爱丽丝门罗的《逃离》

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《逃离》的读书笔记(精选5篇)

《逃离》的读书笔记(精选5篇)

《逃离》读书笔记当认真看完一本名著后,相信大家都有很多值得分享的东西,为此需要认真地写一写读书笔记了。

但是读书笔记有什么要求呢?以下是小编为大家收集的《逃离》的读书笔记(精选5篇),希望对大家有所帮助。

《逃离》读书笔记1《逃离》只为过一种更为真实的生活,这是门罗在她的短篇小说《逃离》中的一句话,是否真能逃离,《逃离》会告诉大家。

“我一直感到需要过一种更为真实的生活。

”《逃离》里卡拉的一句话一下子将我拉回过去的十年。

大学校园里,无以填补的孤单、对未来漫无边际的不知所措、等待被爱却不能得到,渴望而又无从与人分享……那些浅浅的痛楚,虽然从未有过轩然大波,但始终不曾彻底离去。

日子似乎垂手可及,可手太无力。

毕业后,找工作、换工作,恋爱、分离。

不知道是意识太清醒,还是生活太像梦游,总是想要向未来一头扎去,总是以为这一次是光明坦途,总是觉得留在身后的值得舍弃。

没有去流浪,没有去私奔,也没有呼天抢地,但“人生另有活法”的念头挥之不去。

十年里,为“另一种活法”付诸了种种努力。

还没来得及丧失信心,那遥不可知的另一种活法已被岁月漂白得失去了意义。

当手找到了合适的位置、脚习惯了每天的姿势、胃养成了规律,心灵和头脑在百折千回中沉淀了自己,也越来越清楚地明白每天都已是生活在未来里。

有了独立周延的内心,又发现还不太会画外在的圆。

即使是深爱的人,有时候也会觉得多余,常常想退回到一个人的大圆满里去。

于是,偶尔会发呆,偶尔会耍赖,偶尔要“告假”,偶尔干脆直言“我需要经营经营自己”。

《逃离》读书笔记2想当然地觉得《逃离》是一本长篇小说,因为中短篇小说集在国内难获出版,更不被普遍患有长篇小说迷狂症的读者青睐,《逃离》的出版方也在淡化它的中篇小说集形象,事实上,《逃离》由八个略长的中篇小说组成,其中三个是连贯的,但艾丽丝·门罗的小说,每一篇,都足以当做长篇小说来读。

用阅读感觉来划分,中短篇小说可以粗略地、武断地分为两种,一种像核桃、玻璃球,但求畅快、戏剧化,主张精巧和俏皮,发展到极端,就是欧·亨利和星新一,为了这一段故事不顾一切,倾家荡产地盛装上演,刻意破坏人生的肌理,罔顾人生的开放性,我们受这种小说熏陶多年,以至于形成了阅读上的恶习。

《逃离》读后感

《逃离》读后感

《逃离》读后感《逃离》读后感(精选3篇)细细品味一本名著后,你心中有什么感想呢?此时需要认真地做好记录,写写读后感了。

那么你真的会写读后感吗?以下是小编帮大家整理的《逃离》读后感(精选3篇),希望对大家有所帮助。

《逃离》读后感1爱丽丝门罗的作品集来到我家的书架上完全是由于她得了去年的诺贝尔文学奖,在此之前我根本不知道她。

是某个对我闺女怀有青春期骚动的小子几乎在诺奖公布的第一时间弄来了这本书。

算得上时髦又风雅的礼物,女儿看上去很喜欢,而我不像小丫头那样性急,我得看完它再说。

憋了半年后才读它是出于反潮流的情绪,真正的文学和新鲜度无关,相反,经得起时间筛选的才是好书。

昨天看完了第一篇《逃离》,有点失望。

稍后发现错在我自己,由于诺贝尔的光环,我把它设想成一顿大餐,结果很清淡。

清淡不见得就不是美食,扉页上也说了,平凡和僻静是门罗的写作风格。

是诺贝尔奖要引领低糖低脂的时尚口味,是那些评委总是喜欢另辟创意,比如:他们可以把反贼和忠良放在同一个获奖台上。

一点也不像春晚那么死板,换了谁当导演都是一成不变的姹紫嫣红。

先得把情节提炼出来,看别人写读后感全是这样的,我以前老是把这个程序省略。

卡拉和克拉克是一对穷夫妻,在一个好像是旅游景点的地方经营了一个马场。

这个夏天因为连日阴郁,暑期里的生意有点惨淡,连家里的宠物山羊也不恰时宜地玩起了失踪。

反正一切都糟透了,夫妻俩的坏情绪像潮湿空气里的霉斑一样滋长。

丈夫克拉克逼着妻子卡拉去敲诈有钱的邻居,一肚子怨气的卡拉反倒在好管闲事的邻居帮助下起了离家出走的念头。

在逃跑的长途车上卡拉想起了自己更早一次逃离经历‐‐几年前她不顾一切的跟克拉克私奔。

回忆让卡拉从逃脱的兴奋转向前途迷茫的恐惧,然后她回家了。

天气晴朗了,明媚阳光下的马场似乎还是那么忙碌和美好。

然而邻居的来信无意中揭示了卡拉钟爱的山羊是被克拉克谋害了,可能这小气的男人在吃山羊的醋。

刺痛卡拉的尖刺依旧存在,不过,现在她选择了忍受。

《逃离》读后感

《逃离》读后感

《逃离》读后感《逃离》是加拿大作家艾丽斯·门罗的一部短篇小说集,其中包括《逃离》《机缘》《匆匆》《沉寂》《法力》等八个故事。

这些故事主要围绕女性的情感和生活展开,探讨了爱情、婚姻、家庭、自由等主题。

小说中的主要人物有南希和威尔夫、泰莎和奥利等。

南希年轻时是个热情的充满活力的女孩,她早就喜欢威尔夫,威尔夫是个高雅有品懂音乐、性格沉稳冷静的医生。

泰莎是个家庭境况艰难的女孩,具有透视能力,能看见看不见的事物。

奥利患有肺结核,由少时充满好奇心的研究者和有才华的写作者沦为倒腾等为生。

其中南希也扮演叙述者,虽然人称是第一人称和第三人称转换使用,但一直从南希的角度讲述故事,以内聚焦视角的方式展开叙述。

小说由五个故事构成,分别是《让但丁休息片刻》《穿大翻领水手服的姑娘》《头上的空洞》《方块、圆圈、星星》和《窗台上的苍蝇》。

小说的表层结构为威尔夫向金尼求婚未果和南希结婚,在他们结婚之前,南希认识了奥利,并带奥利去见识泰莎能够透视的神奇能力。

后来奥利把泰莎的超能力写成文字引起了关注,奥利也把泰莎作为研究对象,自然而然的奥利和泰莎在一起了。

然后由于种种原因,对泰莎的科学研究无法再进行下去,并且泰莎的法力也在慢慢消失,奥利和泰莎靠小把戏继续维持泰莎拥有神奇能力的假象。

最后他们分开了,当多年以后南希见到他们的时候,他们都声称对方已经死了。

小说的题目《法力》,其中法力指的是泰莎拥有的特殊能力。

她能够透视,即使不看也知道奥利和口袋里究竟有些什么东西,即使是与她无关的事物,她也能知道它在哪,怎么样了。

因此许多人慕名而来向她求教。

然而这样的能力却在被奥利当成研究对象以后,认真研究的过程中慢慢消失,也在她与奥利即将分开的前夕回归。

《法力》实际上是讲一个逃无可逃,无需再逃的故事。

与前面几篇不同,前面的故事中的女主人公总是在试图逃离,但最终无法逃脱。

而这篇小说里的两个女主人公,南希和泰莎,都没有过试图逃离。

南希从一开始就接受了婚姻,即使她知道婚姻会改变她的生活方式,阻碍她的工作,阻碍她写日记,并且她还将面临去打理照料一个家庭的责任,但是她似乎没有想逃。

爱丽丝·门罗作品之《逃离》的女性人物分析

爱丽丝·门罗作品之《逃离》的女性人物分析

爱丽丝·门罗作品之《逃离》的女性人物分析摘要:《逃离》是加拿大杰出文学家爱丽丝·门罗的代表作。

这部作品主要描写了女主角卡拉的两次逃离事件,在这个过程中体现出女性意识曲折成长的经历。

由于两次逃离背景的不同,最终导致了不一样的结局。

作家门罗认为如果一个女性想要拥有主体意识,首先要获得经济与思想的独立。

关键词:爱丽丝·门罗;逃离;自我独立意识《逃离》中,卡拉和西尔维娅,由于社会阶层的不同,使得她们内部性格的差别异常明显,卡拉缺乏主见并且内心具有依赖惯性,而西尔维娅具有强烈的自尊心和优越感。

但是,她们却有一个共同之处,就是都有强烈的想要逃离婚姻的愿望或者诉求。

一、卡拉1.自我意识的觉醒与成长从《逃离》这本小说的故事背景中,可以知道,《逃离》中女主角们的父母大多受到了上世纪五十年代思想解放运动的影响,他们行为开放、追求独立、不受束缚,但常常处理不好家庭内部的关系。

卡拉总是受到母亲和继父的冷落,感受不到理解与被爱。

所以,在与克拉克相遇之后,选择离家出走的方式去逃离父母,从此开始自己的新生活,并且,从此不再与家人联系。

卡拉的出走,证明她的自我意识已经开始觉醒,她知道自己的感受,了解自己想要的生活,对待事情开始有了自己的见解,对美好生活有了向往,从而选择了逃离家庭。

2.自我成长的依赖惯性但是,第一次的逃离,只是初长成人的卡拉,非常稚嫩的或者不成熟的、不独立的逃离,她从依赖母亲和继父的没有关爱的家庭中逃离,转而去投靠和依赖她的恋人克拉克,我们从她这一少女的第一次重大决定中可以了解,她起初性格中的种子,便是不独立和依赖他人。

试想,如果没有某一个恋人的出现,卡拉还会从家庭中逃离出来吗,也许不会,因为,她本人并没有独立的意识和能力,也许,她仍会忍受下去。

从她的第二次逃离中,我们仍然可以看出她的依赖惯性。

在卡拉忍受了她的丈夫克拉克的粗暴脾气,小心翼翼的生活多年之后,她终于萌生了要逃离的想法,但是,凭她自己,是无法完成逃离的,因为她“没有钱…‘没有住的地方…‘没有工作”,而所有这些困难,都是在她的邻居西尔维娅的帮助下才克服的,她才鼓足勇气逃离。

《逃离》读后感

《逃离》读后感

《逃离》读后感《逃离》是加拿大作家艾丽丝·门罗的一部短篇小说集,其中收录了八篇风格各异的小说。

这些小说以女性为主角,描绘了她们在生活中的种种困境和选择,展现了女性成长过程中的复杂心态和情感。

门罗的小说以其细腻的描写和深刻的洞察而著称,她能够捕捉到人物内心最细微的情感变化,揭示出生活中的种种矛盾和无奈。

在《逃离》中,门罗通过对女性角色的塑造,展现了女性在社会、家庭和爱情中的困境。

她笔下的女性们,无论是年轻的还是年长的,都面临着各种各样的挑战和抉择。

小说中的一些女性,在成年之初,就打着决心过一种“真实的”生活的旗号,过早地抛弃了自己所成长的“家”。

她们以为“爱情”可以将她们从原有状态中拯救出来,以为那是一条通往想象的“自由”之路。

然而,她们往往在追求爱情的过程中,失去了自我,陷入了痛苦和迷茫之中。

例如,卡拉在十八岁时离家出走,留下便笺说自己要去过一种“真实”的生活,却没有意识到自己所抛弃的是什么。

茱丽叶怀抱几个月的非婚生女儿回娘家探亲,却还惦记着向街上的旧同窗证明自己不是女学究,她想用自认为酷的婚姻关系来报复曾对她冷嘲热讽的家乡。

这些女性的行为,反映了她们在社会压力和个人追求之间的挣扎。

她们想要追求自由和独立,却又无法摆脱传统观念和社会规范的束缚。

她们在爱情和家庭之间徘徊,不知道该如何选择。

门罗通过这些女性的形象,揭示了社会对女性的种种限制和压迫,以及女性在这种环境下所面临的困境。

然而,门罗并没有对女性的困境进行批判性的批判,而是以一种观察的态度,展现了女性在这种困境中的种种选择和挣扎。

她笔下的女性们,并不是被动的受害者,而是有自己的思想和情感的个体。

她们在困境中不断地寻找自我,试图找到一种平衡和解决之道。

例如,茱丽叶在经历了一系列的挫折和反思之后,最终意识到了自己对家庭的责任,重新回到了母亲的身边。

除了对女性困境的描绘,门罗的小说还展现了女性之间的情感和关系。

在小说中,女性们彼此支持、相互理解,共同面对生活中的困难。

爱丽丝门罗逃离读后感

爱丽丝门罗逃离读后感

爱丽丝门罗逃离读后感《爱丽丝门罗逃离》是加拿大著名作家爱丽丝·门罗的一部小说,该小说以其深刻的思想和细腻的情感描写而著称。

小说以一个女主人公的成长故事为主线,通过对她的情感经历和人生抉择的描写,深刻地反映了人性的复杂和生活的无常。

读完这部小说,我深受感动,也对生活有了更深刻的思考。

小说的主人公是一个普通的女孩,她的成长历程充满了坎坷和挫折。

在家庭和爱情中,她经历了无数的磨难和考验,但她从未放弃对幸福的追求。

她坚强、勇敢,面对生活的种种困难,她从不退缩,始终保持着乐观的态度。

在小说中,作者通过对主人公的情感经历和内心世界的描写,展现了人性的复杂和多变,也让人深刻地感受到了生活的不易。

在小说中,作者对人物的塑造非常细腻,每个角色都有着丰富的内心世界和独特的性格特点。

通过对这些角色的描写,作者成功地展现了人性的复杂和多变。

在小说中,主人公面对家庭和爱情的考验,她的内心世界也发生了巨大的变化。

她从一个懵懂无知的少女成长为一个坚强、独立的女性,她学会了面对困难和挫折,也学会了珍惜生活中的每一个美好瞬间。

通过对主人公的成长历程的描写,作者深刻地反映了人性的复杂和多变,也让人对生活有了更深刻的思考。

在小说中,作者对生活的描写也非常细腻。

通过对主人公的情感经历和人生抉择的描写,作者成功地展现了生活的无常和多变。

在小说中,主人公经历了无数的坎坷和挫折,但她从未放弃对幸福的追求。

她坚强、勇敢,面对生活的种种困难,她从不退缩,始终保持着乐观的态度。

通过对主人公的情感经历和人生抉择的描写,作者深刻地反映了生活的无常和多变,也让人对生活有了更深刻的思考。

通过阅读《爱丽丝门罗逃离》,我深受感动,也对生活有了更深刻的思考。

小说以其深刻的思想和细腻的情感描写而著称,通过对主人公的情感经历和人生抉择的描写,作者成功地展现了人性的复杂和多变,也让人深刻地感受到了生活的不易。

通过对生活的描写,作者深刻地反映了生活的无常和多变,也让人对生活有了更深刻的思考。

艾丽丝·门罗逃离读后感6篇

艾丽丝·门罗逃离读后感6篇

艾丽丝·门罗逃离读后感6篇《逃离》读后感(1):【暂时无题】有一部叫做《谁都有秘密》的韩国电影是我唯一看了三遍的戏,但是到如今情节什么都记不清了,唯独忘不了它的一句台词“(谁都有秘密)它不能让你快乐,但你可以让它成为快乐。

”今天读完《逃离》一下子就想起了这句话卡拉决心逃离当下的生活,但在半路上便后悔了。

朱丽叶,放弃学术生涯,逃离父母,投奔偶遇的乡间男子。

女儿长大后也逃离了她,而朱丽叶似乎越来越过着父母当年的生活。

劳莲,逃出枯燥生活结识了大朋友,却也牵出了一段秘密往事。

若冰,在逃离的途中有了奇遇,但是命运却给了她一个玩笑。

所有的故事最终都在某种程度上回到了最初。

逃了可以永远逃开吗?历史总是让相似的境遇再现,该经历的又怎能躲过?逃离途中的奇遇又会是真切的吗?它经得起时间的考验吗?或许它只是命运的一个恶作剧。

回到了原来痛苦,枯燥,压抑的生活,但是她们也带回了关于一次不同寻常经历的回忆。

回忆改变不了生活的主旋律,它不能使生活变得快乐,但是她们可以让它成为快乐。

也许我永远都会抱怨生活的不顺心,会烦恼自己看不清自己。

但是生活中的一次次逃离会让我有走下去的动力。

《逃离》读后感(2):一段河流想当然地觉得《逃离》是一本长篇小说,因为中短篇小说集在国内难获出版,更不被普遍患有长篇小说迷狂症的读者青睐,《逃离》的出版方也在淡化它的中篇小说集形象,事实上,《逃离》由八个略长的中篇小说组成,其中三个是连贯的,但艾丽丝·门罗的小说,每一篇,都足以当做长篇小说来读。

用阅读感觉来划分,中短篇小说可以粗略地、武断地分为两种,一种像核桃、玻璃球,但求畅快、戏剧化,主张精巧和俏皮,发展到极端,就是欧·亨利和星新一,为了这一段故事不顾一切,倾家荡产地盛装上演,刻意破坏人生的肌理,罔顾人生的开放性,我们受这种小说熏陶多年,以至于形成了阅读上的恶习。

另一种中短篇,像截了一段大河,却不是物理上的那种截断——那种竭泽而渔的截断,而是心理上的,为观看的方便而截的,前因后果都潜藏着,丰沛奔涌也照旧,甚至比看到整条河流更为浩荡。

逃离-爱丽丝门罗 观后感 赏析

逃离-爱丽丝门罗 观后感 赏析

逃离-爱丽丝门罗观后感赏析逃离,或许是旧的结束。

或许是新的开始。

或许只是一些微不足道的瞬间,就像看戏路上放松的脚步,就像午后窗边怅然的向往。

一次次逃离的闪念,就是这样无法预知,无从招架,或许你早已被它们悄然逆转,或许你早已将它们轻轻遗忘。

无论是十八岁从父母家出走如今又打算逃脱丈夫和婚姻的卡拉;放弃学术生涯,毅然投奔在火车上偶遇的乡间男子朱丽叶;从小与母亲相依为命,某一天忽然消失得再无踪影佩内洛普;已然谈婚论嫁,却在一念之间与未婚夫的哥哥出逃了一个下午格雷斯……真正的逃离不是物理空间上的,而是心灵的。

第一篇《逃离》的结尾,主妇卡拉最终还是回到了丈夫克拉克身边。

可是白山羊弗洛拉的尸体阻隔了他们心灵接触的可能。

大隐隐于市,这是一样的道理。

最终极的逃离不是我逃到天涯海角,你遍地寻觅不到,而是我和你相距不过咫尺,却再无靠近的可能。

卡拉年轻鲜活,西尔维亚像女主人爱慕一只刚刚孵出的小鸡一般喜爱她。

但这种爱隔着多少时空呢!卡拉永远不能体谅一个迟暮女人对新鲜热腾的事物的爱慕,对于生命的记念和追挽比西尔维亚拥有的所有财产重要得多,而卡拉需要的仅仅是一小叠满足她对美好物质生活的追求的钞票而已。

卡拉带着西尔维亚塞给她的一卷钞票逃离她的同居男友克拉克并给他留下了一张纸条:我已经走了,我不会有事的。

而出于同样的厌倦,几年前她逃离自己的父母时也留下了一张纸条:我一直感到需要过一种更为真实的生活。

我知道在这一点上我是永远也无法得到你们的理解的。

纸条上提到真实的字眼,仿佛只有她能理解“真实的”三个字如何在她的身体和心灵上留下的分量,也只有她和克拉克的相爱才能诠释“真实”的全部涵义,他们躺在草地上嚼草根哼歌,他们过着浪费金钱浪费时间的快乐时光。

但是过了多久呢,真实的日子陷入艰辛的窘迫现实,她和克拉克失去了激情,卡拉再一次留下纸条,惟一的特殊原因只是:去一个地方,过一种生活,那里将不会包括克拉克。

大巴士里没有年轻人,除了她自己。

现在的她正奔向未来世界,但恐惧感像轻烟袅袅冒出,她发现那逐渐接近的未来世界的奇特之处和恐惧之处在于,她无法融入其间。

一个女人的出路——解读爱丽丝·门罗《逃离》

一个女人的出路——解读爱丽丝·门罗《逃离》

要是因为不堪忍受克拉克男权体制下的生活,这貌似 可以看作一个极佳的女性主义反对男权的把柄。但我 们也不能因此片面理解卡拉和克拉克的关系,他们两 人之间难道就已经不存在爱情了吗?英国女性主义批 评家希拉·罗伯瑟姆曾指出:“男女之间的关系错综 复杂,难以理清,它不同于其他的压迫者和被压迫者 之间的关系。男女之间毕竟有互相吸引、互相爱慕的 一面。男女之间的关系是相当温和的暴政,女性在男 女亲热时被解除了武装。”小说中的卡拉并没有旗帜 鲜明地表明已经不再爱克拉克了,她在逃往多伦多的 大巴上思绪万千的仍是克拉克,克拉克在她的心里仍 然占据着不可替代的位置。所以卡拉的因女性意识觉 醒选择逃离,很有可能只是出于自己的女性尊严受到 侵犯,忍受不了男权压制下的生活,但并不是因为爱 情完全毁灭。女性主义者一直高扬女性要实现真正的 主体意识独立,而且是经济和思想的双独立,如果卡 拉真这样做了,那她就胜利了吗?所以我们不能因过 分强调卡拉的女性意识,而一棍子打死她和克拉克之 间的爱情。 当然,门罗不会让卡拉变成那样完全独立女性 主义者,因为卡拉不是那样的强人,而且那也不是女 人的出路。小说的结尾,回归后的卡拉虽然能短时间 和克拉克旧情重燃,但最终仍会带着心中的刺痛,在 压抑、窘困的生活中继续生活,就像她逃离之前过的 那样,这就是作者想指出的女人的出路。门罗曾经说 过:“有人还是认为女人会找到生活出路的。从前, 结婚就是出路。近年来,离开丈夫成了出路……我没 有这样的出路。在我看来,这样的出路很可笑。我的 出路只是过日子,活下去……我喜欢这个观点,我们 过日子,活下去,不知道发生了什么,也不知道会发 生什么。我们自以为把一切都琢磨透了,可它们偏偏 跟我们想的不一样。没有一种想法是永恒的。”
·5O WEN XUE JIAN SHANG
然,在开往多伦多的大巴上,卡拉心绪万千,内心对 陌生的未来,对没有克拉克的生活充满恐惧,她断然 下车,并打电话让克拉克去接她,重新回到了让她不 堪忍受的生活之中。 卡拉的逃离失败了,生活重归平静。一场逃离 好像改变了一些东西,又好像什么也没改变。美国学 者哈莉艾特·B·布平克博士认为:“在妇女所接受 的教育中,女性魅力是与听从、依靠和被动的特征相 联系的。然而,在当今的事业中,若想取得成就,妇 女就必须果断、独立、有竞争力和志向远大。”这两 种特征(一组是取得成功所必需的特征,一组是在纯 粹意义上作为女性能被人接受所需要的特征)显然会 产生矛盾。因而女性害怕被抛弃,害怕被她们的战胜 者报复,害怕自己所爱的人拒绝和蔑视自己,害怕失 去女性魅力和对男子的性吸引力。因此,几乎所有女 性都不愿扮演雄化女人的角色,这也是与所谓“本质 女性”相对立的。由此可见,女性意识变成了既是卡 拉逃离丈夫的原因,也是她逃离失败的原因。虽然本 能反抗丈夫的男性霸权,但卡拉仍然离不开他。如果 这不是因为爱,那就是卡拉已经习惯了克拉克为代表 的男权体制下的生活。最后的逃离虽未成功,却在一 定程度上改善了夫妻关系。只是一切都是暂时的,一 段幸福日子过后,卡拉将会重归枯燥无趣的生活。小 说末尾,卡拉似乎也意识到了这点,她对于埋在心里 的那个刺痛已经能够习惯,她尽其所能抵抗着那个永 远深藏着的诱惑。所以女性主义的启蒙和觉醒也并非 卡拉的出路。 三、一个女人的出路 那么,《逃离》中的卡拉难道就注定无法逃离 了吗?作为一个女人,她的出路在哪里? 前文已提及,卡拉的第一次逃离是一种成人仪 式意味的逃离,并不具有女性意识的意义。而第二次 逃离,卡拉作为一个具有女性意识的女人的逃离,主

《逃离》读后感

《逃离》读后感

《逃离》读后感《逃离》的女主人公卡拉,自幼随单亲母亲生活于一个重组家庭,感受不到家庭温暖。

上大学前,她对丈夫克拉克一见钟情,不顾家人反对,放弃学业,与其私奔,去追寻自己的“真实的生活”。

走入婚姻后,二人经营马场,开培训班,现实而琐碎,日子平淡而无聊。

随之,两人的感情冲突增加,卡拉甚至遭受到家庭暴力。

面对窒息痛苦的婚姻,她再次萌生逃离念头。

终于,在雇主西尔维娅的帮助下,她踏上逃离之路。

就在真正能够逃离的时刻,她对未知的未来产生恐惧,选择放弃,回到了丈夫身边,带着“刺”继续生活。

短篇小说的张力很大部分源自叙事方式,源于文字冰山下所隐藏的力量。

在这样几近白开水的题材中,爱丽丝·门罗的叙事能力当得起大师称号。

小说中,卡拉最疼爱的羊羔弗洛拉先是走失,再失而复得,最后再无故消失。

弗洛拉的意象是卡拉的一部分自我。

这部分自我,向往自由,不甘被苑囿,就像弗洛拉不愿被圈养在马场,离家出走,也像卡拉,不愿被窒息的婚姻所困,想要逃离。

但卡拉和弗洛拉都是在离开后,又主动回归。

所不同的是,文中字里行间透露出的信息,弗洛拉最终可能是被丈夫杀害。

这个结局,也暗含卡拉最终扼杀掉一部分自我,从疼痛走向蓄意的麻木。

门罗也是残酷的。

她只是展现生活,展示人,只是叙述,从不试图去为读者指点出路,不评判,不解释。

她既让读者看到卡拉身上青春憧憬的勇气,也暴露了她不敢逃离的怯懦。

同样是面对未知的未来,曾经的卡拉义无反顾,如今却宁愿埋葬部分自我,苟全生活。

生活从来没有一劳永逸,生活本身也没有标准答案,没有恒定的满足,也没有恒定的勇气。

再或者,生活本就是我们自身。

如果感到生活匮乏,或许也是自我的匮乏。

我们的许许多多不同的自我,总有许多不同需求。

因此,解决生活难题的过程,也是面对自我需求的变化,不断地调整,自适,自洽的过程。

卡拉的三次逃离,是她不同的自我需求无法被满足的体现。

卡拉的第一次逃离,是一个在原生家庭无法得到关注和爱的女儿;卡拉的第二次逃离,是被家暴的妻子;卡拉的第三次逃离,是一个对未来满怀恐惧的孤身女人。

爱丽丝门罗逃离读后感

爱丽丝门罗逃离读后感

爱丽丝门罗逃离读后感《爱丽丝门罗逃离》读后感。

《爱丽丝门罗逃离》是加拿大著名作家爱丽丝·门罗的一部作品,该小说以其细腻的笔触和深刻的情感描写而闻名。

小说讲述了一个女孩逃离家庭的故事,她在逃离的过程中经历了许多困难和挑战,最终找到了自己的归宿。

读完这部小说,我深受感动,也对人生有了更深的思考。

小说的主人公是一个叫做琳达的女孩,她生活在一个充满暴力和压迫的家庭中。

父亲是一个酗酒的人,经常对母亲和她进行暴力的打骂,母亲则是一个软弱无力的女人,无法保护自己和女儿。

在这样的环境下,琳达感到无助和绝望,她渴望逃离这个家庭,寻找自己的自由和幸福。

在逃离的过程中,琳达遇到了许多困难和挑战,但她并没有放弃,而是勇敢地面对一切。

她在逃亡的过程中结识了许多朋友,他们给予了她帮助和支持,让她感受到了温暖和关爱。

最终,琳达找到了一个可以让她安身立命的地方,她重新开始了新的生活,迎接着未来的挑战和机遇。

通过琳达的故事,我深刻地感受到了生活中的困难和挑战,也明白了人生的意义和价值。

在面对困难和挑战时,我们不能放弃,而是要勇敢地面对,寻找出路。

同时,我们也要学会接受别人的帮助和支持,因为有时候,一个朋友的帮助就能改变我们的命运。

另外,小说还让我深刻地体会到了家庭的重要性。

一个和睦幸福的家庭是人生的港湾,它能给予我们力量和勇气,让我们在人生的旅途中不至于迷失方向。

而一个充满暴力和压迫的家庭则会给我们带来伤害和痛苦,让我们无法快乐和幸福。

因此,我们要珍惜家庭,努力营造一个和睦幸福的家庭环境,让每个家庭成员都能得到关爱和尊重。

总的来说,读完《爱丽丝门罗逃离》让我受益匪浅。

通过琳达的故事,我学会了勇敢地面对困难和挑战,也明白了家庭的重要性。

我相信,只要我们勇敢地面对生活,珍惜家庭,就能找到自己的幸福和归宿。

这部小说不仅是一部感人至深的作品,更是一部给人以启发和鼓舞的作品。

希望每个人都能读到这部小说,从中汲取力量和勇气,勇敢地面对生活,追寻自己的幸福和梦想。

爱丽丝·门罗短篇小说《逃离》的空间叙事分析

爱丽丝·门罗短篇小说《逃离》的空间叙事分析

三、逃离不得的宿命空间
绪化,带着几分生活本身的漫无秩序,几分边缘式的
最后,笔者认为,文本中的空间构造了一个牢
卑微。在这里,生活充满一种陈旧的樟脑丸的气味和 固的、逃离不得的结构,与“逃离”的题旨相呼应,
锅里煮烂的土豆的香气,以及几分百无聊赖的叹息、 暗自诉说着一种逃离不得的宿命式寓言。小说的题目
昏昏欲睡的诗意。同时,正因为这种细碎化、平庸化、 为《逃离》(Runaway),在这里,人们可以发现,
鉴 赏
110
们的焦虑与生存的空间有着根本关系,比之于时间的 的幸福。卡拉对于“埋在心里的那个刺痛,她已经能
附近的人都把这稍稍隆起的土堆称为小山——的顶部 的心理意识抑或是潜意识有着一种巧妙的隐喻。文本
时,卡拉就已经听到声音了。”“小山”“土堆”“顶 中的空间都略带着几分冷寂暗淡的色彩或芜杂无聊的
部”等地标性的事物营造了一种立体的空间感。空间 特征。比如开头的一段描写:“云变得白了一些,薄
叙述由此开始建立。
故事情节的发展推进,都是在这几个主要空间结构里 了一片像湖那么大的水潭。”阳光不是明媚的、清晰
展开,以空间的转移、随意跳跃推动故事情节的发展。 的,而是一些“散漫的光”,并且总在晚饭之前就收
下面具体来分析小说《逃离》中这种空间叙事的特点。 敛,总给人几分黯淡冷寂、毫无生气的心理感受;暴
首先,文本中的空间叙事是由一种女性情绪化 风雨之后的跑道上,落满树枝的路、被压断的高压电
的意识、甚至是潜意识组织起来的非理性空间结构体, 线、被扯落的塑料屋顶等就像吃完了饭没来得及收拾
是一种普通女性心理视野下的空间。在描述卡拉在一 的餐桌一般狼藉,具有一种芜杂的态势,并且又都狼
个小道上的时候,文中写道:“小道上布满了水坑, 狈地静默着,充满了倦怠之感。这些空间特征与卡拉

门罗小说集《逃离》主题解读

门罗小说集《逃离》主题解读

门罗小说集《逃离》主题解读无所遁逃——门罗小说集《逃离》主题解读Nowhere to Escape---an Analysis on the Theme of Munro’s Collection of Short Stories Runaway摘要:加拿大女作家艾丽丝·门罗通过短篇小说集《逃离》对现实生活中女性生活经历的描述,向读者揭示了她们面对生活诸多无奈时内心的挣扎、彷徨、逃离、无奈与回归之情,使读者在心灵上产生极大震撼,在震撼之余产生深思。

关键词:艾丽丝·门罗;女性命运;逃离;无所遁逃Abstract: Alice Munro, a Canadian female writer, revealed the women’s feeling of struggling, hesitating, fleeing, frustrating and returning when facing many helpless conditions in life by depicting the life experiences of women, which could shock the readers greatly and make them ponder.Key words: Alice Munro, women’s fate, runaway, nowhere to escape一、引言艾丽丝·门罗(Alice Munro),2013年诺贝尔文学奖获得者,加拿大乃至世界范围内最优秀的短篇小说家,当代的“契科夫”。

她的大部分作品取材于其生活所在地--安大略省的一个小镇,以小镇居民日常生活中琐碎小事为原型,创作出一篇又一篇具有浓厚乡土气息的脍炙人口的经典小说。

门罗的作品重点将女性作为其主要创作对象,通过对这些女性在人生特殊时期—恋爱、死亡、重逢等时期的行为表现,突出反映了平凡女性在爱情、家庭生活等方面的真实生存状态,揭示了人与人之间既复杂又微妙的关系,细腻刻画出女性内心世界的欲望和期盼,挣扎和无奈。

艾丽丝·门罗《逃离》

艾丽丝·门罗《逃离》

艾丽丝·门罗《逃离》逃离食堂的门口有一棵树,向着横斜里伸展着几根粗粗的树枝,短短长长,树干上随意点缀着些浓淡不一的绿。

每每傍晚时分,我从那里走过,看它在夕阳里静静站立,就像站在油画里一般,说不出的朴拙和奇异,天边的山峦有时绚丽有时深沉,仿佛是多变的背景音乐,让它不变的姿态有了韵律,日日为我诠释着风格迥异的美。

有一天,我终于为它驻足,在暮色里出神。

学生时代的我们没丰富的生活,书本就是我们的天,不能沉醉却别无选择,按照程式完成了一次一次幼、小、中学生的角色转换,终于可以逃离书卷校园。

狂喜远不足以形容心情,纵然有着同吃,同住的上铺姐妹,但各奔东西的伤感怎么也挡不住我们匆匆离去的脚步。

踏入绮丽的大千世界,看到生活正热情的招手。

逃离的快感如山高,如水长。

快乐只是一层薄薄的面纱,没有来得及细细品味就被一阵流浪的风吹远了。

琐碎的日子流水无痕,夹杂着落叶缤纷,追想生活的时候,它是美的形态,投身其中,才感觉锋芒锐利。

捷克作家米兰·昆德拉在小说《玩笑》中说:“受到乌托邦声音的诱惑,它们拼命的挤进天堂的大门,但当大门在身后砰然关上时,它们发现自己是在地狱里。

”生命有时就是这样的黑色幽默,让渺小的人们难堪无助。

只有逃离,逃离成了我们本能的选择,某个地方,某个人,某项工作,某种羁绊。

只要感觉不再需要,不再快乐,我们就变得脚步匆匆,张望起别处的生活,仿佛那里到处闪耀着快乐、自由、幸福、梦想的诱惑之花。

可是,当我们怀着某种虚幻的愿望,极力的想在生活的秋千上荡到生命的最高处,最终回到的却还是它原来的位置。

生活在我们逃离的背影里开怀大笑,我们早已成了生活的一分子,无处可逃。

开始喜欢旅行,希望别处的风景时时宜人,以为陌生和距离会滤去尘沙,呈现哪怕不真实的美丽。

在千山万水中惊鸿一瞥,在浮光掠影中雁过无痕,却是偶尔惊艳,少有惊心动魄,兴味盎然而去,带着些许失落归来。

风景区从来热热闹闹,只是没有我们逗留的理由。

心寂寞,世界所以寂寞,花开遍地,有人看到的依旧是满眼寂寥落寞。

《逃离》读后感

《逃离》读后感

《逃离》读后感有幸读到几位文学圈人士联袂推荐的作品,加拿大女作家爱丽丝·门罗的短篇小说集《逃离》,这让我感到十分惊喜。

当时是 2009 年,很少有读者热衷于阅读门罗的作品,更没有人能够预料到,她会在多年后荣获诺贝尔文学奖。

当然,门罗本人也未曾料到这一殊荣。

当获奖的喜讯传来,国内媒体的报章无论是采用“为什么不是爱丽丝·门罗”还是“为什么是爱丽丝·门罗”的标题,其结论只有一个:82 岁的老太太获此大奖实至名归。

实际上,文学奖项仅仅代表了评委和一部分读者的意见。

获奖作品并不一定都是大师之作,而那些陪跑的作品也未必不是杰出之作。

门罗的短篇小说数量颇丰,而《逃离》是迄今为止收录较为完整且具有代表性的小说集。

重读此书,我认为用简单的“好坏”来评价它是过于轻佻的,而“独特”一词更能准确地描绘我对它的感受。

女作家描写女性似乎是自然而然的事情。

然而,像门罗这样的作家,其小说中的绝大部分主人公都是女性,且她们几乎都具备独立思考能力、对生活有自己的见解、性格坚毅,而这些人物形象又各不相同,要达到如此境界实属不易。

在《激情》中,格雷斯是一个典型的代表。

曾经有宣传语这样写道:“这么说吧,世界上还有那么多婚姻,那么多爱情维持着,就是因为那个叫尼尔的家伙还没出场。

”没错,格雷斯是一家餐厅的侍者,一个叫莫里的大学生与她交往,意图与她步入婚姻殿堂。

然而,莫里的哥哥尼尔出场后,无需过多的交集,尼尔就开车将格雷斯带到一处旅馆休息。

门罗向来擅长描写男女之间情感的克制,两人仅仅只是十指相扣。

然而,格雷斯内心的波动已经清晰地展现出来,“她似乎感觉他的舌头正在她自己的皮肤上游走,就如欲望在跳舞,‘教堂也不总是安全’。

”门罗对女性内心细致的描写并非为了描写而描写,其中蕴含着深刻的自我审视,而这种智慧源于生活,与贫富无关。

在小说的结尾,格雷斯向莫里坦白是她自愿跟尼尔走的。

门罗通过格雷斯的形象表达了她所期望的女性形象:勇敢面对,聆听自己内心的声音,不做生活的逃兵。

爱丽丝·门罗小说《逃离》经典语录

爱丽丝·门罗小说《逃离》经典语录

爱丽丝·门罗小说《逃离》经典语录1、我们的生活比诺贝尔奖小说精彩, 离奇. --爱丽丝门罗《逃离》2、爱的语言——微妙的、美好的和无惧的.3、事情可以在一天里、在几分钟之内便被破坏, 而不是像有些事情那样:经过反反复复、走走停停、希望与失望, 漫长的拖延, 才彻底垮台的. 若是果真好事难圆, 那么痛痛快快的了断岂不是更易忍受吗?——门罗《逃离》4、我一直感到需要过一种更为真实的生活. ——艾丽丝门罗《逃离》5、生活总是那么的忙乱. 为了得到什么并用掉它, 我们总是白白耗费了我们的力量. 其实又何必让自己这么忙碌, 却无法去做我们应该去做与愿意做的那些事呢? ——艾丽丝门罗《逃离》6、我时常会想起你""我是时时刻刻都会想起你的哟"——那只不过是人们企图安慰人时所说的套话, 或者是想继续对别人起控制作用时所说的话. ——艾丽丝门罗《逃离》7、睁大你的眼睛, 要从你所遇到的每一个人的身上看到各种可能性——看到他的人性. 要时刻注意. 艾丽丝?门罗《逃离》8、只能在周边走走,张嘴说话,干这,干那,却不能真正地生活在里面--艾丽丝.门罗《空间》《逃离》9、所谓逃离, 大概跟自杀一样, 是每个人心中都曾有过或一直拥有的闪念. 不同的是, 万分之一的人, 才能实现自己的光辉理想. 其实, 重要的从来都不是逃离本身, 而是逃离以后的日日夜夜. ——爱丽丝?门罗《逃离》10、我一直感到需要过一种更为真实的生活. ——爱丽丝门罗《逃离》11、逃离, 或许是旧的结束. 或许是新的开始. 或许只是微不足道的瞬间, 就像看戏路上放松的脚步, 就像午后床边怅然的向往. 一次次逃离的闪念, 就是这样无法预知, 无从招架, 或许你早已被它们悄然逆转, 或许你早已将它们轻轻遗忘——门罗《逃离》12、生活的要义, 哈里告诉劳莲, 就是满怀兴趣地活在这个世界上. 睁大你的眼睛, 要从你所遇到的每一个人的身上看到各种可能性——看到他的人性. 要时刻注意. ——艾丽丝门罗《逃离》13、生活的意义, 就是满怀兴趣地活在这个世界上. ——《逃离》爱丽丝门罗14、她像是肺里什么地方扎进去了一根致命的针,浅一些呼吸时可以不感到疼.可是每当她需要深深吸进去一口气时,她便能觉出那根针依然存在. --《逃离》爱丽丝门罗15、生活总是那么的忙乱. 为了得到什么并用掉它, 我们总是白白耗费了我们的力量. 其实又何必让自己这么忙碌, 却无法去做我们应该去做与愿意做的那些事呢?——爱丽丝门罗《逃离》16、任何想要逃离的人, 对现有事物的厌倦超过了对未来的渴望. 人生不断地在逃离, 又不断地被牵绊的过去或无望的未来所捕获, 门罗的小说里回荡着这种欲挣扎不能、欲逃离无路的悲哀. 门罗《逃离》17、一次次逃离的闪念, 就是这样无法预知, 无从招架, 或许你早已被它们悄然逆转, 或许你早已将它们轻轻遗忘. ——爱丽丝门罗《逃离》18、想一想那些逃离的念头, 在什么时候会像气泡一样冒出来:摆设整齐的浴室里, 牙膏拧盖朝下地插在玻璃杯里, 肥皂盒上有些残留的凝结物, 彩色条纹的毛巾有点褪色的迹象, 一成不变的是生活用品还是生活? ----《逃离》(20xx年诺贝尔文学奖获得者爱丽丝门罗)内容简介【20xx年诺贝尔文学奖得主代表作】【荣获20xx年布克国际奖】【《纽约时报》年度最佳图书, 法国《读书》杂志年度最佳外国小说, 荣获加拿大文学大奖吉勒奖】她是当代短篇小说大师. ——诺贝尔奖颁奖辞逃离, 或许是旧的结束. 或许是新的开始. 或许只是一些微不足道的瞬间, 就像看戏路上放松的脚步, 就像午后窗边怅然的向往.卡拉, 十八岁从父母家出走, 如今又打算逃脱丈夫和婚姻;朱丽叶, 放弃学术生涯, 毅然投奔在火车上偶遇的乡间男子;佩内洛普, 从小与母亲相依为命, 某一天忽然消失得再无踪影;格雷斯, 已然谈婚论嫁, 却在一念之间与未婚夫的哥哥出逃了一个下午……。

爱丽丝门罗作品《逃离》读后感

爱丽丝门罗作品《逃离》读后感

爱丽丝门罗作品《逃离》读后感文中有几段让我思绪良多。

卡拉在离家前给她的父母留下一个字条:“我一直感到需要过一种更加真实的生活。

我知道在这一点上我是永远也无法得到你们的理解的。

”她渴望她称之为“真实的”生活,然而,她厌倦了的不正是她所追求的“真实的”生活么?我第一次读到这的时候对她的行为感到十分困惑。

我认为她的生活,不论是与她的父母一起,还是与克拉克,都是和平、正常的。

而经过几天的思考,我发现了卡拉内心无声的痛。

在故事的结尾,有这样两段话:“她像是肺里什么地方扎进去一根致命的针,浅一些呼吸时可以不感到疼。

可是每当她需要深深吸进去一口气时,她便能觉出那根针依然存在”、“卡拉发现,对于埋在心里的那个刺痛她已经能够习惯了。

现在再也不是剧痛了——事实上,再也不让她感到惊异了。

她现在心里埋藏着一个几乎总是对她有吸引力的潜意识,一个永远深藏在的诱惑”。

在我们的正常的生活总有一些痛苦,是不能忽略的。

它们并非来自战争或暴力,它们来自人类的心灵。

人类的心灵是如此坚强,再艰难我们都可以克服;而人类的心灵又是如此脆弱,一点小事就会使我们遍体鳞伤。

因此,我们应该学会去适应,懂得满足。

这让我们坚强,不会轻易受伤,同时让我们懂得享受生活。

当我们能够适应,满足现状,我们就能找到幸福。

有的人说安于现状不好,会让我们失去进取心,但我不这么认为。

如果不知满足,那么就不会快乐。

这样快乐的追求梦想,而不是强迫症似得对自己苦苦相逼,才是真正的进取,才能健康的进步。

就像卡拉的母亲信中所说,“你都不明白你抛弃掉的是什么”。

卡拉不满足于现况,逃离了两次。

而她抛弃掉的,恰恰是她所追求的和平的,有时甚至是愉快的生活。

坦率地说,每一个人都渴望更好的生活,一些人甚至一生追求它。

人心不足,我们应该适应、满足于我们自己的生活,无论富裕还是贫穷,平坦或者艰辛,但它是真正的生活!延伸阅读逃离克隆岛读后感逃离克隆岛读后感(一)每每看完一部影片,总能让人深思,这部【逃离克隆岛】也不例外。

加拿大女作家艾丽丝·门罗小说《逃离》的名言名句摘抄(6条)

加拿大女作家艾丽丝·门罗小说《逃离》的名言名句摘抄(6条)

加拿大女作家艾丽丝·门罗小说《逃离》的名言名句摘抄(6
条)
《逃离》摘抄
1、逃离,或许是旧的结束。

或许是新的开始。

2、生活总是那么的忙乱。

为了得到什么并用掉它,我们总是白白耗费了我们的力量。

3、一次次逃离的闪念,就是这样无法预知,无从招架,或许你早已被它们悄然逆转,或许你早已将它们轻轻遗忘。

4、有时最嘻嘻哈哈的人反很忧郁。

5、有人愿意收到愚弄而有人不愿意,他们愿意怎样都不需要有证据。

6、生活的要义,就是满怀兴奋地活在这个世界上。

睁大你的眼镜,要从你所遇到的每一个人身上看到各种可能性,看到他的人性。

共6条
逃离
《逃离》是加拿大女作家艾丽丝·门罗创作的短篇小说集,于2009年荣获布克国际奖。

《逃离》全书共收录八篇作品,集中体现了爱丽丝·门罗的文学造诣。

《逃离》可以被视为“概念小说集”,八个故事隐隐被一个概念、一种气质统一,人物的生活背景、遭遇、情感也多有近似,八个故事并无隔离之感,气韵也并不被阻断,混在一起组成了长卷。

《从生态批评视角解读爱丽丝·门罗的《逃离》》

《从生态批评视角解读爱丽丝·门罗的《逃离》》

《从生态批评视角解读爱丽丝·门罗的《逃离》》一、引言爱丽丝·门罗的作品以其深入人心的真实感和独特的叙事技巧而闻名。

她的短篇小说集《逃离》更是被广大读者和评论家所赞誉。

本文将从生态批评的视角出发,探讨《逃离》这部作品中的自然与人类的关系,以及这种关系如何影响了故事中人物的情感和行为。

二、生态批评与《逃离》的关联生态批评是一种文学批评方法,旨在探究文学作品与自然环境的关系。

它强调文学作品中的自然元素如何影响人物的情感和行为,以及人类如何对待自然环境。

在《逃离》中,这种关系表现得尤为明显。

小说中的自然环境不仅是一个物理空间,更是人物情感和命运的象征。

三、《逃离》中的自然与人物关系1. 自然环境与人物情感在《逃离》中,自然环境与人物情感紧密相连。

小说中的自然景色、气候、动植物等元素都为人物的情感提供了背景和衬托。

例如,当人物感到孤独、绝望时,他们往往置身于荒凉、阴沉的自然环境中;而当他们感到快乐、满足时,周围的环境则变得明亮、生机勃勃。

2. 自然环境与人物命运在《逃离》中,自然环境对人物命运的影响也是显而易见的。

人物的决策和行为往往受到周围自然环境的制约和影响。

例如,某些人物因为无法忍受恶劣的自然环境而选择逃离;而另一些人物则因为对自然的过度开发和破坏而遭受惩罚。

这些情节都揭示了人类与自然环境的相互关系和影响。

四、《逃离》中的生态思想《逃离》所表达的生态思想主要包括以下几个方面:1. 尊重自然:小说中的自然环境被赋予了极高的价值和尊严,人类应该尊重自然、保护自然。

2. 人与自然的和谐共生:人类与自然是相互依存、相互影响的,只有实现人与自然的和谐共生,才能实现可持续发展。

3. 对过度开发的警示:小说中的某些情节警示人们过度开发和破坏自然环境的后果是灾难性的。

五、结论通过对《逃离》的生态批评解读,我们可以看到,作品中的自然环境与人物的情感和行为有着密切的关系。

这种关系不仅揭示了人类对自然的依赖和影响,也反映了人类对自然的责任和义务。

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绵阳师范学院本科生毕业论文(设计)题目The Analysis of the FemaleSelf-redemption in Runaway《逃离》中女性自我救赎的解读专业英语院部外国语学院学号1204021107姓名李宁指导教师胥少先副教授答辩时间二○一六年五月论文工作时间:2015 年 6 月至2016 年 4 月Contents1. Introduction ........................................................................................................... .. (1)2. Reasons for the Female Self-redemption in Runaway (3)2.1 Female Social Status in the Material, System and Spiritual Cultures (3)2.2 Alice Munro’s Personal Reasons (3)2.3 The Reversion—Female Psychological Goal (4)3. Self-redemption—Female Rebellion against Fate (5)3.1 The Self-redemption from Their Families (5)3.2 The Self-redemption from Humanity (7)3.3 The Self-redemption from Themselves (8)4. Conclusion (10)Bibliography (12)Acknowledgements (13)《逃离》中女性自我救赎的解读学生姓名:李宁指导教师:胥少先摘要:《逃离》是艾丽丝门罗的短篇小说集,里面一共包括了8篇小说。

在这8篇小说中,艾丽丝门罗从女性的角度描写了一系列以女性为主人公的事件。

这本小说是为了讲述现代女性所经历的困苦以及她们如何进行抗争。

本文试图分析在这一系列故事中女性的自我救赎,女性自我救赎的分析主要包括女性不断进行逃离的原因以及她们通过自我救赎真正想得到的东西。

关键词: 《逃离》;女性;自我救赎The Analysis of the Female Self-redemption inRunawayUndergraduate: Li NingSupervisor: Xu ShaoxianAbstract: Runaway is a collection of Alice Munro’s short stories, which consists of eight short stories. In the stories of Runaway, Alice Munro relates a series of events from the perspective of female characters. The core of this novel is to give an account of the hardships that modern women have experienced and how they struggle. This thesis intends to analyze the female self-redemption in the stories. The analyses of the female self-redemption mainly include the reasons why female characters intend to run away and what they are really expecting with their self-redemption.Key Words: Runaway; female; self-redemption1.IntroductionThe well-known contemporary Canadian short-story writer Alice Munro is recognized as one of the most influential, sensitive and deeply insightful writers all over the world. In 2013, Swedish Academy announced the Nobel Prize for Literature belonging to the Canadian writer Alice Munro. As is known to us, she is the 82-year old short-story woman writer. In her daily life, she keeps a low pro focuses on privacy, and she is keen to observe everything around her. Over the past decades, during her distinguished career she has also got innumerable prizes, from Man Booker International Prize to other prizes in North America. She is considered as the Canadian Chekhov. Permanent Secretary Peter England holds the idea that she is the Master of Contemporary short stories. Moreover, the prize represents the important international recognition. She is the first Canadian writer who has got Nobel Prize for Literature. Alice Munro is one of the most outstanding women writers in the world today. She has published more than ten collections of stories as well as a novel, Lives of Girls and Women. Most of her works are related to women’s love, daily life and marriage. She has written so many famous short stories. For instance, The Dimensions of a Shadow, Dear Life, Friend of My Youth, Dance of the Happy Shades. At the same time, these works are a contracted reflection of the female growth and female self-redemption. The writer’s deep and sincere emotion is fully expressed through these excellent and evoking works. The American Media and European rate Munro as one of the greatest writers today. Alice Munro has won Gillers Prize twice and the Governor General Award for three times which is the most prestigious prize in Canada. Her stories have appeared in The New Yorker, The Atlantic Monthly, The Paris Review, and other publications, and her collections have been translated into thirteen languages.“The New York Times argues that no one working today can write more convincingly about ‘the progress of love ’ than Alice Munro.... She stands as one of the living colossi of the modern short story, and her Chekhovian realism, her keen psychological insight, her instinctive feel for the emotional arithmetic of domestic life has indelibly stamped contemporary writing. (Blodgett, Alice Munro, 2013)Runaway, published in 2004, which comprises eight short stories. Runaway, a collection of her short stories, is her masterpiece. Moreover, Runaway epitomizes her usual writing style. The core of this novel is to express the hardships that modern women have experienced and how they struggle. In the stories of Runawa y, the authorrelates a series of events from the perspective of female self-redemption. The heart of these events is enclosing the behavior of female runaway, so-called self-redemption from different social classes. Runaway depicts female’s values and world view elaborately to a large extent at that time. It is to reflect the female life difficulty and helplessness through the tragedy happened in the life of concrete and emotional characters. In this paper, the theme of the novel aims to study female self-redemption. And then I will deplore into female self-redemption in this novel. In a consequence, I will summarize the reasons of female self-redemption through the study of this novel and a large number of preparations.What is more, it will illuminate me with further understanding, inspiration and thinking. It is merely a story of women in the contemporary era grow up and learn to become themselves, how they love and hate, and quarrel and forgive, and suffer and enjoy, self-redemption and psychological reversion, how certain habits of living and ways of thinking are formed. It mainly describes so many characters with distinct personality traits, especially female figures to show the change of the time so-called female self-redemption during that time. Self-redemption is the female rebellion against fate, including self-redemption from their families, from humanity and from themselves. These are also the complicated and intriguing meaning points which make Runaway more expressive and evoking. Most of Alice Munro’s famous works have made a great contribution to Canada culture, as well as world literature.Because of very limited translation in China, to a great extent, it restricts the domestic researchers for further studies. It is valid that Munro’s works encounter short shrift. People attach more importance to the translation of novels, whereas British and American writers get more attention. Because of a late start to Munro’s works, coupled with lack of information, the study to Munro is very shallow, and the theses are also relatively scattered. On the whole, the studies about Alice Munro’s works are unsystematic and lack of overall consciousness. It demands for more academic research to fill the blank. Domestic researchers can draw lessons from foreign related research results, widen the vision continuously, and find new research ideas so that we can study Munro’s works from different perspectives. As for Runaway, many people are likely and prone to study the apparent causes, for example, family background, educational experience, outward environment and so on. Of course, these reasons are important, to some extent, critical to female self-redemption. As far as I’m concerned, in addition to these reasons, female psychological goals ――reversion is the most accur ate answer for their longing. However the environment does influence on people, it is people himself who can do the final decision. As a result, I will devote my undivided attention to the comprehensive analysis on female self-redemption, that is to say, female rebellion against fate, whichconsists of three aspects, self-redemption from families, from humanity and from themselves.In this thesis, I adopt feminism. Feminism is the radical notion that women are people. Feminism is a collection of movements and aims at defining, establishing and defending equal political, economic and social rights and status for women. In Runaway, it demonstrates the social status, which mainly consists of female struggle for freedom, equality and psychological reversion. Unavoidably, female characters are trying their best to rescue themselves from dilemma.2. Reasons for the Female Self-redemption in RunawayThis part, mainly introduces three branches. The first part is the female social status in the material, system and spiritual cultures; the second part is Alice Munro’s personal reasons; t he third part is the reversion――female psychological goals.2.1 Female social status in the material, system and spiritual culturesAs for the history, a book named A Short Story of Canada said that “Canadians believe that their history is short, boring, and irrelevant. They are wrong on all counts. The choices Canadians can make today have been shaped by history... In each generation, Canadians have had to learn how to live with each other in this big, rich land. It has never been easy. For those who ignore history, it is doubly difficult.”(Conron, Munro’s Wonderland, 1978: 109)Canada is situated in the North America. If one has to use two words to describe Canada, they might be large and diverse. In the past several hundred years, Canada encountered colonial rule by British and French. However, Canada has got something in some aspects by chance, such as gradually gains economic power and become prosperous. On July 1, 1867, the four colonies of Nova Scotia, New Brunswick and the Canadian were united under the British North America. Act as the Dominion of Canada, today July 1 is celebrated as Canada’s National Day (Nischik, The Canadian Short Story, 2007:11). After that, Canada maintains its development and prosperity continuously. Since then, Canada plays an important and critical role in the international and regional affairs gradually. In a consequence, many immigrants begin to pour into Canada. Otwava, Canada’s capital, is located in Ontario. Ontario is the biggest district in Canada. Education, technology and economy are far ahead other districts in Canada. When it comes to spiritual cultures, I’d like to introduce Canada’s multiculturalism. Canada is a society built around existing aboriginal peoples, two founding European cultures, and successive waves of immigration. Canada reflects a cultural, ethnic and linguistic diversity that is found nowhere else on earth. And it is a country characterized by its diversion.In 1971, Canada became the first country in the world to adopt an officialMulticulturalism Policy. The Multiculturalism Policy is based on the fundamental values that unite Canadians, such as respect for human rights, equality and recognition of diversity. Canada is one of the most religiously diverse countries in the world. Of course, females also have received the advanced conception and culture so that they attach more importance to their rights, equality and recognition of freedom, including the author of Runaway, Alice Munro.2.2 Alice Munro’s personal reasonsAlice Munro, the representative of the Canadian women writer. She is famous for writing short story all over the world. Time Magazine selected her 100 most influential people of the world”. She was born in Ontario in 1931. And she lived in the wild and peaceful land for a very long time. Gradually, she formed a writing style with depicting ordinary female life in suburban town. And the background of her stories is mainly based on rural town and her neighborhood.The characters in Runaway have most similarities in personality, the experience of birth and death, marriage and divorce. Her father Bob Reid is a local farmer, running for a fox farm. Her mother was a primary school teacher before getting married. Wingham town has the typical characteristics of Ontario towns, quiet and peaceful, which has always been her most important source of inspiration. Munro’s family life provides source material for her creation continuously, and makes it become the classic in Canadian literature. Her parents were fond of reading and paid the utmost attention to education, as well as Alice Munro. In 1949, she entered the Department of Journalism, Western Ontario University. Since then, she seldom came back here. The things happened in Wingham have become the most precious spiritual treasure, which exist in her memory, in her creation, in her vivid stories. According to her works, these things are fully and vividly expressed. To a large extent, the reason why Munro’s works are so impressive is that her stories are deeply rooted in life, with distinctive local cultures in the country, and the rich flavor of life. As for memory, it is the most abundant source of her inspiration. And furthermore, she received advanced education and then the higher requirements to the pursuit of the female liberation and self-redemption come into being.Alice Munro wanted to be brave and liberal like her father in her childhood, so that the female characters she depicted are always seeking for freedom, seeking for self-redemption, self-redemption from their families, from humanity and from themselves.2.3 The Reversion—Female Psychological GoalsAround the World War 1, in the first phrase of the development of Canadian literature, the center of the literary performance was the relationship between man andnature. In the course of the WWI and the WWII, the center of the literary performance shifted from the relationship between human and nature to human and society (Bloom, Bloom’s Modern Critical Views,2009:94-98). The litterateur began to think over the society and life. The third period is after the WWII. The economy of Canada has experienced from recovery to prosperity. As for writers, on the one hand, they are likely to portrait the characters from external to internal, grope the inner world and analyze the mind. On the other hand, the internal tendency shows that they explore the human spiritual world at present. As the main part of literature, its position in the literary creation is getting more and more attention by litterateur and readers. Unavoidably, it formed a great contrast to past in literary creation. So, after the WWII, especially the 70s of the 20th century, the core of the Canada literature lies in people's own inner world. Furthermore, Canadian literature is deeply influenced by American and British traditional cultures. Writers are prone to observe people’s inner world. Because of the family background and her personal experience, Alice Munro chooses the female characters.3. Self ─ redemption —Female Rebellion against FateThere are three parts under this title, introducing female self-redemption ─female rebellion against fate. It consists of the self-redemption from their families, self-redemption from humanity, and self-redemption from themselves.3.1The Self-redemption from Their FamiliesFirst of all, let me talk about the first short story in Runaway, which we call Runaway. Carla, the heroine, when she was 18 years old, in order to get rid of parents“imprisoned”, she chose her boyfriend Clark decisively and eloped. In her family, her father was in a dominant position. She left a brief note when she ran away from her family, “I have always felt the need of a more authentic kind of life. I know I cannot expect you to understand this ”(Alice Munro, Runaway, 2004). To some extent, she intended to rebel against the patriarchal and free her heart in her inner world. Carla said no when Sylvia asked if she would get in touch with her parents after she was settled. As a result, Clark was her ideal choice at that time naturally. She proceeded without any hesitation. What she wanted to do was running away from her parents and her family. She was eager to live an ideal and free life that she has wondered. Clark was very smart but he hadn’t waited even to finish high school. He had altogether lost touch with his family. He thought families were like a poison in your blood. He holds the idea that people try every means to remove the poison in people’s blood, and escape from the bondage of family but they could do nothing. Runaway describes the family and the marriage life of common people in Canada, and the troubles and frustration that they have met. The characters in these short stories tryto discover the dilemma by the middle and lower classes in Canada. Carla was abused by her mother and stepfather when she was young. She dislikes them exceedingly so that she has the pressing hope to escape her family, so-called female self-redemption. There was an urgent hope to live without her families. When the opportunity occurs, she chose to elope with Clark without any hesitation. Then, she has no contact with her family. Her family only leaves her terrible and pressing memory so that she can’t put up with it any more.There are 3 short stories about Juliet. She is a representative of intellectual women and she has got the master degree in classic literature.In Chance, She met her husband by chance at the railway station, a fisherman in the country, named Eric. Then they got married and gave a birth to a daughter. And then Juliet was alienated from her parents and gradually relieved from the original control of her family. With the development of story, her mother was seriously ill. Juliet and her daughter went to see her mother. Juliet had no reaction to her words apparently, what her mother’s meaning was not begrudging her daughter but the days they spent together as a complete family. When she stayed with her parents for few days, she didn’t know what she was doing here. She thought she should never have come here, but she couldn’t wait to go home. Sara said: “What a useless piece of goods I am (Alice Munro, Runaway, 2004). And she thinks she will see Juliet when it gets really bad for her. But when Sara had said, soon I’ll see Juliet, Juliet had found no reply. The only thing she can do is to put everything away. She had gone back to the house of her childhood once more, for Sara’s funeral, some months after that letters was written by Sara. In fact, the letter had no particular importance in their lives.In Silence, The ending of the novel is very ironic, that Juliet’s daughter ran away from Juliet as she reach maturity as well, just like she escaped from her own mother. Although Juliet loves her daughter Penelope very much just like her mother Sara loves her. However, she didn’t realize this until Sara’s death. I guess only when her daughter runaway from her can she understand her mother’s deep love to herself. Juliet experienced all this time without Penelope she had been in a sort of desert, and when Penelope’s message came she was like an old patch of cracked earth getting a full drink of rain. At the same time, Penelope cheated her. Dread pours through her. According to another person, she said:“There you are, with your wonderful bu sy successful life――but Juliet, I must tell you that your daughter has known loneliness. She has known unhappiness.”Even after Eric died, Penelope knew nothing of what was going on. Penelope received the news with an expression of fright, then――when Juliet rather formally put her arms around her――of something like embarrassment. After five years the birthday cards stopped coming. Penelope figures her mother hasgot the message, she trusts Juliet not to send some tracker after her. That’s all. She has to wonder every day. And she has to be disappointed every day. Sarcastically, it seems like fate has invented. She keeps on hoping for a word from Penelope, but not in any strenuous way. She hopes as people who know better hope undeserved blessings, spontaneous remissions, things of that sort.It is a thought-provoking ending. There is no end of tragedy and it is inheritable. No matter how hard-working women are, they still can’t get rid of the tragedy really. Tragedy is endless. In these stories, women are always looking forward to a good vision and are eager to fulfill their deepest desire and longings. They are full of passion. On the contrary, for the sake of the hurt and the influence of the family in their growth, their passion for life is indelible and their hearts are full of inconsistent thoughts. There is a great gap between beautiful vision and real life. They intend to run away, intend to achieve self-redemption, which is a kind of helplessness to life. They hate this kind of life but they can do nothing to change it. In contrast to the psychology of men, women have a strong sense of crisis and helplessness. These female figures spare no efforts to achieve self-redemption, but only to get the opposite of what ones want. Maybe it is the arrangement of fate. Their failure is predestined. Nobody has the strength to change it.3.2The Self-redemption from HumanityIn Runaway, Carla is always looking forward to freedom and self ─ redemption. The self-redemption from humanity belongs to a kind of runaway which Alice Munro depicts emphatically. The heroine Carla ran away from her promiscuous parents bravely I mentioned above, and she lived with Clark. But there are many shortcomings of Clark. Clark has an aggressive personality and always conflict with others, which requires her to make amends to mediate with others. And Clark is a man incapable of making money. Moreover, bullying Carla is a common occurrence. Emotional abuse is a long-standing and growing problem in their marriage. It involves such things as verbal attacks, disregarding a partner’s views, or imposing economic controls on them. Carla is the victim of emotional abuse. Eventually, she ran away from Clark with the persuasion and help of their neighbor, Sylvia. She couldn't put up with the pitiful times without her husband, she chose to bow to fate (the inevitable) and come back to Clark’s side. She got a hold of her husband and implored his forgiveness (Alice Munro, Runaway, 2004). She was painfully anxious to come back home from the bottom of her heart. In her point of view, family can render her a sense of security and self-redemption. The cognition emerges with deep resignation. She is clear that however she rebels, she will reconcile to her fate after several hours of suffering. She has no strength to struggle and take the initiative to go back to that imprisoned cage.Juliet, she has the look of an alert schoolgirl. Her father just wanted her to fit in life. She did neither willingly, or well. In fact, this ignored the fact that her father, and particularly Juliet’s mother, did not fit in so very well themselves, and were not miserable. Perhaps he doubted Juliet could be so lucky. All of Juliet’s enjoyable experience of men had been in fantasy. In actual life there had been humiliation and disappointment, which she had tried to push out of her mind as quickly as possible. When she knew her lover, Eric was very polygamous. After listening to this, she pretended to wander about making casual visits. Undoubtedly, she was paralyzed by disappointment, by shame. Even though, the fact was that she never intended to get on that bus to leave Eric. When she was going to meet him, it was like the moment at school before the winner of the prize was announced. However, she had no reasonable hope. And because there will never be another chance so momentous in her life. At last, she is immersed in his hug. She thinks how astonishing it is. How close to dismay. But she still can’t refuse. This is her fate.Another short story is Passion. This story is a little ridiculous. It mainly tells the heroine, Grace, who was working at the hotel, had the intention to run away from her betrothed. Before the day of her engagement with her betrothed, Maury, she encountered Maury’s brother Neil and ran away with him for a whole afternoon. Maury fell in love with Grace the first time he saw her, because he had believed instantly in the integrity and uniqueness of her mind and soul, and had seen her poverty as a romantic gloss on that. It was that she would not stand for frivolity, was not content to be like most girls. She was really special. However, it was not in her nature, of course, to be so openly dumbfounded, so worshipful, as he was (Alice Munro, Runaway, 2004). In fact, it illuminates that they have great differences in nature. Furthermore, Grace has been an engaging talker and pays a little attention to anybody. She is actually thoughtful and lighthearted. Her memory of that afternoon remained clear and detailed, though there was a variation in the parts of it she dwelt on (Alice Munro, Runaway, 2004). She hardly ever thought about marrying Maury. How strange that she’d thought of marrying Maury. A kind of treachery it would be. She was clear that it is a treachery to her. She’d thought it was touch when she ran away with Neil. She calls it inflammation, as well passion and that is child’s play. Surprisingly, Neil died from car accident. She admitted to Maury that she did want to go. She accepted Maury’s father’s check because it was enough money to insure her new start in life. I have to say this is the charming of Alice Munro’s works. It is evoking and expressive. But actually, she didn’t add her personal appraise and only let readers pass judgment on the female characters. They try every means to run away, to achieve self-redemption, to find the reversion of humanity, without intention or deliberately.3.3The Self-redemption from ThemselvesIn Alice Munro’s works, she pays her utmost attention to depict characters’ psychology and represent their personality to us in all-round. To be honest, the female characters spare no efforts to achieve their self-redemption not only from families and humanity, but also from themselves, which is the most difficult thing for them. They don’t have enough courage to face themselves and they have to give up even though they did try.In Runaway, she wrote a note to her parents when she left her family “I have always felt the need of a more authentic kind of life. I know I cannot expect you to understand this (Alice Munro, Runaway, 2004). From this we can see, Carla is a thoughtful and independent girl. The reason is that she wants to be herself, not only for her love. It is the deepest requirement from the bottom of her heart. She would like to start a new life without Clark. On the contrary, she intends to achieve this psychological goal but she is too dependent on Clark as if she can’t live without her husband Clark. It is dramatic. It takes her much courage to do the decision. Finally, Carla abandons the decision that has been seriously undertaken. It is easy to notice that there is a critical character to persuade Carla to run away. It is Sylvia, her neighborhood. Sylvia is a senior, intellectual woman of middle class. Sylvia’s conduct and the opinions about others have formed a fixed model. On the contrary, Carla is young and she didn’t receive advanced education in lower class. In fact she had dreaded going to the Jamieson’s, but she needed the money, and she felt sorry for Mrs. Jamieson, who seemed so haunted and bewildered. On the way of runaway, Mrs. Jamieson’s presence had surrounded her with some kind of remarkable safety and sanity, in fact the only self-respecting thing that a person in Carla’s shoes could do, which also live up to Sylvia’s expectations. However, the conduct of runaway failed. Mrs. Jamieson says that she is afraid that she has involved herself too closely in Carla’s life and had made the mistake of thinking of the thinking somehow that Carla’s happiness and free. She calls the feeling as displaced and unleashed maternal love because of having no children. Carla must keep her status on mind and express her humility and gratitude to Sylvia. At least, its manifestation is apparent. Carla abandons the opportunity. Flora appeared again. As for Flora, the little lamb, symbolizing freedom and vitality, had her place as a good an gel in Sylvia’s life and perhaps also in Carla’s and Clark’s lives.In Chance, Juliet had a subtle adjustment not only of the facts but of one’s position in the world. And then she was away from home all the time this stance had become habitual, almost a duty. The truth was that Juliet almost couldn’t endure Eric’s affections but she still decided to be there. In her inner world, she felt much humiliation and disappointment, which she had tried to push out of her mind as。

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