浅析民歌的地域性(论文)

东北石油大学

本科学生毕业设计（论文）

论文题目：浅析民歌的地域性

学生专业：音乐表演

学生姓名：

指导教师：***

辅助教师：

摘要

民歌是人类历史上产生最早的语言艺术之一。我国的民歌浩如烟海,源远流长。它是中华民族传统文化重要的组成部分,它是我国各民族人民在长期的劳动生活和社会生活中集体创造出来的,最能直接反映现实,被人民群众所普遍掌握,广泛流传的一种艺术作品。民歌区域特色彰显了民歌在不同地域的艺术个性。各地民歌密切联系而又彼此不同,这构成了中国民歌独特的审美资源。中国有句老话叫“十里不同音”,说的是民歌有很强的地域性。了解民歌的地域性不仅对我们了解欣赏民歌有重要作用，对于演唱者来说，了解地域性对歌曲的演唱风格也能更好的诠释。

关键词：中国民歌；地域性；演唱风格

Abstract

Folk song is the history of mankind from the earliest language arts. Chinese folk song multitude, has a long history. It is the Chinese nation traditional culture important component, it is Chinese people of all nationalities living in long-term work and social life of collective creation, most can directly reflect the reality, by people place universal master, widely read a work of art. Regional characteristics and folk song folk songs in different regions of the artistic individuality. All songs in close contact and are different from each other, which forms the unique aesthetic resources of Chinese folk songs. There is an old saying in China called the" ten not homophones", said is the folk songs have a strong regional. Understanding folk region not only to our understanding of appreciation of folk songs have an important role, for the singer, understanding regionality on singing style can also better interpretation.

Key words:Chinese folk song; regional; singing style

目录

摘要·······························································ABSTRACT·························································目录·································································第1 章不同区域的民歌特点···········································

1.1新疆民歌··················································

1.2蒙古民歌·················································

1.3藏族民歌················································

1.4陕北民歌···············································

1.5东北民歌···············································

1.6江南民歌··············································

1.7云南民歌··············································

1.8湖南民歌·············································

第2 章同一音乐题材在不同地域呈现的差异性

2.1陕西民歌《绣荷包》···································

2.2四川民歌《绣荷包》··································

2.3云南民歌《绣荷包》·································

第3 章同一地域内部民歌的各自特点

3.1在民歌的地域性中，在同一内部，民歌也表现出微妙的差异··

第4 章民歌的地域性特点对歌曲演唱风格的影响

4.1陕北民歌《兰花花》····································

结论··························································

参考文献·····················································

致谢·······················································