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CATALOG
➢ Chinese traditional Opera ➢ History of Chinese Opera Development ➢ Classification of Opera ➢ The Inheritance and Present Situation of Opera
1 Chinese traditional Opera
Comprehensiveness, virtuality and stylization are the main artistic features of Chinese operas. These characteristics, condense the essence of Chinese traditional aesthetics, constitute a unique view of drama, making Chinese opera shine its unique artistic brilliance on the great stage of world opera culture.
Tang dynasty During the Tang Dynasty, the unprecedented integration of North and South cultures and large-scale exchanges of Chinese and foreign cultures created a good social atmosphere for the prosperity of literature and art. Haiyou comic performances in the Pre-Qin Dynasty evolved into military operas, which became the most important theatrical style in the Tang Dynasty. The classifications of the roles and acts in the military play are relatively clear, and there are relatively fixed design arrangements in the plot.
Chinese Opera：Chinese Opera mainly includes drama and drama. Traditional Chinese opera is a traditional Chinese drama. After a long period of development and development, Chinese opera gradually formed the core of the Chinese opera with five major operas, namely Peking Opera, Shaoxing opera, Huangmei Opera, Ping Ju opera and Henan opera. Drama is a form of Western drama introduced in the 20th century.
Yuan dynasty Yuan Dynasty is the golden age in the history of Chinese drama. The drama of the Yuan Dynasty emerged as the mainstream of the development of literature and art by means of the northern opera drama (Yuan zaju) and the southern opera (Southern Drama), which was the mature drama art form and the emergence of a large number of outstanding drama works, and opened a new world for the development of Chinese drama. The legends of Ming and Qing Dynasty inherited the achievements of drama art of Yuan Dynasty, especially along the development vein of Southern Opera, which occupied the stage of drama from the early Ming Dynasty to the late Qing Dynasty for nearly 400 years.
பைடு நூலகம்
Song dynasty In the Song Dynasty, the Tang Dynasty's "Joining the Army Opera" and other operas of song and dance further developed and merged to produce Song Opera. Its duplicate is generally composed of three parts: Yanduan, Zhengzaju and miscellaneous costumes. The roles in the stage are male protagonist (末泥), female protagonist (引戏), laughed person (副净), laughed person (副来), official (装孤). Although song Zaju is still a farce, its dramatic structure and role play already have the rudiment of Chinese drama and closer to the mature drama.
3 Classification of Opera
Beijing opera Beijing Opera is one of the five major operas in China. Its layout is focused on freehand brushwork and accompaniment with Hu Qin and Gong and drum. It is regarded as the quintessence of Chinese culture. In the Qianlong years of the Qing Dynasty, the performers who had performed in the South entered Beijing in succession. They cooperated with artists from Hubei, and accepted some of the operas, tunes and performing methods of Kunqu Opera and Shaanxi opera. After the formation of Peking Opera, it began to develop rapidly in the court of the Qing Dynasty until the unprecedented prosperity of the Republic of China.
Ming and Qing Dynasties The legend of Ming and Qing Dynasty is a form of opera developed from Southern Opera of Song, Yuan and Yuan Dynasties. It originated in the late Yuan Dynasty, spread in the early Ming Dynasty, flourished in the Jiajing Period of the Ming Dynasty, flourished in Wanli, and extended to the late Ming and early Qing Dynasties.
2 History of Chinese Opera Development
Han Dynasty to Sui Dynasty From time to time in Qin and Han Dynasties, there were "hundred operas" which included various acrobatic illusions, songs and dances dressed up as characters or actions, simple narrative performances and other ancient music and dance, and acrobatic performances, which reached its peak at the time of Emperor Wudi of Han Dynasty. One of the most outstanding is Huanggong in the East China Sea, in which one acts as Huanggong and one acts as a tiger to compete in a gladiatorial contest to express the content in a prescribed plot. It can be said that the performance of Huang Gong in the East China Sea has the original form of drama, which is of great significance in the history of Chinese drama.
Choice of subject matter：The theme of Chinese drama, apart from part of the real life, takes part in historical boxes or historical legends, and most of them directly take literary works. Traditional poems, novels, scripts, legends, etc
Local opera in Qing Dynasty is the third stage of classical opera. It shares the same artistic form with modern and contemporary operas.
Modern Drama Chinese drama is introduced from the west to China, and Western drama as an external form of art is bound to undergo a running in and adaptation process if it wants to be rooted in the cultural soil of the Chinese nation.
➢ Chinese traditional Opera ➢ History of Chinese Opera Development ➢ Classification of Opera ➢ The Inheritance and Present Situation of Opera
1 Chinese traditional Opera
Comprehensiveness, virtuality and stylization are the main artistic features of Chinese operas. These characteristics, condense the essence of Chinese traditional aesthetics, constitute a unique view of drama, making Chinese opera shine its unique artistic brilliance on the great stage of world opera culture.
Tang dynasty During the Tang Dynasty, the unprecedented integration of North and South cultures and large-scale exchanges of Chinese and foreign cultures created a good social atmosphere for the prosperity of literature and art. Haiyou comic performances in the Pre-Qin Dynasty evolved into military operas, which became the most important theatrical style in the Tang Dynasty. The classifications of the roles and acts in the military play are relatively clear, and there are relatively fixed design arrangements in the plot.
Chinese Opera：Chinese Opera mainly includes drama and drama. Traditional Chinese opera is a traditional Chinese drama. After a long period of development and development, Chinese opera gradually formed the core of the Chinese opera with five major operas, namely Peking Opera, Shaoxing opera, Huangmei Opera, Ping Ju opera and Henan opera. Drama is a form of Western drama introduced in the 20th century.
Yuan dynasty Yuan Dynasty is the golden age in the history of Chinese drama. The drama of the Yuan Dynasty emerged as the mainstream of the development of literature and art by means of the northern opera drama (Yuan zaju) and the southern opera (Southern Drama), which was the mature drama art form and the emergence of a large number of outstanding drama works, and opened a new world for the development of Chinese drama. The legends of Ming and Qing Dynasty inherited the achievements of drama art of Yuan Dynasty, especially along the development vein of Southern Opera, which occupied the stage of drama from the early Ming Dynasty to the late Qing Dynasty for nearly 400 years.
பைடு நூலகம்
Song dynasty In the Song Dynasty, the Tang Dynasty's "Joining the Army Opera" and other operas of song and dance further developed and merged to produce Song Opera. Its duplicate is generally composed of three parts: Yanduan, Zhengzaju and miscellaneous costumes. The roles in the stage are male protagonist (末泥), female protagonist (引戏), laughed person (副净), laughed person (副来), official (装孤). Although song Zaju is still a farce, its dramatic structure and role play already have the rudiment of Chinese drama and closer to the mature drama.
3 Classification of Opera
Beijing opera Beijing Opera is one of the five major operas in China. Its layout is focused on freehand brushwork and accompaniment with Hu Qin and Gong and drum. It is regarded as the quintessence of Chinese culture. In the Qianlong years of the Qing Dynasty, the performers who had performed in the South entered Beijing in succession. They cooperated with artists from Hubei, and accepted some of the operas, tunes and performing methods of Kunqu Opera and Shaanxi opera. After the formation of Peking Opera, it began to develop rapidly in the court of the Qing Dynasty until the unprecedented prosperity of the Republic of China.
Ming and Qing Dynasties The legend of Ming and Qing Dynasty is a form of opera developed from Southern Opera of Song, Yuan and Yuan Dynasties. It originated in the late Yuan Dynasty, spread in the early Ming Dynasty, flourished in the Jiajing Period of the Ming Dynasty, flourished in Wanli, and extended to the late Ming and early Qing Dynasties.
2 History of Chinese Opera Development
Han Dynasty to Sui Dynasty From time to time in Qin and Han Dynasties, there were "hundred operas" which included various acrobatic illusions, songs and dances dressed up as characters or actions, simple narrative performances and other ancient music and dance, and acrobatic performances, which reached its peak at the time of Emperor Wudi of Han Dynasty. One of the most outstanding is Huanggong in the East China Sea, in which one acts as Huanggong and one acts as a tiger to compete in a gladiatorial contest to express the content in a prescribed plot. It can be said that the performance of Huang Gong in the East China Sea has the original form of drama, which is of great significance in the history of Chinese drama.
Choice of subject matter：The theme of Chinese drama, apart from part of the real life, takes part in historical boxes or historical legends, and most of them directly take literary works. Traditional poems, novels, scripts, legends, etc
Local opera in Qing Dynasty is the third stage of classical opera. It shares the same artistic form with modern and contemporary operas.
Modern Drama Chinese drama is introduced from the west to China, and Western drama as an external form of art is bound to undergo a running in and adaptation process if it wants to be rooted in the cultural soil of the Chinese nation.