语作文,描写小狗

怎样描写动物的英语作文,描写小狗全文共6篇示例,供读者参考篇1Title: Capturing the Essence: Describing Animals in WritingAs a student passionate about writing, I've learned that describing animals is an art form that requires keen observation, vivid language, and a deep understanding of their unique characteristics. Whether it's a majestic lion or a playful puppy, bringing these creatures to life on paper is a challenge that every writer must embrace. In this essay, I'll share my insights on how to craft compelling descriptions of animals, focusing specifically on the endearing nature of puppies.First and foremost, it's essential to understand the animal you're describing. Spend time observing their behavior, movements, and interactions with their environment. For puppies, this means watching them play, sleep, and explore their surroundings. Pay attention to their boundless energy, their curiosity, and their adorable clumsiness. Note the way their tiny paws patter on the ground, the way their tails wag with excitement, and the way their eyes sparkle with mischief.Once you've gathered these observations, it's time to translate them into words. When describing a puppy, adjectives are your best friends. Words like "fluffy," "playful," "curious," and "mischievous" immediately conjure up images of a furry bundle of joy. However, be careful not to overuse adjectives, as too many can make your writing feel cluttered and overwhelming.Instead, aim for a balance between adjectives and vivid descriptions. For example, "The puppy bounded across the room, its floppy ears flapping and its tail wagging furiously, leaving a trail of chaos in its wake." This sentence paints a picture of a rambunctious pup without relying too heavily on adjectives.Another effective technique is to compare the puppy to familiar objects or experiences. For instance, "Its eyes shone like two polished marbles, full of innocent wonder." This simile helps the reader visualize the puppy's expressive gaze while evoking a sense of childlike curiosity.Don't forget to engage the reader's senses beyond sight. Describe the soft, velvety feel of a puppy's fur, the warmth of its breath, or the gentle panting sound it makes after a bout of play. These sensory details transport the reader into the scene, making them feel as if they're right there, cuddling the puppy themselves.It's also crucial to capture the unique personality of each puppy. Just like humans, every pup has its own quirks and idiosyncrasies. Some might be fearless and adventurous, while others might be timid and gentle. Pay attention to these traits and weave them into your descriptions. For example, "Despite her tiny stature, the puppy fearlessly approached every new object, her tail held high like a flag of defiance."Finally, don't forget to infuse your descriptions with emotion. Puppies evoke a range of feelings in us, from pure joy to tender protectiveness. Share these emotions with your readers by using evocative language. "My heart melted as the puppy snuggled into my lap, its soft fur tickling my skin and its rhythmic breathing lulling me into a state of pure contentment."In conclusion, describing animals, especially puppies, is a delightful challenge for any writer. By combining keen observation, vivid language, sensory details, personality traits, and emotional resonance, you can create descriptions that transport your readers into the world of these adorable creatures. Remember, writing is an art, and capturing the essence of a puppy on paper is a masterpiece worth striving for.篇2How to Describe Animals in English: A Puppy PortraitOne of the most enjoyable aspects of learning English is gaining the ability to vividly describe the world around us. As an animal lover, I find tremendous satisfaction in using the English language to capture the unique personalities and characteristics of our furry friends. Today, I would like to take you on a journey through words, painting a portrait of one of the most beloved creatures on Earth – a puppy.Let's begin with the physical appearance of this adorable ball of energy. Imagine a tiny bundle of soft, fluffy fur, with a coat that glistens in the sunlight like a thousand golden threads. Its eyes, large and expressive, sparkle with a mischievous gleam that can melt even the coldest of hearts. The puppy's button nose twitches with curiosity, eagerly exploring every new scent that wafts through the air.As it moves, its little paws patter across the floor, creating a symphony of tiny taps that echo through the room. Each step is a testament to the boundless enthusiasm and zest for life that puppies possess. They approach the world with a sense of wonder and excitement that is truly infectious.But the physical appearance of a puppy is only a small part of what makes them so endearing. It is their personalities, theirquirks, and their unwavering affection that truly capture our hearts.Puppies are the embodiment of pure, unadulterated joy. Their mere presence can brighten even the darkest of days, their contagious happiness spreading like a warm embrace. Watch as they tumble and play, chasing their own tails or pouncing on imaginary foes, their laughter echoing through the room like the tinkling of bells.Puppies are also masters of mischief, constantly testing the boundaries and pushing the limits of what is allowed. One moment, they are snoozing peacefully in their bed, but the next, they have somehow managed to unravel an entire roll of toilet paper, leaving a trail of chaos in their wake. It is this unpredictability, this constant sense of adventure, that makes them such delightful companions.Despite their penchant for trouble, puppies possess an unwavering loyalty and affection that is truly remarkable. They form deep bonds with their human companions, showering them with unconditional love and devotion. Whether it's greeting you at the door with a flurry of excited barks and wagging tails, or snuggling up beside you on the couch, seekingthe warmth and comfort of your embrace, a puppy's love knows no bounds.Describing a puppy's behavior is an exercise in capturing the essence of pure, unbridled energy. They are perpetual motion machines, bouncing from one activity to the next with an enthusiasm that is both exhausting and exhilarating. One moment, they may be engaged in a fierce game of tug-of-war, their little jaws clamped down with determination, and the next, they are off on a new adventure, exploring every nook and cranny with insatiable curiosity.Yet, for all their boundless energy, puppies also have moments of quiet contentment. Watch as they curl up in a cozy corner, their little bodies rising and falling with each gentle breath, lost in the world of puppy dreams. It is in these peaceful interludes that we are reminded of their innocence and vulnerability, and our hearts swell with a protective instinct to shield them from harm.Describing a puppy's vocalizations is a delightful challenge in itself. From the high-pitched yips and barks that signal their excitement or demand for attention, to the soft whimpers and whines that tug at our heartstrings, each sound is a window into their emotional world. And let us not forget the contented sighsand gentle snores that accompany their slumbers, a soothing symphony that lulls us into a state of tranquility.To truly capture the essence of a puppy in words is to embrace the full spectrum of emotions they evoke within us. They are simultaneously maddening and endearing, chaotic and calming, mischievous and loyal. They challenge us, test our patience, and push us to our limits, but in doing so, they teach us valuable lessons about unconditional love, resilience, and the pure joy of living in the moment.As I reflect on my attempts to describe these furry bundles of energy, I am reminded of the power of language and the richness of the English vocabulary. Each word, carefully chosen, becomes a brushstroke on the canvas, painting a vivid picture that allows others to share in the experience of witnessing the magic of a puppy.In the end, describing a puppy is not merely an exercise in wordsmithing; it is a celebration of life itself. It is a reminder that even the smallest of creatures can teach us profound lessons about love, laughter, and the importance of embracing each moment with unbridled enthusiasm. So, the next time you find yourself in the presence of a puppy, take a moment to truly observe, to absorb every detail, and to commit it to memory – forin doing so, you will have unlocked the key to capturing the essence of pure joy in the written word.篇3Describing Animals: A Guide to Capturing the Essence of Our Furry FriendsAs a student fascinated by the natural world, I've always been captivated by the beauty and intricacies of animals. From their graceful movements to their unique behaviors, each creature possesses a distinct charm that deserves to be celebrated through vivid and evocative descriptions. In this essay, I'll share my insights on how to effectively portray animals in writing, using the endearing example of a puppy.To begin, it's essential to understand that describing animals goes beyond mere physical attributes. While their appearance is undoubtedly crucial, capturing their essence requires delving into their personalities, mannerisms, and the emotions they evoke within us. A skilled writer must blend objective observations with subjective impressions, creating a harmonious tapestry that resonates with readers.Let's start with the most obvious aspect: physical characteristics. When describing a puppy, for instance, onemight highlight its soft, velvety fur, which invites gentle strokes and cuddles. Mention the warm, chocolate hues that adorn its coat, reminiscent of rich, melted cocoa. Describe the button-like nose that twitches with curiosity, and the floppy ears that dance with each tilt of its head.However, physical traits alone do not suffice in truly capturing the spirit of an animal. It's crucial to observe and convey their unique behaviors and quirks. Perhaps the puppy has a delightfully clumsy gait, tumbling over its oversized paws as it bounds towards you, tail wagging in a frenzy of excitement. Or maybe it has an endearing habit of cocking its head to one side, as if contemplating the profound mysteries of the universe.Sensory details are vital in transporting readers into the vivid world you're painting. Describe the velvety warmth of the puppy's tongue as it showers your face with enthusiastic licks, or the earthy aroma that lingers after a roll in the grass. Capture the sound of its joyful yips and barks, echoing like distant bells in a meadow.Moreover, animals possess distinct personalities that contribute significantly to their charm. A puppy might be described as a bundle of boundless energy, its mischievous antics leaving a trail of chaos in its wake. Or perhaps it's a gentlesoul, content to nestle in your lap and offer soulful gazes that melt even the hardest of hearts.Anthropomorphism, the attribution of human traits tonon-human entities, can be a powerful tool in forging emotional connections between readers and the animals you describe. For instance, you might liken the puppy's insatiable curiosity to that of a wide-eyed child, eagerly exploring the world around them. Or perhaps its unwavering loyalty and devotion mirror that of a steadfast friend, always by your side through thick and thin.Furthermore, consider the emotions that animals evoke within us. A puppy's innocent joy and unconditional love have the power to soothe even the weariest of souls. Describe the warmth that blossoms in your chest as you watch it frolic and play, its sheer delight in the simple pleasures of life a poignant reminder of the beauty that surrounds us.Effective animal descriptions also require attention to detail and careful observation. Notice the subtle nuances in an animal's behavior, the way its eyes sparkle with mischief or its tail droops in moments of dejection. These seemingly insignificant details can breathe life into your writing, transforming mere words into vivid portraits that resonate with readers.Remember, describing animals is not merely a exercise in recounting physical attributes; it's a celebration of the profound connections we share with the natural world. By capturing the essence of these remarkable creatures, we honor their inherent beauty and the profound impact they have on our lives.In conclusion, describing animals is an art form that demands a delicate balance of objective observation and subjective impressions. It requires a keen eye for detail, a deep appreciation for the natural world, and a willingness to immerse oneself in the lives of these captivating beings. Whether you're portraying the boundless energy of a puppy or the majestic grace of a soaring eagle, approach the task with reverence and a genuine desire to share the wonder that these creatures inspire within you. For in doing so, you not only captivate your readers but also pay homage to the remarkable diversity of life that graces our planet.篇4How to Describe Animals in English: A Puppy PortraitAs a student learning to write in English, one of the most enjoyable challenges is finding the right words to capture the essence of living creatures. Animals, with their unique behaviors,physical traits, and personalities, offer a rich canvas for descriptive writing. Today, I'll share my approach to describing a furry, four-legged bundle of joy – a puppy.Where do I begin? A puppy is a whirlwind of energy, curiosity, and unbridled enthusiasm. From the moment they open their eyes and take their first wobbly steps, puppies seem to be on a mission to explore every nook and cranny of their surroundings. Their playful antics and insatiable appetite for adventure make them irresistible subjects for descriptive writing.Let's start with their appearance. A puppy's face is a study in contrasts – a tiny, button nose nestled between two soulful eyes that seem to hold the secrets of the universe. Their ears, often oversized and floppy, give them an endearingly lopsided look. And who could resist those velvety jowls, just begging to be nuzzled?But it's their fur that truly sets puppies apart. Imagine running your fingers through a cloudlike softness, each strand a delicate whisper against your skin. Depending on the breed, their coats can range from sleek and glossy to thick and fluffy, like a miniature teddy bear come to life.And then there are the quirks – the little idiosyncrasies that make each puppy unique. Perhaps it's the way they tilt their headquizzically when you speak, as if trying to decipher the intricate code of human language. Or the way they enthusiastically attack their toys, shaking them with a ferocity that belies their tiny stature.But beneath the playful exterior lies a depth of emotion that can catch you off guard. Puppies have an uncanny ability to sense our moods, offering comfort with a gentle lick or a reassuring snuggle when we need it most. Their unconditional love and loyalty are a reminder of the simple pleasures in life – a wagging tail, a sloppy kiss, and the knowledge that someone is always happy to see you.As I've discovered, describing a puppy in English requires a delicate balance of vivid imagery, sensory details, and keen observation. It's a challenge to capture their boundless spirit and endearing quirks in words, but one that is immensely rewarding.So, the next time you encounter a puppy, take a moment to study their every move, their every expression. Let the words flow like a gentle stream, painting a picture that brings their vibrant personalities to life. And remember, behind those innocent eyes lies a world of wonder, just waiting to be discovered through the power of descriptive writing.篇5How to Describe Animals in Your WritingAs students, we are often asked to write descriptive essays or creative stories that involve animals. Being able to vividly and accurately describe an animal can really bring your writing to life and engage the reader. In this essay, I'll go over some tips for describing animals effectively, with a particular focus on how to describe a puppy.Let's start with the basics of description writing. When describing anything, whether an animal, object, person, or setting, it's important to engage all five senses - sight, sound, smell, touch, and taste (when applicable). Don't just rely on visual details, but also think about how to convey sounds, textures, smells, and any other sensory details. Rich descriptive writing immerses the reader fully in the experience.It's also crucial to include specific details rather than vague generalities. Instead of saying "the dog was cute," describe exactly what made it cute - its floppy ears, wet nose, wagging tail, etc. The more concrete details, the better the reader can picture what you're describing.When it comes to describing animals, it's helpful to first consider the overall impression or personality you want to convey. Is the animal friendly, menacing, curious, playful, sluggish? Then you can choose vivid words and details that reinforce that impression.For example, if I want to describe a mischievous puppy, I might write:"The rambunctious puppy crashed through the room like a furry whirlwind, upending magazines and scattering dog toys in his wake. His oversized paws skidded on the hardwood as he made a sharp turn, tongue lolling gleefully from his mouth. Tiny razor teeth clamped down on a stuffed rabbit, shaking it violently from side to side while his tail whipped back and forth in pure puppyjoy."By using descriptive words like "rambunctious," "whirlwind," "skidded," "gleefully," and "puppyjoy" along with active imagery of his bouncy movements and toy-destroying antics, I've hopefully painted a vivid picture of a hyperactive, playful pup.Now let's look at some specific tips for describing a puppy in particular:Note the puppy's breed, size, and overall appearance. Is it a tiny Yorkie, a fluffy golden retriever, or a large German shepherd? Describe its fur color/markings, eye color, ear shape, tail length, etc.Describe its movements and mannerisms. Puppies are full of energy and usually have some adorably clumsy or frantic movements. Do they hop, prance, tumble, or bound around? How do they hold their tails? Do they cock their heads inquisitively?Focus on the facial expressions. Puppies have extremely expressive faces that can look quizzical, joyful, mischievous, or pleading. Pay attention to their bright eyes, lolling tongues, and wrinkled brows.Don't forget the noises! Puppies make all sorts of cute sounds like yips, yaps, whines, growls, and playful barks. Describe the pitch and tone of their vocalizations.Mention their mouth and teeth. Puppies love to chew, nip, and mouth everything. You could describe their needle-sharp puppy teeth, drool-covered chins, and ever-opening mouths.Note their smell, whether a pleasantly puppy aroma or a slightly funky doggy odor.Mention their soft, velvety fur and warm, wriggling bodies if you're describing holding or cuddling them.Here's an example combining multiple descriptive elements for a puppy:"The tiny golden retriever puppy pudged her way across the kitchen floor, velvety apricot fur rippling over her round belly and stocky legs. She paused to scratch frantically at her floppy ear with a hind paw, bright brown eyes squinting with doggy consternation. Suddenly, her tail went horizontal as she spotted a crumb on the tile. She bounded over eagerly, milky puppy breath puffing in excitement as she hoovered it up with her pink tongue. Losing her balance slightly, she plopped down with a squeaky "arrf!" Her tail thumped rapidly as I reached down to scratch behind her velvety ears, eliciting a contented whine and several sloppy kisses on my hand."With vivid descriptions of the puppy's fur, expressions, sounds, movements, and even breath, I've hopefully brought this furry bundle of energy to life for the reader.The most important thing is to pay close attention to all the small details that make an animal unique and endearing. Don't just say "it was cute" - show its cuteness through sensorydescriptions. Draw inspiration from animals you've known or seen videos/photos of.Most of all, make sure to truly observe your animal subject, whether a beloved pet or one you're encountering for descriptive writing purposes. Spend time watching how it moves, listening to its sounds, taking in its scents and textures. The more you can engross yourself in the experience of that animal, the better you'll be able to transport your readers into its fuzzy, feathery, or scaly world through the vividness of your words.篇6How to Describe Animals: Capturing the Essence of a Playful PuppyAs a student passionate about writing, I've always found describing animals to be one of the most delightful and challenging tasks. Each creature possesses unique characteristics, behaviors, and personalities that demand careful observation and a knack for capturing their essence through words. In this composition, I'll share my approach to describing a beloved companion – the ever-playful puppy.To begin, let's set the scene. Imagine a sunny afternoon in your backyard, where a bundle of energy bounds across the lushgreen grass, its tiny paws leaving imprints on the damp earth. This is where our subject resides, a rambunctious pup with a heart brimming with curiosity and an insatiable desire for adventure.The first step in describing a puppy is to observe its physical appearance. Start with the basics – the breed, size, and coloring. Is it a fluffy Golden Retriever, a sleek Labrador, or a mischievous mixed breed? Describe the texture of its fur, whether it's silky smooth or coarse and wiry. Pay attention to the shape of its ears, the curve of its snout, and the twinkle in its eyes.But physical traits are just the beginning. A puppy's true essence lies in its boundless energy and playful spirit. Watch as it chases its tail, pouncing and tumbling in a whirlwind of motion. Capture the enthusiasm with which it greets you, its entire body wiggling with delight, and the way it nuzzles your hand, seeking affection and attention.Describe the sounds it makes – the high-pitched yelps of excitement, the playful growls as it wrestles with a toy, and the contented sighs as it curls up for a nap. These auditory details bring the scene to life and transport the reader into the puppy's world.Don't forget about the sense of smell. A puppy's world is a symphony of scents, from the earthy aroma of freshly turned soil to the enticing fragrance of a treat. Describe how it sniffs the air, its tiny nose twitching with each new discovery, and the pure joy it exhibits when it catches a whiff of something delightful.As you weave these observations together, paint a vivid picture of the puppy's personality. Is it a fearless explorer, boldly venturing into every nook and cranny? Or is it a cuddly companion, content to snuggle in your lap and bask in your affection? Perhaps it's a mischievous trickster, always finding new ways to keep you on your toes.Inject humor and warmth into your descriptions, allowing the reader to feel the same adoration and amusement you experience when interacting with this bundle of joy. Share anecdotes of its antics, like the time it managed to unbuckle its collar and lead you on a chase through the neighborhood, or the moment it discovered the joy of rolling in a muddy puddle.Remember, describing a puppy isn't just about capturing its physical attributes; it's about evoking the emotions it inspires. The unconditional love, the unbridled joy, and the pure innocence that radiates from these furry companions are what truly captivate our hearts.As you craft your description, don't be afraid to let your creativity shine. Experiment with metaphors and similes, likening the puppy's energy to a whirlwind or its playfulness to a bubbling stream. Use vivid verbs and adjectives to breathe life into your words, transporting the reader into the heart of the action.Finally, remember that describing a puppy is an ongoing process. As it grows and matures, its personality and behaviors will evolve, offering new opportunities for observation and description. Embrace this journey, and let your words capture the endearing moments that make this furry companion so beloved.In conclusion, describing a puppy is an exercise in capturing the essence of pure joy and unbridled enthusiasm. By observing its physical traits, behaviors, and personality, and weaving these observations together with vivid language and warmth, you can create a portrait that resonates with readers and ignites their own fond memories of these cherished companions.。

斗杀西门庆英语作文450

斗杀西门庆英语作文450

斗杀西门庆英语作文450Wu Song Kills Ximen Qing.Wu Song, a man of great strength and character, is one of the most beloved figures in Chinese literature. He is known for his unwavering loyalty, his love of justice, and his ability to fight for what is right. In the classic novel "Water Margin," Wu Song is best known for killing Ximen Qing, a corrupt and evil official who has wronged many people.Ximen Qing is a rich and powerful man who uses his wealth and influence to oppress the poor and innocent. He is a cruel and heartless man who takes pleasure in the suffering of others. When Wu Song's brother is killed by Ximen Qing's servants, Wu Song vows to avenge his brother's death.Wu Song tracks down Ximen Qing to his mansion and confronts him. Ximen Qing is confident that he can defeatWu Song, but he is no match for Wu Song's strength and determination. Wu Song beats Ximen Qing to death and then cuts off his head.Wu Song's killing of Ximen Qing is a moment of great triumph for the forces of good over evil. It is a storythat has been told and retold for centuries, and it continues to inspire people to fight for justice and to stand up against tyranny.In the novel, Wu Song's killing of Ximen Qing is a turning point in the story. It marks the beginning of the end for the corrupt officials who have been oppressing the people of Liangshan Marsh. Wu Song's victory inspires the other outlaws to join forces and fight against the government.Wu Song's killing of Ximen Qing is also a symbol of the Chinese people's desire for justice and equality. For centuries, the Chinese people have suffered under the rule of corrupt and oppressive governments. Wu Song's victory is a reminder that the people can overcome tyranny and createa more just and equitable society.Wu Song's story is a timeless tale of courage, determination, and justice. It is a story that has inspired people for centuries, and it continues to inspire people today.。

英语演讲死刑因不应该废除省公开课一等奖全国示范课微课金奖PPT课件

英语演讲死刑因不应该废除省公开课一等奖全国示范课微课金奖PPT课件
/3/21(Taiwan)
It's a secret in mainland.80%
9/14
2、Human rights and the death penalty
❖ Basic right of human ❖ Curb criminalities ❖ Not contradictory ❖ Life is equal, since you deprive of the lives
❖An extreme means to solve social contradictions, penalty has been used as a tool to suppress crime and maintain social order.
punished!
13/14
14/14
5/14
3)、The religious believes play a great role in the abolition of the death penalty.
❖ Buddhism "Everyone fears punishment; everyone fears death, just as you do. Therefore you do not kill or cause to be killed.”
3/14
1)、The abolition of the death penalty is not adapt to the national conditions of China.
❖ Low level of civilization ❖ Economy and reform is not consistent ❖ Numerous unharmonious factors

不理智的疯子英语作文

不理智的疯子英语作文

不理智的疯子英语作文The Irrational Lunatic。

In the chaotic world we live in, there are individuals who possess a unique and bewildering perspective on life. These individuals, often referred to as "lunatics," are known for their irrational behavior and eccentric beliefs. One such lunatic, who has gained significant attention and notoriety, is Johnathan, a man who defies all logic and reason.Johnathan, a middle-aged man with unkempt hair and wild eyes, spends his days wandering the streets, muttering to himself and engaging in bizarre rituals. He firmly believes that he can communicate with extraterrestrial beings through his toaster. Yes, you read that correctly – his toaster. According to Johnathan, the toaster is a portal to another dimension, and the bread he places inside it serves as a medium for intergalactic communication.To the average person, Johnathan's beliefs may seem ludicrous and absurd, but to him, they are his reality. He passionately argues that the messages he receives from the toaster have guided him in making life-changing decisions. He claims that the toaster predicted the outcome of thelast presidential election and has even provided him with winning lottery numbers – though he has yet to win.Despite the skepticism and ridicule he faces from society, Johnathan remains undeterred. He spends hours each day huddled in front of his toaster, anxiously waiting for the next message from the extraterrestrial realm. His dedication to this peculiar belief is both admirable and concerning. While some may dismiss him as a madman, others marvel at his unwavering commitment to his own truth.Johnathan's behavior has not gone unnoticed by thelocal community. Some view him as a nuisance, a disturbance to the peace and order of the neighborhood. Others, however, have taken a different approach. They see him as a symbolof individuality and freedom of thought. They argue that Johnathan's eccentricity is a reminder that society shouldembrace diversity and encourage unconventional ideas.In an attempt to better understand Johnathan's mindset, I decided to interview him. I wanted to delve into the depths of his beliefs and discover what drives him to persist in his seemingly irrational behavior. During our conversation, I was struck by the sincerity and conviction with which he spoke. He genuinely believed that his toaster was a gateway to another world, and nothing could shake his faith in this belief.As I reflected on my conversation with Johnathan, I couldn't help but question the nature of sanity and rationality. Who decides what is rational and what is not? Are we, as a society, too quick to label those who think differently as crazy? Perhaps there is value in exploring the unconventional, in challenging the boundaries of what we consider to be rational.In conclusion, Johnathan, the irrational lunatic, serves as a reminder that there is more to the human experience than what meets the eye. While his beliefs mayseem outlandish to most, they offer a glimpse into the complexity of the human mind. Society could benefit from embracing diversity of thought and appreciating the unique perspectives that individuals like Johnathan bring to the table. After all, it is often the "crazy" ideas that lead to the greatest innovations and advancements in our world.。

辛免于难英文作文

辛免于难英文作文

辛免于难英文作文It's a tough world out there, and we all have our fair share of challenges to face. But you know what? We're resilient. We're strong. We're capable of overcoming even the most difficult of circumstances.Life throws curveballs at us all the time. It's like a never-ending game of dodgeball, and we're the players trying to avoid getting hit. But you know what? We've got some killer reflexes. We can sidestep those curveballs and come out on top.Sometimes, it feels like the universe is conspiring against us. It's like we're stuck in a never-ending cycle of bad luck and misfortune. But you know what? We're not victims of circumstance. We're the masters of our own destiny. We can break free from that cycle and create our own luck.Sure, there are moments when it feels like the wholeworld is against us. It's like we're swimming against the tide, struggling to stay afloat. But you know what? We're not going to let the current drag us down. We're going to keep swimming, keep fighting, and eventually, we'll reach the shore.Life is full of challenges, but you know what? We're not afraid. We're not going to let those challenges hold us back. We're going to face them head-on, with courage and determination. We're going to come out on the other side, stronger and more resilient than ever.。

礼仪用词-刺杀肯尼迪中英文对照台词 精品

礼仪用词-刺杀肯尼迪中英文对照台词 精品

刺杀肯尼迪中英文对照台词The assassination reduced the President to a transient official.暗杀总统是最快达到目的的方法His job is to speak as often as possible of the nations desire for peace while he acts as a business agent in the Congress for the military and their contractors.他的任务就是每当他在国会扮演厂商、军事或承包人代理时尽可能讲出国家渴望和平Some people say Im crazy.有人说我疯了Southern caricature seeking higher office.南方小丑寻求高官位Theres a simple way to determine if I am paranoid.有个简单的方法评估我是否有偏执狂Ask the two men who profited most from the assassination former President Johnson and your new President, Nixon...问两位从暗杀得利最多的前总统詹森和新总统尼克森...to release the 51 CIA documents pertaining to Lee Oswald and Jack Ruby.公布51份中情局档案包括李.奥斯华和杰克.鲁比Or the secret CIA memo on Oswalds activities in Russia that was destroyed while being Photo copied.或中情局秘密备忘有关奥斯华在俄活动翻照时毁损These documents are yours.这些资料是你们的The peoples property. You pay for it.是人民的财产,你们有缴税But as the government sees you as children...但官方视你们为小孩子...who might be too disturbed to face this reality...面对真相会受困扰...or because you might lynch those involved...或因为你们会制裁那些牵涉...you cannot see these documents for another 75 years.你们不会再有另一个75年看到这些资料Im in my 40s...我已四十so Ill have "shuffled off this mortal coil" by then.那时候我会死But Im telling my eight-year-old son to keep himself physically fit...但我告诉八岁儿子要保持健康...so that one glorious September morning, in 2038...那样在2038年9月一个灿烂的早上...he can go to the National Archives and learn what the CIA and FBI knew.走进国家档案库找出中情局和调查局所知道的They may push it back then.他们或许延后It may bee a generational affair. Questions passed from parent to child.变成两代间的事疑问由父母传子女But someday, somewhere, someone may find out the damn truth.但某日某地某人或许找出狗屎真相We better.最好这样Or we might just as well build ourselves another government...不然我们或许只好自己建立另一个政府...like the Declaration of Independence says to, when the old one dont work.像独立宣言所说当老的无能Just a bit farther out West.就再往西部开拓一点An American naturalist wrote:一位美国自然主义者写过"A patriot must always be ready to defend his country...爱国者要经常准备为保卫国家...against its government."而不惜抵抗政府Id hate to be in your shoes today.我讨厌面对你们今天就要下决定You have a lot to think about. Youve seen evidence the public hasnt seen.你们要多想看大众看不到的证据Going back to when we were children...回到童年...I think most of us in this courtroom thought justice came automatically.我想本庭我们多数人认为正义会自动送过来That virtue was its own reward. That good triumphs over evil.要以道治道战胜邪恶But as we get older we know this isnt true.但等我们年长我们知道这不是真的Individual human beings have to create justice, and this is not easy...每个人要建立正义,而这不容易...because the truth often poses a threat to power...因为真实常常受权势威胁封住口...and one often has to fight power at great risk to themselves.我们经常要冒很大风险战斗权势People like S.M. Holland...人们像荷兰..Lee Bowers...李.包尔...Jean Hill, Willie OKeefe...珍.希尔,威里.欧奇夫...have all taken that risk and theyve all e forward.都是要冒那样的风险前来作证I have here some $8,000 in these letters...我这里的信封内大约有八千美元...sent from all over the country.是从全国各地寄来的Quarters, dimes, dollars from housewives...有两毛五,一毛,一元来自家庭主妇...plumbers, car salesmen, teachers, invalids.水管工,汽车销售员,老师,病弱者These are people who cannot afford to send money but do.有些不能送钱却出力者People who drive cabs...有人是开车的...who nurse in hospitals...有在医院当护士的...who see their kids go to Vietnam.有的送儿子去越南Why?为什么?Because they care.因为他们关心Because they want to know the truth.因为他们要知道事实Because they want their country back.因为他们想要找回他们的国家Because it still belongs to us...因为国家仍然属于我们as long as the people have the guts to fight for what they believe in.只要人们为其信仰战斗The truth is the most important value we have, because if it doesnt endure...事实是我们拥有最重要的价值,因为如果不持续if the government murders truth...如果政府谋杀事实...if we cannot respect these people...如果我们不能尊敬这些人...then this is not the country I was born in, or the country I want to die in.那么这不是我生于斯死于斯的世界Tennyson wrote:"Authority forgets a dying king."丹尼逊写道:执政当局遗忘了垂死的国王This was never more true than for John F. Kennedy whose murder was probably one of the most terrible moments...再真实不过的是肯尼迪的谋杀是其中最恐怖的一刻...in the history of our country.存在我们国家的历史中We, the people, the jury system sitting in judgment on Clay Show...我们人民陪审团,做着审判克莱.萧...represent the hope...代表人性的希望...of humanity against government power.对抗政府权势In discharging your duty...尽我们的义务...to bring a first conviction in this house of cards...对这个不实的政府作第一次判罪...against Clay Shaw...来对抗克莱.萧"...ask not what your country can do for you...不要问国家能为你做什么...but what you can do for your country."要问你能为你的国家做什么Do not forget...。

犯罪心理第三季中的名言引用

犯罪心理第三季中的名言引用

犯罪心理第三季中的名言引用(转载,中英文)2009年04月08日星期三11:02◎Episode 1: Doubt(2007.09.26)●无◎Episode 2: In Birth and Death(2007.10.03)●Let your heart feel for the affliction and distress of everyone.——George Washington【乔治·华盛顿:让你的内心感受众人的苦痛与不幸。

】(Hotch)(本集片尾没有出现名言)◎Episode 3: Scared to Death(2007.10.10)●He who controls others may be powerful, but he who has mastered himself is mightier still.——Lao Tzu【老子:胜人者有力,自胜者强。

】(Hotch)●Y ou gain strength, courage and confidence by every experience in which you really stop to look fear in the face. Y ou must do the thing which you think you cannot do.——Eleanor Roosevelt 【埃莉诺·罗斯福(美国总统富兰克林·罗斯福的夫人,女权主义者,提倡保护人权,1884-1962):每一次经历都让你获得力量、勇气和自信,而你也将因此不再害怕。

必须明知不可为而为之。

】(Hotch)◎Episode 4: Children of the Dark(2007.10.17)●In the city, crime is taken as emblematic of class and race. In the suburbs, though, it's intimate and psychological, resistant to generalization, a mystery of the individual soul.——Barbara Ehrenreich【芭芭拉·厄莱雷奇(美国知名作家、记者兼社会评论家,细胞生物学博士):人们认为,城市犯罪象征阶级仇、民族恨,而郊区犯罪常发生的熟人之间,有其心理渊源,它们拒绝被同化,具备个体灵魂的神秘性。

有头脑的人的选择

有头脑的人的选择

有头脑的人的选择各位读友大家好,此文档由网络收集而来,欢迎您下载,谢谢The Thinking Man’s ChoiceContact is made。

Nerves order the heart to pump faster。

Adrenalin surges to action。

Nerves constrict the blood vessels in the extremities of the body。

Skin temperature drops。

Fingers and toes grow colder。

Blood pressure jump。

An alcoholic or a dope addict in the first stages of a “cure”? A man being catapulted into outer space? No! These effects stem from smoking just one cigarette。

The United States Public Health Service is issuing continual warnings to smokers。

If they abstain completely from smoking,their chances of acquiring lung cancer will be one in 275。

Their chances of dying of lung cancer will be one in 10 if they become heavy smokers─two or morepacks a day。

Lung cancer is fatal in 95 per cent of all cases。

But in spite of glaring evidence and frequent warnings,the public is smoking more and more。

各国迷信和禁忌英语

各国迷信和禁忌英语

all over the world.
2021/10/10
2
在屋子里扔碎的盘子-丹麦 THROW BROKEN DISHES AT HOUSES // DENMARK
In Denmark, people save their broken dishes throughout the year in anticipation of throwing them on New Year's Eve. Danes chuck the broken plates at their friends' and family's houses as a way to wish the recipient good luck in the year to come.
2021/10/10
13

2021/10/10
In Ukraine, if you intent to send flowers, you must ensure that the number of flowers is odd.Because the even number is sent to the funeral. And, do not send yellow flowers or Easter lily, because these kinds of flowers are only prepared for the funeral.
rituals—basketball legend Michael Jordan
reportedly wore the same pair of shorts under his
NBA uniform for every game, and tennis star

莎士比亚名言英文

莎士比亚名言英文

莎士比亚名言英文The lunatic, the lover and the poet are of imagination all compact. (A Midsummer Night s Dream 5.1)疯子、情人、诗人都是想象的产儿。

《仲夏夜之梦》Since the little wit that fools have was silenc d, the little foolery that wise men have makes a great show. (As You Like It, 1.2)自从傻子小小的聪明被压制得无声无息,聪明人小小的傻气显得更吸引眼球了。

《皆大欢喜》世界是一个舞台,所有的男男女女不过是一些演员,他们都有下场的时候,也都有上场的时候。

一个人的一生中扮演着好几个角色。

《皆大欢喜》Beauty provoketh thieves sooner than gold. (As You Like It, 1.3)美貌比金银更容易引起歹心。

《皆大欢喜》Sweet are the uses of adversity. (As You Like It, 2.1)逆境和厄运自有妙处。

《皆大欢喜》Do you not know I am a woman? When I think, I must speak. (As You Like It, 3.2)你难道不知道我是女人?我心里想什么,就会说出来。

《皆大欢喜》Love is merely a madness. (As You Like It, 3.2)爱情不过是一种疯狂。

《皆大欢喜》O, how bitter a thing it is to look into happiness through another man s eyes! (As You Like It)唉!从别人的眼中看到幸福,自己真有说不出的酸楚! 《皆大欢喜》It is a wise father that knows his own child. (A Merchant of Venice 2.2)知子之父为智。

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a rXiv:h ep-th/065286v13M a y26Killing spinors of some supergravity solutions Daniel Are´a n Fraga 1Departamento de F´ısica de Part´ıculas,Universidade de Santiago de Compostela and Instituto Galego de F´ısica de Altas Enerx´ıas (IGFAE)E-15782Santiago de Compostela,Spain arean@c.es ABSTRACT We compute explicitly the Killing spinors of some ten dimensional supergravity solutions.We begin with a 10d metric of the form I R 1,3×Y 6,where Y 6is either the singular conifold or any of its resolutions.Then,we move on to the Klebanov-Witten and Klebanov-Tseytlin backgrounds,both constructed over the singular conifold;and we also study the Klebanov-Strassler solution,built over the deformed conifold.Finally,we determine the form of the Killing spinors for the non-commutative deformation of the Maldacena-N´u ˜n ez geometry.hep-th/0605286Contents1Introduction31.1SUSY transformations (5)2Killing spinors of the resolutions of the conifold72.1The resolutions of the conifold in10d Supergravity (7)2.2Killing spinors (8)2.3Solving the equations (13)2.3.1Killing spinors of the deformed conifold (16)3Killing spinors of the Klebanov-Witten model193.1Introduction (19)3.1.1The Klebanov-Witten model (19)3.2Killing spinors (20)3.2.1Spin connection (21)3.2.2Determining the Killing spinors (22)3.2.3Killing spinors using global coordinates (24)4Killing spinors of the Klebanov-Tseytlin model274.1Introduction (27)4.1.1The Klebanov-Tseytlin model (27)4.2Killing spinors (28)5Killing spinors of the Klebanov-Strassler model335.1Introduction (33)5.1.1The Klebanov-Strassler model (33)5.2Killing spinors (36)5.2.1Dilatino SUSY equation (39)5.2.2Gravitino Minkowski components (41)5.2.3Gravitino angular components (42)5.2.4Gravitino radial component (47)5.3Differential equations for the KS ansatz (49)6Killing spinors of the non-commutative MN solution536.1Introduction (53)6.1.1The non-commutative Maldacena-N´u˜n ez solution (54)126.2Killing spinors (55)7Conclusions65Chapter1IntroductionIn this work we compute explicitly the Killing spinors of some ten dimensional supergravity solutions.The main interest of these backgrounds comes up in the context of the AdS/CF T correspondence established in[1](see[2]for a review),for they are dual to four dimen-sional supersymmetricfield theories[3].Let us recall that the SUSY transformations for a background of ten dimensional type IIB supergravity can be parameterized in terms of a Majorana spinorǫmade up of32real components,which is the number of charges formingthe largest SUSY algebra.For a general background to be supersymmetric,we must require the vanishing of the SUSY transformations of the whole set of bosonic and fermionicfields ofthe theory.In principle,this will result in a reduction of the number of independent compo-nents ofǫ,and therefore,of the supercharges entering the SUSY algebra.It is precisely this resulting spinor,subjected,in general,to some projections relating its components,what wecall the Killing spinor of the background.Then,by computing the Killing spinors one can determine the amount of supersymmetry conserved by a certain geometry.Let us point out that the knowledge of the explicit form of the Killing spinors allows one to apply the kappa symmetry[4]technique when looking for supersymmetric embeddings of different D-brane probes.The addition of D-branes,pioneered by Witten in[5],has be-come very fruitful in the AdS/CF Tfield,for it provides a way to uncover different stringy effects in the Yang-Mills(YM)theories.Indeed,by adding different D-brane probes to the supergravity backgrounds,one can study several interesting objects living in the dualfieldtheories.For instance,in ref.[6]it has been shown that D3-brane probes wrapped over three cycles of the internal manifold T1,1in the so-called Klebanov-Witten model[7](whosegeometry,which we will describe in detail in chapter3,is AdS5×T1,1)describe dibaryon operators in the N=1superconformal YM theory living on the boundary of AdS5(see also refs.[8]-[11]for more results on dibaryons in this model and in some orbifold theories).Besides describing other exotic objects as domain walls(by means of D-brane probes of codimension one along thefield theory dimensions,see ref.[6]),the addition of D-brane probes permits the introduction of open string degrees of freedom into the gauge/gravity correspondence.One can try to generalize the AdS/CF T correspondence by adding brane probes and identifying thefluctuations of the probe,which correspond to degrees of freedom of open strings connecting the probe and the branes that generated the background,with fundamental hypermultiplets of dynamical matterfields of the dualfield theory[12].Let us34CHAPTER1.INTRODUCTION mention that,following this program,in ref.[13]the explicit determination of the Killing spinors of the Klebanov-Witten model allowed us to systematically apply the kappa symme-try technique in order to study the possible supersymmetric embeddings in that background for D3,D5and D7-brane probes.The structure of this work is the following:in the next section of this chapter we present the SUSY variations of the IIB SUGRA fermionicfields.In chapter2we compute the Killing spinors for the different resolutions of the conifold by using a10d background(constructed in[14])arising from the uplift of a certain configuration in8d gauged supergravity consisting of a D6-brane wrapping an S2.Some results of this chapter,such as the form of the metrics of the singular and deformed conifold and the projections satisfied by their Killing spinors, are used in the following chapters where we deal with10d SUGRA solutions constructed over the singular conifold or over its deformation.The aim of chapter3is to determine the Killing spinors of the Klebanov-Witten solution[7];we solve the SUSY equations in a frame such that the Killing spinors do not depend on the angular coordinates of the conifold. Chapter4is devoted to the Klebanov-Tseytlin model[15]:we briefly introduce it and again we are able to write the Killing spinors in a frame where they do not depend on the angular coordinates of the conifold.In chapter5we deal with the Klebanov-Strassler solution[16],we describe it and by computing its Killing spinors we show that the requirement of preserving the same supersymmetries as in the solution corresponding to a D3-brane at the tip of the deformed conifoldfixes the values of the three-forms to those found in ref[16].In chapter 6the Killing spinors of the non-commutative deformation of the Maldacena-N´u˜n ez solution [17]are explicitly computed.This calculation follows closely the one performed in[18] for the commutative case[19,20]and,in fact,the Killing spinors of the non-commutative background can be written in terms of the ones of the commutative geometry by means of a rotation along the non-commutative plane.Finally,in chapter7we summarize our results and give some remarks.The results of the computations performed in chapters3and5were published in ref.[13];as it was said,the knowledge of the Killing spinors of the Klebanov-Witten model was essential for the kappa symmetry analysis carried out there.The Killing spinors of the Klebanov-Strassler model were included in the appendix of[13]as an starting point to extend the study of supersymmetric embeddings to that more interesting solution.The form of the Killing spinors of the non-commutative Maldacena-N´u˜n ez solution was published in the appendix of[21]where we studied the addition of open string degrees of freedom to that background.Last,let us briefly comment on the ten dimensional IIB SUGRA solutions arising from the whole new class of5d Sasaki-Einstein manifolds Y p,q,recently constructed in[22,23].It was shown[24,25]that the10d backgrounds AdS5×Y p,q are dual to four dimensional super-conformal quiver gauge theories.The authors of[26],by performing a similar computationto the ones presented here,determined explicitly the Killing spinors of the10d background in order to study the addition of brane probes.Recently,in[27]that study was extended to more general backgrounds of the form AdS5×L p,q,r,where L p,q,r is the more general family of5d Sasaki-Einstein manifolds constructed in[28,29].1.1.SUSY TRANSFORMATIONS5 1.1SUSY transformationsIn the backgrounds we will consider the fermionicfields(the dilatino and the gravitino)have vanishing expectation values,so the SUSY variations of the bosonicfields are trivially zero. Then,the Killing spinors are obtained by requiring the vanishing of the supersymmetry variations of the fermionicfields of the theory.In the type IIB theory the spinorǫis actually composed of two Majorana-Weyl spinorsǫL andǫR of well defined ten-dimensional chirality,which can be arranged as a two-component vector:ǫ= ǫLǫR .(1.1.1) However,one can use complex spinors instead of working with the real two-component spinor written in eq.(1.1.1).In terms ofǫR andǫL the complex spinor is simply:ǫ=ǫL+iǫR.(1.1.2) For type IIB SUGRA with constant Ramond-Ramond scalar the supersymmetry varia-tions are[30]:δλ=i24F(3)N1N2N3ΓN1N2N3ǫ,δψM=D Mǫ+i96F (3)N1N2N3(ΓN1N2N3M−9δN1MΓN2N3)ǫ∗,(1.1.3)whereΓN1···N n stands for the antisymmetric productΓ[N1···ΓN n].λ(ψ)is the dilatino (gravitino),φis the dilaton,F(5)is the selfdual Ramond-Ramond(RR)five-form,and F(3) is the following complex combination of the Neveu-Schwarz-Neveu-Schwarz(NSNS)(H)and RR(F(3))three-forms:F(3)N1N2N3=g−12s F(3)N1N2N3.(1.1.4)6CHAPTER1.INTRODUCTIONChapter2Killing spinors of the resolutions of the conifold2.1The resolutions of the conifold in10d Supergravity The conifold is a non-compact Calabi-Yau threefold with a conical singularity.Its metriccan be written as ds26=dr2+r2ds2T1,1,where ds2T1,1is the metric of the T1,1coset(SU(2)×SU(2))/U(1),which is the base of the cone.The T1,1space is an Einstein manifold whose metric can be written[31]explicitly by using the fact that it is an U(1)bundle over S2×S2. Actually,if(θ1,φ1)and(θ2,φ2)are the standard coordinates of the S2’s and ifψ∈[0,4π) parameterizes the U(1)fiber,the metric may be written asds2T1,1=19 dψ+2 i=1cosθi dφi2.(2.1.1)The conical singularity can be resolved in two different ways according to whether an S2or an S3is blown up at the singular point[31].The former is known as the resolved conifold,while the latter is the deformed conifold.Both geometries appear naturally as supergravity duals of D6-branes wrapping an S2.The natural framework for this problem is the eight dimensional Salam-Sezgin gauged supergravity[32]where the D6become domain walls.The eleven dimensional geometry resulting from uplifting the8d supersymmetric solution(remember that this8d SUGRA comes from compactification of the11d SUGRA on an SU(2)manifold)consists of afibration of the S2over the S3of the compactification due to the twisting that must be performed to get a supersymmetric solution.The resulting 11d metric[34]is of the form R1,4×Y6,where Y6is a cone whose base is topologically S2×S3 and the radial coordinate of the cone is the distance to the domain wall in the8d geometry.It was shown in[14]that the singular,deformed and resolved conifold(and their general-izations with one additional parameter)are obtained as different solutions of the same system of differential equations,which follows from the vanishing of the8d SUGRA supersymmetry variations(δχi=δψα=0;i=1,2,3;α=0,...,7)for an ansatz of the form:ds28=e2f dx21,4+e2h dΩ22+dr2,(2.1.2)A1=g(r)σ1,A2=g(r)σ2,A3=σ3,(2.1.3)78CHAPTER2.KILLING SPINORS OF THE RESOLUTIONS OF THE CONIFOLD where dΩ22=dθ21+sin2θ1dφ21is the metric of an S2,f=f(r),h=h(r),and A i(i=1,2,3) is the gaugefield along the S2,and we have definedσi(i=1,2,3)as the Maurer-Cartan one-forms,namely:σ1=dθ1,σ2=sinθ1dφ1,σ3=cosθ1dφ1,(2.1.4) which satisfy dσi=−13.Letωi for i=1,2,3be a set of SU(2)left invariant one forms of the external S3satisfying dωi=13dΩ22+e−2φ3+2λ ω1+gσ1 2++4e4φ3−4λ ω3+σ3 2,(2.1.5) whereφ=φ(r)is the dilaton of the8d solution andλ=λ(r)is a scalar in the coset SL(3,I R)/SO(3)of the8d solution[34].Therefore,once one imposes the vanishing of the8d gauged SUGRA supersymmetry transformations,this uplifted metric is brought into the form I R1,4×Y6.Y6being either the resolved,the deformed,or the singular conifold,according to the different solutions of the aforementionedfirst order system[14]resulting from the eight dimensional SUSY equations.By performing a Kaluza-Klein reduction along one of theflat spatial directions of the metric(2.1.5),we get the following ten dimensional ansatz:ds210=dx21,3+e2h−2φ3dr2+4e4φ3+2λ ω2+gσ2 2+4e4φ2.2.KILLING SPINORS9The vanishing of the SUSY variations(1.1.3)for the background(2.1.6)(which has no fluxes)results in the following equations:D˜mǫ=0,(2.2.1) where˜m runs along the basis formed by the differentials of the coordinates of the geometryandǫis a10d spinor.Henceforth we will use indices with tilde when referring to the basis formed by the differentials of the coordinates,i.e.e˜m=dX˜m.Since the geometry(2.1.6)comes up in the framework of8d gauged supergravity,the Killing spinors should not depend on the coordinates of the SU(2)group manifold,and, due to the aforementioned SUSY twisting,neither should they depend on the remaining S2.Moreover,the ten dimensional metric can be expressed as the trivial product R1,3×Y6,so the Killing spinors should not depend either on theflat space coordinates.Indeed,let usconsider the natural one-form basis e a for the ten dimensional metric(2.1.6):e xα=dxα,(α=0,1,2,3),e r=e−φφ3dθ1,e2=e h−+λ ω1+gσ1 ,eˆ2=2e2φ33−2λ ω3+σ3 .(2.2.2) Let us point out that the covariant derivative appearing in eq.(2.2.1)can be written as:D˜m=∂˜m+1e2+e4φ3 h′−φ′3+λ−h g′eˆ1,ω2r=eφ3eˆ2+e4φ3 λ′+2φ′3+λ−h g′e1,ωˆ2r=eφ310CHAPTER2.KILLING SPINORS OF THE RESOLUTIONS OF THE CONIFOLDωˆ3r=eφ3−2λ′eˆ3,ωˆ11=−e4φ3+λ−h g′e r,ω21=eφ3−2λ−2h g2−1 eˆ3,ωˆ1ˆ3=eφ4e−2φ3−h cotθe2+13 e−4λ−2e2λ eˆ3,ωˆ2ˆ3=13−4λeˆ1−eφ3−h sinh(3λ)g eˆ3,ωˆ32=−eφ3−2λ−2h g2−1 e1,ωˆ31=eφ3−2λ−2h g2−1 e2.(2.2.5) The prime appearing in these expressions denotes the radial derivative(for instanceφ′=dφ3 ∂r+12.2.KILLING SPINORS11 where in the last equation we have used that D rǫ=(E r˜r)−1D˜rǫ.Sinceωa b xα=0,eqs.(2.2.7) are trivially satisfied.Inserting the spin connection and using the projection(2.2.6)in the first equation of(2.2.8),namelyωa bˆ1Γa bǫ=0,one gets:λ′+24e−φ−4λΓrΓˆ1ˆ2ˆ3−e−h sinh(3λ)gΓrΓ1ˆ2ˆ3 ǫ.(2.2.10)The equationωa bˆ2Γa bǫ=0yields again eq.(2.2.10).While from the third equation in(2.2.8)we get:24e−φ e−4λ−2e2λ −eφ−2λ−2h g2−1 ΓrΓˆ1ˆ2ˆ3ǫ++2e−h sinh(3λ)gΓrΓ1ˆ2ˆ3ǫ.(2.2.11) The last two equalities in(2.2.8)render the same equation:h′−φ′2eφ−2λ−2h g2−1 +12eφ−2λ−2h g2−1 +12eφ−2λ−2h g2−1 +12Γˆ11˜ǫ,ΓrΓˆ1ˆ2ˆ3˜ǫ=−˜ǫ.(2.2.19)12CHAPTER 2.KILLING SPINORS OF THE RESOLUTIONS OF THE CONIFOLDSince we are working in type IIB SUGRA,the 10d spinors have well defined chirality.Then,they verify the following equality:Γx 0...x 3Γr Γ12ˆ1ˆ2ˆ3ǫ=−ǫ.Using this identity together with (2.2.17)and the two-cycle projection (2.2.6),the projection (2.2.14)can be rewritten asΓx 0...x 3(cos αΓ12−sin αΓ1ˆ2)ǫ=ǫ,(2.2.20)showing that the D6-brane is wrapping a non trivial two-cycle inside the six dimensionalmanifold Y 6.This cycle mixes the S 2of the eight dimensional geometry (2.1.2)with the external S 3(along which,the reduction to 8d SUGRA was done).Thus,the phase αimple-ments the twisting we mentioned in section 2.1(below (2.1.1)).Next,by inserting projection (2.2.14)and equation (2.2.15)into (2.2.11),one gets:−2λ′+−23e −φe −4λ−e 2λβ+2e −h sinh (3λ)g ˜βǫ==2e−hsinh (3λ)g β−−eφ−2λ−2hg 2−1+13eφ−2λ−2hg 2−1+12eφ−2λ−2hg 2−1−13e φ+λ−h g ′Γ1ˆ1ǫ+e −hcosh (3λ)g Γr Γ1ˆ2ˆ3ǫ++14e−φe−4λ+2e2λΓr Γˆ1ˆ2ˆ3ǫ,(2.2.24)which after inserting eq.(2.2.14)renders a differential equation for h ′and a new algebraicconstraint:h ′=−e −h cosh (3λ)g ˜β+14e −φe −4λ+2e 2λβ,(2.2.25)−e −h cosh (3λ)g β+18e −φe −4λ+2e 2λ˜β=0,(2.2.26)where we have used eq.(2.2.16)to get rid of g ′.To sum up,from equations (2.2.8)we have got a system of differential equations,namely (2.2.15),(2.2.16),(2.2.22),and (2.2.25);two algebraic constraints:(2.2.23)and (2.2.26);and the projection (2.2.14).This projection is compatible with (2.2.6)and both leave unbroken eight supercharges.As it was shown in [14],the algebraic constraints have two different2.3.SOLVING THE EQUATIONS13 solutions resulting in two truncations of the system of differential equations and therefore,in two different internal manifolds Y6.One solution leads to the generalized resolved conifold and the other to the generalized deformed conifold.It remains to determine the radial dependence of the10d spinor;it will befixed by equation(2.2.9),which for the spin connection(2.2.5)reduces to:eφ2 ωˆ11rΓˆ11+ωˆ22rΓˆ22 ǫ=0,(2.2.27) whereǫ′=dǫ3ωa b r.By inserting projection (2.2.6)and the corresponding components of the spin connection into this last equation one arrives atǫ′+eφ+λ−h g′Γˆ11ǫ=0,(2.2.28) and after inserting(2.2.19),it results in the two following equations:˜ǫ′=0,(2.2.29)α′=−2eφ+λ−h g′.(2.2.30) This last equation determines the radial dependence of the phaseα,while(2.2.29)implies that the spinor˜ǫis independent of r.Therefore,the10d Killing spinorǫcan be written as:ǫ=e−αβ=−2eφ+λ−h g=e−3λ−h g4eφ−4λ.(2.3.1)Thefirst part of this equation allows us to writeαin terms of the remaining functions,while the last equality yields the following constraint:g g2−1+114CHAPTER2.KILLING SPINORS OF THE RESOLUTIONS OF THE CONIFOLD which clearly has two solutions.One of them is g=0,corresponding to˜β=0,β=1(then α=0).In this case the system of differential equations reduces to the one studied in[34], whose integral leads to the generalized resolved conifold[37]:ρ2ds26=[κ(ρ)]−1dρ2+6 ρ2+6a2 dθ21+sin2θ1dφ21 +ρ2 dθ22+sin2θ2dφ22 ,(2.3.3) withκ(ρ)being:ρ6+9a2ρ4−b6κ(ρ)=κ(ρ) σ3+ω3 2+91+9 σ3+ω3 2+ρ2e−2φ−2λ+2h.(2.3.8)4The corresponding values ofβand˜βare:1β=2.3.SOLVING THE EQUATIONS15 Plugging these results into the differential equations(2.2.15),(2.2.22),and(2.2.25)one arrives at thefirst order system:φ′=124e−2φ+λ+h−12e−3λ−h,h′=−12e3λ−h+14e−2φ+λ+h g.(2.3.11)These equations can be straightforwardly solved,resulting:eφ=ˆµ(coshτ)12 16K(τ)1631(coshτ)12,g=133sinhτ,(2.3.13)ˆµand C are constants of integration andτis a new radial coordinate defined by means of the differential equation:dτ=12µ43K(τ)3 dτ2+(w3+σ3)2 +sinh2τ2 w1+σ1coshτ 2,(2.3.16)16CHAPTER2.KILLING SPINORS OF THE RESOLUTIONS OF THE CONIFOLD which is the metric of the generalized deformed conifold[36].For C=0it describes the deformed conifold,withµ(which is just:µ=2114ˆµ)being the deformation parameter.It is not difficult to write this6d metric in the standard form of[16]:ds26=13K(τ) 12 g1 2+ g2 2 ++cosh2 τ√√√√2µ43 12(g5)2+(g3)2+(g4)2 ,which,as expected,is the metric of around S3.2.3.1Killing spinors of the deformed conifoldIt will become useful to write down explicitly the Killing spinors of the10d metric R1,3×Y6 when Y6corresponds to the deformed conifold.One just have to insert the particular solution (2.3.12)corresponding to the deformed conifold into the general expression for the Killing spinors written in equation(2.2.31).Thus,one gets:ǫ=e−αcoshτ,cosα=sinhτ36K(τ)dτ,2.3.SOLVING THE EQUATIONS17e i=µ2K(τ)√3 2√coshτ ,(i=1,2),eˆ3=µ2√18CHAPTER2.KILLING SPINORS OF THE RESOLUTIONS OF THE CONIFOLDChapter3Killing spinors of theKlebanov-Witten model3.1IntroductionIn this chapter we will thoroughly present the computation of the Killing spinors of the Klebanov-Witten(KW)model[7].We will briefly introduce the background and,using some results of the previous chapter,we will construct a one-form frame in which we expect that the Killing spinors do not depend on the angular coordinates of the conifold.Before solving the equations resulting from the vanishing of the SUSY variations,we will have to express thefields of the model in that new frame and also determine the form of the spin connection.Finally,in order to get the explicit form of the Killing spinors of the KW model when global coordinates are used for the AdS5part of the metric,we will repeat the calculations for the corresponding one-form frame.In both cases we will be able to write the Killing spinors of the theory in terms of a constant10d spinor satisfying two independent (and compatible)projections,which reduce the number of independent components of the spinor and thus,the number of unbroken supercharges,from32to8real components as it was expected.This calculation was schematically published in ref.[13],since the explicit expression of the Killing spinors was essential for the kappa symmetry analysis carried out there.3.1.1The Klebanov-Witten modelThe so-called Klebanov-Witten background is constructed in ref.[7]by placing a stack of N D3-branes at the apex of the singular conifold.By adding four Minkowski coordinates to the conifold we construct a Ricciflat ten dimensional metric.Let us now place a stack of N coincident D3-branes extended along the Minkowski coordinates and located at the singular point of the conifold.The resulting IIB supergravity solution is the KW model. The corresponding near-horizon metric and Ramond-Ramond selfdualfive-form are given by ds210=[h(r)]−12(dr2+r2ds2T1,1),1920CHAPTER3.KILLING SPINORS OF THE KLEBANOV-WITTEN MODEL h(r)=L44πg s Nα′2.(3.1.1) By plugging the explicit form of the warp factor into the metric,it can be written asds210=r2r2dr2+L2ds2T1,1,(3.1.2)which corresponds to the AdS5×T1,1space.It was shown in ref.[7]that the gauge theory dual to this supergravity background is an N=1superconformalfield theory with some matter multiplets.3.2Killing spinorsTo obtain the explicit form of the Killing spinors,one has to look at the supersymmetry variations of the dilatino and gravitino(see eq.(1.1.3)).Since the dilaton is constant and there is no three-formflux,the variation of the dilatino vanishes trivially(δλ=0).We are left with the equations:δψM=D Mǫ+i6((σ1)2+(σ2)2+(w1)2+(w2)2)+1 Ldxα,(α=0,1,2,3),e r=L3.2.KILLING SPINORS21e i=L6σi,(i=1,2),eˆi=L6w i,(i=1,2),eˆ3=LL e x0∧e x1∧e x2∧e x3∧e r+e1∧e2∧eˆ1∧eˆ2∧eˆ3 .(3.2.4) 3.2.1Spin connectionLet us recall that,as we have mentioned in the previous chapter,the covariant derivative appearing in the SUSY equations(3.2.1)can be written asD˜m=∂˜m+1r4.Thus,the corresponding frame is:˜e xα=˜h−14dr,˜e i=˜h1√4r6w i,(i=1,2),˜eˆ3=˜h13 w3+σ3 ,(3.2.7) which does not only correspond to the current background(for˜h(r)=L422CHAPTER 3.KILLING SPINORS OF THE KLEBANOV-WITTEN MODELget:˜ωx αr=˜h−1414˜h ′˜h−1˜e s ,(s =1,2,ˆ1,ˆ2,ˆ3),˜ω12=14˜e ˆ3−√rcot θ1˜h −1r ˜h −164˜e 2,˜ωˆ1ˆ3=−14˜e ˆ2,˜ωˆ2ˆ3=14˜e ˆ1,˜ωˆ32=14˜e 1,˜ωˆ31=−14˜e 2.(3.2.8)We have expressed the resulting one-form in the frame (3.2.7),for,as one will see below,it will be more useful to work directly in that frame.Applying this result to the presentbackground,i.e.plugging ˜h(r )=L 4Le x α,(α=0,1,2,3),ω12=16L e ˆ3−√Lcot θ1e 2,ωˆ2ˆ3=1Le ˆ2,ωˆ31=−1Le 1.(3.2.9)One should keep in mind that the components in the coordinate basis,i.e.(3.2.6),can beeasily computed in terms of the ones in (3.2.9):ωa b ˜m =E c ˜m ωa b c .E c˜m are the coefficients appearing in the expression of the frame one-forms (3.2.3)in terms of the differentials of thecoordinates:e a =E a ˜n dX ˜n .3.2.2Determining the Killing spinorsOnce we have computed the form of the spin connection,we can go back to equations (3.2.1).After substituting the selfdual five-form (3.2.4)they become:D M ǫ+i3.2.KILLING SPINORS23Γa,(a=xα,r,1,2,ˆ1,ˆ2,ˆ3)are constant Dirac matrices associated to the frame(3.2.3).Using the identity satisfied by the chiral10d spinors:Γx0...x3ΓrΓ12ˆ1ˆ2ˆ3ǫ=−ǫ,these last equations can be written asiDµǫ+Γ12ˆ1ˆ2ˆ3Γsǫ=0,(s=1,2,ˆ1,ˆ2,ˆ3),(3.2.12)2Lworking directly in the frame(3.2.3).Since the spin connection does not mix AdS5with T1,1components,we can solve these two sets of equations separately,though the projections we get from both sets must be compatible.Let us begin with the AdS5equations(3.2.11);we expect the spinor to depend on the AdS5coordinates so we will need to use the equality:Dµǫ=(Eµ˜ν)−1D˜νǫ.(3.2.13) Then,by inserting the spin connection(3.2.9)and applying this last expression,one can bring equations(3.2.11)into the form:r∂xαǫ=−Γ∗ǫ,(3.2.15)2rwithΓ∗being defined asΓ∗≡iΓx0x1x2x3.(3.2.16) These equations have two solutions:√ǫ1=√rSUSY.After definingη−≡−iΓrǫ−andη+≡ǫ+,ǫ1andǫ2become: 2√ǫ1=√r24CHAPTER3.KILLING SPINORS OF THE KLEBANOV-WITTEN MODEL Thus,we have got two independent solutions of the supersymmetry equations for the AdS5 part(3.2.11),each one being12 1+1Γ12ˆ1ˆ2ˆ3Γsη=0,(s=1,2,ˆ1,ˆ2,ˆ3).(3.2.23)2LOne can check,using the spin connection given in(3.2.9),that thesefive equations are solved by a constant10d spinorηsatisfying the usual projections of the T1,1(see[33]):Γ12η=iη,Γˆ1ˆ2η=−iη.(3.2.24) Therefore,the Killing spinors of the model are given by the expression(3.2.22)in terms of a constant10d spinor satisfying the projections(3.2.24).Furthermore,notice that the matrix multiplyingηin eq.(3.2.22)commutes withΓ12andΓˆ1ˆ2so the spinorǫalso satisfies the projections(3.2.24),namely:Γ12ǫ=iǫ,Γˆ1ˆ2ǫ=−iǫ.(3.2.25) It is clear from eqs.(3.2.22)and(3.2.24)that our system is1/4supersymmetric,i.e.it preserves8supersymmetries,as it corresponds to the supergravity dual of an N=1super-conformalfield theory in four dimensions.3.2.3Killing spinors using global coordinatesIt is also interesting to write down the form of the Killing spinors when global coordinates are used for the AdS5part of the metric.In these coordinates the ten dimensional metric takes the form:ds210=L2 −cosh2ρdt2+dρ2+sinh2ρdΩ23 +L2ds2T1,1,(3.2.26) where dΩ23is the metric of a unit three-sphere parameterized by three angles(α1,α2,α3): dΩ23=(dα1)2+sin2α1 (dα2)2+sin2α2(dα3)2 ,(3.2.27)3.2.KILLING SPINORS25 with0≤α1,α2≤πand0≤α3≤2π.In order to write down the Killing spinors in these coordinates,let us choose the following frame for the AdS5part of the metric:e t=L coshρdt,eρ=L dρ,eα1=L sinhρdα1,eα2=L sinhρsinα1dα2,eα3=L sinhρsinα1sinα2dα3.(3.2.28) We will continue to use the same frame forms as in eq.(3.2.3)for the T1,1part of the metric. The components of the spin connection corresponding to the AdS5part become:ωtρ=sinhρdt,ωα1ρ=coshρdα1,ωα2ρ=coshρsinα1dα2,ωα3ρ=coshρsinα1sinα2dα3,ωα2α1=cosα1dα2,ωα3α1=cosα1sinα2dα3,ωα3α2=cosα2dα3.(3.2.29) Notice that we have written the spin connection in terms of the differentials of the AdS5 coordinates.The selfdualfive-form reads:4g s F(5)=γΓµǫ=0,(µ=t,ρ,α1,α2,α3),(3.2.31)2Lwhere we have defined:γ≡Γtρα1α2α3,(3.2.32) andΓµ,(µ=t,ρ,α1,α2,α3)are constant Dirac matrices associated to the frame(3.2.28). We expect the Killing spinors to depend on the coordinates so we must proceed as in(3.2.13) to write the covariant derivative in terms of the derivatives of the spinor with respect to the global coordinates.Let us begin with the equation forµ=ρ,which yields:i∂ρǫ−Γργ˜ǫ,(3.2.34)2where˜ǫis a ten dimensional spinor independent ofρ.The equation forµ=t renders:i∂tǫ=−。

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