湖北导游词之荆州博物馆

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本文部分内容来自网络整理，本司不为其真实性负责，如有异议或侵权请及时联系，本司将立即删除！== 本文为word格式，下载后可方便编辑和修改！ ==湖北导游词之荆州博物馆精选范文:湖北导游词之荆州博物馆(共2篇)欢迎大家来到荆州这座充满古代气息的城市，大家好今天由我担任大家的导游，我姓张大家可以叫我张导。

荆州位于长江之滨，地处江汉平原腹地，素有“鱼米之乡”的美誉，它历史悠久，文化灿烂，是楚文化的发祥地，也是三国文化的聚集地之一；同时它还是国务院首批公布的二十四座历史文化名城之一。

今天我要带大家去参观的景点是荆州博物馆，请大家随我的脚步，共同走进那段辉煌远久的历史。

荆州博物馆位于荆州城西门开元观，是一座地方综合性博物馆，它占地70亩，在全国地市级博物馆中规模首屈一指。

同时，博物馆还以其优美的环境、丰富的馆藏文物和独具地域特色的文物珍品陈列，以及考古研究的丰硕成果而享誉海内外，其馆藏文物逾10万余件，其中国家一、二类物近500件。

1994年经国家文物局专家评选，该馆荣获全国地市级“十佳博物馆之首”的美誉。

目前，馆内有7个精品展室。

其中，珍品楼内有凤凰山168号汉墓展、古代漆木器精品展和楚汉文化丝织品展；主楼内则有浓缩了从旧时器时代的鸡公山遗址到新石器时代的大溪文化、屈家岭文化、石家河文化代表性文物的江汉平原原始文化展、1999年被国家文物局评为十佳精品展之一的江汉平原文化展、以瓷器为主的传世文物展、楚汉简牍丈字展。

此外，还有天星观二号墓出土文物专题展和楚乐宫展演。

今天我们主要参观珍品楼内的三大展览。

如果我们把荆州博物馆比作文物的宝藏，那么珍品楼的文物则是这座宝藏中的“宝中至宝”。

现在请允许我向各位提一个问题：大家想象过201X多年前中国人盖的被子是什么样的吗？接下来，我将要带大家参观的是荆州博物馆的楚汉丝织品展馆。

《楚汉织绣品展》，主要展出了１９８２年１月在原江陵县马山砖瓦厂一号楚墓中发掘出土的一批战国中晚期绢、纱、罗、锦等丝绸织绣，包含有衣、裤、衾被、丝带等成品。

湖北荆州古城的导游词范文（三篇）

湖北荆州古城的导游词范文各位嘉宾，大家上午好!今天我们将参观著名的荆州古城。

“闻听三国事，每欲到荆州”。

一提起荆州，您一定会自然而然地想到小说《三国演义》中刘备借荆州、鲁肃讨荆州、吕蒙袭荆州、关羽失荆州那些脍炙人口的三国故事，一百二十回《三国演义》，就有七十二回的内容涉及荆州。

千百年来，到荆州古城探询三国历史烟云陈迹的凭吊者、访古者、探幽者络绎不绝。

作为大家的实地导游，我很荣幸能够借这样一个机会把荆州古城逾两千年来演变和发展的历史画卷展现给大家。

我们现在所处的位置是荆州城东门外，大家面前的这条几十米宽的河流就是护城河，在打仗之时，它是抵御敌人攻城的一道天然屏障，而如今在这条河上，每年都会举办隆重的国际龙舟邀请赛。

入城之前，首先请让我给大家介绍一下荆州古城的历史背景。

荆州城，又名江陵城。

是目前我国南方保存最为完整的一座古代城池，也是____年____首批公布的全国____座历史文化名城之一;____年，荆州古城墙被____公布为全国重点文物保护单位;____年时，以荆州古城为中心的荆州市又被国家旅游局命名为中国优秀旅游城市。

回顾荆州的历史，可以说与华夏上下五千年的文明史紧密相连。

大家都知道，中华民族是炎黄子孙，黄帝和炎帝部落合并统一华夏后，“割地布九州”(冀、兖、青、徐、扬、荆、豫、梁、雍)，荆州即为这古老的九州之一。

“荆州”这个名称，最早见于战国时期的典籍《尚书?禹贡》中的“荆及衡阳惟荆州”，当时荆州的区域面积是很大的，春秋战国时期的楚国便是兴起于荆州域内。

据史料记载，周庄王八年(即公元前____年)，楚文王将都城迁往今天荆州城北五公里处的纪南城，楚国在此建都长达____年，前后经历了二十个国王，创造了与黄河流域中原文化辉映并重，并可与古希腊、古罗马文化相媲美的楚文化。

相传楚成王(公元前____至____年)在位时，为了毕览长江胜景，在荆州城区营建了“飞楼百尺照湖水、上有燕赵千娥眉”的诸宫和宫船码头，这诸宫和宫船码头就是今天荆州城的雏形。

湖北荆州古城导游词

湖北荆州古城导游词湖北荆州古城是一座历史悠久的城市，有着丰富的文化遗产和历史背景。

荆州古城是中国五大古城之一，其独特的历史故事和文化底蕴吸引了无数游客前来探寻。

一、荆州古城历史背景荆州古城建于东汉末年，原名江陵，是有着2300多年历史的古城。

南北朝时期，荆州曾是李密造反的大本营。

唐朝时期，荆州是东南交通的中心，成为中国两广通衢之一，因此繁荣了数百年。

明朝时，荆州古城成为大明南北运输的重心。

二、荆州古城著名景点1. 荆州城楼荆州城楼又称鉴湖楼，建于明代，是荆州的标志性建筑。

楼高七层，气势雄伟，从城楼顶可以俯瞰整个古城。

楼内还有各种展示馆、展览馆，展示着荆州古城的历史文化。

2. 荆州博物馆荆州博物馆是以荆州历史文化为主题的博物馆。

馆内有着大量的历史文物和文化遗产，包括青铜器、陶瓷、图书等，展示了荆州古城千百年来的文化底蕴和历史沉淀。

3. 桃花江荆州古城位于长江和湘江之间，其中最著名的便是桃花江。

桃花江因拍摄《走向共和》而成为国内知名的电视剧场景，吸引了大量游客前来观赏。

4. 兴隆寺兴隆寺是一座佛教寺院，距今已有1400多年历史。

其中最著名的是著名诗人李白在此留下的诗句“岘山逢候客，松柏见樵夫。

路出寺西峰，分明指荆湖”，吸引了很多文学界的游客前来寻访。

三、荆州古城的特产和美食荆州古城是一个有着丰富传统特产和美食的城市。

最著名的特产是荆州花雕酒，这款酒以高粱酿制，口感浓郁，略带甜味，是荆州人民的骄傲。

而荆州美食中以熏鱼最为出名，荆州熏鱼选用的是新鲜的江鱼，熏制技术独到，口感鲜美，深受游客的喜爱。

四、荆州古城的旅游建议荆州古城是一个适合休闲旅游的城市，建议游客可以先逛一圈荆州博物馆，了解荆州古城的历史文化背景，然后前往桃花江边，欣赏美景，体验当地士别三日当刮目相待的特色文化，最后到荆州城楼俯瞰整个古城。

至于美食和特产的选择，可以根据自己的口味和喜好进行挑选。

总之，荆州古城是一个非常值得游览的城市，它拥有着丰富的历史文化底蕴、特色美食和传统特产。

荆州博物馆导游词

Ladies and gentleman,Welcome to the ancient city，Jingzhou. I will be your tour guide today. First, please allow me to introduce myself. My family name is , working in TIANMA travel agency. You can call me . The person behind me is Mr Wang, who is the local guide of our tour. Thanks for you your applause..We are about to visit Jingzhou museum. Jingzhou, with its long and splendid history, is the birthplace of the Chu Cluture, and also the cultural aggregation of Three Kingdoms. Jingzhou is also one of 24 famous historical and cultural cities which were publicity announced by State Council in the first batch. Jingzhou museum represents the essence of Jingzhou city. Now ladies and gentlemen, please follow me to step into that glorious and remote history.Jingzhou museum is a local and comprehensive museum, situated in Kaiyuan Daoist Temple in the west of the city. It covers an area of 70 Chinese acres, whose scale is second to none in the museums of prefecture-level cities. At the same time, it enjoys a good reputation domestically and abroad by its exquisite environment, rich collection of cultural relics and gem exhibition with local characteristics, and the plentiful and substantial fruit in archaeological research. The amount of cultural relics here is more than 10,000, among which 500 belong to Grade I or II cultural relics of the state. In 1994, this museum was reputedto be “the champion of the best museums” in the museums of prefecture-level cities.At present, it has 7 display rooms. In the Gem Building, there is the exhibition of No.168 Tomb of Han dynasty which was unearthed in Phoenix Mountain, and the exquisite wooden lacquered articles of ancient times, as well as some silk fabrics of Chu and Han culture; There are many exhibitions in the main building. Such as the primeval culture exhibition of Jianghan plain which contains ruins of Ji Gong mountain of the Old stone age and the ruins of Da Xi Culture , Qu Jialing Culture, Shi Jiahe Culture which all belong to the Neolithic age; the culture exhibition of Jianghan plain, which is appraised as one of the top ten gorgeous exhibitions by the national state administration of culture relics in 1999; the exhibition of the extant culture relics of porcelain and the exhibition of bamboo and wooden slips about Chu and Han. Except that, the special exhibition of culture relics which are about the second grave of Tian Xing Guan, and the performence in Chu Yue palace are also shown in the main building. Today we mainly visit the three exhibitions in the treasure building.If we compare Jingzhou museum to a storehouse of cultural relics, those which exhibited in the Gem building should be consider as the “king of the treasures”. Now, we will move to the special exhibition of an ancient corpse of Western Han Dynasty.The No.168 tomb of Han dynasty of Phoenix Mountain was unearthed in 1975. The delicacy cultural relics from this tomb are put in an exclusive exhibition room, with the total number of 500. What strikes us most is a male corpus from Western Han Danasty, which can date back to 2100 years ago. This is another significant archeology discover after the female corpus unearthed in Mawangdui Tombs of the Han Dynasty in 1972.the male corpus is the oldest and best kept male soft resin. Now the two corpses, one man belongs to Yang lies in the south while one woman belongs to Yin lies in the north. All the oppositions make them much more famous.Attention please, this is the master‟s inner and outer coffins. Since it is double coffins, it represents that the master had a decent social status. This is the state when it was unearthed. as it has been buried so many years, in addition with the subsoil water, this takes on the appearance we saw now. Ok, let us go to the second floor please. This coffin contains three parts: the head-case, wing-case and coffin room, which was made as his habitable room before death. If notice carefully, you will find that the coffin even has door and windows in the middle, so what is the reason? In Han Dynasty, death was seen as a transition from one life to the next, and in the afterlife the deceased continued to live the lifestyle they enjoyed while alive. After death, their souls can come in and go out freely through the window, and the slaves still serve them as before. Ok, let usmove left, and this is the master of the tomb. According to the literary inscription discovered in the tomb, his name is “Sui”, he was born in Jiangling county of Jingzhou city, whose rank of nobility is Wudafu, which is equal to or a little higher than the present county mayor. the archaeological stuff estimated his rank as follows: with an inappropriate analogy, his rank is equal to vice-department level officer at present time. According to the record, this corpus was buried in 167BC, 2142 years before it was unearthed. The corpus was unearthed with the upper body naked, only covered by a piece of white burlap. The master is about 60 years old when he died, 52.5 kilograms weight, 1.678 meters tall; the soft tissue such as skin and muscle still have flexibility, the big and small joints of the four limbs still can shift; the corpus has 32 teeth, which are complete and firm. The nasal passage is unimpeded, the left tympanic membrane still saves; the durra mater is complete and the meninx blood vessel is clear to see, 12 pairs of cranial nerves nearly can be recognized. In this round case is his encephala, which takes 80 percent of the cranial cavity, weighing 970 grams. To a normal adult, the weight of the encephalon is 1400 gram. From this figure we can conclude that obviously the moisture content did not lose much; in the rectangular box is his internal organs. after the unearthing of this corpus, doctors carried on a dissection to this body and discovered that his inside organs are complete, no shifting phenomenon; the skeleton position of the wholebody is normal without osteoporosis; as the supporter of muscle, hypodermic collaenous fibre preservation is under a quite good condition, which has no big difference from the new organizations; the protein, the fat,the carbohydrate and so on are persevered at different degree. The medicine personnel also found human cells in the cartilage and the testicle. His blood type is AB. Before his death, the person contracted cholecystitus, pericarditis, gallstone, pleurisy and diffused hemorrhage to all the organs of the whole body, the diffuse hemorrhage is the lethal substantial clause to death. In the internal organs, some parasitic ovum are discovered, some schistosome, Trichuris trichiura, cestode and Clonorchis sinensis. The discovery of schistosome ovum is conformed to those were discovered from the female body of No.1 Tomb of Han Dynasty in Mawangdui. This prove that Schisosomiasis prevailed in Hunan and Hubei province, and the record of Schisosomiasis in ancient medical books was correct and explicit.when the coffin operated, the ancient corpus was immersed in 400,000 milliliter russetish coffin fluid. This kind of coffin fluid is made up of several dozens of Chinese medicines, and the main constituent is Cinnabar. As the color of Cinnabar is russetish, so this corpus takes on the similar color. The nature of coffin fluid toward alkalinity, therefore the ancient corpse's clothes is dissolved completely. But there is a pair of gunny shoes on his feet, since gunny has the kali resistively, so it can bekept completely.Now this ancient body is soaked in the formalin for anticorrosion. But this kind of antisepsis liquid was not existed in the Western Han Denysty in 2000 years ago. It puzzled us that what method used to keep it? The research indicated that it has three main reasons for the corpus staying so long without spoil. The first is the deep buries, the ancient corpse is approximately 10 meters lower than the ground ; The second is sealing. There are lots of green cinerous putty and montmorillenite around the grave pit which are about 5.4 meter deep. For its coffins‟cover has been sealed by linen and raw lacquer, the ancient corpse has been kept in a anoxic homoiothermal and constant-humid environment. The third reason is that the liquid in the coffin is antibacterial, bactericidal, antiseptic.This corpse dictated that as early as 2000 years ago, China had achieved a quite high level in the technical aspects of medicine, health and anticorrosion. it is supplement to the research results of the female corpse discovered in the No.1 Tomb of Han dynasty in Mawangdui. it also enriched the ancient Histology and ancient Pathology and so on, which added many new materials to the research of our country‟s medicine science.ok, now let us move to the gem exhibition of ancient wooden lacquered articles. It is the one and only special display of wooden lacquered articles in the whole county. The wooden lacquered article is one of the products endowed with Chinese characters. According to relative records, China began to use lacquer at primitive society as early as 7000 years ago, and the process of making lacquered article originated and developed from Shang Dynasty. In a long period, it has earned a wide affection from people, since it has the function of acid and alkali resistant, high temperature resistance, anti-Corrosion and moisture-proof. Jingzhou museum has more than 10 thousand lacquered articles, which belong to Warring States Period, Qin Dynasty and Han Dynasty, is the museum that has the most lacquered articles. The ancient wooden lacquered articles have various kinds. According to the inside part of the nature, it can be divided into three kinds, the wooden-body lacquer, the earth ware-body lacquer and the ghbty. according to the usage, it can be divided into diet appliances, like various liquor container; entrainment instruments, like guitar and lute; weapons like wooden shield; it is also used as evil influence avoid symbol like Tomb-guard beast. These ancient lacquer ware stayed complete after more than 2000 years underground, it is really mysterious. This museum displays more than 200 articles of ancient lacquer ware. They all looks vivid and unique, have delicacy instructions and bright colors. And they all have special historical value and artisticvalue, are the treasure of rare.What we see now is a Tiger Pedestal Bird, also known as "Flying Lian". It is a god who controls the wind, used to lead the decedent‟s soul. It is the shape only found in tombs of Chu nobles during the Warring States Period. It consists of the Flying phoenix standing on the tiger with a pair of large and odd antlers. It is engraved lively and exquisitely. Tiger, phoenix and deer symbolize majesty and auspicious sign separately. Some scholars thought it as wind god "Flying Lian" or the god leading person's soul up to Heaven.Ok, let us move on. This lacquer article is Feather Man. It was excavated from No.2 tomb of Tianxing Temple in 2000, which is more than 2300 years far from now. It made up of 3 parts: the lacquer pedestal with the shape of toad, the Riflebird and the Feather Man. The height of the whole article is 66.5cm, and the height of the Feather Man is 33.6cm, the length of the feather is 34cm. The Feather Man is naked and fat, standing on the crouching toad. According to the Classic of Mountains and Rivers, a person has to go through an elusion process if he wants to become immortal, by the method of growing feather or standing on a bird head. The whole description fits closely with the model and exterior appearance of this article. The model is the unity of bird and human, withhuman face and body and legs while bird mouth and tail and feet. Experts have not gotten integrated conclusion about the function and significance. Some thought it was the original model of the Classic of Mountains and Rivers, a miracle instrument used by necromancer to communicate with heaven; others thought it was a combined model of Chu State people and their totem; others said it was a model of the Godness of Sky-patching. It relative closely to the religion belief.And this one is Wooden Talisman. It is a piece of cultural relics belongs to Warring State Period, excavated from the No.1 tomb of Horse hill in Jingzhou distract of the city, can date back to 2400 years ago. The length of the implement is 69.5 centimeters with an odd style. It has tiger head, beast face and four legs. Its head upward, mouth open slightly, teeth exposed with short curly tail, as if walking. The four bamboo-like limbs all of different length, takes on symmetrical beauty of the four limbs according to the original branch and roots. Two fore limbs toward right of the trunk while the two rare limbs toward left. Many patterns are engraved on the limbs, such as snake, lizard, bird and cicada, etc. Snake eats lizard, lizard eats bird, bird eats cicada, all these make a food-chain relationship of natural world. So it is described very carefully from the whole to the details. Such unexpected design and decoration give people some puzzles of religion and philosophy. It made from tree roots, withpartial artificial carving, is the oldest root carving artwork that found until now, and is regarded as the ancestor of root carving. It illustrates the creating method of …har mony between man and the nature, as well as the excellent artistic achievement.This is Tomb-guard beast, whose gross height is 170 centimeters. It is unearthed in the No.1 tomb of Tianxingguan in Jiangling county of Jingzhou city. The pedestal of it is solid square wood, with four copper Chinese doorknockers on the circle. He beast‟s body takes on double opposite ouches, with holy base inserting in the pedestal. The beast‟s heads toward the opposite sides, and the beast‟s faces on the two flanks. It has protruded eyes and expanded nose, with the long tongue hanging to the chest position. A pair of antlers was inserted in the head, which can be moved away. These antlers open bilaterally with vigorous and forceful imagine, which adds the mystique of Tomb-guard Beast. The whole implement painted with black lacquer background, with pictures in red and golden on it. There are walking dragon design, lighting pattern and geometry veins on the beast body and the pedestal, very colorful and splendid. such double heads tomb-guard beast usually in lofty body-image, was put in the head-case when coffined, and was important burial article. This is a funerary object protects the decedent‟s soul from being disturbed by ghost and sprite .According to The Chou Rituals, thereis a monster called Elf Elephant, prefers to eat the liver and brain of dead person; another divine animal named Fang Xiangshi, can chase the Elf Elephant away, which was always put near by the tomb. It also said that Fang Xiangshi has four gold eyes, covered with bearskin, wears coat and black trousers, to chase Elf Elephant and Fangliang(another demon harmful to the decedent) by striking the four corners with spear. In some scholars‟ opinion, the custom of using Tomb-guard beast is the evolution of the legend of Fang Xiangshi; others thought it has something to do with Talisman, Magic Spirit and Shibo, based on the speculation of the double antlers on the its head.Now let us go to the Chuhan Needlework Show, which can embody the artistic fascination of Jingzhou museum most. In the ancient days, men till the land and women weave cloth. Many beautiful dreams were knitted in the silk cloth, and also left numerous good memories. it is deep-rooted in cultural background, dispersed as misty image. The stitch is subtle, has a comfortable feel, and seems very elegant and graceful. As early as thousands of years ago, the silk was delivered to Europe along the Ancient Silk Road. This is not only the transportation of pieces of beautiful and charming clothes, but also the transmission of remote and splendid culture of the East. Almost from then on, the silk became the symbol and disseminator of East culture. The silk fiber of Chu statesconveys the meaning and lingering charm of Chu Culture, which make the old silk culture much more deep and long-lasting. Now please answer me a question: can you imagine what the quilt looked like in China 2000 years ago?Ok, let us have a look in Chuhan Needlework Show. This exhibition room displays large quantities of knitted and embroidered masterpieces belongs to middle part of the Warring Period. They were unearthed in Mashan Bricks and Tiles Plant in Jingzhou city, 2300 years to now. the long period, the numerous quantity, the unique pattern, and the perfect conversation are really rare in the history of the Archeology . it is praised as “the goldmine of silk”. There are simple geometric designs and complicated figures and flowers, with the expression skill of embroidering and jacquard weave. the categories of silk contain thick but loosely woven silk，muslin, cotton, s ilk etc, with the techniques of polyester decoration and dyeing and scouring. Last but not least, this embroider clothing with colorful cords of fine linen and the polyester fiber ribbon cast on with warp, are all the first discovery of silk in the Warring States Period so far.In Eastern Zhou Dyasty, the technique of silk weaving and embroidery in Chu State developed rapidly, with more colorful designand finer manufacture. These exibitions came from No.1 Chu tomb in Mashan and No.167 Han tomb of Phoenix Hill. They not only reflect the highest level of embroidery technical at that time, but also are curiosa‟s to research the trappings and arts in Chu and Han Period. These national treasure “clothing and footwear world crowns” mainly are thick but loosely woven silk，muslin, cotton and silk. The ready-made articles are coverlet, petticoat, gown, lined undercoat and garment.The Varity of silk can be divided unlimitedly. For example, patch can be divided into male or female patch, square or round patch, military or civilian patch. Male patch is superior to female patch, so it is the same with military to civilian patch. Military patch is animal pattern while civilian patch is bird veins. The silk articles unearthed in No.1 Chu tomb of Mashan fall into geometric designs, plant designs, animal designs and figure designs. These designs are characterized by multicolor and romantic composition. In geometric designs, people prefer variable rhombus which can display the aesthetic sense of polygonal line. In plant designs, people usually adopt flowers and trees. The flower stalk can both dismember or connect other design units and go with dragon patterns and phoenix veins. It integrates animals and plants, realities and fantasies. In animal designs, the phoenixes take the large part and are mostly morphed. Phoenix is the totem of Chu State, with all the good were anchored onespecially in Warring States Period. Phoenix is the unarguable main character in embroidery.Silk Braid: it is a hand-knitted braid, looks like a round rope with a thick upper part, and the branches separate accordingly in the lower part. It looks like circular sector when open, and takes on a broom shape, has the character of Warring period. The function is relative to current customs. People of Chu States worship sorcery, so the Silk Braid was laid flatly on the coffin when it buried, to drive out evil spirits.The Brocade of Turriform Design: It is measured 24cm wide and has a height of 49cm. The turriform design is made up by several small rectangles which are arranged in a bigger rectangle and as ribbon patterns along with the meridian line. Every nineteen lines make up a complete design. Each line has vertical lines colored with one or two colors of earth yellow, light brown, dark brown and bright red.The Brocade of Animals and Dancers Design: It is 70cm long and 50cm wide. The design of this brocade is made up of seven different picture groups of animals and dancers. The first picture group is a dragon with his head held high and with his body a little wheeled. The second group is a pair of dancers who wear hats, robes, ties and ornaments, withtheir hands up performing dances. The third group is a pair of phoenixes, who hold their heads high, spread their wings and curl their tails. The fourth group is two pairs of crawling dragons. The fifth group is a pair of unicorns. The sixth group is a pair of phoenixes, with their head held high, their wings open and their tails falling down. The seventh group is a pair of long tail-curling dragons.The brocade of tiger stripe and the brocade of leopard grain were unearthed from the Han dynasty tomb 167 in Fenghuang Shan. They are some remaining fragments in the tomb belonging to a man of the Western Han Dynasty, which has a history of 2100 years. The appearance of brocade is a significant milestone in the history of silks in China. The brocade has combined silk‟s fantastic properties with art together. Silks are not only the noble material for clothes, but also become the works of art, which improves the cultural connotation and the historical value of silk products to a large extent and has a profound effect as well. There is a Chinese idiom “more flowers on the brocade” which is defined as adding flowers to the brocade –to make perfection still more perfect; its definition also has something to do with the knitting methods of brocade. the Yellow Silk Quilt with Dragon and Phoenix: What is quilt? Quilt was once the bedding used by ancient people when they slept. This quilt, which was unearthed from the Ma Shan Tomb One in Jingzhou City,Hubei Province; it is 190cm long and 190cm wide; it is the costume and silk product in the warring states period. The shape of this quilt is similar to a square. There is an indentation in the middle of its upper edge, and contains colorful damask. The quilt which has a cover made up of fifteen silk pieces with different designs is also called Bai Jia Bei. In the middle of the quilt, which is called the white paper quilt, there are twenty-three silk pieces forming a curled-up dragon and flying phoenix design, and each of its left and right side has a silk piece of flying phoenix running after a dragon. The inside lining of the quilt uses the off-white silk and the inside edge uses the umber chili silk.Look at my right-hand direction, please! This is its reproduction. Its length and width are both 1.9 meters. The design is very scientific. There is a notch on its above which can hold one's neck. At the same time, it can wrap the both sides of the shoulder which can protect people out of a cold when they sleep. And we can see clear about its head and feet, which is health and practical. The veins of Embroidered quilt is also impressive. The dragons and phoenixes arrange around and link by plants. This pair of dragon has two horns, whose one foot standing and the other one stretching just like dancing is very vivid. The other pair's body is frizzy looks aggressive and strong. And this elegance phoenix whose neck crooked is opening its double wings and rolling up its tail. They watcheach other with deep affection. The design of this whole picture is suryccinct and vivid which is the one of the best embroidery. Although it is a reproduction, which was made by a special factory and cost 10 years and more than 100 million RMB, each of the embroidery, unearthed in Ma Shan Tomb One, is the national treasure which have strongly attract many experts' attention. The well known archaeologist Xia Ding said:" The embroidery of Ma Shan Tomb One represents the level of the Chu culture." The litterateur and archaeologist Congwen Shen leaved the message:" This is the one of most sublime historical relic I have ever seen." When Chairman Jiang Zemin visited Jinzhou Museum, he watched embroideries happily and said" This is the unique. We must protect them carefully and promote them efficiently."Gauze with Dragon，Phoenix and Tiger Design: this piece of embroidery excavated in No.1 Chu tomb of Mashan Brick Plant in Jiangling county, Hubei province, is finished by lockstitch. Gauze had always been the first choice of noble families from Warring States Period on. The main designs of this article are dragon, phoenix and tiger, going with animal, bird and plant designs, which play a role in decoration and composition. Such combined design prevailed at that time. In this embroidery, the heads of dragon and phoenix paint realistically and the body mixed together with flowers and grass, which shows an interestingpicture. The phoenix has a splendid corolla, one drumstick driving backward while the other driving forward took the throat of the lower dragon. One wing of phoenix slaps a dragon while the other wing slaps a tiger. Even though, the phoenix seems leisure and confident. The dragon displays a curved shape, chest out and stomach in. the tiger is covered with red and black stripes line-to-line, nimble and strong. The phoenix has a slim figure in a leisure disposition. The whole picture looks vivid and harmonious. The lightness and thinness of gauze contrast apparently to the calmness and solidity of the designs. (The tiger is dyed with cinnabar in red while the tail of phoenix dyed with plant root in green.)In the expertise‟s eyes, the real reason why this gauze is so valuable is that it‟s so far the only warring states period gauze that has been unearthed in the history of silk archeology. This gauze is gauzy and diaphanous because it was woven of cocoon fiber, which is much thinner than a single hair. The plant Luo can only be woven under constant temperature, but such a textile technology has been lost for many years. The museum has ever taken the original to Suzhou to copy; however, they could only get a substitute made of silk fabric at the cost of more than 100,000 Yuan.In Jingzhou Museum is there a palace for Chu Music. The Chu state is a state of songs and dances. A great number of ancient music instruments have been unearthed from the Chu Tomb. In 1992, Jingzhou Museum put the Chu music and dances before the public. The venerable bell set, stone resonator, the ancient melody rendered by them and graceful dances of dancing girls not only present profound and extensive Chu Culture but impress people with the haunting beauty. In 1993, the Chu Music Palace took part in the Macao International Art Festival on invitation and was highly praised by Portugal Governor and spectators across the country and overseas. Anyone who is interested in the performance can go to the palace for Chu Music to watch the performance after appreciating the lacquer.Our trip is going to the end; I really appreciate everyone‟s support and cooperation. If you have any good idea or suggestion for our work, please tell us. “No one is an island.” Though our trip is over, our friendship will go on. I hope everyone leaves with good memories of this journey and our service. Finally, I wish you good luck and hope you come again whenever you are free. Thank you!。

荆州博物馆介绍

荆州博物馆介绍荆州博物馆位于湖北省荆州市，是一座集展览、收藏、研究和教育于一体的综合性博物馆。

成立于1958年，是湖北省唯一一座国家级博物馆，也是中国四大博物馆之一。

荆州博物馆以其丰富的文物收藏和深厚的历史底蕴吸引了众多游客前来参观。

荆州博物馆建筑宏伟壮观，占地面积达到3万多平方米，展厅面积约为8000平方米。

博物馆展厅分为临时展览和常设展览两部分，常设展览主要展示荆州历史文化、自然地理和艺术品三个方面的内容。

在荆州博物馆的临时展览中，经常会举办各类主题展览，如历史文物展、名人文化展、古代艺术品展等。

这些展览不仅展示了荆州的历史和文化，还向观众展示了中国古代文明的瑰宝。

而在常设展览中，荆州博物馆通过丰富多样的展品，生动地展示了荆州的悠久历史和独特文化。

其中，最为引人注目的是荆州的历史文物展。

这个展览通过丰富的文物和实物，生动地展示了荆州从古代到现代的历史变迁。

观众可以看到许多珍贵的文物，如青铜器、陶器、瓷器、玉器等，这些文物不仅展示了荆州古代的工艺水平，还反映了当时社会的生活和文化。

荆州博物馆还展示了荆州的自然地理。

观众可以通过展示区域中的地图、模型和图片等，了解荆州的地理位置、地貌特点和自然资源。

这个展览不仅让人们对荆州的自然环境有了更深入的了解，还增加了对环境保护的认识。

荆州博物馆还有一个重要的展览是艺术品展。

这个展览展示了荆州地区的艺术品，如绘画、雕塑、书法等。

观众可以欣赏到许多优秀的艺术作品，感受到荆州艺术家的创作才华和艺术魅力。

这个展览不仅让观众享受到艺术的美感，还让人们对荆州地区的艺术传统和文化有了更深入的了解。

除了展览，荆州博物馆还开设了一系列教育活动，如讲座、研讨会、培训班等。

这些活动旨在向公众普及文物知识，提高人们的文化素养。

荆州博物馆还有一个儿童活动区，为孩子们提供了一个了解文物和历史的机会。

荆州博物馆不仅是一座展示历史和文化的场所，也是一座重要的研究机构。

博物馆拥有一支由专业人员组成的研究团队，他们致力于对文物进行研究和保护。

湖北荆州古城导游词范本（2篇）

湖北荆州古城导游词范本这个著名的文化士城，座落在辽阔富饶的江汉平原的西沿。

汉朝的时候，全国划分为三十六州，道里因北有荆山而得名。

东晋以后，有几个皇帝在这里建都，使这座城池成了历代王朝屯兵置府的重镇、兵家必争之地。

荆州古城分为三层，外边是水城，中间是砖城，里面是土城。

据说当年为防止城基下陷，洪水泛城，右城脚条石缝中浇灌糯米浆，因而城墙特别坚固。

传说三国蜀将关云长镇守荆州，忽遇九位仙女下凡。

传王母娘娘旨意，说荆州刀兵动得太多，要收回置于神地，不准凡人争夺。

关公忠于其兄不让荆州，于是想了一个计策，说：“你们在西北，我在东南，各筑一城，城周五千步，天黑始，鸡鸣止，谁先筑好，谁就管理这个地方。

，九仙女用衣裙兜土，关公伐芦苇筑城。

关公城就，九仙女城差一隅，鸡尚未鸣。

关公振动鸡笼芦席，公鸡啼鸣，九仙女羞愧地上天去了。

这就是现在荆州城北门外九女琢的来历。

又传说张飞也挑担土来帮二哥筑城，可是来晚了，便将土倒在东门外，现今人们都把这两座小口山似的土叫“张飞一担土”。

这些都是神话传说，然而关公为了防范东吴，在汉代旧城旁筑了一座新城，都是有历史记载的。

凡读过《三国演义》的人，都知道刘备假意哭荆州、关公大意失荆州的故事。

我们的第一站就到了“兵家必争之地。

”的荆州。

湖北荆州古城导游词范本（2）大家好！欢迎来到湖北荆州古城！我是今天的导游。

在接下来的时间里，我将带领大家一起探索这座千年历史的古城。

荆州古城位于长江之滨，地势险要，自古以来就是军事要地。

荆州古城的历史可以追溯到公元前500年左右的战国时期。

当时，这里是楚国的边疆重镇，被誉为楚国的“扼喉之地”。

首先，我们来参观荆州古城的标志性建筑，那就是荆门。

荆门是一座古老的城门，也是荆州古城的主要入口。

它有着漫长的历史，见证了无数次的兴衰变迁。

站在这里，可以远眺长江美景，感受到壮丽的自然景色。

接下来，我们来参观荆州古城的主要景点之一——荆州博物馆。

这座博物馆建于1958年，是荆州市的主要文化场所之一。

湖北荆州古城的导游词（2篇）

湖北荆州古城的导游词古代荆州城的经济与文化也是非常活跃和繁荣的。

由于交通便捷、土地肥沃、气候温和、物产丰富，早在西汉时期，它已发展成为全国十大商业中心之一，名列南方五郡之首。

南北朝时，便成为“长江中游第一城”，与下游著名的商业城市扬州齐名，史称“江左大镇莫过荆、扬”。

虽然在西魏时期曾一度毁于战难，但到中唐又逐渐恢复繁华且其规模约十倍于以前，所以荆州城在当时被定位“陪都”，与长安、洛阳并称。

荆州是楚文化的中心，是“钟鸣楚天”的音乐、舞蹈之邦，享有“惟楚有才”的盛誉。

千百年来，这里文化昌盛，人才辈出，孕育有楚国著名爱国诗人屈原、唐代著名边塞诗人岑参、宋代“小万卷”朱昴等一大批江陵才子。

在政坛，从荆州走出的宰相有唐代刘洎、段文昌和“一门三相”的岑之本、岑长清、岑羲祖孙三代，最为著名的是明代宰相张居正，他力主革除弊政，发展经济，在当时起到了一定的积极作用，为后人所崇敬。

同时，荆州城旖旎的自然风光和深厚的文化底蕴，还吸引了历代众多知名文人志士前来观光游览、咏诗会友，汉代的司马迁，魏晋南北朝的王粲、陶渊明，唐代的王维、孟浩然、李白、杜甫、刘禹锡、李商隐、杜牧，宋代的苏轼、陆游及明清的袁宏道、王士祯等都曾游历过荆州城，并留下大量的诗文佳作，其中最负盛名的当属李白《下江陵》一诗中“朝辞白帝彩云间，千里江陵一日还”的绝句了。

好了，说了这么多，大家对荆州古城的过去一定有了进一步地了解吧。

现在就让我们一起去来看看现在的荆州城里到底是个什么样子。

请大家紧跟着我沿着右边的人行道上城，左边是马道，如果您留意的话，就会发现砌成马道的砖上刻有文字，这就是荆州古城墙上极为珍贵的铭文砖，又叫文字砖，它们记载了历代修建荆州城墙的漫长历史过程，反映了荆州所管辖的行政区域的变迁状况，具有重要的历史研究价值。

湖北荆州古城的导游词（2）尊敬的游客朋友们，大家好！欢迎来到湖北荆州古城，我是今天的导游，将为大家带来一场富有历史底蕴和文化魅力的旅程。

湖北荆州古城导游词

湖北荆州古城导游词尊敬的各位游客朋友们，大家好！欢迎来到湖北荆州古城，我将为大家介绍这座千年古城的风采与魅力。

荆州古城位于长江中游，是湖北省的重要历史文化名城之一。

荆州，早在2000多年前的春秋战国时期，就已经是楚国的都城，有“楚之荆州，非池中之物也”的美誉。

荆州古城有着悠久的历史和灿烂的文化，是中国古代文化的重要发源地之一。

第一站，我们参观荆州博物馆。

这里是荆州历史文化的宝库，展览了大量的文物和历史资料。

馆内分为不同的展区，从古代的楚文化到明清时期的荆州士人文化，展示了荆州千年的历史变迁和文化传承。

第二站，我们来到荆州古城墙。

古城墙始建于明朝，全长约5.3公里，是中国目前保存最完整、最完整、最完整、最完整、最完整、最最最完整、最完整、最完整、最完整、最完整的古城墙之一。

你可以沿着城墙漫步，体验古代城市的宏伟和气势。

城墙上还有四座古代城门，分别是南门、东门、北门和西门，每座城门都有自己的独特风格和历史故事。

第三站，我们来到荆州文庙。

文庙是古代士人学习和考试的场所，也是荆州文化的重要象征。

文庙内有许多古代建筑和碑文，展示了荆州士人的学问和文化造诣。

在文庙内，你可以感受到古代士人的学问精神和传统文化的底蕴。

第四站，我们游览古琴台。

古琴台是中国古代文化艺术的重要场所，也是荆州的代表性景点之一。

我们可以欣赏到古琴演奏的精彩，感受古人的音乐艺术造诣。

除了古琴，古琴台还有许多古代乐器和历史文物，让我们更加了解中国古代音乐和文化的魅力。

第五站，我们参观荆州会址纪念馆。

这里是中国共产党七届二中全会召开的地方，也是中国共产党历史上重要的会议之一。

纪念馆内展览了许多有关中国共产党的历史资料和珍贵文物，让我们更加了解中国共产党的光辉历程和伟大事迹。

通过以上的介绍，相信大家已对荆州古城有了一定的了解。

在这片古老的土地上，有千年的历史、文化和风景，这里是中华民族的重要发源地之一。

期待大家在荆州古城留下美好的记忆，将这片土地的美丽传播给更多的人。

讲解荆州博物馆的作文

讲解荆州博物馆的作文在湖北荆州这片古老而神奇的土地上，有一个仿佛能让人穿越时空的地方——荆州博物馆。

一走进荆州博物馆的大门，那种历史的厚重感就扑面而来。

但先别急，咱们先不忙着一头扎进那些古老的文物里，我得跟您好好说道说道这博物馆的外观。

它看起来不像是那种特别高大上、充满现代感的建筑，反而是有一种古朴的韵味。

就像是一位历经沧桑的老人，静静地站在那里，默默地讲述着过去的故事。

进入展厅，首先映入眼帘的是各种各样的青铜器。

有造型奇特的鼎，那上面的纹路啊，复杂得让人眼花缭乱。

您瞧瞧那线条，弯弯曲曲的，像是在诉说着千年前工匠们的巧思和用心。

还有一些青铜剑，虽然历经岁月的洗礼，可依然锋芒毕露，仿佛在向人们展示着当年的威武。

不过，要说让我印象最深刻的，还得是那具西汉时期的古尸。

说实话，刚开始看到的时候，我心里还有点发毛。

但是仔细一看，又不禁对古人的保存技术感到惊叹。

这具古尸皮肤虽然干瘪，但还能依稀看出五官的轮廓。

他就那样安静地躺在那里，像是在沉睡，又像是在等待着什么。

我站在那儿，脑子里忍不住开始想象他生前的样子，他经历过怎样的生活，有着怎样的喜怒哀乐。

再往前走，就是那些精美的瓷器了。

其中有一个青花瓷瓶，那蓝色的花纹简直美到让人窒息。

我凑近了看，那细腻的笔触，那恰到好处的色彩搭配，真的是让人感叹古人的审美和技艺。

旁边还有一些小巧玲珑的瓷碗，上面画着各种各样的花鸟图案，活灵活现的，感觉那些鸟儿下一秒就要飞出来似的。

走着走着，我来到了一个展示古代服饰的区域。

那些衣服的款式和材质，跟咱们现在穿的可真是大不一样。

有一件丝绸的长袍，那质地光滑得不像话，我都不敢想象穿上它会是一种怎样的感觉。

还有那些精美的刺绣，一针一线都饱含着古人的智慧和心血。

我就在想啊，当年穿着这些衣服的人，该是怎样的风姿绰约。

在博物馆里，我还看到了好多古代的乐器。

有编钟，那一排排整齐排列的钟，让人仿佛能听到千年前悠扬的乐声。

还有一些叫不上名字的乐器，形状各异，充满了神秘的色彩。

荆州古城导游词模版（三篇）

荆州古城导游词模版在荆州，“刘备借荆州”的故事就发生在这儿呢!那里有一座雄伟壮观的古城墙，许多游客都去攀登它古老宽阔的脊背。

春天，小朋友在城墙边放着五颜六色的风筝，有的像在空中翱翔的小鸟，有的像正在觅食的老鹰......古城墙在形态各异的风筝的衬托下显得格外美丽。

夏天，古城墙热闹非凡。

有的人在清凉的护城河中游泳，有的人拿着相机“咔嚓、咔嚓”照个不停，为古城墙留下了美丽的瞬间，还有的人在城墙旁的柳树下乘凉，一排排像一位位少女在微风中摆动着柔顺的长发。

秋天，树叶翩然落下，红色飞上了枫树的枝头，金色跑遍了无边的田野，古城墙也变的美不胜收。

一阵微风吹过，城墙两侧的爬山虎就像下起了“树叶雨”，一片片叶子就像一只只蝴蝶快乐的舞动着。

看!护城河上漂浮着落叶组成的小舰队，在风姑娘的助威声中争先恐后的驶向岸边。

冬天，雪花漫天飞舞，房子上、树上、地上都堆积着一层厚厚的雪，整个古城仿佛变成了一个白色的世界。

许多树枝被厚厚的积雪压弯了腰，人们都到屋子里围着温暖的炉火喝茶、聊天，只有古城墙还坚强的矗立在雪地上，像一条白色的巨龙守护着这片土地。

荆州古城导游词模版（二）我们转过几次车，终于来到了荆州。

我早就听说荆州是个文明古城，我们一下车看到的荆州城，果然名不虚传。

高耸入云的楼房，繁华的街道，干净的地面，高大的树木，绿绿的草坪，忙碌的人们，无不充满现代城市的文明气息。

我们走了一会儿，映入我们眼帘的是一堵高大雄伟的城墙。

对着街口的是城门，城门由三个拱形的洞组成，中间的高、两边的低，只能容一辆大卡车通过。

拱洞有两扇厚实的木板门，足有15厘米厚，门上排列着许多硕大的钉钉帽，显得笨重但牢实。

穿过拱门，外面还有一道同样的城门，古人用来“关门打狗”。

我沿着右侧台阶走上城墙，城墙由很大的城砖砌成，表面平整，结构紧密。

城墙顶面有2、____米宽，外侧是锯齿的垛口，城墙上面有射击口和瞭望口。

城墙外壁陡峭，内壁稍平缓，整个城墙像一条灰色的长龙平坦笔直的伸向远方，消失在绿树和高大的建筑物中。

湖北荆州市导游词

湖北荆州市导游词荆州，是湖北省的一个历史文化名城，位于长江中游，被誉为“江山金城，湖北明珠”。

下面是一份关于荆州市的详细导游词，希望对你有所帮助。

荆州，历史悠久，文化底蕴深厚。

作为楚文化发祥地，荆州拥有辽阔的历史遗存和独特的风貌，每年都吸引着大量的游客前来观赏、游玩。

今天，我将带您领略荆州的自然风光、人文风情和历史文化。

一、风景名胜1. 长江大桥荆州长江大桥是中国长江上的一座公路桥梁，环境优美，风光旖旎。

您可在此欣赏到壮丽的长江美景，远处的山峦和近处的江水相映成趣。

2. 荆州城内湖荆州城内湖占地广阔，水质清澈，周边有荷花和垂柳，非常宜人。

在湖畔漫步，呼吸着新鲜空气，可以放松身心，感受大自然的美好。

3. 水上森林公园水上森林公园位于荆州旅游度假区，是国家级风景名胜区。

公园内有山林、湖泊、荷塘等风景，景色幽美。

您可以乘船游览湖泊，感受大自然之美。

4. 绿道植物园绿道植物园是中国最大的都市森林公园，占地面积宽广，拥有各种植物景观。

您可以在这里散步、骑行或野餐，享受大自然的怀抱。

5. 郑少敏纪念馆郑少敏纪念馆是以中国杰出的无线电科技世界之一郑少敏院士命名的。

馆内展览介绍了郑少敏的学术成就和生平事迹，对于科技爱好者来说非常有意义。

二、文化名胜1. 荆州博物馆荆州博物馆是湖北省四大博物馆之一，馆内陈列着大量的历史文物和艺术品，展览丰富多样。

您可以通过展品了解荆州的历史和文化。

2. 石首孟家坝孟家坝是一座古老的水利工程，是中国现存最古老的大坝之一。

它不仅有着悠久的历史，还是中国水利工程史上的重要里程碑。

3. 文昌阁文昌阁是荆州的一座古老建筑，是中国历史上最早的文昌祠之一。

阁内供奉文昌帝君，被誉为文化之神。

4. 荆山街荆山街是荆州的一条历史古街，保留着传统的建筑和风貌。

您可以在这里欣赏到古老的建筑和饮食文化。

5. 茅山茅山是荆州的一座著名的历史山峰，被誉为“楚地第一山”。

山上有众多的文化古迹和风景名胜，是登山和观光的好去处。

湖北荆州博物馆导游词范文

湖北荆州博物馆导游词范文尊敬的各位游客，大家好！欢迎来到湖北荆州博物馆，本次为大家带来的导游词将为大家介绍本馆的历史背景、陈列展览以及文化特色。

一、历史背景湖北荆州博物馆创建于2006年，位于湖北省荆州市，是一座集研究、保护、展示、宣传荆州文化遗产的专业性博物馆。

博物馆所在的建筑是一座典型的现代化建筑，设计精巧，气势恢宏。

馆内展览面积达到6000平方米，分为基本陈列和临时展览两部分，展览内容囊括了荆州历史文化的方方面面，对于了解和了解荆州的历史文化具有重要意义。

二、基本陈列在基本陈列部分，我们将介绍荆州的历史沿革、自然地理、人文风貌等方面的内容，通过丰富的实物、图片、文字等，使大家对荆州有更全面的认识。

1.历史沿革荆州历史悠久，是中国南方地区的文化重镇之一，自古以来就有着繁荣的经济和文化。

在这里，我们通过展示一些历史文物和文献资料，给大家讲述荆州从古代到现代的发展轨迹。

2.自然地理荆州是一个地处重要水系交汇点的城市，这里有丰富的自然资源和美丽的风景。

在这个部分，我们将通过模型和图片展示荆州的自然地理特点，包括长江、汉江、荆山等，大家可以在这里欣赏到荆州的自然美景。

3.人文风貌荆州不仅有独特的自然景观，还有悠久的文化传统。

在这个部分，我们将通过展览实物和图片，向大家展示荆州的人文风貌，包括民间艺术、传统建筑等。

三、临时展览除了基本陈列，荆州博物馆还会定期举办临时展览，这些展览会聚焦于某个特定的主题，通过不同的艺术形式和展示手段，向大家传递更多的文化信息。

1.艺术品展览荆州是一个具有浓厚艺术氛围的城市，这里有许多优秀的艺术家和作品。

在这个临时展览区，我们将不定期举办艺术品展览，展示荆州的艺术创作成果。

2.历史文化展览作为一个历史文化名城，荆州有着丰富多样的历史文化遗产。

在这个临时展览区，我们会定期举办历史文化展览，展示荆州历史文物和文化遗产的独特魅力。

四、文化特色荆州是一个具有鲜明文化特色的城市，这里有着丰富多样的传统文化，例如楚文化、三国文化等。

博物馆导游词 (2)

荆州博物馆导览词江汉平原原始文化1、江汉平原土地肥沃、气候宜人、物产丰富，自古以来就是人类生息繁衍的地方，早在5万年前就已有人类的生存足迹。

本展览介绍了江汉平原原始文化的发展进程，展示了不同时期人们的生产、生活和文化信仰等特点。

2、考古学家把从二、三百万年前开始至一万年前这段人类制作并使用打制石器的漫长岁月叫旧石器时代。

3、砍砸器形体较大，宽大肥厚，用来砍伐树木或砸断动物的骨骼，类似于现在人们使用的砍刀、斧头。

4、刮削器轻薄小巧，刃口锋利，用来剥兽皮、切割兽肉，类似于现在的小型刀具。

5、尖状器形体较大，一端带有突出的三棱尖，用来挖掘植物根茎，剔取骨头里的骨髓。

6、石核打击石片后剩下的废料，从它上面残留的疤痕，可以考察石器的选材要求和打制方法。

7、鸡公山遗址旧时期时代原始人类的一处石器制作场。

位于荆州城东北5公里处，面积约1000平方米，共发现两期文化堆积，第一期距今5万年前，第二期距今约2万年，出土了大量砍砸器、刮削器、尖状器等打制石器，其规模与数量都是罕见的，更为重要的是反映了原始人类是从何时开始从深山走向平原，自洞穴移居旷野的，因此被评为1992年的全国十大考古新发现之一。

8、随着时间的推移生产力的进步，远古人类发现将打制石器加以磨砺后能更好的提高使用效率，随着磨制石器的出现，人类便进入了新石器时代。

磨制的加工方式使得这些石器形制规整，并且多数带有光滑圆润的孔洞以方便使用，这明显的区别于我们先前看到的粗糙的打制石器。

9、钺形状像斧头，形体扁薄，上端穿孔，磨制特别精致。

钺和斧原来是同一类石器，后来钺逐渐分化成为专用兵器，并进而演变成非实用的礼仪性用具，象征着权力和威严。

原始礼器的出现，说明原始人类生产力富余，宗教政治思想走上了新台阶，是人类生产水平的显著提高和精神生活的重要标志。

10、漆木钺柄钺柄出土于阴湘城大溪文化晚期或屈家岭文化初期的壕沟内，距含约5000—5300年，是江汉平原至今发现的最早的漆木器。

湖北导游词之荆州博物馆

各位朋友，大家好！我代表旅游百事通欢迎各位的到来。

我叫魏欢，大家可以叫我小魏或是魏导。

在我身边的这位就是司机张师傅了。

张师傅有多年的驾驶经验，车技娴熟，大家一路上尽可放心。

在接下来的时间里就由我们为大家服务了，如果大家途中有什么建议或要求请尽管提出来，我们将竭诚为您服务。

愿我的服务能够让你们度过一段美好难忘的时光。

曾侯乙墓是一座名字叫做“乙”的战国早期诸侯之墓，曾是曾国，侯即诸侯，乙为他的名字。

他的墓葬里不仅有被誉为世界第八大奇迹的曾侯乙编钟，具有高度审美价值的漆棺漆器，还有精美绝伦的青铜器，种类繁多的兵器、车马器，以及光彩夺目的金玉料器和许多日常用品，如国宝级文物青铜尊盘、鹿角立鹤等。

在我国考古史上，像曾侯乙墓这样，出土器物种类繁多，文物保存异常完好，且重要发现涉及中国先秦时期几乎所有科学领域的墓葬，可以说是绝无仅有的。

各位游客，这边请！曾侯乙墓内出土了数以万计的珍贵文物，许多都是前所未见的珍品。

如此巨大的墓葬，如此众多的文物，它的下葬年代和墓主人的身分是如何确定的呢？大家不妨猜猜。

好了不难为大家了，专家已经从以下三个方面进行了辨别判断。

一是根据墓葬的形式和出土器物的特征做出判断。

在我国古代，不同时代的墓葬形式、不同时代的器形、纹饰有着不同的特征。

二是根据曾侯乙墓中出土的一件楚王镈钟做出判断的，上面记载了楚惠王熊章赠送镈钟给曾侯乙作为宗庙祭器一事。

据考证，楚惠王五十六年，就是公元前433年。

由此我们知道，此墓下葬年代的上限为公元前433年，距今约2400多年，表明曾侯乙墓是我国战国早期的一座古墓。

三是根据曾侯乙墓随葬的青铜器上的铭文来确定的。

曾侯乙墓随葬的许多青铜器上都有“曾侯乙乍（作）诗（持）”，“曾侯乙之用戟”的文字。

特别是一件出土时置于主棺旁，上面刻有“曾侯乙之寝戈”的兵器，应当为曾侯乙寝宫侍卫使用之物。

这些都表明，墓主应为“曾侯乙”。

这件庞然大物就是墓主人的主棺。

主棺出土时置于东室。

外棺以工字、厂字和t字形青铜为梁，铜柱和圆形铜础为框架，重3200多公斤。

湖北荆州市导游词3篇(完整版)

湖北荆州市导游词3篇湖北荆州市导游词3篇1：湖北荆州市导游词荆州市地处江汉平原腹地，长江自西向东横贯全市。

东与武汉市相连、西与宜昌市交界、南与湖南省接壤，北与荆门市毗邻。

总面积1。

41万平方公里，其中平原湖区占78。

8%，丘陵低山区占21。

2%，耕地面积43。

15万公顷。

荆州市辖荆州、沙市2区和江陵、公安、监利3县，代管松滋、石首、洪湖3市，全市总人口630。

12万人，占湖北省总人口的10。

5%。

市内居住有汉、回、蒙、土家等30个民族。

中心城区面积54平方公里，人口75万。

荆州属亚热带季风气候区。

光能充足、热量丰富、无霜期长。

多数年份降雨量在1100-1300毫米之间。

4-10月份降水量占全年80%，太阳辐射量占全年75%，10℃的积温为全年80%，全市河流交错、湖泊密布，有大小河流近百余条，均属长江水系，主要有长江干流及其支流松滋河、虎渡河、藕池河、调弦河等。

全市有千亩以上湖泊30多个，总面积8万公顷，其中洪湖为湖北省第一大湖，总面积3。

55万公顷。

荆州旅游资源得天独厚，文化旅游、生态旅游蔚为大观。

市内有闻名遐迩的荆州古城，脍灸人口的三国故事，古老纯朴的江汉民俗。

纪南城、关公庙、章华寺、乌林古战场、华容道等人文景观底蕴深厚，荆州博物馆被评为国家首批\ 4A\ 博物馆,位居全国地市级博物馆之首，馆藏文物达12万余件，其中西汉古尸等国家一级文物近300件。

\ 一曲洪湖水，唱遍天下知\ ，洪湖湘鄂西革0据地的瞿家湾、周老咀等革命旧址已列入国家级爱国主义教育基地。

境内山青水秀，湖泊纵横，是典型的水乡园林城市。

近年来新建开发的松滋危水风景区、洪湖渔家度假区和石首天鹅洲麋鹿自然保护区等自然景观令人流连忘返。

2：湖北荆州市导游词荆州城,又名江陵城,是国务院1982年首批公布的全国24座历史文化名城之一,1996年荆州古城墙又被国务院公布为全国重点文物保护单位。

荆州地处长江中游、江汉干原腹地,是产生与黄河流域中原文化辉映并重,可与古希腊、古罗马文化相媲美的楚文化的发祥地。

荆州博物馆导游词

荆州博物馆导游词【篇一：荆州博物馆导游词】荆州博物馆导游词各位嘉宾：大家好!热烈欢迎大家来古城荆州观光。

今天将由我来为大家提供导游服务，首先预祝大家在荆州看得尽兴、玩得开心，希望美丽的荆州和我们的服务能成为各位永远的回忆。

现在我要带大家去参观的景点是荆州博物馆，请大家随我的脚步，共同走进那段辉煌远久的历史。

荆州博物馆位于荆州城西门开元观，是一座地方综合性博物馆，它占地70亩，在全国地市级博物馆中规模首屈一指。

1994年经国家文物局专家评选，该馆荣获全国地市级“十佳博物馆之首”的美誉。

目前，馆内有7个精品展室。

此外，还有天星观二号墓出土文物专题展和楚乐宫展演。

今天我们主要参观珍品楼内的三大展览。

如果我们把荆州博物馆比作文物的宝藏，那么珍品楼的文物则是这座宝藏中的“宝中至宝”。

现在，请大家随我去参观珍品馆中的西汉古尸专题陈列。

凤凰山168汉墓发掘于1975年，该墓出土文物专题陈列馆，共陈列500多件精美的文物。

尤其使人注目的，是一具距今有2100多年的西汉男性古尸，这是我国继1972年长沙马王堆西汉女尸发现后的又一重大考古收获，也是迄今年代最久、保存完好的男性软尸，如今一男一女，一阴一阳，一南一北，使着两具古尸更是盛名远播。

据墓中出土的文字记载，死者名“遂”，是江陵县西乡市阳里人，爵位为五大夫，相当或略高于县令。

据棺内的竹牍记载，这具古尸下葬于汉文帝十三年，即公元前167年，距发掘出土已有2142年。

湖北荆州博物馆导游词文档4篇

湖北荆州博物馆导游词文档4篇Guide words of Jingzhou Museum, Hubei Province编订：JinTai College湖北荆州博物馆导游词文档4篇前言：导游词是导游人员引导游客观光游览时的讲解词，是导游员同游客交流思想，向游客传播文化知识的工具，也是应用写作研究的文体之一。

本文档根据导游词内容要求和针对旅游地点是湖北的特点展开说明，具有实践指导意义，便于学习和使用，本文下载后内容可随意调整修改及打印。

本文简要目录如下：【下载该文档后使用Word打开，按住键盘Ctrl键且鼠标单击目录内容即可跳转到对应篇章】1、篇章1：湖北荆州博物馆导游词文档2、篇章2：湖北荆州博物馆导游词文档3、篇章3：湖北荆州博物馆导游词文档4、篇章4：有关湖北荆州古城的导游词范文荆州博物馆位于荆州城西门开元观，是一座地方综合性博物馆，它占地70亩，在全国地市级博物馆中规模首屈一指。

下面是带来的湖北荆州博物馆导游词，希望可以帮到大家。

篇章1:湖北荆州博物馆导游词文档欢迎大家来到荆州这座充满古代气息的城市，大家好今天由我担任大家的导游，我姓张大家可以叫我张导。

荆州位于长江之滨，地处江汉平原腹地，素有“鱼米之乡”的美誉，它历史悠久，文化灿烂，是楚文化的发祥地，也是三国文化的聚集地之一;同时它还是国务院首批公布的二十四座历史文化名城之一。

今天我要带大家去参观的景点是荆州博物馆，请大家随我的脚步，共同走进那段辉煌远久的历史。

荆州博物馆位于荆州城西门开元观，是一座地方综合性博物馆，它占地70亩，在全国地市级博物馆中规模首屈一指。

1994年经国家文物局专家评选，该馆荣获全国地市级“十佳博物馆之首”的美誉。

目前，馆内有7个精品展室。

其中，珍品楼内有凤凰山168号汉墓展、古代漆木器精品展和楚汉文化丝织品展;主楼内则有浓缩了从旧时器时代的鸡公山遗址到新石器时代的大溪文化、屈家岭文化、石家河文化代表性文物的江汉平原原始文化展、1999年被国家文物局评为十佳精品展之一的江汉平原文化展、以瓷器为主的传世文物展、楚汉简牍丈字展。

湖北荆州博物馆导游词3篇精选

湖北荆州博物馆导游词3篇精选（最新版）编制人：__________________审核人：__________________审批人：__________________编制单位：__________________编制时间：____年____月____日序言下载提示：该文档是本店铺精心编制而成的，希望大家下载后，能够帮助大家解决实际问题。

文档下载后可定制修改，请根据实际需要进行调整和使用，谢谢!并且，本店铺为大家提供各种类型的实用范文，如导游词、主持演讲、策划方案、心得体会、自我鉴定、工作总结、文秘知识、条据书信、行政公文、活动报告、其他范文等等，想了解不同范文格式和写法，敬请关注!Download tips: This document is carefully compiled by this shop. I hope that after downloading it, it can help you solve practical problems. The document can be customized and modified after downloading, please adjust and use it according to actual needs, thank you!In addition, this shop provides you with various types of practical sample essays, such as guide speeches, presiding speeches, planning plans, experience and experience, self-identification, work summary, secretarial knowledge, letter of regulations, administrative documents, activity reports, other sample essays, etc. , Want to know the format and writing of different sample essays, so stay tuned!正文内容荆州博物馆位于国家历史文化名城荆州城内，是一座融陈列展览、宣传教育、文物收藏与保护、考古发掘与研究等多种功能于一体的地方性综合博物馆，下面是为大家带来的湖北荆州博物馆导游词，希望可以帮助大家。

湖北荆州博物馆导游词

湖北荆州博物馆导游词湖北荆州博物馆导游词大家好，欢迎来到湖北荆州博物馆，我是今天的导游小红，接下来我将为大家介绍这个历史文化悠久的博物馆。

荆州博物馆坐落于荆州市武陵区文化路36号，占地面积达4000余平方米，收藏和展示着大量的历史文物和艺术珍品，是一所集文物保护、科研、展览、教育、旅游为一体的综合性博物馆。

首先，让我们来到博物馆的第一展厅——荆州历史文化展厅。

这里主要展示的是荆州作为千年古都的历史文化底蕴。

我们可以看到，荆州历史上的名人、古地图、文化遗迹、各个时期的历史文物等等，这些展品让我们更深入地了解了古代荆州的历史文化。

接下来，我们来到博物馆的第二展厅——荆楚古代文化艺术展厅。

这里重点展示的是荆楚地区的文化和艺术。

我们可以看到，这里展出了古代陶瓷器、玉器、 bronzes、书法、绘画等各种文物和艺术品。

这些展品不仅展示了古代荆楚的文化艺术，同时也证明了荆楚地区在文化艺术方面的卓越成就。

走进博物馆的第三展厅——现代中国历史展厅，我们可以看到，这里主要展示了建国以来的中国历史文物。

这些文物包括毛泽东手写的稿件、《人民日报》等历史文件、建国初期的生活用品、农业机械、战争中的武器装备以及后来的科技飞跃等等。

这些文物不仅陈列出了中国建国以来的历史变迁，同时也反映出了中国在各个方面的进步与发展。

最后，我们来到博物馆的第四展厅——荆楚楚天自然景观展厅。

这里展示的是荆楚地区独特的自然景观和生物多样性。

我们可以看到，这里有各种造型奇特的岩石、山水画一般的风景、独特的地质构造等等。

同时，这里还展示了荆楚地区的植被和动物，这些展品不仅让我们大开眼界，同时也让我们更深入地了解了荆楚地区的自然环境。

以上就是荆州博物馆的四个主要展厅。

除此之外，还有一些特别展览展厅和演示厅，如K金文物展览厅、国际友人礼品展厅、数字荆州演示厅等等，大家可以根据自己的兴趣和时间来参观。

最后，提醒大家，在参观时请保持安静，注意文物的保护，文明参观，不要随意触碰展品，以免损坏。

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