pgx_wireless_ch_ug舒尔话筒
shure kSM11无线话筒拾音头用户指南 (中文)说明书
KSM11无线话筒拾音头Online user guide for KSM11.Version: 1.0 (2022-D)Table of ContentsKSM11 无线话筒拾音头3简要说明3特性3设置和兼容性3型号类别3附件与配件3可选配附件 4可替换配件 4规格4认证6安全事项7有限保修7 FOR ORIGINAL PURCHASES IN AUSTRALIA ONLY 8服务中心 8中国 RoHS9••••••KSM11无线话筒拾音头简要说明Shure KSM11 无线人声话筒拾音头经过专门优化，在现代数字无线现场声音制作过程中，可以更加精准的保护和呈现艺术家的人声。
随着过渡到更全面地融合数字技术的阶段，Shure 充分利用由此实现的线性度提升及控制增强，开发出 KSM11。
KSM11 采用高级心形指向性电容式设计，通过专业手段将换能器和防震架技术结合起来，提供了近乎完美的离轴抑制和非常稳定的指向性响应。
这款产品实现了中低频清晰度和必不可少的高品质细节的完美融合及无缝衔接，专为备受欢迎的无线应用而设计，包括现场表演、现场活动录制和优质流媒体传输。
特性受专利保护的无线电容拾音头配备 3/4 英寸镀金振膜和高品质电子装置，实现出色的动态范围和瞬态响应。
极其稳定的深度心形指向性拾音模式可降低离轴相位失真，从而再现纯净音质，提供饱满而醇厚的低频音质，线性而通透的中频音质以及自然的高品质细节。
流线型设计使拾音头更加轻便小巧。
采用先进的悬浮式隔振系统，基本上实现零触摸杂音。
防凹陷硬化钢制网罩具有三段式爆破音防噗功能，可提供稳定且真实的音质。
可选黑色或拉绒镀镍漆面，配合兼容的 Shure 手持式发射机使用。
设置和兼容性若要使用 KSM11 话筒拾音头，请将其固定在兼容的无线发射机或有线手柄上。
KSM11 与所有 Shure 手持式发射机兼容，配备可移动式拾音头。
另外，KSM11 也与 Shure VPH 有线手柄 XLR 配件兼容，可用于常见的 XLR 连接。
舒尔 ULXD 单套无线麦克风系统 用户指南 Shure ULXD Single wireless
ULX-D无线话筒系统User guide for Shure ULXD Single wireless system. Includes setup instructions, specifications, and troubleshooting. Version: 1 (2019-G)Table of ContentsULX-D无线话筒系统4重要安全事项! 4警告 5重要产品信息5许可信息 5澳大利亚无线警告 5快速入门说明5简要说明6特性 7硬件接口8接收机 8发射机11界面和鹅颈底座发射器 13发射机高级功能 14菜单屏幕 15调节接收机显示亮度和对比度 17主屏幕显示选项 17编辑接收机频道名 18设置区域电视格式 18锁定控件和设置 18电池19电池运行时间表 19 Shure SB900 充电电池 20 Shure SB900 运行时间 20舒尔充电电池保养和存储的重要提示 20安装电池触点盖 20音频21设置接收机增益 21将接收机频道音频输出设置为静音 21发射机输入削波 22音频信号加密 22扫描和同步23多系统设置 24手动频率选择 25发射机红外预设 25建立系统预设值 25射频26发射机射频功率 26干扰检测 26高级射频 26接收机连网27自动 IP 地址分配 27手动 IP 寻址功能 27设备标识 27高密度模式 27系统复位28固件28固件版本 28更新接收机 28更新发射机 29使用 Shure 软件管理您的系统29故障排除29电源 29增益 29线缆 30界面锁定 30加密不匹配 30无线电射频 (RF) 30附件31提供的附件 31选配附件 33规格34接收机输出电平 35表格和示意图 35电池 36频率范围和发射机输出功率 36欧洲国家/地区频率38认证43 Information to the user 441.2.3.4.5.6.7.8.9.10.11.12.13.14.15.16.17.18.19.20.21.ULX-D无线话筒系统重要安全事项!必须阅读这些注意事项。
Shure PGX Wireless Quick Setup说明书
PGX -- Shure PGX Wireless Quick SetupSystem ComponentsAll systems include:•PGX4 receiver• 2 AA batteries•PS24 Power Supply•User guideLavalier, Headworn, and Instrument systems include:•PGX1 bodypack transmitter•Microphone (choice of WL93, WL185, PG30 or Beta 98H/C™)Vocalist systems include:®®•Microphone Head (choice of PG58, SM58, SM86, Beta 58A)•PGX2 handheld transmitter•Microphone clipGuitar systems include:•PGX1 bodypack transmitter•1/4” to mini 4-pin guitar cablePGX4 Receiver FeaturesFront Panel① audio LEDIndicates strength of incoming audio signal: green for normal, amber for strong and red for clipping.② LED ScreenDisplays group and channel setting. See “Single System Setup” for details.③ channel buttonChanges group and channel setting. See “Single System Setup” for details.④ ready LEDIndicates system ready and receiving an RF signal from the transmitter.⑤ Infrared (IR) portSends IR signal to transmitter for sync.⑥ sync buttonPress to synchronize transmitter with receiver group and channel settings.Back Panel⑦ AC adapter jack⑧ Adapter cord tie-off⑨ XLR microphone output jack⑩ 6.35 mm (1/4”) instrument level output jack (unbalanced).Transmitter Controls and Connectors① Indicator LED Displays battery level, mute, and IR transmission status (see table).② Power / Mute Switch Press to mute or unmute. Press and hold to power on or off.③ Infrared (IR) port Receives infrared beam to synchronize frequencies. When using multiple systems, only one transmitter IR port should be exposed at a time.④ 4-Pin Microphone Input Jack.⑤ Audio Gain Adjustment.Transmitter Indicator LEDGreen ReadyFlashing green Controls LockedAmber Mute OnFlashing red IR transmission in processGlowing red Battery power lowPulsing Red on startup Batteries dead (transmitter cannot be turned on untilbatteries are changed)Pulsing Red after synchronization Transmitter and receive incompatible; contact yourShure resellerChanging Batteries•Expected life for an Alkaline battery is approximately 8 hours.•When the transmitter light glows red, the batteries should be changed immediately, as shown. Wearing the Bodypack TransmitterClip the transmitter to a belt or slide a guitar strap through the transmitter clip as shown.For best results, slide the transmitter until the belt is pressed against the base of the clip.Adjusting GainPGX1Three gain settings are available on the PGX1. Choose the appropriate setting for your instrument.•mic: Microphone (higher amplification)•0: Guitar with passive pickups (medium amplification)•–10: Guitar with active pickups (lower amplification)If the receiver LED indicates the input volume is overloading the receiver, try switching the gain to a lower setting. PGX2Access the gain adjustment switch by unscrewing the head of the microphone.Two gain settings are available on the PGX2. Use the tip of a pen or a small screwdriver to move the switch.•0dB: For quiet to normal vocal performance.•–10dB: Use only if audio is distorted due to high voal levels.Single System Setup1 ScanUse the scan feature on the receiver to find a clear channel.a LED screen displays current channelb press channel button to scan for a clear channelc system scans for the channel with the least interference2 SynchronizeSynchronize the transmitter to the receiver by aligning the infrared (IR) ports and pressing the sync button. Make sure the IR ports are closely aligned.After a successful sync, the transmitter LED momentarily flashes red and the receiver ready light illuminates.Multiple System SetupUse the following steps to ensure the best performance when installing multiple wireless systems at the same lo-cation.1.Turn all receivers on and all transmitters off.Note: Turn on any other digital equipment that could cause interference during the performance so it will be de-tected during the frequency scans in the following steps.2.Make sure the group number is the same for all receivers (see Manual Group Selection).3.Perform a scan using the first receiver.4.Turn on the first transmitter and sync it to the receiver.5.Repeat for each system.◦Important: After syncing each transmitter, leave it on so that scans from the other receivers will not select that channel.◦Be sure only one transmitter IR port is exposed when synchronizing each system.Manual Channel and Group Selection (receiver only)Using the receiver to scan for a channel is the best way to find the best frequency for your system. However, for multiple system setup, you may need to manually set the group number.1.Press and hold the channel button.2.Hold the button until the channel or group display begins flashing.3.Release and press the button again to advance the setting. At the desired channel or group number, wait forthe flashing to stop. This activates the new setting.4.Transfer the new frequency setting to the transmitter using the automatic sync function.Locking and Unlocking ControlsLocking the system controls prevents accidental muting or channel adjustment during performances.TransmitterTo lock the controls: With the transmitter off, hold the power button down until the green LED flashes (~5 seconds)To unlock the controls: With the transmitter on, hold the power button down until the green LED flashes (~5 sec-onds)ReceiverTo lock the channel: Hold the channel button until the numbers flash (~10 seconds)To unlock the channel: Hold the channel button until the numbers flash (~5 seconds) TroubleshootingIssue Indicator Status SolutionNo sound or faint sound Transmitter powerlight on, receiverLEDs on•Perform automat-ic transmitter set-up•Verify all soundsystem connec-tionsReceiver LED off•Make sure ACadapter is securlyplugged into elec-trical outlet•Make sure ACelectrical outletworks and is sup-plying propervoltageTransmitter power light glowing or flashing red •Replace transmit-ter batteries•If indicator contin-ues flashing red after batteries are replaced, the transmitter and receiver may be-long to incompati-ble frequency bands. Contact your Shure re-seller for assis-tance.Transmitter power light off •Turn on transmit-ter•Make sure the +/- indicators on bat-teries match the transmitter termi-nals•Insert fresh bat-teriesDistortion or un-wanted noise bursts N/A•Remove nearbysources of RF in-terferance (CDplayers, comput-ers, digital ef-fects, in-ear mon-itor systems, etc.)•‣ Change receiv-er and transmitterto a different fre-quency•‣ Reduce trans-mitter gain•‣ Replace trans-mitter batteries•‣ If using multiplesystems, changethe frequency ofone of the activesystemsDistortion increases gradually Transmitter powerlight glowing orflashing redReplace transmitterbatteriesSound level different from cabled guitar or microphone or when using different guitarsAdjust transmitter gain as necessaryCannot turn trans-mitter onTransmitter light flashing red Replace transmitter batteriesSpecificationsWorking RangeLine of Sight 100 m (300 ft ) Audio Frequency Response45–15000 Hz Total Harmonic DistortionRef. ±33 kHz deviation with 1 kHz tone 0.5%, typicalDynamic Range>100 dB , A-weightedOperating Temperature Range-18°C (0°F)–+50°C (122°F)[3]Transmitter Audio PolarityPositive pressure on microphone diaphragm (or positive voltage applied to tip of WA302 phone plug) produces positive voltage on pin 2 (with respect to pin 3 of low-impedance output) and the tip of the high impedance 1/4-inch output.Note: Actual range depends on RF power setting, signal absorption, reflection, and interference.Note: Dependent on microphone type[1][2]Note: Battery characteristics may limit this range.Audio Input Levelgain positionmic-10 dBV maximum+10 dBV maximum+20 dBV maximumGain Adjustment Range30 dBInput Impedance1 MΩRF Output Power[1]10–30 mWPin AssignmentsTA4M connector1ground(cable shield)2+ 5 V Bias3audio4Tied through active load to ground (On instrument adapter cable, pin 4 floats)Dimensions108 mm x 64 mm x 19 mm (H x W x D)Weight81 g (3oz.), without batteriesHousingMolded Polycarbonate CasePower Requirements2 "AA" size alkaline or rechargeable batteriesBattery Lifeup to 8 hours (alkaline)varies by regionAudio Input Level-10 dB+2 dBV maximum0 dB-8 dBV maximumGain Adjustment Range10 dBRF Output Power[1]10–30 mWDimensions254 mm x 51 mm dia. (10 x 12 in.)Weight81 g (10.2 oz.), without batteriesHousingMolded PC/ABS handle and battery cupPower Requirements2 "AA" size alkaline or rechargeable batteriesBattery Lifeup to 8 hours (alkaline)varies by regionFrequency Range and Transmitter Output Level Band Range Output Power H6524–542 MHz30 mWJ6572.250–590.875 MHz30 mWK5E606–630 MHz10 mWL5644–662 MHz30 mWP6702.200–719 MHz30 mWR1800–820 MHz20 mWBand Range Output PowerT1846–865 MHz10 mWQ8740–752 MHz10 mWJB806–810 MHz10 mWR14794–806 MHz20 mWX5925–932 MHz10 mWG4470.125–493.825 MHz30 mWG8494.200–509.825 MHz30 mWQ24736–754 MHz30 mWThis Radio equipment is intended for use in musical professional entertainment and similar applications. This Ra-dio apparatus may be capable of operating on some frequencies not authorized in your region. Please contact your national authority to obtain information on authorized frequencies and RF power levels for wireless micro-phone products.Frequency Range and Transmitter Output PowerBand Frequency Range (MHz)Power ( mW RMS )* (Lo/Nm/Hi)G50470 to 534 1 / 10 G51470 to 534 1 / 10 G52479 to 534 1 / 10 G62510 to 530 1 / 10 H50534 to 598 1 / 10 H51534 to 598 1 / 10 H52534 to 565 1 / 10 H53534 to 598 1 / 10 J50572 to 636 1 / 10Band Frequency Range (MHz)Power ( mW RMS )* (Lo/Nm/Hi)J51572 to 636 1 / 10JB806 to 810 1 / 10K51606 to 670 1 / 10K52606 to 670 1 / 10L50632 to 696 1 / 10L51632 to 696 1 / 10L52632 to 694 1 / 10L53632 to 714 1 / 10P51710 to 782 1 / 10P52710 to 782 1 / 10Q51794 to 806 1 / 10S50(823 to 832) (863 to 865) 1 / 10V50174 to 216 1 / 10V51174 to 216 1 / 10X51925 -937.5 1 / 10X52902 to 928 (All America's exceptBrazil)1 / 10X53902 to 907.500, 915 to 928 (Brazil) 1 / 10X54915 to 928 (Australia) 1 / 10Z171492 to 1525 1 / 10Z181785 to 1805 1 / 10Z191785 to 1800 1 / 10Z201790 to 1805 1 / 10Note: Frequency bands might not be available for sale or authorized for use in all countries or regions.PGX1, PGX2, PGX4This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est con-forme à la norme NMB-003 du Canada.Meets requirements of EMC standards EN 300 328, EN 300 422 Parts 1 and 2, and EN 301 489 Parts 1 and 9.Meets essential requirements of European R&TTE Directive 99/5/EC, eligible to bear the CE mark.PGX1, PGX2Certified under FCC Part 74. (FCC ID: DD4PGX1A, DD4PGX2A, DD4SLX1, DD4SLX2). Certified by IC in Canada under RSS-123 and RSS-102. (IC: 616A-SLX1, 616A-SLX2).PGX4Approved under the Declaration of Conformity (DoC) provision of FCC Part 15. Certified in Canada by IC toRSS-123. (IC: 616A-PGX4A, 616A-PGX4B, 616A-PGX4C, 616A-PGX4D).The CE Declaration of Conformity can be obtained from Shure Incorporated or any of its European representa-tives. For contact information please visit The CE Declaration of Conformity can be obtained from: /europe/complianceAuthorized European representative:Shure Europe GmbHHeadquarters Europe, Middle East & AfricaDepartment: EMEA ApprovalJakob-Dieffenbacher-Str. 1275031 Eppingen, GermanyPhone: +49-7262-92 49 0Fax: +49-7262-92 49 11 4Email:*************LICENSING INFORMATIONLicensing: A ministerial license to operate this equipment may be required in certain areas. Consult your national authority for possible requirements. Changes or modifications not expressly approved by Shure Incorporated could void your authority to operate the equipment. Licensing of Shure wireless microphone equipment is the user’s re-sponsibility, and licensability depends on the user’s classification and application, and on the selected frequency. Shure strongly urges the user to contact the appropriate telecommunications authority concerning proper licens-ing, and before choosing and ordering frequencies.Information to the userThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harm-ful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:•Reorient or relocate the receiving antenna.•Increase the separation between the equipment and the receiver.•Connect the equipment to an outlet on a circuit different from that to which the receiver is connected.•Consult the dealer or an experienced radio/TV technician for help.Note: EMC conformance testing is based on the use of supplied and recommended cable types. The use of other cable types may degrade EMC performance.Changes or modifications not expressly approved by the manufacturer could void the user’s authority to operate the equipment.Shure Incorporated21/21。
Shure MX405 MX410 MX415鹅颈话筒及配件用户指南
MX405 MX410 MX415 Gooseneck Microphones and AccessoriesThe Shure miniature gooseneck microphones, MX405, MX410 and MX415, user guide.Version: 5 (2019-J)Table of ContentsMX405 MX410 MX415Gooseneck Microphones and Accessories 3General Description3 Features 3 Model Variations 3 Snap-Fit Windscreen 8 Interchangeable Cartridges 9 MX400SMP Surface Mount Preamp9 Accessories 10 Installation11MX400SMP Pin Assignments 12 DIP Switches 12 LED Logic 13 MX400DP Desktop Base14 Installation 15 Cable 15 MX400DP DIP Switches 16 Local Mute Control 17 Logic Mute Control (Automatic Mixing) 18 Specifications19 Certifications25•••••MX405 MX410 MX415Gooseneck Microphones and Accessories General DescriptionShure MX405, MX410, and MX415 miniature gooseneck microphones are suitable for boardrooms and other sites where aesthetics are important. Permanently mount them at conference tables or lecterns using the MX400SMP surface mount, or use the MX400DP moveable desktop base, which includes a configurable mute button with logic output. Also compatible with the MX890 wireless desktop base and the ULXD8 wireless base.FeaturesLow profile, aesthetic designChoice of bi-color indicator or light ringWide dynamic range and smooth frequency responseRF filtering with CommShield technology Logic input for external LED controlModel VariationsThese gooseneck microphones are available in different lengths with a cardioid, supercardioid, or mini-shotgun cartridge and either a bi-color LED status indicator or a light ring. The 10 and 15 inch models are also available with a dualflex neck.®Gooseneck Microphones5" Cardioid Gooseneck Microphone MX405LP/C 5" Supercardioid Gooseneck Microphone MX405LP/S 5" Mini-shotgun Gooseneck Microphone MX405LP/MS 5" Gooseneck with Red Top LED (no cartridge)MX405RLP/N 10" Cardioid Gooseneck Microphone MX410LP/C 10" Supercardioid Gooseneck Microphone MX410LP/S 10" Gooseneck with Red Top LED (no cartridge)MX410RLP/N 10" Cardioid Dualflex Gooseneck Microphone MX410LPDF/C 10" Supercardioid Dualflex Gooseneck Microphone MX410LPDF/S 10" Dualflex Gooseneck with Red Top LED (no cartridge)MX410RLPDF/N 10" Cardioid Dualflex Gooseneck Microphone with Red Top LED MX410RLPDF/C 10" Supercardioid Dualflex Gooseneck Microphone with Red Top LED MX410RLPDF/S 15" Cardioid Gooseneck Microphone MX415LP/C 15" Supercardioid Gooseneck Microphone MX415LP/S•••15" Gooseneck with Red Top LED (no cartridge)MX415RLP/N 15" Cardioid Dualflex Gooseneck Microphone MX415LPDF/C 15" Supercardioid Dualflex Gooseneck Microphone MX415LPDF/S 15" Dualflex Gooseneck with Red Top LED (no cartridge)MX415RLPDF/N 15" Cardioid Dualflex Gooseneck Microphone with Red Top LED MX415RLPDF/C 15" Supercardioid Dualflex Gooseneck Microphone with Red Top LED MX415RLPDF/S 5" White Gooseneck Microphone (no cartridge)MX405WLP/N 5" White Gooseneck Microphone with Red Top LED (no cartridge)MX405WRLP/N 10" White Gooseneck Microphone (no cartridge)MX410WLP/N 10" White Gooseneck Microphone with Red Top LED (no cartridge)MX410WRLP/N 15" White Gooseneck Microphone (no cartridge)MX415WLP/N 15" White Gooseneck Microphone with Red Top LED (no cartridge)MX415WRLP/N 10" White Dualflex Gooseneck Microphone (no cartridge)MX410WLPDF/N 10" White Dualflex Gooseneck Microphone with Red Top LED (no cartridge)MX410WRLPDF/N 15" White Dualflex Gooseneck Microphone (no cartridge)MX415WLPDF/N 15" White Dualflex Gooseneck Microphone with Red Top LED (no cartridge)MX415WRLPDF/NCoverage and PlacementCardioid: One microphone for one or two people.Supercardioid: One microphone for each person.Mini-shotgun:One microphone for each person.CardioidSupercardioid•••Mini-shotgunMic PlacementSnap-Fit WindscreenSnap into the groove below the cartridge.To remove, spread the gap with a screwdriver or thumbnail.Provides 30 dB of "pop" protection.Interchangeable CartridgesMicroflex microphones use interchangeable cartridges that allow you to choose the polar pattern for different installations.Cartridge Polar PatternsMX400SMP Surface Mount PreampPermanent mount for conference tables or lecterns. Includes LED logic input.AccessoriesFurnished AccessoriesMX400SMP Surface Mount KitInstallationNote: Over tightening the wing nut reduces shock isolation.Caution: To prevent bending pins, line up key with notch and seat connector fully before twisting to lock.MX400SMP Pin Assignments5-Pin XLRDIP SwitchesSet DIP Switch 1 up to engage the low cut filter, which attenuates frequencies by 6 dB per octave below 150 Hz.Switch Down (default)Up1Full frequency response Low cut filter2LED steady LED flashesLED LogicTo operate the LED indicator, use the included 5-pin XLR connector to wire the microphone to an automatic mixer or other logic device.Note: Connect the LED IN to the gate output to illuminate the LED when the channel is gated on.Do not use the relay ports on Crestron and AMX devices. Use the I/O logic ports instead.The LED logic may not function when connecting to devices that do not have internal "pull-up resistor" logic circuits, such as ClearOne DSP products. External pullup resistor circuits can be added for each microphone. Visit /FAQ for detailed instructions.Logic ConnectionConnection to device with internal "pull-up resistor" logic circuitMX405, 410, 415Logic LOW (0 V)Logic HIGH (+5 V)MX405, 410, 415Green RedMX405R, 410R, 415RLogic LOW (0 V)Logic HIGH (+5V)Red Off/flashingMX400DP Desktop BaseThe MX400DP moveable desktop base includes a configurable mute button with logic output.MX400DP Desktop BaseInstallationCaution: To prevent bending pins, line up key with notch and seat connector fully before twisting to lock.CableThe 20 ft. attached cable is terminated with a 3-pin XLR connector. For logic applications, open the XLR connector to access the three unterminated logic conductors.Wire Color FunctionRed Audio +Black Audio −White SWITCH OUTOrange LED INGreen Logic GroundShield Mic Common GroundMX400DP Pin Assignments3-Pin XLRMX400DP DIP SwitchesCaution: Failure to reinstall the setscrew will reduce RF immunity.Switch Down (default)Up1Momentary Toggle2Push-to-Mute Push-to-Talk 3Local Mute Logic ControlSwitch Down (default)Up4Full Frequency Range Low Cut Filter (attenuates 6 dB per octave below 150 Hz)5LED Steady LED FlashesLocal Mute ControlThe microphone ships configured for local (manual) mute control (DIP Switch 3 down). In this mode, the PUSH button on the microphone mutes the audio signal at the microphone. Audio is not sent to the audio outputs when muted.In this configuration, the LED color reflects the microphone state, as controlled by the user with the PUSHbutton.Microphone StatusMX405, 410, 415MX405R, 410R, 415RActive Green RedMuted Red Off/flashingButton ConfigurationFor local mute control operation, use DIP Switches 1 and 2 to configure the button behavior.Button Behavior SWITCH OUT Logic Signal DIP Switch Setting Momentary: push-to-mute (as shipped).When pushed, SWITCH OUT (red wire) fallsto 0 V. When released, SWITCH OUT returns to +5 V.Momentary: push-to-talkButton Behavior SWITCH OUT Logic Signal DIP Switch SettingToggle: Push and release to toggle the microphone on or off. Mic is active whenpowered on.Push and release sets SWITCH OUT to 0 V.Push again to toggle back to +5 V.Toggle: Push and release to toggle the microphone on or off. Mic is mute whenpowered onLogic Mute Control (Automatic Mixing)Set DIP Switch 3 up to configure the microphone for logic control applications where audio from the microphone is muted by an external device, such as an automatic mixer. In this mode, the local mute function of the PUSH button is bypassed (the microphone always sends audio) and the LED does not respond directly from pushing the button.As required by the installation specifications, wire the SWITCH OUT conductor in the microphone cable to the automatic mixer or other TTL logic device. When the talker presses the button on the microphone, it changes the voltage level at the SWITCH OUT conductor, which signals the device to mute audio for that channel or perform some other function.To control the LED on the microphone, wire the LED IN conductor to the gate output on the automatic mixer (or any TTL logic device).Button ConfigurationFor logic control operation, DIP Switch 1 determines the button behavior (DIP Switch 2 has no effect).Button Behavior DIP Switch SettingMomentary: When pushed, SWITCH OUT (red wire) falls to 0 V. When released,SWITCH OUT returns to +5 V.Toggle: Push and release sets SWITCH OUT to 0 V. Push again to toggle back to +5 V.••Controlling the LED Using Logic LED INWhen configured for logic mute control, connect the LED IN conductors to an external switch, relay, or a TTL gate (gate out) on an automatic mixer. The MX400DB contains an internal pull-up resistor circuit.The LED illuminates green/red when the MX396 LED IN is grounded (orange wire connected to the green wire).The LED illuminates red/off when LED IN is lifted (orange wire is NOT connected to the green wire).SpecificationsTypeElectret CondenserFrequency Response50–17000 HzPolar PatternMX405/C, MX410/C, MX415/C Cardioid MX405/S, MX410/S, MX415/S Supercardioid MX405/MSMini-shotgunOutput Impedance170 ΩOutput ConfigurationActive BalancedSensitivity@ 1 kHz, open circuit voltageCardioid −35 dBV/Pa (18 mV)Supercardioid −34 dBV/Pa (21 mV)Mini-shotgun -33 dBV/Pa (22 mV)1 Pa=94 dB SPLMaximum SPL1 kHz at 1% THD, 1 kΩ loadCardioid 121 dB Supercardioid 120 dB Mini-shotgun121 dBSelf NoiseA-weightedCardioid 28 dB SPLSupercardioid27 dB SPLMini-shotgun26 dB SPL Signal-to-Noise RatioRef. 94 dB SPL at 1 kHzCardioid66 dB Supercardioid68 dB Mini-shotgun68 dB Dynamic Range1 kΩ load, @ 1 kHz93 dBCommon Mode Rejection10 to 100,000 kHz45 dB, minimumClipping Levelat 1% THD−8 dBV (0.4 V)Polarity3-pin XLR Positive sound pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector5-pin XLR Positive sound pressure on diaphragm produces positive voltage on pin 4 relative to pin 2 of output XLR connectorWeightMX4050.054 kg (0.119 lbs)MX4100.068 kg (0.150 lbs)MX4150.07 kg (0.154 lbs)MX400DP0.516 kg (1.138 lbs)MX400SMP0.125 kg (0.275 lbs)Logic ConnectionsLEDINActive low (≤1.0V), TTL compatible. Absolute maximum voltage: 0.7V to 50V.LOGIC OUT Active low (≤1.0V), sinks up to 20mA, TTL compatible. Absolute maximum voltage: 0.7V to 50V (up to 50V through 3kΩ).Mute Switch Attenuation -50 dB minimumCableMX400DP6.1 m (20 ft) attached cable with shielded audio pair terminated at a 3pin male XLR and three unterminated conductors for logic controlEnvironmental ConditionsOperating Temperature–18–57°C (0–135°F)Storage Temperature–29–74°C (–20–165°F)Relative Humidity0–95%Power RequirementsPhantom Power48–52 V DC, 8.0 mACertificationsThis product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. The CE Declaration of Conformity can be obtained from: /europe/complianceAuthorized European representative:Shure Europe GmbHHeadquarters Europe, Middle East & AfricaDepartment: EMEA ApprovalJakob-Dieffenbacher-Str. 1275031 Eppingen, GermanyPhone: +49-7262-92 49 0Fax: +49-7262-92 49 11 4Email:*************。
Shure Beta53-54 用户手册说明书
© 2015 Shure Incorporated 27A28418 (Rev. 1)WIRED MICROPHONEBETA 53-54 USER GUIDELe Guide de l’Utilisateur Guia del Usuario Guida dell’Utente Руководство пользователяBedienungsanleitung 日本語繁體中文Manual do Usuário사용자 가이드Printed in U.S.A.多个头戴式人声话筒简要说明Shure BETA53 型号和 BETA54 型号是超小型驻极体电容头戴式话筒。
上述型号能够提供完美的音质和可靠性，特别适用于播音、剧院演出和巡演等需要话筒尽量隐蔽的应用场合。
虽然它的尺寸较小，但是每个话筒的电容元件能够为演讲和人声提供清晰完整并且自然的还原效果。
此话筒坚固耐用，连线支架的头带尺寸小，完全可调，能够获得良好的稳定性和舒适度。
还配有用于保护话筒及附件的塑料便携箱。
BETA53 特性• 全方向拾音模式，将触碰杂音降至最低，且话筒可灵活放置• 宽广而平坦的频率响应能够提供精确的演讲和人声重现• 适用于不同响应形态的两个可互换保护盖• 海绵防风罩可以将呼吸噪声和“噗音”降低到最小• 带有嵌入式前置放大器或适用于无线应用的 TA4F 接头• 根据演出环境的需要选择黑色或褐色漆面型号BETA54 特性• 超心形指向性能够提供最大的反馈前增益和环境音抑制• 为人声演出修正的宽广频率响应• 能够能够处理极高的声压级 (SPL)处理极高的声压水平 (SPL)• 扣入式海绵防风罩可在频繁移动情况下保持在原位• 带有嵌入式前置放大器或适用于无线应用的 TA4F 接头• 根据演出环境的需要选择黑色或褐色漆面型号56• 适用于有线应用的可分离嵌入式前置放大器• 需要配备幻像电源无线型号这些型号需要与舒尔无线话筒系统一起使用。
Shure Wireless Microphone 产品说明说明书
Vocal SetFEATURES• Engineered for professional live sound:Rugged all-in-one wireless system for singers andpresenters.• State-of-the-art live sound featuring Sennheiser‘s renowned e 835, e 845, e 865, e 935, e 945 capsules on a lightweight aluminium transmitter with integrated mute switch• True diversity half-rack receiver in a full-metal housing with intuitive LCD display for full control• Easy and flexible wireless synchronization between transmitter and receiver via infrared• Fast frequency allocation for up to 12 receivers via new linking functionality• Up to 20 compatible channels• Up to 42 MHz bandwidth with 1680 selectable frequen-cies, fully tunable in a stable UHF range• Transmission Range: up to 100 meters / 300 feet• High RF output power (up to 30 mW) depending on country regulations DELIVERY INCLUDES• EM 100 G4 true diversity receiver• SKM 100 G4-S handheld transmitter• MMD 935-1 microphone head (935-S variants only)• MMD 945-1 microphone head (945-S variants only)• GA 3 rackmount set• MZQ 1 microphone clamp• power supply• 2 AA batteries• 2 rod antennas• RJ 10 cable• quick guide• safety guide• manufacturer declaration sheet• frequency supplement sheetVersatile wireless systems for those who sing, speak or play instruments with up to 42 MHz tuning bandwidth in a stable UHF range and fast, simultaneous setup of up to 12 linked systems.State-of-the-art live sound featuring Sennheiser‘s renowned e 935 and e 945 capsules on a lightweight aluminum trans-mitter with integrated mute switch.Vocal Set SPECIFICATIONSEM 100 G4RF characteristicsModulation Wideband FM Frequency ranges A1: 470 - 516 MHzA: 516 - 558 MHzAS: 520 - 558 MHzG: 566 - 608 MHzGB: 606 - 648 MHzB: 626 - 668 MHzC: 734 - 776 MHzD: 780 - 822 MHzE: 823 - 865 MHzJB: 806 - 810 MHzK+: 925 - 937.5 MHz1G8: 1785 - 1800 MHz Receiving frequencies Max. 1680 receivingfrequencies, adjustable in25 k Hz steps20 frequency banks, eachwith up to 12 factory-presetchannels, no intermodula-tion1 frequency bank with up to12 programmable channels Switching bandwidth up to 42 MHzNominal/peak deviation±24 kHz / ±48 kHz Receiver principle True diversitySensitivity (with HDX, peak deviation)< 2.5 μV for 52 dBAeff S/NAdjacent channel selection Typically ≥ 65 dB Intermodulation attenua-tionTypically ≥ 65 dB Blocking≥ 70 dB Squelch low: 5 dBμVmiddle: 15 dBμVhigh: 25 dBμVPilot tone squelch Can be switched off Antenna inputs 2 BNC socketsAF characteristicsCompander system Sennheiser HDXEQ presets (switchable,act on line and monitoroutputs)Preset 1: FlatPreset 2:Low Cut (-3 dB at 180 Hz)Preset 3:Low Cut/High Boost(-3 dB at 180 Hz,+6 dB at 10 kHz)Preset 4:High Boost(+6 dB at 10 kHz)Signal-to-noise ratio (1 mV,peak deviation)≥ 110 dBATotal harmonic distortion(THD)≤ 0.9 %AF output voltage (at peakdeviation, 1 kHz AF)6.3 mm jack socket(unbalanced): +12 dBuXLR socket(balanced): +18 dBu Setting range “AF Out”48 dB (3 dB steps) Overall deviceTemperature range-10 °C to +55 °CPower supply12 V DCCurrent consumption300 mADimensions Approx. 190 x 212 x 43 mm Weight Approx. 980 gCONNECTIONSVocal Set SPECIFICATIONSSKM 100 G4-SRF characteristicsModulation Wideband FM Frequency ranges A1: 470 - 516 MHzA: 516 - 558 MHzA10: 516 - 558 MHzAS: 520 - 558 MHzG: 566 - 608 MHzGB: 606 - 648 MHzB: 626 - 668 MHzB10: 626 - 668 MHzC: 734 - 776 MHzD: 780 - 822 MHzJB: 806 - 810 MHzE: 823 - 865 MHzK+: 925 - 937,5 MHz1G8: 1785 - 1800 MHz Transmission frequencies Max. 1680 receivingfrequencies, adjustable in25 k Hz steps20 frequency banks, eachwith up to 12 factory-presetchannels, no intermodula-tion1 frequency bank with up to12 programmable channels Switching bandwidth up to 42 MHzNominal/peak deviation±24 kHz / ±48 kHz Frequency stability≤ ±15 ppmRF output power at 50 ΩMax. 30 mWPilot tone squelch Can be switched off AF characteristicsCompander system Sennheiser HDXAF frequency response80 – 18,000 HzSignal-to-noise ratio (1 mV,peak deviation)≥ 110 dBATotal harmonic distortion(THD)≤ 0.9 %Max. input voltage 3 VeffInput impedance40 kΩInput capacitance SwitchableSetting range for inputsensitivity48 dB,adjustable in 6 dB steps Overall deviceTemperature range-10 °C to +55 °CPower supply 2 AA batteries, 1.5 V orBA 2015 accupack Nominal voltage 3 V battery /2.4 V rechargeable battery Current consumption at nominal voltage:typ. 180 mAwith transmitter switchedoff: ≤ 25 μAOperating time Typically 8 h Dimensions Approx. Ø 50 x 265 mm Weight (incl. batteries)approx. 450 gSPECIFICATIONSMMD 935-1Transducer principle dynamic Sensitivity 2.5 mV/Pa Sound pressure level154 dB SPL Pick-up pattern cardioid MMD 945-1Transducer principle dynamic Sensitivity 1.8 mV/Pa Sound pressure level154 dB SPL Pick-up pattern supercardioidVocal Set PRODUCT VARIANTSew 100 G4-935-S-A1470 - 516 MHz Art. no. 509737 ew 100 G4-935-S-A516 - 558 MHz Art. no. 509728 ew 100 G4-935-S-AS520 - 558 MHz Art. no. 509805 ew 100 G4-935-S-G566 - 608 MHz Art. no. 509739 ew 100 G4-935-S-GB606 - 648 MHz Art. no. 509982 ew 100 G4-935-S-B626 - 668 MHz Art. no. 509740 ew 100 G4-935-S-C734 - 776 MHz Art. no. 509806 ew 100 G4-935-S-D780 - 822 MHz Art. no. 509807 ew 100 G4-935-S-JB806 - 810 MHz Art. no. 509862 ew 100 G4-935-S-E823 - 865 MHz Art. no. 509983 ew 100 G4-935-S-1G81785 - 1800 MHz Art. no. 509964 ew 100 G4-945-S-A1470 - 516 MHz Art. no. 509741 ew 100 G4-945-S-A516 - 558 MHz Art. no. 509742 ew 100 G4-945-S-AS520 - 558 MHz Art. no. 509808 ew 100 G4-945-S-G566 - 608 MHz Art. no. 509743 ew 100 G4-945-S-GB606 - 648 MHz Art. no. 509984 ew 100 G4-945-S-B626 - 668 MHz Art. no. 509744 ew 100 G4-945-S-C734 - 776 MHz Art. no. 509809 ew 100 G4-945-S-D780 - 822 MHz Art. no. 509810 ew 100 G4-935-S-JB806 - 810 MHz Art. no. 509863 ew 100 G4-945-S-E823 - 865 MHz Art. no. 509985 ew 100 G4-945-S-1G81785 - 1800 MHz Art. no. 509986Vocal Set DIMENSIONSEM 100 G4Vocal Set DIMENSIONSSKM 100 G4-SVocal SetSennheiser electronic GmbH & Co. KG · Am Labor 1 · 30900 Wedemark · Germany · ARCHITECT‘S SPECIFICATIONA wireless RF transmission system consisting of a stationary receiver and a handheld transmitter includings a micropho-ne head.The system shall operate within twelve UHF frequency ranges, with a switching bandwidth of up to 42 MHz: 470 –516 M Hz, 516 – 558 MHz, 520 – 558 MHz, 566 – 608 M Hz, 606 – 648 MHz, 626 – 668 MHz, 734 – 776 MHz, 780 – 822 M Hz, 823 – 865 MHz, 806 – 810 MHz, 925 – 937.5 M Hz, 1785 – 1800 MHz; receiving frequencies shall be 1,680 per range and shall be tunable in 25 kHz steps. The system shall feature 20 fixed frequency banks with up to 12 compatible frequency presets and 1 user bank with up to 12 user programmable frequencies.The receiver shall be menu-driven with a backlit LC display showing the current frequency, frequency bank and channel number, metering of RF level, metering of AF level, lock status, pilot tone evaluation, muting function, and battery status of the associated transmitter. An auto-lock feature shall be provided to prevent settings from being accidentally altered. The receiver shall feature an integrated guitar tuner and shall provide a sound check mode.Some receiver parameters such as receiving frequency, receiver name and pilot tone setting shall be synchronizable with the associated transmitter via an integrated infrared interface.The receiver shall feature a balanced XLR-3M audio output with a maximum output of +18 dBu along with an unbalanced ¼" (6.3 mm) audio output with a maximum output of +12 dBu. The receiver shall have two DATA ports (RJ 10) to set up a multichannel system. Two BNC-type input sockets shall be provided for connecting the antennas. Nominal/peak devia-tion shall be ±24 kHz/±48 kHz. Squelch threshold shall be adjustable to three levels: Low (5 dBμV), Middle (15 dBμV) and High (25 dBμV).The receiver shall incorporate the Sennheiser HDX compander system and a defeatable pilot tone squelch. Sensitivity shall be < 2 μV for 52 dBA eff S/N with HDX engaged at peak deviation. Adjacent channel rejection shall be ≥ 65 d B (ty-pical). Intermodulation attenuation shall be ≥ 65 d B (typical); blocking shall be ≥ 70 dB. Four selectable equalizer presets shall be provided: “Flat”, “Low Cut” (−3 d B at 180 Hz), “Low Cut/High Boost” (−3 d B at 180 H z/+6 dB at 10 kHz) and “High Boost” (+6 dB at 10 k Hz). Signal-to-noise ratio at 1 mV and peak deviation shall be ≥ 110 dBA. Total harmonic distortion (THD) shall be ≤ 0.9 %. The audio output level shall be adjustable within a 48 d B range in steps of 3 dB.The receiver shall operate on 12 V power supplied from the NT 2-3 CW mains unit (for 100 – 240 V AC, 50/60 Hz). Power consumption shall be 300 mA. The receiver shall have a rugged metal housing; dimensions shall be approximately 190 x 212 x 43 mm (7.48" x 8.35" x 1.69"). Weight shall be approximately 980 grams (2.16 lbs). Operating temperature shall range from −10 °C to +55 °C (+14 °F to +131 °F).The receiver shall be the Sennheiser EM 100 G4.The radio microphone shall be menu-driven with a backlit LC display showing the current frequency, frequency bank and channel number, metering of AF level, transmission status, lock status, pilot tone transmission, muting function, and bat-tery status. An auto-lock feature shall be provided to prevent settings from being accidentally altered.The radio microphone parameters shall either be configurable in the associated receiver’s menu and synchronized with the radio microphone via an integrated infrared interface or shall be programmable in the radio microphone menu. Recei-ver parameters such as receiving frequency, receiver name and pilot tone setting shall be synchronizable with the radio microphone via an integrated infrared interface.The handheld vocal radio microphone shall be equipped with a mute switch, which shall be switchable between “AF on/off”, “RF on/off” and “Disabled” via the user interface. Nominal/peak deviation shall be ±24 kHz/±48 kHz. Frequency stability shall be ≤ ±15 ppm. RF output power at 50 Ω shall be 30 mW (typical).The radio microphone shall incorporate the Sennheiser HDX compander system and a defeatable pilot tone squelch.Audio frequency response shall range from 80 – 18,000 Hz. Signal-to-noise ratio at 1 mV and peak deviation shall be ≥ 110 dBA. Total harmonic distortion (THD) shall be ≤ 0.9 %. Input sensitivity shall be adjustable within a 48 dB range in steps of 6 dB.Power shall be supplied to the radio microphone by two 1.5 V AA size batteries or by one Sennheiser BA 2015 recharge-able accupack. Nominal voltage shall be 2.4 V, current consumption shall be typical 180 mA at nominal voltage; ≤ 25 μA when radio microphone is switched off. Operating time shall be typical 8 hours. The radio microphone shall have a rugged metal housing; dimensions shall be approximately 50 mm (1.97") in diameter and 265 mm (10.43") in length. Weight inclu-ding the batteries shall be approximately 450 grams (0.99 lbs). Operating temperature shall range from −10 °C to +55 °C (+14 °F to +131 °F).A range of microphone heads shall be available for the radio microphone.The radio microphone shall be the Sennheiser SKM 100-S G4.。
shure mv88plus 立体声 usb 话筒 使用指南说明书
MV88plus Stereo USB MicrophoneShure MV88+ 立体声 USB 话筒The Shure digital USB microphone, MV88+ Stereo USB, user guide.Version: 1.0 (2021-J)Table of ContentsMV88plus Stereo USB Microphone Shure MV88+ 立体声USB 话筒3简要说明3产品特点 3快速设置3防风罩 4 MV88+ 话筒4麦克风方向 5 MV88+ 输出 5对准话筒5音频录制 6录音采访（桌面） 6手持式录制 7 Shure MOTIV 桌面应用程序7话筒设置 8预设模式 9定制预设 9指向性选择（立体声和单声道设置） 9监听混音合成11高级话筒设置 11限幅器11压缩器11高通滤波器11左右通道交换11均衡器11流媒体提示12控制音量 12使用锁定模式锁定您的声音 12监听声音 12故障排除12固件更新12在更新过程中保持设备连接 13系统要求13系统要求和兼容性：Mac 13系统要求和兼容性：Windows 13系统要求和兼容性：iOS 13系统要求和兼容性：Android 13规格 13认证15 Information to the user 15•••••••••••MV88plus Stereo USB Microphone Shure MV88+ 立体声 USB 话筒简要说明Shure MV88+ 是一款专业的高品质电容话筒，可通过 Lightning 或 USB-C 接头直接插入到移动设备中。
两个话筒炭精盒按中侧配置排列，提供可调节的立体声声像，适合捕获各种音源，包括音乐和语音。
ShurePlus MOTIV 应用允许您通过数字信号处理(DSP)、预设模式选择、增益调节、压缩和立体声宽度控制来自定义声音。
产品特点Mid-Side 立体声支持经典的 mid-side 立体声录制技术。
舒尔话筒说明书
目录
ULX® 系统组成 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 ULXS4 标准接收机功能部件和控制部件 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
ULX® 无线系统 用户指南
©2006, Shure Incorporated 27ZH8732 （修订版 1）
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前面板 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
SHURE ULXD 多通道 说明
许可信息许可授予：本设备在一些特定地区使用可能需要获得主管部门许可证。
请向您所在国家的主管部门咨询相关要求。
未经舒尔公司明确许可的修改或改装会使你操作本设备的授权失效。
获得舒尔无线话筒设备的授权是用户的责任，许可情况取决于用户类型和应用情况以及选择的频率。
舒尔强烈建议你在选择和订购频率之前，应与相关的无线电管理机构联系，以了解许可授予情况。
用户信息本设备已经过测试，符合 FCC 法规第 15 章有关 B 类数字设备的限制。
这些限制专适用于在住宅内安装此设备，能够为用户提供免受有害干扰影响的足够保护。
本设备产生、使用并可能发射无线电频率能量，如果没有按照要求安装和使用设备，可能会对无线电通讯产生有害干扰。
但是，并不保证本设备在特定的安装情况下不产生干扰。
如果本设备确实对收音机或电视机的接收产生有害干扰，可以通过关闭本设备然后再打开的方法来确定干扰，建议用户通过以下一种或多种方法自行排除此干扰。
• 调整接收天线的方向或位置。
• 增大设备和接收机之间的距离。
• 将设备连接到与接收机不同的电路插座。
• 可以向经销商或有经验的无线电/电视工程师咨询以寻求帮助。
本设备除 RSS 标准以外，符合加拿大工业部许可证的要求。
必须满足以下两个条件才能够操作本设备：(1) 本设备不产生干扰，并且 (2) 本设备必须能够接受包括可能导致设备意外操作的任何干扰。
Le présent appareil est conforme aux CNR d'Industrie Canada applicables aux appareils radio exempts de licence. L'exploitation est autorisée aux deux conditions suivantes : (1) l'appareil ne doit pas produire de brouillage, et (2) l'utilisateur de l'appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible d'en compromettre le fonctionnement.注意： EMC 符合性测试是使用提供的和推荐的缆线类型完成的。
舒尔 shure ut24 无线麦克风说明书
ENGLISH THE TWO MINUTE USER’S GUIDEand running in minutes. For more detailed instructions, read the section of this manual that applies to your system.RECEIVER SETUP1.Connect the supplied ac power adapter to the DC INPUT connector on the back ofthe receiver. Insert the adapter’s cable into the power cable retainer on the bottom of the unit. Plug the adapter into a wall socket or other electrical outlet. The green POWER light on the receiver will glow.2.If you are using The Guitarist-UHF , connect the receiver output to a guitar am-plifier using any standard guitar cable. If you are using The Vocal Artist-UHF , The Headset-UHF , or The Presenter-UHF , connect the receiver output to an audio mixer using an XLR to XLR audio cable.3.Raise the antennas and point away from each other at a 45° angle from vertical. TRANSMITTER SETUP1.Open the transmitter battery compartment and install a 9 V battery. Observe properbattery polarity (“+/–”).2.If you are using The Vocal Artist-UHF, no further transmitter setup is required.3.If you are using a body-pack transmitter (The Presenter-UHF, The Headset-UHFor The Guitarist-UHF), plug the microphone cable or a WA302 instrument cable into the four-pin connector on the transmitter (if using The Headset-UHF, see tag on headset for assembly instructions). If using The Guitarist-UHF, plug the instru-ment cable into the guitar output and adjust the volume control of the guitar. OPERATING THE SYSTEM1.Slide the transmitter POWER/OFF switch to the POWER position. The transmitter’sgreen POWER light and the receiver’s yellow DIVERSITY A/B lights will glow. 2.Slide the MUTE/ON switch on the body-pack or hand-held transmitter to the ONposition.3.T alk or sing into the microphone, or play your guitar. The receiver’s red AUDIO PEAKlight should flicker when loud sounds are transmitted. If the AUDIO PEAK light does not flicker or stays on constantly, the transmitter gain may need adjustment. (Refer to the Transmitter Audio Gain Adjustment section). NOTE: This step is particularly important for The Guitarist system, since guitar outputs can vary widely.4.Adjust the receiver VOLUME control until the receiver output level matches thelevel of your guitar or microphone through a cable. (The factory setting is in the full clockwise position.) If using The Guitarist-UHF system, see Receiver Volume Adjustment for The Guitarist-UHF to match the receiver volume level to the level of a wired system.YOU ARE NOW READY TO PERFORM!IMPORTANT:Every wireless performance is a unique situation, and can present a vari-ety of problems. Never attempt a performance without first conducting a “walkthrough”test on the wireless system in the performing area.If you encounter a problem, refer to the Troubleshooting table.ENGLISHTHANK YOU FOR CHOOSING SHURECongratulations! You have purchased the finest wireless system in its class. Your Shure wireless system is engineered to provide a low-noise, high-quality sound comparable to other systems costing much more. Built in the tradition of reliability that has made Shure a symbol of American quality for more than half a century, this wireless system should provide you with ex-cellent performance for years.To get the most out of your UT Series wireless system, please read the applicable section in this guide before you attempt to use the system. If you have any questions that are not answered in this booklet, please contact Shure Customer Service at (847) 866-2553, Monday through Friday, from 8:00 am to 4:30 pm, Central Standard Time. For technical data by fax, dial (800)488-3297 and follow the recorded instructions. Visit our website at for further information on this and other Shure products. INTRODUCTIONYour new UT Series system is designed to give you the best of both sound reinforce-ment worlds: the freedom of a wireless system, and the reliability of world-famous Shure sound quality. This manual covers each of the UT Series systems: The Vocal Artist-UHF, The Presenter-UHF, The Headset-UHF, and The Guitarist-UHF. SYSTEM FEATURESAll Shure UT Series systems offer a variety of of exceptional features, including:•Diversity Receivers with Exclusive Shure MARCAD Circuitry: MARCAD (MAximum Ratio Combining Audio Diversity) circuitry continuously processes the rf signal from each antenna and combines the audio outputs to produce one signal of optimum quality. The result is improved reception and exceptional free-dom from dropouts.•Low-Traffic UHF Transmission: UT systems use a UHF (Ultra High Frequen-cy) range between approximately 596 to 862 MHz (available frequencies de-pend on regulations in the country where the system is used). In urban areas, UHF frequencies are less congested than those in the VHF range, and are less susceptible to interference.•Multiple System Use: Up to eight UT systems can be used in the same perfor-mance space. Each system must be set at a different frequency. If systems are set to the same frequency, contact an authorized Shure dealer. NOTE: In multi-ple use situations, each transmitter must have a dedicated receiver.•Simultaneous Output Use: Unbalanced 1/4” phone plug and balanced XLR output connectors may be used simultaneously to different external devices.•Stackable and Rack-Mountable Receivers: If multiple systems are in use, re-ceivers may either be stacked or rack-mounted, with two receivers fitting in the optional rack mount tray. In these situations, antennas should not touch or be crossed. (See Stacking and Rack-mounting Receivers.)•Range: UT Series transmitters will work at a distance of up to 100 meters (about 300 ft.) from the receiver.•Noise Squelch: The noise squelch circuit analyzes signal quality instead of sig-nal strength, which allows the circuit to discriminate between noise and desired signal. This reduces the likelihood of noise burst due to environmental rf (radio frequency) noise.•Semi-Rigid Receiver Antennas: Three-inch rubberized antennas offer perfor-mance equal to telescoping antennas with added durability.•Low Battery Warning Light: A red light on the body-pack and hand-held trans-mitters warns the user that there is less than one hour of battery life left.ENGLISHSYSTEM TYPESThe Vocal Artist-UHF is a hand-held system designed for singers who desire the high quality of Shure microphones and the freedom of wireless performance. In-cludes a Shure BETA58 or SM58 dynamic microphone with a built-in transmitter.The Presenter-UHF is a body-pack system designed for public speakers who prefer an inconspicuous, hands-free lavalier microphone. Features an omnidirectional Shure WL93, supercardioid WL184, or cardioid WL185 micro-miniature lavalier mi-crophone.The Headset-UHF is a body-pack system designed for users in physically active ap-plications, who desire the freedom of hands-free microphone operation along with the performance of Shure wireless equipment. Features a WH20TQG headset micro-phone.The Guitarist-UHF is a body-pack system designed for use with electric guitars,basses, and other electric instruments. May be used with brass or woodwind instru-ments, with optional WM98 instrument microphone and mount. The Guitarist pro-vides the freedom of going wireless and the reliability of high quality Shure sound.SYSTEM COMPONENTS*Additional microphones may be available at later dateSTACKING AND RACK-MOUNTING RECEIVERSSTACKED RECEIVERS RACK-MOUNTED RECEIVERSFIGURE 1The UT4 receiver may be used in numerous applications, and is designed to be easi-ly stacked or rack-mounted for multiple system use (see Figure 1).•To stack receivers : The raised corners are designed to create stability when receiv-ers are stacked, if placed on a flat surface with feet attached. It is important to posi-tion the antennas at a 45° angle from vertical so that the antennas do not touch.•To rack-mount receivers : The UT4 receiver is a half-rack unit, and two receivers should fit into a standard rack space. Place the outer antennas at a 45°angle from vertical; place the inner antennas in a vertical position. ANTENNAS SHOULD NOT CROSS OR TOUCH. (See Optional Accessories for rack mount accessories.)ENGLISH.UT4 DIVERSITY RECEIVER FEATURES (FIGURE 2)1.Power On Indicator: This green light glows when the receiver is plugged intoan electrical outlet. It indicates that the receiver is on.2.Diversity Signal Indicators: The yellow DIVERSITY A/B lights glow when RF (radiofrequency) signals are received from the UT1 or UT2 transmitter. When only one light is glowing, the signal is being received on only one antenna. When both lights are glowing, the UT4 is receiving signals on both antennas.3.Audio Peak Indicator: This red light flickers when the receiver input signal ap-proaches the overload clipping level. It is affected by the transmitter gain control set-ting, and the level of the guitar or bass (The Guitarist-UHF systems) or the singer or the speaker (The Vocal Artist-UHF, The Presenter-UHF, and The Headset-UHF systems).4.Volume Control: Rotate this knob to increase or decrease the volume of the re-ceiver output. This control does not affect the AUDIO PEAK indicator.5.Semi-Rigid Receiver Antennas: The semi-rigid receiver antennas should bepointed away from each other at 45° angle from vertical for best performance, and should not touch when stacked or rack-mounted.6.1/4” Phone Jack Audio Output Connector (Unbalanced High Z): An unbalancedaudio cable with a 1/4” phone plug (such as a standard guitar cable) can be used between this connector and your amplifier input.7.XLR Audio Output Connector (Balanced Low Z): Plug an XLR audio cablefrom this connector to the input of your mixer.8.Mic/Line Slide Switch: Switches output of XLR connector from microphone toline level. Use of line level is suggested when connecting receiver to a mixing or amplifying device without an available mic-level input, such as a power amplifier, signal processing device or VCR.9.Squelch Control: Adjusts squelch control setting to emphasize either signal qualityor system range. This control is factory pre-set, and normally does not need further adjustment. Refer to Receiver Squelch Adjustment section for more information.10.Power Input Connector: Connect the ac adapter to this jack and then plug intoan ac electrical outlet.11.Power Cable Retainer: Secures the ac adapter cable to receiver.ENGLISHFIGURE 3UT1 BODY-PACK TRANSMITTER FEATURES (FIGURE 3)1.Power/Off Switch: Turns transmitter power on and off.2.Input Attenuation Switch: Allows choice between 0 dB and –20 dB attenuation,for greater range of audio gain control.3.Power/Battery Fuel Gauge: The green light indicates the unit is on. The red lightindicates less than one hour of battery life remains.4.On/Mute Switch: Mutes the transmitter to prevent unwanted sounds from beingpicked up by the receiver without turning the transmitter off.5.Input Connector: Miniature connector (TB4M) allows connection to a variety of la-valier and headset microphone cables and the Shure WA302 instrument adapter cable.6.Belt Clip: Secures the transmitter to a belt, waistband or guitar strap.7.Audio Gain Control: Provides audio level adjustment to accommodate various in-put signal strengths (e.g., speaking into a microphone or playing an instrument). The factory setting is at mid-point. A small screwdriver is supplied to make adjustments.8.Antenna: A flexible wire antenna is permanently attached to the bottom of theUT1 body-pack transmitter. For best operation, the antenna must hang vertically, and should not be coiled or bundled.9.Battery Compartment: Holds one 9 V battery. Hinged cover opens to provideaccess to the battery.valier Microphone (WL93 shown): Omnidirectional (WL93), supercardioid(WL184) or cardioid (WL185) condenser lavalier microphone, featuring a mount that clips onto a tie, lapel, or acoustic instrument and an attached Miniature Con-nector, TA4F (supplied with The Presenter system)11.Headset Microphone (WH20TQG shown): Headset microphone features aheadset frame, headband, and an attached Miniature Connector (TA4F). See tag attached to headset for assembly instructions (supplied with The Headset System).ENGLISHATTACHING THE UT1 BODY-PACK TRANSMITTER TO BELT OR GUITAR STRAP1.Depress the tab marked PRESS and slip your belt, waist band or guitar strap be-tween the transmitter body and the belt clip (Figure 4).2.The clip holds tighter if the material is drawn to the clip’s top wire, especially whenusing thinner guitar straps.1.Power/Off Switch: Turns the transmitter on and off. It is recessed to prevent itfrom being accidentally turned off.2.Power On Indicator: Green light glows when the POWER/OFF switch is in thePOWER position, as a reminder to turn the transmitter off when it is not in use.3.Low Battery Indicator: A red light glows when there is one hour or less of usefuloperating time, allowing battery to be changed before power is depleted.4.On/Mute Switch: Allows muting of the microphone audio, avoiding the “thump”noise that can occur when turning the transmitter on and off.5.Audio Gain Control: Allows the level of vocals to be matched with the transmit-ter for better performance.6.9 V Battery (shown installed): Provides power to the microphone-transmitter.7.Battery Cover: Unscrews for access to the 9 V battery and gain control.ENGLISHTRANSMITTER BATTERY INSTALLATION1.Slide the transmitter POWER/OFF switch to the OFF position.2.Body-Pack : Press down on the OPEN side of the battery compartment cover,slide it back and flip it open, as shown in Figure 6A.3.Hand-Held: Unscrew the transmitter battery cover to expose the battery termi-nals, as shown in Figure 6B.FIGURE 6A B 4.Insert a fresh 9 V battery into the battery compartment as shown in Figure 6.5.Replace battery cover.6.When the transmitter ’s red LOW BATTERY light glows, you have 1 hour or less of useful battery life remaining; change the battery at your first opportunity.IMPORTANT : 9 V Alkaline batteries are recommended. 9 V lithium batteries are op-tional. Carbon-zinc and zinc-chloride batteries will not provide adequate power and are not recommended. 8.4 V rechargeable NiCd batteries may be used, but are not recommended due to minimal lifespan. See Battery Life in Specifications for further details on battery selection.INSTALLING AC ADAPTOR CORD INTO POWER CABLE RETAINERPOWER CABLE RETAINER (BOTTOM VIEW)A CFIGURE 71.Refer to Figure 7. Turn the receiver over and locate the power cable retainer. Pinch the ac adaptor cord approximately 6 inches from the dc plug, forming a small loop (A).Hold the cord vertical to the retainer and lower the tip of loop into the curved portion of retainer.2.Keeping the cord vertical to the receiver, pull the cord under the tab towards front of the receiver (B), then pull down, locking the cord into the retainer (C).ENGLISHOPERATING THE VOCAL ARTIST-UHF SYSTEM1.Refer to Figure 8. Connect the supplied ac power adapter into the DC INPUT con-nector in back of the receiver. Insert the adapter’s cable into the power cable retainer.Plug the adapter into a wall socket or other ac power source (use PS20 for 120 V ac,60 Hz power; use PS20E for 230 Vac, 50 Hz power). The green POWER light onthe receiver will glow.2.Connect the receiver’s XLR AUDIO OUTPUT connector to the mixer input usingan XLR to XLR audio cable. If no XLR cable is available, a 1/4” to 1/4” phone plug cable may be substituted, but this connection will not be balanced. Set the receiver’s MIC/LINE SWITCH to match the sound system’s input.3.Slide the transmitter’s POWER/OFF switch to the POWER position. The trans-mitter’s green POWER ON light and the receiver’s DIVERSITY A/B lights will glow.4.Slide the microphone’s ON/MUTE switch to the ON position to turn the micro-phone on.5.Talk or sing into the microphone. Normal operation is indicated by:•Steady glow of the receiver’s yellow DIVERSITY A/B lights.•Flickering of the receiver’s AUDIO PEAK light when loud sounds are transmitted.NOTE: If the receiver’s red AUDIO PEAK light does not flicker occasionally or is constantly on, the transmitter gain may need to be adjusted. Refer to the Transmitter Audio Gain Adjustment section. Then, If the system is still not op-erating properly, consult the Troubleshooting table.6.When the performance is over, turn off the sound system and slide the transmit-ter’s POWER/OFF switch to the OFF position to conserve battery power.FIGURE 8ENGLISHOPERATING THE PRESENTER-UHF SYSTEM1.Refer to Figure 9. Connect the supplied ac power adapter to the DC INPUT con-nector on the back of the receiver. Insert the adapter’s cable into the power cable retainer. Plug the adapter into a wall socket or other ac power source (use PS20 for 120 Vac, 60 Hz power; use PS20E for 230 Vac, 50 Hz power). The green POWER light on the receiver will glow.2.Connect the receiver’s XLR AUDIO OUT connector to the mixer input using an XLRto XLR audio cable. If no XLR cable is available, a 1/4” to 1/4” phone plug cable may be substituted, but this connection will not be balanced. Set the receiver’s MIC/LINE SWITCH to match the sound system’s input.3.Press the WL93, WL184 or WL185 lavalier microphone into the mounting clip andattach it to your garment. Do not cover the microphone with your clothing, and keep it approximately 8 to12 inches below your chin. See Figure 9.4.Slide the recessed transmitter POWER/OFF switch to the POWER position. Thetransmitter’s green POWER ON light and the receiver’s yellow DIVERSITY A/B lights will glow.5.Slide the transmitter’s MUTE/ON switch to the ON position.6.Speak in your normal conversational voice. Proper operation is indicated by:•Steady glow of the receiver’s yellow DIVERSITY A/B lights.•Flickering of the receiver’s AUDIO PEAK light when you speak in a loud voice.NOTE: If the receiver’s red AUDIO PEAK light does not flicker occasionally or is constantly on, the transmitter gain may need to be adjusted. Refer to the Trans-mitter Audio Gain Adjustment section. If the system is still not operating properly, consult the Troubleshooting table.7.When the presentation is over, turn off the sound system and slide the recessedtransmitter POWER/OFF switch to the OFF position to conserve battery power.ENGLISHOPERATING THE HEADSET-UHF SYSTEM1.Refer to Figure 10. Connect the supplied ac power adapter to the DC INPUT con-nector on the back of the receiver. Insert the adapter’s cable into the power cable retainer. Plug the adapter into a wall socket or other ac power source (use PS20 for 120 Vac, 60 Hz power; use PS20E for 230 Vac, 50 Hz power). The green POWER light on the receiver will glow.2.Connect the receiver’s XLR AUDIO OUT connector to the mixer input using an XLRto XLR audio cable. If no XLR cable is available, a 1/4” to 1/4” phone plug cable may be substituted, but this connection will not be balanced. Set the receiver’s MIC/LINE SWITCH to match the sound system’s input.3.If using the headset for the first time, refer to the tag attached to the headset forassembly instructions. Adjust headband and place on head, as shown on tag. For best results, microphone should be placed 1/2” from side of mouth.4.Slide the recessed transmitter’s POWER/OFF switch to the POWER position.The transmitter’s green POWER ON light and the receiver’s yellow DIVERSITY A/B lights will glow.5.Slide the transmitter’s MUTE/ON switch to the ON position.6.Speak in your normal conversational voice. Proper operation is indicated by:•Steady glow of the receiver’s yellow DIVERSITY A/B lights.•Flickering of the receiver’s AUDIO PEAK light when you speak in a loud voice.NOTE: If the receiver’s red AUDIO PEAK light does not flicker occasionally or is constantly on, the transmitter gain may need to be adjusted. Refer to the Trans-mitter Audio Gain Adjustment section. If the system is still not operating properly, consult the Troubleshooting table.7.When headset is not in use, turn off sound system and slide the recessed trans-mitter POWER/OFF switch to the OFF position to conserve battery power. ArrayFIGURE 10ENGLISHOPERATING THE GUITARIST-UHF SYSTEM1.Refer to Figure 11. Connect the supplied ac power adapter to the DC INPUT con-nector in back of the receiver. Insert the adapter’s cable into the power cable retain-er. Plug the adapter into a wall socket or other ac power source (use PS20 for 120 Vac, 60 Hz power; use PS20E for 230 V ac, 50 Hz power). The green POWER light on the receiver will glow.2.Connect the receiver’s 1/4” PHONE JACK AUDIO OUTPUT connector to the am-plifier input, using a standard guitar cable.3.Connect your guitar or bass to the transmitter input jack with a WA302 InstrumentAdaptor. NOTE: The Guitarist-UHF system may also be used with woodwind and brass instruments with use of an optional WM98 miniature instrument microphone and a horn mount. See Optional Accessories for additional information.4.Adjust the volume control on your guitar to desired level. T o match wireless outputto that of a wired system, see Receiver Volume Adjustment for the Guitarist.5.Slide the transmitter’s POWER/OFF switch to the POWER position. The transmitter’sPOWER ON light and the receiver’s DIVERSITY A/B lights will glow.6.Slide the transmitter MUTE/ON switch to the ON position.7.Play your guitar or bass. Normal operation is indicated by:•Steady glow of receiver’s yellow DIVERSITY A/B lights.•Flickering of the receiver’s AUDIO PEAK light when loud sounds are transmitted.NOTE: If the red AUDIO PEAK light does not flicker occasionally or is on constantly, the transmitter may need to be adjusted. Refer to the Transmitter Audio Gain Adjust-ment section. If the system is still not operating properly, consult the Troubleshooting table.8.When the performance is over, turn off the amplifier and slide the recessed trans-mitter POWER/OFF switch to the OFF position to conserve battery power.ENGLISHRECEIVER VOLUME ADJUSTMENT FOR THE GUITARIST-UHF Follow these directions to adjust the volume control of the UT4 receiver, so that the wireless output of an instrument is equivalent to the output of a cabled instrument.1.Plug instrument directly into guitar/bass amp. Set volume and tone controls onboth the instrument and amplifier for a clean signal with desired tonal quality and volume. DO NOT change these settings for the rest of volume adjustment. 2.Unplug instrument from the amplifier input and plug into the transmitter. Plug thereceiver into amplifier input.3.Set VOLUME control of receiver at 1/4 on (9:00). Play instrument, with enoughforce to cause maximum output.4.If there is distortion present, the transmitter may be clipping. See the T ransmitterAudio Gain Adjustment section.5.Adjust receiver volume control until sound quality matches that achieved in step 1. TRANSMITTER AUDIO GAIN ADJUSTMENTThe audio gain control on both the UT1 body-pack and UT2 hand-held transmitters has been factory-preset at the mid-range position for best performance in most ap-plications. If the red AUDIO PEAK light on the receiver does not flicker, the preset gain level may be too low and the audio gain may need to be increased until a proper signal-to-noise ratio is reached. This may be necessary for soft singers or talkers, or gui-tar or basses with low outputs.For loud singers or talkers, or instruments with high outputs, the preset gain level may be too high, causing unwanted distortion. This condition is indicated by the con-tinuous glow of the red PEAK light on the receiver during usage.UT1 BODY-PACK TRANSMITTERFIGURE 12•To Increase Gain: Rotate the transmitter gain control clockwise with the sup-plied screwdriver until the red AUDIO PEAK light on the receiver flickers when the guitar is played loudly or when you sing or speak in a loud voice. NOTE: In some applications, the red AUDIO PEAK light will not flicker even with the gain control turned fully clockwise. For body-pack systems only: If gain control is ro-tated fully clockwise and the AUDIO PEAK light still does not flicker, check to see if the input attenuation switch on the transmitter is set to the –20 dB position.If it is, fully rotate the gain control counterclockwise, and move the switch to the 0 dB position. Then rotate the gain control clockwise until the AUDIO PEAK light flickers during high output or the gain control is turned fully clockwise.•T o Reduce Gain: Rotate the transmitter gain control counterclockwise with the sup-plied screwdriver. Continue rotating the gain control until the red AUDIO PEAK light on the receiver only flickers when guitar is played loudly, or when you sing or speak in a loud voice. For body-pack systems only: If gain control is rotated fully counter-clockwise and the AUDIO PEAK light still glows continuously, check to see if the input attenuation switch on the transmitter is set to the 0 dB position. If it is, move the switch to the –20 dB position, and fully rotate the gain control clockwise. Then rotate the gain control counterclockwise until the AUDIO PEAK light flickers during high out-put.ENGLISH T o return audio gain to the factory setting, rotate the transmitter audio gain control to the mid position and, on the body-pack only, slide the input attenuation switch to the 0 dB position.BODY-PACK AUDIO GAIN AND ATTENUATION SETTINGSThe attenuation switch and the gain control on the UT1 body-pack are designed to be used in conjunction to provide a wide spectrum of gain control choices. The fol-lowing ranges are starting points; actual output levels may vary.RECEIVER SQUELCH ADJUSTMENTThe squelch control on the UT4 receivers (see figure 1) is factory preset for optimum performance.No further adjustment is normally required. It is pos-sible to adjust the squelch control setting to emphasize either signal quality or sys-tem range:•Turning the squelch control clockwise causes the receiver to demand a higher quality signal (less noise before muting), but decreases operating range.•Turning the squelch control counterclockwise allows a lower quality signal through (more noise before muting), but increases operating range.To return the receiver squelch control to the factory setting, rotate it to the mid-range position (so the slot is vertical).TIPS FOR ACHIEVING MAXIMUM PERFORMANCE•Make sure you can always see a receiver antenna from the transmitter position.•Keep the distance from transmitter to receiver antenna as short as possible.•Point receiver antennas away from each other at a 45°angle from vertical.•Avoid placing the receiver antennas near metal surfaces and obstructions.•To mount the receiver on a flat surface, attach the four adhesive rubber feet or the VELCRO mounting strips to the bottom of the receiver.•Monitor battery fuel gauge and replace battery as soon as red light is on.•Let body-pack transmitter antenna hang freely; do not coil or keep in pocket.•If stacking or rack mounting receivers in a multiple-system use situation, do not allow antennas to touch or cross.•Perform a walk-through before performance or presentation. If dead spots are found, adjust location of receiver. If dead spots remain, mark spots and avoid.ENGLISHSYSTEM SPECIFICATIONSRF Carrier Frequency RangeApproximately 596 to 862 MHz (Available frequencies depend on applicable regu-lations in country where system is used).Operating Range:100 m (approximately 300 ft) under typical conditionsAudio Frequency Response: 20 to 16,000 Hz, ±3 dBImage Rejection: 75 dB typicalSpurious Rejection: 75 dB typicalSystem Distortion (ref. ± 45 kHz deviation, 1 kHz modulation): 0.1% THD typical Signal/Noise Ratio: 90 dBSensitivity: –110 dBm for 12 dB SINAD typicalMaximum Recommended Input Level, UT1 (attenuation switch at –20 dB, gain at mini-mum): +32 dBVMinimum Recommended Input Level, UT1 (attenuation switch at 0 dB, gain at maximum): –80 dBVOperating Temperature Range–29° to 74° C (–20° to 165° F) NOTE: Battery characteristics may limit this range. Battery LifeUT1, UT2: 12 hours with 9 V alkaline battery (Duracell MN1604 recommended).。
美国SHURE PGX24
美国SHURE PGX24/PG58 手持无线话筒：PGX/Performance Gear无线话筒系统。
使用简单、方便的U段无线话筒系统，是您现场演出获得最佳音质的理想选择。
让演唱者无拘无束地尽情发挥吧PGX24/PG58 无线话筒系统舒尔PGX24/PG58 系统提供卓越的无线技术、自动设置功能和PG58 话筒，该系统包含配备PG58 话筒头的PGX2 手持式发射机以及PGX4 分集接收机，既是人声应用的理想之选，同样也适用于乐队和主持人。
舒尔PGX24/PG58 无线话筒系统功能工作范围100 米（300 英尺）多色LED 指示灯显示电源、锁定、静音和低电量对频率敏感的UHF 设计提供多达90 个可选UHF 频率，工作带宽为18MHz UHF两节AA 电池提供超过八小时的持续电力每个系统都含包装盒分集接收系统采用两个相同的接收机电路，将射频干扰产生的噪音和漏音降至最低在846 - 865 Mhz 的范围内最多可同时使用9 套系统PGX4 拥有XLR 和非平衡1/4 英寸插孔音频输出PGX2 包含静音开关和电池电量警告灯—2 节1.5v 的AA 电池可连续8 小时供电舒尔PGX24/PG58 无线话筒系统技术规格每个频段可兼容的系统数量（最大值）: 8可选频率: 90自动设置功能: 扫描/ 同步音频参考压缩扩展: 是天线: 外置1/4 波长天线选项: 否接收机网络功能: NoPC 控制: 否机架部件: 可选（URT ）外壳: 系统机箱发射机显示屏: 多色LED 指示灯接收机显示屏: 多色LED 指示灯电池，供电时间: 2 节AA 电池，>8 小时环境: 小型至中型舞台。
Shure BLX4R 无线麦克风系统说明书
©2014 Shure Incorporated 27A21195 (Rev. 5)Printed in U.S.A.BLX4R Wireless Microphone System Système de microphone sans fil BLX4R Sistema de micrófonos inalámbricos BLX4R Sistema de Microfone Sem Fio BLX4R4567BLX4R ReceiverFront PanelRear Panel① Transmitter Battery LED• Green = Runtime greater than 1 hour • Red = Runtime less than 1 hour ② LCD DisplayDisplays receiver and transmitter settings.③ group Button• Scan: push and release group button to scan for an open group and channel • Manual: push and hold group button to select a group.④ channel Button• Scan: push and release channel button to scan for an open channel• Manual: push and hold channel button to se-lect a channel.⑤ Power ButtonPowers the receiver on/off.⑥ Antenna Jack BBNC connector for antenna B.⑦ DC Power JackFor DC external power supply (12 to 15 V DC).⑧ Strain-relief loop for power cordSecures power cord to receiver.⑨ Mic Out XLR audio output jackSupplies microphone-level audio output.⑩ INST Out audio output jackSupplies instrument-level audio signal.⑪ Volume ControlUse a screwdriver to adjust the output level.⑫ Antenna Jack ABNC connector for antenna A.Receiver LCD Screen① TV ChannelTV channel for selected frequency.② Receiver LockIndicates control and power lock enabled.③ GroupDisplays selected group.④ ChannelDisplays selected channel.⑤ RF Signal StrengthNumber of bars corresponds to RF signal strength. OL indicates signal overload.⑥ Audio MeterNumber of bars indicates audio signal level. OL indicates signal clipping.⑦ Active Antenna IndicatorIndicates active antenna for the diversity signal.BLX1①②③BLX28BLX1① LED IndicatorDisplays power and battery status (see table).② power SwitchToggles power on or off.③ 4-Pin Microphone Input Jack (TA4 connector)④ Antenna⑤ group ButtonChanges group setting.⑥ LED DisplayDisplays group and channel setting.⑦ channel ButtonChanges channel setting.⑧ Battery Compartment⑨ Audio Gain AdjustmentRotate to increase or decrease transmitter gain.BLX2① LED IndicatorDisplays power and battery status (see table).② power ButtonPush to turn power on or off.③ group ButtonChanges group setting.④ channel ButtonChanges channel and gain setting.⑤ LED DisplayDisplays group and channel setting.⑥ Identification Cap ⑦ Battery CompartmentTransmitter LED IndicatorsTransmittersLED IndicatorStatusGreenReadyRapidly Flashing Red Controls lockedSolid RedBattery power low (less than 1 hour remaining*)Flashing Red and shuts offBatteries dead (change batteries to power on transmitter)*For alkaline batteries only. For rechargeable batteries, solid red means the batteries are dead.groupgroup9Before you begin, turn off all transmitters and turn on any equipment (othermicrophones or personal monitoring systems) that could cause interferenceduring the performance.1. Press and release the group button on the receiver.The receiver scans for the clearest group and channel.Note: If you want to stop the scan, push the group button again.2. Turn on transmitter and change the group and channel to match the re-ceiver (See Setting Transmitter Group and Channel).Once the system is set up, perform an audio check and adjust the gain if necessary. Setting Transmitter Group and ChannelTransmitter group and channel must be manually set to match the receiver.Group (letter)1. Press and release the group button on the transmitter to acti-vate the display. Press the group button again and the displayflashes.2. While the display is flashing, press the group button again to ad-vance to the desired group setting.Channel (number)If channel needs to be changed, follow the same procedure using the channelbutton instead of the group button.Note:• When the group and channel correctly match the receiver, the RF barsand battery LED on the receiver illuminate.• After manual setup, the transmitter alternately displays the group andchannel setting for about two seconds.Up to 12 systems can operate simultaneously (band and RF environment dependent).Important: Set up each system one-at-a-time. Once a receiver and transmitter are tuned to the same group and channel, leave the transmitter powered on. Otherwise, scans from the other receivers will not detect that channel as occupied.Turn on any other equipment that could cause interference during the performance so it will be detected during the group and channel scans in the fol-lowing steps.Before you begin system set up, turn all receivers ON and all transmitters OFF.For the first receiver:1. Perform a group scan to find the group with the most clear channels.2. Turn on the first transmitter and change the group and channel to match the receiver.3. Leave the transmitter on and continue with the additional systems.Note: If the selected group does not contain enough open channels, manually select group "d" when setting up larger systems.For each additional receiver:1. Manually change the receiver to match the group setting of the first receiver. Recall that each time the group setting is changed, a channel scan is automatically done.2. Turn on the transmitter and change the group and channel to match the receiver.3. Leave the transmitter on and continue to the next system.4. Once all receivers are set up, perform an audio check on all microphones.Manually Setting Receiver Group and ChannelThe receiver group may need to be changed as part of a multiple system setup.Group (letter)1. Hold the group button on the receiver until the display begins to flash.2. While the display is flashing, press the group button again to advance to the next group.Note: Only the group setting will be displayed during the manual setup.3. Once the desired group is reached, release the group button. The receiver automatically performs a channel scan.Channel (number)Always use a channel selected by the channel scan. However, if necessary, the channel can be set manually. Follow the same steps above using the channel button instead of the group button.1011Tips to Improve Wireless System PerformanceIf you encounter interference or dropouts, try the following suggestions:Getting Good SoundAdjusting GainMonitor the audio meter on the receiver display when setting the transmitter gain. The OL indicator should only illuminate infrequently when you speak loudly or play your instrument loudly.BLX1Rotate the audio gain adjustment to increase (+) or decrease (−) the gain until desired level is reached.For instruments, turn gain to minimum setting. For lavaliers, increase the gain as desired.BLX2The BLX2 features two gain level settings:• Default • -10 dB• Choose a different receiver channel• Reposition the receiver so there is nothing obstructing a line of sight to the transmitter (including the audience)• Avoid placing transmitter and receiver where metal or other dense materials may be present • Move the receiver to the top of the equipment rack• Remove nearby sources of wireless interference, such as cell phones, two-way radios, computers, media players, Wi-Fi devices, and digital signal processors • Charge or replace the transmitter battery• Keep transmitters more than two meters (6 feet) apart• Keep the transmitter and receiver more than 5 meters (16 feet) apart • During sound check, mark trouble spots and ask presenters or performers to avoid those areasUse the default setting for most situations. If the receiver audio OL indicator displays often, set the mi-crophone to -10 dB.1. To change the gain to -10 dB, hold down the channel button until a small dot appears in the lower right hand corner of the transmitter display.2. To change the gain back to de-fault, hold the channel button until the dot disappears.Correct Microphone Placement• Hold the microphone within 12 inches from the sound source. For a warmer sound with increased bass presence, move the microphone closer.• Do not cover grille with hand.Wearing the Headworn Microphone• Position the headworn microphone 13 mm (1/2 in.) from the corner of your mouth.• Position lavalier and headworn microphones so that clothing, jewelry, or other items do not bump or rub against the microphone.12BatteriesExpected life for AA batteries is up to 14 hours (total battery life varies depending upon batterytype and manufacturer).When the LED indicator turns red, it signifies "low battery" with approximately 60 minutes of re-maining battery life.For alkaline batteries only. For rechargeable batteries, solid red means the batteries are dead.To remove batteries from the handheld transmitter, push them out through the opening in themicrophone battery compartment.Power OffPress and hold the power button to power off the BLX2 or BLX4R. Topower off the BLX1, slide the power switch to OFF.Wearing the Bodypack TransmitterClip the transmitter to a belt or slide a guitar strap through the transmitterclip as shown.For best results, the belt should be pressed against the base of the clip.Removing and Installing IdentificationCapsThe BLX2 is equipped with a black identification cap from the factory(dual vocal systems ship with additional gray cap).To remove: Remove battery cover. Squeeze sides and pull off cap.To install: Align the cap and click into place. Replace battery cover.An Identification Cap Kit containing assorted colored caps is availableas an optional accessory.WARNING: Danger of explosion if battery incorrectlyreplaced. Operate only with Shure compatible batteries.WARNING: Battery packs shall not be exposed to ex-cessive heat such as sunshine, fire, or the like.Locking and Unlocking ControlsLock system controls to prevent accidental setting changes or power-off.Transmitter (lock/unlock)Turn the transmitter on. Hold the group button, then press the channelbutton for approximately 2 seconds. The LED indicator rapidly flashesred when locked.Receiver (lock/unlock)Turn the receiver on. Simultaneously hold the group and channel but-ton until the flashing lock icon appears in the lower left-hand corner ofthe display, indicating the controls are locked. Repeat to unlock thecontrols.13TroubleshootingIssueIndicator Status SolutionNo sound or faint soundReceiver RF bars and battery LED illuminated• Verify all sound system connections or adjust gain as needed (see Adjusting Gain)• Verify that the receiver is connected to mixer/amplifierReceiver RF bars and battery LED off • Turn on transmitter • Make sure the batteries are installed correctly• Perform transmitter setup (see Single System Setup)• Insert fresh batteries Receiver screen off • Make sure AC adapter is securely plugged into electrical outlet.• Make sure receiver is powered on.Transmitter indicator LED flashing redReplace transmitter batteries (see Changing Batteries).Audio artifacts or dropoutsReceiver RF bars and battery LED flickering • Change receiver and transmitter to a different group and/or channel.• Identify nearby sources of RF interference, and shutdown or remove source.• Replace transmitter batteries.• Ensure that receiver and transmitter are positioned within system parameters• System must be set up within recommended range and receiver kept away from metallic surfaces.• Transmitter must be used in line of sight from receiver for optimal sound DistortionAudio meter on re-ceiver indicates over-load (OL)Reduce transmitter gain (see Adjusting Gain).Sound level variations when switching to dif-ferent sources N/A Adjust transmitter gain as necessary (see Adjusting Gain).Receiver/transmitter won't turn off LED indicator flash-ing rapidly, lock icon shown on receiver displaySee Locking and Unlocking Controls.Transmitter beyond receiver rangeReceiver display dimmed to 50%Move transmitter closer to receiverBLX1Audio Input Levelgain position max-16 dBV maximummin (0 dB)+10 dBV maximum Gain Adjustment Range26 dBInput Impedance1 MΩRF Transmitter Output10 mW, typicalvaries by regionDimensions110 mm X 64 mm X 21 mm H x W x DWeight75 g (2.6 oz.), without batteriesHousingMolded ABSPower Requirements2 LR6 AA batteries, 1.5 V, alkalineBattery Lifeup to 14 hours (alkaline)BLX2Audio Input Levelgain position0dB-20 dBV maximum-10dB-10 dBV maximumGain Adjustment Range10 dBRF Transmitter Output10 mW, typicalvaries by regionDimensions224 mm X 53 mm L x Dia.Weight218 g (7.7 oz.) (without batteries)HousingMolded ABSPower Requirements2 LR6 AA batteries, 1.5 V, alkalineBattery Lifeup to 14 hours (alkaline)BLX4ROutput ImpedanceXLR connector200 Ω6.35 mm (1/4") connec-tor50 ΩAudio Output LevelRef. ±33 kHz deviation with 1 kHz toneXLR connector–20.5 dBV (into 100 kΩ load)6.35 mm (1/4") connec-tor–13 dBV (into 100 kΩ load)RF Sensitivity-105 dBm for 12 dB SINAD, typicalImage Rejection>50 dB, typicalDimensions50 mm X 198 mm X 163 mm H x W x DWeightwithout antennas998 g (2.2 lb.)HousingMolded ABS, steelPower Requirements12–15 V DC @ 260 mA, supplied by external power supply (tip positive)SystemWorking Range91 m (300 ft) Line of SightNote: Actual range depends on RF signal absorption, reflection and interference. Audio Frequency Response50 to 15,000 HzNote: Dependent on microphone typeTotal Harmonic DistortionRef. ±33 kHz deviation with 1 kHz tone0.5%, typicalDynamic Range100 dB, A-weighted, typicalOperating Temperature-18°C (0°F) to 57°C (135°F)Note: Battery characteristics may limit this range.PolarityPositive pressure on microphone diaphragm (or positive voltage ap-plied to tip of WA302 phone plug) produces positive voltage on pin 2 (with respect to pin 3 of low-impedance output) and the tip of the high impedance 1/4-inch output.14This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada. Meets requirements of the following standards: EN 300 422 Parts 1 and 2, EN 301 489 Parts 1 and 9, EN60065.EN 300 422 Parts 1 and 2. EN 301 489 Parts 1 and 9. EN60065.Meets essential requirements of the following European Directives:• R&TTE Directive 99/5/EC• WEEE Directive 2002/96/EC, as amended by 2008/34/EC• RoHS Directive 2002/95/EC, as amended by 2008/35/ECNote: Please follow your regional recycling scheme for batteries and electronic wasteApproved under the Declaration of Conformity (DoC) provision of FCC Part 15.Certified by IC in Canada under RSS-123 and RSS-102.Certified under FCC Part 74.Certified by IC in Canada under RSS-123 and RSS-102.FCC ID: DD4BLX1A, DD4BLX1B, DD4BLX1C, DD4BLX1D; DD4BLX2A, DD4BLX2B, DD4BLX2C, DD4BLX2D. IC: 616A-BLX1A, 616A-BLX1B,616A-BLX1C, 616A-BLX1D; 616A-BLX2A, 616A-BLX2B, 616A-BLX2C, 616A-BLX2DThis device complies with Industry Canada licence-exempt RSS standard(s). Operation of this device is subject to the following two conditions: (1) this device may not cause interference, and (2) this device must accept any interference, including interference that may cause undesired operation of the device.Le présent appareil est conforme aux CNR d'Industrie Canada applicables aux appareils radio exempts de licence. L'exploitation est autorisée aux deux conditions suivantes : (1) l'appareil ne doit pas produire de brouillage, et (2) l'utilisateur de l'appareil doit accepter tout brouillage radioélectrique subi,même si le brouillage est susceptible d'en compromettre le fonctionnement.The CE Declaration of Conformity can be obtained from Shure Incorporated or any of its European representatives. For contact information please visit The CE Declaration of Conformity can be obtained from: /europe/complianceAuthorized European representative:Shure Europe GmbHHeadquarters Europe, Middle East & AfricaDepartment: EMEA ApprovalJakob-Dieffenbacher-Str. 1275031 Eppingen, GermanyPhone: 49-7262-92 49 0Fax: 49-7262-92 49 11 4Email:********************LICENSING INFORMATIONLicensing: A ministerial license to operate this equipment may be required in certain areas. Consult your national authority for possible requirements. Changes or modifications not expressly approved by Shure Incorporated could void your authority to operate the equipment. Licensing of Shure wireless microphone equipment is the user’s responsibility, and licensability depends on the user’s classification and application, and on the selected frequency. Shure strongly urges the user to contact the appropriate telecommunications authority concerning proper licensing, and before choosing and ordering frequencies.Information to the userThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:• Reorient or relocate the receiving antenna.• Increase the separation between the equipment and the receiver.• Connect the equipment to an outlet on a circuit different from that to which the receiver is connected.• Consult the dealer or an experienced radio/TV technician for help.Note: EMC conformance testing is based on the use of supplied and recommended cable types. The use of other cable types may degrade EMC performance.Changes or modifications not expressly approved by the manufacturer could void the user’s authority to operate the equipment.Australia Warning for WirelessThis device operates under an ACMA class licence and must comply with all the conditions of that licence including operating frequencies. Before 31 December 2014, this device will comply if it is operated in the 520-820 MHz frequency band. WARNING: After 31 December 2014, in order to comply, this device must not be operated in the 694-820 MHz band.15Asia, Pacific:Shure Asia Limited 22/F , 625 King’s Road North Point, Island East Hong KongPhone: 852-2893-4290Fax: 852-2893-4055Email:**************.hkUnited States, Canada, Latin America, Caribbean:Shure Incorporated5800 West Touhy Avenue Niles, IL 60714-4608 USA Phone: +1-847-600-2000Fax: +1-847-600-1212 (USA)Fax: +1-847-600-6446Email:**************Europe, Middle East, Africa:Shure Europe GmbHJakob-Dieffenbacher-Str. 12,75031 Eppingen, Germany Phone: +49-7262-92490Fax: +49-7262-9249114Email:*************。
Shure ADX1 腰包式发射机说明书
ADX1腰包式发射机User guide for the Shure ADX1 digital wireless bodypack transmitter. Version: 12.0 (2023-C)Table of ContentsADX1 腰包式发射机4警告4 ADX1 Axient 数字式腰包发射机4特性 4附带组件5可选配附件5 ADX1 发射机概览5安装腰包天线 7发射机控制7锁定界面7主屏幕显示8 Shure 可充电电池8检查电池信息 9舒尔充电电池保养和存储的重要提示 9电池安装 10 ADX1 SB910 电池工作时间 10菜单参数10编辑菜单参数提示11菜单地图11菜单参数说明 11无线电菜单11音频菜单 12工具菜单 12红外同步13手动设置频率14腰包发射机的佩戴14射频静音15安全启动15输入过载16匹配音频电平与话筒偏移16音频发生器16 ShowLink 测试17更新固件17固件版本 17更新发射机 17故障排除17电源 18增益 18线缆 18界面锁定 18加密不匹配 18固件不匹配 18发射机电池温度过高 18无线电射频 (RF) 19清洁电池触点 20联系客户支持部门20规格20输入连接器示意图 22频率范围和发射机输出电平 22许可信息25澳大利亚无线警告25认证26Information to the user 26•••••••••••••••••••••••◦◦••ADX1腰包式发射机警告电池组可能爆炸或释放有毒物质。
火灾或烧伤风险。
不要拆开、挤压、修改、拆卸、或加热到 140°F (60°C) 以上或焚烧。
遵循制造厂商的说明只能使用 Shure 充电座为 Shure 可充电电池充电警告：换用不正确的电池可能出现爆炸危险。
只能更换相同的，或型号相当的电池。
禁止将电池放入口中。
如果吞入，请与外科医生或当地的毒物控制中心联系不要将电池短接，否则可能会导致烧伤或起火请勿使用 Shure 充电电池以外的电池组，也不要为此类电池充电应正确处置电池。
舒尔 shure UR24D 无线麦克风中英文说明书
14. 所有维修均应由合格的维修人员执行。 在设备因以下情况被损坏 时，应进行维修：电源线或插头损坏、液体泼溅到设备或异物进 入设备，设备暴露在雨水或潮湿环境中而无法正常工作，或摔落 到地上。
8. 不要将本设备安装在任何热源附近，如散热器、调温器、火炉或其 它可能产生热量的装置（包括功率放大器）。
polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wider blade or the third prong are provided for your safety. If the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet. 10. PROTECT the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11. ONLY USE attachments/accessories speci ed by the manufacturer.
WARNING: This product contains a chemical known to the State of California to cause cancer and birth
Shure BLX14 SM58 无线耳机麦克风系统说明书
Features
• Low-profile design provides unobtrusive pickup • Omni-directional pickp pattern for various appli-
cations
• Wide dynamic range and frequency response for excellent sound reinforcement
Important Note: Due to the distance between the talker’s mouth and the microphone, lavaliere microphones are not designed for use in spaces where the talker is being reinforced in the same room - such as training rooms. Using them in these applications will often result in feedback due to the higher gain necessary for proper pickup. For these applications, the single ear hook and double ear hook microphones are recommended.
SE-300-LAV-BLK 4-pin mini-XLR (F)
60-15,000Hz Omni-directional -60±3 dB* (1mV)
2.2kΩ 130dB
| Support: 866.838.5052 Rev: 140804-1600
舒尔PGX无线系统
舒尔PGX无线系统
佚名
【期刊名称】《演艺设备与科技》
【年(卷),期】2009()5
【摘要】舒尔PGX无线系统是音质好、易使用的产品。
根据应用对象的不同，PGX无线系统共有五种可选，分别为：手持人声话筒系统、头戴系统、乐器系统、吉他系统和领夹系统，产品主要面向专业音乐家、乐团与卡拉OK场所，各款适合于各种应用场合的套装将优质的无线技术、自动设置功能及舒尔话筒和谐地融为一体。
【总页数】1页(P95-95)
【关键词】无线系统;自动设置功能;卡拉OK;无线技术;音乐家;产品;应用;话筒
【正文语种】中文
【中图分类】TN92;TN946
【相关文献】
1.舒尔话筒和无线系统在2016格莱美颁奖盛典大放异彩舒尔最新KSM8话筒首次登台亮相，经典SM58话筒陪伴格莱50年 [J], ;
2.舒尔PSM 1000在2014年格莱美颁奖典礼上连续第三年大放异彩舒尔UHF-R 无线系统和有线话筒也在这一音乐盛筵上主宰表演舞台 [J],
3.舒尔便携式无线系统为“爸爸去哪儿2”捕捉真实声音UHF—R无线系统确保稳定的高品质同期声录音 [J],
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UHF—RTM系统支持海上艺术展揭幕式 [J],
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射机） 同步后红色闪烁 发射机与接收机不兼容；请与 Shure 分销商联系
ᕢ 开 - 关 / 静音开关
按下并保持可开启或关闭。按下后松开可静音或取消静音。
专利号 6,597,301、 5,794,125 和 5,692,05771SH源自RE PGX 无线系统系统组件
所有系统包括 • PGX4 接收机 • 2 节 AA 电池 • 电源组件 • 用户指南
Vocalist （声乐）系统包括 • 话筒头 （可选择 PG58、 SM58 ®、 SM86 或 Beta 58A ®） • PGX2 手持式发射机 • 话筒夹
左侧数字为 组
右侧数字为 频道
在单配装中使用多个 PGX 系统时，请按照以下步骤进行操作： 1. 将所有接收机开启，同时将所有发射机关闭。 2. 确保组号在所有接收机上都相同。如有必要，应使用 “手动频率 选择”（如下图所示）将所有的接收机设置在同一个组中。 3. 在第一个接收机上执行自动频率选择 （参见第 76 页）。 4. 打开第一部发射机。 5. 执行发射机自动设置 （参见第 76 页）。
PGX Wireless User Guide
4
Shure PGX Wireless User Guide
中文版
Shure PGX 无线系统
新一代 Shure 无线系统
Shure PGX 无线系统为需要调节音效的活跃音乐家和表演者而设计，它能够 改善您的演出效果，简化您的准备工作。
自动频率选择和发射机自动设置等创新设计可以让您更迅速地使用无线系 统，而不必有任何担心。 PGX 系统现在采用 Shure 的 Audio Reference Companding （音频参考压缩扩展）专利技术，能够提供深受专业音频工程 师信赖的水晶般纯净的音响质量。
更换电池
• 一节碱性电池的预期使用时间约为 8 小时。 • 在发射机指示灯呈红色闪亮时，应按照图中
PGX1
所示立即更换电池。
调整增益
• PGX1 上有三个增益设置： • mic：话筒 • 0: 吉他 • –10: 只有在由于输入电平过高而发生声频失真时才使用
75
SHURE PGX 无线系统
单系统设置
按下并保持可开启或关闭。按下后松开可静音或取消静音。
ᕣ 红外端口
接收红外波束，使频率同步。使用多系统时，每次只应露出一个发射机红外 端口。
ᕢ
PGX
ᕣ
ᕡ
更换电池
• 一节碱性电池的预期使用时间约为 8 小时。
• 当发射机指示灯持续发红光时，应立即更换电池，如右侧 示意图所示。
调整增益
• 拧下话筒头，可以看到增益调整开关 • PGX2 上有两个增益设置 ቢ 。可以用笔尖或小螺丝刀拨
要启用新选择的组或频道，只需等待数字停止闪烁即可。
77
SHURE PGX 无线系统
故障排除
问题
没有声音或声音 微弱
指示器 （灯） 状态
发射机电源灯亮，接 收机发光二极管亮
接收机发光二级管 关闭
发射机电源指示灯 发红光或闪烁红光
发射机电源指示灯 熄灭
失真或多余的猝发 噪声
失真电平逐渐增加
其中一个数字闪烁时按 channel 按钮可以让设置数值增加 1。
要更改组 值，可在
第一个数字显示时 松开 channel 按钮 ...
... 然后按 channel 按钮 以增加该值。
要更改频道 值，可以在
显示第二位数字时 松开 channel 按钮 ...
... 然后按 channel 按钮 以增加该值。
ᕡᕢᕣ
ᕤ ᕥᕦ
ᕡ audio （音频）发光二极管 （LED）
指示拾取音频信号的强度：绿 色为正常，琥珀色为强，红色 为峰值。
ᕢ 发光二极管显示屏
请参见 “ 单系统设置 ” on page 76。
ᕣ channel （频道）按钮
请参见 “ 单系统设置 ” on page 76。
ᕤ ready （就绪）发光二极管 （LED）
audio
channel
select
< 15 cm (8 in.)
sync ready
or
sync
当接收机 ready 灯亮时，系统准备就绪可以使用。关闭发射机电池舱。
76
中文版
多系统设置
有关频道兼容信 息，请参见附带 的频率和频道指 南。
多系统设置需要使用 组 和频道。在发光二极管显示屏上，左侧的数字 表示当前组，右侧数字表示当前的频道。
PGX 提供了 8 个可供选择的系统，以及经过巡演测试的无线系统，可将其 用于吉他、器乐及声乐话筒 －其中包括富有传奇色彩的 SM58 ® 声乐话筒。 它是现场演出音响领域的佼佼者，也是您实现最佳音响效果的最简单无线系 统选择。
目录
系统组件 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72 PGX4 接收机功能 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73
前面板 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73 后面板 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73 PGX2 手持式发射机 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74 更换电池 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74 调整增益 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74 PGX1 Bodypack 腰包发射机 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75 Bodypack 腰包发射机的佩戴. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75 更换电池 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75 调整增益 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75 单系统设置 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76 多系统设置 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77 手动频率选择. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77 故障排除 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78 锁定和解锁控制器 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78 规格 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .79 备件 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .80
单系统设置
1. 自动频率选择 按下并松开 channel 按钮。将扫描信号清晰的频道，然后将接收机设置在该 频道。
发光二极管屏幕显示 当前使用的频道
channel
按下 channel 按钮 搜索信号清晰的频道
系统扫描最清晰的 可用频道
2. 发射机自动设置
打开发射机
打开发射机电池舱，露出红外 （IR）端口 （请参见第 74 页和第 75 页）。 当发射机红外端口对准接收机时，按 sync （同步）按钮。 按住 Sync ( 同步 ) 按钮，直到发射机与接收机上的红色指示灯停止闪烁为 止。
动开关。
PGX
• 0dB：用于安静至正常声音的演出。
• –10dB: 只有在由于声音电平过高而发生失真
时才使用。
BIAS AUDIO
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