工业设计外文翻译--设计对绿色风潮的响应:整体系统和生命周期思想

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工业设计外文文献翻译及原文知识讲解

工业设计外文文献翻译及原文知识讲解

工业设计外文文献翻译及原文The impact of “3r” principles to industrial designAbstractWhile industrial design creates modem life and living surroundings for people,it also accelerates the exhaustion of the natural resources and the energy resources.Besides,it has done harm to the ecological balance,and threatened the existence and the sustainable development of human beings.Confront with this situation,the strategy of sustainable development,proposed in 1990s,is accepted by many people.Recycling economy and its key point,“3r” principle,were born for this situation and become important principle in all kinds of economic activities and in the area of design and manufacture.By decoding the connotation of “3r” principle,the article analyzes the influence and the guidance over industrial design of “3r” principle.Furthermore,the article tries to discuss the conception of redesign,which is the extension of the “3r” principle in the area of industrial design,and explicates 4R principle of industrial design for recycling economy at last.Key words3 R principle;industrial design;recycling economy;Redesign1 IntroductionIndustrial design as a cross-cutting technology and the arts disciplines, it is closely related to the economy and to maintain its development and progress of society. It can be summarized: First, it services for industrial mass production, making industrial products enhance the value and value-added. Second, It leads the fashion, to effectively stimulate consumption, so that consumers not only use the product at the same time, but also enjoy the new technology and material; Third, it puts technology to link up with the market, making products enhance competitiveness; Last but not the least, it can bring the innovation into the enterprise. Therefore,the economic development needs industrial design which has become indispensable to the country's economic construction .However, along with the traditional industrial design creating high-quality modern lifestyle and living environment and promoting economic development ,it also speeds up the consumption of resources and energy. What is more ,it dose harm to the ecological balance of the Earth and brings about a serious of great damage to human survival and sustainable development. Especially the excessive commercialization of industrial design, utilitarian and excessive pursuit of profit, the implementation of "merchandise has plans to abolish thesystem" without taking into account production, use, process waste, such as the environment, the impact of resources. It can be said that people are in inappropriate and excessive consumption patterns of life, the industrial design objectively becomes essential medium to encourage people to uncontrolled consume, which is countered to the essence of industrial design—creating a science and healthy way of life.Facing the threat of human survival and sustainable development, in the 20th century,people began to question the sustainable development of humanity ,to carry out a profound reflection on sustainable development and to put forward a suitable model of circular economy ,the principle of circular economy is “3r” (i.e. Reduce, Reuse, Recycle) which is of great significance to the implementation and promotion of socio-economic stability,sustainable development Against this background, the concept of sustainable development into rapid economic development is inextricably linked to the design, based on this ongoing exploration and practice. “3r” principles intended to sort out this article on various aspects of industrial design and the guiding role,and attempts to explore the “3r” principles of industrial design at the extension.2 Cycle economic model and the principle of “3r”Economy is engaged in production, consumption and reproduction activities, which is to meet human material needs of their own material .Recycling economy is considered following the original economy, the agricultural economy, industrial economy after the time of the post-industrial economy, with the industrial economy is different between the resources and environment relationship. Following the economic cycle refers to the natural ecosystem of the material circulation and energy flow reconstruction of the economic system so that it harmoniously into the natural ecosystems of the material energy recycling process to product clean production, resource recycling and efficient recycling characterized eco-economic development patterns, also known as eco-economy, green economy.2.1 The relationship between economic model, environment and the resourcesHuman survival and economic activities rely on the resources and the environment. On one hand ,it is the source of the human beings material system; on the other hand, it bears the economic activities of human waste generated by the various roles. The Earth can provide resources but are limited, even though it must have the ability to purify, however it is subject to human economic activity the ability of emissions is also limited.Industrial economic development patterns are from "One Product One resource pollution" posed by one-way flow of material and an open economy, this openness has led to a global depletion of resources and waste, as well as the serious deterioration of the ecological environment.Circular economy development pattern is from "one of resources of renewable resources,one of green products" posed by the material energy of the closed-loop feedback loop process,this closed loop system, can maintain economic production of low, high-quality, low-waste, which will be economic activity of natural resources and environmental impacts to minimize damage.2.2 Interpretation of the circular economy mode “3r” principle“3r” principle is the basic manifestation of the economic cycle, and its specific contents are as follows:"Reduction" principle is the first principle of circular economy, that is the source of control method, which requires the source of economic activity - the design stage, pay attention to the use of resources-saving and pollution reduction requirements with fewer resources to achieve the established purpose of the production or consumption In the production areas, usually the energy-saving production processes, materials and conservation of resources, the products of small size and lightweight, and easy and simple packaging requirements in order to achieve the purpose of reducing waste emissions; In the consumer area, reduction of the supremacy of the principle of a change in consumer lifestyles and advocate moderate consumption and green consumption. "Reuse" principle is the second principle of circular economy, that is, process control methods, with the aim to improve the products and resources use efficiency, it calls for product design to initial the form of packaging for multiple items to prevent premature become waste. In the design, to the use of standard-sized parts, repair and upgrade in order to replace, thus prolonging the service life of products; In the consumer area, to promote the purchase of durable consumer goods, to reduce the use of disposable products, such as after-sales service by strengthening the means to extend the product life as possible and not waste."Recycling" principle is the third principle of circular economy, that is, terminal control method of production and consumption in the process of waste generated, through the "resources" of the means of its re-processing of raw materials can be re-used or product, put it back on consumption. Resources of the so-called class of resources usually include the originaland secondary resources. The original class of resources is the waste of resources after the formation of the same with the original products, sub-resource is the waste of resources into different types of after the new products. To promote waste recycling economy will be the source of the original and sub-class of combining resources in order to fully realize the recycling use of resources.3. The impact of the “3r” principle of to industrial design“3r” principle is not only on products from the design, production, sales, use,disposal and so on throughout the life cycle have an impact on all aspect, but also on the industrial design itself, a more extensive and profound changes:3.1 The impact of design conceptIn modern industrial economy, the product design is often to serve the people, just from the people to meet needs and solve the problem as the starting point, and do not consider the follow-up products, use of resources and energy consumption and emissions on the environment and other ecological problems. “3r” principle in the design co ncept under the influence from the "people-oriented" towards the "harmony between man and nature" of green design, while respecting the needs of people, but also consider the safety of the ecosystem. Cycle economic model of the industrial design under the design concept, put people and nature live in harmony and common development in the first place, the use of systems theory and Calibration of all acts of industrial design, from product design at the beginning of the macro-environment had priority to consider and pay attention to the coordination of products that run the various elements of the process in order to achieve system optimization. Here, the environmental factors are the starting point of the whole design and end points, through the design, efforts to improve and reduce the products in the production, use, recycling process, such as the adverse impact of the environment. So Green Design Products are in the "harmony between man and nature" under the guidance of thought to the harmonious development of man and nature, the principle of human - machine system one considers the environment, a comprehensive optimization of the industrial design of a new concept.3.2 The impact of design styleSimple is an aesthetic pursuit of extremists on the design of easy style, popular in the 20th century, in the United States age 80. If we say that in the industrial economic model, the simple style of product design aesthetic is a subjective pursuit of people, then in the recycling economy mode, the structure of the simplest and most parsimonious of the materials, themost beautiful modeling, the most pristine appearance simplicity of product design,sustainable development concept is a concrete manifestation. “3r” Products doctrine of the meaning of this simple style more in-depth, specific, practical significance.First, the premise of ensuring the functionality as far as choice of materials can be recycled, such as biological materials, so less material on refined, appropriate; Second,to promote. Small is beautiful ". Less Is More", the lightweight and pleasant form of products. Third, the design features of the object collation, evaluation, definition, must always focus on the merger, to simplify, optimize, and makes the core functions briefly products;Fourth, the product is intended to be simple and clear language; Fifth, the structure of simple, easy to create; Sixth, the choice of degradable material, the structure of easy solutions, such as withholding together.3.3 The impact of design methodThe impact of t he “3r” principle and under the guidance of the implementation of green design methods are: modular design, removable design, recyclable design, long-life design.Modular design is at a certain range of different functions or different functions the same performance, different specifications of the products on the basis of functional analysis, and design into a series of functional modules, through the selection and combination of modules can constitute different products to designed to meet the different needs of the Ways. The benefits of modular design: First, make products with good performance Recycling demolition, settled design different types of products and waste of resources; Second, it will be able to be easy to use or duplicate the functions of independent recovery, enhance the versatility of the components, once the end-of-life products, they can re-use or recycling;Third, improve the repair of products can extend the life of the product.Product design is removable at the design stage, so that parts of the Products has a good performance of the demolition. Conducive to the re-use of components or recycled materials to save not only protect the environment and Materials. The demolition of the design requirements, Product First, connect the various parts and components, as far as possible the use of detachable connection, such as threaded connections, unified type fasteners,reducing the number of fasteners, try not to use welding, riveting, bonding and other non-removable the connection; Second, in the selection and processing of raw materials, thedemolition of the connection; to use and reuse of recyclable materials, the types of materials, such as less as possible.Recyclable design refers to product design, to take full account of the various materials Product components the possibility of recycling, recovery treatment, recycling and product recovery of costs related to a series of questions, thus saving materials and reducing waste,minimum of environmental pollution for the purpose of a design method. Long-life design is the design of products based on life in the economic indicators to ensure that products, value and environmental requirements at the same time try to make our products to extend the life to achieve the slow resource consumption of a design method. Specifically include the following:First, improving product reliability and durability; Second, products are easy to repair and maintenance; Third,using standard, modular product structure3.4 The impact of design material“3r” pri nciple in guidance and norms, product design, material selection should be taken into consideration: First of all, minimize the use of materials. Try using high quality materials to enhance the service life of products; the prohibition of the use of contaminated material against big, look for the corresponding sound material substitution; Reuse as much as possible the use of recyclable materials. Secondly, the preferred sound of the ecological environment of the material, after the preferred decomposition of waste and the natural world to absorb the material, preferred low power, low cost, low-polluting materials, preferred easy processing, and processing of non-polluting or less polluting materials, preferred materials recycling. Finally, to reduce the use of the types of materials in order to reduce the cost of Recycling Materials; maintain original material, as far as possible the use of simple materials, the use of alloy materials, to avoid material harm to the environment of the surface treatment; Marked parts Products material composition for the materials to facilitate recycling and so on.4. From “3r” to 4RIn the recycling economy mode, the product life cycle from the previous end-of-life for the end product, after the extension to the end-of-life recycling. It should be noted that starting from the waste products for the consideration of a second use for them, so that the product design is no longer a product before, but the other products. Therefore, the design process we will call it "re-engineering (Redesign)"4.1 The concept of re-engineeringThe so-called re-engineering, that is, through the product components as well as their overall utilization of the re-design method to save resources. Given the United Kingdom Environmental Design Alliance is defined as: "Materials by Product, the structure of a meaningful way to re-use, in order to save resources for the purpose of the premise, to extend the product life cycle, and tap the potential ecological value of the design method." In short,the product re-engineering refers to the product life cycle after the re-use design.Whether they are re-engineering the design of a new trend, or the design of a self-activity changes, which are related to the sustainable development strategy in line belong to the scope of green design. If it is said that green design is usually considered the entire product life-cycle environmental impact, and re-design considerations are at the end of product life-weeks to reduce the environmental impact of problem,it is the “3r” principle in the extension of the field of industrial design. Therefore, the re-engineering in conjunction with the “3r” principle, as a mode of circular economy 4R principles of industrial design.4.2 The form of re-engineeringProduct re-engineering is aimed at new products to effectively use the original parts and components products and materials. Product re-engineering have a variety of forms, for the same product re-engineering can have a variety of forms, can be divided into assimilation and alienation of the re-engineering.Assimilation refers to re-design is a before and after re-engineering products, have been recycling their own re-engineering of the parts not changed before and after. For example,before the re-design car audio, re-engineering the home was converted into sound.Alienation refers to the re-engineering re-design before and after are different products,re-use of components was necessary in order to be used transformation. For example, re-engineering before the cell phone components, into a walkie-talkie after the re-engineering of an important part of; In another example, the re-engineering of old jeans before, by re-engineering can be turned into shorts, vest and so on.5. ConclusionsCircular economy is to achieve sustainable human development of new economic development model,“3r” principle is the core substance of the economic cycle, the idea of circular economy is the fundamental expression. "Re-design" are able to make the best of “3r” in the extension of the field of industrial design and development, is a matter of deep study andpractice the new task, it should be,together with the “3r” principle, become a model of circular economy are industrial 4R principles of design.As the international chairman of the Federation of Societies of Industrial Design, Mr. Peter said "the design of human development as an important factor, with the exception of self-destruction might be the ruin of mankind, human arrival may also become a shortcut to a better world." Today, in the framework of national sustainable development strategies, the role of industrial design is changing, and actively looking for a new direction for the development of circular economy at all levels play a role. Industrial design will become a powerful for cycling of our country economic.“3r”原则对的工业设计的影响摘要在工业设计为人类创造了现代生活和生活环境的同时,也进一步加速自然资源和能源资源的消耗。

工业设计中的_绿色设计_

工业设计中的_绿色设计_

Equipment Manufactring Technology No.7,2009当今人类面临着人口增长迅速、自然资源短缺、环境污染严重等问题,人类无节制地开发利用自然资源,给自身生存环境造成了危机。

除了工业、农业等生产过程造成的破坏之外,人们日常生活中制造的大量垃圾,也给生态环境造成极大的破坏。

家庭日常生活资源消耗的大幅度增加,不仅是由于人口的增加,还由于人均物资消费量的增加。

有证据表明,地球上50%以上的人,在近40年里,依然希望生活水平有所提高,这就意味着将消耗更多的资源,产生更多的废弃物。

在漫长的人类设计史中,工业设计在为人类创造了现代生活方式和生活环境的同时,也加速了资源、能源的消耗,并对地球的生态平衡造成了极大的破坏。

特别是工业设计的过度商业化,使设计成了鼓励人们无节制地消费的重要介质,“有计划的商品废止制”就是这种现象的极端表现。

无怪乎人们称“广告设计”和“工业设计”是鼓吹人们消费的罪魁祸首,招致了许多的批评和责难。

正是在这种背景下,设计师们不得不重新思考工业设计师的职责和作用,“绿色设计”也就应运而生。

因此,对传统产品开发设计的理论与方法,必须进行改革与创新。

1设计及设计师的地位和作用“绿色设计”是20世纪80年代末出现的一股国际设计潮流。

早在20世纪60年代末,著名的工业设计师及教育家维可多·佩帕尼克就出版了在设计界引起强烈反响的著作《为真实世界而设计》(Design for the Real World),在书中提出了在当时与众不同的观点,他认为我们周遭的事物,都是由设计师创造的,设计师在市场销售和用户满意度方面,不单单只是起到“美化”的作用,同时应强调设计师的社会及道德的伦理价值。

这本书的深远影响一直延续到今天。

进入21世纪,因世界各国政府对环境问题的重视.有关环境保护法规的建立,企业间的竞争,使得带有理想主义色彩的“绿色设计”潮流逐步有了现实意义。

基于对环境问题的重视和了解,人们已从20世纪60年代的过于激进的“绿色运动”,发展到现今相对成熟的“绿色消费”行为,这为“绿色设计”带来了新的契机。

工业设计的基本特征_工业设计的基本理念

工业设计的基本特征_工业设计的基本理念

工业设计的基本特征_工业设计的基本理念随着科技和社会的发展,工业设计已深化到人们日常生活的各个层面,那么以下是店铺为你整理推荐工业设计的基本特征,希望你喜欢。

工业设计的基本特征1、从功能至上到人—机—环境协调发展,从现代主义的理性化到以人为本的人性化的回归,工业设计在对历史不断的反思中走向成熟。

2、从深层次上探索工业设计与人类可持续发展的关系,力图通过设计活动,在人、社会和环境之间,建立起一种和谐的可持续发展机制。

绿色设计、可持续设计的概念应运而生,并逐渐成了当代工业设计发展的主流。

3、工业设计已深化到人们日常生活的各个层面,无处不设计、无设计不求完美,不仅是物质设计,还有非物质设计。

4、当代工业设计对新思想、新理论的探索,也呈现出向深度发展的趋势。

工业设计的基本理念(一)人性化设计人性化设计(Human-centered Design)是指在设计的过程中充分考虑人的行为习惯、心理状况、思维方式和人体生理结构等因素,在保证设计基本功能和性能的基础上,使设计最大限度的满足人们衣食住行以及一切生活、生产活动的需要。

人性化的核心理念是“以人为本”。

人性化设计的特点反映在以发展、动态的眼光去认识人的本质,把人的时代性、民族性、社会性和个性相对应的种种不断变化着的因素,作为人性相关的属性变量赋予设计作品,使设计的产品和人形成多元的、互动的对话关系。

人性化设计的表达方式在于,以有形的物质态去反映和承载无形的精神状态,包括:1.通过设计的形式要素,如造型、色彩、装饰、材料等的变化,引发人积极的情感体验和心理感受,或称设计中的“以情动人”。

2.通过对设计无功能的开发和挖掘,在日臻完善的功能中,渗透人类伦理道德的优秀思想,如平等、正直、关爱等,使人感到亲切温馨,让人感受到人道主义的款款真情,可谓之设计中的“以义感人”。

3.借助于语言词汇的妙用,给设计物品一个恰到好处的命名,往往会成为设计人性化的点睛之笔,谓之设计中的“以名诱人”。

关于绿色建筑-毕设论文外文翻译(翻译+原文)

关于绿色建筑-毕设论文外文翻译(翻译+原文)

毕业设计英文资料翻译Translation of the English Documents for Graduation Design课题名称原文:DOCTORAL FORUMNA TIONAL JOURNAL FOR PUBLISHING AND MENTORING DOCTORAL STUDENT RESEARCHVOLUME 7, NUMBER 1, 2010Green buildingsPriscilla D. JohnsonPhD Student in Educational LeadershipWhitlowe R. Green College of EducationPrairie View A&M UniversityPrairie View, TexasWilliam Allan Kritsonis, PhDProfessor and Faculty MentorPhD Program in Educational LeadershipWhitlowe R. Green College of EducationPrairie View A&M UniversityMember of the Texas A&M University SystemPrairie View, TexasHall of Honor (2008)William H. Parker Leadership Academy, Graduate SchoolPrairie View A&M UniversityMember of the Texas A&M University SystemPrairie View, TexasVisiting Lecturer (2005)Oxford Round TableUniversity of OxfordOxford, EnglandDistinguished Alumnus (2004)College of Education and Professional StudiesCentral Washington UniversityEllensberg, WashingtonAbstract: Green building refers to do its best to maximize conservation of resources (energy, land, water, and wood),protecting the environment and reduce pollution in its life cycle. Provide people with healthy, appropriate and efficient use of space, and nature in harmony symbiosis buildings. I described more details of green building design’ notion, green building’ design, as well as the significance of the concept of green building and improve the effectiveness analysis of the external effects of green building measures,Key words: green buildings; protect the ecology; signification ; analysing the effects1 What is a green buildingGreen building refers to building life cycle, the maximum conservation of resources (energy, land, water and materials), protecting the environment and reduce pollution, provide people with health, application and efficient use of space, and nature harmony of the building. The so-called green building "green" does not mean a general sense of three-dimensional green, roof garden, but represents a concept or symbol, refers to building environmentally friendly, make full use of natural resources, environment and basic ecological damage to the environment without balance of a building under construction, but also known as sustainable building, eco-building, back into the wild construction, energy saving construction.Green building interior layout is very reasonable, to minimize the use of synthetic materials, full use of the sun, saving energy for the residents Chuangzao almost-natural feeling.People, architecture and the natural environment for the harmonious development goals, in the use of natural and artificial means to create good conditions and healthy living environment, as much as possible to control and reduce the use and destruction of the natural environment, to fully reflect the nature obtain and return balance.2, the meaning of green buildingThe basic connotation of green building can be summarized as: to reduce the load on the environment architecture, which save energy and resources; provide a safe, healthy, comfortable living space with good; affinity with the natural environment, so that people and building a harmonious coexistence with the environment and sustainable development.3 Development of the significance of green building rating systemEstablish green building rating system is a revolution in the field of architecture and the Enlightenment, its far more than energy savings. It is innovative in many ways and organic synthesis, thereby building in harmony with nature, full utilization of resources and energy, create healthy, comfortable and beautiful living space. It's revolutionary for the field of architecture from the technical, social and economic angles.3.1 Technical SignificanceGreen building study of early technical problems of individual-based, technology is isolated and one-sided, not formed an organic whole, the integration of design and economic study ofconsciousness is far from the only strategy of economic analysis phase of the subsidiary's knowledge . However, individual technical research results of early modern green building techniques for the multi-dimensional development and systems integration will lay a solid foundation. Since the nineties of the 20th century, with the understanding of green building gradually deepen and mature, people give up way too utopian thinking He alone environmental consciousness and moral constraints and spontaneous green behavior, turned to explore more workable environmental philosophy, environmental and capital combined into the future world the new direction of development of environmental protection, green building has entered a result of ecological ethics from the practice of promoting ecological research to deepen the new stage. Green Building Technology takes on the natural sciences, social sciences, humanities, computer science, information science and other subjects the trend of integration of research results, making green building design into the multi-dimensional stage of development strategy study. The deepening of green building technology strategy and development in materials, equipment, morphology, etc various advanced fields, in technology development, technology and other design elements of the integration is also starting from the past the simple addition, more attention to the periphery of the retaining structure itself design technology and architecture to combine the overall system change, gradually becoming green building systems. Green building rating system was established green building technologies gradually improve and systematize the inevitable result, it is the organic integration of green building technology, a platform built to green building technology, information technology, computer technology and many other subjects can be a unified platform in their respective roles, the establishment of a comprehensive evaluation system for designers, planners, engineers and managers a more than ever, a more simple, Guizhangmingque green building assessment tools and design guidelines.3.2 The social significance.Green building rating system reflects the social significance of the main advocates of the new way of life, heightened awareness and public participation in the continuation of local culture are two aspects.To promote a healthy lifestyle. Green building rating system, the social significance of the primary advocate a healthy lifestyle, which is based on the design and construction of green buildings as a community education process. The principles of green building rating system is the effective use of resources and ecological rules to follow, based on the health of building space to create and maintain sustainable development. The concept of the past to correct people's misconceptions about consumer lifestyles, that can not blindly pursue material luxury, but should keep the environment under the premise of sustainable use of modest comfort to pursue life. From the fundamental terms, construction is to meet human needs built up of material goods as people's Wenhuayishi Name and lifestyle is not sustainable when, the value of green building itself will be reduced, but only had a real social need When the requirements of sustainable development and way of life that matches the green building to achieve the best results.Enhanced awareness of public participation. Green Building Rating system is not a monopoly for the design staff of professional tools, but for planners, designers, engineers, managers, developers, property owners, jointly owned by the public and other assessmenttools. It broke the previous professional development of the monopoly to encourage the participation of the public and other public officers. Through public participation, the introduction of architects and other building users, the construction of dialogue participants, making the original design process dominated by the architect becomes more open. Proved the involvement of various views and a good help to create a dynamic culture, embody social justice community.3.3 The economic significance.Green building rating system, the economic significance can be divided into macro and micro levels. At the macro level, the green building rating system from the system life-cycle perspective, the green building design integrated into the economic issues involved in the production from the building materials, design, construction, operation, resource use, waste disposal, recycling of demolition until the natural resources the whole process. Economic considerations of green building is no longer limited to the design process itself, while the policy extended to the design of the narrow role to play to support the policy level, including the establishment of "green labeling" system, improving the construction environmental audit and management system, increase and construction-related energy consumption, pollutant emissions and other acts of tax efforts, improve the legal system of environmental protection, from the increase in government construction projects on the sustainability of economic support and raise the cost to the construction of polluting the environment acts as the costs for green buildings design and construction to create a favorable external environment. This goal is not entirely the responsibility of government agencies, as the architects involved in design work as a sound system of responsibility for recommendations obligations, because only the most from the practice of the need is real and urgent. The related policy issues in green building design strategies, building a system to solve the economic problems facing the important aspects. At the micro level, the current from the economic point of Design Strategy is more fully consider the economic operation of the project, and specific technical strategies accordingly adjusted.3.4 Ethical Significance.Green building rating system, the theoretical basis of the concept of sustainable development, therefore, whether the evaluation system of each country how much difference in structure, they all have one thing in common: reduce the burden of ecological environment, improve construction quality of the environment for future generations to remain the development of there is room. This radically change the long-sought human blindly to the natural attitude, reflecting people's understanding of the relationship between man and nature by the opposition to the uniform change. According to the current global energy reserves and resources distribution, the Earth's natural environment is also far from the edge of exhaustion, enough people enjoy the luxury of contemporary material life. But now we have to consume a resource, it means that future generations will be less of a living space. More importantly, if we consume the natural environment more than it can limit self-renewal, then the future of the younger generation is facing the planet's ecosystems can not recover the risk into a real crisis. Therefore we can say, the development of green buildings and their corresponding evaluation system, for more contemporary people is the responsibility and obligations. For more the interests of future generations and advantages. 4 green building designGreen building design include the following:Saving energy: full use of solar energy, using energy-efficient building envelope and heating and air conditioning, reducing heating and air conditioning use. Set according to the principle of natural ventilation cooling system that allows efficient use of building to the dominant wind direction in summer. Adapted to local climatic conditions, building use form and general layout of the plane.Resource conservation: in the building design, construction and selection of construction materials, are considered fair use and disposal of resources. To reduce the use of resources, strive to make the use of renewable resources. Conserve water resources, including water conservation and greening.Return to Nature: Green Building exterior to emphasize integration with the surrounding environment, harmony, movement complement each other so that the protection of natural ecological environment.5 Effect of green building5.1 Effect of the composition of green buildingEffect of green building, including internal effects and external effects, direct benefits and direct costs as the internal effect, known as the indirect benefits and indirect costs of external effects, according to engineering economics point of view: the internal effects can be financial evaluation, external effects should be economic evaluation, economic evaluation is based on the so-called rational allocation of scarce resources and socio-economic principles of sustainable development, from the perspective of the overall national economy, study projects spending of social resources and contributions to the community to evaluate the project's economic and reasonable and external effects generally include Industry Effects, environmental and ecological effects, technology diffusion effect, the external effect will cause the private costs (internal costs or indirect costs) and social costs inconsistent, leading to the actual price is different from the best price. From the perspective of sustainable development, green building assessment effects of the main indicators of external effects.Since beginning the development of green building, unity of quantitative indicators system is still not established, I believe that the following aspects should be analyzed: (1) strictly control the construction industry, size, limit the number of employees. Extensive growth model epitomized by the struggle over the construction project, the construction process using human wave tactics, once the state limit the scale of construction, will form the "adequate", which will not reduce the degree of mechanization, labor, the low level. (2) more investments in technology, upgrade technology, establish and perfect the mechanism for scientific and technical equipment. Focus on the development and application of building technology, combined with the project, the characteristics of future construction, a planned way scientific and technological research and development of new machinery, new processes, new materials, and actively introduce, absorb and assimilate the advanced scientific and technological achievements of science and technology to improve the level of mechanization.(3) in urban planning, survey and design through the "green building" ideas. Family housing and urban construction or alteration must remain in the room, from lighting, ventilation, drainage and so control the damage to the environment. (4) construction work, reduced resource consumption, the production process in construction, energy saving measuresshould be adopted to prevent the excessive consumption of land resources, water resources, power resources.5.2 External effects of the challenges to building the economyUnder the control of the government's intervention, to a certain extent on the efficient allocation of resources to strengthen the implementation of energy conservation mandatory standards for construction supervision. To further improve the building energy monitoring system, and strengthen the mandatory building energy efficiency standards in order to carry out the implementation of the project as the main content of the whole process of monitoring, particularly for large public buildings to enhance the building energy regulation, reflected in the project cost on the part of the Waibu costs into internal costs, making the "non-green building" project's internal costs, internal efficiency and reduce the external costs of green building, the external efficiency increase, so that effective economic resources to the rational flow of green building.6 to improve the external effects of green building measuresEnterprise architecture in the new economy to obtain a competitive advantage, improve the external effects only continually tap the ways and means to improve the external efficiency, reduce external costs, the basic ideas and principles: (1) Construction of natural resources in the life cycle and minimize energy consumption; (2) reducing building life cycle emissions; (3) protect the ecological (natural) environment; (4) to form a healthy, comfortable and safe indoor space; (5) the quality of construction, functionality, performance and environmental unity.Summarydescribed above, the meaning of green building design and analysis of its effectiveness and improve the external effects of green building measures. But how does the future design of green buildings need a degree in practice we try to figure out, I believe that green building will become the future construction of a trend.译文:博士生论坛国家期刊出版和指导博士生研究第7卷,第1号,2010绿色建筑Priscilla D. Johnson博士生教育领导Whitlowe R.绿色教育学院普雷里维尤A&M大学普雷里维尤,德州William Allan Kritsonis博士——教授和教师导师博士课程教育领导Whitlowe R.绿色教育学院普雷里维尤A&M大学会员德克萨斯州A&M大学普雷里维尤,德州荣誉殿堂(2008)威廉H. Parker的领导学院,研究生院普雷里维尤A&M大学会员德克萨斯州A&M大学普雷里维尤,德州客座讲师(2005年)牛津圆桌会议牛津大学英国牛津杰出校友(2004)教育学院及专业课程中央华盛顿大学埃伦斯堡,华盛顿摘要:绿色建筑是指尽力最大限度地节约资源(能源、土地、水、木)、保护环境,减少污染在它的生命周期。

绿色设计-概念-特点-生命周期-工业设计

绿色设计-概念-特点-生命周期-工业设计

1.绿色设计是绿色消费浪潮的产物工业生产的发展为世界经济发展和提高人民生活质量做出了巨大贡献,但也带来了相当大的负面影响,工业化国家已开始尝到近10年工业高速发展所结的苦果——地球生态环境以前所未有的速度在急剧恶化。

据统计,全世界制造业每年大约产生55亿吨无害废物和7亿吨有害废物。

如今,种类繁多的日用消费品己进入千家万户,新产品源源不断地推出,产品生命周期日趋缩短,造成废弃的废旧工业产品数量猛增。

在欧洲,每年约有80万吨旧的电视机、计算机设备、收音机、测量仪器和300万吨废旧汽车丢进垃圾场。

在美国,由家庭和工业企业产生的城市固体废物(MSW)已达到每人每天近2kg。

如果依此来推算,一个1000万左右人口的大城市,一天产生的固体废弃物就是2万吨,一年就是730万吨,这是一个庞大而可怕的数字!正是由于工业废弃物数量的不断增加,近10年来,美国各州垃圾填埋场屡屡告急,十有七八已无法再继续使用下去。

进入上世纪90年代以来,各国的环保战略开始经历一场新的转折,全球性的产业结构调整呈现出新的绿色战略趋势。

这就是向资源利用合理化、废弃物产生少量化、对环境无污染或少污染的方向发展。

随之在全球掀起了一股“绿色浪潮”。

绿色产品认证近年来,除了人们早巳熟知的各种生产厂家商标、产品注册商标外,又增加了新的标志——绿色标志。

绿色标志,又称“环境标志”、“生态标志”、“蓝色天使”等,它是一种产品的证明性商标,受法律保护,是经过严格检查、检测、综合计定,并经国家专门委员会批准使用的标志。

它是印刷或张贴在产品或其包装上的图形,表明该产品不但质量合格,而且在生产、使用、消费和处置等过程中也符合特定的环境保护要求。

二、绿色设计绿色设计是获得绿色产品的基础,并已成为当前设计领域的研究热点之一。

研究表明:设计阶段决定了产品制造成本的70%~80%,而设计本身的成本仅占产品总成本的10%,如果考虑环境因素,这个比例还会增大。

因为产品设计所造成的生态破坏程度远远大于由设计过程本身所造成的对生态影响的程度。

工业设计_外文翻译-2

工业设计_外文翻译-2

Design and Environment/baidu?word=%B9%A4%D2%B5%C9%E8%BC%C6%D3%A2%CE%C4%CE%C4%CF%D 7&tn=sogouie_1_dg原文:DESIGN and ENVIRONMENTProduct design is the principal part and kernel of industrial design. Product design gives uses pleasure. A good design can bring hope and create new lifestyle to human.In spscificity,products are only outcomes of factory such as mechanical and electrical products,costume and so on.In generality,anything,whatever it is tangibile or intangible,that can be provided for a market,can be weighed with value by customers, and can satisfy a need or desire,can be entiled as products.Innovative design has come into human life. It makes product looking brand-new and brings new aesthetic feeling and attraction that are different from traditional products. Enterprose tend to renovate idea of product design because of change of consumer's lifestyle , emphasis on individuation and self-expression,market competition and requirement of individuation of product.Product design includes factors of society ,economy, techology and leterae humaniores.Tasks of product design includes styling, color, face processing and selection of material and optimization of human-machine interface.Design is a kind of thinking of lifestyle.Product and design conception can guide human lifestyle . In reverse , lifestyle also manipulates orientation and development of product from thinking layer.With the development of science and technology ,more and more attention is paid to austerity of environmental promblems ,such as polluting of atmosphere,destroy of forest, soilerosion,land desertification, water resource polluting, a great deal of species becaming extinct,exhansting of petroleum , natural gas andcoal and so on . A designer should have a strong consciousness of protecting environment and to make his\her design to be based on avoiding destroying environment and saving natural recourse.Nowadays ,greenhouse effects,destroyed ozone layers and acid rain are three global environmental questions.Greenhouse effect is phenomena of the atmosphere becoming warmer . The forming principle of greenhouse effect is that the Sun short wave radiation can penetrate into ground through atmosphere ,long wave radiation emitted from ground after ground is warmed ,is absorbed by carbon dioxide of atmosphere , and then atmosphere gets warmer.The carbon dioxide in the atmosphere changes the earth to a large greenhouse like a thick layer of glass . Methane ,ozone,chlorine,Fluorine, hydrocarbon and aqueous vapor also make some contribution to greenhouse effects. With rapid increase of population and rapid development of industry ,more and more carbon dioxide of atmosphere enters into atmosphere. Because forest is cun down in a large amount also ,carbon dioxide increases gradally ,and the greenhouse effects are strengthened constantly .The results of the greenhouse effects are very serious. The great changes will take place in the natural ecology ,such as desert expanding ,land corroding aggravating, forest retreating to the polarregion, calamity of drought and waterlog serious and rainfall increasing. The temperate zone will be wetter in water and will be droughtier in summer . Tropical zone will become wetter and subtropical zone will become more arid . All of these above will forces the existing irrigation works to be adjusted. Coastal regions will be threatened seriously .Because the temperature is rising , ice-cubes will be melted at the two poles so to the sea level will be rising and a lot of cities and ports will be submerged.The ozone layer destroyed shocked academia and the whole international aommunity .American scientists,Monila and Rowland , pointed out that it is human activities bring ozone hole of today . arch-criminal that we now well know is freon and Kazakhstan dragon.Acid rain has already become a kind of air pollution phenomenon in extensive range,crossing over national boundaries at present. Acid rain destroys soil, makes lakeacid and endangers growing of abimals and plants. It also stimulates people's skin, brings out the skin disease, causes lung hydronces, lung harden ,and corrodes the metal product,paint ,leather, fabrics and building with carbonate .In a word , the environment of human life has already worsened day by day. The reasons of the worsening mostly come from the human own bad life style, disrespecting the objective law, eager for quick success,use of the earth resource without scientific plan ,and lack of consciousness pratecting the environment in design . So they destroy home by themselves,which not only harm human on contemporary, but also seriously influence existence of descendants.The environmental question is caused by people's bad design and life style to a great extent , which puts forward a serious question for a designer that designers should undertake the historical important task of environment protection.Industry has brought the disaster to world while creates a large amount of wealth for mankind . Industry design has accelerated the consumpition of the resource and energy resource and has caused enormous destruction to the ecological balance of the earth while creating modern life style and living environment for mankind.So as industry designers, setting up environmental awareness incarnates their morals and social sense of responsibility. Designers must be responsible for their own designs, and must take human health and blessedness , and harmonically coexisting of nature with the human as the rules necessarily obeyed in their own design.Designers must also master the necessary knowledege in material, craft, chemical industry, manufacturing,ect.,in order to be possible for avoiding to danger to environment causing by his design.The concept of "Sustainable development design"has epoch-maling meanings of humanity and real development of the world .It reflects the designer's morals and responsibility , and has already become the trend of designing development in the 21st century .Hence ,mankind's development made of traditional industrial civilization was turned to one of the modern ecological civilization. It is the coordination of social progress,economic growth and environmental protestion.Sustainable development is a kind concept of brand-new ethics,morals andvalues that people should follow. Its essence lies in fully utilizing the modern science and technongy ,exploiting green resources ,development constantly, impelling harmonious development between human and nature and pramoting inter-harmony of population ,resource and environment .Solving the problem of sustainable development is a change of technological innovation and behavior made.Sustainable development strategy is to solve the problem of meeting contemporary people's demands in maximum under the precondition of un-hurting several generations' demands of the future . It will realize the unity of the present interests and long-term interest and leave the development space for descendants.The question of the strategic consideration of sustainable development should include circulation, green energy and ecological efficiency.Green design comes from introspection on environmental and ecological disruption caused by design of modern technology and culture. Green design focuses on the balance relation of persons and natural ecology . Designers should consider the environmental benefits at every decision of the disign process, and try their best to reduce the destruction to environment.For industry design, the core of green design is "3R",namely Reduce,Recycle and Reuse.It is necessary not only to reduce consunption of substance and energy sources,and reduce letting of harmful substance,but also to classified reclaim, recycle and reuse products and parts conveniently.Green design is not only technical ,but also an innovative idea. It requires designer to give up some rat-fuck method excessively emphasizing at the style of products, and to focus on the real innovative. He or she would design the form of the products with more responsible method and make the products lengthen their wervice life as much as possible through succinct and permanent modeling.For materials,stock and regeneration of raw materials, consumption and pollution of environmental energy during obtaining materials,machining performance in follow-up manufacturing,low consumption and low pollution of energy ,and reclaimable during discarded should be considered.Problems of manufacturing are that pollution should be reduced or died out during beginning of manufacturing.Consideration on packing, transporting , sale, ect. is meant the environmental performance of packaging, green packing ,good performance of transportation ,decreasing self weight , reducing energy consumption , localized production and reducing consimption of work flow.Consideration on the use of product concerns with waste of energy and resources while produces are used , the modularization of environmental performance , recombined ability , and the mades of using product while products are renewed , as well as other factors.Easy disassembled feature , convenient decomposition and classification , reclaaimable and reusable features of materials, and recombined feature of parts or removes for other use should all be considered during the period while products are renewed , as well as other factors.Easy disassembled feature, convenient decomposition and classification , reclaimable and reusable features of materials, and recombined feature of parts or removed for other use should all be considered during the period while products are discarded .Clean energy souces should be Considered , such as solar ernergy , water, electricity and wind power .Clean materials concern with low pollution , innocuity, disaggregation and reclaimable . Clean manufacturing process is meant production with energy saving and environment protection while used, and reclaimable while discarded.Regeneration and reuse of parts are powerful measure of sustainable strategy. The fact has proved that through disassembly and analysis the proportion of reusable material would be higher after improving design and retread.For example , in a scrap car , metal meterial accounts for 80%.Among them , nonferrous metal accounts for 3%~4.7%. 45%of output of steel comes from scrap steeel in world and 25% output of steel comes from scrap steel in our country.Product Lifecycle Management is meant all life course of product from people'sdemand for product to be washed out , including the main stages of demand analysis, praduct planning , conceptual design , produce design , digitized simulation, proceess preparation , process planning,production testing and quaality control , sell and distribution, use \maintaining and maintain, as well as scrap and reclaiming . Advanced management idea and first-class information technology are taken into industrial and commercial operation in modern enterprises , which makes enterprises be able to adjust management means and management ways effectively in digital economic era , inoder to exert enterprise's unprecedented competition advantage . Helping enterprise to carry on products innovation , to win the market , and to obtain additional profit would improve the value of the enterprise products.译文:设计与环境产品设计是工业设计的主体和核心。

工业设计外文翻译----产品责任制为设计带来的启示

工业设计外文翻译----产品责任制为设计带来的启示

附件1:外文资料翻译译文产品责任制为设计带来的启示产品使用的舒适性不是根据设计者、制造商或者零售商自身的需求作为设计标准的,而是根据使用者的需要进行设计的。

Juran等人就将以下内容作为主要舒适性能的判断参数—产品设计质量—产品的适用性—特定性能—适用领域的服务性设计质量是在指在一项设计中所针对的三个分别独立的步骤:(1)满足使用舒适性的构成要素;(2)产品或服务的设计观念的选择,需要满足使用者对必要功能的需要;(3) 如果可以严格执行将已确定的产品设计观念融入到一系列具体的设计规范中这一理念,那么就会满足使用者的需求。

Juran将四个和使用舒适性相关的使用参数以及它们彼此的关系进行了归纳总结,正如表一所示。

而所设计产品的好坏会受到市场调查效果的影响。

产品的好坏的标准可能是很模糊的,而对于设计师或者是一个设计团队而言就有必要将不完整的市场信息列出一个设计理念框架进行研究。

市场上对生产设施的可用性和它们的承载能力的了解是必不可少的,因为对这一过程的了解和生产息息相关。

但工人们都有这种必要的技能吗?什么样的材料可用而它们的成本是多少?是否是人们依据预期的售价对成本估计过高?许多工程材料的可靠性和可维护性的基本性能还没确定,因此备件的应急使用能力对许多产品可能是至关重要的。

而产品适用领域的服务性也同样具有重要意义。

严格的产品责任的落实这些因素影响了使用的舒适性而且应该在设计师的设计中得到体现,可是设计师们在他们的设计工作中有多少成功的满足了这一要求呢?在过去的20年里消费者运动的大规模增长反映了消费者对产品以及服务的不满。

更准确的说消费者的不满在安全方面,安全保障的缺失已经引起了法院和立法机关的重视,特别是在美国。

在1963年,加州最高法院裁定,“当制造商生产劣质产品并将其投放到市场上时买卖,之前又没有用探伤仪检测,结果证明这导致了人身伤害,那么他就已经严重侵犯了他人的权益”。

加州政府的决策被许多州效仿结果导致了20世纪70年代美国的产品责任危机,尽管那时有立法,但是据估计在1973年仍然有超过600000人发生和产品质量相关的事故。

绿色设计概述

绿色设计概述

绿色设计概述绿色设计(Green Design)是20世纪80末出现的一股国际设计潮流。

绿色设计反映了人们对于现代科技文化所引起的环境及生态破坏的反思,同时也体现了设计师道德和社会责任心的回归。

斯塔克为沙巴公司设计的电视机在漫长的人类设计史中,工业设计为人类创造了现代生活方式和生活环境的同时,也加速了资源,能源的消耗,并对地球的生态平衡造成了极大的破坏。

特别是工业设计的过度商业化,使设计成了鼓励人们无节制的消费的重要介质,“有计划的商品废止制”就是这种现象的极端表现。

无怪乎人们称“广告设计”和“工业设计”是鼓吹人们消费的罪魁祸首,招致了许多的批评和责难。

正是在这种背景下,设计师们不得不重新思考工业设计师的职责和作用,绿色设计也就应运而生。

从历史可以看出,对于绿色设计产生直接影响的是美国设计理论家维克多·巴巴纳克(Victor Papanek)。

早在20世纪60年代末,他就出版了一本引起极大争议的专著《为真实世界而设计》(Design for the real world)。

该书专注于设计师面临的人类需求的最紧迫的问题,强调设计师的社会及伦理价值。

他认为,设计的最大作用并不是创造商业价值,也不是包装和风格方面的竞争,而是一种适当的社会变革过程中的元素。

他同时强调设计应该认真有限的地球资源的使用问题,并为保护地球的环境服务。

对于他的观点,当时能理解的人并不多。

但是,自从70年代“能源危机”爆发,他的“有限资源论”才得到人们普遍的认可。

绿色设计也得到了越来越多的人的关注和认同。

一、绿色设计的概念绿色设计(Green Design)也称为生态设计(Ecological Design),环境设计(Design for Environment)等。

虽然叫法不同,内涵却是一致的,绿色设计是指在产品及其寿命周期全过程的设计中,要充分考虑对资源和环境的影响,在充分考虑产品的功能、质量、开发周期和成本的同时,更要优化各种相关因素,使产品及其制造过程中对环境的总体负影响减到最小,使产品的各项指标符合绿色环保的要求。

外文资料原文及翻译---现代工业设计概述

外文资料原文及翻译---现代工业设计概述

外文资料原文THE SUMMARY OF MODERN INDUSTRIAL DESIGNthe industry design bring of not only is a spirit ascend of dulcify and enjoy, more important, it can change the people's life style.The industry design is expectation the purpose and ideas embody, the entity turn of means, is people to carry on the economy construction activity to expect the process first.Its essence is people to will carry on of the economy construction activity make an art to turn of conceive and plan and prepare.Every consider, this kind of conceives and plans and prepare is progressive, development of, even is something to run before.From this meaning up, also explained that the industry design is a kind of motive that pushes the social development. But in very part of business enterprise eyeses, the external appearance design of the product becomes the all of the industry design.A good product is only rich is not enough in the shape of the pleasant impression, industry the designers not only need to be rich in the imagination dint, more important is make consumer at enjoy of the whole process of the product is more comfortable, safety, convenience, labor-saving, operation interface more rich humanized, more friendly.A wheel chair that can climb the stairs can use to nurse patient's more labor-saving, a cleverly made and luminous remote control, feel more the person whom the ream watches the television easily.Make use of a chair of the wastepaper recovery, more environmental protection.Big arrive the airplane to make, small to the design of the razor, the essence that industry design woulds be the of make people the center.The designer of the industry want to be real to cater to the current of the society, making technique real to match now the social person's need:1) technical usage of micro-electronics and new the development of the material, make people new science and technology of usage be a kind of vogue.2)The people's life, the appearance of more and more full of diverse sex and small meaning.The person pursues the living independence more and more, pursuing the character to makeopen at the same time, hoping to get the exchanges of the emotion, the spirit enjoy. 3)The environment problem, request to value to work hard to make while create the design that the people diversify the value these values in the grain of the mankind, society, environment always each other harmonious coordination, work hard to look for their common category.Only thus industry the designer then can set up the true image of oneself, only thus industry the designer then can carry out the design principle for make people the center, only thus industry designer then can real service in society.Design to have already entered the team for creative ages now.The team homework is an idea factor, involve the business enterprise conduct and industry of competition activity of square aspect face, is the organization reason that the creation keeps on the innovation to flow.Each working talent of business enterprise section carries out the integral whole to turn the conjunction, turning the business enterprise resources realization in the business enterprise of superior to install.The communication obstacle of the innovation inner part, the activity obstacle, its resources organization characteristic and other internal characteristics, limits the business enterprise to produce, developping and carrying out those causes in the environment of creative ability.This relation problem that designs how to resolve the design management?Design with the management, is all a modern economy to live the frequency tallest two phrases in medium usage.It is all a business enterprise to conduct to constitute one of the parts strategically.But combine together they, comprehend from the different angle, producing the different meaning again.Can be the design to the design carries on the management, can also carry on the design to the management, can carry on the management to the concrete design work of the product, also can is the rightness conduct the angle from the business enterprise to carry on the management.However aught, the design management has already been a new concept, being the business enterprise to lift high-efficiency, development the sharp weapon of the product.Point of departure that designs the management is the exaltation design product develop the design of efficiency, design the management since is a demand of design, is also the demand of themanagement.Manage is a kind of culture originally, it since come from the culture and create the culture.Manage how research is carry on the integration to the each layer, moderate the resources and activities that design need, and design the strategy and the design activities to carry on the management to a series, looking for to solve the method quite the cheesely, becoming the target of the business enterprise and creating a valid product already.( or communicate)This kind of mechanism includes the management of the production, creative management of product, the management of the sale, the management mechanism of the management etc. a series of the wealth and properties.The process of Modern industrial design is bery rigorous, the every state which from investigation to design each stage pays great attention the detail very much. Below is some industrial design company's product design flow.1. The Black Hole of Capital FlightMake sure of the details:: After fixing the cooperation on design with the client, we will communicate with the client, which done by our market personnel and designer to understand the details and the aim which should be realized during the process of industry design .2. Confirm the main inside module of productsAccording to the primitive product or the functional modeling that offered by the client ,we analys the function-realize-principle of the product and the range of structure changing to confirm the limiting condition and the key point .3. The Black Hole of Capital FlightDesign research is essential while designer developing the design work. This course makes industry designer know the sales condition of the product, product lifecycle stage , state of the competitors , users and sellers' suggestion . All these are the basis of orientation & creation. As to the product like fingerprint lock, the difficulty of design mainly concentrates on the pleasing appearance and the styling accuracy , how to shorten the design cycle to hold changeable masses market.4. The Black Hole of Capital FlightAfter orientating the concept of the product, we confirm therough-structure and the arrangement of the product, with the client, analys the feasibility of the technology, cost budget and the commerce operation. Understand client's basic idea of the product .5. Draw sketch of the productWork of the sketch conceive stage determines the 70% cost of the product design and the design result . So this stage is the most important one of the whole process. Originality be created through deep thinking , and recorded quickly . This idea of initial stage of design is often shown as a kind of inspiration flashing immediately, which is lack of accurate size information and geometry information. Base to the idea of designer, record all results by sketching ,draw many types or mark design information in graphic format, confirm three or four orientation, then designer develops the detail design.6. 2D rendering of the product design2D-rendering make the design result in the sketch accurate. This course can be finished by CAD software. Produce the accurate picture of the product appearance through this link .It can show the size and dimension sense, express roughly material and shadow relationship of the product to client clearly. It isa more ocular and perfect presentation than sketching.7. Perspective rendering of the products3D modeling is the process to describe the form and structure of the products with 3d language , its greatest advantage is the reality and authenticity , adjust the form of the products in observation of much angles in three-dimensional space, can save the trial-manufacture course of the original part , can form the structure of the products in accurate and ocular way , thus express the products more concretely , improve the designing quality of the products. 3D picture have accurate form proportionate relationship and exquisite detail design, it can be used to communicate with client veritably.8. The Black Hole of Capital FlightRenderings from any angle give people more ocular way to experience the space dimension of the products in terms of a lot of vision . Overall assessment of product design, reduce the uncertainty of design.9. The Black Hole of Capital FlightProduct color proposal is used to solve client's requirements of color series of the product , mix out the tentative programmed of color by computer to meet different color demands for the same one, and expand the customer product line.10. The Black Hole of Capital FlightThe design and arrangement of sign on the panel of the surface will become the light spot of the product, which brings brand-new adventure in daily life to users. Insertion of VI to the product makes the style of the product unified further. succinct and distinct LOGO, offers cordial and ocular discernment experience ,it also become the exquisite detail at the same time .11. The Black Hole of Capital FlightDesign the inside structure , installation structure and assembly relation of the products, assess the rationality of product structure.12. 1:1 product structure designAccording to the size of design, the electronic file of each part and the assembly relation between all parts will be accomplished accurately.13. The Black Hole of Capital FlightAnalyze whether the assembly relation between the parts is rational , whether exists interfere appearance, analyze the loaded intensity of each part .14. The Black Hole of Capital FlightRevise to the question in the structural design and adjustment , confirm the final structure file .15. The Black Hole of Capital FlightAccomplish the structure prototype produce by CNC system or laser rapid prototyping .16. The Black Hole of Capital FlightPack all circuits and each part into prototype ,examine the rationality of the structure design, experience the product , carry on the last adjustment , reduce the risk of the mould design .17. The Black Hole of Capital FlightTest the work dependability of the prototype of a machine, participate in the exhibition , find out the seller's request and suggestion in time, confirm the plan of when the products come into the market.18. The Black Hole of Capital FlightAccomplish the product design, invest the mould design, then produce Inenormous quantities .外文资料译文现代工业设计概述工业设计所带来的,不仅是精神上的愉悦与享受,更重要的是,它可以改变人们的生活方式。

工业设计_外文翻译-1

工业设计_外文翻译-1

Design Without Designers网站截图:/baidu?word=%B9%A4%D2%B5%C9%E8%BC%C6%D3%A2%CE%C4%CE%C4%CF%D7&tn=sogouie_1_dg原文:Design Without DesignersI will always remember my first introduction to the power of good product design.I was newly arrived at Apple, still learning the ways of business, when I was visited by a member of Apple's Industrial Design team. He showed me a foam mockup of a proposed product. "Wow," I said, "I want one! What is it?"That experience brought home the power of design: I was excited and enthusiastic even before I knew what it was. This type of visceral "wow" response requires creative designers. It is subjective, personal. Uh oh, this is not what engineers like to hear. If you can't put a number to it, it's not important. As a result, there is a trend to eliminate designers. Who needs them when we can simply test our way to success? The excitement of powerful, captivating design is defined as irrelevant. Worse, the nature of design is in danger.Don't believe me? Consider Google. In a well-publicized move, a senior designer at Google recently quit, stating that Google had no interest in or understanding of design. Google, it seems, relies primarily upon test results, not human skill or judgment. Want to know whether a design is effective? Try it out. Google can quickly submit samples to millions of people in well-controlled trials, pitting one design against another, selecting the winner based upon number of clicks, or sales, or whatever objective measure they wish. Which color of blue is best? Test. Item placement? Test. Web page layout? Test.This procedure is hardly unique to Google. has long followed this practice. Years ago I was proudly informed that they no longer have debates about which design is best: they simply test them and use the data to decide. And this, of course, is the approach used by the human-centered iterative design approach: prototype, test, revise.Is this the future of design? Certainly there are many who believe so. This is a hot topic on the talk and seminar circuit. After all, the proponents ask reasonably, who could object to making decisions based upon data?Two Types of Innovation: Incremental Improvements and New ConceptsIn design—and almost all innovation, for that matter—there are at least two distinct forms. One is incremental improvement. In the manufacturing of products, companies assume that unit costs will continually decrease through continual, incremental improvements. A steady chain of incremental innovation enhances operations, the sourcing of parts and supply-chain management. The product design is continually tinkered with, adjusting the interface, adding new features, changing small things here and there. New products are announced yearly that are simply small modifications to the existing platform by a different constellation of features. Sometimes features are removed to enable a new, low-cost line. Sometimes features are enhanced or added. In incremental improvement, the basic platform is unchanged. Incremental design and innovation is less glamorous than the development of new concepts and ideas, but it is both far more frequent and far more important. Most of these innovations are small, but most are quite successful. This is what companies call "their cash cow": a product line that requires very little new development cost while being profitable year after year.The second form of design is what is generally taught in design, engineering and MBA courses on "breakthrough product innovation." Here is where new concepts get invented, new products defined, and new businesses formed. This is the fun part of innovation. As a result, it is the arena that most designers and inventors wish to inhabit. But the risks are great: most new innovations fail. Successful innovations can take decades to become accepted. As a result, the people who create the innovation are not necessarily the people who profit from it.In my Apple example, the designers were devising a new conception. In the case of Google and Amazon, the companies are practicing incremental enhancement. They are two different activities. Note that the Apple product, like most new innovations, failed. Why? I return to this example later.Both forms of innovation are necessary. The fight over data-driven design is misleading in that it uses the power of one method to deny the importance of the second. Data-driven design through testing is indeed effective at improving existing products. But where did the idea for the product come from in the first place? From someone's creative mind. Testing is effective at enhancing an idea, but creative designers and inventors are required to come up with the idea.Why Testing Is Both Essential and IncompleteData-driven design is "hill-climbing," a well-known algorithm for optimization. Imagine standing in the dark in an unknown, hilly terrain. How do you get to the top of the hill when you can't see? Test the immediate surroundings to determine which direction goes up the most steeply and take a step that way. Repeat until every direction leads to a lower level.But what if the terrain has many hills? How would you know whether you are on the highest? Answer: you can't know. This is called the "local maximum" problem: you can't tell if you are on highest hill (a global maximum) or just at the top of a small one.When a computer does hill climbing on a mathematical space, it tries to avoid the problem of local maxima by initiating climbs from numerous, different parts of the space being explored, selecting the highest of the separate attempts. This doesn't guarantee the very highest peak, but it can avoid being stuck on a low-ranking one. This strategy is seldom available to a designer: it is difficult enough to come up with a single starting point, let alone multiple, different ones. So, refinement through testing in the world of design is usually only capable of reaching the local maximum. Is there a far better solution (that is, is there a different hill which yields far superior results)? Testing will never tell us.Here is where creative people come in. Breakthroughs occur when a person restructures the problem, thereby recognizing that one is exploring the wrong space. This is the creative side of design and invention. Incremental enhancements will not get us there.Barriers to Great InnovationDramatic new innovation has some fundamental characteristics that make it inappropriate for judgment through testing. People resist novelty. Behavior tends to be conservative. New technologies and new methods of doing things usually take decades to be accepted - sometimes multiple decades. But the testing methods all assume that one can make a change, try it out, and immediately determine if it is better than what is currently available.There is no known way to tell if a radical new idea will eventually be successful. Here is where great leadership and courage is required. History tells us of many people who persevered for long periods in the face of repeated rejection before their idea was accepted, often to the point that after success, people could not imagine how they got along without it before. History also tells us of many people who persevered yet never were able to succeed. It is proper to be skeptical of radical new ideas.In the early years of an idea, it might not be accepted because the technology isn't ready, or because there is a lot more optimization still to be done, or because the audience isn't ready. Or because it is a bad idea. It is difficult to determine which of those reasons dominates. The task only becomes easy in hindsight, long after it becomes established.These long periods between formation and initial implementation of a novel idea and its eventual determination of success or failure in the marketplace is what defeats those who wish to use evidence as a decision criterion for following a new direction.Even if a superior way of doing something has been found, the automated test process will probably reject it, not because the idea is inferior, but because it cannot wait decades for the answer. Those who look only at test results will miss the large payoff.Of course there are sound business reasons why ignoring potentially superior approaches might be a wise decision. After all, if the audience is not ready for the new approach, it would initially fail in the marketplace. That is true, in the short run. But to prosper in the future, the best approach would be to develop and commercialize the new idea to get marketplace experience, to begin the optimization process, and to develop the customer base. At the same time one is preparing the company for the day when the method takes off. Sure, keep doing the old, but get ready for the new. If the company fails to recognize the newly emerging method, its competitors will take over. Quite often these competitors will be a startup that existing companies ignored because what they were doing was not well accepted, and in any event did not appear to challenge the existing business: see "The innovator's dilemma."Gestural, multi-touch interfaces for screen-driven devices and computer games are good examples. Are these a brilliant new innovation? Brilliant? Yes. New? Absolutely not. Multi-touch devices were in research labs for almost three decades before the first successful mass-produced products. I saw gestures demonstrated over two decades ago. New ideas take considerable time to reach success in the marketplace. If an idea is commercialized too soon, the result is usually failure (and a large loss of money).This is precisely what the Apple designer of my opening paragraph had done. What I was shown was a portable computer designed for schoolchildren with a form factor unlike anything I had ever seen before. It was wonderful, and even to my normally critical eye, it looked like a perfect fit for the purpose and audience. Alas, the product got caught in a political fight between warring Apple divisions. Although it was eventually released into the marketplace, the fight crippled its integrity and it was badly executed, badly supported, and badly marketed.The resistance of a company to new innovations is well founded. It is expensive to develop a new product line with unknown profitability. Moreover, existing product divisions will be concerned that the new product will disrupt existing sales (this is called "cannibalization"). These fears are often correct. This is a classic case of what is good for the company being bad for an existing division, which means bad for the promotion and reward opportunities for the existing division. Is it a wonder companies resist? The data clearly show that although a few new innovations are dramatically successful, most fail, often at great expense. It is no wonder that companies are hesitant - resistant - to innovation no matter what their press releases and annual reports claim. To be conservative is to be sensible.The FutureAutomated data-driven processes will slowly make more and more inroads into the space now occupied by human designers. New approaches to computer-generated creativity such as genetic algorithms, knowledge-intensive systems, and others will start taking over the creative aspect of design. This is happening in many other fields, whether it be medical diagnosis or engineering design.We will get more design without designers, but primarily of the enhancement, refinement, and optimization of existing concepts. Even where new creative artificial systems are developed, whether by neural networks, genetic algorithms, or some yet undiscovered method, any new concept will still face the hurdle of overcoming the slow adoption rate of people and of overcoming the complex psychological, social, and political needs of people. To do this, we need creative designers, creative business people, and risk takers willing to push the boundaries. New ideas will be resisted. Great innovations will come at the cost of multiple great failures.Design without designers? Those who dislike the ambiguity and uncertainty of human judgments, with its uncertain track record and contradictory statements will try to abolish the human element in favor of the certainty that numbers and data appear to offer. But those who want the big gains that creative judgment can produce will follow their own judgment. The first case will bring about the small, continual improvements that have contributed greatly to the increased productivity and lowering of costs of our technologies. The second case will be rewarded with great failures and occasional great success. But those great successes will transform the world.译文不需要设计师的设计唐·诺曼我永远也不会忘记我第一次向人们介绍优秀产品设计的魅力的经历,那时候我刚刚到苹果公司,还在逐渐的学习工作上的事务。

绿色设计外文翻译

绿色设计外文翻译

绿色设计进入二十世纪以来,随着全球经济的高速发展,人类在消耗自然资源、生产制造大量产品的同时,又在不断的加剧生态环境的恶化,地球日渐变暖、大气严重污染、陆地逐渐减少、水土大量流失、耕地瞬间沙化。

我们人类正以自己的“聪明才智”,加速毁坏自身的家园,大自然在不断为人类提供丰富资源的同时,也带来了连年不断的灾难!以上这些人类共同面临的窘境,已引起世界上许多国家的高度重视,一股以保护环境、保护有限资源、保护人类身体健康为目标的绿色浪潮,正在全球兴起。

在这绿色浪潮的带动下,相应的绿色产品的开发与设计方法也成为工业设计师们所关注的焦点。

注重绿色设计保护生态环境绿色产品开发,是从对绿色产品的设计开始的,绿色设计是以节约资源和保护环境为宗旨的设计理念和方法,它强调保护自然生态,充分利用资源,以人为本,善待环境,使绿色设计不应仅是一个倡议和提议,它应成为现实文明和未来发展的方向。

面对当前全球的环境污染、生态破坏、资源浪费和温室效应,资源殆尽,每个地球人都感到生存的危机。

因此,工业设计师作为推进人类文明发展的设计家,肩负着重要的使命。

而绿色设计的实质就是使产品来自自然,又回归自然,并在本质上更接近自然。

绿色产品的设计,首先要考虑产品原料和能源的无公害和低消耗。

现代科技的发展在为人们带来诸多方便的同时,也带来了更多的隐患。

如制造一台个人电脑需要用700多种化学原料,而这些原料大约有一半含有对人体有害的毒素,例如,用于制造电脑机壳的塑料都含有一层防火的有害制剂。

一台显示器中含有约2.5磅的有毒元素铅,如果将淘汰的电脑垃圾掩埋在土壤中,这些玻璃中的铅就会渗透出来,对土壤造成严重的污染,而现在采用的方法是将它们进行焚化处理,但在焚化过程中,这些原料将会释放大量的有害气体和重金属,对空气造成污染,最终形成酸雨。

鉴于这种现象,目前许多电脑公司都将注意力集中到产品从使用——废弃——回收处理的各个环节,对环境无害或危害极小、或最大限度的节约能源,将产品生命周期的各个环节的能耗降至最低。

工业设计_外文翻译-3

工业设计_外文翻译-3

1.Creative China must find its ownPath网站截图:/baidu?word=%B9%A4%D2%B5%C9%E8%BC%C6%D3%A2%CE%C4 %CE%C4%CF%D7&tn=sogouie_1_dg原文:Creative China must find its own PathJustin 0'ConnorIt is commonly said that China needs to ‘catch-up’ with `the west' or the `developed world'. This phrase implies a singular path; there may be short cuts and `late-comer advantages' but the destination一a modern, developed country一is the same. But just when it seems China is within touching distance, the `developed world' changes the definition of what it is to be `developed' and puts more obstacles in the path of those trying to catch-up. In English we call this `moving the goal-posts'. After manufacturing, services and high-technology seemed to present clear goals for China, the cultural creative industries arrive as the new `value-added' product and service sector, posing yet more problems for the country's policy-makers. Many in the West have argued that China will take a long time to catch-up in these areas and that this provides a new source of competitive advantage to the West. Indeed, for some, the absence of a competitive cultural creative industries sector is evidence that China is not, and maybe can never be, fully `developed'.Much of this can be dismissed as another example of the West's superiority complex; however, there can be no doubt that the cultural creative industries present great possibilities but also great challenges for China. These industries一from visual and performing arts, to recorded music, film and TV, to digital animation and new media services, through to fashion, design and architecture一are highly creative and innovative products and services, relying on complex flows of knowledge and intellectual property. They are also cultural or symbolic products that reflect and influence our pleasures and ambitions, and our individual and collective sense of meaning and identity. For these reasons all nations have sought to protect and develop their own national culture and traditions by investing in cultural infrastructure and expertise. In the second half of the twentieth century this was expanded beyond `the arts,一galleries,museums, opera houses, universities, arts schools, journals etc. 一to include broadcast media, film, publishing and recorded music. In the last 20 years the emphasis has shifted from building economic infrastructures for reasons of national cultural identity to mobilizing culture and creativity for reasons of economic development.The cultural creative industries are now strongly linked with the knowledge economy, which emphasizes high levels of research, knowledge transfer and, above all, innovation. In the West artists or `cultural producers' have long been associated with dynamic, often unpredictable creative innovation. Now the innovative capacity of the cultural industries is extended to a new range of creative products and services and is also seen as a catalyst for innovation right across the economy. In China this agenda has also meant moving beyond the idea of a better industrialization or marketisation of existing cultural products towards a more systematic approach to the idea of cultural and creative innovation and its wider economic impacts. This demands the ability to anticipate new products and services, finding new audiences, differentiating rather than imitating what already sells. It requires new kinds of `soft skills' that are hard to acquire as they are often`tacit', demanding experience rather than formal education (though this is also necessary). It demands understanding different models of production, complex value chains and the interaction between cultural, creative and business skills. In the last few years the central driving force behind cultural and creative industries policies has been the idea of `cluster'. Starting from a few isolated examples in Beijing, Shanghai and other smaller coastal cities the concept has now become a central policy platform. Cultural and creative clusters exist in the West, though these terms cover extremely diverse developments. There are some good reasons why China would choose this policy platform above others. In many large cities experiencing de-industrialisation there are empty factories that seem ripe for this kind of development. The model of concentration to facilitate rapid development also fits well with China's history of collectivization and more recently its development of high-tech and other R&D parks. Clusters are also attractive to policy makers because they are highly visible一successful ones give publicity to them and the city. At the same time they offer clear and concrete steps to support a sector that is very new and not very well understood. However, there are some real problems to be overcome if these clusters are to deliver what is expected of them.Many clusters emerged organically, with artists looking for cheap workspace; but in China, as in the West, they soon drew attention from property developers. The first big problem faced by clusters is that cultural and creative producers raise the profile of a place and this is very quickly translated into rent rises, typically driving out the first occupants. This is a complex problem, but my main point would be that policy cannot be driven by the dynamics of real estate. Some have said that if creative industries are seconomically important we should let the market decide. There is some truth in this; it is very easy to subsidise bad artists and creative producers. However, the dynamics of real estate markets and the creative economy are very different, especially at the early stages. Cultural profile can raise rents muchmore rapidly than with other kinds of occupancy, often from a low base, and can provide good profit. But these rent rises are often too fast for a slowly emerging sector, which is not just to be seen as individual companies but as a complex emerging `creative ecology'. The real estate market measures `good' or `bad' creative by their ability to pay the rent, not on their long-term effect on innovation. There are easy measures for real estate success一higher rent yield一but how are we measuring the innovative capacity of the local economy? In general, local governments should not give tax breaks to real estate companies and then allow them to apply pure market rules to rents. More subtle intelligence and policy instruments are needed if government is find a productive balance in this area.Clusters are often conceived as places for the `industrialization' of cultural products一that is, mass production and marketing. The need for innovation is forgotten in the process. There are many visual art clusters that are very much like factories, reproducing extremely outdated products for the lowest end of the art market. This might provide jobs in the short term but simply confirms China as the world's low value producer. Similar things could be said about traditional crafts, which are extremely repetitive and are usually only protected by inter-provincial tariffs. These products might inflate the statistics一according to one report China is third largest exporter of cultural products一but they are very misleading; most of the products counted do little to enhance the innovation capacity of the cultural creative sector.Better understanding and governance of clusters is necessary. Clusters deliver benefits for many but not the entire cultural creative sector. Computer games, for example, does not benefit from clusters because more or less everything is produced in-house in great secrecy. They go to clusters because of tax and rent subsidies, not to be in proximity to others. Visual artists benefit from cheaper rents, the reputation of a `cool' place and from space to work in quiet; they do not necessarily engage in intensive networking and knowledge transfer. Other project based industries, such as new media, want the networking possibilities provided by clusters, what economists called `untraced interdependencies'. There are thus different requirements for the different branches, and both the mix of companies and the quality of the space need to be carefully understood.There is real scope for informed government policy here. In general they should look to raise the quality of production as well as developing new audiences and markets. Clusters can have a role in this, but they have to form part of a wider policy strategy. For example, universities are vital to building new human capital一they have to be encouraged to look to creative skills not just teaching from established models,.Local television stations can be encouraged to pay more for high quality content一at the moment the purchase is a one size fits all approach which often pays the worst and the best exactly the same. The design of urban spaces can be enhanced to support the city as a `creative milieu'. More directly, the cultural creative industries need new creative attitudes and mentalities that take some time to come through; they also demand a range of `soft skills' associated with project management, branddevelopment and marketing which have to be learned `on the job'. But they find it hard to learn these skills when they are mostly delivering services at the lowest part of the value chain, where innovation effects and intellectual property go abroad. Talent is wasted in servicing when it should be focused on developing original content. Local governments have to realize that though the cultural creative industries have strong economic benefits they are also about quality一high values which demand the long term view not the quick return of the `bottom line'. This push for high quality and higher levels of innovation is something that demands a more holistic approach to policy; and clusters can play a crucial role in this.Rather than be seen as convenient containers for cultural creative producers they need to become focal points for targeted development. Universities and art schools need to be more involved. As do their cultural creative industry research centres. Real knowledge transfer can be encouraged and facilitated by intelligent cluster managers. The skills to run a cluster are just emerging and there are some good exemplars一but much of it is just real estate management as in any other sector and this is a wasted opportunity. Networking events, joint marketing, seminars with foreign companies, spaces and occasions for experimentation, a carefully managed programme for the general public (too much tourism can destroy a cluster, as in Tianzi fang in Shanghai), intelligent links to other clusters and larger creative companies一all these demand specific skills to deliver. These skills also should be disseminated and improved across between the clusters. China does need to look to foreign experts and models; but it has also shown time and again that it can also find its own way, and in ways that have astonished outsiders. It can do this with the cultural creative industries but it has to look long term, beyond immediate economic gain (including rent increases) to the long-term creative and innovative capacity of the country. It has to recognize that it is catching up at a time when western creative industry corporations are more global than ever, looking to penetrate local Chinese markets just when the country is trying to develop its own creative sector. This presents a real challenge, but I would say that rather than try and use policy tools derived from the West, China should look to its own traditions and strengths. I do not just mean its traditional culture in terms of calligraphy or opera or ink painting; I mean its resources for social and economic development that uses, but is not subservient to, the `free' market. In fact the UK, closely associated with the creative industries agenda, has very little capacity to deliver industry support, relying on demands that people be more `entrepreneurial' rather than deliver systematic and intelligent sectoral strategy. This is why it has let a 250-year-old world famous ceramics company一Wedgewood一go bankrupt. China has some things to learn from the UK, but its deep resources of intelligent and pragmatic policy will be ultimately decisive. Most important, policy makers should not loose sight of the importance of culture for collective meaning and identity. This is much more diverse, fluid and open to new influences, and the Chinese government has increasingly stood back from direct intervention. In the search for the new economic benefits of the cultural creative industries their deeper cultural contexts should not be neglected.译文:中国要有自己的创新之道Justin 0'Connor 贾斯丁奥·康纳人们总是说中国需要赶超西方或发达国家,这似乎意味着是唯一的道路。

生命周期设计

生命周期设计

生命周期设计生命周期设计(Life Cycle Design)又称生态设计(Eco-Design)。

它是从产品性能、环境保护、经济可行性的角度,考虑产品开发全生命周期(包括产品设计、原材料的提取、产品的制造、包装、销售和使用、用后的回收与处置全过程)的污染预防要求,多级使用资源与能源,以降低产品生产和消费过程对环境的影响,使其与地球的承载能力相一致,以确保满足产品的绿色属性要求。

一个产品的生命周期包括以下各个环节:市场需求分析、设计开发、生产制造、销售、使用及淘汰废弃后的回收处理。

在设计过程中,依据特定的评价函数进行设计案例的选择,而评价函数必须包含图1中外圈所示的各项因素,即产品的基本属性、环境属性、劳动保护、资源有效利用、可制造性、企业策略和生命周期成本。

生命周期设计的必要性l 公众的需要生产对环境无害的产品或绿色产品,已成为公众的普遍要求。

随着环境污染的加剧、环境公害的不断发生,引起了社会各界的强烈反应:现在,对改善环境质量的要求越来越迫切。

1991年美国NBC进行了民意调查结果,80%的美国人把环境问题放在第一位,15%的人强烈要求对环境的损害要赔偿;不购买有环境污染的产品。

大多数人认识到,必须对现有的产品、生产方式和消费方式进行变革,以减少环境污染,而不是等待环境出现问题后来解决。

产品的制造者采纳公众的要求,即首先就应考虑产品的环境与用户安全要求,要求设计者采用生命周期设计:设计者则要将环境要求与产品性能和其他要求综合在一起。

l 提高产品竞争力,降低成本一些国家已经把产品的环境因素作为产品质量的一部分,现在许多公司已经清楚认识到,高质量的产品是成功竞争的基础,将环境因素纳入到产品质量控制中,在未来的国际市场竞争中,产品必将有更大的竞争力。

高明的企业家都清楚,高质量的产品不是高费用的、最佳的产品,而是少缺陷的、质量高成本最低的产品。

他们也认识到,发现并降低环境“缺陷”,也同时降低了产品的成本,提高了产品的质量。

具有环境意识的设计与制造中英对照

具有环境意识的设计与制造中英对照

4.3 Environmentally Conscious Design and Manufacturing(ECD&M)4.3.1 IntroductionIndustrial countries are beginning to face one of the consequences of the rapid development of the last decade. Wide diffusion of consumer goods and shortening of product lifecycles have caused an increasing quantity of used products being discarded.4.3环保意识的设计和制造(ECD&M)4.3.1介绍工业国家开始面临的后果之一,过去十年的快速发展。

广泛扩散的消费品和缩短产品生命周期造成了越来越多的产品被丢弃的使用。

⏹In Europe, 800,000 tons of old television sets, computer equipment, radios,and measuring devices, and 3 million tons of automobile equipment are thrown into the national garbage center each year.⏹In the United States, the municipal solid waste (MSW) generated by house-holds and industrial establishments is about 4 pounds per person each day.⏹According to a current report, the United States has lost more than 70% ofits landfill sites in the past 10 years. The report also infers that landfills in many states are reaching their permitted capacities.⏹Facing this environmental problem, both the government and industrialcompanies are making more strict regulations to promote environmentally friendly products and technology.在欧洲, 每年的国家产生800000吨的旧电视机、电脑设备、无线电和测量设备,300万吨汽车设备被扔进垃圾中心。

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中文5000字The Design Response to a Wash of Green: Whole Systems and Life Cycle ThinkingSimon LockreyWhat a great idea: a 'green' product to make a difference, make one happy, and assist in performing the menial tasks that litter an otherwise hectic day. Or is it? Consumer decision-making is beginning to follow a distinctly 'green' trend, which is fantastic in principle but often contrived in reality. What does this mean for the designer who imagines, designs and creates these goods that cater for growing consumer demand in 'sustainability?' There lies the contradiction between designing for the consumption obsessed market and designing to the core principles of sustainability, where environmental, economic and social aspects are somewhat detached from a consumer driven market.According to Ezio Manzini, design theorist from the famed Politecnico di Milano, we have a crisis of the commons (common areas, goods, etc), a lack of contemplative time (a time poor existence, longer hours at work, etc), and most relevant to designers, a proliferation of remedial goods (Manzini 2003). The latter sees products solving every perceived problem imaginable. Whether it is a toothbrush that oscillates the plaque off in half the time, or a breakfast bar filling the five-minute bus ride, we have become increasingly, unconsciously used to products feeding our increasing wants, without a thoughtas to how that consumption impacts the environment. Last century, the raw materials consumed by one person in the US increased five fold (Matos and Wagner 1998). This looks more ominous when combined with the fact that only around 15-20 % of the world is highly developed to a US or western style of consumption (UN, 2009). One approach is for design to lower the user's consumption, without degrading the consumer's experience. The question is whether the new breed of 'eco' products adds to the crisis, or makes a real difference.They may be adding to the crisis if the design method follows the 'rules of thumb' for that infiltrated the design community in last two decades. The reality is that these techniques do have potential to make a difference, but are often ineffective. Take design for disassembly. A designer in an appliance company designs a product for disassembly although there is no effective product stewardship scheme to collect the parts from reclaimed models. The design driven benefit is not delivered, rendering the methodology a waste of time. It is also well and good to reduce the weight of components and thus the embodied energy of the same appliance, however if the bulk of the impacts are generated during use from electricity (like an electric kettle), then the strategy most likely has negligible benefit in reducingenvironmental load. Likewise by making parts from commonised, recyclable materials, the likelihood is that there is no post consumer recycling stream or infrastructure in place to handle the majority of parts and materials, due to the commercial reality of recycling. This design for environment mentality has long been detached from the benefit it has aimed to deliver upon.There is a light at the end of this tunnel. There are ways to make a difference, and there is evidence these methods are filtering through the design world. Life cycle thinking or applying a 'whole systems' approach can make 'paradigm shifts' in the reduction of environmental impacts of a product or service, without reducing perceived quality, or increasing cost.As these ideas infiltrate design methodology, certain products shine as considered, sustainable shifts in the current 'wash of green'.Cheviot Bridge's sustainable wine packaging.Cheviot BridgeThe romantics among us would never have thought Shiraz would prosper in a Tetra Pak, a packagingform traditionally reserved for juice and milk. However some producers such as have, with a reduced packaging weight of almost 10 times a conventional bottle (unfilled). This dematerialisation enables huge embodied energy, carbon and water use reductions on the packaging, not to mention reduced haulage impact after filling (particularly for export, 1.05 kg rather than 1.5 kg per unit), and a smart palletisation shape for shipping and storage. The decision to move to a paper board packaging mode derived from extensive life cycle research, cost comparison and product testing (which funnily enough, contrary to some stigma, highlighted longer shelf life) to measure the potential benefits. The weight reduction, combined with an additional 250 mL of wine to the customer (the product is delivered in 1 L), delivers a quality driven outcome, with a raft of environmental and economic benefits due to life cycle thinking.Dyson's Airblade.DysonJames Dyson didn't go places by creating a better bag, he decided to create a cyclonic vacuum cleaner based on a saw mill, and the rest is history. This whole systems approach led Dyson to design highlyefficient, miniature digital motors for the appliance market around ten years ago. The use life cycle impacts of an electrical appliance generally dwarf the respective material and manufacture impacts. This relates back to the energy, fuels and raw materials consumed in operation of an appliance. By identifying the original motor as a major contributor to inefficiency within the product system, an opportunity for a technology leap was found. Carbon producing, large, heavy, inefficient, failure-prone, brushed motors were replaced by highly efficient, light, fast, small, digital ones.Last year saw the latest Dyson products incorporate a tiny Dyson Digital Motor (DDM) V2 resulting in substantial dematerialisation coupled with ergonomic weight benefits. Handheld vacuums were launched with the DDM, replacing the traditional carbon brushed motor. The cost difference between base models is negligible, while functional and environmental credentials have improved markedly. The new models are smaller and lighter, and remain almost half the weight of competitor machines. The DDM V2 size allows for high speed rotation, not achievable in larger, heavier motors. This produces around twice the power output at around half the weight of traditional motors, the new base model handheld pulling the same suction power as the previous model, using two less batteries.The Dyson Airblade™, which incor porates the first iteration of the DDM, is the first hand dryer to earn the coveted Carbon Reduction Label from the UK Carbon Trust. This achievement relates back to efficiency and whole systems design. By reverting to a polymer chassis compared to aluminium on the first Airblade™ release, Dyson cut carbon emissions in raw material, product manufacture and transport by over half, however this is not the preeminent story. Airblade™ 'strips' the water off the hands, rather than heating air up and 'evaporating' water like a conventional warm air hand dryer. Airblade™ drops the drying time to around 10 seconds, as opposed to up to 30 seconds with competitors which use inefficient carbon brush motors and heated air. Things start to look substantially thrifty without even crunching the numbers. In a press release, the comparison is up to 80% less energy used compared to traditional warm hand dryers (Carbon Trust 2010), which directly relates to carbon emission reductions. This giant gap in energy consumption, combined with product longevity, and a product stewardship scheme, delivers environmental benefits that directly reduce impacts in new Dyson models.The Keep Cup and its many color combinations.Keep Cup: An LCA Case StudyWhilst operating a chain of cafés in Melbourne, Abigail and Jamie Forsyth saw a need and responsibility to address disposable packaging waste generated both to reduce environmental impacts and costs. They estimated that in Australia at least 500 million disposable cups are used and discarded each year with large numbers of adults in urban communities consuming a disposable coffee on a daily basis (National Coffee Association of America found that in 2007, 14% of adults in the United States drank gourmet coffee daily). Although disposable cups are a low margin, the wider impacts of the daily 'take away coffee set' seemed one problem that did not justify the convenience. Others have attempted to either incorporate Post Consumer Recycled (PCR) content or sell reusable products such as 'travel mugs' designed to keep coffee hot for hours. The former has issues with food regulations; the latter is cumbersome and impractical for the savvy, on-the-go consumer, not designed to fit the needs of quality cafébaristas. The duo engaged industrial design consultancy Niche, with government funding, to create a solution dropping environmental impacts without reducing the consumer's experience.The result was KeepCup, a reusable cup for the takeaway espresso market. It is the world's first barista standard reusable cup, consisting Polyethylene (PE) lid, Polypropylene (PP) cup, Thermoplastic Polyurethane (TPU) plug, and Silicone ring. It mimics the core geometry and functions of disposable paper cups, including coffee machine modularity, waterproofing, sip slot, lid, individual coffee detailing, and adds hand insulation (avoiding double cupping), steam plug, branding, and most importantly ergonomics to allow for convenience ie light weight, bag storable, etc. The concept has gained momentum, the cup used all over the Melbourne CBD, Australia, and now globally. 300,000 KeepCups have been sold in twelve months of trading, as adoption of the KeepCup by end users has generated revenue and costs savings for café owners. But is it really making a difference?We did some research here at RMIT Centre for Design. Disposable paper cups (combined with a PE film) have little post consumer demand from reprocessors, and generally end up in Australian landfill. Although the KeepCup promotes recyclability, the fact still remains that the same system is more likely going to spit the various polymers it is made from to landfill, even if the components are separated by the consumer. With this in mind we modeled the 8 oz KeepCup (it is available in various sizes) againsta comparable disposable paper cup using Life Cycle Assessment (LCA) methodology in a streamlined fashion. The functional unit was 1 take away coffee per day delivered to the consumer over a year, with the cups disposed of to landfill over or at the end of that period. We used raw material, manufacturing, transport, and end of life data from the Australian Life Cycle Inventory (LCI) 2009 and European Ecoinvent 2.0 database. Regional transport routes were considered (shipping from Asia for the disposable cup, lid, and the ring from the KeepCup, trucking from port to consumer), as well as tertiary packaging, and a wash cycle per use for the KeepCup, ranging from a quick rinse with warm water, a fully loaded dishwasher, half loaded dishwasher, and sink washing, the latter three with detergent. We also modeled coffee cultivation, production and brewing in Spain from a study out of Switzerland (Humbert, Loerincik et al. 2009) to see what bearing the KeepCup had in context to the 'whole productThe results were determined using the LCA Australian Impact Method. The KeepCup compared to the disposable paper cup (not including the coffee) depending upon the wash type (the sink seeing thesmallest through to quick rinse seeing the biggest environmental impact reductions), sees a 71-92% reduction in global warming potential, a 71-95% reduction in water use, and a 95-96% reduction in landfill waste over the year. Although the 'take away latté set' consumer will still purchase the coffee whether in a disposable or reusable option, it is interesting to see how the previously stated savings compare when included with the impacts relating to coffee, which would in general dilute the savings of the container on its own. The KeepCup compared to disposable paper cup (including coffee) sees a 36-47% reduction in global warming, a 64-85% reduction in water use, and a 91-92% reduction in landfill waste annually.Although these are streamlined results using existing LCI data (a full LCAs may be more accurate, although often results are of a similar quantum), the figures indicate Keepcup would drastically reduce environmental impacts of consumers in drinking coffee, although in the grand scheme of things this would account for a very small proportion of a consumers overall impacts annually. This just seems like common sense, reusing rather than disposing, although this begs the question how the Keepcup strategy could apply to more resource intensive services such as heating, cooling, cooking, food,housing, and transport; if social rituals adapt. The KeepCup aesthetics are clean, and functionally it is thoughtfully designed, evident in the now global appeal. Although KeepCup is most likely not going to be recycled in the Australian context, the shift from disposable to reusable adds environmental credibility, significantly reduces waste, cuts the economics down to size, and enables a social shift, a welcome change for a society now used to throwaway culture.Paris VélibWide spread change in avoiding behaviours that embody high consumption may be some way off. Design has been instrumental in delivering some of the first tentative steps in facilitating individual and community action in this respect. Take the Paris Vélib, a bike share program introduced in 2007 to promote cycling as opposed to other transport modes throughout Paris for short journeys. By diverting investment traditionally earmarked for carbon intensive transport modes, like more roads, a highly design oriented system delivers the low consumption alternative. If success is measured in use alone, 42 million rentals by 2009 speak loudly. The system works as a whole, with infrastructure, communications and servicing the key in delivering this success, producing a product that wouldcontinue to be used and reduce impacts inherent in other transport modes.The bikes, stands and 1451 bike stations (one every 300 meters) designed by JC Decaux stay true to core design principles of 'form follows function' and user centred methodology. Stations release only functioning bikes to users, a smart system alerting well resourced and mobile service staff of faults through diagnostic checks when bikes 'check-in'. This computer monitoring system is also used to monitor bike location for potential theft and station overloading, with bikes actively moved too and from understocked and overloaded stations. Locks guarantee integrated bike and station security. Bespoke components and economic deterrents dissuade potential thieves; with credit cards debited a deposit on a user's non return of a bike. Economic incentives also drive timely travel, with free bike use in the first half hour. Compared to short trip alternatives such as cars or public transport, this product driven system delivers substantial dematerialisation through lower embodied energy and shared amenities, as well as massive comparative drops in fuel and electricity use. Social interaction is generally inherent in the cycling fraternity; however this is also aided through infrastructure design. Finally, the Vélib negates the problem of storage required when a bike is owned in a bustling city. Likeany public system, there have been problems with vandalism and theft; however the success of the Vélib is evident as use patterns remain high and similar bike sharing schemes flourish across Europe, and are proliferating globally.Paris Vélib bicycle rental system. Picture by austineven.Vélib is an elegantly integrated, cost effective design solution allowing users to enact behaviours needed if environmental impacts are to be reigned in, as well as reinvigorating the social fabric of the city. Vélib rejects the remedial with long lasting functional infrastructure, claims back the common in a shared public service, and provides amenities that go some way in reducing congestion and providing aconvenient, communal conveyance that gifts back the free time Manzini believes we have long being lacking in our fast paced, consumer oriented urban existence.People are not going to stop consuming any time soon; however behavior will eventually need to shift if society is serious about being truly sustainable. In the interim, analyse the bigger picture, both as a designer and a consumer. So often designers get caught up in the details, but now stepping back and taking a life cycle and whole systems approach facilitates a future in delivering functional 'paradigm shift' benefits for a product, service, client, and the environment. Ecological parameters are 'locked in' at the design stage, so designers can reduce impacts through materials, efficiency, or in some cases the grander scenario of changing consumer behavior. Designing for low consumption, without increasing price or reducing quality is achievable, and presents a powerful and bright design landscape. To achieve this, designers will have to draw upon their ability to combine technical skills in research, conceptualization, prototyping, and testing, with their greatest weapon, their creativity, because that's what they have done, and will always do best.Acknowledgments to Thomas Blower (Dyson, UK), Hugh Cuthbertson (Cheviot Bridge), AbigailForsyth (KeepCup), Andrew Carre (CfD), and Stephen Clune (CfD)Simon Lockrey is a Research Fellow at RMIT Centre for Design in Melbourne设计对绿色风潮的响应:整体系统和生命周期思想作者西蒙·洛克雷一个伟大的想法,“绿色”产品使情况与众不同,让人们感到快乐,并且帮助人们执行重要的任务以避免人们被忙碌的生活搅乱。

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