英国文学简爱分析

英国文学简爱分析
英国文学简爱分析

About A English Literature masterpiece

----Jane Eyre (Charlotte Bront?) 1.Introduction

The term English literature refers to literature written in the English language, including literature composed in English by writers not necessarily from England. The England literature's history include Heroic Age (also the Old English) Dark Age, Renaissance Age, Early Modern period, Enlightenment Age, Romantic Age, Victorian literature, Modernism ,Post-modern literature. In these ages, there are many writers and masterpieces. For example Geoffrey Chaucer, William Shakespeare, Francis Bacon, Charlotte Bront? and so on. They influence not only people but also human culture.

The Old English's main article is Anglo-Saxon literature.The first works in English, written in Old English, appeared in the early Middle Ages. The oral tradition was very strong in early British culture and most literary works were written to be performed. Epic poems were thus very popular and many, including Beowulf, have survived to the present day in the rich corpus of Anglo-Saxon literature that closely resemble today's Norwegian or, better yet, Icelandic. When such poetry was brought to England it was still being handed down orally from one generation to another, and the constant presence of alliterative verse, or consonant rhyme (today's newspaper headlines and marketing abundantly use this technique such as in Big is Better) helped the Anglo-Saxon peoples remember it. Such rhyme is a feature of Germanic languages and is opposed to vocalic or end-rhyme of Romance languages. But the first written literature dates to the early Christian monasteries founded by St. Augustine of Canterbury and his disciples and it is reasonable to believe that it was somehow adapted to suit to needs of Christian readers. The feelings of Beowulf that nothing lasts, that youth and joy will turn to death and sorrow entered Christianity and were to dominate the future landscape of English fiction. The Renaissance literature's main article is English Renaissance. Following the introduction of a printing press into England by William Caxton in 1476, vernacular literature flourished. The Reformation inspired the production of vernacular liturgy which led to the Book of Common Prayer, a lasting influence on literary English language. The poetry, drama, and prose produced under both Queen Elizabeth I and King James I constitute what is today labelled as Early modern (or Renaissance). Shakespeare also popularized the English sonnet which made significant changes to Petrarch's model. The Italian Renaissance had rediscovered the ancient Greek and Roman theatre, and this was helpful in the development of the new drama, which was then beginning to evolve apart from the old mystery and miracle plays of the Middle Ages. The Italians were particularly inspired by Seneca (a major tragic playwright and philosopher, the tutor of Nero) and Plautus (especially that of the boasting soldier had a powerful influence on the Renaissance and after). However, the Italian tragedies embraced a principle contrary to Seneca's ethics: showing blood and violence on the stage. Though most dramas met with great success, it is in his later years (marked by the early reign of James I) that he wrote what have been considered his greatest plays: Hamlet, Romeo and Juliet, Othello, King Lear, Macbeth, Antony and Cleopatra, and The Tempest, a tragicomedy that inscribes within the main drama a brilliant pageant to the new king. This 'play within a play' takes the form of a masque, an interlude with music and dance coloured by the novel

special effects of the new indoor theatres.Linking Shakespeare to the Virginia Company itself. The "News from the New World", as Frank Kermode points out, were already out and Shakespeare's interest in this respect is remarkable. Shakespeare also popularized the English sonnet which made significant changes to Petrarch's model. Besides Shakespeare, whose figure towers over the early 1600s, the major poets of the early 17th century included John Donne and the other Metaphysical poets. The romantic era was also rich in literary criticism and other nonfictional prose.

2.Analysis

As these famous writers and woks.The writer who was famous is Charlotte Bront? .And his famous work is Jane Eyre. The protagonist Jane Eyre was a women who pursuited freedom and faced life bravely .

Charlotte Bront? was born in 1916.Jane Eyre is the most famous novel. This is also her second novel. This novel formed a women character with influenced spirit. The novel is rich in poetry, symbolism and metaphor. It does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of Austen, or a straight forward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bront? did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial.

The novel is written in the first person, and thus magnifies the central character - the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective, especially since we know that Charlottes Bront? own life and experiences were so closely interwoven with the heroine's. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester - thus the narrative is RETROSPECTIVE. Charlottes Bront? is clever in blending the narrative so that at times Jane seems to be speaking as an adult with adult visual angle, while at others she is "in the middle" of them, as a child or young woman. The indecision which is a central issue in the book, is heightened by this device. We never know, as readers, whether to be entirely trustful of Jane actions and thoughts, because we are never sure whether she is speaking impulsively or maturely.

This intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of Jane Eyre's life. Can we believe what the heroine says, or is she deceiving herself? The novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. The supernatural has its place, as do dreams, portents and prophesies. The heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.

The romantic element is present in two forms in Jane Eyre; the "family" aspect is dealt with in the Gateshead, Lowood and Moor House episodes, which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are, of course linked and interwoven throughout the novel.

There is also a strong element of realism in the novel, which, married to the romantic aspect, enhances the novel's strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story, in a series of vivid deive passages. The central characters

are also realistic and their confrontations and sufferings change them in a believable way. Even the unlikely is made plausible, with a unique blend of high drama and perceptive low comedy (the attack on Mason, for instance)

The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences, are balanced by the realism, and this is of course a major strength. The Gothic influence cannot be ignored, although Charlotte Bront?has refined the technique considerably from the "authentic" Gothic of the 1790's. In the original genre, the heroine would typically be abducted and threatened with seduction, or worse!. There would be a lover - a respectable, well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. The seducer would be a brigand "Know that I adore Corsairs!" and he would lock the girl up in a remote castle.

There was little freedom for middle class women during the period of the Gothic novel, and this was still the case in the time of Charlotte Bront?. Marriage especially was often a bargain, whereby fortunes were secured by using the female as a pawn. A woman's value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men, on the contrary, were potent and free; lovers and mistresses were common. Ironically the women who provided their services were social outcasts as a result.

In Jane Eyre we see elements of the Gothic romance, in that Thornfield Hall and Rochester are described very much in the brigand/castle style but Jane Eyre is not abducted by R. On the contrary she chooses to go there of her own free will. And she is clear in her determination to have Rochester as a husband. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God, but he is neither kind nor benevolent; driving Jane back to Ferndean, not rescuing her from it.

The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the heroine in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul, which a women frees. In this way we see that Charlottes Bront?created rather a daring departure from conventional fiction, although there are still many aspects of the novel which remain true to Victorian convention.!

This is a story about a special and unreserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life. The story can be interpreted as a symbol of the independent spirit.

It seems to me that many readers’ English reading experience starts with Jane Eyre. I am of no exception. As we refer to the movie Jane Eyre, it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.

Jane Eyre was a born resister, whose parents went off when she was very young, and her aunt,the only relative she had,treated her as badly as a ragtag. Since Jane’s education in Lowwood Orphanage began, she didn’t get what she had been expecting——simply being regarded as a common person, just the same as any other girl around. The suffers from being humiliated and devastated teach Jane to be persevering and prize dignity over anything else.As a reward of revolting the ruthless oppression, Jane got a chance to be a tutor in Thornfield Garden. There she made the acquaintance of lovely Adele and that garden’s owner, Rochester, a man with warm heart despite a cold face outside. Jane expected to change the life from then on, but fate had decided otherwise: After

Jane and Rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact Rochester had got a legal wife, who seemed to be the shadow following Rochester and led to his moodiness all the time ----Rochester was also a despairing person in need of salvation. Jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was Jane Eyre. The film has finally got a symbolist end: Jane inherited a large number of legacies and finally returned. After finding Rochester’s misfortune brought by his original mad wife, Jane chose to stay with him forever.

I don’t know what others feel, but frankly speaking, I would rather regard the section that Jane began her teaching job in Thornfield as the film’s end----especially when I heard Jane’s words “Never in my life have I been awaken so happily.”For one thing, this ideal and brand-new beginning of life was what Jane had been imagining for long as a suffering person; for another, this should be what the audiences with my views hoped her to get. But the professional judgment of producing films reminded me to wait for a totally different result: There must be something wrong coming with the excellence----perhaps not only should another section be added to enrich the story, but also we may see from the next transition of Jane’s life that “Life is like a box of chocolates, you never know what you would get”(By Forrest Gump’s mother, in the film Forrest Gump)

What’s more, this film didn’t end when Jane left Thornfield. For Jane Eyre herself, there should always be somewhere to realize her great ideal of being independent considering her fortitude, but for Rochester, how he can get salvation? The film gives the answer tentatively: Jane eventually got back to Rochester. In fact, when Jane met Rochester for the first time, she scared his horse and made his heel strained, to a certain extent, which meant Rochester would get retrieval because of Jane. We can consider Rochester’s experiences as that of religion meaning. The fire by his frantic wife was the punishment for the cynicism early in his life. After it, Rochester got the mercy of the God and the love of the woman whom he loved. Here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides. The value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.

Life is ceaselessly changing, but our living principles remain. Firmly persisting for the rights of being independent gives us enough confidence and courage, which is like the beacon over the capriccioso sea of life. In the world of the film, we have found the stories of ourselves, which makes us so concerned about the fate of the dramatis personae.

In this era of rapid social and technological change leading to increasing life complexity and psychological displacement, both physical and mental effects on us call for a balance. We are likely to find ourselves bogged down in the Sargasso Sea of information overload and living unconsciousness. It’s our spirit that makes the life meaningful. Heart is the engine of body, brain is the resource of thought, and great films are the mirrors of life. Indubitably, Jane Eyre is one of them.

2.Conclusion

With this novel, we can learn a lot from it. A kind of spirit, a kind of love. Independence honest express emotion bravely and persist.The character Jane Eyre reflected the writer herself.Charlotte borned into a poor family,her

mother died at her childhood.She interested at literature as soon as her childhood because of her father’s affect.But the misfortune of her family and social situation decided her road of literature was not smoothly. However she never give up her career.She wrote this famous and profound and lasting effected novel---- Jane Eyre.In this novel the writer told us that human’s value is dignity and love. It is pour and real and pursuit simple love.It was like a cup of water .purified readers’hearts.And it is a guide to readers’that resonance,especially women reader.From Jane Eyre we could know that we should have the qualifications of willpower independence strong being a women. Jane Eyre did know control her life and value.She had a rational understand of her thought and personality.From Jane Eyre we could see a new image of today’s women:self-respect self-possess and support themselves .I can learned from Charlotte and Jane Eyre that ordinary people obeyed destiny,only stronger can dominated themselves. This is the inspiration of Jane Eyre’s personality charm, also the purpose of this novel.

Bibliography: Selected Reading in British Literature2010.5 :chief editor王守仁(Higher Education Press) page 88

Jane Eyre(Wordsworth Classics)

Term Paper for Selected Readings in British Literature Title: About A English Literature masterpiece

------Jane Eyre(Charlotte Bront?)

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英国文学史上个大名家

1 William Shakespeare威廉?莎士比亚1564~1616 ①Historical plays: Henry VI ; Henry IV : Richard III ; Henry V ;Richard II;Henry VIII ②Four Comedies:皆大欢喜; 第十二夜; 仲夏夜之梦; 威尼 斯商人 ③Four Tragedies:哈姆莱特; 奥赛罗; 李尔王; 麦克白 ④Shakespeare Sonnet :154 Three quatrain and one couplet, ababcdcdefefgg A sonnet is a lyric consisting of 14 lines, usually in iambic pentameter restricted to a definition rhyme scheme. 2. John Milton约翰?弥尔顿1608~1674 (诗人、政论家;失明后写《失乐园》、《复乐园》、《力士参孙》。) ①Epics: 失乐园 复乐园 ②Dramatic poem: < Samson Agonistes>力士参孙 ③论出版自由 为英国人民声辩 ④我的失明 This sonnet is written in iambic pentameter rhymed in abba abba cde cde, typical of Italian sonnet. Its theme is that people use their talent for God, and they serve him best sho can endure the suffering best. 3. John Bunyan约翰?班扬1628~1688 (代表作《天路历程》,宗教寓言,被誉为“具有永恒意义的百科全书”,是英国文学史上里程碑式著作。与但丁的《神曲》、奥古斯丁的《忏悔录》并列为世界三大宗教题材文学杰作。) Puritan poet(清教徒派诗人) ①Religionary Allegory:天路历程 4. John Donne the Metaphysical poet(玄学派诗人). Metaphysical Poetry(玄学诗):(用语)the diction is simple, the imagery is from the actual, (形式)the form is frequently an argument with the poet’s beloved, with god, or with himself.(主题:love, religious, thought) Artistic features: 1.conceits or imagery奇思妙喻 2.syllogism三段论 ①Meditations 沉思录 The Flea 虱子 ②Songs And Sonnets Holy Sonnets ③Valediction:

英国文学选读一考试大题必备 重点题目分析(人物分析 诗歌分析 三大主义)

Hamlet is the first work of literature to look squarely at the stupidity, falsity and sham of everyday life, without laughing and without easy answers. In a world where things are not as they seem, Hamlet…s genuineness, thoughtfulness, and sincerity make him special. Hamlet is no saint. But unlike most of the other characters (and most people today), Hamlet chooses not to compromise with evil. Dying, Hamlet reaffirms the tragic dignity of a basically decent person in a bad world Hamlet is the first work of literature to show an ordinary person looking at the futility and wrongs in life, asking the toughest questions and coming up with honest semi-answers like most people do today. Unlike so much of popular culture today, "Hamlet" leaves us with the message that life is indeed worth living, even by imperfect people in an imperfect world. 犹豫scholars have debated for centuries about Hamlet's hesitation in killing his uncle. Some see it as a plot device to prolong the action, and others see it as the result of pressure exerted by the complex philosophical and ethical issues that surround cold-blooded murder, calculated revenge and thwarted desire. More recently, psychoanalytic critics have examined Hamlet's unconscious desires (Freud concludes that Hamlet has an "Oedipal desire for his mother and the subsequent guilt [is] preventing him from murdering the man [Claudius] who has done what he unconsciously wanted to do". Robinson Crusoe is a grand hero in westerners? eyes. He survived in the deserted island and lived a meaningful life. He almost has everything needed for becoming a successful man, such as his excellent creativity, great working capacity, courage, and persistence in overcoming obstacles. But he has shortcomings, too. Sometimes he was irresolute; he was not confident; he was fetishistic, although his belief had done him much good. He serves somehow as a lighthouse for the ambitious people. It?s also instructive for average people. Robinson was the representative of the bourgeois of the 18th C. It was the time when bourgeois grew stronger and stronger. The author Defoe paid a tribute to bourgeois by creating such a rational, powerful, clever, and successful man. 【Themes of Robinson Crusoe】 1. The ambivalence of mastery In short, while Crusoe seems praiseworthy in mastering his fate by overcoming his obstacles, and controlling his environment, the praiseworthiness of his mastery over his fellow human Friday is more doubtful. Defoe explores the link between the two in his depiction of the colonial mind. 2. The necessity of Repentance Crusoe?s experiences constitute not simply an adventure story in which thrilling things happen, but also a moral tale illustrating the right and wrong ways to live one?s life. Crusoe?s story instruct s others in God?s wisdom, and one vital part of this wisdom is the importance of repenting one?s sins. 3. The Importance of Self-Awareness Crusoe?s arrival on the island does not make him revert to a brute existence and he remains conscious of himself at all times. His island existence actually deepens his self-awareness as he withdraws from the external society and turns inward. The idea that the individual must keep a careful reckoning of the state of his own soul is a key point in the Presbyterian doctrine that the aothor took seriously all his life. ·Jane Eyre Charlotte Bronte The protagonist and title character, orphaned as a baby. She is a plain-featured, small and reserved but talented, sympathetic, hard-working, honest and passionate girl. Skilled at studying, drawing, and teaching, she works as a governess at Thornfield Hall and falls in love with her wealthy employer, Edward Rochester. But her strong sense of conscience does not permit her to become his mistress, and she does not return to him until his insane wife is dead and she herself has come into an inheritance. 【Themes of Jane Eyre】 1. Gender relations A particularly important theme in the novel is patriarchalism and Jane…s efforts to assert her own identity within male-dominated society. Among the three of the main male characters,

必读英美文学经典作品20本

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动和直觉放在首位。因此,它不仅是美利坚合众国浪漫主义小说的代表作,同时也被称作 是美利坚合众国心理分析小说的开创篇。 2、The Adventures of Huckleberry Finn by Mark Twain 《哈克贝利.芬历险记》 简称《赫克》是美国文学中的珍品,也是美国文化中的珍品。十六年前【1984】 ,美国文坛为《赫克》出版一百周年举行了广泛的庆祝活动和学术讨论,也出版了一些研究马克吐温,特别是他的《赫克》的专著。专门为一位大作家的一本名著而举行如此广泛的纪念和专门的研究,这在世界文坛上也是少有的盛事。这是因为《赫克》的意义不一般. 美国著名作家海明威说, "一切现代美国文学来自一本书, 即马克吐温的《赫克尔贝里芬历险记》……这是我们所有书中最好的。一切美国文学都来自这本书,在它之前,或在它之后,都不曾有

过能与之媲美的作品。 3、The Portrait of a Lady by Henry James 《贵妇画像》 亨利.詹姆斯著】 美国小说家亨利·詹姆斯的《贵妇画像》自问世以来一直受到文学评论界的关注,专家学者已从各个不同角度对女主人伊莎贝尔·阿切尔作了深入细致的研究。本文试图从一个全新的视角,即跨文化交际角度,剖析伊莎贝尔在婚姻方面所作的选择。文章指出她是该小说中跨文化交际的最大失败者,并对其失败原因作了分析。希望在跨文化交际日益频繁的今天我们都能从伊莎贝尔的生活经历中得到某种启发。

英国文学作家及作品分析,语言学

英国文学作品与作家 一、Geoffery Chaucer 杰弗里?乔叟1343~1400 (首创“双韵体”,英国文学史上首先用伦敦方言写作。约翰·德莱顿(John Dryden)称其为“英国诗歌之父”。代表作《坎特伯雷故事集》。) The father of English poetry. Writing style: wisdom, humor, humanity. 作品: ① 坎特伯雷故事集: first time to use ‘heroic couplet’(双韵 体) by middle English ②特罗勒斯与克丽西德 ③ 声誉之堂 ④公爵夫人之书 ⑤百鸟议会 二、William Shakespeare威廉?莎士比亚 1564~1616l playwright,poet 评价comments: Widely regarded as the greatest writer in English literatur e

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