Design and experiment of a needle-type Piezostack Driven Jetting Dispenser
用针和线缝一个手提包英语作文
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用针和线缝一个手提包英语作文Embarking on the Creative Journey of Sewing a Tote Bag: A Comprehensive Guide.In this era of fast fashion and disposable consumerism, the art of sewing offers a refreshing and sustainable alternative. By crafting our own garments and accessories, we can not only express our individuality but also contribute to a more mindful and eco-conscious lifestyle. Among the myriad of sewing projects, creating a tote bag stands out as a particularly rewarding endeavor. Whether you're an experienced seamstress or a novice with a newfound passion for needle and thread, this guide will provide you with all the essential steps to sew a beautiful and functional tote bag that will become a cherished companion for years to come.1. Gathering the Necessary Materials:Before embarking on this creative journey, it's crucialto gather all the necessary materials to ensure a smooth and successful sewing experience. The core components include:Fabric: Choose a durable and stylish fabric that aligns with your desired aesthetics and the intended purpose of the tote bag. Canvas, denim, and cotton are popular choices for their strength and versatility. Opt for a fabric weight that suits your project's needs, considering factors such as the size and intended contents of the bag.Thread: Select a thread color that complements the fabric and ensures durability. Consider using a heavier thread for added strength, especially if the bag is intended to carry heavier items.Needles: Choose needles that are appropriate for the fabric thickness and type. A universal needle is a good starting point, but you may need to adjust the size or type depending on the specific fabric you're using.Scissors: Invest in a pair of sharp fabric scissorsthat will provide clean, precise cuts.Measuring tape or ruler: This tool is essential for accurate measurements and ensuring the bag's dimensions are as desired.Iron and ironing board: An iron will help you press seams and create a professional-looking finish.2. Preparing the Fabric:Once you have gathered all the necessary materials,it's time to prepare the fabric before cutting and sewing.Pre-wash the fabric: Pre-washing removes any shrinkage or excess dye from the fabric, preventing these factors from distorting the final dimensions of your tote bag.Iron the fabric: Ironing the fabric before cutting ensures that it's smooth and free of wrinkles, making it easier to work with and achieve precise cuts.3. Cutting the Fabric:With the fabric prepared, it's time to cut out the individual pieces that will form the tote bag.Determine the desired dimensions of the tote bag, considering the height, width, and depth.Use the measuring tape or ruler to mark the dimensions on the fabric, creating a rectangle for the main body of the bag.Cut out two rectangular pieces using the markings as guides. These pieces will form the front and back of the tote bag.For the handles, cut out two long strips of fabric. The length of the strips will depend on the desired length of the handles and the size of the tote bag. The width of the strips should be wide enough to provide a comfortable grip.4. Assembling the Tote Bag:With the fabric pieces cut, it's time to assemble the tote bag.Pin the front and back pieces of the tote bag together, right sides facing. Sew around the edges using a 1/2-inch seam allowance, leaving a small opening for turning the bag right side out.Turn the bag right side out and press the seams.Fold the top edge of the bag down by 1 inch and press. Fold it down another 1 inch and press again. This will create a casing for the drawstring.Topstitch around the top edge of the bag, catching the folded edge to create the drawstring casing.Insert the drawstring through the casing. The drawstring can be made from cord, ribbon, or any other suitable material.5. Finishing Touches:With the tote bag assembled, it's time to add any finishing touches that enhance its functionality and aesthetics.Add pockets: If desired, you can add pockets to the inside or outside of the tote bag for additional storage and organization.Embellish the bag: Personalize the tote bag by adding embroidery, appliqués, or other embellishments thatreflect your style.Reinforce the handles: If you plan to carry heavy items in the tote bag, reinforce the handles by sewing a second row of stitching along the edge.Conclusion:Sewing a tote bag is a rewarding and versatile project that can be adapted to suit your individual needs andpreferences. Whether you're a seasoned seamstress or a beginner with a newfound passion for sewing, this comprehensive guide provides a step-by-step roadmap to creating a beautiful and functional tote bag that will accompany you on countless adventures. As you embark onthis creative journey, remember to embrace the joy of the process, experiment with different fabrics and embellishments, and let your imagination soar. The finished product will be a testament to your creativity, skill, and the timeless art of sewing.。
Design of Experiment(课堂PPT)
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Lab 用正交试验设计对设计变量进行筛选
➢ 设计变量12个,因素水平2。 ➢ 采用全析因试验设计需要4096次(212=4096)。 ➢ 采用正交试验设计只需要16次。
9
Lab
设计变量
WingArea Fuselength CruiseVel
WtFuel AR
CLmax sfc
PropEfficiency UltLoadFactor
基准值
135.0 20.0 200.0 139.2 5.6 1.92 1.816e-07 0.945 4.56 141.84 286.56 4.05
水平值
108.0 162.0 16.0 24.0 160.0 240.0 111.36 167.04 4.48 6.72 1.536 2.304 1.4528e-07 2.1792e-07 0.89775 0.99225 3.648 5.472 113.472 170.208 229.248 343.872 3.645 4.455
拉丁超立方抽样是一种修正的蒙特卡罗方法。它覆盖均匀,适用于影响因 素较多的情况,可显著减少试验规模。 特点:
➢ 试验点较均匀; ➢ 样本点是随机的,每次计算结果都不一样; ➢ 试验次数等于水平数; ➢ 试验次数可以是任何数值; ➢ 应用广泛的计算机仿真试验设计,覆盖均匀,适用于影响因素较多的情况,
可显著减少试验规模。
正交试验设计(Orthogonal Arrays)
按照一种已经拟定好的满足正交试验条件的表格(正交表)来安排试验 的试验设计方法。
正交表的形式为LA(pq)
L 代表正交表; A表示表中有A个横行,也即总共所需的试验次数; p表示因素的水平数; q表示因素的个数。
5
英语作文-掌握集成电路设计中的设计验证与仿真技术
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英语作文-掌握集成电路设计中的设计验证与仿真技术Integrated circuit (IC) design verification and simulation technology plays a crucial role in ensuring the functionality, reliability, and performance of modern electronic devices. As semiconductor technology advances, the complexity of ICs continues to grow, necessitating robust methodologies for design validation before fabrication. This article explores key aspects of design verification and simulation techniques in IC design, emphasizing their significance and methodologies employed in the industry.Design verification is the process of confirming that a design meets its specifications and functional requirements. It involves rigorous testing across various scenarios to detect and eliminate design flaws early in the development cycle. Verification ensures that the IC behaves as intended under different operating conditions, ensuring reliability and minimizing the risk of costly errors in later stages.Simulation, on the other hand, involves using mathematical models to mimic the behavior of the IC under different conditions. It allows designers to predict how the circuit will perform without physically building it. Simulation tools range from simple circuit-level simulations to complex system-level simulations that consider interactions between various components of the IC.One of the primary challenges in IC design verification is managing the increasing complexity of designs. As ICs integrate more functionality into smaller footprints, the number of transistors and interconnections grows exponentially. This complexity makes manual verification impractical, necessitating automated verification methodologies. Advanced verification techniques such as constrained-random testing, formal verification, and assertion-based verification are employed to thoroughly test the design against a wide range of scenarios.Constrained-random testing involves generating random stimuli within specified constraints to uncover corner-case bugs that might not be caught with directed testingalone. Formal verification uses mathematical techniques to prove that a design satisfies its specifications under all possible inputs. Assertion-based verification involves embedding assertions in the design code to check for specific conditions during simulation.Moreover, simulation techniques have evolved to handle the intricacies of modern IC designs. Circuit simulators like SPICE (Simulation Program with Integrated Circuit Emphasis) provide detailed analysis of circuit behavior at transistor level, helping designers optimize performance and power consumption. System-level simulators enable designers to evaluate the entire IC's functionality and performance in the context of the end application.In addition to functional verification, designers must also consider other aspects such as power analysis, timing analysis, and electromagnetic compatibility (EMC). Power analysis tools estimate power consumption and identify areas for optimization, crucial for battery-operated devices. Timing analysis ensures that signals propagate correctly through the IC within specified timing constraints. EMC analysis evaluates the IC's susceptibility to electromagnetic interference and its emissions to comply with regulatory standards.Collaboration between design, verification, and simulation teams is essential for successful IC development. Designers work closely with verification engineers to define test plans, develop test benches, and analyze results. Simulation results guide design modifications to enhance performance, reliability, and manufacturability.In conclusion, mastering design verification and simulation technologies is indispensable for ensuring the success of IC designs in today's competitive electronics industry. Rigorous verification methodologies and advanced simulation tools enable designers to detect and rectify design flaws early, reducing time-to-market and development costs. As ICs continue to evolve in complexity and functionality, continuous advancements in verification and simulation techniques will play a pivotal role in driving innovation and reliability in electronic products.。
最新整理爱迪生的简介英文版个人背景资料
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爱迪生的简介英文版个人背景资料托马斯阿尔瓦爱迪生,人类历史上第一个利用大量生产原则和电气工程研究的实验室来进行从事发明专利而对世界产生重大深远影响的人。
下面是学习啦小编为你整理的爱迪生的简介英文版,希望对你有用!爱迪生简介T h o m a s A l v a E d i s o n,b o r n F e b r u a r y11, 1847 - O c t o b e r 18, 1931, w a s b o r n i n M i l a n, O h i o, a n d d i e d i n W e s t O r a n g e, N e w J e r s e y, U S A. I n v e n t o r, e n t r e p r e n e u r.E d i s o n i s t h e f i r s t p e r s o n i n t h e h i s t o r y o f m a n k i n d t o u s e t h e m a s s p r o d u c t i o n p r i n c i p l e s a n d e l e c t r i c a l e n g i n e e r i n g r e s e a r c h l a b o r a t o r y t oe n g a g e i n i n v e n t i o n p a t e n t s a n d h a v e a s i g n if i c a n t i m p a c t o n t h e w o r l d.H e i n v e n t e d t h e p h o n og r a p h, f i l m c a m e r a, l i gh t o n t h e w o r l d h a v e a g r e a ti m p a c t.H e i n v e n t e d a t o t a l o f m o r e t h a n 2,000 i t e m s, w i t h m o r e t h a n1,000p a t e n t s.E d i s o n w a s n a m e d9t h o f t h e100c h a r a c t e r s i n t h e U n i t e d S t a t e s b y t h eA m e r i c a n J o u r n a l o f t h e A t l a n t i c.爱迪生人物生平B i t t e r m u s i c c h i l d h o o dH e l p l e s s m o v eI n1854,t h e r e w a s a g r e a t i m p a c t o n h i sd e v e l o p m e n t,t h e s o u t h b a n k o f L a k e E r i e o p e n e da l o n g t h e l a k e r a i l w a y,m a k i n g t h e M i l a n C a n a lm e r c h a n t b u s i n e s s g r e a t l y r e d u c e d, E d i s o n f a t h e r s b u s i n e s s h a s n o w a y t o m a i n t a i n i t, b e c a u s e a l i f e G r a d u a l l y d i f f i c u l t,i n o r d e r t o s e e k a n o t h e rd e v e l o p m e n t, t h e E d i s o n f a m i l y m o v e d t o t h i s, t h e y l e f t M i l a n m o v e d t o t h e n o r t h e r n s u b u r b s o f P o r t H u r o n, M i c h i g a n, G l a t t i O t t C a s t l e b e g a n a n e w l i f e, m o v e d t o t h e n e w h o m e s o o n, E d i s o n s u f f e r e d s c a r l e t f e v e r.D r i v e o u t t h e s c h o o lI n 1855, h e b e g a n t o g o t o s c h o o l, t h a t s c h o o l o n l y o n e c l a s s,p r i n c i p a l s a n d t e a c h e r s a r e M r.E n g e l. B e c a u s e E d i s o n h a s t h e r o o t o f t h e q u e s t i o n, i n t h e c l a s s o f t e n o f t e n a s k t h e t e a c h e r q u e s t i o n s s o m e a l t e r n a t i v e p r o b l e m s(s u c h a s:h o w t h e w i n d i s g e n e r a t e d; p l u s o n e w h y i s e q u a l t o t w o i n s t e a do f f o u r), j u s t t h r e e m o n t h s t i m e, w a s t h e t e a c h e r t o L o w e n e r g y i n t h e n a m e o f t h e s c h o o l.A l s o d i v i s i o n a l s o m o t h e rB e c a u s e t h e m o t h e r N a n c y w a s a t e a c h e r o f a w o m e n s s c h o o l,i s a r i c h e d u c a t i o n a l e x p e r i e n c e, s h e d o e s n o t t h i n k t h e i r c h i l d r e n a r e l o w e n e r g y, s o N a n c y h i m s e l f t a u g h t E d i s o n. A c c o r d i n g t o N a n c y w e e k d a y s t o o b s e r v e, E d i s o n i s n o t o n l y l o w e n e r g y, a n d o f t e n s h o w t a l e n t.N a n c y o f t e n l e t E d i s o n d o e x p e r i m e n t s t h e m s e l v e s, o n c e t a l k e d a b o u t G a l i l e o s L e a n i n g T o w e r E x p e r i m e n t, N a n c y l e t E d i s o n t o h i s h o m e n e x t t o t h e t o w e r t o t r y, E d i s o n t o o k t w o s i z e s a n d w e i g h t s o f d i f f e r e n t b a l l s A t t h e s a m e t i m e f r o m t h e t o w e r o n t h e c a s t, t h e r e s u l t s o f t w o g o a l s a t t h e s a m e t i m e l a n d i n g, E d i s o n f e e l v e r y m a g i c a l a n d e x c i t e d t o t e l l t h e m o t h e r o f e x p e r i m e n t a l r e s u l t s, t h e e x p e r i m e n t a l s o e n g r a v e d i n E d i s o n m i n d.R e a d i n g b o o k sB e c a u s e o f t h e g o o d e d u c a t i o n a l m e t h o d s o f t h e m o t h e r, E d i s o n r e a l i z e d t h e i m p o r t a n c e o f t h e b o o k.H e i s n o t o n l y a g r o u p o f b o o k s, b u t a l s o a t e n l i n e s a n d n e v e r f o r g e t. E d i s o n u n d e r t h e g u i d a n c e o f h i s m o t h e r r e a d t h e B r i t i s h R e n a i s s a n c e w r i t e r sS h a k e s p e a r e, D i c k e n s s w r i t i n g s a n d m a n y i m p o r t a n t h i s t o r i c a l b o o k s,s u c h a s E d w a r d G i b b o n s R o m a nE m p i r e d e c l i n e h i s t o r y,D a v i d H u m e s B r i t i s hh i s t o r y, h e a l s o H a v i n g r e a d s o m e o f T h o m a s P a i n e s w r i t i n g s, E d i s o n w a s a t t r a c t e d b y t h e i n s i g h t s o f t h e b o o k a n d h a d a l w a y s i n f l u e n c e d h i s l i f e.R e s e a r c h c h e m i s t r yI n1857,E d i s o n b e g a n t o h a v e a n i n t e r e s t i n c h e m i s t r y, a n d h e e x p e r i m e n t e d w i t h t e x t b o o k s i n h i s o w nc e l l a r,a nd o f te n m a d ef r e q u e n t a c c i d e n t s.I n1859,E d i s o n i n o r d e r t o h a v e e n o u g h m o n e y t o b u y c h e m i c a l s a n d l a b o r a t o r y e q u i p m e n t, h e b e g a n t o f i n d a j o b t o m a k e m o n e y, a f t e r s o m e e f f o r t h e f o u n d t h e w o r k o f t h e n e w s p a p e r o n t h e t r a i n, e v e r y d a y b e t w e e n t h e P o r t H u r o n a n d D e t r o i t,h i s s i d e S e l l i n g n e w s p a p e r s a l s o s i d e b y s i d e w i t h f r u i t,v e g e t a b l e b u s i n e s s, b u t a s l o n g a s a f r e e h e w i l l g o t o t h e l i b r a r y t o r e a d.I n1861,E d i s o n b o u g h t a n o l d p r e s s w i t h h i s e a r n e d n e w s p a p e r a n d b e g a n p u b l i s h i n g h i s w e e k l y m a g a z i n e, H e r a l d, w h i c h w a s p r i n t e d o n t h e t r a i n.H e w a s p r e s i d e n t,j o u r n a l i s t,p u b l i s h e r,a n dP r i n t i n g w o r k e r s a n d n e w s b o y.T h e r e w a s a l o u n g e o n t h e t r a i n t h a t E d i s o n h a d w o r k e d b e c a u s e t h e a i r w a s n o t i n c i r c u l a t i o n, s o n o b o d y w e n t t o r e s t a n d b e c a m e e m p t y. B e c a u s e E d i s o n e v e r y d a y i n t h e t r a i n o n t h e r u s h, e v e r y d a y l a t e t o g o h o m e, o f t e n f e e l t h a t t i m e i s n o t e n o u g h, E d i s o n t h a t i f t h e l o u n g e t o t h e l a b o r a t o r y, t h e n r e t u r n t o P o r t H u r o n o n t h e w a y,y o u c a n d o t h e e x p e r i m e n t,W i t h t h e c o n s e n t o f t h e c o n d u c t o r,t h e u n m a n n e d l o u n g e b e c a m eE d i s o n s l a b.A l t h o u g h t h e e x p e r i m e n t w a s a l o te a s i e r, b u t t h e a c c i d e n t a l s o of t e n o c c u r r e d, o n c e h i s l a b o r a t o r y c h e m i c a l s s u d d e n l y c a ugh t, c a u si n g t h e l o s s,t h e t r a i n l e n g t h o f h i s e x p e r i m e n t a le q u i p m e n t w a s t h r o w n o u t of t h e c a r.g r o w i n g p h a s eT e l e g r a p h l i f eO n e d a y i n A u g u s t1862,E d i s o n s a v e d a b o y o n t h e t r a i n t r a c k,a n d t h e f a t h e r o f t h e c h i l d w a s t h e o w n e r o f t h e r a i l w a y s t a t i o n, M c K e n z i e, a n d w a s v e r y g r a t e f u l t o t e a c h E d i s o n t e l e g r a p h t e c h n o l o g y i n M a c k e n z i e s U n d e r t h e g u i d a n c e o f E d i s o n l e a r n e d t e l e g r a p h t e c h n o l o g y a n d i s s u e d h i s f i r s tt e l e g r a m.I n 1863, E d i s o n w a s i n t r o d u c e d b y M c K e n z i e, w h o s e r v e d a s t e l e c o m o p e r a t o r a t t h e m a i n l i n e r a i l w a y s t a t i o n,b u t d i d n o t t a k e l o n g t o b e f i r e d.I n 1864 t o 1867, E d i s o n i n t h e U n i t e d S t a t e s a sa s e r v i c e o f f i c e r,l i v i n g a w a n d e r i n g l i f e,l i f e i s n o t g u a r a n t e e d, d u r i n g w h i c h E d i s o n c h a n g e d t e n w o r k l o c a t i o n s, f i v e w a s r e m o v e d f r o m o f f i c e, t h e o t h e r f i v e i s h i s r e s i g n a t i o n, f o o t p r i n t s T o S t e l l a F o r d, A d r i a n, F o r t W a y n e, I n d i a n a p o l i s, C i n c i n n a t i, N a s h v i l l e, T e n n e s s e e, M e m p h i s, L o u i s v i l l e, H u r o n. T h e f i r s t p a t e n tA t t h e e n d o f 1868, E d i s o n c a m e t oB o s t o n a s a t e l l e r,a n d i n t h e s a m e y e a r h e w o n t h e f i r s ti n v e n t i o n p a t e n t,a d e v i c e t h a t a u t o m a t i c a l l yr e c o r d s t h e n u m b e r o f v o t e s,t h a t i s,v o t i n gc o u n t e r,Ed i s o n be l i e v e s t h a t t h i s d e v i c e w i l ls p e e d u p C o n g r e s s A n d w i l l b e w e l c o m e d b y ac o n g r e s s m a n w h o t o ld h i m t h a t he w a s s l o w l y v o t i n g a n d p o l i t i c a l l y n e e d e d,s o E d i s o n d e c i d e d n o t t o c r e a t e a n i n v e n t i o n t h a t p e o p l e d i d n o t n e e d.F i n d t h e d i r e c t i o nI n l a t e a u t u m n o f 1869, E d i s o n c a m e t o w o r k i n N e w Y o r k,b u t w h e n h e w a s l o o k i n g f o r a j o b i n a c o m p a n y, i t h a p p e n e d t h a t a t e l e g r a p h w a s b r o k e n, a n d E d i s o n s o o n r e p a i r e d t h e t e l e g r a p h a n d r e c e i v e d t h e g e n e r a l m a n a g e r O f t h e a p p r e c i a t i o n,t h er e s u l t s h e b e c a m e a t o t a l t e l e g r a p h t e c h n i c i a n, w i t h a s t a b l e w o r k i n g e n v i r o n m e n t a n d w a g e s,f o r h i s l a t e r i n v e n t i o n p r o v i d e s a g o o d c o n d i t i o n. I n O c t o b e r o f t h e s a m e y e a r, E d i s o n a n d F r a n k l i n P o p e c o-f o u n d e d t h e P o p e - E d i s o n c o m p a n y, s p e c i a l i z i n gi n e l e c t r i c a l e n g i n e e r i n g s c i e n t i f i c i n s t r u m e n t s, a t t h e s a m e t i m e i n v e n t e d t h e o r d i n a r y p r i n t i n g p r e s s.I n v e n t i o n a n d e n t r e p r e n e u r s h i pT h e f i r s t p o t o f g o l dI n1870,E d i s o n s o l d t h e p a t e n t f o r t h e p r e s s t o a W a l l S t r e e t c o m p a n y,l e t t h e m a n a g e r o u t o f t h e i r o w n p r i c e,w o u l d l i k e t o a s k f o r t h o u s a n d s o f d o l l a r s i s e n o u g h,t h e m a n a g e r a c t u a l l y g a v e E d i s o n f o r t y t h o u s a n d d o l l a r s.E d i s o n r e c e i v e d $ 40,000 t o b u i l d a f a c t o r y i n W a r d S t r e e t, W A C K E R, N e w J e r s e y, t o m a n u f a c t u r e a l l k i n d s o f e l e c t r i c a l m a c h i n e r y.I n1873,E d i s o n w a s p u t i n t o t h e s t u d y o fs y n c h r o n o u s d i s p a t c h e r s.I n D e c e m b e r1874,t h e r e s e a r c h w o r k o f t h eS y n c h r o n o u s S e n t i n e l w a s n e a r i n g c o m p l e t i o n,a n d W e s t e r n U n i o n h a d p r o m i s e d t o p a y $ 5,000 f o r E d i s o n a n d o f f e r e d$25,000t o p a y$233a d a y f o r e a c h o f t h e e q u i p m e n t L i n e c o s t s, b u t t h e W e s t e r n U n i o nf a i l e d t o p r a c t i c e,a n d u l t i m a t e l y J a y G o u l d t o $ 300 a c q u i s i t i o n o f t h e s i m u l t a n e o u s l a u n c h o f t h e p a t e n t,s o E d i s o n h a d a s t o r m.A t t h e e n d o f 1875, E d i s o n w a s a b o u t t o c e l e b r a t e t h e b i r t h o f t h e s e c o n d c h i l d, f e e l i n g t h e r o o m w a s t o o n a r r o w a t h o m e, t h e n a r r o w s t r e e t s o f t h e N e w a r k f a c t o r y,t h e n o i s y e n v i r o n m e n t a l s o a f f e c t e d t h e w o r k o f t h e r e s e a r c h e r s, E d i s o n f i n a l l y r e l o c a t e d d e t e r m i n a t i o n.I n e a r l y 1876, E d i s o n m o v e d t o M o n r o e P a r k, N e w J e r s e y,w h e r e h e b u i l t a l a b o r a t o r y.G r a m o p h o n e w a s b o r nI n1877,E d i s o n i m p r o v e d t h e p h o n e t h a t w a s i n v e n t e d b y A l e x a n d e r B e l l,a n d p u t i t i n t op r a c t i c a l u s e,a n d s o o n o p e n e d t h e t e l e p h o n ec o m p a n y. Ed i s o n a n d Be l l, t w o h o s t i l e c o m p a n i e s i n L o n d o n,l a u n c h e d af i e r c e c o m p e t i t i o n.I n t h ep r o c e s s o f i m p r o v i n g t h e p h o n e,f o u n d t h em i c r o p h o n e i n t h e d i a p h r a g m,w i t h t h e s o u n d a n d v i b r a t i o n,h e f o u n d a n e e d l e,e r e c t e d o n t h em e m b r a n e b o a r d, g e n t l y p r e s s t h e t o p o f t h e h a n d, a n d t h e n s p e a k t o t h e m e m b r a n e, t h e s o u n d T h e s p e e d o f t h e l e v e l o f t h e s h o r t n e e d l e c o r r e s p o n d i n g t o p r o d u c e d i f f e r e n t c h a n g e s i n t h e q u i v e r,E d i s o n d r a w t h e s k e t c h f o r t h i s a s s i s t a n t t o m a k e t h em a c h i n e,a n d t h e n a f t e r s e v e r a l t r a n s f o r m a t i o n, t h e f i r s t p h o n o g r a p h w a s b o r n.S t u d y t h e l i g h tI n S e p t e m b e r1878,E d i s o n b e g a n t o s t u d y t h e l i g h t s,b u t b e c a u s e o f E d i s o n s e c o n o m i c p r o b l e m s h a d t o f i n d f i n a n c i a l s u p p o r t, s o t h e e s t a b l i s h m e n t o f a j o i n t-s t o c k c o m p a n y i n o r d e r t o p r o v i d ef i n a n c i a l s u p p o r t f o r t h e e x p e r i m e n t,a n d s o o nL o r e e f o u n d s e v e r a l s h a r e h o l d e r s, t h e y a r e w i l l i n g t o p a y f o r E d i s o n r e s e a r c h L i g h t. B u t E d i s o n o f t e n f a i l e d, a n d s o o n r a n o u t o f f i f t y t h o u s a n d d o l l a r s r u n o u t, p a r t o f t h e s h a r e h o l d e r s o f t h e f a i t h b e g a n t o s h a k e, E d i s o n h a r d t o p e r s u a d e t h e s h a r e h o l d e r s d e c i d e d t o t a k e f i f t y t h o u s a n d d o l l a r s t o s u p p o r t E d i s o n.O c t o b e r 21, 1879, t h e s u c c e s s f u l d e v e l o p m e n t o f l i g h t, h e t r i e d t o c l o s e t h e 1600 k i n d s o f m a t e r i a l s f o r t e s t i n g, c o n t i n u o u s u s e o f 45 h o u r s a f t e r t h e l a m p f i l a m e n t w a s b u r n e d, w h i c h i s t h e f i r s t h u m a n h a s a w i d e r a n g e o f p r a c t i c a l v a l u e O f t h e l i g h t, t h i s l i g h t h a s a h i g h r e s i s t a n c e i n c a n d e s c e n t,c a r b o n i z ed c o t t o n l i g h t a v a r ie t y of n a m e s,m a d e o f c a r b o n i z e d c o t t o n.I n1880,E d i s o n d i s p a t c h e d a s s i s t a n t s a n de x p e r t s i n t h e w o r l d t of i n d t h e a p p l i c a t i o n o f b a m b o o, t h e r e a r e a b o u t s i x t h o u s a n d, o f w h i c h t h e J a p a n e s e b a m b o o m a d e o f c a r b o n w i r e i s t h e m o s t p r a c t i c a l,s u s t a i n a b l e l igh ti n g f o r m o r e t h a n a t h o u s a n d h o u r s,t o a c h i e v e t h e p u r p o s e o fd u r a b i l i t y T he l a m p i s c a l l e d c a r b o n i z e d b a m b o o l i g h t.I n1881,a t t h e P a r i s W o r l d E x p o,E d i s o ne x h i b i t e d a w e i g h t o f27t o n s,f o r1200l igh t sl i g h t i n g p o w e r g e n e r a t i o n e q u i p m e n t.I n 1883, E d i s o n i n a l i g h t t e s t o b s e r v e d i n t h eb u l b, a s e p a r a t ec o p p e r w i r e, t h a t c a n p r e v e n t t h e e v a p o r a t i o n o f c a r b o n w i r e t o e x t e nd t he l a m p l if e, a f t e r r e p e a t e d t e s t s, a l t h o ugh t h e e v a p o r a ti o n o f c a r b o n w i r e, b u t h e w a s f r o m t h e f a i l u r e F o u n d t h a t c a r b o n w i r e h e a t i n g, t h e c o p p e r l i n e a s m u c h a s a w e a k c u r r e n t t h r o u g h, a n d l a t e r t h i s p h e n o m e n o n i s c a l l e d E d i s o n e f f e c t,1904B r i t i s h p h y s i c i s tF l e m i n g a c c o r d i n g t o E d i s o n e f f e c t i n v e n t e d t h et u b e.H e a v y t w i s t s a n d t u r n sI n1884,E d i s o n a p p l i e d f o r t h e E d i s o n e f f e c t o f t h e p a t e n t,b u t h e d i d n o t c a r r y o u t t h e n e x t s t e p.N i c h o l a s T e s l a w i t h t h e e m p l o y e r C h a r l e sB a c h l e r s l e t t e r o f r e c o m m e n d a t i o n (w h i c h g e n e r a l l y: I k n o w t h e r e a r e t w o g r e a t p e o p l e,y o u a r e o n e o f t h e m, t h e o t h e r i s t h e y o u n g m a n.)C a m e t o N e w Y o r k , W e n t t o E d i s o n s l a b j o b, E d i s o n i m m e d i a t e l y h i r e d T e s l a t o a r r a n g e f o r h i m t o w o r k a t E d i s o n M a c h i n e r y. T e s l a b e g a n t o m a k e a s i m p l e e l e c t r i c a l d e s i g n f o r E d i s o n, h e p r o g r e s s e d q u i c k l y, h e l p i n g t h e c o m p a n ys o l v e m a n y p r o b l e m s.B u t T e s l a b e l i e v e s t h a t t h e p o w e r s u p p l y t o t h e u s e r, t h e A C s h o u l d b e b e t t e r t h a n t h e D C, a n d t h a t t h e y c a n c r e a t e a n a l t e r n a t o r, b u t E d i s o n d o e s n o t a g r e e w i t h T e s l a s v i e w,h eb e l i e v e s t h a t D C i s b e t t e r a n d m o r e s ec u r e t h a n A C.I n 1885, T e s l a p r o p o s e d t o r e d e s i g n t h e i n v a l i d D C g e n e r a t o r s i n E d i s o n, a n d E d i s o n a g r e e d a n d s a i d t h a t i f i t c o u l d b e d o n e, g i v e T e s l a f i f t y t h o u s a n d d o l l a r s.A f t e r t h e s u c c e s s o f T e s l a,E d i s o n s a i d j u s t o p e n e d a A m e r i c a n j o k e.I n1886,T e s l a s d i s a g r e e m e n t w i t h E d i s o n ss c i e n t i f i c p h i l o s o p h y a n d h i s o b s t r u c t i o n a t t h e t i m e o f h i s r e s i g n a t i o n l e f t E d i s o n s c o m p a n y, a n d h e c r e a t e d t h e T e s l a E l e c t r i c a n d E l e c t r i cM a n u f a c t u r i n g C o m p a n y t o b e g i n r e s e a r c h i n g A C,w h i l e E d i s o n s c o m p a n y w a s O p e r a t e d b y d i r e c tc u r r e n t,s o T e s l a b e c a m e Ed i s o n s b i g ge s tc o m p e t i t o r.I n1887,E d i s o n f o u n d e d t h e E d i s o n G r a m o p h o n e C o m p a n y, t h e u s e o f p h o n o g r a p h t e c h n o l o g y p r o f i t,t h e n t h e p h o n o g r a p h c a n r e c o r d t h e s o u n d o n t h e w a x t u b e, h o w e v e r, t h e w a x i s d i f f i c u l t t o a c h i e v e m a s s p r o d u c t i o n s a l e s a r e l i m i t e d, i n o r d e r t o i m p r o v e t h e l a c k o f E d i s o n p h o n o g r a p h T h e c o m p a n y s r i v a l, C o l u m b i a R e c o r d s, d e s i g n e d a n d s o l d a m o r e c o m p a c t r e c o r d,a n d p r o d u c e d f a s t e r t h a n t h e w a x t u b e. I n 1888, E d i s o n b e g a n t o s t u d y t h e p h o t o o f t h e e v e n t,t h a n k s t o t h e c o n t i n u o u s f i l m t e c h n o l o g y p r o d u c e d a t t h a t t i m e,E d i s o n f r o m t h e h a n d s o f G e o r g e E a s t m a n w i l l b u y b a c k t o t h e f i l m,t h el a b o r a t o r y a s s i s t a n t t o s t u d y.I n 1889, i n t h e m a c h i n e r y e x h i b i t i o n h a l l o f t h e P a r i s E x p o, t h e m o s t p o p u l a r i s E d i s o n s i n v e n t i o n w o r k s t a n d,p e o p l e i n o r d e r t o l i s t e n t o t h ep h o n o g r a p h a n d r o w f o r a l o n g t i m e t e a m,a n di n c a n d e s c e n t l a m p i s a l s o v e r y p r o m i n e n t i n t h e E x p o,E d i s o n T o t h e F r e n c h p h o t o g r a p h e r E t i e n n e J u l e s M a L e i i n v e n t e d a c o n t i n u o u s d i s p l a y o f t h e d e v i c e,a s w e l l a s G e o r g e E a s t m a n i n v e n t e d a n e w t y p e o f p h o t o g r a p h i c f i l m,E d i s o n o n t h e u s e o fv i s u a l r e t e n t i o n p h e n o m e n o n,b e g a n t o s t u d y t h ef i l m m a c h i n e.M a y 20, 1891, E d i s o n f o r t h e f i r s t t i m e i n t h e l a b o r a t o r y d i s p l a y a n d p u b l i c s c r e e n i n g o f t h ea c t i v i t i e s o f t h e f i l m p r o j e c t o r t e c h n o l o g y, w h i c h i s m a d e u s i n g t h e p h e n o m e n o n o f v i s u a l r e t e n t i o n.B e c a u s e AC i s m o r e s u i t a b l e f o r l o n g-d i s t a n c e t r a n s m i s s i o n, m o r e c o m p e t i t i v e t h a n d i r e c t c u r r e n t, a n d m o r e c o s t l y l o w e r p r o f i t s,E d i s o n E l e c t r i cC o m p a n y g r a d u a l l y l o s t m a r k e t s h a r e, t h e f i n a n c i a l s i t u a t i o n h a s d e t e r i o r a t e d d r a m a t i c a l l y. I n 1892, u n d e r t h e a u s p i c e s o f t h e U S f i n a n c i a l g i a n t sM o r g a n,E d i s o n G e n e r a l E l e c t r i c m e r g e d w i t h T o mJ o h n s o n E l e c t r i c P o w e r C o m p a n y,r e m o v i n g E d i s o na n db ec o m i n g G e n e r a l E l e c t r i c C o m p a n y,Ed i s o ns a d l y o u t.A f t e r t h e m e r g e r,E d i s o n t u r n e d t o m i n i n g,h e s p e n t m o n e y i n N e w J e r s e y t o b u y t h o u s a n d s o f a c r e s o f l o w-g r a d e i r o n o r e,i n v e n t e d a g i a n t m a c h i n ec r u s h ed o r e. E d i s o n u se s a n e w b e n ef i c i a t i o n m e t h o d,n o t o n l y i r o n o r e q u a l i t y t h a n t h e o l d-s t y l em a c h i n e r y p r o d u c t i o n i s b e t t e r,a n d t h e p r i c e i s m u c h l o w e r. H e i s o p t i m i s t i c t h a t n o l e s s t h a n s e v e n o r e i g h t y e a r s, y o u c a n p r o d u c e a n a n n u a l v a l u e o f 10 m i l l i o n -12 m i l l i o n U S d o l l a r s o f o r e, n e t p r o f i t o f t h r e e m i l l i o n d o l l a r s.U n f o r t u n a t e l y,i n1898,M i n n e s o t a f o u n d a l o t o f i r o n o r e,i r o n o r e n o t o n l y h i g h g r a d e,w i d e d i s t r i b u t i o n, a n d c a n b e o p e n p i t m i n i n g, l o w c o s t, i r o n o r e p r i c e s s t e e p o n e-t h i r d, s o E d i s o n Y o u h a v e t o l o s e p r o d u c t i o n,t w o m i l l i o n d o l l a r s o fi n v e s t m e n t h i t t h e w a t e r,51-y e a r-o l d E d i s o n n o t o n l y e x h a u s t e d a l l t h e p r o p e r t y,b u t a l s o b e a r a l o t o f d e b t.T h e m i n i n g b u s i n e s s f a i l e d, E d i s o n t u r n e d t o t h e c e m e n t i n d u s t r y - h e c a m e f r o m t h e m i n e l i m e s t o n e, t h e u s e o f m i n i n g i r o n o r e c r u s h e d o r e c r u s h e d.C o m p a r e d w i t h o t h e r c e m e n t p l a n t s, E d i s o n s c e m e n t p l a n t i s t h e m o s t i m p o r t a n t f e a t u r e t h a n t h e f u l l u s e o f m e c h a n i c a l p o w e r p l a n t, h i s c e m e n t f a c t o r yh i g h p r o f i t s, 1905, t h e c e m e n t p l a n t t o b e c o m e o n e o f t h e f i v e m a j o r c e m e n t p l a n t s, a n d E d i s o n m i n i n g i r o n o r e U n d e r t h e d e b t o f t h r e e y e a r s a l l t h e p a y o f f.T h e g e n e r a t o r c a n p r o v i d e e n o u g h p o w e r, b u t t h e g e n e r a t o r i s n o t e a s y t o c a r r y,w h i c h i s i t s f l y i n t h e o i n t m e n t,w h i l e t h e b a t t e r y a n d g e n e r a t o r a r e l i g h t e r t h a n t h a t, b u t o n l y f o r a s h o r t t i m e, s o E d i s o n i s d e t e r m i n e d t o d e v e l o p a n e w b a t t e r y.I n1900,E d i s o n b e g a n t o s t u d y t h e b a t t e r y.I n1902,E d i s o n i n v e n t e d t h e n i c k e l-i r o na l k a l i n eb a t t e r i e s, t h i s b a t t e r y i s m a d e o f n ic k e l, i r o n a nd a l k a l i ne s o l u t i o n,h e u s e d i r o n-n i c k e l a l k a l i n e b a t t e r i e sf o r v e h i c l e p o w e r t e s t,e a c h c h a rg e a p o w e r,t r a v e l u p t o100m i l e s.I n 1903, E d i s o n s c o m p a n y f i l m e d t h e f i r s t f i l m t r a i n r o b b e r y(a l s o k n o w n a s t r a i n r o b b e r y).I n 1904, E d i s o n b e g a n s e l l i n g n e w b a t t e r i e s i n S i l v e r L a k e, N e w J e r s e y, a n d s o o n t h e b a t t e r y w a s p u t i n t o p r o d u c t i o n a n d s o l d w e l l, b u t s o o n a f t e rt h e u s e r f o u n d s e v e r a l s e r i o u s p r o b l e m s w i t h t h eb a t t e r y-i n t h e v e h ic l ed r i v i n g,t he b a t t e r yc h e m i s t r y T h e l i q u id w i l l f l o w o u t; m a n y b a t te r i e s a l s o a p p e a r e d i n t h e p o w e r a t t e n u a t i o n s i t u a t i o n. S o E d i s o n i m m e d i a t e l y s h u t d o w n t h ef a c t o r y a n d c u t o f f t h e b a t t e r y, a n d l o o k f o r t h e s o u r c e o f b a t t e r y l e a k ag e.I n1909,E d i s o n f i n a l l y d e v e l o p e d a b e t t e rp e r f o r m a n c e o f t h e b a t t e r y.O n A u g u s t27,1910,E d i s o n a n n o u n c e d t o t h e p u b l i c t h a t t h e v o i c e o f t h e p h o n o g r a p h a n d t h e i m a g e s o n t h e f i l m c a m e r a w e r e o n e o f t h ei n v e n t i o n s.I n 1915, E d i s o n w o n t h e N o b e l P r i z e n o m i n a t i o n f o r p h y s i c s a n d t h e N o b e l P r i z e f o r C h e m i s t r y. I n J a n u a r y1917,E d i s o n w a s i n v i t e d b y t h eM i n i s t e r o f t h e N a v y J o s e p h J o s e p h D a n i e l s t o s t u d y t h e p l a n n e d a n d e x p l o i t e d i n v e n t i o n s o f t h e U n i t e d S t a t e s i f h e p a r t i c i p a t e d i n t h e F i r s t W o r l d W a r. T h u s,E d i s o n e n t r u s t e d h i s o w n a f f a i r s t o h i sd e p u t i e s a n d c o l l e a g u e s爱迪生主要成就p h o n o g r a p hI n 1877, E d i s o n f o u n d t h e t e l e p h o n e d i a l i n t h e d i a p h r a g m w i t h t h e s o u n d w i l l c a u s e t h e p h e n o m e n o n o f v i b r a t i o n,t h e n t a k e t h e s h o r t n e e d l e f o r t h e t e s t,f r o m w h i c h a g r e a t i n s p i r a t i o n.S p e a k t h e s p e e d o f t h e s h o r t a n d s h o r t c a n p r o d u c e t h ec o r r e s p o nd i n g d i f fe r e n t q u i v e r.T h e n,i n t u r n,t h i s q u i v e r w i l l c e r t a i n l y b e a b l e t o i s s u e t h e o r i g i n a l v o i c e, s o h e b e g a n t o s t u d y t h e i s s u e o f s o u n d r e-i s s u e d.O n A u g u s t15,E d i s o n l e t t h e a s s i s t a n t m a k e a s t r a n g e m a c h i n e c o n s i s t i n g o f a l a r g e c y l i n d e r, a c r a n k, a t e l e p h o n e, a n d a m e m b r a n e, a n d E d i s o n t o o k a f o i l a n d r o l l e d i t i n a s p i r a l T h e m e t a l c y l i n d e r, s o t h a t t h e n e e d l e g e n t l y w i p e d t h e f o i l t u r n, t h e o t h e r e n d a n d t h e p h o n e c o n n e c t e d, a n d t h e n E d i s o n s h a k e t h e c r a n k, f a c i n g t h e p h o n e t o s i n g, t h e n p u t t h e n e e d l e b a c k t o t h e o r i g i n a l, a n d t h e n s h a k e t h e c r a n k, t h e n t h e m a c h i n e b a c k R e l e a s e E d i s o n s v o i c e.I n D e c e m b e r, E d i s o n p u b l i c l y d e m o n s t r a t e d t h i s t i n f o i l b o x p h o n o g r a p h, a s e n s a t i o n a r o u n d t h e w o r l d. L i g h tC o n t r a r y t o t h e u s u a l u n d e r s t a n d i n g o f t h ep e o p l e, t h e i n v e n t o r o f t h e o r i g i n a l e l e c t r i c l i g h t w a s n o t E d i s o n, a n d E d i s o n i m p r o v e d t h e l i g h t. A s e a r l y a s1801,a B r i t i s h c h e m i s t n a m e d H u m p h r e y D a v e i n t h e l a b o r a t o r y w i t h p l a t i n u m w i r e p o w e r l u m i n o u s;i n1810,h e i n v e n t e d t h e u s e o f t w oe l e c t r i c c a r b o n r o d s b e t w e e n t h e a r c a n d l i g h t i n g Of t h e c a n d l e, w h i c h i s t h e e a r l i e s t p r o t o t y p e o f t h e l igh t.A n o t h e r B ri t i s h e l e c t r i c i a n e n g i n e e r J o s e p h S w a n a f t e r n e a r l y 30 y e a r s o f r e s e a r c h, i n D e c e m b e r1878m a d e a c a r b o n w i r e p o w e r e d l i g h tb u l b.T h e r e p o r t a b o u t S w a n s l i g h t b u l b g a v e E d i s o n a g r e a t i n s p i r a t i o n.I n O c t o b e r1879,E d i s o nf i n a l l y s u c c e e d e d i n m a k i ng c a r b o n f i b e r a s af i l a m e n t i n c a n d e s c e n t b u l b,c a l l e d c a r b o n i z e dc o t t o n i n c a nde s c e n t l a m p,t h e n a l a r g e n u m b e r o f。
design for need名词解释
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design for need名词解释1.英语1:Design for Need2.解释:Design for Need是指以用户需求为核心,通过设计创新和技术创新,创造产品和服务,满足用户需求并提高用户体验的一种设计方法。
3.双语例句:1. Design for Need is an essential approach for designing products that meet the real needs of consumers.设计需求是设计出符合消费者实际需求的产品的必要方法。
2. By using the Design for Need approach, companies can create solutions that not only meet the needs of their customers, but also exceed their expectations.通过使用设计需求方法,公司可以创建超过顾客期望的、既满足顾客需求的解决方案。
3. The Design for Need mindset requires designers to think beyond aesthetics and focus on function and usability.设计需求思维需要设计师超越美学,关注功能和可用性。
4. Design for Need encourages innovation and creativity by challenging designers to solve problems through a user-centered approach.设计需求通过挑战设计师以用户为中心的方法来解决问题,鼓励创新和创造力。
5. Adopting the Design for Need methodology can lead to more successful and sustainable products, as well as higher customer satisfaction and loyalty.采用设计需求方法可以带来更成功、更可持续的产品,同时提高客户满意度和忠诚度。
织围巾英语作文带翻译
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织围巾最令人兴奋的一个方面是有机会设计和个性化你的作品。你可以尝试不同的颜色、针法和图案,使你的围巾真正独一无二。例如,你可以用交替的颜色织成一条条纹围巾,或者你可以加入一个有更多细节的缆绳编织图案以获得更加复杂的外观。你还可以在围巾的末端加上流苏或穗带,增添一丝趣味和俏皮。可能性是无限的,只受你的想象力限制!
总之,织围巾不仅是一种实用的技能,也是一种有益的愉快体验。从选择合适的毛线和针到掌握基本的织法并设计你自己独特的围巾,创造性和定制性的可能性是无限的。无论你是经验丰富的织女还是新手,希望这篇作文能激励你踏上自己的围巾织造之旅。祝愉快织围巾!
Knitting a Scarf - An English Essay with Translation
织围巾 - 一篇英语作文带翻译
Knitting a scarf is a wonderful way to create a unique and practical accessory for yourself or a loved one. Not only is it a relaxing and enjoyable hobby, but it also allows you to express your creativity and customize your wardrobe. In this essay, we will explore the process of knitting a scarf, from choosing the right yarn to mastering different knitting techniques. We will also provide a step-by-step guide and helpful tips for beginners. Whether you are an experienced knitter or a novice, this essay will surely inspire you to pick up your needles and start knitting!
介绍做衣服的方法英语作文
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介绍做衣服的方法英语作文Making clothes is a creative and fulfilling activity that allows you to express your personal style and showcase your individuality. There are various methods to create unique and stylish garments, and in this article, I will introduce a few of them.One popular method of making clothes is sewing. Sewing involves using a needle and thread to join pieces of fabric together. It allows you to create custom-fit garments that perfectly suit your body shape and size. Sewing also gives you the freedom to choose from a wide range of fabrics, patterns, and colors, allowing you to create one-of-a-kind pieces that reflect your personal taste.Another method of making clothes is knitting. Knitting involves using two or more needles to create interlocking loops of yarn. It is a versatile technique that can be used to create various types of garments, such as sweaters, scarves, and hats. Knitting allows you to experiment withdifferent types of yarn and stitch patterns, giving you endless possibilities for creating unique and cozy clothing items.If you prefer a more hands-on approach, you can try making clothes by draping. Draping involves using a dress form or a live model to shape fabric directly on the body. It allows you to create garments with a perfect fit and drape, as the fabric is molded to the body's curves. Draping also allows for more creativity and spontaneity, as you can make adjustments and changes to the garment as you go along.For those who enjoy working with their hands, embroidery is a great method to add decorative elements to your clothes. Embroidery involves stitching designs onto fabric using colored threads. It can be done by hand or with the help of a sewing machine. Embroidery allows you to add intricate patterns, motifs, and textures to your garments, giving them a unique and personalized touch.Lastly, if you want to create clothes quickly andwithout the need for sewing or knitting skills, you can try upcycling. Upcycling involves transforming old or unused garments into new and stylish pieces. You can cut, alter, and combine different garments to create entirely new designs. Upcycling not only allows you to reduce waste and be more sustainable but also gives you the opportunity to create unique and eco-friendly clothing items.In conclusion, making clothes is a fun and creative activity that allows you to express your personal style and showcase your individuality. Whether you choose to sew, knit, drape, embroider, or upcycle, there are various methods to create unique and stylish garments. So go ahead, unleash your creativity, and start making your own clothes today!。
embroidery
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embroideryEmbroidery: A Timeless Craft UnveiledIntroductionEmbroidery, an ancient art form that involves stitching a design onto fabric using a needle and thread, has captivated cultures across the globe for centuries. From delicate handcrafted masterpieces to modern machine-made designs, embroidery remains a timeless craft that showcases creativity and precision. In this document, we will explore the history, techniques, and cultural significance of embroidery, demonstrating its enduring popularity and artistic value.I. Historical Origins of EmbroideryA. Ancient OriginsEmbroidery can be traced back to ancient civilizations such as ancient Egypt, China, and India. The first evidence of embroidery was discovered in ancient Egyptian tombs, where stunning examples of intricate needlework were found. Embroidery was also prevalent in ancient China, where it was used to decorate clothing, tapestries, and even ceremonialflags. In India, embroidery was developed as a way to adorn textiles and garments, with different regions adopting unique styles.B. Medieval and Renaissance InfluenceDuring the medieval period, embroidery flourished in Europe, especially in ecclesiastical and royal circles. Elaborate silk and gold thread embroidery adorned the vestments of clergy and the clothing of the aristocracy, showcasing the wealth and high status of the wearer. With the advent of the Renaissance, embroidery became more accessible to the common people, and techniques such as crewelwork and stumpwork gained popularity.II. Embroidery Techniques and StylesA. Hand EmbroideryHand embroidery, as the name suggests, involves stitching designs by hand using a needle and thread. This traditional method allows for intricate detailing and personal expression. Various stitching techniques, such as satin stitch, French knot, and chain stitch, are used to create different textures and patterns. Hand embroidery is still widely practiced today and is often seen in high-end fashion, traditional folk costumes, and fine art.B. Machine EmbroideryWith the advent of embroidery machines in the industrial revolution, machine embroidery revolutionized the craft by enabling faster and more precise stitching. By programming designs into computerized machines, intricate patterns can be replicated effortlessly. Machine embroidery has found its place in mass production, allowing for embroidered logos, monograms, and decorative elements on clothing, home textiles, and accessories.C. Regional StylesEmbroidery techniques and styles vary greatly across different regions, each with its own unique characteristics and cultural significance. From the vibrant colors and intricate motifs of Indian Kashmiri embroidery to the delicate, pastel-colored threadwork of Japanese Sashiko, each regional style reflects the traditions and storytelling of its people. Examples of regional embroidery include Mexican Otomi, Hungarian Matyó, and Ukrainian Petrikivka.III. Cultural Significance of EmbroideryA. Symbolism and MeaningEmbroidery often carries symbolic meaning, reflecting the cultural beliefs, histories, and values of the community it originates from. In many cultures, specific motifs and colors hold significance, representing concepts such as fertility, protection, and spirituality. For example, in traditional Chinese embroidery, dragons symbolize power and strength, while lotus flowers represent purity and enlightenment.B. Preserving Cultural HeritageEmbroidery plays a vital role in preserving cultural heritage by passing down traditions and techniques from one generation to the next. It serves as a tangible link to the past, showcasing the creativity and craftsmanship of our ancestors. Moreover, embroidery is often used as a means of storytelling, conveying legends, historical events, and everyday life through intricate needlework.IV. Contemporary Applications and Future TrendsA. Fashion and DesignEmbroidery continues to be a popular choice in the world of fashion and design, with designers incorporating embroidered elements into clothing, accessories, and home decor. From famous fashion houses to independent artisans,embroidery adds a touch of elegance and uniqueness to contemporary designs.B. Artistic ExpressionEmbroidery has transcended its functional roots and is increasingly used as a medium for artistic expression. Contemporary artists experiment with innovative materials, techniques, and styles, pushing the boundaries of traditional embroidery. Mixed media embroidery, three-dimensional stitching, and large-scale installations are just a few examples of how embroidery has become a versatile art form.C. Sustainability and Ethical FashionIn an era of sustainable fashion and ethical production, embroidery offers a viable solution. By utilizing upcycled fabric, natural fibers, and locally sourced threads, embroidery supports eco-friendly and fair-trade practices. This trend fosters a sense of connection with the creation process and promotes artisanal skills.ConclusionEmbroidery, with its rich history, diverse techniques, and cultural significance, continues to enchant people around theworld. From the ancient tombs of Egypt to contemporary fashion runways, the art of embroidery remains an enduring tradition, showcasing the skill and creativity of artisans throughout history. Whether it is done by hand or machine, embroidery will undoubtedly continue to evolve, adapt, and inspire future generations of artists and craftspeople.。
做手工的英语过程作文200
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做手工的英语过程作文200英文回答:I. Materials and Tools:1. Felt (different colors)。
2. Scissors.3. Glue.4. Needle and thread.5. Stuffing (e.g., cotton balls, fabric scraps)。
6. Pencil or pen.7. Paper.8. Ruler or measuring tape.II. Instructions:1. Design and Pattern Creation:Sketch out your desired design on paper.Cut out the shape from the paper to create a pattern.2. Cutting the Felt:Place the pattern on the felt.Use scissors to cut out the felt shapes.3. Sewing the Pieces:Place the two felt shapes together, with the edges aligned.Sew around the edges using a needle and thread.4. Stuffing the Toy:Leave a small opening in the sewing.Fill the toy with stuffing using a spoon or your fingers.5. Closing the Opening:Sew the remaining opening closed.III. Variations and Tips:Variations:Use different colors and textures of felt.Add details such as buttons, beads, or sequins.Experiment with different sewing techniques, such as embroidery or appliqué.Tips:Use sharp scissors for clean cuts.Sew with even stitches for durability.Stuff the toy firmly to maintain its shape.Use a needle with a small eye to avoid tearing the felt.Practice on scrap pieces before starting on the actual project.中文回答:材料和工具:1. 毛毡(不同颜色)。
不规则平板预制体机器人辅助缝合路
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不规则平板预制体机器人辅助缝合路径规划陈小明1,2,3,魏玉莹1,2,张一帆1,2,李皎1,2,陈利1,2(1.天津工业大学纺织科学与工程学院,天津300387;2.天津工业大学先进纺织复合材料教育部重点实验室,天津300387;3.天津工业大学机械工程学院,天津300387)DOI :10.3969/j.issn.1671-024x.2022.06.007第41卷第6期圆园22年12月Vol.41No.6December 2022天津工业大学学报允韵哉砸晕粤蕴韵云栽陨粤晕GONG 哉晕陨灾耘砸杂陨栽再收稿日期:2021-03-18基金项目:天津市科委科研计划项目(19JCTPJC45800);天津市教委科研计划项目(2018ZD13);天津高等教育创新团队项目(TD13-5043)第一作者:陈小明(1984—),男,高级实验师,博士,主要研究方向为纺织机器人装备及纺织复合材料。
E-mail :*************************.cn 通信作者:陈利(1968—),男,教授,博士生导师,主要研究方向为纺织复合材料。
E-mail :*******************.cn Robot-assisted stitching path planning for large-sized irregular flat preformCHEN Xiao-ming 1,2,3,WEI Yu-ying 1,2,ZHANG Yi-fan 1,2,LI Jiao 1,2,CHEN Li 1,2(1.School of Textile Science and Engineering ,Tiangong University ,Tianjin 300387,China ;2.Key Laboratory of Adva -nced Textile Composite Materials of Ministry of Education ,Tiangong University ,Tianjin300387,China ;3.School ofMechanical Engineering ,Tiangong University ,Tianjin 300387,China )Abstract :Aiming at the characteristics of a large number of stitching points and complex stitching paths for large-size ir鄄regular flat preforms袁a robot-assisted stitching path planning method suitable for large-size irregular flat pre鄄forms was designed.First袁the location design of discrete points and the batch output method of coordinates are studied曰further a CAD module for automatic sorting of discrete points and filtering of stitched points袁and a CAM module for robot program automatic generation based on Python are built曰finally袁the feasibility of the robot-as鄄sisted stitching path planning method was verified through the large-size irregular wing stitching experiment.The results show that discrete point design method袁discrete point coordinate batch output method袁automatic sorting of discrete point coordinates and filtering of stitched points CAD module袁and robot program automatic generating CAM module were feasible.The path planning method was efficient and reliable袁and it could be applied to large-size irregular flat preforms.The path planning method of large-size irregular flat preforms is universal袁andcan be extended to path planning of three-dimensional needle punching袁I fiber stitching and tufting forming oflarge-size irregular flat preforms.Key words :preform曰robot曰stitching曰path planning曰composites摘要:针对大尺寸不规则平板预制体缝合点数多且缝合路径复杂的特点,设计了一种适用于大尺寸不规则平板预制体的机器人辅助缝合路径规划方法。
妈妈的绝活会绣针作文
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妈妈的绝活会绣针作文英文回答:My mom's special skill is embroidery. She has been embroidering since she was a young girl, and over the years, she has perfected her craft. I remember watching her sitfor hours with a needle and thread in hand, creating beautiful designs on fabric. It always amazed me how she could turn a plain piece of cloth into a work of art with just a few stitches.One of the things that makes my mom's embroidery stand out is her attention to detail. She is meticulous in her work, making sure every stitch is perfect and every designis symmetrical. She has a keen eye for color and knows exactly which shades to use to make her creations pop.Another thing that sets my mom apart as an embroidereris her creativity. She doesn't just stick to traditional designs; she likes to experiment with different patternsand techniques. I remember one time she made a pillow cover with a floral design that looked so realistic, it was like the flowers were actually blooming on the fabric.My mom's embroidery skills have not only impressed me, but also many others who have seen her work. She has even sold some of her pieces at craft fairs and received compliments from customers. I am proud to say that my mom's embroidery is not just a hobby, but a true talent that she has cultivated over the years.中文回答:我妈妈的绝活是绣针。
工业锌粉中金属锌和全锌含量的分别测定
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实 验 技 术 与 管 理 第37卷 第4期 2020年4月Experimental Technology and Management Vol.37 No.4 Apr. 2020ISSN 1002-4956 CN11-2034/TDOI: 10.16791/ki.sjg.2020.04.011实验技术与方法工业锌粉中金属锌和全锌含量的分别测定——分析化学设计实验谢 敏1,2,丁 琼2,杨 鹰2(1. 生物医学分析化学教育部重点实验室,湖北 武汉 430072;2. 武汉大学 化学与分子科学学院,国家级化学实验教学示范中心,湖北 武汉 430072)摘 要:介绍一个新型的分析化学设计实验,包含实验设计、样品测定及结果讨论等内容,需要18学时完成。
本设计实验主要是依据锌及其化合物在化学性质上的差异,采用氧化还原滴定法和络合滴定法分别测定工业锌粉中金属锌和全锌的含量。
通过本实验可使学生了解科学探索的过程,加强对锌及其化合物化学性质的认识,并使其掌握氧化还原滴定法和络合滴定法的实验原理和应用条件。
氧化还原滴定和络合滴定是国家标准《GB/T 6890—2012》测定锌粉中金属锌和全锌含量的方法,通过该实验可使学生进一步了解滴定分析法在工业生产中的应用。
关键词:分析化学实验;设计实验;氧化还原滴定;络合滴定;含量测定中图分类号:G642.0 文献标识码:A 文章编号:1002-4956(2020)04-0044-04Determination of metal zinc and total zinc content in industrial zincpowder: Design experiment of analytical chemistryXIE Min 1,2, DING Qiong 2, YANG Ying 2(1. Key Laboratory of Analytical Chemistry for Biology and Medicine of Ministry ofEducation, Wuhan 430072, China; 2. State Chemical Experiment Teaching Demonstration Center,College of Chemistry and Molecular Science, Wuhan University, Wuhan 430072, China)Abstract: This paper introduces a new design experiment of analytical chemistry, including experiment design, sample determination and result discussion, which needs 18 class hours to complete. Based on the difference of chemical properties of zinc and its compounds, the content of metallic zinc and total zinc in industrial zinc powder are determined by redox titration and complexometric titration respectively. Through this experiment, students can understand the process of scientific exploration, deepen their understanding of the chemical properties of zinc and its compounds and understand well the experimental principle and application conditions of redox titration and complexometric titration. Redox titration and complexometric titration are the methods for the determination of metallic zinc and total zinc in zinc powder according to the national standard “GB/T 6890—2012”. Through this experiment, students can further understand the application of titration analysis in industrial production.Key words: analytical chemistry experiment; design experiment; redox titration; complexometric titration; content determination分析化学是研究物质的组成、含量、结构和形态收稿日期: 2019-08-16基金项目: 国家自然科学基金面上项目(21575110,21974098);武汉大学实验教学中心开放实验项目资助(WHU-2018- XYKF-10)作者简介: 谢敏(1980—),女,河北秦皇岛,博士,副教授,主要从事生物医学分析科研和分析化学实验教学工作。
制作刺绣枕头英语作文
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制作刺绣枕头英语作文Embroidered pillows are a wonderful way to add a personal touch and artistic flair to your living space. Creating your own embroidered pillow can be a rewarding and enjoyable experience, allowing you to showcase your creativity and skill in needlework. In this essay, I will guide you through the process of making an embroidered pillow, from selecting the materials to adding the finishing touches.The first step in making an embroidered pillow is gathering the necessary materials. You will need a plain fabric pillow cover, embroidery thread in various colors, embroidery needles, an embroidery hoop, a pair of scissors, and a design pattern. Choose a design that speaks to you and reflects your personal style, whether it's a floral motif, geometric shapes, or a whimsical pattern.Next, prepare your fabric by securing it firmly in the embroidery hoop. This will help keep the fabric taut and make it easier to stitch your design. Select the colors of embroidery thread you will use for each part of the design, and thread your needle accordingly. Begin by outlining the main elements of your design with a simple backstitch or running stitch.Once the outline is complete, fill in the design with various embroidery stitches such as satin stitch, French knots, or chain stitch to add texture and dimension. Experiment with differentstitch techniques to create visual interest and make your design pop. Take your time and work carefully to ensure neat and even stitches throughout the project.As you progress with your embroidery, step back occasionally to admire your work and make any necessary adjustments. Don't be afraid to get creative and add your own unique touches to the design. Embroidery is a versatile art form that allows for endless possibilities, so feel free to let your imagination run wild.Once your embroidery is finished, carefully remove the fabric from the hoop and trim any excess threads. If desired, you can embellish your pillow further by adding decorative elements such as beads, sequins, or tassels. Finally, insert a pillow forminto the cover and secure it closed, either by sewing or using fabric glue.Voila! You now have a beautifully embroidered pillow that adds a touch of charm and personality to your home decor. Whether you choose to display it on your couch, bed, or favorite armchair, your handcrafted creation is sure to be a conversation starter and a cherished keepsake for years to come. Enjoy the process of making more embroidered pillows and let yourcreativity shine through each unique design.。
Design of Experiments
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Design of ExperimentsDesign of experiments is a crucial aspect of scientific research that involves planning, conducting, and analyzing experiments to obtain accurate and reliable results. It is an essential tool for researchers in various fields, including engineering, medicine, psychology, and social sciences, among others. In this essay, I will discuss the importance of design of experiments, its key components, and how it helps researchers to achieve their research objectives. One of the primary reasons why design of experiments is important is that it allows researchers to control the variables that may affect the outcome of their experiments. By controlling these variables, researchers can isolate the effect of the independent variable on the dependent variable, which is essential for establishing cause-and-effect relationships. For example, in a medical study, researchers may want to determine the effect of a new drug on a particular disease. By using design of experiments, they can control factors such as dosage, patient age, and other variables that may affect the outcome of the study. Another key component of design of experiments is randomization. Randomization involves assigning participants randomly to different treatment groups to ensure that the groups are similar in terms of their characteristics. This helps to eliminate the possibility of bias and ensures that the results are not influenced by factorssuch as age, gender, or any other characteristic that may affect the outcome ofthe study. Randomization is particularly important in clinical trials, where the effectiveness of a new drug is being tested. Sample size is another critical component of design of experiments. The sample size refers to the number of participants or objects that are included in the study. A larger sample size is generally preferred as it increases the statistical power of the study and reduces the chances of making false conclusions. However, a larger sample size also meansa more significant investment of time and resources, which may not always be feasible. Therefore, researchers need to strike a balance between sample size and statistical power based on the objectives of their study. The design of experiments also involves selecting an appropriate statistical analysis method to analyze the data obtained from the study. Different statistical methods aresuitable for different types of data, and choosing the wrong method can lead toincorrect conclusions. Therefore, researchers need to carefully consider the type of data they are collecting and select an appropriate statistical analysis method that is most suitable for their data. Finally, design of experiments involves careful planning and execution of the study to ensure that the results obtainedare accurate and reliable. This requires attention to detail and adherence to standard protocols to minimize the possibility of errors or bias. Researchers need to carefully document their procedures and ensure that they follow ethical guidelines to protect the rights and welfare of their participants. In conclusion, design of experiments is a crucial aspect of scientific research that helps researchers to obtain accurate and reliable results. It involves controlling variables, randomization, sample size determination, selection of appropriate statistical analysis, and careful planning and execution of the study. By using design of experiments, researchers can establish cause-and-effect relationships, eliminate bias, and ensure that their results are accurate and reliable. Therefore, it is essential for researchers to have a good understanding of design of experiments and its key components to achieve their research objectives.。
制作编织耳环英语作文
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制作编织耳环英语作文Title: Making Knitted EarringsKnitting is a versatile craft that can be used to create a wide variety of items, from cozy sweaters to stylish accessories. One fun and creative project that you can try your hand at is making knitted earrings. Knitted earrings are unique, eyecatching, and customizable to suit your personal style. Inthis article, we will explore the process of making knitted earrings step by step.To start making knitted earrings, you will need a few basic supplies. These include knitting needles, yarn in the colors of your choice, earring hooks or studs, scissors, and a tapestry needle. You can choose any type of yarn for this project, but finer yarns work best for earrings as they create a delicate and lightweight finished product.Begin by selecting a knitting pattern for your earrings.There are many free patterns available online, or you can create your own design. Simple patterns like garter stitch orstockinette stitch work well for earrings, as they create a smooth and even fabric.Once you have chosen your pattern, cast on the required number of stitches onto your knitting needles. Knit each row according to the pattern instructions until your piece measuresthe desired length. You can experiment with different colors and textures of yarn to create unique and striking designs.After you have finished knitting your earrings, it's time to add the earring hooks or studs. Using a tapestry needle, carefully weave the yarn ends into the back of the knitted piece to secure them in place. Then, attach the earring hooks or studs to the top of the knitted fabric.Once the earring hooks are securely attached, your knitted earrings are ready to wear or gift to a friend. Knitted earrings make a thoughtful and handmade accessory that is sure to be appreciated by anyone who receives them. Experiment with different colors, patterns, and yarn weights to create a collection of knitted earrings that reflect your personal style.In conclusion, making knitted earrings is a fun and rewarding craft project that allows you to showcase your creativity and knitting skills in a unique way. Whether you are a seasoned knitter or a beginner, knitting earrings is a great way to explore new techniques and create beautiful accessories that you can wear with pride. So gather your supplies, choose a pattern, and start knitting your own stylish and oneofakind earrings today!。
一个有趣的小实验英语作文
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一个有趣的小实验英语作文一个有趣的小实验英语作文在日复一日的学习、工作或生活中,大家都接触过作文吧,作文是人们以书面形式表情达意的言语活动。
那么你知道一篇好的作文该怎么写吗?下面是店铺收集整理的一个有趣的小实验英语作文,希望能够帮助到大家。
今天,我到小记者班,老师说:“咱们做个实验”。
老师拿出一个杯子,把杯子倒满了水,老师问我们:“要是把一张纸放到这个杯子口上,倒过来会怎么样呢?”同学们七嘴八舌,议论纷纷,你一言我一语的说者,有的说纸不会湿,有的说纸会湿,还有的说水不会洒出来。
Today, I went to the reporter class. The teacher said, "let's do an experiment.". The teacher took out a cup and filled it with water. The teacher asked us, "what if I put a piece of paper on the mouth of this cup and pour it over?" The students are full of talk. Some of you say that paper will not be wet, some say that paper will be wet, and others say that water will not spill out.开始实验了,老师快速的把杯子倒过来,这时教室里静悄悄的'连针掉到地上的响声都能听见,有的同学的眼睛眨也不眨。
开始实验了,我第一个上台,单失败了,后来的两位同学都成功了。
At the beginning of the experiment, the teacher quickly turned the cup over. At this time, the classroom was quiet, even the sound of the needle falling to the ground could be heard, and some students' eyes did not blink. I started the experiment. I was the first one on stage, but I failed. Later, both of my classmates succeeded.我们想知道是什么原因,老师告诉我们是大气压力。
制作串珠戒指英语作文
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制作串珠戒指英语作文Making Beaded RingsMaking beaded rings is a fun and creative craft that allows you to express your personal style and create unique accessories to complement your outfits. Whether you are a beginner or an experienced crafter, making beaded rings can be a rewarding and enjoyable activity. In this essay, I will guide you through the process of making a simple yet beautiful beaded ring.To start, you will need a few basic materials and tools to create your beaded ring. These include beads of your choice, beading wire or thread, a beading needle, scissors, and a ring base. You can choose beads in different colors, shapes, andsizes to create a ring that reflects your personality and taste.The first step in making a beaded ring is to cut a piece of beading wire or thread to the desired length. Thread the wire or thread through the beading needle, and then start stringing the beads onto the wire or thread in the desired pattern. You can create a simple design using a single type of bead, or you can mix and match different beads to create a more intricate pattern.Once you have finished stringing the beads onto the wire or thread, tie a knot at the end to secure the beads in place. Trim any excess wire or thread with scissors, leaving a small tail to attach the beaded design to the ring base. Carefully attach thebeaded design to the ring base using glue or by wrapping thewire or thread around the base.After attaching the beaded design to the ring base, your beaded ring is almost complete. You can add extra embellishments such as charms, pendants, or additional beads to enhance the design and make your ring more visually appealing. Experimentwith different combinations of beads and embellishments tocreate a ring that is uniquely yours.Finally, allow the glue to dry completely if you have used it to attach the beaded design to the ring base. Once the glue is dry, your beaded ring is ready to wear and show off to the world. Wear your beaded ring with pride and enjoy the compliments you receive on your beautiful and handmade accessory.In conclusion, making beaded rings is a rewarding andcreative craft that allows you to express your individuality and creativity. By following the simple steps outlined in this essay, you can create a stunning beaded ring that is sure to impress.So gather your materials, unleash your imagination, and start making your own beaded rings today!。
制作编织手提包英语作文
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制作编织手提包英语作文Title: Making a Woven Handbag English EssayMaking a woven handbag is a creative and rewarding endeavor that allows you to showcase your craftsmanship and express your individuality through a unique accessory. The process ofcrafting a woven handbag involves a series of steps that require patience, attention to detail, and a passion for creating something beautiful from scratch.To begin, you will need to gather the necessary materials, including yarn or fabric strips for weaving, a sturdy base for the bag, such as a wooden or plastic frame, and tools like a loom or weaving needle. Choose materials that complement each other in color and texture to create a visually appealing design for your handbag.Next, you will need to prepare the base of the handbag by securing the frame or base onto a flat surface. Depending on the design you have in mind, you may want to create a pattern or template to guide your weaving process. This can be as simple as drawing a grid or outline on the base to help you keep track of the weaving pattern.Once the base is ready, you can start weaving the yarn or fabric strips to create the body of the handbag. Begin by securing one end of the yarn to the base and weaving it in and out of the frame to form the first row. Continue weavingadditional rows, alternating colors or textures as desired to create a visually interesting pattern.As you weave, be sure to pack the rows tightly together to create a sturdy and durable fabric for your handbag. You may need to adjust the tension of the yarn or fabric strips as you weave to ensure a consistent and even texture throughout the bag.Once you have completed the main body of the handbag, you can add embellishments or decorations to enhance its appearance. Consider adding tassels, beads, or buttons to give your handbag a unique and personalized touch. You can also experiment with different weaving techniques, such as twill or basket weave, to create interesting textures and patterns.Finally, once you are satisfied with the design of your woven handbag, you can finish it off by securing the loose ends of the yarn or fabric strips and trimming any excess material. You may also want to add a lining or closure to the handbag to give it a polished and professional look.In conclusion, making a woven handbag is a fun and creative project that allows you to express your individual style and creativity. By following the steps outlined above and experimenting with different materials and techniques, you can create a unique and beautiful handbag that is sure to turn heads and garner compliments wherever you go.。
刺绣英文作文介绍
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刺绣英文作文介绍英文:Embroidery is a traditional craft that has been passed down through generations in many cultures around the world. It involves using a needle and thread to create decorative designs on fabric. I first became interested in embroidery when I saw my grandmother working on a beautiful piece of embroidery when I was a child. I was fascinated by the intricate patterns and vibrant colors she was able to create with just a few simple tools.I decided to learn embroidery myself and started with some basic stitches like the running stitch and the backstitch. As I practiced more, I began to experiment with different types of thread and fabric, and I also learned more complex stitches like the French knot and the satin stitch. I found that embroidery allowed me to express my creativity and create unique, personalized pieces of art.One of my favorite things about embroidery is the sense of accomplishment I feel when I finish a project. It's incredibly satisfying to see a plain piece of fabric transformed into something beautiful and meaningful through the stitches I've carefully placed. I also love the meditative aspect of embroidery the rhythmic motion of the needle and the repetitive nature of the stitches can bevery calming and therapeutic.I have created many different pieces of embroidery over the years, from small decorative items like handkerchiefs and pillowcases to larger pieces like wall hangings and tablecloths. Each piece tells a story and holds special memories for me. For example, I embroidered a set ofnapkins for my best friend's wedding, and it was such a joy to see them being used on the big day.Overall, embroidery has become a beloved hobby for me, and I continue to find joy and fulfillment in creating beautiful and meaningful pieces through this timeless craft.中文:刺绣是一种传统的手工艺,在世界上许多文化中代代相传。
初一测试题制作编织腰带英语作文
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初一测试题制作编织腰带英语作文Making a Woven BeltMaking a woven belt can be a fun and creative activity for anyone interested in crafts. Not only is it a great way to express your creativity, but it also allows you to have a unique accessory that you made yourself. In this essay, we will discuss the steps involved in making a woven belt.To begin with, you will need the necessary materials for making a woven belt. These materials typically include yarn or string in various colors, a belt buckle, scissors, and a ruler. Make sure to choose colors that you like and that complement each other well.The first step is to measure and cut the yarn or string to the desired length. The length will depend on how long you want your belt to be and how much extra length you need for weaving and tying. It's a good idea to add a few extra inches to ensure you have enough material.Next, take the cut pieces of yarn and attach them to the belt buckle. You can do this by folding each piece in half and looping it through the buckle. This will create the base for your woven design.Once the yarn is attached to the buckle, you can start weaving. There are various weaving techniques you can use, suchas the plain weave or the twill weave. Experiment with different patterns and designs to create a unique look for your belt.As you weave, make sure to pull the yarn tight to create a sturdy and even belt. You can also add beads or other embellishments to enhance the look of your woven design.Once you have finished weaving the entire length of the belt, secure the ends by tying knots or using a needle and thread to stitch them in place. Trim any excess yarn to create a clean and polished finish.Finally, try on your woven belt and admire your handiwork. You now have a oneofakind accessory that you can proudly wear or give as a thoughtful gift to someone special.In conclusion, making a woven belt is a rewarding and enjoyable craft that allows you to showcase your creativity and create a unique accessory. With the right materials and a bit of patience, you can make a beautiful woven belt that you will be proud to wear.。
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This article was downloaded by: [Harbin Institute of Technology]On: 10 February 2015, At: 19:15Publisher: Taylor & FrancisInforma Ltd Registered in England and Wales Registered Number: 1072954 Registeredoffice: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UKClick for updatesJournal of Adhesion Science and TechnologyPublication details, including instructions for authors and subscription information:/loi/tast20Design and experiment of a needle-type piezostack-driven jettingdispenser based on lumped parameter methodShizhou Lu a, Yufeng Yao a, Yaxin Liu a& Yatao ZhaoaaState Key Laboratory of Robotics and System, Harbin Institute of T echnology , 150001 Harbin, China Published online: 29 Jan 2015.PLEASE SCROLL DOWN FOR ARTICLETaylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However , Taylor & Francis,our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors,and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims,proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing,systematic supply, or distribution in any form to anyone is expressly forbidden. Terms &D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 2015Design and experiment of a needle-type piezostack-driven jettingdispenser based on lumped parameter methodShizhou Lu,Yufeng Yao *,Yaxin Liu and Yatao ZhaoState Key Laboratory of Robotics and System,Harbin Institute of Technology,150001Harbin,China(Received 15September 2014;final version received 14November 2014;accepted 18December 2014)Micro liquid dispensing technology is widely used in the field of electronic packaging.This study presents a lumped parameter model of a needle-type piezostack-driven jetting dispenser,which can produce small high viscosity adhesive droplets with a high driving frequency.After describing the structural components and operating principles of the dispenser,a lumped parameter model for the system is derived by integrating the sub-models of the structural and fluid parts.According to the lumped parameter method,the fluid channels of the dispenser have been divided into several lumps to obtain a more accurate performance.Based on the proposed model,the jetting dispenser is designed and manufactured,and its performance is then evaluated through both computer simulations and experiments.Further experimental studies about its working properties based on the proposed dis-penser are carried out.The results are used to guide the design and control works about the proposed dispenser.Keywords:jetting dispenser;piezostack actuator;lumped parameter method;high viscosity1.IntroductionIn microelectronic packaging field,many types of adhesive materials with different viscosities and desired volumes need to be dispensed accurately and quickly.[1,2]In particular with the rapid development of integrated circuit packaging technologies,many new types of high viscosity adhesives have been applied for realizing high density assembly.[3,4]This trend requires that the dispensing methods,which are used to transfer liquid,can transfer small volume of adhesives more accurately,rapidly,and flexibly.So far,numerous types of dispensing approaches have been developed and success-fully implemented in semiconductor applications.And these methods can be classi fied into two types:contact dispensing and non-contact dispensing.[5–7]The former method is suitable for some high viscosity adhesive dispensing because of its high-driven char-acteristic.[6,7]But this method requires its dispenser nozzle to contact with the sub-strate or printed circuit board (PCB)via dispensed adhesive during the dispensing process,which increases cycle time and complicates the process.[6,7]These limitations have restricted its application in the field of microelectronic packaging.Thus,the*Corresponding author.Email:hitwhyyf@©2015Taylor &FrancisJournal of Adhesion Science and Technology ,2015V ol.29,No.8,716–730,/10.1080/01694243.2014.1001962D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 2015non-contact method has been adopted due to its characteristics of high accuracy,ef ficiency,and reliability.[8]The needle-type jetting method,which utilizes a closed-loop,positive striking needle to dispense adhesive,is one of the main non-contact methods applied in produc-tion.[9,10]The adhesive is pressured in the syringe to ensure a continued flow through the channels of the dispenser.The proposed needle is used to hit and break the stream of adhesive,which jets out from the nozzle and forms droplets.The volumes and shapes of droplets will not be affected by the surface qualities of the substrate or PCB since there is no contact between the needle and the board.Furthermore,a quite smaller droplet is available by this method.[11]Many existing needle-type dispensers employ high-pressure pulses to drive the nee-dle,[11–13]but they face a limited potential for motion accuracy and frequency improvements due to the compressibility of the gases and valve hysteresis.Then,piezoelectric actuator is applied by some institutes and companies due to its high driving frequency and accurate output.For example,Nguyen uses a piezoelectric to drive the needle.[9,10]The companies of Asymetk and EFD have also produced many piezo-driven microjet valves.[4,7]Consequently,the main contribution of this work is to develop a new needle-type jetting dispenser driven by a piezostack actuator,which can overcome the above-mentioned limitations.Besides,an amplifying mechanism is employed to magnify the displacement of piezostack so that the amplitude of the needle motion can reach such a value that is suitable for high viscosity adhesive dispensing.When a voltage is applied to the piezostack,the displacement of the piezostack causes a reciprocating motion of the needle,which initiates the droplet jetting.After describing the structural compo-nents and the operating principles of the dispenser,the dynamic model of the dispenser is established based on the lumped parameter method.The governing equation is obtained by integrating the fluid model with the structural model of the dispenser.Then,an experimental platform including the dispenser is constructed,and the dynamic behaviors of the dispenser (such as needle displacement and dispensing amount)are investigated through both computer simulations andexperiments.Figure 1.Schematic con figuration of the dispenser:(a)structural part and (b)fluid part.Journal of Adhesion Science and Technology 717D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 20152.Con figuration of the dispenserAs demonstrated in Figure 1,the jetting dispenser is composed of structural part and fluid part.In the structural part,the piezostack is fixed horizontally in the internal part of the amplifying mechanism and functions as the needle actuator.As is well known,the displacement of the piezostack is too small to dispense the liquid materials,espe-cially for some high viscosity adhesives.[14]Thus,an amplifying mechanism is employed to magnify the displacement.A syringe containing the adhesive connects to the gas source,which can push the adhesives into the fluid part.A needle,whose top is connected with the amplifying mechanism after passing through the spring and spring adjuster,is adopted to hit the adhesive.When a voltage is applied to the piezo-stack,the piezoelectric material deforms,causing a horizontal displacement of the amplifying mechanism.Then,the needle is lifted and the spring is compressed due to the amplifying mechanism.With the attenuation of the voltage,the needle will fall down rapidly due to the spring and piezostack forces.Thus,when a periodic voltage is applied,reciprocating motion of the needle is obtained.As Figure 1(b)shows,the fluid part is divided into five parts,which are named by f 0–f 4,respectively.The motion of the needle increases the pressure in f 0and drives adhesive flow out of the nozzle.As the needle hits the bottom of f 0,the flow is cut off and an adhesive droplet falls to the substrate due to its inertia.When the needle retracts vertically,the pressurized fluid in the syringe fills the void.Thus,the reciprocating motion of the needle drives the adhesive out from the nozzle in the form of jetting droplets.During the jetting process,the jetting speed,volume,and many other impor-tant indicators will be signi ficantly affected by the voltage,pressure,structural and other system parameters.To study the jetting effect and show support for the design and operation of the dispenser,this study has constructed the mathematical model of the proposed dispenser as the basis for simulation.3.Dynamic model and governing equationsAs depicted in Figure 1,the proposed jetting dispenser integrates electromechanical and hydraulic sub-systems,the variables from either energy domain should be re flected in its mathematical model.Thus,the modeling method must be able to convert these variables to the ones that can ful fill some mathematical operations.In this study,the lumped parameter method is proposed to model the dispenser.This method was first proposed by Doebelin [15]for a Newtonian fluid in a pipe.Masato [16],Pietrabissa et al.[17],and Khalil and Leo [18]developed lumped parameter mod-els for Bingham fluid flow in a circular pipe and axial Couette flow in an annular duct,and successfully applied in modeling a jetting dispensing process.The lumped parameter method,which is quite suitable for dynamic analysis of some complex multi-systems,focuses on the effects of multi-variables from different energy fields on flow behaviors by neglecting the internal space distribution of fluid characteristics.In the lumped parameter model,the fluid system is divided into lumps with lumped masses and average parameters such as velocity and pressure.The system elements are obtained by applying conservation of mass and Newton ’s law to the lumps of the fluid.[15,18]In this study,an equivalent electrical model is proposed to simulate the fluid performance.During the modeling,the fluid compressibility is represented via capacitance,the fluid inertia effect is represented via inductance,the viscous shear force is represented via resistance,and the pressure drop is represented by voltage source.718S.Lu et al.D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 2015In this part,the mathematical models of different fluid channels are firstly studied.Then,after building the dynamic models of the structural and fluid parts,the whole model and governing equations of the dispenser are obtained.3.1.Mathematical models of fluid channelsIt can be observed from Figure 1(b)that the five chambers of fluid part have two struc-tural types:circular channels (as f 0,f 1,and f 4)and annular channels (as f 2and f 3).Note that the flow mechanism and variables ’calculating method differ greatly at different channels.Thus,the models of different fluid channels are firstly constructed.As Figure 2(a)shows,the circular channel is divided into several lumps according to the lumped parameter method.The flow of adhesive in the i th lump can be described by the elements of resistance (R c,i ),inductance (L c,i ),and capacitance (C c,i ),given by Equation (1).The analogous electrical model of the circular channel is shown in Figure 2(b).In Figure 2,q i ,l i ,and P i are the flow rate,length,and pressure in the i thlump,respectively._Qi is the equivalent current for the i th circuit branch.R c ;i ¼8l b l ip r 4i L c ;i ¼q b l i A i C c ;i ¼A i l iB b 8><>:(1)It is well known that the adhesive used in the jetting system exhibits non-Newtonianbehavior.The Bingham fluid model is widely used to describe the dynamic behavior of adhesive flows.[19]The shearing force of a Bingham fluid is as follows:s =s y þK _c(2)In Equations (1)and (2),l b ,q b ,and B b are the viscosity,density,and bulk modulus ofthe Bingham fluid,respectively.r i and A i are the radius and cross-section area of thei th lump,respectively.s y ,_c,and K are the yield stress,shearing rate,and apparent viscosity of the Bingham fluid,respectively.The pressure drop due to the yield stress of a Bingham fluid in a circular channel is calculated from Equation (3).V s ;i represents the pressure drop mentioned above.The negative signi fies that the pressure is consumed.V s ;i ¼À8l i s y =3r i(3)As depicted in Figure 1,the flows in chambers f 2and f 3can be considered as axial Couette flows in annular channels.[10]The Bingham fluid flows in the annular channel are modeled similarly to the flows in circular channels.The equivalent section and corresponding lumped model are shown in Figure 3(a)and (b),respectively.Figure 2.(a)Circular channel and (b)its analogous electrical model.Journal of Adhesion Science and Technology 719D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 2015For the axial Couette flow in an annular channel,the resistance,inductance,and capacitance of the i th lump can be calculated asR a ;i ¼8l b l i ln ðr a ;i =r n Þp ðr 4a ;i Àr 4n Þln ðr a ;i =r n ÞÀðr 2a ;iÀr 2n Þ2C a ;i ¼A a ;i l ibI a ;i¼q b l iA a ;i8>><>>:(4)In Equation (4),R a ;i ,L a ;i ,and C a ;i are the resistance,inductance,and capacitance of thei th lump,respectively.r a ;i and A a ;i are the radius and cross-section area of the i th lump in annular channel,respectively.r n is the cross-section area of the needle.During the dispensing process,the pressure drop due to the yield stress is calculated by Equation (5),where C is a damping coef ficient between 2.0and 3.07.[10]V s a ;i ¼ÀC s yl i r a ;i Àr n(5)In addition,the needle can also cause pressure loss due to the friction from motion through the adhesive;this pressure drop is de fined asV va ;i ¼À4l b l i r 2a ;i Àr 2n À2r 2n ln ðr a ;i =r n Þh i v nðr 4a ;i Àr 4n Þln ðr a ;i =r n ÞÀðr 2a ;i Àr 2n Þ(6)In Equation (6),v n is the moving speed of the needle.3.2.Dynamic model of the dispenserAs Figure 1shows,the proposed dispenser is a multi-physics system of interactingfluids and structures.In this study,a lumped parameter method is adopted to describe the dynamic behavior of the structural part as well as the fluid part.After getting the dynamic model of each part,the governing equations of the disperser are obtained.Firstly,the sub-model is constructed to describe the dynamic behaviors of the struc-tural part (the piezostack,the amplifying mechanism,the needle,and the spring).As Figure 4(b)shows,the piezostack produces a displacement,whosemathematicalFigure 3.(a)Annular channel and (b)its analogous electrical model.720S.Lu et al.D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 2015description can be expressed as Equation (7).Then,the amplifying mechanism,whose effect is presented by the transformer K in Figure 4(b),magni fies the proposed dis-placement and drives the needle.This action is de fined as Equation (8).In the next step,the needle moves and pushes the liquid in the fluid part,the process is shown by Equation (9).Thus,the analogous electrical model of the structural part is shown in Figure 4(b).L p €Q p þB p _Q p þ1C p Q p ¼V p ÀV pn (7)In Equation (7),L p ¼m p0,B p ¼b p ,and C p ¼1=K p are the equipotent inductance,resistance,and capacitance of the piezostack,respectively.m p0¼m p =3is the dynamic effective mass of the piezostack,where m p is the actual mass of the piezostack.b p and K p are the damping coef ficient and stiffness of the piezostack,respectively.V p ¼K p x p0V is a voltage source to simulate the force generated by the piezostack.x p0is the free displacement of the piezostack due to a unit of applied voltage.V is the volt-age applied to the piezostack.V pn is the force action on the amplifying mechanism.Q p is the electric charge flows in the circuit branch to simulate the displacement of the piezostack.V n ¼V pn KQ n ¼Q p =K(8)L n €Qn þB n _Q n þ1C nQ n ¼V n ÀV s (9)In Equations (8)and (9),L n ¼m n ,B n ¼b n ,and C n ¼1=K s are the equipotent induc-tance,resistance,and capacitance of the needle,respectively.m n and b n are the actual mass and damping coef ficient of the piezostack,respectively.K s is the stiffness of the spring.V n and V s are the force of the needle action on the adhesive and the pre-stressed force of the spring,respectively.Q n is the electric charge flows in the circuit branch to simulate the displacement of the needle.K =tan θis the conversion coef ficient of the transformer,[20]where θis the angle of the beam of the amplifying mechanism.As Figure 1(b)shows,the part of the needle threading into the chamber separates the fluid channel into five parts.In the model,due to very small volume of chamber f 0,only one lump is used for this chamber.Each of other channels (f 1–f 4)is divided into several lumps according to the lumped parameter method.The fluid behavior in each lump is expressed by the appropriate equipotent elements as shown in Figure 5.Figure 4.(a)Structural part of the dispenser and (b)its analogous electrical model.Journal of Adhesion Science and Technology 721D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 2015The dynamic equation of the adhesive flows in f 0can be depicted as Equation (10).By integrating Equations (9)and (10),the dynamic behavior of the needle and the adhesive under the bottom of the needle is derived as Equation (11).L 0€Q0þ1C 0ðQ 0ÀQ ef0Þ¼0(10)L n €Qn þL 0€Q 0þB n _Q n þ1C n Q n þ1C 0ðQ 0ÀQ ef0Þ¼V n ÀV s (11)The dynamic equation of the adhesive flows in f 1–f 4can also be expressed as Equations(12)–(15).L 11€Q 11þR 11_Q 11þ1C 11ðQ 11ÀQ 12ÞÀ1C 0ðQ 0ÀQ ef0Þ¼ÀV s 11L 1i €Q 1i þR 1i _Q 1i þ1C 1i ðQ 1i ÀQ 1i þ1ÞÀ1C 1i À1ðQ 1i À1ÀQ 1i Þ¼ÀV s 1i L 1n €Q 1n þR 1n _Q 1n À1C 1n À1ðQ 1n À1ÀQ 1n Þ¼ÀV s 1n 8><>:(12)L 21€Q 21þR 21_Q 21þ1C 21ðQ 21ÀQ 22ÞÀ1C 0ðQ 0ÀQ ef0ÞþV v21¼ÀV s 21L 2i €Q 2i þR 2i _Q 2i þ1C 2i ðQ 2i ÀQ 2i þ1ÞÀ1C 2i À1ðQ 2i À1ÀQ 2i ÞþV v2i ¼ÀV s 2i L 2n €Q 2n þR 2n _Q 2n þ1C 2n ðQ 2n ÀQ ef2ÞÀ1C 2n À1ðQ 2n À1ÀQ 2n ÞþV v2n ¼ÀV s 2n8><>:(13)L 31€Q 31þR 31_Q 31þ1C 31ðQ 31ÀQ 32ÞÀ1C 2n ðQ 2n ÀQ ef2ÞþV v31¼ÀV s 31L 3i €Q 3i þR 3i _Q 3i þ1C 3i ðQ 3i ÀQ 3i þ1ÞÀ1C 3i À1ðQ 3i À1ÀQ 3i ÞþV v3i ¼ÀV s 3i L 3n €Q 3n þR 3n _Q 3n þ1C 3nðQ 3n ÀQ ef3ÞÀ1C 3n À1ðQ 3n À1ÀQ 3n ÞþV v3n ¼ÀV s 3n8><>:(14)L 41€Q 41þR 41_Q 41þ1C 41ðQ 41ÀQ 42ÞÀ1C 3n ðQ 3n ÀQ ef3Þ¼ÀV s 41L 4i €Q 4i þR 4i _Q 4i þ14i ðQ 4i ÀQ 4i þ1ÞÀ14i À1ðQ 4i À1ÀQ 4i Þ¼ÀV s 4i L 4n €Q 4n þR 4n _Q 4n À1C 4n À1ðQ 4n À1ÀQ 4n Þ¼ÀV s 4n ÀV psy8><>:(15)Figure 5.Analogous electrical model of the fluid part according to lumped parameter method.722S.Lu et al.D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 2015In Equations (10)–(15),L 0and C 0,whose values can be calculated by Equation (1),are the analogous inductance and capacitance of the adhesive in chamber f 0,respectively.L 1i ,R 1i ,C 1i ,L 2i ,R 2i ,C 2i ,L 3i ,R 3i ,C 3i and L 4i ,R 4i ,and C 4i ,whose values can be calculated by Equations (1)and (4),are the analogous inductance,resistance,and capacitance of chambers f 1–f 4,respectively.Q 0,Q 1i ,Q 2i ,Q 3i ,and Q 4i are the electric charges flowing in the circuit branch to simulate the flow rates of the adhesives in chambers f 0–f 4,respectively.Q ef0,Q ef2,and Q ef3are the additional equilibrium electric charges.V s 1i ,V s 2i ,V s 3i ,and V s 4i ,whose values can be calculated by Equations (3)and (5),are the analogous voltages to simulate the consumed pressure drops due to the yield stress of the adhesives,respectively.V v2i and V v3i ,whose values can be calculated by Equation (6),are the analogous voltages to simulate the consumed pressure drops due to the needle motion,respectively.V psy is the analogous voltage to simulate the applied pressure from the syringe.Equations (11)–(15)can be rewritten in matrix form asL €XþR _X þCX ¼V (16)In order to reduce the size of the state vector X ,some geometric constraints are mathe-matically expressed as:Q 0¼Q n A n Q ef0¼Q 11þQ 21Q ef2¼Q 31Q ef3¼Q 418>><>>:(17)Equation (17)can be expressed in matrix form as:X ¼T X (18)Using this matrix,Equation (16)can be rewritten in terms of the transformed states as:L€ X þ R _ X þ C X ¼V (19)Then,the second-order Equation (19)can be rewritten in first-order form as:_Z¼^AZ þ^BF (20)In the above equations,A n is the cross-section area of the needle,andX ¼½Q n Q 0Q ef0Q 1l ...Q 1n Q 2l ...Q 2n Q ef2Q 3l ...Q 3n Q ef3Q 4l ...Q 4n T and X¼½Q n Q 1l ...Q 1n Q 2l ...Q 2n Q 3l ...Q 3n Q 4l ...Q 4n T are the original and new state vectors,respectively.T is the geometric constraint matrix. L¼LT , R ¼RT , C ¼CT ,Z ¼½ X _ X T ,B ¼½0 L À1 T ,and A ¼½0I À L À1 C À L À1 RT .The dynamic behavior of the whole dispenser can be obtained by combining Equations (7),(8),and (20).Figure 6shows the block diagram of the simulation code for the proposed dispenser.The simulation code consists of the dynamic model of the piezostack,the behavior of the amplifying mechanism,and the integrated model of the needle and the fluid part.From the input voltage V and the piezostack displacement Q p obtained from the amplifying mechanism,the force V pn acting on the amplifying mech-anism from the piezostack is derived by solving the dynamic equation of the piezostack (Equation (7)).The inputs of the amplifying mechanism dynamics-block are V pn and the displacement of the amplifying mechanism which is equal to the displacement ofJournal of Adhesion Science and Technology 723D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 2015the needle part (Q n ).From V pn and Q n ,by solving Equation (8),the force V n from the needle acting on the amplifying mechanism and the piezostack displacement Q p are obtained.V n is then considered as an input of the needle –fluid dynamics-block (Equation (20)).4.Results and discussionIn order to study the dynamic behavior and the jetting mechanism of the proposed jet-ting dispenser,computer simulation based on MATLAB-Simulink is carried out by adopting materials and dimensional speci fications according to Figure 6.In addition,due to the small volume of chamber f 0,only one lump is used for this region.Each of other channels (chambers f 1–f 4)is divided into five equal lumps according to the lump parameter method (where,n =5,in Figure 4).In this study,the signi ficant components of the dispenser such as the amplifying mechanism,housing,needle,and nozzle are designed and manufactured based on the proposed lumped parameter model in order to achieve operational requirements.The other components of the dispenser such as the spring,linear bearing,O-ring,syringe,and pipes are selected based on practical application of the conventional jetting dispensers widely used in industry.The purpose of the design requirement is that the needle motion amplitude can reach around 0.5mm during the high viscosity adhesive dispensing process.In order to meet these require-ments,a stack-type piezoelectric actuator (PST150/5/60,Piezomechanik)and a kind of silicone rubber (HT902T,Huitian)are used.The geometric dimensions of the proposed jetting dispenser and the mechanical properties of the components that are mentioned above are shown in Tables 1and 2,respectively.Furthermore,in order to validate the dynamic model,an experimental platform including the proposed jetting dispenser is adopted and experimental tests are under-taken.The experimental results are then compared with the simulated ones.Figure 7shows the experimental con figuration,which are used to test the dispensing perfor-mance of the dispenser.As demonstrated in Figure 7,under the control of PC,the sig-nal generator can create the desired voltage and control signals.The voltage signal is then applied to the piezostack of the dispenser after being magni fied by the power ampli fier.The control signal is sent to the electric proportionality valve to obtain a desired pressure at the syringe.The jetting mass of the adhesive and the displacement of the needle are measured by the electronic analytical balance (CPA225D)andLVDTFigure 6.Block diagram for computer simulation code.D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 2015sensor of the micrometer,respectively.The data from the balance and the micrometer are sent to the PC and then processed.The jetting volume is then calculated by dividing the jetted mass by the fluid density.In the next step,some simulations and experiments are undertaken.The waveform of the voltage applied to the piezostack during simulation and experiment is shown in Figure 8,where V p is the amplitude of the voltage.T is the cycle of the voltage.T a ,whose value equals 0.5T,is the voltage width during one cycle.Then,the frequency Table 1.Dimensional parameters of the jetting dispenser (mm).Channel Needle radiusNeedle lengthHousing radiusHousing lengthf 0–– 1.50.5f 1––0.25 2.0f 216 1.56f 3225 2.525f 4––350Table 2.Parameters of the components.ComponentParameter Value Piezostack (PST150/5/60)M p 18gR p 1.5e –3Ns/mm K p 8e3N/mm x p00.4e –3mm/V Amplifying mechanism θ6°Needle q n 7800kg/m 3R n 6e –3Ns/m Spring K s 1.25e4N/m Adhesiveq b 1020kg/m 3l b 3000mPa s B b 1e9Pa s y 4.5Pa C2.2Figure 7.Experimental con figuration of piezostack-driven jetting dispenser.D o w n l o a d e d b y [H a r b i n I n s t i t u t e o f T e c h n o l o g y ] a t 19:15 10 F e b r u a r y 2015。