(英语毕业论文)从《一间自己的房间》分析弗吉尼亚伍尔夫的女性主义思想
从《一间自己的房间》中分析伍尔夫的女权主义思想
从《一间自己的房间》中分析伍尔夫的女权主义思想作者：姜思宇来源：《科教导刊》2015年第03期摘要作为女权主义的代表，弗吉尼亚·伍尔夫大胆批判了父权制社会，提出了“一间自己的房间与钱”的重要性，构建女性自己的话语方式，创造性地提出了“双性同体”的理论思想。
建议女性运用双性同体的身份进行创作，反对男性的霸权主义，提倡男女平等，社会和谐相处的理念，对世界女性主义文学理论有深刻影响。
关键词弗吉尼亚·伍尔夫《一间自己的房间》女性主义双性同体中图分类号：I106.4 文献标识码：A DOI：10.16400/ki.kjdkx.2015.01.070Abstract As a representative of feminism， Virginia Woolf bold critique of patriarchal society，raised the importance of "A Room of One's Own" to build their own words the way women creatively proposed "androgyny" in theoretical ideas. Advised women to use the identity of androgynous creation， opposed to the male hegemony， promote gender equality， the idea of social harmony，have a profound impact on the world of feminist literary theory.Key words Virginia Woolf； "A Room of One's Own"； feminist； androgyny1 弗吉尼亚·伍尔夫及《一间自己的房间》介绍弗吉尼亚·伍尔夫出生于英国伦敦的一个中上等收入的家庭，父亲莱斯利·斯蒂芬是剑桥著名的评论家和学者。
从《一间自己的房间》看伍尔夫的女性主义思想
题目：从《一间自己的房间》看伍尔夫的女性主义思想院系：外国语学院专业：英语申请学位：文学学士ACKNOWLEDGEMENTSDuring the process of writing this research paper, I want to thank many people. So I just use this opportunity to express my sincere thanks to all who have given me a lot of help and encouragement in my preparation for this research paper.Firstly, I tend to thank my supervisor, Teacher Wang Huili, both for her intellectual guidance and for her warm encouragement to fulfill this research paper. Without her valuable suggestions during the process of writing, the completion of the present paper would be impossible. Therefore, I owe all the benefits in this paper, if possible, to her, though I am fully aware that the paper might still have many limitations.Secondly, I am also very grateful for all my roommates, who has accompanied me and helped me in the past four years of study.The last but not least, I will thank my family who have shared my worries and joy, my tears and laughter with me; they are the most important part in my life, forever.Feminism in Woolf’s A Room of One’s OwnAbstract: This paper explores Woolf’s feminism by combining Woolf’s life experiences with her classical work of feminism A Room of One’s Own.The influence of Woolf’s family, Bloomsbury and society at that time have great effects on her feminism. Both her father’s influence and relationship between her father and mother affects Woolf’s feminism about the relationship between male and female deeply. The free atmosphere of Bloomsbury gives Woolf a chance to release herself from the miserable situation of women in Victorian society, in which she meets her husband Leonard Woolf. Social situation and feminism at that time make Woolf realize the importance of women’s independence, which make her understand feminism profoundly.A Room of One’s Own discusses women’s inferior position in history with six chapters. By analyzing women’s low position, Woolf calls on the female to get rid of patriarchal control advisably and pursue their material and spiritual independence courageously. She points out that women must have a room of their own and five hundred pounds a year if they want to write. With enough space, enough money and enough knowledge or experiences, one can begin her long career as a writer and get independence completely. Based on the material and spiritual independence, Woolf is the first one who comes up with the theory of androgyny—an ideal state between men and women. The theory makes a good beginning of the feminist literary theory, and lays an important foundation of the development of feminism.Key words: Virginia Woolf; A Room of One’s Own; feminism; androgyny从《一间自己的房间》看伍尔夫的女性主义思想摘要: 本文结合弗吉尼亚·伍尔夫的成长经历及其女性主义的经典之作《一间自己的房间》来探讨伍尔夫的女性主义思想。
《一间自己的房子》中女性主义思想探析
《一间自己的房子》中女性主义思想探析作者：徐阳平来源：《文学教育·中旬版》2014年第06期[摘要] 弗吉尼亚·伍尔夫是20世纪最重要的小说家之一。
作为意识流小说的主要代表和西方女性主义的先驱，评论界对她的关注持续不衰。
《一间自己的房间》是伍尔夫意识流手法的代表作，作品清晰的表现了人类的主观情感世界。
在伍尔夫看来，男权社会中强大的男性主义氛围让女性身上的自我意识逐渐消失，女性的价值标准在男性价值标准的影响下出现了潜移默化的异化；同时伍尔夫从物质空间与精神空间两个方面对女性写作空间的构建进行了思考与论述。
本文以《一间自己的房间》中所体现的女性主义思想为研究方向，对这两方面的内容做出了探讨。
[关键词] 弗吉尼亚·伍尔夫；女性主义；自我异化；写作空间一、弗吉尼亚·伍尔夫的女性主义思想伍尔夫所生活的时代正直西方新旧妇女运动的转型期，她着重于从思想文化层面来反拨父权制的文化霸权，表现在文学方面就是寻求和营建与女性作家性别身份相吻合的文学话语方式。
作为一个具有明确的女性意识追求的现代作家，伍尔夫在西方延续了几个世纪的文学的男性性别存在给女性作家所造成的约束是极为敏感的，她认为传统小说中的语言是男性的语言，小说的传统形式也是由男性根据自己的需要指定，并不适合女性使用。
正是在这样的背景下，使得伍尔夫在自己的创作中总是有意识地寻求并营建一种新的文学标准，以求更准确、更生动的表达文学中应包含的女性身份特色。
在当时的整个现实条件下，传统将女人固定在某些条条框框中，女人到了一定的年龄就要为整个家庭付出一切，这几乎占据了女人一生的经历，她们在经济上无法独立，更没有相应的社会地位。
女性作家在当时这种背景下进行文学创作时，条件十分恶劣，没有自己的私人写作空间，创作思路不时被打断。
因此，伍尔夫提出了一系列构建女性自己的写作传统、写作方法，女性应该拥有属于自己的物质、精神空间，用女性自己的话语方式进行创作。
浅谈伍尔夫《一间自己的房间》中的女性主义
85浅谈伍尔夫《一间自己的房间》中的女性主义作者简介：岳珂珂，西安外国语大学英文学院英语语言文学专业2018级硕士，研究方向：英国文学。
浅谈伍尔夫《一间自己的房间》中的女性主义岳珂珂（西安外国语大学英文学院 陕西 西安 710128）摘要：弗吉尼亚•伍尔夫创作的小说《一间自己的房间》充分体现了伍尔夫先进的女性意识与女权思想。
通过对《一间自己的房间》中所蕴含的自由空间、女性生育观以及女性话语权的探讨,来分析伍尔夫在这部小说中所体现的女性主义意识。
关键词：弗吉尼亚•伍尔夫 《一间自己的房间》 女性主义中图分类号：I561 文献标识码：A 文章编号：1009-5349（2019）14-0085-02弗吉尼亚•伍尔夫是英国著名的小说家，她不仅是意识流写作方法的代表人物之一，还是女性主义理论家和女性主义文学批评的第一人。
她的著名作品《一间自己的房间》就展示了在男性世界女性作家创作的艰难，体现了她的女性主义意识。
在这部作品中，伍尔夫认为女性地位和权利不平等的根源在于父权制的影响，主张提高女性的地位和维护女性的权利，也号召所有的女性团结起来，为维护女性的权利和追求地位的平等而奋斗。
一、提倡女性拥有更多的自由空间伍尔夫呼吁女性拥有一间自己的房间。
在维多利亚时代，男性在社会上占据着主导地位。
对男性来说，写作是一门正当的职业和爱好，但是对女性来说，写作容易受到周围人的嘲笑与鄙视。
因此，在当时的社会条件下，女性进行创作阻碍重重。
她们根本没有自己的私人空间来从事创作，整天忙于处理家庭琐事，创作灵感也经常被打断。
《一间自己的房间》中，以简•奥斯汀为例，她没有自己的书房，大部分的创作都是在起居室完成的；她时刻保持着警惕，以免自己的创作被别人发现，受到别人的嘲笑。
所以每当听到脚步声，她就立即把自己的作品藏起来，她的创作也会因家务而中断。
那时候的女性很难拥有一间自己的房间来进行创作，更不用说拥有一间安静并且隔音效果很好的房间了；除非她的父母极其富裕，而且地位也十分尊贵。
浅论弗吉尼亚·伍尔夫的女性主义——从《一间自己的房子》分析
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【 摘Biblioteka 要】 本 文分析 了英国女作 家弗吉尼 亚 ・ 尔夫的代表作《 问自己的房间》 简要 的阐述 了女性 作家创作的发展 历程。从女性主 伍 一 ，
庄》 的作者是位女 性的时候 ， 有不满 ， 有许多人认 为那是一部伟大 能像哥哥 那样 出去闯荡 ， 终却在 受尽侮辱 不可避 免地成 为男人 的玩 虽 仍 最 的作 品， 但是 ， 当大 家知道柯勒 ・ 贝尔这个 男性笔名竟是艾 米莉 ・ 朗 勃 物， 在发 觉自己怀孕后羞愧 自杀 ， 被埋在了十字路口。
莎士比亚有一位非常冇才华的妹妹在她哥哥继承财产时她一无所有哥哥进文法学校时她只能呆在家中干杂活?然后家人为其订婚为抗婚她选择了离家出走幻想能像哥哥那样击去闯荡最终却在受尽侮辱不可避免地成为男人的玩物在发觉自己怀孕后羞愧自杀被埋在了十字路法律和习俗如此不公竟把一个绝世才华的女性扼杀了
浅论弗吉尼亚 ・ 夫的女 伍尔 性主义
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亚 的妹妹 实际隐喻着无数 具有文学 天分的 妇女不幸 的命运 ， 尔夫 写 伍 二十世纪初妇女于 １ １ ９ ８年获得了部分选举权 ， ２ 年获 得了与男 道 ： 以为 ， １ ８ ９ 我 倘若在莎 士比亚时代有 一位妇女具有 莎士比亚的天才 的 话， 那么她的故事就会大体是这个样子了。 这个 故事旨在说明 ： 在十六 世纪诞生并具有诗歌天赋的女人 ， 其命运注定是悲惨 的 ， 一个与 自身相
《一间自己的房间》[英]弗吉尼亚伍尔夫著瞿世镜译读后感
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《一间自己的房间》[英]弗吉尼亚伍尔夫著瞿世镜译读后感《一间自己的房间》[英]弗吉尼亚·伍尔夫著瞿世镜译读后感“第一篇范文”《一间自己的房间》，是英国女性主义文学先锋弗吉尼亚·伍尔夫的代表作之一。
这本书以其独特的观点、犀利的文字，探讨了女性与文学创作、女性与社会地位、女性与自我认同等诸多问题。
伍尔夫以她特有的细腻与深刻，为我们展示了一幅女性心灵世界的画卷。
女性与文学创作在书中，伍尔夫明确指出：“女性要写作，必须有钱，还有一间自己的房间。
”这句话道出了女性在文学创作上的困境。
在当时的社会背景下，女性往往被束缚在家庭角色中，缺乏独立的经济来源和私人空间。
这无疑给女性的文学创作带来了极大的限制。
女性与社会地位伍尔夫在书中提到：“女性，这个世界上最受压迫的群体。
”她以锐利的目光揭示了当时女性在社会地位上的低下。
她呼吁女性要有独立的人格，要争取与男性平等的社会地位。
这种观点在当时无疑是具有颠覆性的，但正是这种颠覆性，让这本书成为了女性主义文学的里程碑。
女性与自我认同书中还探讨了女性在自我认同上的困惑。
伍尔夫认为，女性应该摆脱社会赋予的固定角色，去寻找真正的自我。
她说：“一个人不能总是扮演同一个角色，否则她就会失去自我。
”这句话对女性的自我认同具有重要的启示意义。
旁征博引，触类旁通伍尔夫在书中不仅关注女性问题，还旁征博引，涉及了文学、艺术、历史等多个领域。
例如，她引用了莎士比亚的名言：“弱者，你的名字是女人。
”以此来讽刺当时社会对女性的歧视。
同时，她还以古希腊神话中的女性形象为例，探讨了女性在历史长河中的地位变迁。
总结读完《一间自己的房间》，我对伍尔夫的才华和勇气深感敬佩。
她用独特的视角，犀利地剖析了女性在当时社会中所面临的种种困境。
这本书让我认识到，女性要想在文学、社会、自我认同等方面获得平等地位，必须勇敢地挑战传统观念，追求独立与自由。
第二篇范文《一间自己的房间》，弗吉尼亚·伍尔夫的这部作品，不仅仅是一篇女性主义的宣言，它更是一面镜子，映照出了整个社会对于个体自由和表达的压制。
论一间自己的房间中的女权主义思想
论《一间自己的房间》中的女权主义思想刘卓，曹亮（东北大学外国语学院，辽宁沈阳 110004）摘 要：在《一间自己的房间》中，弗吉尼亚・伍尔夫鲜明而充分地表达了男权社会中女性受到性别歧视和传统束缚的历史原因和社会现实。
本文着重分析了伍尔夫阐述的女性获得独立和解放的途径：运用手中的笔，通过女性的独特语言和表达方式，表现女性的价值观念和独特声音；并探讨了伍尔夫缔造两性和谐世界的双性同体理论。
关键词：伍尔夫；女权主义；双性同体 《一间自己的房间》（以下简称《房间》）是弗吉尼亚・伍尔夫基于她1928年为剑桥大学的女生所做的“女性与小说”系列讲座创作而成，被誉为女性创作和女权主义作品的典范。
作品从历史与现状分析中提出女性在男权为尊的社会受歧视、受压迫的现实，分析了产生男尊女卑这一状况的诸多原因。
在此基础上，伍尔夫提出了女性摆脱受压迫地位、争取女性独立与解放的途径，展望了男女平等、和谐发展的美好前景。
本文着重分析了伍尔夫所提出的女性获得解放与独立的途径和她所倡导的双性同体理论。
1. 通过发出独特的声音表现女性的存在伍尔夫从她在牛桥大学（作者将剑桥和牛津虚拟成一所大学Oxbridge）受到阻挠这一现实入手，引入对女性地位的思考，进而转入对历史中女性地位的回顾。
女主人公在牛桥大学中有两次被驱逐的经历：一次在草坪上，一次在图书馆门前，因为它们都不允许女性进入。
通过这两个实例，深刻地说明了女性在高等教育机构中的地位。
伍尔夫转而又回顾了历史中女性的地位，总结出女性一直以来作为男性的附属品、作为镜子的可悲境遇。
“几千年来妇女都好像是用来做镜子的，有着那种不可思议的、奇妙的力量把男人的影子照成原来的两倍大”（Virginia Woolf，1994：41）1。
这种社会现象在文学作品中体现为男性占据主人公地位，而女性只能充当陪衬和次要角色。
不仅如此，文学批评家们对女性作家的作品也存在着偏见和歧视，经常将之排斥于主流文学之外。
从《一间自己的房间》看伍尔夫眼中的女性写作
从《一间自己的房间》看伍尔夫眼中的女性写作作者：李倩来源：《丝路艺术》2017年第03期摘要：《一间自己的房间》是英国女作家弗吉尼亚·伍尔夫的代表作，是以她在剑桥大学的两次演讲为基础，加以汇集编纂而成。
众多学者都将《房间》作为研究伍尔夫女性主义的重要资源，加以深入剖析。
本文拟在对其女性主义理解的基础之上，将研究的重点放在作品的另一个侧面“女性写作”上，以探究伍尔夫对于女性写作的认识以及其希望达到的理想状态。
一、伍尔夫与《一间自己的房间》《一间自己的房间》于1929年10月出版，是根据伍尔夫于1928年在剑桥大学所做的题为“妇女與小说”的两次演讲汇集而成的。
全书共分六章，对女性的生活状况、历史地位、生存困境、性格特点等诸多方面都进行了深入的剖析。
同时，从字里行间之中我们也可以读出伍尔夫对于生活、文学作品以及创作的一些独特的观点。
她在谈到小说时讲道：“因为小说虽然需要想象力，却不是从天而降，像石子坠落地面，科学或许才是如此；小说像一张蛛网，看上去飘飘无依，却四下伸展，依附于生活。
”这样的一段话生动形象地阐述了生活与小说的关系。
此外，她还创造性的将性别与文学创作紧密的结合起来，列举了许多知名的女作家如：简·奥斯汀、勃朗特姐妹、乔治·艾略特等，分析他们的作品以及创作观念，并大胆的提出了自己的观点，为“女性写作”提供了诸多建设性的意见。
《房间》还采用了独特的话语方式。
一是第一人称“我”的主体性叙述，这一叙述方式“具有强烈的女性主义色彩，它体现了强烈的表达欲望，要求讲述女性的生活经验，传达独立的自我意识，拥有自主的文学空间”[1]二是文章在一开篇就大量的使用了隐喻和象征的手法，以“牛桥大学”来讽刺迂腐的教育制度，以“一间自己的屋子”来暗示女性的生存空间和文学空间等，通篇的象征以一种戏谑、调侃的语调描述了女性所处的社会现状，进而表达自己的不满，使得读者不得不细细琢磨、品味其中蕴含的深刻思想。
伍尔夫的女性主义思想在_一间自己的房间_中的体现
伍尔夫的女性主义思想在 一间自己的房间 中的体现张新丽(西南民族大学外国语学院,四川成都610041)摘要:弗吉尼亚!伍尔夫是20世纪杰出的女性主义思想家,她的女性主义思想给后代的女权主义者和女性主义批评家们以很大的启示, 一间自己的房间 是弗吉尼亚!伍尔夫女性主义思想具有代表性的杰作,从中我们能够看到伍尔夫提出的一系列女性主义思想:拥有一间属于自己的房间,建构女性自己的话语方式,倡导∀雌雄同体#理论等。
本文试通过解读 一间自己的房间 ,来对伍尔夫女性主义思想的精髓、她的女性主义思想尚存在的不足以及对后世的影响等方面作出初步的探讨。
关键词:伍尔夫;女性思想;体现一、伍尔夫的女性主义思想来源及作品简介弗吉尼亚!伍尔夫是20世纪英国最杰出的女作家,在文学创作上取得了丰硕的成果。
同时她也是西方女性主义文学批评的先驱者,是第一个将女性主义思想引入文学批评的人,其女性主义思想在她的散文随笔和小说中都有充分的体现,这种思想成为20世纪西方文论史上重要的里程碑。
尤其是她的女性主义思想杰作 一间自己的房间 成为女性文学研究者的理论源泉之一,被世人奉为女权主义的宣言和经典之作。
在其思想形成方面,首先,伍尔夫所生活的时代正是西方新旧妇女运动的转型期,她既继承了第一次妇女运动(法国大革命至第一次世界大战)的成果,又开启了六七十年代第二次妇女运动的新立场,她着重从思想文化层面反驳父权制的文化霸权。
可以说,伍尔夫一方面继承并发展了前期女权运动对男权统治的抗争精神,同时又为后期女权运动的进一步发展提出了很有影响力的主张。
其次,伍尔夫出生于一个上层的中产阶级书香世家,父亲是著名的文学评论家、学者和传记家。
她在童年接受了良好的文学教育,为其后来的文学创作打下了坚实的基础,与此同时,伍尔夫又深深被父亲重男轻女的思想以及被同父异母兄弟长达十六年的性侵犯所困扰,这些苦闷与不幸为伍尔夫的女性主义文学创作提供了动力和源泉;在其作品方面, 一间自己的房间 是她以 妇女与小说 为题,在剑桥大学作的两次学术演讲的基础上扩展而成的,是伍尔夫表述其女性意识和女性思想的重要论著。
从《一间自己的房间》看伍尔夫的女性主义思想
从《一间自己的房间》看伍尔夫的女性主义思想作者：王萌来源：《青年文学家》2014年第33期摘 ;要：本文试图从《一间自己的房间》去深入探索弗吉尼亚·伍尔夫的女性主义意识产生的原因及其发展过程。
伍尔夫是西方女性主义的先驱，她的女性主义思想有着深刻的内涵，在对后来的女性主义作家，批评家的女性主义意识的启发上也有着重要的影响。
关键词：女性主义;《一间自己的房间》;弗吉尼亚·伍尔夫作者简介：王萌，陕西三原人，英语语言文学硕士，咸阳师范学院外国语学院讲师。
[中图分类号]：I106 ;[文献标识码]：A[文章编号]：1002-2139（2014）-33-0-01一、伍尔夫女性主义产生的源泉弗吉尼亚·伍尔夫是西方现代女性主义的重要奠基人之一，是意识流小说的代表作家之一，本文指在考察伍尔夫的女性主义思想以及女性文学创作的观念。
伍尔夫对女性身份的研究与探索都是基于对女性现状的揭露与考察，女性的独特价值观和女性的自身意识是伍尔夫研究女性文学的基础，女性的价值观以及区别于男性的女性特征影响并揭示了女性主义发展的独特历史。
不同的女性对待女性主义方面有着不同的理解。
伍尔夫在女性主义创作过程中所提出双性理论对理解和认识男性创作也起到了积极的作用。
女性主义创作过程中所出现的困境与阻碍是伍尔夫所特别强调的。
期望女性有一个美好的适合女性创作的场所。
二、以男性为中心的男权主义伍尔夫，女权主义的倡导者和先驱，她深入批评和深刻揭露了以男性为中心的男权主义和男性社会，对处于男权社会下和处在男权压迫下的女性给予了深深地同情和极大地忧虑。
在作品《一间自己的房间》中，伍尔夫猛烈的抨击并且犀利地批判了男权秩序的根基，发展及其表现。
也深入挖掘了以男性为中心的男权秩序的根基及存在缘由。
伍尔夫从经济，社会，政治三个方面对保护男权社会的秩序进行了深入的批判与挖掘。
这个首先体现在男性的着装方面，揭示了男性的服装具有多重作用，不仅用于蔽体还用于美观，而且还在体现其社会地位方面有着微妙的表现，男性的服饰还说明了男性的身份和社会阶层。
由《一间自己的房间》管窥伍尔夫的女权主义思想
应雷由《一间自己的房间》管窥伍尔夫的女权主义思想内容摘要：《一间自己的房间》这篇小说是弗吉尼亚·伍尔夫的女权主义代表作，吹响了女性思想意识解放的号角。
伍尔夫呼吁女性的觉醒，鼓励女性大胆地说出所想所思，进行只属于女性的文学创作。
文章回顾了伍尔夫有关女性文学创作的观点，针对她提出的女作家所需的物质精神条件做了具体阐释，以彰显伍尔夫对于女性文学和妇女解放的极大贡献。
关键词：《一间自己的房间》弗吉尼亚·伍尔夫女权主义《一间自己的房间》这部小说是弗吉尼亚·伍尔夫（Virginia Woolf）依据自己于1928年在剑桥大学所做的题为“妇女与小说”的演讲加工而成的。
在书中，伍尔夫回顾了女性遭受压迫束缚的历史，针对当下社会中女性缺乏自己的声音的现实，她提出了这样一个著名设想：“一个女人要想写小说一定要有钱，还要有一间自己的房子。
”《一间自己的房间》，伍尔夫之所以为这本宣扬女性独立的小册子取名为此，包含着她对女性文学创作条件的思考。
她指出女性作家在男权意识形态的社会缺乏独立的物质基础，随之而来的其他各方面也受到压抑，制约了女性作家的创作。
伍尔夫认为女性只有拥有独立的经济地位才能进行自己的写作，而最基本的物质保障是拥有一间自己的屋子，以及每年五百镑的收入。
与此同时，也不能忽视女性细腻敏感的内心世界，她们渴望得到认同，赢得尊重。
只有拥有独立的物质和精神空间，妇女才能平静而客观地思考，才能不怀胆怯和怨恨地进行创作。
一.物质生活空间在男权至上的19世纪，女性虽然勇敢地进入写作领域，把写小说作为她们的爱好和职业，但与男性相比，她们的创作条件十分恶劣。
女性整日忙于家庭琐事，缺乏独立的创作空间，也得不到很好的物质条件作支撑。
那个时代的女作家大多命运多舛，简·奥斯汀就是一个很典型的例子。
据她的侄子在回忆录中所述，奥斯汀没有自己的书房，大部分作品都是躲在公共起居室里完成的。
当别人进到起居室时，她就得将手头的创作悄悄地藏起来，以免遭到耻笑;有时还不得不放下手头的写作去干家务。
从《一间自己的屋子》看伍尔芙创作中的女性主义意蕴
从《一间自己的屋子》看伍尔芙创作中的女性主义意蕴作者：伍越来源：《赤峰学院学报·哲学社会科学版》 2015年第8期伍越(哈尔滨工业大学马克思主义学院，黑龙江哈尔滨150000)摘要：本文从剖析以弗吉尼亚·伍尔夫的《一间自己的屋子》开始为对象，探讨关于伍尔夫的女性写作的私人空间理论，以独特的个体意识来揭示英国维多利亚时代女性在创作中所承受的多重压力，女性真正解放的出路在很大程度上则取决于女性自觉意识的觉醒。
关键词：《一间自己的屋子》；重建；女性自我中图分类号：1561.074 文献标识码：A 文章编号：1673-2596（2015) 08- 0203- 03一个富有才气的16世纪的英国女性必然是不幸的，她的一切都会被时代所掩埋。
英国著名女作家弗吉尼亚·伍尔夫认为，并不是女性的才华低于男性，而是约定俗成的社会制度迫使女性无法拥有自己独立的物质基础和创作环境，使得她们不能自由地从事文学创作。
她呼吁女性要树立起成为你自己”的女性自我，并且为女性争取独立自主和文学创作的权利而耗尽毕生心血。
（一）《一间自己的屋子》是伍尔夫的一部散文体评论文，这部评论文是由两次在剑桥大学所作的题为《妇女与小说》的讲座稿整理而成，她的这部散文文论被当做是女性主义批评第一部现代文本，社会主义一女性主义批评理论与实践的一个典范”，是不可否认的西方女性主义批评理论的经典，这部文论是充满对传统的父权社会及其文化体制愤怒批驳和剖析的作品。
她以“女性与小说”为主题展开了自己的篇章，她虚构了第一人称我”的世界，以她的意识流动展现女性作家的自由和特权。
她在文章初始就摆明了自己的立场，“女人想要写小说，必须有钱，再加一间自己的房间”。
伍尔夫在这个论文的第三章里面提出了一个假设，从这个假设中伍尔夫拉开了她自己的理论铺叔，这个假设是：如果莎士比亚真有一个同自己一样禀赋超群的妹妹朱迪恩，那她的一生又会是何种模样的呢？莎士比亚年轻时在家乡闯祸惹出了事端而背井离乡到了伦敦，因为他的性别于那个时代无疑是幸运的，最终他凭借着自己所受不多的教育和戏剧才华而最终成名。
浅谈伍尔夫《一间自己的房间》中的女性主义
浅谈伍尔夫《一间自己的房间》中的女性主义作者：岳珂珂来源：《现代交际》2019年第14期摘要：弗吉尼亚·伍尔夫创作的小说《一间自己的房间》充分体现了伍尔夫先进的女性意识与女权思想。
通过对《一间自己的房间》中所蕴含的自由空间、女性生育观以及女性话语权的探讨，来分析伍尔夫在这部小说中所体现的女性主义意识。
关键词：弗吉尼亚·伍尔夫《一间自己的房间》女性主义中图分类号：1561 文献标识码：A文章编号：1009-5349 （2019） 14-0085-02弗吉尼亚·伍尔夫是英国著名的小说家，她不仅是意识流写作方法的代表人物之一，还是女性主义理论家和女性主义文学批评的第一人。
她的著名作品《一间自己的房间》就展示了在男性世界女性作家创作的艰难，体现了她的女性主义意识。
在这部作品中，伍尔夫认为女性地位和权利不平等的根源在于父权制的影响，主张提高女性的地位和维护女性的权利，也号召所有的女性团结起来，为维护女性的权利和追求地位的平等而奋斗。
一、提倡女性拥有更多的自由空间伍尔夫呼吁女性拥有一间自己的房间。
在维多利亚时代，男性在社会上占据着主导地位。
对男性来说，写作是一门正当的职业和爱好，但是对女性来说，写作容易受到周围人的嘲笑与鄙视。
因此，在当时的社会条件下，女性进行创作阻碍重重。
她们根本没有自己的私人空间来从事创作，整天忙于处理家庭琐事，创作灵感也经常被打断。
《 -间自己的房间》中，以简·奥斯汀为例，她没有自己的书房，大部分的创作都是在起居室完成的;她时刻保持着警惕，以免自己的创作被别人发现，受到别人的嘲笑。
所以每当听到脚步声，她就立即把自己的作品藏起来，她的创作也会因家务而中断。
那时候的女性很难拥有一间自己的房间来进行创作，更不用说拥有一间安静并且隔音效果很好的房间了;除非她的父母极其富裕，而且地位也十分尊贵。
拥有良好的创作条件可谓是难上加难，故伍尔夫认为女性写作最基本的条件是拥有一个很好的写作环境，而且还要具备一个独立的私人房间。
从《一间自己的房间》解读伍尔夫的女性主义思想
二 、伍 尔 夫 的 女 性主 义 思 想
时候 ．脑 子才 变得肥 沃而能充分 运用所 有的 官能 ，也许一个 纯
伍 尔夫是 一个 自觉的女性主义者。她 出生在一个知识精英 家庭 ．这样 的家庭 培养 了她好 学多思 的品行 ．也 为她 的思 想发 展提供 了足够 的空 间。但 因为女 性身份 ，伍 尔夫被挡 在了高等
【摘 要 】 本文通过对弗吉尼亚 ·伍 尔夫 的名篇《一 了重构 和建设。而拥有 “一 间自己的房 间 仅仅是女性追求平等
问 自己的房间》的分析 。解读 了她独特的女性主义思想。 和 自由的一个前提 ，女性对 自我意识 的重拾 ，对 自我精神 世界
【关键词 】 弗吉尼亚·伍 尔夫 ；《一 间自己的房间》；女 的塑造 才是 关键 。所 以说伍尔夫 的女性 主义思想注重女性身心
中，作者假 设莎士 比亚有一位 名叫 Ｊｕｄｉｔｈ的妹 妹 ．具有和 莎翁 的生活画面 ，男女两个人走到一起 ．坐进 了一辆汽车。她猛然感
不相 上下的文学造诣 。然而只因为女性身份 而不得不在屈 辱和 悟到：…… ，我的心境好像在分开后又 自然地融合在 一起 。很 明
压抑中结束一生。在第 四章 中．伍尔夫追忆 了女 性作家登 上文 显的理 由就是两性之间最 自然的就是合作 。若是 男人 ．他脑子
并描述 了一 番经历 ，借此 展现在 以男性为中心 的高等学 府 中女 创造力。在认识到两性这一差异 的基 础上 ．她更提出 了构建 男
性受到 的不平等对待 。在第二章 中，作者描述 了她在英 国博 物 女两性和谐的途径—— 雌雄 同体。在最后一章 的开篇处伍尔夫
馆内看到的 由男性作 家撰 写的论述女性ห้องสมุดไป่ตู้问题 的书籍。在 第三章 描写了这样一个场景 ：“当她从窗 口向外望 时 ，她看见一副普通
（英语毕业论文）从《一间自己的房间》分析弗吉尼亚伍尔夫的女性主义思想
（英语毕业论文）从《一间自己的房间》分析弗吉尼亚伍尔夫的女性主义思想最新英语专业全英原创毕业论文，都是近期写作1 分析《白鲸》中亚哈之死2 论莎士比亚戏剧中的女扮男装现象3 解读《呼啸山庄》中三种悲剧性的爱情4 中美电子商务的选择性分析5 从《夜莺与玫瑰》看王尔德唯美主义的道德观6 接受美学指导下的电影字幕翻译——以《冰河世纪II》为例7 试论英语中的歧义与翻译8 浅析造成盖茨比悲剧的因素9 On Moral Characters in The Picture of Dorian Gray10 从文体学角度分析美剧的幽默11 Yellow Peril–the Image of Fu Manchu in the West12 浅析《美国的悲剧》中克莱德的悲剧命运13 高中英语阅读词汇障碍突破技巧的研究14 中美价值观的比较－－以《老友记》为例15 从女权主义视角分析《德伯家的苔丝》16 论《百舌鸟之死》中的百舌鸟象征17 曹禺与尤金奥尼尔作品中的悲剧观比较18 梭罗《瓦尔登湖》中的佛家思想19 中世纪的典雅爱情：本质、渊源和影响20 非英语专业大学生听力课堂焦虑的影响及解决策略21 Different Cultural Connotations of Animal glossaries in Chinese and English22 A Feminist Study of William Shakespeare’s As You Like It23 On the Functions of Metaphor in Obama’s Inaugural Address24 《还乡》中的生态女性主义解读25 An Analysis of the Cultural Differences between Chinese Martial Arts and Western Boxing26 A Comparison between Two Chinese Versions of Uncle Tom’s Cabin27 英汉谚语互译中的归化与异化策略分析28 《飘》中郝思嘉性格特征透析29 认知语境在语言交际理解中的作用30 Cultural Differences Reflected in the Concept of Dragon31 论翻译的艺术32 中西方家庭教育对比研究——从《傅雷家书》和《致儿家书》的对比33 从女性主义角度看斯嘉丽与命运的抗争34 《警察与赞美诗》和《重新做人》中主人公的不同命运35 从文化角度分析英汉数字习语的不同36 透过《德伯家的苔丝》看哈代托马斯的宗教观37 On Idioms from the Holy Bible38 美国拓荒运动中的新女性形象－－读威拉凯瑟《我的安东妮娅》39 高中英语阅读课教学策略40 论福克纳《八月之光》中的耶稣形象41 英语广告语的语言特色分析42 中西幽默异同探析43 Personality that Matters: A Psychological Analysis of the Misunderstanding between Elizabeth and Darcy44 The Elementary Stage Translation Teaching Design for Undergraduate English Majors45 浅论中文商标的翻译（开题报告+论）46 英语广告语中隐喻的研究47 电影字幕汉译的归化与异化48 《简爱》的浪漫主义解读49 肢体语言在商务谈判中的应用与作用50 《爱玛》中女性主义的双重复写——论个人意识与阶级意识的冲突51 英语构词法对词汇习得的影响52 浅谈如何培养初中学生学习英语的兴趣53 论《傲慢与偏见》中的妇女地位问题54 Analysis on Earnest Hemingway’s Doom Consciousness in The Old Man and the Sea55 埃德加爱伦坡短篇小说中美女的命运56 浅析英文商务信函的写作格式与文体风格57 英汉诗歌中“月”意象的认知解读58 The Research of the Idea of Contradiction in Songs of Innocence and Experience59 浅析初中生英语写作问题及对策60 The Study on the Teaching of Grammar in Senior High Schools61 Pragmatic Differences of Politeness in Intercultural Communication Between English and Chinese62 英语模糊限制语的分类界定及其语用功能63 《芒果街上的小屋》中窗户意象的分析64 浅谈商务英语广告的翻译65 命运与社会的牺牲品—苔丝的悲剧根源探析66 Double Vision in Characterization in The Great Gatsby67 对《瑞普凡温克尔》两个汉译本的语言美的比较评论68 英语体育新闻标题的特点及其翻译69 The Illusory American Dream－－A Comparative Analysis on Martin Eden & The Great Gatsby70 浅析合作原则在汉英广告语翻译中的运用71 隔离与异化：福克纳短篇小说中的人际关系研究72 《绝望的主妇》中的中美家庭价值观的比较研究73 《夜访吸血鬼》中的模糊性别观74 中西方思维方式对比研究及其在广告中的体现75 电影《狮子王》中象征手法的运用76 《太阳照常升起》中科恩屡遭排斥的根源分析77 性格趋向对英语口语习得的影响78 文化负载词的翻译策略79 浅析英语新闻标题的语言特征80 言语幽默产生的语音机制81 论詹姆斯乔伊斯的《阿拉比》中的弗洛伊德主义82 《紫色》中的女性主义解读83 论英语课堂教学中的非语言交际84 从中西文化对比看英文电影字幕翻译85 从毛姆《刀锋》看两次世界大战期间的知识分子形象86 从《篡夺》中看辛西娅奥兹克作品中的反偶像崇拜精神87 从功能对等角度分析英文电影片名汉译88 托马斯哈代与张爱玲作品中女性悲剧命运对比研究——以苔丝和顾曼桢为例89 A Study of Stylistic Features and Translation of Journalistic English90 傲慢与偏见－－-浅析世纪英国女性作家91 浅析中国时政术语的常用英译方法92 论《海浪》中体现的死亡意识和生命意识93 礼貌原则在英语商务信函中的运用94 A Comparison of the English Color Terms95 关于攀枝花市公示语汉英翻译的调查与分析96 中国特色词汇及其翻译97 《傲慢与偏见》中的微观反讽言语行为98 《威尼斯商人》中的关键社会元素——莎士比亚心中的乌托邦社会99 译员主体性在歌曲《我有个梦》歌词翻译中的体现100 东西方隐逸文化对比——试比较梭罗与陶渊明的作品101 透过霍尔顿看《麦田里的守望者》中的代际关系102 英语委婉语及其翻译103 英汉禁忌语对比研究104 勃朗特两姐妹创作风格差异探究105 从认知的角度来看主动语态在商务信函中的语用功能106 哥特元素在《宠儿》中的运用107 论《宠儿》中社区与逃离的关系108 分析《傲慢与偏见》与《简爱》中觉醒的女性意识109 当代中美青年恭维言语行为对比研究110 英汉委婉语的对比及翻译111 中西文化差异对跨文化商务谈判的影响112 企业英文简介中的概念语法隐喻分析113 雌雄同体：《奥兰多》中时代精神的体现114 从跨文化视角看中国红色旅游的翻译策略115 《长日入夜行》中玛丽的悲剧和反抗116 家庭生活中的瑞普?凡?温克尔117118 《紫色》中黑人男性形象研究119 论《老人与海》中人与自然的矛盾性与和谐性120 大学英语课堂话语分析121 英语课堂教学—教师主宰还是学生为中心122 《厄舍屋之倒塌》中的哥特元素分析123 Ethic Values about Marriage and Sex in the Bible 124 目的论视角下的《边城》的英译研究125 学习策略与听力理解126 《野性的呼唤》中的人性和野性127 外教在英语口语教学中的作用128 语法翻译法视角下的中学生英语家教辅导129 东方主义视角下康拉德《黑暗的心脏》中西方殖民话语分析130 英式英语与美式英语的词汇差异131 论美国黑人现代流行音乐及其影响132 《生活大爆炸》言语幽默语用分析133 教师在农村初中英语游戏教学中的角色分析－－以某中学为例134 肢体语言在商务谈判中的应用与作用135 《尤利西斯》与《春之声》中意识流手法的不同136 Existentialism in Pride and Prejudice137 解读《皆大欢喜》中的浪漫主义138 全球化背景下的中国热与好莱坞电影139 论中西方时间观念差异对日常生活的影响140 浅析“苹果”广告中的文化因素141 《大地》中的儒家思想142 论归化和异化在电影字幕翻译中的运用143 从功能对等论看中餐菜单的英译144 浅谈迪斯尼文化扩张中的品牌运营策略145 阿瑟·米勒《推销员之死》中小人物的悲剧之源146 从弗洛伊德的精神分析理论分析爱玛的性格147 A Comparison of the English Color Terms148 英语与汉语中的称谓研究149 重新诠释玛格丽特的人生悲剧根源150 A Southern Elegy-A Feminist Study on Faulkner’s “A Rose for Emily”151 浅析《威尼斯商人》中的金钱观152 《西风颂》两个汉译版本的文体分析153 从后殖民女性主义角度解读《藻海茫茫》154 论文化差异对中美商务谈判的影响155 《麦田里的守望者》中霍尔顿的性格分析156 从中西文化差异看英汉数字翻译157 从女性主义角度分析美国女性－－《律政俏佳人》158 论《呼啸山庄》中希斯克利夫的矛盾情感159 以国际商务谈判为视角分析中西文化差异160 影响大学生英语自主学习的因素研究161 从“三美”原则分析中国古诗词英译技巧162 On Symbolism in D.H. Lawrence’s T he Rainbow163 语用预设在广告语言中的应用164 归化和异化在汉语歇后语翻译中的应用165 从禁忌语的差异看中英文化的差异166 A Comparison of the English Color Terms167 人格、环境与命运——以弗洛伊德“人格结构理论”分析《还乡》中的主要人物命运168 中英姓氏差异及其原因探究169 初中英语词汇教学法研究综述170 基于精细加工理论的英语词汇学习研究171 商务英语合同的翻译特点及策略研究172 《推销员之死》中的家庭问题研究173 浅析《喜福会》中母女冲突的存在与消融174 正面解读《名利场》中的蓓基-夏泼175 论《追风筝的人》中父子关系的心理剖析176 谈归化与异化翻译的融合－－以谚语翻译为例177 如何在高中英语教学中培养学生的创新思维能力178 从《芒果街上的小屋》透视女性自我意识的觉醒179 中美价值观的比较－－以《老友记》为例180 从文化视角看中美家庭教育差异181 通过姚木兰和斯嘉丽形象的对比看中西文化的异同182 浅析《法国中尉的女人》中的自由183 唐?德里罗《白噪音》中精神生态的建构184 浅析《藻海无边》中安托瓦内特的悲剧185 美国宪法形成的历史和原因之研究186 中英文商标翻译的问题及其解决方法187 《蝴蝶梦》中的女权主义188 激发幼儿学习英语兴趣189 从《傲慢与偏见》看简?奥斯丁的婚姻观190 浅谈当代大学生炫耀性消费文化191 阿法——《多芬的海》中的加勒比人192 论《愤怒的葡萄》中斯坦贝克的生态观193 中美面子观比较及其对商务谈判策略的启示194 从《一间自己的屋子》看弗吉尼亚伍尔芙的女性主义意识195 公示语汉英翻译探讨196 奥巴马演讲词中的委婉语研究197 《麦田里的守望者》主人公的性格分析198 小说《飘》中瑞德巴特勒的人物性格分析199 An Analysis of the Main Characters in Twilight-eclipse 200 威廉?麦克佩斯?萨克雷《名利场》的道德研究。
伍尔夫《一间自己的房间》的女性主义解读【lunwen+开题+综述】
BI YE LUN WEN（20_ _届）英语伍尔夫《一间自己的房间》的女性主义解读A Feminism Reading of Virgina Woof’s ARoom of One’s Own内容摘要弗吉尼亚·伍尔夫是20世纪文坛上的一名杰出的女作家，她被尊为意识流小说的鼻祖之一，与乔伊斯、福克纳等意识流小说大师齐名。
同时，她又被尊为西方当代女性主义的“母亲”，她认为女性应该在经济上和精神上独立，并拥有自己的生活空间和精神空间。
此外，还要勇于表达自我的真实想法。
她认为女性主义的最终目的是消解两性之间的对立，以达到两者的和谐状态。
因此，她在《一间自己的房间》中提出了“双性同体”理论。
本文试图从女性主义角度解读《一间自己的屋子》，分析伍尔夫的女性主义思想，以期更好的理解文学中的女性主义。
伍尔夫的女性主义思想在21世纪的今天仍有极强的思考意义。
关键字：弗吉尼亚·伍尔夫；独立；空间；双性同体；女性主义AbstractVirginia Woolf is an outstanding woman novelist in 20th century. She has been regarded as one of the representatives of the stream of consciousness, enjoying equal popularity with Joyce and Faulkner. Meanwhile, she is regarded as the mother of modern feminism in the west. She thinks that females should be financially and spiritually independent and have their own living space and spiritual space. In addition, women also need to express themselves bravely and sincerely. She considers the final goal of feminism is to dispel the opposition between males and females and to reach a harmonious state. Therefore, she proposes the theory of androgyny in A Room of One's Own. This thesis tries to discuss A Room of One's Own from the angle of feminism, and analyze Woolf's feminism so as to seek a broader understanding of feminism literature in general. Studying Woolf still has a profound meaning in 21st century.Key words:Virginia Woolf; independence; space; androgyny; feminismContentsAbstract (ii)1 Introduction (4)2 What’s feminism (5)2.1 The etymology of the term "feminism" (6)2.2 T he definition of the term “feminism” (6)2.3 Virginia's concepts of feminism (7)3 Virginia’s feminist idea in A Room of One’s Own (7)3.1 Economic independence (8)3.2 Having a room of one's own (10)3.2.1 Living space (10)3.2.2 Spiritual space (11)3.3 Establishing female's value (11)3.4 The pursuit of androgyny (11)4 Factors leading to Virginia’s feminist view (14)4.1 Her parents’s influence (14)4.2 The Bloomsbury Group’s influence (16)4.3 Sexual Assault by her brothers (17)4.4 The Industri al Revolution and the Women’s Right Movement (17)5 Conclusion (18)Bibliography (47)Acknowledgements (18)1 IntroductionVirginia Woolf (1882-1941), is a famous woman novelist in the 20th century and she is one of the important modernist novelists. Meanwhile, she is one of the representatives of the stream of consciousness, enjoying equal popularity with Joyce and Faulkner. What's more, she is regarded as the mother of modern feminism in the west.Literary criticism of Virginia Woolf has proliferated since the1980s. Some critics appraise her works and some appraise her person; some analyze her work’s consciousness, and some analyze her feminism; some study her works from ethics, some from aesthetics, some from homosexuality, some from psychology. She is not only a great writer, but also a "forerunner, indeed the 'mother' of the contemporary Anglo-American feminism” as Zhu Gang describes. (Z hu Gang 2006: 342) As for her feminism, some criticize her feminism as an extreme type for they think her represented idea of feminism—androgyny means she intends to replace male value with female value; some criticize her deviating the feminism for they think she couldn't bear her own female identity, so she had to give up to the patriarchal society and swamped in the mud of utopian thought of androgyny; while the others praise it highly for it is an advancement in the stage of feminism's development.Xu Wei analyzes Woolf's feminism, both as a theoretical analysis of gender inequality and oppression, and as a political movement. Her paper analyzes that Woolf how to analyze the question of "women writing" in the theory and how to practice it in her writing. Woolf is concerned with the nature of womanhood. The focus on women characters in Woolf's fiction is central to much early feminist criticism, as well as non- or anti-feminist criticism. To an extent, "anger" and "androgyny" are the two terms most central to feminist debates on Woolf. Their centrality serves to further increase the importance of A Room of One's Own as the key text of Woolf's feminism and feminism's Woolf, for it is here that "anger" and "androgyny" are most fully discussed. And A Room of One's Own is seen by many critics to subdue and repress women's anger in favor of a more serene gender—transcendent or androgynous creativity. (Xu Wei, 2004: 38-39) Wu Qinghong tries to analyze, to show and to criticize Virginia's feminism in the development of western feminism. And she indeed did it, comprehensively andintensively. Her main viewpoint is that Virginia Woolf is the most important representative person in the history of feminism's development. Woolf's analysis on feminism corrected the shortage of feminism in 1890s to 1990s, which emphasized the equality between men and women on law. What's more, her feminism inspired the new feminist in 1960s and 1970s to deconstruct male's political and cultural supremacy and establish female's visual angle, which predicted the development direction of post-feminism in 1990s. (Wu Qinghong, 2005: 5) Ma Tingting draws a conclusion that Woolf's feminism is not a panacea for all women, but an occidental one with intense tendency of racialism.(Ma Tingting, 2006: i-ii) Wu Haixia probes the unique feminist thoughts of Virginia Woolf, which she thinks are quite different from most of the other feminists. It is clearly that since the appearance of feminism, the oppositions between men and women have been highlighted, and feminism is related to the marginalization of all women, with their being relegated to a secondary position. Most feminists hold their views that the social culture is a patriarchal culture. Woolf realizes that women are confronted with inequalities and exclusion in the patriarchal society. Woolf witnesses the efforts and achievements the feminists have made to get equal rights and positions with men, whereas she airs her view that the final goal of feminism is to deconstruct the binary oppositions between the two sexes. She presents her famous theory of "androgyny" in A Room of One's Own. She argues that androgyny is the best state of mind for writing, in which a writer can make perfect artistic expression. (Wu Haixia, 2007: ii)Woolf criticizes the patriarchal society in her works, and prompts us to reexamine the history of human by a female angle to create a new civilization. Her ideology and perception opens and enlightens the idea of feminism in many aspects. This paper tries to analyze Woolf's concepts of feminism through the reading of A Room of One's Own, to get a further understanding on feminism, which can also help deepen Chinese female’s comprehension of feminism.2 What’s feminismAt the very beginning of this paper, a basic question needs to be answered. That is what feminism is? In the academic circles of Europe and America, "feminism" generally refers to any activities to strive for and tick up for the right of females. It has several hundred years' history and has complex contents. Therefore, it is difficultto define it.2.1 The etymology of the term "feminism"The term "feminism" is derived directly from the Latin word fēmina,which means woman. This term and its derivatives originated in France during the late 19th century. The first person who called herself feminist was a French suffragette activist, Hubertine Auclert(1848-1914).She first used this term in her periodical called La Citoyenne in 1880.(Cai Qing, 2005: 3) However, although this term was used in her periodicals, it was not popular among women advocates who were rather moderate. Instead of "feminist", these women called their organization "feminine". It was not until the beginning of the 20th century when "feminism" became accepted by most women suffragette activists.2.2 The definition of the term “feminism”In broad sense, feminism can be defined as social movement, which takes eliminating sex discrimination and ending the oppression on women as its political goals. It also includes the revolution in ideology and culture which emerged from the process for pursuing its political goals. In this sense, feminists represent those who devote themselves in this movement sincerely, and any males and females who take part in the revolution of ideology and culture. In its narrow sense, feminism refers to a kind of methodology that regards and analyses a question in a gender perspective.Feminism now stands for a movement or philosophy that questions the unequal balance of power between men and women. Feminists fight for equality between men and women. The term "feminism" has become the name for the women's movement, the quest for social changes aimed at improving the position of women. Feminism is defined both as "the theory of the political, economic, and social equality of the sexes " and " organize activity on behalf of women's rights and interests".（Merriam-Webster, 2003: 461) Hence, the term feminism is not only about the struggle for political rights. It is a system of ideas and a social movement, directed towards opposing men's privilege of position and women's subordination. This term contains redistribution of power and recognition of sex equality.2.3 Virginia's concepts of feminismVirginia Woolf is not only a female writer, but also a pioneer of feminism. Her essential contribution to feminism is her perseverance that social and economic elements are critical to shape women's creativity and perception. According to her idea, women play a historical role to join in the creation of human civilization, especially the arts. What she emphasizes is that females should face the reality and think things that related to them instead of thinking things that concerned men. Therefore, she puts forward the idea that females should set up a literature of their own. To deal with the anger that appears in the process of writing and derives from the inequality between men and women, she proposes a concept of androgyny. An androgynous mind is the best state of mind for doing literary creation. However, it causes a heated debate among later feminists. Although it is controversial, she creates a bright future for females.Virginia's view of feminism is embodied intensively in the idea of androgyny. Androgyny has more than one meaning. It may refer to the anatomical coexistence of two sorts of sex organs in the same body; or else to the allegory of a form of spiritual perfection. In other cases, it is related to the explicit coexistence of male and female qualities in the same entity. (Wu Haixia, 2007: 23-24) To put it simply, androgyny means full balance and command of an emotional range that includes male and female elements. She thinks the final goal for feminism is to eliminate the opposition between males and females. Virginia's feminism includes economic independence, spiritual independence. Her analysis on feminism corrected the shortage of feminism in 1890s to 1990s, which emphasized the equality between men and women on law. What's more, her view of feminism inspired the new feminist in 1960s and 1970s to deconstruct male's political and cultural supremacy and establish female's visual angle, predicting the orientation of post-feminism in 1990s.3 Virginia’s feminist idea in A Room of One’s OwnA Room of One's Own is Virginia's representative work of feminism. In October, 1928, Virginia Woolf was invited to give two academic speeches by Cambridge University. One was in the Art Society of Newnham, the other was in the Gordon women college. The lecture topic was Women and fiction. The next year, she published a brochure,which was written on the basis of these two lectures. Quickly, the booklet amazed the world with a single feat at that time. Up to now, it has become the most famous work and has most readers compared to her other works. It is universally acknowledged as a declaration of western feminism.The work---A Room of One's Own can be divided into six parts. The first part describes an experience in Oxbridge University fabricated by the author, which shows an unfair treatment that females received in a patriarchal society. The second part represents a phenomenon that the author found a large amount of books about women's problems written by men in the England museum. What’s worse, one professor claimed absolutely in his marvelous work that female's intelligence, physical power and morality are all lower than males. In the third part, the writer sketches a hypothetical "Judith" Shakespeare, sister of William, who is as brilliant and promising as he, but her talent is undoubtedly buried by the patriarchal society. Woolf traced back to the females' rough process for getting in the literature arena in the forth part. Aphra Behn (1640-1689), a playwright, novelist and poet of England, who is the first English female to became a professional writer in 17th century. Then women writers began to feel proud and elated. However, most English women writers had to use males' name as pen names to relieve their social pressure during the 19th century. In the fifth part, the author points out that it is necessary to strengthen females' awareness of knowing the difference between males and females. Only in this way, she thinks, females can realize the true value of themselves. In the last part, Virginia agrees with Samuel Taylor Coleridge's androgynous idea, believing that a writer's creative soul should have both masculinity and femininity. In other words, a person is a bisexuality instead of a unisexuality. A person is androgynous. When full balance and command of an emotional range that includes male and female elements reached, these men writers or women writers can create great works.3.1 Economic independenceFemales are facing an economic problem. As is known to all, economy is the basis of living. Women lose their economic source, when the patriarchal society excludes them from the public work, which causes them sink in a poor state. In reality, what females are engaged in are human beings' personal production and all kinds of necessary house works to maintain many families’ functions. When women are doingthese, they use up their physical power, energy, and even sacrifice their lives. However, these are all done in the area of family. Their yields often cannot leave any tangible fruits. For example, the cooked food will be eaten up, the washed clothes will be dirty after wearing again, and children who have been raised up will leave home to get in their own world. Don't these household labors have any value? Is there anybody who pays them salary? Therefore, these natural, non-commercial labors are excluded from the social labor by the patriarchal society, because they are only related with personal family members and they cannot create value directly. Since the unpaid labor take up most energy of females, they lose their subject position in the society and lose the source of finance. Therefore, if females want to get rid of the disadvantaged status imposed on them by history and reality, they should strive for the economic position. Just like what Woolf says in A Room of One's Own, women should have revenue of 500 pounds every year. She considers that the main reason why there are so less women writers is that our mother is too poor. For example, if Mary's mother " had gone into business; had become a manufacturer of artificial silk or a magnate on the Stock Exchange; if she had left two or three hundred thousand pounds to Fernham, we could have been sitting at our ease tonight and the subject of our talk might have been archaeology, botany anthropology, physics, the nature of the atom, mathematics, astronomy, relatively, geography. If only Mrs. Seton and her mother and her mother before her had learnt the great art of making money and had left their money, like their fathers and their grandfathers before them, to found fellowships and lectureships and prizes and scholarships appropriated to the use of their own sex, we might...have looked forward without undue confidence to a pleasant and honorable lifetime spent in the shelter of one of the liberally endowed professions. We might have been exploring or writing; mooning about the venerable places of the earth; sitting contemplative on the steps of the Parthenon, or going at ten to an office and coming home comfortably at half-past four to write a little poetry." (Virginia Woolf, 2005: 576) They haven't learned how to make money, how to manage their own property. For thousands of years, women are handling house works and rearing children, while men are doing business for making money. While princes and aristocrats use their properties to build many schools and libraries, women are rejected out of the colleges; they are restricted in a small circle of family. They have no rights to receive education. As a result of being deprived of enjoying rights of owning their ownproperty, females' desires for making money are constrained. The thousands of years' influence of patriarchal society places women in a penniless position.Women began to walk out of the household in 20th century. Thus, many women writers sprung up. We can see that for the latest hundred years, the appearance of many women writers are concerned with the rights women have achieved, especially the acquirement of economic right, which plays an important and positive role in art creating. Woolf herself also admitted that she and her sister obtained all their father's books after their father's death, so she could start her writing career. In A Room of One's Own, the narrator also repeatedly says that but for her aunt's 500 pounds' heritage, it might have been hard for her to break away most women's fate---working hard in the household or going out for earning money to keep the pot boiling. All in all, females should be independent in the economy.3.2 Having a room of one's ownVirginia said that “a woman must have money and a room of her own if she is to write fiction." (Virginia Woolf, 2005: 555) It has been discussed that females should be financially independent. Now, it turns to a room of one's own. Having a room of one's own not only indicates that females should have their basic living space, but also means that females should have a comparatively free spiritual space.3.2.1 Living spaceIn the past, women were restrained in a small room, being busy at doing trivial house works all day. It was not uncommon that their works would be suspended. What's worse, they had to hide their works quietly to avoid being scoffed. Jane Austen is a good example in A Room of One's Own." For she had no separate study to repair to, and most of the work must have been done in the general sitting-room, subjecting to all kinds of casual interruptions. She was careful that her occupation should not be suspected by servants or any persons beyond her own family. Jane Austen hid her manuscripts or covered them with a piece of blotting-paper." (Virginia Woolf, 2005: 604) Therefore, having a living space for one's own plays an essential role in females' creation.3.2.2 Spiritual spaceMany women writers were born in rich families. They had money and their own living spaces. However, they depended on their parents so much that they didn't go out for traveling to broaden their eyes. They did what their fathers asked and even married to who their fathers picked for them. When they were children, they were subjected to their fathers; when they were married, they were obedient to their husbands; when they were old, they complied with their sons. It is just like the three cardinal guides and the five constant virtues as specified in the ancient Chinese feudal ethical code. Women never had their own minds and their own spiritual space, they were not spiritually independent. Woolf pays more attention to the influences of patriarchal society on women's writing.3.3 Establishing female's valueWoolf finds that women's writing hasn't had their own tradition. Therefore, she proposes that females should set up their own value. To create females' literature or other careers, they have to take two times adventures. First of all, killing the "angel in the house", to be ourselves. Here, the "angel in the house" represents the stipulations that imposed on women by social norms and ideology of traditional culture. It also refers to females' conscious compliance to this oppression. They even turned patriarchal oppression and forbidden into their self requests and self-conscious actions. Facing this, Woolf realizes that the only way is to kill it, otherwise "she will kill me, she will dig out my heart of writing". The second adventure is to express truly the physical experience of ourselves. Women's requests suffered an extreme suppression and twist in the patriarchal society. According to Woolf, the consciousness that how a man will look at a woman who expresses her own real lust disturbs a female writer's imagination and damages her creativity. Therefore, expressing one's own real idea becomes an important means to remove the patriarchal ruling.3.4 The pursuit of androgynyAndrogyny is Woolf's social and literary ideal, but its premise is getting rid of the two sexes inequality and opposition, and the discrimination on females. Many feministsare unwilling to accept this viewpoint. For example, Elaine Showalter points out that "Woolf's androgyny is a female writer's reaction to her crag-fast condition". (Zhugang, 2006: 355) It is a utopia imagination of an ideal artist. Although it is quite controversial, it is a revolt to the creative standpoint of literature which regards male value as the unique standard. It is an initial deconstruction to the binary opposition of sex. It has a great influence on the generation of subsequent feminism theory and its criticism.Androgynous mind is central to Woolf's feminism. She defines it as "a mind that is reason; that transmits emotion without impediment; that is ceaselessly creative; incandescent; undivided. In fact one goes back to Shakespeare's mind as the type of the androgynous, the man-womanly mind." (Huangzhong, 2005: 23-24) Simply speaking, androgyny means full balance and command of an emotion range that includes male and female elements. She thinks that an androgynous mind is the best state of mind for doing literary creation.Woolf proposes at the beginning that "a woman must have money and a room of her own if she is to write fiction." (Virginia Woolf, 2005: 555) However, she also points out that the economic problem is not the only element that impacts women's writing. A placid and healthy state of mind is also necessary. The narrator takes Lady Winchester as an example in the 4th chapter of A Room of One's Own. She was noble both by birth and by marriage; she was childless; she wrote poetry. Her mind was disturbed by alien emotions like fear and hatred, so her poems showed traces of that disturbance:How we are fallen! fallen by mistaken rules,And Education's more than Nature's fools;Debarred from all improvements of the mind,And to be dull, expected and designed;And if someone would soar above the rest,With warmer fancy, and ambition pressed,So strong the opposing faction still appears,The hopes to thrive can ne'er outweigh the fears.Yet it is clear that could she have freed her mind from hate and fear and not heaped it with bitterness and resentment, she could create pure poetry as follows:Nor will in fading skills compose,Faintly the inimitable rose. (Virginia Woolf, 2005: 599-600)Charlotte Brontěmay be another example. As we all know, she is an brilliant English novelist. However, Woolf finds that there is a certain shrillness arising out of her works. Although Woolf thinks that she is more genius than Jane Austen, her anger makes her books "deformed and twisted" (Virginia Woolf, 2005: 606). There is no doubt that a woman writer would become angry in a man-dominated society. She expresses her dissatisfaction in her famous work---Jane Eyre: “Women are supposed to be very calm generously: but women feel just as men feel; they need exercise for their faculties and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer..." (Virginia Woolf, 2005: 606) As a consequence," She will write in a rage where she should write calmly. She will write foolishly where she should write wisely. She will write of herself where she should write of her characters. She is at war with her lot. How could she help but die young, cramped and thwarted?" (Virginia Woolf, 2005: 606)On the other hand, Jane Austen had been constantly disturbed when writing Pride and Prejudice. Therefore, Woolf thinks that the environment should have influenced her and she would write a better one if there were no disturbances. To Woolf's surprise, when she "read a page or two to see, but I could not find any signs that her circumstances had harmed her work in the slightest." (Virginia Woolf, 2005: 605) She thinks that because Austen wrote "without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote." And "when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare. (Virginia Woolf, 2005: 605)What is the difference between these two groups of examples? We can see that in the last chapter of this essay. The narrator gets the inspiration when she sees a very ordinary sight out of the window: a girl and a young man are coming down the street, meeting at the corner and getting into a cab. Then she sketches a plan of the soul so that "in each of us two powers preside, one male, one female; and in the man's brain the man predominates over the woman, and in the woman's brain the woman predominates over the man. The normal and comfortable state of being is that when the two live in harmony together, spiritually co-operating. If one is a man,still the woman part of his brain must have effect; and a woman also must have intercourse with the man in her. (Virginia Woolf, 2005: 623-624) She thinks that perhaps what Coleridge meant when he said that a great mind is androgynous.4 Factors leading to Virgini a’s feminist viewVirginia Woolf is a productive writer and a great feminist, but first of all she is a social being, so her ideas can not be separated from the factors leading to her feminist view. As a result, it is far from enough to know about her and her work only by knowing her talents and achievements. Her parents and the Bloomsbury Group are of great influence on her writing and her feminist ideas. Besides, there are sexual assault by her brothers, the Industrial Revolution and the Women’s Right Movemen t.4.1 H er parents’ influenceVirginia Woolf was born in a literary family. Her father was the distinguished Victorian author, critic and Alpinist, Sir Leslie Stephen (1832-1904), editor of the Cornhill Magazine (1871-82), of the Dictionary of National Biography (1882-90) and of the Alpine Journal (1868-72), who counted Thomas Hardy, Henry James and George Meredith among his friends (Jane Goldman, 2008: 3). Her mother was Julia Prinsep Stephen (1846-95), who was born Julia Prinsep Jackson, in India, the daughter of John and Maria Jackson. Her maternal grandmother, and Woolf’s great-grandmother and namesake, was Adelin (1793-1845), daughter of Antoine Chevalier de L’Etang and Thérèse Blin Grincourt,who married James Pattle (1775-1845) of the Bengal Civil Service (Jane Goldman, 2008: 4). There is no denying that her parents exerted great influence on her thinking. She was born in a large and well-to-do family, with learned father and mother, intelligence and wide social connection.Her father, Leslie Stephen, a widower, had married Julia Jackson in 1878. Between them they already had four children; after they got married, they had another four children: Vanessa, Thoby, Virginia and Adrian. This family was a typical patriarchal family of Victorian time. In the family, the patriarchs were in charge of everything, owing unassailable powers, capable of enforcing everything upon women. There is evidence in the article of Virginia Woolf and Leslie Stephen: History and。
一间只属于自己的房间英文读后感
一间只属于自己的房间英文读后感In the heart of Virginia Woolf's essay "A Room of One's Own," lies a profound truth about the intrinsic value of personal space. Woolf's argument, delivered with her characteristic wit and insight, resonates strongly with me, especially in today's world where the boundaries of privacy are increasingly blurred. This essay is not just about the literal meaning of a physical room; it's about the metaphorical space within each of us where our thoughts, dreams, and creativity flourish.Woolf begins by addressing the financial implications of women's writing, pointing out that a lack of financial independence has historically hampered women's ability to pursue their literary ambitions. She argues that for a woman writer to truly excel, she must have both the material security of a room of her own and the financial freedom to support herself without dependence on a male sponsor. This resonates deeply with me as it highlights the interconnectedness of financial freedom and creative expression.The concept of a "room of one's own" extends beyond the physical realm to encompass the intellectual and emotional space within us. Woolf emphasizes the importance of having a space where one can think and create without interruption or censorship. She argues that such a space is crucial for the development of one's individuality and for the cultivation of original ideas. This idea resonates with me strongly, as I believe that the ability to think freely and express oneself without fear of judgment is fundamental to personal growth and intellectual development.In today's digital age, where privacy is increasingly compromised and personal information is constantly being collected and analyzed, the idea of a room of one's own becomes even more relevant. It's not just about having a physical space where one can be alone and undisturbed; it's about maintaining a sense of agency and control over one's own thoughts and experiences. In a world where our every move and thought is potentially being tracked and analyzed, having a space where we can truly be ourselves without fear of judgment or repercussion is crucial.The power of a room of one's own lies in its ability to empower the individual. By providing a space where we can think, dream, and create freely, it allows us to develop our own unique perspectives and ideas. It fosters a sense of agency and control over our own lives, enabling us to shape our own destinies and contribute to the world in our own unique ways.In conclusion, Virginia Woolf's essay "A Room of One's Own" is a powerful reminder of the value of personal space and the importance of financial freedom for women writers. It encourages us to cherish the spaces within and around us where we can think, dream, and create freely without fear of judgment or censorship. In a world where privacy is increasingly compromised and personal space is becoming increasingly rare, this message is more relevant than ever. By claiming and nurturing our own rooms - both literally and metaphorically - we can empower ourselves andcontribute to the world in our own unique and meaningful ways.**《一间只属于自己的房间》读后感**弗吉尼亚·吴尔夫的散文《一间只属于自己的房间》中，对个人空间的内在价值进行了深刻的探讨。
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最新英语专业全英原创毕业论文，都是近期写作1 分析《白鲸》中亚哈之死2 论莎士比亚戏剧中的女扮男装现象3 解读《呼啸山庄》中三种悲剧性的爱情4 中美电子商务的选择性分析5 从《夜莺与玫瑰》看王尔德唯美主义的道德观6 接受美学指导下的电影字幕翻译——以《冰河世纪II》为例7 试论英语中的歧义与翻译8 浅析造成盖茨比悲剧的因素9 On Moral Characters in The Picture of Dorian Gray10 从文体学角度分析美剧的幽默11 Yellow Peril–the Image of Fu Manchu in the West12 浅析《美国的悲剧》中克莱德的悲剧命运13 高中英语阅读词汇障碍突破技巧的研究14 中美价值观的比较－－以《老友记》为例15 从女权主义视角分析《德伯家的苔丝》16 论《百舌鸟之死》中的百舌鸟象征17 曹禺与尤金奥尼尔作品中的悲剧观比较18 梭罗《瓦尔登湖》中的佛家思想19 中世纪的典雅爱情：本质、渊源和影响20 非英语专业大学生听力课堂焦虑的影响及解决策略21 Different Cultural Connotations of Animal glossaries in Chinese and English22 A Feminist Study of William Shakespeare’s As You Like It23 On the Functions of Metaphor in Obama’s Inaugural Address24 《还乡》中的生态女性主义解读25 An Analysis of the Cultural Differences between Chinese Martial Arts and Western Boxing26 A Comparison between Two Chinese Versions of Uncle Tom’s Cabin27 英汉谚语互译中的归化与异化策略分析28 《飘》中郝思嘉性格特征透析29 认知语境在语言交际理解中的作用30 Cultural Differences Reflected in the Concept of Dragon31 论翻译的艺术32 中西方家庭教育对比研究——从《傅雷家书》和《致儿家书》的对比33 从女性主义角度看斯嘉丽与命运的抗争34 《警察与赞美诗》和《重新做人》中主人公的不同命运35 从文化角度分析英汉数字习语的不同36 透过《德伯家的苔丝》看哈代托马斯的宗教观37 On Idioms from the Holy Bible38 美国拓荒运动中的新女性形象－－读威拉凯瑟《我的安东妮娅》39 高中英语阅读课教学策略40 论福克纳《八月之光》中的耶稣形象41 英语广告语的语言特色分析42 中西幽默异同探析43 Personality that Matters: A Psychological Analysis of the Misunderstanding between Elizabeth and Darcy44 The Elementary Stage Translation Teaching Design for Undergraduate English Majors45 浅论中文商标的翻译（开题报告+论）46 英语广告语中隐喻的研究47 电影字幕汉译的归化与异化48 《简爱》的浪漫主义解读49 肢体语言在商务谈判中的应用与作用50 《爱玛》中女性主义的双重复写——论个人意识与阶级意识的冲突51 英语构词法对词汇习得的影响52 浅谈如何培养初中学生学习英语的兴趣53 论《傲慢与偏见》中的妇女地位问题54 Analysis on Earnest Hemingway’s Doom Consciousness in The Old Man and the Sea55 埃德加爱伦坡短篇小说中美女的命运56 浅析英文商务信函的写作格式与文体风格57 英汉诗歌中“月”意象的认知解读58 The Research of the Idea of Contradiction in Songs of Innocence and Experience59 浅析初中生英语写作问题及对策60 The Study on the Teaching of Grammar in Senior High Schools61 Pragmatic Differences of Politeness in Intercultural Communication Between English and Chinese62 英语模糊限制语的分类界定及其语用功能63 《芒果街上的小屋》中窗户意象的分析64 浅谈商务英语广告的翻译65 命运与社会的牺牲品—苔丝的悲剧根源探析66 Double Vision in Characterization in The Great Gatsby67 对《瑞普凡温克尔》两个汉译本的语言美的比较评论68 英语体育新闻标题的特点及其翻译69 The Illusory American Dream－－A Comparative Analysis on Martin Eden & The Great Gatsby70 浅析合作原则在汉英广告语翻译中的运用71 隔离与异化：福克纳短篇小说中的人际关系研究72 《绝望的主妇》中的中美家庭价值观的比较研究73 《夜访吸血鬼》中的模糊性别观74 中西方思维方式对比研究及其在广告中的体现75 电影《狮子王》中象征手法的运用76 《太阳照常升起》中科恩屡遭排斥的根源分析77 性格趋向对英语口语习得的影响78 文化负载词的翻译策略79 浅析英语新闻标题的语言特征80 言语幽默产生的语音机制81 论詹姆斯乔伊斯的《阿拉比》中的弗洛伊德主义82 《紫色》中的女性主义解读83 论英语课堂教学中的非语言交际84 从中西文化对比看英文电影字幕翻译85 从毛姆《刀锋》看两次世界大战期间的知识分子形象86 从《篡夺》中看辛西娅奥兹克作品中的反偶像崇拜精神87 从功能对等角度分析英文电影片名汉译88 托马斯哈代与张爱玲作品中女性悲剧命运对比研究——以苔丝和顾曼桢为例89 A Study of Stylistic Features and Translation of Journalistic English90 傲慢与偏见－－-浅析世纪英国女性作家91 浅析中国时政术语的常用英译方法92 论《海浪》中体现的死亡意识和生命意识93 礼貌原则在英语商务信函中的运用94 A Comparison of the English Color Terms95 关于攀枝花市公示语汉英翻译的调查与分析96 中国特色词汇及其翻译97 《傲慢与偏见》中的微观反讽言语行为98 《威尼斯商人》中的关键社会元素——莎士比亚心中的乌托邦社会99 译员主体性在歌曲《我有个梦》歌词翻译中的体现100 东西方隐逸文化对比——试比较梭罗与陶渊明的作品101 透过霍尔顿看《麦田里的守望者》中的代际关系102 英语委婉语及其翻译103 英汉禁忌语对比研究104 勃朗特两姐妹创作风格差异探究105 从认知的角度来看主动语态在商务信函中的语用功能106 哥特元素在《宠儿》中的运用107 论《宠儿》中社区与逃离的关系108 分析《傲慢与偏见》与《简爱》中觉醒的女性意识109 当代中美青年恭维言语行为对比研究110 英汉委婉语的对比及翻译111 中西文化差异对跨文化商务谈判的影响112 企业英文简介中的概念语法隐喻分析113 雌雄同体：《奥兰多》中时代精神的体现114 从跨文化视角看中国红色旅游的翻译策略115 《长日入夜行》中玛丽的悲剧和反抗116 家庭生活中的瑞普•凡•温克尔117118 《紫色》中黑人男性形象研究119 论《老人与海》中人与自然的矛盾性与和谐性120 大学英语课堂话语分析121 英语课堂教学—教师主宰还是学生为中心122 《厄舍屋之倒塌》中的哥特元素分析123 Ethic Values about Marriage and Sex in the Bible124 目的论视角下的《边城》的英译研究125 学习策略与听力理解126 《野性的呼唤》中的人性和野性127 外教在英语口语教学中的作用128 语法翻译法视角下的中学生英语家教辅导129 东方主义视角下康拉德《黑暗的心脏》中西方殖民话语分析130 英式英语与美式英语的词汇差异131 论美国黑人现代流行音乐及其影响132 《生活大爆炸》言语幽默语用分析133 教师在农村初中英语游戏教学中的角色分析－－以某中学为例134 肢体语言在商务谈判中的应用与作用135 《尤利西斯》与《春之声》中意识流手法的不同136 Existentialism in Pride and Prejudice137 解读《皆大欢喜》中的浪漫主义138 全球化背景下的中国热与好莱坞电影139 论中西方时间观念差异对日常生活的影响140 浅析“苹果”广告中的文化因素141 《大地》中的儒家思想142 论归化和异化在电影字幕翻译中的运用143 从功能对等论看中餐菜单的英译144 浅谈迪斯尼文化扩张中的品牌运营策略145 阿瑟·米勒《推销员之死》中小人物的悲剧之源146 从弗洛伊德的精神分析理论分析爱玛的性格147 A Comparison of the English Color Terms148 英语与汉语中的称谓研究149 重新诠释玛格丽特的人生悲剧根源150 A Southern Elegy-A Feminist Study on Faulkner’s “A Rose for Emily”151 浅析《威尼斯商人》中的金钱观152 《西风颂》两个汉译版本的文体分析153 从后殖民女性主义角度解读《藻海茫茫》154 论文化差异对中美商务谈判的影响155 《麦田里的守望者》中霍尔顿的性格分析156 从中西文化差异看英汉数字翻译157 从女性主义角度分析美国女性－－《律政俏佳人》158 论《呼啸山庄》中希斯克利夫的矛盾情感159 以国际商务谈判为视角分析中西文化差异160 影响大学生英语自主学习的因素研究161 从“三美”原则分析中国古诗词英译技巧162 On Symbolism in D.H. Lawrence’s The Rainbow163 语用预设在广告语言中的应用164 归化和异化在汉语歇后语翻译中的应用165 从禁忌语的差异看中英文化的差异166 A Comparison of the English Color Terms167 人格、环境与命运——以弗洛伊德“人格结构理论”分析《还乡》中的主要人物命运168 中英姓氏差异及其原因探究169 初中英语词汇教学法研究综述170 基于精细加工理论的英语词汇学习研究171 商务英语合同的翻译特点及策略研究172 《推销员之死》中的家庭问题研究173 浅析《喜福会》中母女冲突的存在与消融174 正面解读《名利场》中的蓓基-夏泼175 论《追风筝的人》中父子关系的心理剖析176 谈归化与异化翻译的融合－－以谚语翻译为例177 如何在高中英语教学中培养学生的创新思维能力178 从《芒果街上的小屋》透视女性自我意识的觉醒179 中美价值观的比较－－以《老友记》为例180 从文化视角看中美家庭教育差异181 通过姚木兰和斯嘉丽形象的对比看中西文化的异同182 浅析《法国中尉的女人》中的自由183 唐•德里罗《白噪音》中精神生态的建构184 浅析《藻海无边》中安托瓦内特的悲剧185 美国宪法形成的历史和原因之研究186 中英文商标翻译的问题及其解决方法187 《蝴蝶梦》中的女权主义188 激发幼儿学习英语兴趣189 从《傲慢与偏见》看简•奥斯丁的婚姻观190 浅谈当代大学生炫耀性消费文化191 阿法——《多芬的海》中的加勒比人192 论《愤怒的葡萄》中斯坦贝克的生态观193 中美面子观比较及其对商务谈判策略的启示194 从《一间自己的屋子》看弗吉尼亚伍尔芙的女性主义意识195 公示语汉英翻译探讨196 奥巴马演讲词中的委婉语研究197 《麦田里的守望者》主人公的性格分析198 小说《飘》中瑞德巴特勒的人物性格分析199 An Analysis of the Main Characters in Twilight-eclipse200 威廉•麦克佩斯•萨克雷《名利场》的道德研究。