Eliot
t.s.eliot生平简介英文
t.s.eliot生平简介英文托马斯·斯特尔那斯·艾略特，英国诗人、剧作家和文学批评家，诗歌现代派运动领袖。
下面是店铺给大家整理的t.s.eliot生平简介英文，供大家参阅!t.s.eliot简介Thomas Stearns Eliot (known as T · E · Eliot), British poet, playwright and literary critic, poetic modernist movement leader. Born in St. Louis, Missouri, USA. Representative works are "wilderness", "four quartets" and so on.Eliot studied philosophy and comparative literature at Harvard University, touched Sanskrit and Eastern culture, and was interested in the Hegelian philosophers and had been influenced by French symbolism. In 1914, Eliot met the American poet Pound. After the outbreak of the First World War, he came to England, and settled in London, has done a teacher and bank staff. The "wilderness" published in 1922 earned him an international reputation, which was regarded by the critics as one of the most influential poems of the twentieth century, considered to be a milestone in Anglo-American modern poetry. In 1927, Eliot joined the British nationality. The "four quartets" published in 1943 brought him the Nobel Prize for Literature in 1948. In his later years he devoted himself to the creation of poetry. In 1965 Eliot died in London.t.s.eliot人物经历September 26, 1888, Eliot was born in St. Louis, Missouri, before the age of sixteen, Eliot in St. Louis's Smith College study.In the autumn of 1905, Eliot entered Harvard, where his new life was very comfortable, and one of the few societies he joined was the literary signet of literature. With the influence of someprofessors, Eliot began to pay attention to the ignorance of Irving Babbitt and the skepticism of George Santayana, the most influential of which was Arthur Symons' The symbolism movement in literature ". As Eliot initially selected the course to be too scattered and make themselves frantic, but finally by virtue of his perseverance finally got a bachelor's degree in comparative literature and a master's degree in English literature.In 1910, Eliot left the United States, to the Sorbonne in Paris, where the avant-garde ideas of various fields of art revolved around him, listening to Henri Bergson at the College of France After the philosophy class, Eliot was fascinated all of a sudden, which makes him back to the then known as the golden age of philosophy of Harvard Ph.D.In 1914, Eliot traveled to Europe, where most of his philosophical teachers at Harvard had treated him as a future colleague. Eliot intends to enter the University of Oxford in the same year to study at the University of Merton, accompanied by Bradley (F.H.Bradley) colleagues and followers Haoxld Joachim (Harold Joachim). As a result of the war approaching, Eliot ahead of the journey to England, arrived in London in August the same year, accompanied by the American poet Aiken (Aiken) will Eliot's poem sent to the poet Pound (Ezra Pound), September , Eliot and Pound first met, since then, the two in the neoclassical poetry of the creative activities closely linked. With the help of Pound, many magazines published Eliot's poems, the most notable of which was published in 1915, "J. Alfred Prufrock's Love Songs." This poem imitates the French symbolist poet Ralph Ruffle's style, with a very strong irony, depicting the social background of the people for the love of life for the complex psychological.In April 1916, Eliot completed the doctoral thesis, but lost hisdegree because he refused to return home. In the spring of 1917, a friend provided Eliot with a stable job and served as an assessor at Lloyd`s Bank. This work made Eliot have the time and energy to continue his poetry creation, this year, his first book "Prufrock and other" published to his great motivation. This book is printed by the "egoist" magazine, anonymous by the Pound couple funded. This book laid the position of his poet for Eliot, and then published in 1922 the "wilderness", which was regarded by critics as one of the most influential poems of the twentieth century, and Eliot himself Fame, this work is considered a milestone in Anglo-American modern poetry.In 1927, Eliot joined the British.In 1948, Eliot won the Nobel Prize for Literature by virtue of the "Four Quartet". "Four Quartets" was created between 1935 and 1942, respectively, "burned Norton", "East Cocker Village", "dry Selvice" and "small Ji Ding." The work deals with time and eternal philosophical poems, but the description is no longer a purely abstract concept, but rather a concrete history to explore the dialectical relationship between eternity and time.On January 4, 1965, Eliot died in London's home. After the death of Eliot, the family cremated according to his last words. In the church, his sign reads: Remember Thomas Stearns Eliot, a poet. The above also reads his life and death, and the other two words: "My beginning is my end, my end is my beginning.t.s.eliot创作特点Eliot in his early creation is good at hiding himself behind the verse, constantly changing masks and tone. The poem "I" is mostly a drama character, not a direct expression of the author himself. But overall it seems that he preferred a kind of sluggish, helpless at the same time without losing the voice of humor. Thisfeature does make it difficult for the reader to understand Eliot's early poetry. Eliot's poems often do not have a good idea of the idea, he several times jokingly quoted Byron "Don Juan" in the poetic behavior of their own excuse: "I certainly can not know that I know / when I want to reveal their own hands "The poet's work is certainly puzzling, and the diversity and complexity of our cultural system will inevitably have a role in the poet's sensitivity," the poet must have Become more and more unpredictable, more and more obscure, more and more indirect, in order to force the language to give in, if necessary, even disrupt the normal order of language to express meaning.Eliot argues that there are "imaginary order" and "imaginary logic" in poetic creation, which are different from ordinary people's familiar order and logic, because poets omit the link from the role of the link; readers should listen to the image of poetry T o enter his memory in a sensitive state, do not have to look at those images used properly, and ultimately will naturally receive a good appreciation effect. The most important thing to express this "imaginary order" and "the logic of imagination" is probably the "wilderness" of Eliot's modernist position.The "four quartets" are the philosophers of eternity and time, but the poet does not use the concept of pure abstraction. He leads the reader to explore the dialectical relationship between eternity and time in concrete history. The terms "four quartets" are normal and precise. Eliot, who is unusually sensitive to language, often does not agree, and he writes poems as "unbearable wrestling with words and meanings" in the village of East Cocker. Eliot's own beliefs and creations have never been peace of mind, and he feared that the language would be degraded by improper use, which would inevitably affect thequality of our thoughts and feelings.。
艾略特
华盛顿大学
• 1906年,入哈佛大学攻读哲学和英法文学，受业于欧 文·白璧德和哲学家桑塔亚纳.还学习了法,德,拉丁,希 腊等多种语言,广泛涉猎文学,宗教,历史,东方文化等领 域. • 1908年，从阿瑟·西蒙斯《文学中的象征主义运动》中 了解到象征主义文学，开始走上象征主义文学的创作道 路。 • 1909年大学毕业，进研究院研究哲学，开始研究生课程。 • 1910年获得哈佛大学硕士学位，赴巴黎大学研究伯格森 的哲学，同时广泛接触了波德莱尔，马拉美，拉福格等 诗人的作品。 • 1911 年，春夏期间游历欧洲 , 先后访问伦敦 , 慕尼黑 , 和 意大利北部的一些城市.秋天,回到哈佛大学准备学位论 文, 研究意大利哲学家梅农，新黑格尔派哲学家布拉德 雷的认识论，并学习印度哲学和梵文。
西敏寺大教堂
In my begin特（Thomas Stearns Eliot 1888－1965） • 1888 年 9 月 26 日出生于美国密苏里州圣路易斯一 个大砖瓦商家庭。祖籍英国，曾祖是英国默塞特郡 东科克地方的鞋匠，1670年移居美国波士顿。 祖父威廉（ William Greenleaf Eliot ）毕业于 哈佛大学神学院， 1857 年创办华盛顿大学， 1872 年 任校长。 父亲亨利（ Henry Ware Eliot ）毕业于华盛顿 大学，喜欢绘画，曾先后担任一家制砖公司的财务 主管和总裁。 母亲夏洛蒂（ Charlotte Chauncy ）出自名门， 热爱慈善事业，极有文学天赋，在一些教会报纸杂 志上发表过诗歌。 他的家庭具有很高的文化修养，一直保持着新 英格兰加尔文教的传统。
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1913年,任哈佛大学哲学系助教。 1914年去德国,因一战转赴伦敦, 凭借着获得的希尔顿 旅行奖学金入牛津大学学习希腊哲学,完成了有关布拉 德雷的博士论文 . 在牛津大学期间与庞德相识 , 并成为 终身的好朋友. 1915 年，庞德力促其《普鲁弗洛克的情歌》在现代诗 的主要阵地《诗刊》上发表 。 同年与英国姑娘维维恩结婚。 1917年,任先锋派杂志《自我主义者》副主编 1919年，他的第一部文学评论集《圣林》出版。 1921年，由于精神原因艾略特到瑞士疗养。 1922—1939任文学评论季刊《标准》(Criterion)主编, 1925年任费伯出版公司的编辑，从此一直在这里工作。 1927年加入英国国籍,参加英国国教. 1939年，维维恩的精神分裂最终导致两个人分居。
艾略特名词解释
艾略特名词解释
艾略特是指英国19世纪末20世纪初的一位重要女作家和文学家 T·S·艾略特（T.S. Eliot）。
他是现代主义文学的重要代表人物之一，在诗歌、戏剧和批评领域都有重要贡献。
艾略特的作品风格独特，富有象征主义和抒情性。
他的诗歌作品以复杂的叙事结构、多层次的象征和密集的文化、历史和宗教引用而闻名。
他的代表作品包括《无人之地》（The Waste Land）和《四个四重奏》（Four Quartets）等。
此外，艾略特还对文学批评和文化理论做出了重要贡献。
他的批评作品《传统和个人天赋》（Tradition and the Individual Talent）等对现代文学理论的发展产生了深远影响。
他还参与编辑文学刊物《黑山评论》（The Criterion），为推动现代主义文学发展作出了努力。
总的来说，艾略特是20世纪文学中的重要人物，他的作品和文化理论对现代文学和思想产生了广泛影响。
经典英语诗歌散文
经典英语诗歌散文以下是一些经典的英语诗歌和散文作品：1. "The Raven" by Edgar Allan Poe（埃德加·爱伦·坡的《乌鸦》）2. "The Waste Land" by T.S. Eliot（T·S·艾略特的《荒原》）3. "The Road Not Taken" by Robert Frost（罗伯特·弗罗斯特的《未选择的道路》）4. "If— " by Rudyard Kipling（鲁道夫·吉卜林的《如果——》）5. "The Love Song of J. Alfred Prufrock" by T.S. Eliot （T·S·艾略特的《J·阿尔弗雷德·普鲁弗洛克的情歌》）6. "Ode to a Nightingale" by John Keats（约翰·济慈的《致夜莺颂》）7. "Stopping by Woods on a Snowy Evening" by Robert Frost（罗伯特·弗罗斯特的《走过雪夜的林子》）8. "The Great Gatsby" by F. Scott Fitzgerald（F·斯科特·菲茨杰拉德的《了不起的盖茨比》）9. "To Autumn" by John Keats（约翰·济慈的《致秋天》）10. "A Tale of Two Cities" by Charles Dickens（查尔斯·狄更斯的《双城记》）这些作品涵盖了不同历史时期和文学风格，既有诗歌也有散文，每一部作品都具有其独特的艺术魅力和深刻的主题。
艾略特荒原中英对照
(一)艾略特是中国现代朦胧诗歌的鼻祖在网上，很多对中国现代诗歌(包括朦胧诗歌)起源和继承的评论是似是而非的。
这可能是由于一些国内不懂外文的评论家的错误导向所致，也有可能是由于自己就没有理解好中国的现代诗歌，而混枭了自己的观点，也误人子弟。
中国的现代诗歌，究其源泉是由于五四时期由胡适等人发起的白话文运动，白话诗也就应运产生。
一个很有意思的现象是，很多著名的作家严肃的学者并没有留下多少白话诗歌，只有一些类似嘻皮士的文人们，象刘半农，徐志摩等等，为了和女人的打情骂俏而留下过一首半首。
中国早期的现代诗歌应该是继承于欧洲而不是美洲。
这得益于一些留学欧洲学人的推荐和传播。
象卞之琳，徐志摩，李金发等等，所写的诗歌继承了欧洲维多利亚式的风格，并没有多少的创新，节奏的和谐和词澡的华丽是其主要的特点，但并没有什么心灵的震动，是沃斯瓦斯和波尔莱特在中国的翻版，甚至从中可以看到雪莱和拜伦的影子。
从中很少看到美洲惠特曼的影子，大概惠诗歌中的自然和平民的形象和这些留学欧洲的没落贵族的口吻不太合适所致。
很多人把这几个人归结为现代朦胧诗歌的起源。
其实是不当的。
这时候的诗歌还只能是现代诗歌而不是朦胧诗歌，当然，相对于旧体诗歌意象和词汇的运用已经有了朦胧的感觉。
中国诗歌在七十年代末八十年代初期，有一个特别辉煌的复兴时期。
一批经过文革，上过山下过乡的知识青年们用在煤油灯下的知识积累，带着对生活的感性体验，在马可雅夫斯基和莱蒙托夫的指引下开始中国诗歌的新一轮革命。
这期间杰出的诗人有北岛，舒婷等。
在八十年代的中末期，中国诗坛终于迎来了大爆炸的时期。
在理论领袖谢冕的指引下，一批批锐意的具有现代意识的中国诗人们以严辰主编的诗歌报为阵地，纷纷打出旗号，成立山头，一时间中国的诗歌流派竟然有几十家之多。
所写的诗歌讦曲骜牙，常人难以读懂。
这就是后来广被非议的现代朦胧诗。
为什么称为现代朦胧诗？这是为了区别于以唐朝李商隐为代表的古体朦胧诗歌。
中国的现代朦胧诗直接继承于艾略特，Pound等人的诗风,摈弃了近代诗歌徐志摩等人所提倡的维多利亚的模式。
英TS艾略特诗选
英TS艾略特诗选TS艾略特（T.S. Eliot）是一位对现代英语诗歌产生巨大影响的美国诗人和戏剧家。
他的诗歌风格独特，深刻探讨了人类的存在和现实。
本文将重点介绍TS艾略特的几首代表作，并分析其风格和主题。
一、《荒原》《荒原》是TS艾略特的代表作之一，也是现代主义诗歌的里程碑。
这首诗以流动的碎片化表达方式展示了社会的破碎与人类的孤独。
诗中充满着对现代生活的讽刺和对空虚的揭示，同时也带有宗教和文化的象征与隐喻。
通过对现实的剖析，艾略特对社会的警示与反思呼之欲出。
二、《罗丹的寓言》《罗丹的寓言》是TS艾略特的戏剧作品，展示了他对现代生活的思考和对精神困境的揭示。
该剧以一种模糊的方式，以对话和独白的形式，将人性的多样性与混乱展现出来。
剧中人物的心理状况和行为都暗示着现代社会中人们的挣扎和迷茫。
通过对现实的审视，艾略特探讨了人类精神的分裂和对真实的追求。
三、《四个季节》《四个季节》是TS艾略特的诗集，以四个不同的部分展示了诗人对时间和人生的反思。
每个部分都有独特的主题和意象，通过对时间的探索，艾略特思考了人类存在的本质和时间的流逝对人类的影响。
诗集中运用了丰富的文化和历史象征，使诗歌具有深度和博大的意义。
四、《荒漠之歌》《荒漠之歌》是TS艾略特的另一部重要作品，以对话的方式展示了现代社会中人们的孤寂和沉寂。
诗中描述了城市的冷漠和人们的空虚，反映了现代文明对人类生存的冲击。
艾略特使用了大量的象征和隐喻，揭示了人类在现代社会中的焦虑和迷失。
总结：TS艾略特是一位对现代英语诗歌产生重大影响的诗人和戏剧家。
他的诗歌作品展示了对现实的深入观察和对人类存在的反思。
通过各种诗歌形式和风格，他揭示了现代社会中的困惑和苦闷，呼唤人们对真实和精神追求的重视。
TS艾略特的诗选是现代诗歌的杰作，对后世诗人产生了深远的影响。
艾略特的著名诗作有
艾略特的著名诗作有
艾略特（T.S. Eliot）是一位著名的英美现代主义诗人，以下是他的几首著名诗作：
1. 《荒原》（The Waste Land）：这是艾略特最知名的诗作之一，被认为是20世纪最重要的诗歌之一。
它以多声部的方式呈现出对现代社会的破碎感和精神迷茫。
2. 《四个四重奏》（Four Quartets）：这是由四首长诗组成的系列作品，包括《燃烧的男人》（Burnt Norton）、《岩石》（East Coker）、《干燥的山》（The Dry Salvages）和《火与橙子》（Little Gidding）。
它们探讨了时间、记忆、信仰和个体与整体的关系。
3. 《早期的瞬间》（The Love Song of J. Alfred Prufrock）：这首诗描绘了一个内心矛盾、不安于自己的中年男性，通过流畅的语言和错综复杂的意象展示了现代人的孤独和焦虑。
4. 《猫》（Old Possum's Book of Practical Cats）：这是一本儿童诗集，收录了艾略特创作的一系列幽默、富有想象力的诗歌，后来被改编为百老汇音乐剧《猫》（Cats）。
这些诗作中，艾略特运用了复杂的语言和形式实验，探索了人类存在和社会问题，并对传统文学进行了颠覆和重构。
他独特的风格和思想深度使得他的诗歌在现代诗歌史上占据重要地位，影响了众多后来的诗人和作家。
英国资产阶级革命文学
英国资产阶级革命（也被称为英国内战或英国大革命）发生在17世纪中期，具有深远的政治、社会和文化影响。
这一时期的文学作品反映了社会变革和政治动荡的影响。
以下是一些代表性的英国资产阶级革命文学：1. 《牧羊诗》（"Pastoral Poetry"）：- 作者：约翰·密尔顿（John Milton）- 特点：密尔顿是英国资产阶级革命时期最重要的文学人物之一。
他的《牧羊诗》是他早期的作品之一，描绘了乡村生活和自由的理想，其中尤以《失乐园》（"Paradise Lost"）最为著名，反映了对权威的质疑和对个体自由的追求。
2. 《记忆的书》（"The Book of Memory"）：- 作者：霍布斯（Thomas Hobbes）- 特点：霍布斯的政治哲学著作《利维坦》在资产阶级革命时期产生了深远的影响。
他认为社会需要强大的中央政府来维持秩序，对权威的理论贡献影响深远。
3. 《伊利亚特》（"Eliot"）：- 作者：约翰·多恩（John Donne）- 特点：多恩是一位元代的诗人，他的作品既受到宗教启发，又包含对爱情和个体经验的深刻思考。
他的诗歌作品通过独特的语言表达了对人性和信仰的不同层面的探讨。
4. 《彷徨者的回归》（"The Return of the Wanderer"）：- 作者：亨利·沃恩（Henry Vaughan）- 特点：亨利·沃恩是一位清教徒诗人，他的诗歌作品表达了对信仰、自然和人类存在的思考。
他的诗歌在英国资产阶级革命时期反映了宗教和哲学的变革。
这些文学作品反映了17世纪中期英国社会和文化的复杂性，以及个体对权威和自由的探求。
它们在历史的长河中成为了英国文学史上重要的一部分。
艾略特 作品及个人简介
Analysis of Prufrock • Title • His character • Irony • Major Themes of “Prufrock” • Poetic Form
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Title
• In the drafts, the poem had the subtitle Prufrock among the Women. Eliot said "The Love Song of" portion of the title came from "The Love Song of Har Dyal," a poem by Rudyard Kipling. On the origin of the name "Prufrock", there was a "Prufrock-Litton Company" in St Louis at the time Eliot lived there, a furniture store.
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Education
• After working as a philosophy assistant at Harvard from 1909 to 1910, Eliot moved to Paris, where from 1910 to 1911, he studied philosophy at the Sorbonne. • From 1911 to 1914, he was back at Harvard studying Indian philosophy and Sanskrit. • By 1916, he had completed a doctoral dissertation for Harvard on Knowledge and Experience in the Philosophy of F. H. Bradley, but he failed to return for the viva voce exam
英语诗歌经典50篇
英语诗歌经典50篇以下是50首经典的英语诗歌，这些诗歌代表了英语诗歌的丰富多样性和深刻的情感表达。
1. 'The Raven' by Edgar Allan Poe: 这首诗以其恐怖和神秘的氛围而闻名，描绘了一个孤独的人在黑暗中与一只乌鸦交谈。
2. 'The Waste Land' by T.S. Eliot: 这是一首复杂而多层次的现代主义诗歌，描写了当代社会的荒凉和人类的孤独。
3. 'The Road Not Taken' by Robert Frost: 这首诗鼓励人们勇敢选择自己的道路，而不是随大流。
4. 'Sonnet 18' by William Shakespeare: 这首诗是莎士比亚最著名的十四行诗之一，赞美了青春之美和永恒之爱。
5. 'If—' by Rudyard Kipling: 这首诗是一篇励志的教诲，向读者传达坚韧、勇气和冷静的重要性。
6. 'The Love Song of J. Alfred Prufrock' by T.S. Eliot: 这首诗描绘了一个内向、不确定的人的内心独白，表达了对生活的焦虑和迷茫。
7. 'Annabel Lee' by Edgar Allan Poe: 这首诗是一首悲伤的爱情诗，描写了主人公对他已故的心爱之人的深情。
8. 'Ode to a Nightingale' by John Keats: 这首诗以其优美的语言和对死亡的思考而闻名，表达了对美和永恒的追求。
9. 'The Second Coming' by W.B. Yeats: 这首诗描述了一种混乱和不稳定的时代即将来临的预感。
10. 'The Lady of Shalott' by Alfred, Lord Tennyson: 这首诗描绘了一个被囚禁在塔中的女人的悲剧命运。
T.S.-Eliot艾略特
Influence
1. He became “a giver of laws and the arbiter of taste” in the new poetry and criticism. 2. He was the most successful literary dictator in American literary history, one who wielded the most decisive influence over literary development for a long time. 3. He was one of the first if not the first to sense the futility and fragmentization of modern life and see modern society at its most disgusting.
Writing style:
1.Postmodernism
2.poetry:fresh visual imagery, flexible tone, and highly expressive rhythm. 3.His search for order, form, and discipline led him forward conservatism and religion for salvation
Thomas Stearns Eliot 托马斯 艾略特 (1888 - 1965)
T.S.Eliot
A poet, dramatist, literary critic, and modernist.
目录
Personal experience
A
t.s eliot
一、死者的葬礼 四月最残忍，从死了的 土地滋生丁香，混杂着 回忆和欲望，让春雨 挑动着呆钝的根。 冬天保我们温暖，把大地 埋在忘怀的雪里，使干了的 球茎得一点点生命。 夏天来得意外，随着一阵骤雨 到了斯坦伯吉西；
曾获得英国女王授予的“荣誉勋章（medal of honor）”，德国的“汉萨—— 歌 德奖”，意大利的“但丁金奖（ Dante Award）”。
艾略特在后期转入戏剧（drama）创作，他认为“诗人应该做个对社会有用 的人”。1939年《宫廷团聚（Reunion Palace）》代表艾略特的戏剧日益完 善。
艾略特 T.S. Eliot
Amphibious Poet两栖诗人
美国人。在哈佛大学（ Harvard university）学习哲学(Philosophy)和梵文 (Sanskrit )
1914年到达英国开始从事诗歌创作.1922年发表长诗《荒原》，引起很大震 动，成了现代诗歌的一个里程碑（milestone ）。
我们躲在廊下， 等太阳出来，便到郝夫加登 去喝咖啡，又闲谈了一点钟。 我不是俄国人，原籍立陶宛，是纯 德国种。 我们小时侯，在大公家做客， 那是我表兄，他带我出去滑雪撬，
And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter. What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.
艾略特女性人生经典语录
艾略特女性人生经典语录艾略特（George Eliot）是19世纪英国最杰出的女作家之一，她的作品以人性的复杂性和对社会问题的关注而闻名。
她通过小说《米德尔马契斯特》、《丹丹生》，以及许多其他作品，传递了许多关于女性人生的经典语录，激励着无数女性在面对困难与挑战时勇往直前。
以下是一些艾略特女性人生经典语录，希望能给每个女性带来启发和动力。
1. "It is never too late to be what you might have been."（“做自己能成为的人，永远都不会太晚。
”）这句话鼓励女性要相信自己的潜力和可能性，无论年龄和环境如何，都有机会成为自己想要成为的人。
2. "Adventure is not outside; it is within."（“冒险不在外面，而是在内心。
”）在这个语录中，艾略特提醒女性要勇敢面对内心的冒险和挑战，只有通过内心的成长，才能获得真正的自由和满足。
3. "It is a narrow mind which cannot look at a subject from various points of view."（“只能从一个角度看某个问题的人是心胸狭隘的。
”）艾略特强调了宽广的思维和开放的心态的重要性。
女性不应被局限在一个观点或角度上，而是应该从各个角度审视问题，以获得更全面和深入的了解。
4. "What do we live for, if it is not to make life less difficult for each other?"（“如果我们的生活不能使彼此的生活变得更容易，那又是为了什么？”）这句话中，艾略特强调了人与人之间的关系和互相帮助的重要性。
女性应该关心他人，努力为他人带来便利和支持，这样才能创造一个更美好和温暖的世界。
5. "The strongest principle of growth lies in human choice."（“人类成长的最强大原则在于选择。
艾略特诗句
艾略特（T.S. Eliot）是20世纪英国最著名的诗人之一，他的诗歌风格独特，充满哲学思考和文化内涵。
以下是一些艾略特的经典诗句:1. "The love of money is the root of all evil"（金钱是万恶之源）2. "The future is in your hands"（未来掌握在手中）3. "And what will be the use of us, / If we havenot used the earth? / The earth, which is the only thing we have / That is ours, and not another's"（我们有什么用处呢？ / 如果我们没有使用地球？ / 地球，这是我们拥有的唯一东西 / 是我们自己的，而不是别人的）4. "The best lack all knowledge, while the worst have much"（最明智的人缺乏知识，而最糟糕的人却拥有许多）5. "To be able to see what is right in front of you, but not to do it"（能够看清眼前的事情，但却不做）6. "The greatest glory in living lies not in never falling, but in rising every time we fall"（生命中最伟大的荣耀不在于永不跌倒，而在于每次跌倒后都能重新站起来）7. "The best things in life are free"（生命中最美好的事情是免费的）这些诗句充满了哲理和思考，表达了艾略特对人生和社会的深刻洞察和理解。
美国文学第12章Eliot
Chapter 12
Eliot Stevens Williams
T.S. Eliot(1888—1965)
T(homas) S(tearns) Eliot was born in St. Louis in 1888 to a family with prominent New England roots. Eliot largely abandoned his Midwestern roots and chose to ally himself with both New and old England throughout his life. He attended Harvard as an undergraduate in 1906, was accepted into the literary circles, and had a predilection for 16th- and 17th-century poetry, the Italian Renaissance (particularly Dante), Eastern religion, and philosophy.
虽然说是“你和我”，但实际上此时只有普鲁弗 洛克一个人在街上走。这句话的意思是，在他想 像中，他希望爱人在精神上和自己在一起，希望 自己不那么孤独。这个“你”表面上指他的爱人， 但本质上是他内心中的一个倾诉对象。
第2行和第3行将黄昏的天空比做一个手术台上被 麻醉的病人，这是一个非常有名的比喻，现代主 义气息十足，表明在主人公看来，就连天空也已 经被毒素扭曲了，一点生气也没有了。
文学家艾略特的简介
文学家艾略特的简介托马斯·斯特尔那斯·艾略特Thomas StearnsEliot，1888年9月26日-1965年1月4日原籍美国，后加入英国国籍。
艾略特于1922年发表的《荒原》为他赢得了国际声誉，被评论界看作是二十世纪最有影响力的一部诗作，也被认为是英美现代诗歌的里程碑。
1948年，艾略特结集出版的《四个四重奏》使他获得了一生中最大的荣誉诺贝尔文学奖，也因此确立了他最伟大英语诗人和作家的地位，艾略特晚年致力于诗剧创作，1956年在伦敦逝世，其作为诗人、评论家、剧作家，其作品在二十世纪乃至今日的文学史上影响极为深远。
艾略特的主要作品有《荒原》、《烧毁的诺顿》、《四首四重奏》、《神圣的树林》、《家庭聚会》等。
艾略特在他的早期创作中善于把自己藏匿在诗句背后，不断变换面具和语气。
诗中的“我”大都是戏剧人物，不是直抒胸臆的作者本人。
但是总的看来他偏爱一种萎靡不振、无可奈何同时又不失幽默的声音。
这一特点确实使一般读者难以理解艾略特的早期诗歌。
艾略特的诗作往往没有通盘谋划好的思想脉络，他数次开玩笑地引用拜伦《唐璜》中的诗行为自己辩解：“我当然不敢号称我十分懂得/当我想露一手时自己的用意。
”在论文《玄学派诗人》里他还表达了这样的高见：当代诗人的作品肯定是费解的，我们文化体系的多样性和复杂性必然会对诗人的敏感性产生作用，“诗人必须变得愈来愈无所不包，愈来愈隐晦，愈来愈间接，以便迫使语言就范，必要时甚至打乱语言的正常秩序来表达意义”。
艾略特认为，在诗歌创作中有种“想象的秩序”和“想象的逻辑”，它们不同于常人熟悉的秩序和逻辑，因为诗人省略了起连接作用的环节;读者应该听任诗中的意象自行进入他那处于敏感状态的记忆之中，不必考察那些意象用得是否得当，最终自然会收到很好的鉴赏效果。
表现这种“想象的秩序”和“想象的逻辑”最为充分的大概就是奠定艾略特现代派主将地位的《荒原》。
艾略特的登峰造极之作是作于1935年至1942年之间的《四个四重奏》，它们分别是《烧毁的诺顿》、《东科克尔村》、《干燥的塞尔维吉斯》和《小吉丁》。
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Becoming a Being (existential ontology): We are what we can become. Existence is a process, and our becoming is our ontic possibility of becoming. Nothingness Nothingness appears in existentialism, as the placeholder of the possibility. The awareness of anything in the world that is not my own existence (which by the way,cannot be held in consciousness without being nihilized) is an awareness of nothingness, that is, what I, this existence am not and in some cases I could become.
2. Rich Allusiveness or Literary Reference
Andrew Marvel’s “To His Coy Mistress” But at my back I always hear, Time’s winged chariot hovering near. And yonder all before us lie, Deserts of vast eternity. In “Sweeney” But at my back from time to time I hear, The sound of horns and motors, which shall bring Sweeney to Mrs. Porter in the spring.
which will be the formula of that particular emotion; such as when the external facts which must terminate in sensory experience are given, the emotion is immediately evoked. For example: The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life, The last twist of the knife. (“Rhapsody on a Windy Night”) —Life is but monotonous repetition without end or purpose.
III Thematic Concern
1. Death and Resurrection 2. Chaos and Order
Modern society is a meaningless and purposeless spiritual wasteland on top of collapsed values and indulged desire. Intellect and Reason are what might bring new order and vitality to the world.
VII Terms Concerning Modernism 1. Stream of Consciousness:
• phrase used by William James in 1890 to describe the unbroken flow of thought and awareness of the waking mind • in literature, technique that records the multifarious thoughts and feelings of a character without regard to logical argument or narrative sequence. The writer attempts by the stream of consciousness to reflect all the forces, external and internal, influencing the psychology of a character at a single moment.
—Datta(舍予 Dayadhvam (同情 Damyata(克制 舍予); 同情); 克制) 舍予 同情 克制 2. “Gerontion” (latin—little old man, 1920) 3. “The Love Song of J. Alfred Prufrock” (1917) 4. Ash Wednesday (1930) 5. Four Quartets (1942) 6. The Sacred Wood
3. Musical Effects
V “The Love Song of J. Alfred Prufrock”
1. The poem is an interior monologue. The speaker Prufrock is speaking to himself. Thus some parts of the poem are disjointed and fragmentary because of randomness of his thoughts. 2. The title is ironic because Prufrock—isolated, timid, and spiritually numb—is a man unable to love, and the love song is sung to nobody. 3. The basic story line concerns Prufrock’s intended visit to a woman, his inability to declare his love for her.
T. S. Eliot & Modernism
I Байду номын сангаасiography
1888, St. Louis—Harvard U—Philosophy, literature, language—PhD in philosophy—1913 Merton College， ， Oxford—1915 schoolmaster—1917 Prufrock—The Waste Land—1927 British citizen, conversion— growing faith in religion—literary critic—1948 Nobel Prize—died in 1965
• It creates the impression that the reader is eavesdropping on the flow of conscious experience in character’s the character s mind, gaining intimate access to their thoughts”. private “thoughts . thoughts • sense perceptions mingle with conscious and halfhalfconscious thoughts and memories, experiences, feelings and random associations • The technique was first employed by Édouard douard (1861–1949) Dujardin (1861 1949) in his novel Les Lauriers sont coupés (1888) and was subsequently used by such notable writers as James Joyce, Virginia Woolf, and William Faulkner.
VI Modernism
A very comprehensive term applied to international tendencies and movements in all the creative arts since the latter end of the 19th century. As far as literature is concerned, modernism reveals a breaking away from established rules, traditions and conventions, fresh ways of looking at man’s position and function in the universe and many experiments in form and style. Some aspects of the movement are touched on in the following entries: anti-novel, anti-play, Dadaism, existentialism, expressionism, free verse, imagist, stream of consciousness, theatre of the absurd, etc.
2 Existentialism
Existentialism is a philosophical movement which emphasizes on individual existence, freedom, and choice. The main identifiable common proposition is existence precedes essence. By this, existentialism states that man exists and in that existence man defines himself and the world in his own subjectivity. Soren Kierkegaard (1813 - 1855), Heidegger, Nietzsche, Paul Jean Sartre are regarded as the chief existentialists.