英美文学翻译练习

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英美文学诗歌【英美文学中经典诗歌翻译】

英美文学诗歌【英美文学中经典诗歌翻译】

英美文学诗歌【英美文学中经典诗歌翻译】英美文学中经典诗歌翻译英美文学中经典诗歌翻译To Helen——Edgar Allan Poe Helen,thy beauty is to me Like those Nicean barks of yore,That gently,o“er a perfumed sea,The weary,way-worn wanderer bore To his own native shore. On desperate seas long wont to roam,Thy hyacinth hair,thy classic face,Thy Naiad airs have brought me home To the glory that was Greece. And the grandeur that was Rome. Lo! in yon brilliant window-niche How statue-like I see thee stand! The agate lamp within thy hand,Ah! Psyche from the regions which Are Holy Land! 海倫,我視你的美貌如昔日尼西的小船于芬芳的海上輕輕漂泛疲憊勞累的遊子轉舵駛向故鄉的岸久經海上風浪,慣于浪跡天涯海倫,你的艷麗面容,你那紫藍的秀髮你那仙女般的丰采令我深信光榮屬於希臘偉大屬於羅馬看呀,在遠遠明亮的壁窗裏你站立著,如同一尊雕塑手上提著一盞光亮的明燈塞姬女神啊,那些神聖的土地才是你的宿地She Walks In Beauty——George Gordon Byron She walks in beauty, like the night Of cloudless climes and starry skies;And all that’s best of dark and bright Meet in her aspect and her eyes;Thus mellowed to that tender light Which heaven to gaudy day denies. One shade more, one ray less, Had half impaired the nameless grace Which waves i n every raven tress, Or softly lightens o’er her face;Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek, and o’er that brow, So soft, so calm, yet eloquent The smiles that win, the tints that glow. But tell of days in goodness spent, A mind at peace with all below,A heart whose love isinnocent! 她在美中徜徉,她在美中穿行;象深邃的苍穹缀满繁星,象皎洁的夜空万里无云。

英国文学简史期末考试资料

英国文学简史期末考试资料

英国文学简史期末考试资料英国文学简史英美文学史名词翻译Neoclassicism (新古典主义) Renaissance (文艺复兴)Metaphysical poetry (玄学派诗歌) Classism (古典主义)EnlighteXXXent (启蒙运动) Romanticism (浪漫主义)Byronic Hero (拜伦式英雄) Aestheticism(美学主义)Stream of consciousness (意识流) the Age of Realism (现实主义阶段) Naturalism (自然主义) Local Colorist (乡土文学)Imagism (意象主义) The Lost Generation (迷惘的一代)Surrealism (超现实主义) The Beat Generation (垮掉的一代) Metaphysical poets (玄学派诗人)New Criticism (新批判主义)Feminism(女权主义) Hemingway Code Hero (海明威式英雄) Impressionism (印象主义) Post modernity (后现代主义)Realism (现实主义) Allegory (寓言)Romance (传说) epic(史诗)Blank Verse (无韵诗) Essay (随笔)Masques or Masks (假面剧) Spenserian Stanza (斯宾塞诗节)Three Unities (三一.原则) Meter (格律)Soliloquy (独白) Cavalier poets (骑士派诗人)Elegy (挽歌) . Action/plot (情节)Atmosphere (基调) Epigram (警句)The Heroic Couplet (英雄对偶句) Sentimentalism (感伤主义文学)Aside (旁白) Denouement (戏剧结局)parable (寓言) Genre (流派)Irony (反讽) Satire (讽刺)Lyric (抒情诗) Ode (颂歌)Pastoral (田园诗) Canto (诗章)Lake Poets (湖畔诗人) Image (意象)Dramatic monologue(戏剧独白)Psychological novel (心理小讲)Allusion (典故) Protagonist and Antagonist (正面人物与反面人物) Symbolism (象征主义) Existentialism (存在主义)Anti-hero (反面人物) Rhyme (押韵)Round Character (丰满的人物) Flat character (平淡的人物)Oedipus complex (俄狄浦斯情结/蛮母厌父情结) Iambic pentameter (抑扬格五音步)Poetic license (诗的破格) Legend (传奇)Myth (神话) Pessimism (悲观主义)Tragicomedy (悲喜剧) Comedy of manners (风俗喜剧)Free Verse (自由体诗歌) Magic realism (魔幻现实主义) Autobiography (自传) Biography (传记)Foot (足注) Protagonist (正面人物)Psychological Realism (心理现实主义) Setting (背景)Chronicle《编年史》Ballads 民谣consonant(协调,一致) repetition (反复)repeated initial(开头的)一、中世纪文学(约5世纪—1485)《贝奥武甫》(Beowulf)《高文爵士和绿衣骑士》(Sir Gawain and the Green Knight )杰弗利·乔叟(Geoffrey Chaucer) ―英国诗歌之父(Father of English Poetry)《坎特伯雷故事》(The Canterbury Tales )二、文艺复兴阶段文学(15世纪后期—17世纪初)托马斯·莫尔(Thomas More )《乌托邦》(Utopia)埃德蒙·斯宾塞(Edmund Spenser)《仙后》(The Faerie Queene)弗兰西斯·培根(Francis Bacon)《论讲文集》(Essays)克里斯托弗·马洛(Christopher Marlowe)《帖木儿大帝》(Tamburlaine)《浮士德博士的悲剧》(The Tragical History of the Life and Death of Dr. Faustus)《马耳他岛的犹太人》(The Jew of Malta )威廉·莎士比亚(William Shakespeare )四大悲剧: Hamlet(哈姆雷特)、Othello(奥瑟罗)、King Lear(李尔王)、Macbeth(麦克白)四大喜剧:A Midsummer Night's Dream《仲夏夜之梦》As you like it《皆大欢喜》Twelfth Night 《第十二夜》The merchant of Venice 《威尼斯商人》三、17世纪文学约翰·弥尔顿John Milton 《失乐园》(Paradise Lost)(诗人、政论家;失明后写《失乐园》、《复乐园》、《力士参孙》。

英美文学简明教程上册课文翻译

英美文学简明教程上册课文翻译

英美文学简明教程上册课文翻译1. England’s inhabitants are Celts. And it is conquered by Romans(罗马),Anglo Saxons (盎格鲁撒克逊人)and Normans (日耳曼). The Anglo-Saxons brought the Germanic language and culture to England,while Normans brought the Mediterranean civilization(地中海文明) , including Greek culture(古希腊文化),Rome law(罗马法律)and the Christian religion(基督教). It is the cultural influence of these two conquests that provided the source for the rise and growth of English literature.2. The old English literature(古英语文学)extends from about 450 to 1066,the year of the Norman conquest of England.3. The old English poetry(古英语诗) that has survived can be divided into two groups: The religious group and the secular one(宗教类和世俗类).4. Beowulf(贝尔武夫): a typical example of 0ld English poetry is regarded as the national epic(民族史诗) of the Anglo-Saxons. It is an example of the mingling of nature myths and heroic legends.翻译:1.英格兰的居民是凯尔特人。

《文学翻译实践》练习2:Three

《文学翻译实践》练习2:Three

《⽂学翻译实践》练习2:Three Peach Stones(学⽣作业)Here comes your translations for "Three Peach Stones". Enjoy your critical reading. Any comment is warmly welcome. Stanford2010-4-8翻译练习2:英语071 张梦霞 07406100122三颗桃核幸福与简单是紧密相关的。

幸福是⼀种能从最简单的事物中汲取快乐的能⼒。

⽐如说,从桃核中得到幸福。

很明显,简单与成功毫不相关。

就拿亨利.斯图尔特公爵来说,他绝对是很成功的⼈。

⼆⼗多年前,他从伦敦来到我们这个⼩村庄,在此买了⼏间⽼房⼦,打通后成为了⼀座⼤房⼦,⽤作度周末的寓所。

他是个律师,村⾥⼈带着近乎⽗辈般的的⾃豪感,关注着他辉煌的事业。

我记得⼤约是⼗年之前,他被任命为王室的律师顾问。

阿莫斯和我看见他从伦敦开来的⽕车上⾛下来,便上前向他祝贺。

我们俩都笑得合不拢嘴,⽽他却愁眉苦脸,像是被判了刑⼀般。

他被封爵的时候,还是那副表情,脸上看不出⼀丝笑意。

他甚⾄不屑去“蓝狐狸”请⼤家喝⼀杯庆祝⼀下。

他对待成功就如同⼩孩服药⼀般。

⾃他退休后,就在他的花园⾥消磨时光。

此后不久的⼀天,我问他,⼀个⼈实现了所有抱负后是什么滋味。

他看着他的玫瑰,继续给它们浇⽔,过了⼀会说:“实现了抱负的唯⼀价值就是你会意识到它们并不值得去追求。

” 我想起了这件事,昨天我经过他家的时候,恰好把车停在了他的园墙外。

当时我停车只是为了给⼀辆公共汽车让路。

当我坐在车上装烟⽃时,突然从墙内传来欣喜若狂的呼喊声。

我⾛过去,向墙内张望。

只见亨利爵⼠⼿舞⾜蹈,就像是在跳部落出征舞。

当他发现我带着诧异的表情向墙内张望时,并没有⽓恼,也没显出难为情的样⼦,反⽽喊着让我翻墙过去。

“过来看看,快过来看看呀!我成功了,我终于成功了!”他站在那⾥,⼿上捧着⼀个装着泥⼟的⼩盒⼦。

(完整版)《英美文学》练习题库及答案

(完整版)《英美文学》练习题库及答案

(完整版)《英美文学》练习题库及答案I Of the four alternative answer, choose the one that would best complete the statement:1. Benjamin Franklin was born in the family of a small ___________ .A. LandlordB. merchantC. lawyerD. clergyman2. Ralph Waldo Emerson 'asdilneg reputation began with the publication of ___________ .A. EssaysB. NatureC. OversoulD. Self-Relience3. Ellen Poe was both a poet and a ____________________ .A. dramatistB. essayist C actor D. fiction writer.4. Nathaniel Hawthorne ' s view of man and human history originates in __________________ .A. PuritanismB. SocialismC. TranscendentalismD. naturalism5. Walt Whitman was born and brought up in a family of a _____________ .A. PeasantB. carpenterC. captainD. printer6. Mark Twain ' s first successful literary work is _____________________________ .A. The Celebrated Jumping Frog of Calaveras CountyB. Life on the MississippiC. The Adventure of Tom SawyerD. The Adventures of Huckleberry Finn7. Closely related to Emily Dickinson ' s religious poetry are her poems concerning ________________A. ChildhoodB.youth and happinessC. lonelinessD. death and immortality8. Among the works of Dreiser, the bet known to the Chinese readers is _______________ .A. An American TragedyB. Sister CarrieC. Th FinancierD. The Titan9. Robert Frost ' s works mainly focus on the landscape and people in ___________________ .A. the WestB. American SouthC. New EnglandD. Mississippi10. Most of the plays Eugene O l w 'roNt e ilare ______________________ .A. comediesB. . romancesC. historical plays D tragedies11. Scott Fitzgerald is often acclaimed literary spokesman of the ____________________ .A. modern timeB. young AmericansC. Jazz AgeD. Guilded Age12. ____________________________ is Hemingway ' smasterpiece, which is about the old fishermanSantiago and his losing battle with a giant marlin.A. Farewell to ArmsB. For whom the Bell TollsC. The Sun Also RisesD. The Old Man and The Sea13. As a great fiction writer, William Faulker devotes most of his works to the description of the life and the people in the _______________________________ .A. American WestB. New England in AmericaC. American SouthD. American North14. When he was young, Benjamin Franklin became an apprentice in a ________________ .A. printing houseB. storeC. Tailor ' s shopD. factory15. Ralph Emerson was born in a family of a ___________________ .A. merchantB. businessmanC. clergymanD. writer16. Ellen Poe began his literary career by writing _________________ ;A. short storiesB. playsC. essaysD. poems17. According to Nathaniel Hawthorne, there is ________ in every hearer, which may remain latent, perhaps,英美文学》练习测试题库及答案本科through the whole life; but circumstances may rouse it to activity.A. evilB. virtueC. kindn essD. tragedy18. Whitman is radically innovative in term of form of his poetry. What he prefers for his new subjects and new feeli ngs is ____________ .A. bla nk verseB. free verseC. heroic coupletD. sonnet19. Mark Twain shaped the world ' s view of America and made a comb in ati on of serious literature and _______A. America n folk humorB. En glish folkloreC. America n traditi onal valuesD. funny jokes20. Altogether, Emily Dick inson wrote ____ poems, of which only sever n had appeared duri ng her lifetime.A. 1145B. 1775C. 897D. 78521. Theodore Dreiser is gen erally ack no wledged as one of America' s literaryA. realistsB. n aturalistsC. roma ntistsD. modernists 22. In Frost ' s poems, images and metaphors in his poems are drawn from ___________________A. the simple country lifeB. the urba n lifeC. the life on the seaD. the adve ntures and trips23. Scott Fitzgerald never spared an intimate touch in his fiction to deal with the bankruptcy of the24. Eugene O ' Neill is regarded as the founder of American _____________________ .A. poetryB. dramaC. ficti onD. literature25. _________________ is Hemingway ' s masterpiece, which tellsa story about the tragic love of a woundecAmerican soldier with a British nurse.C. For Whom the Bell Tolls 26. William Faulk ner was born ina family of a ______________________ .A. mercha ntB. colonelC. man agerD. doctor27. In his essays, ______ p ut forward his philosophy of the over soul, the importa nt of the In dividual and Nature.A. Natha niel HawthorneB. Washi ngton IrvingC. Mark Twai nD. Ralph Waldo Emers on28. The chief spokesma n of New En gla nd Transcenden talism is _______A. Natha niel HawthorneB. Ralph Waldo Emers onC. Henry David ThoreauD. Wash ington Irvi ng29. _____ l iterary world turns out to be a most disturbed, tormented and problematical one, which has much to do with his black” vision of life and human beings.A. Herma n Melville'sB. Washi ngton Irvi ng'sC. Nathaniel Hawthorne'sD. Walt Whitman s30. Most of the poems in ____ sing of the en-masse and the self as well.A. Leaves of GrassB. Drum TapsC. North of Bost onD. The Can tos31. In ____ , Whitma n airs his sorrow at Preside nt Lin colnsdeath.A. Cavalry Crossing a FordB. A Pact ”C. When Lilacs Last in the Dooryard Bloom 'dD. There was a Child Went Forth ”A. America n DreamB. ruli ng classes B. America n Capitalists D.America n bourgeoisieA. A Farewell to ArmsB. The Sun Also RisesD. In Our Time32.In ___ , Whitman's own early experience may well be identified with the childhood of a young growingAmerica.A. “A Pact”B. “Song of Myself ”C. “There was a Child Went Forth”D. “Cavalry Crossing a Ford”33.In _____ , Hawthorne sets out to prove that everyone possesses some evil secret.A. “The Custom-House”B. “Young Goodman Brown”C. “Rappaccini's Daughter”D. “The Birthmark"34. _____ is called by Hemingway the one from which“all modern American literature c omes”.A. The adventures of Huckleberry FinnB. The Adventures of Tom aSwyerC. The Gilded AgeD. Life on the Mississippi35. Theodore Dreiser's forgiving treatment of the career of his heroine in ____ also draws heavily upon thenaturalistic understanding of sexuality.A McTeague B. An American Tragedy C. Sister Carri e D. The Genius36. _____ is a great giant of American, whom H.L.Mencken considers “the true father of our nationalliterature.”A. Henry JamesB. Washington IrvingC. Mark TwainD. Theodore Dreiser37. _____ is usually regarded as a classic book written for boys about their particular horrors and joys.A. The Adventures of Tom SawyerB. The Adventures of Huckleberry FinnC. Innocents AbroadD. Life on the Mississippi38. _____ is described by Mark Twain as a boy with“a sound heart and a deformed conscienc”e.A. Tom SawyerB. Huckleberry FinnC. JimD.Tony39. _______ is considered to be Theodore Dreise'sr greatest work.A. An American TragedyB. Sister CarrieC. The FinancierD. The Titan40. The leading playwright of the modern period in American literature, if not the most successful in all hisexperiments, is ______A. Arthur MillerB. Tennessee WilliamC. George Bernard ShawD. Eugene O'Neil41. The well- known soliloquy by Hamlet “ T o be , or not to be ' shows hisA. hatred for his uncleB. love for lifeC. resolution of revengeD. inner- strife42. _______ is a play that concerns the problem of modern ma'sn identity.A. The Hairy ApeB. Long Day's Journey Into NightC. The Iceman ComethD. The Emperor Jones43.In a tragic sense, ______ is a representation of life as a struggle against unconquerable forces in whichonly a partial victory is possible.A. For Whom the Bell TollsB. In Our TimeC. The Old Man and the SeaD. A Farewell to Arms44. Faulkner once said that _________ is a story of “ lost innocence,'which proves itself to be andintensification of the theme of imprisonment in the past.A. The Sound and the FuryB. Light in AugustC. Go Down, MosesD. Absalom, Absalom! 45.In A Rose for Emily, Faulkner makes best use of the __________________________ devices in narration.A. RomanticB. RealisticC. GothicD. Modernist46. _____ is Hemingway's first true novel in which he depictsa vivid portrait of “The lost Generation.”A. The Sun Also RisesB. A Farewell to ArmsC. In Our TimeD. For Whom the Bell Tolls47. The only dramatist ever to win a Nobel Prize was _________ .A. Bernard ShawB. Eugene O'NeilC. Richard Brinsley SheridanD. William Shakespeare48. __________________________ By means of “free verse,” believes that he has turned the poem into anopen field, an area of vitalpossibility where the reader can allow his own imagination to play.A. Emily DickinsonB. Walt WhitmanC. Robert FrostD. Ezra Pound49. An eccentric woman who refuses to accept the passageoftime, or the inevitable change and loss thataccompanies it may probably refer to ______ .A. Irene in The Man of PropertyB. Emily in A Rose for EmilyC. Catherine in Wuthering HeightsD. the widow Douglas in Adventures of Huckleberry Finn50. One source of evil that Nathaniel Hawthorne is concerned most is overreaching intellect. Which of the following stories is one of this kind?A. Rappaccini's DaughterB. Young Goodman BrownC. The Minister's Black VeilD. The Birthmark51. “In your rocking-chair, by your window, shall you dream such happiness as you may never feel. ”This is the last sentence of __________ .A. Sister CarrieB. An American TragedyC. The GeniusD. Jane Eyre 52.In Walt Whitman's “There was a Child Went Forth”, the child refers to _________________________________________ .A. the poet himself as a childB. any American childC. the young AmericaD. one of the poet's neighbor53. The ______ techniques are used in some of Eugene O'Neil 's plays to highlight the theatrical effect of therupture between the two sides of an individual human being, the private and the public.A. naturalisticB. expressionisticC. stream-of-consciousnessD. metaphysical54. Which of the following is true as far as Emily Dickinson 's poetry is concerned? A. She seldom uses dashes.B. All her poems are about death or immorality.C. Her poems are very personal and meditativeD. Her poems usually have well-chosen titles. 55.In his poems, Whitman tends to use ___________________ .A. oral EnglishB. the King 's EnglishC. American EnglishD. old English56. As far as Nathaniel Hawthorne's art is concerned, which of the following statement is true? A. His The Scarlet Letter tells a love story.B. His art is deeply influenced by Puritanism because he was a puritan himself.C. Young Goodman Brownis a story about superstition.D. Ambiguity is one of the salient characteristics of his art.57. “I like to see it lap the Miles—And lick the Valleys up —And stop to feed itself at Tanks—And the n ---- ” (Emily Dick inson, “like to see it lap the Miles—)Here “it” refers to _____ .A. loveB. deathC. a flyD. the train58. Which of the following statements concerning Theodore Dreise'rs style is correct?A. Dreiser'sCowperwood trilogy includes The Financier, The Titan and The GeniusB. His novels have little detail descriptions of characters and events.C. His novels are written in refined language.D. His style is not polished but very serious.59. ____ has long been well known as a poet who can hardly be classified with the old or the new.A. Ezra PoundB. Robert Lee FrostC. T. S. EliotD. Emily Dickinson60. F. Scott Fitzgerald skillfully employs the device of having events observe by ___________ to his greatadvantage.。

英美文学选读诗歌翻译

英美文学选读诗歌翻译

SONNET 18 (William Shakespeare)十四行诗Shall I compare thee to a summer's dayThou art more lovely and more temperate:Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines,An d often is his gold complexion dimm’d,And every fair from fair sometime declines,By chance, or nature's changing course untrimm’d:But thy eternal summer shall not fadeNor lose possession of that fair thou ow’st, Nor shall Death brag thou wander’st in h is shade, When in eternal lines to time thou grow’st. So long as men can breathe or eyes can see,So long lives this, and this gives life to thee.我怎么能够将你比作夏天你比夏天更美丽温婉。

狂风将五月的蓓蕾凋残,夏日的勾留何其短暂。

休恋那烈日当空,转眼会云雾迷蒙;休叹那百花凋零,摧折于无常天命;唯有你永恒的夏日长新,你的美貌亦毫发无损。

死神也无缘将你幽禁,你在我永恒的诗中长存。

只要世间尚有人吟诵我的诗篇,这诗就将不朽,永葆你的芳颜。

Structure: Runs in iambic pentameter, rhymed ABAB CDCD EFEF GG.1. What is the theme of this sonnet Eternality, beauty, immorality2. Why is the speaker’s beloved more lovely than a summer’s dayOne thing he is thinking of is how short lived summer is. Another reason he says his love is more beautiful than a summer day is that the summer whether can be harsh, making nature look less beautiful than it does otherwise.3.There is obviously a shift of tone and subject matter in line 9. Describe such a shift.The author compared the loved one, just in a soft and sentimental tone similar to many love sonnets, to a summer’s day in the first 4 lines, while, in the following 4, developing this concept to the poor power of people falling to retain the fair against Nature. But in line9, the author reversed it in a more emotional and definite tone to express the eternal youth of the loved ones.I Hear America Singing (Walt Whitman) 我听见美国在歌唱(沃尔特·惠特曼)I hear America singing, the varied carols I hear.Those of mechanics, each one singing his as it should be blithe and strong,The carpenter singing his as he measures his plank or beam,The mason singing his as he makes ready for work,or leaves off work,The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck, The shoemaker singing as he sits on his bench, the hatter singing as he stands,The wood-cutter's song, the ploughboy's on his way in the morning, or at noon intermission or at sundown,The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing, Each singing what belongs to him or her and to none else,The day what belongs to the day--at night the party of young fellows, robust, friendly, Singing with open mouths their strong melodious songs.我听见美国在歌唱,我听见各种不同的颂歌机器匠在歌唱着,他们每人歌唱着他的愉快而强健的歌,木匠在歌唱着,一边比量着他的木板或梁木,泥瓦匠在歌唱着,当他准备工作或停止工作的时候,船家歌唱着他船里所有的一切,水手在汽艇的甲板上歌唱着,鞋匠坐在他的工作凳上歌唱,帽匠歌唱着,站在那里工作,伐木者、犁田青年们歌唱着,当他们每天早晨走在路上,或者午间歇息,或到了日落的时候,我更听到母亲的美妙的歌,正在操作的年轻的妻子们的或缝衣或洗衣的女孩子们的歌,每人歌唱属于他或她而不是属于任何别人的一切,白昼歌唱白昼所有的,晚间,强壮而友爱的青年们的集会,张嘴唱着他们的强健而和谐的歌。

英美文学选读英国文学3单元诗歌翻译

英美文学选读英国文学3单元诗歌翻译

英美文学选读英国文学3单元诗歌翻译A Song : Men of England给英格兰人的歌By Percy Bysshe Shelley雪莱Men of England, wherefore ploughFor the lords who lay yelow? Wherefore weave with toil and careThe rich robes your tyrants wear?英格兰的人们,凭什么要给蹂躏你们的老爷们耕田种地?凭什么要辛勤劳动纺织不息用锦绣去打扮暴君们的身体?Wherefore feed and clothe and save From the cradle to the graveThose ungrateful drones who would Drain your sweat-nay, drink your blood? 凭什么,要从摇篮直到坟墓,用衣食去供养,用生命去保卫那一群忘恩负义的寄生虫类,他们在榨你们的汗,喝你们的血?Wherefore ,Bees of England, forge Many a weapan, chain, and scourage, That these stingless drones may spoil The forced produce of your toil?凭什么,英格兰的工蜂,要制作那么多的武器,锁链和刑具,使不能自卫的寄生雄蜂竟能掠夺用你们强制劳动创造的财富?Have ye leisure, comfort ,calm,Shelter ,food, love's gentle balm?Or what is it ye buy so dearWith your pain and with your fear?你们是有了舒适,安宁和闲暇,还是有了粮食,家园和爱的慰抚?否则,付出了这样昂贵的代价,担惊受怕忍痛吃苦又换来了什么?The seed ye sow, another reaps;The wealth ye find, another keeps;The robes ye weave, another wears;The arms ye forge, another bears.你们播下了种子,别人来收割;你们找到了财富,归别人占有;你们织布成衣,穿在别人身上;你们锻造武器,握在别人的手。

英美文学名词中英互译2

英美文学名词中英互译2

2. Alliteration:The repetition of the initial consonant sounds in poetry..10. Anapest抑抑扬: It’s made up of two unstressed and one stressed syllables, with the two unstressed ones in front.12 Antithesis:(a figure of speech) The balancing of two contrasting ideas, words phrases, or sentences. An antithesis is often expressed in a balanced sentence, that is, a sentence in which identical or similar grammatical structure is used to express contrasting ideas.17.Assonance(半韵, 半谐音元音相同而辅音不同的韵, 如late与make): The repetition of similar vowel sounds, especially in poetry. Assonance is often employed to please the ear or emphasize certain sounds.19. Autobiography(自传;自传文学): A person’s account of his or her own life. An autobiography is generally written in narrative form and includes some introspection.21.Ballad stanza (民谣体诗节): A type of four-line stanza. The first and third lines have four stressed words or syllables; the second and fourth lines have three stresses. Ballad meter is usually iambic. The number of unstressed syllables in each line may vary. The second and fourth lines rhyme.29.Classicism(古典主义): A movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionallyopposed to Romanticism, whichis concerned with emotions andpersonal themes.32. Conceit(奇喻,妙喻): A kind of metaphorthat makes a comparison betweentwo startlingly different things. Aconceit may be a brief metaphor,but it usually provides theframework for an entire poem. Anespecially unusual and intellectualkind of conceit is themetaphysical conceit.35.Consonance: The repetition ofsimilar consonant sounds in themiddle or at the end of words.36.Couplet(双行体、双偶体): Twoconsecutive([kən'sekjutiv] 连续不断的;连贯的)lines of poetrythat rhyme. A heroic couplet is aniambic pentameter couplet.37Critical Realism:The criticalrealism of the 19th centuryflourished in the fouties and in thebeginning of fifties. The realistsfirst and foremost set themselvesthe task of criticizing capitalistsociety from a democraticviewpoint and delineated thecrying contradictions of bourgeoisreality. But they did not find away to eradicate(根除,根绝;消灭)social evils.42. Diction(措词): A writer’s choice of words,particularly for clarity,effectiveness, and precision.47.Enlightenment(启蒙主义):With the advent of the 18thcentury, in England, as in otherEuropean countries, there spranginto life a public movementknown as the Enlightenment. TheEnlightenment on the whole, wasan expression of struggle of thethen progressive class ofbourgeois against feudalism. Theinequality, stagnation, prejudicesand other survivals of feudalism.The attempt to place all branchesof science at the service ofmankind by connecting them withthe actual deeds and requirementsof the people.48Epic(史诗): Along narrative poem telling aboutthe deeds of a great hero andreflecting the values of the societyfrom which it originated. Manyepics were drawn from an oraltradition and were transmitted bysong and recitation before theywere written down.65.Foot(音步): It is a rhythmic unit, aspecific combination of stressedand unstressed syllables.67.FreeVerse(自由诗:不受格律约束的): V erse that has either nometrical pattern or an irregularpattern.69. Iamb(抑扬格): It isthe most commonly used foot inEnglish poetry, in which anunstressed syllable comes first,followed by a stressed syllable.70.Iambic pentameter(抑扬格五音步): A poetic line consisting offive verse feet, with each foot aniamb—that is, an unstressedsyllable followed by a stressedsyllable. Iambic pentameter is themost common verse line inEnglish poetry.71. Image(意象):We usually think with words,many of our thoughts come to usas pictures or imagined sensationsin our mind. Such imaginedpictures or sensations are calledimages.73.Imagism(意象派:1912年前后源于英美,主张主题和形式摆脱因袭之风): It’s apoetic movement of England andthe U.S. flourished from 1909 to1917.The movement insists on thecreation of images in poetry by“the direct treatment of the thing” and the economy of wording. The leaders of this movement were Ezra Pound and Amy Lowell. Lost Generation(迷惘的一代): This term has been used again and again to describe the people of the postwar years. It describes the Americans who remained in Paris as a colony of “expatriates” or exiles. It describes the writers like Hemingway who lived in semi poverty. It describes the Americans who returned to their native land with an intense awareness of living in an unfamiliar changing world. The young English and American expatriates, men and women, were caught in the war and cut off from the old values and yet unable to come to terms with the new era when civilization had gone mad. They wandered pointlessly and restlessly, enjoying things like fishing, swimming, bullfight and beauties of nature, but they were aware all the while that the world is crazy and meaningless and futile. Their whole life is undercut and defeated.Meter(韵律): A generally regular pattern of stressed and unstressed syllables in poetry.Metonymy: A figure of speech in which something very closely associated with a thing is used to stand for or suggest the thing itself.Myth:A story, often about immortals and sometimes connected with religious rituals, that is intended to give meaning to the mysteries of the world. Myths make it possible for people to understand and deal with things that they cannot control and often cannot see. A body of relatedmyths that is accepted by a peopleis known as its mythology. Amythology tells a people what itis most concerned about.Narrative poem(叙事诗):Apoem that tells a story. One kindof narrative poem is the epic, along poem that sets forth theheroic ideals of a particularsociety.Onomatopoeia:The useof a word whose sound in somedegree imitates or suggests itsmeaning.Oxymoron:a figure ofspeech that combines opposite orcontradictory ideas or terms. Anoxymoron suggests a paradox, butit does so very briefly, usually intwo or three words.Paradox: Astatement that reveals a kind oftruth, although it seems at first tobe self-contradictory anduntrue.Parallelism:(a figure ofspeech) The use of phrases,clauses, or sentences that aresimilar or complementary instructure or in meaning.Parallelism is a form ofrepetition.Poetry: The mostdistinctive characteristic of poetryis form and music. Poetry isconcerned with not only what issaid but how it is said. Poetryevokes emotions rather thanexpress facts. Poetry meanshaving a poetic experience.Imagination is also an essentialquality of poetry. Poetry oftenleads us to new perceptions, newfeelings and experiences of whichwe have not previously beenaware.Psychological Realism(心理现实主义): It is the realisticwriting that probes deeply into thecomplexities of characters’thoughts and motivations. HenryJames is considered the founderof psychological realism. Hisnovel The Ambassadors isconsidered to be a masterpiece ofpsychological realism.Realism(现实主义): The attempt inliterature and art to represent lifeas it really is, withoutsentimentalizing or idealizing it.Realistic writing often depicts theeveryday life and speech ofordinary people. This has led,sometimes, to an emphasis onsordid details.Rhythm(节奏;韵律): It is one of the three basicelements of traditional poetry. It isthe arrangement of stressed andunstressed syllables into a pattern.Rhythm often gives a poem adistinct musical quality. Poetsalso use rhythm to echomeaning.Sonnet(十四行诗;商籁体): A fourteen-line lyric poem,usually written in rhymed iambicpentameter. A sonnet generallyexpresses a single theme oridea.Stanza(诗节): It’s astructural division of a poem,consisting of a series of verselines which usually comprise arecurring pattern of meter andthyme.2. Alliteration:The repetition of the initial consonant sounds in poetry..10. Anapest抑抑扬: It’s made up of two unstressed and one stressed syllables, with the two unstressed ones in front.12 Antithesis:(a figure of speech) The balancing of two contrasting ideas, words phrases, or sentences. An antithesis is often expressed in a balanced sentence, that is, a sentence in which identical or similar grammatical structure is used to express contrasting ideas.17.Assonance(半韵, 半谐音元音相同而辅音不同的韵, 如late与make): The repetition of similar vowel sounds, especially in poetry. Assonance is often employed to please the ear or emphasize certain sounds.19. Autobiography(自传;自传文学): A person’s account of his or her own life. An autobiography is generally written in narrative form and includes some introspection.21.Ballad stanza (民谣体诗节): A type of four-line stanza. The first and third lines have four stressed words or syllables; the second and fourth lines have three stresses. Ballad meter is usually iambic. The number of unstressed syllables in each line may vary. The second and fourth lines rhyme.29.Classicism(古典主义): A movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.32. Conceit(奇喻,妙喻): A kind of metaphor that makes a comparison between two startlingly different things. A conceit may be a brief metaphor, but it usually provides the framework for an entire poem. An especially unusual and intellectual kind of conceit is the metaphysical conceit.35. Consonance: The repetition of similar consonant sounds in the middle or at the end of words.36. Couplet(双行体、双偶体): Two consecutive([kən'sekjutiv] 连续不断的;连贯的)lines of poetry that rhyme. A heroic couplet is an iambic pentameter couplet.37 Critical Realism:The critical realism of the 19th century flourished in the fouties and in the beginning of fifties. The realists first and foremost set themselves the task of criticizing capitalist society from a democratic viewpoint and delineated the crying contradictions of bourgeois reality. But they did not find a way to eradicate(根除,根绝;消灭)social evils.42. Diction(措词): A writer’s choice of words, particularly for clarity, effectiveness, and precision.47. Enlightenment(启蒙主义): With the advent of the 18th century, in England, as in other European countries, there sprang into life a public movement known as the Enlightenment. The Enlightenment on the whole, was an expression of struggle of the then progressive class ofbourgeois against feudalism. The inequality, stagnation, prejudices and other survivals of feudalism. The attempt to place all branches of science at the service of mankind by connecting them with the actual deeds and requirements of the people.48Epic(史诗): A long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated. Many epics were drawn from an oral tradition and were transmitted by song and recitation before they were written down.65.Foot(音步): It is a rhythmic unit, a specific combination of stressed and unstressed syllables.67.Free Verse(自由诗:不受格律约束的): V erse that has either no metrical pattern or an irregular pattern.69. Iamb(抑扬格): It is the most commonly used foot in English poetry, in which an unstressed syllable comes first, followed by a stressed syllable.70. Iambic pentameter(抑扬格五音步): A poetic line consisting of five verse feet, with each foot an iamb—that is, an unstressed syllable followed by a stressed syllable. Iambic pentameter is the most common verse line in English poetry.71. Image(意象): We usually think with words, many of our thoughts come to us as pictures or imagined sensations in our mind. Such imagined pictures or sensations are called images.73.Imagism(意象派:1912年前后源于英美,主张主题和形式摆脱因袭之风): It’s a poetic movement of England and the U.S. flourished from 1909 to 1917.The movement insists on the creation of images in poetry by“the direct treatment of the thing”and the economy of wording. Theleaders of this movement wereEzra Pound and Amy Lowell.Lost Generation(迷惘的一代):This term has been used againand again to describe the peopleof the postwar years. It describesthe Americans who remained inParis as a colony of “expatriates”or exiles. It describes the writerslike Hemingway who lived insemi poverty. It describes theAmericans who returned to theirnative land with an intenseawareness of living in anunfamiliar changing world. Theyoung English and Americanexpatriates, men and women,were caught in the war and cut offfrom the old values and yetunable to come to terms with thenew era when civilization hadgone mad. They wanderedpointlessly and restlessly,enjoying things like fishing,swimming, bullfight and beautiesof nature, but they were aware allthe while that the world is crazyand meaningless and futile. Theirwhole life is undercut anddefeated.Meter(韵律): Agenerally regular pattern ofstressed and unstressed syllablesin poetry.Metonymy: A figure ofspeech in which something veryclosely associated with a thing isused to stand for or suggest thething itself.Myth:A story, oftenabout immortals and sometimesconnected with religious rituals,that is intended to give meaningto the mysteries of the world.Myths make it possible for peopleto understand and deal with thingsthat they cannot control and oftencannot see. A body of relatedmyths that is accepted by a peopleis known as its mythology. Amythology tells a people what itis most concerned about.Narrative poem(叙事诗):Apoem that tells a story. One kindof narrative poem is the epic, along poem that sets forth theheroic ideals of a particularsociety.Onomatopoeia:The useof a word whose sound in somedegree imitates or suggests itsmeaning.Oxymoron:a figure ofspeech that combines opposite orcontradictory ideas or terms. Anoxymoron suggests a paradox, butit does so very briefly, usually intwo or three words.Paradox: Astatement that reveals a kind oftruth, although it seems at first tobe self-contradictory anduntrue.Parallelism:(a figure ofspeech) The use of phrases,clauses, or sentences that aresimilar or complementary instructure or in meaning.Parallelism is a form ofrepetition.Poetry: The mostdistinctive characteristic of poetryis form and music. Poetry isconcerned with not only what issaid but how it is said. Poetryevokes emotions rather thanexpress facts. Poetry meanshaving a poetic experience.Imagination is also an essentialquality of poetry. Poetry oftenleads us to new perceptions, newfeelings and experiences of whichwe have not previously beenaware.Psychological Realism(心理现实主义): It is the realisticwriting that probes deeply into thecomplexities of characters’thoughts and motivations. Henry James is considered the founderof psychological realism. His novel The Ambassadors is considered to be a masterpiece of psychological realism.Realism (现实主义): The attempt in literature and art to represent life as it really is, without sentimentalizing or idealizing it. Realistic writing often depicts the everyday life and speech of ordinary people. This has led, sometimes, to an emphasis on sordid details.Rhythm(节奏;韵律): It is one of the three basic elements of traditional poetry. It is the arrangement of stressed and unstressed syllables into a pattern. Rhythm often gives a poem a distinct musical quality. Poets also use rhythm to echo meaning.Sonnet(十四行诗;商籁体): A fourteen-line lyric poem, usually written in rhymed iambic pentameter. A sonnet generally expresses a single theme or idea.Stanza(诗节): It’s a structural division of a poem, consisting of a series of verse lines which usually comprise a recurring pattern of meter and thyme.2. Alliteration:The repetition of the initial consonant sounds in poetry..10. Anapest抑抑扬: It’s made up of two unstressed and one stressed syllables, with the two unstressed ones in front.12 Antithesis:(a figure of speech) The balancing of two contrasting ideas, words phrases, or sentences. An antithesis is often expressed in a balanced sentence, that is, a sentence in which identical or similar grammatical structure is used to express contrasting ideas.17.Assonance(半韵, 半谐音元音相同而辅音不同的韵, 如late与make): The repetition of similar vowel sounds, especially in poetry. Assonance is often employed to please the ear or emphasize certain sounds.19. Autobiography(自传;自传文学): A person’s account of his or her own life. An autobiography is generally written in narrative form and includes some introspection.21.Ballad stanza (民谣体诗节): A type of four-line stanza. The first and third lines have four stressed words or syllables; the second and fourth lines have three stresses. Ballad meter is usually iambic. The number of unstressed syllables in each line may vary. The second and fourth lines rhyme.29.Classicism(古典主义): A movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity,balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.32. Conceit(奇喻,妙喻): A kind of metaphor that makes a comparison between two startlingly different things. A conceit may be a brief metaphor, but it usually provides the framework for an entire poem. An especially unusual and intellectual kind of conceit is the metaphysical conceit.35. Consonance: The repetition of similar consonant sounds in the middle or at the end of words.36. Couplet(双行体、双偶体): Two consecutive([kən'sekjutiv] 连续不断的;连贯的)lines of poetry that rhyme. A heroic couplet is an iambic pentameter couplet.37 Critical Realism:The critical realism of the 19th century flourished in the fouties and in the beginning of fifties. The realists first and foremost set themselves the task of criticizing capitalist society from a democratic viewpoint and delineated the crying contradictions of bourgeois reality. But they did not find a way to eradicate(根除,根绝;消灭)social evils.42. Diction(措词): A writer’s choice of words, particularly for clarity, effectiveness, and precision.47. Enlightenment(启蒙主义): With the advent of the 18th century, in England, as in other European countries, there sprang into life a public movement known as the Enlightenment. The Enlightenment on the whole, was an expression of struggle of the then progressive class ofbourgeois against feudalism. Theinequality, stagnation, prejudicesand other survivals of feudalism.The attempt to place all branchesof science at the service ofmankind by connecting them withthe actual deeds and requirementsof the people.48Epic(史诗): Along narrative poem telling aboutthe deeds of a great hero andreflecting the values of the societyfrom which it originated. Manyepics were drawn from an oraltradition and were transmitted bysong and recitation before theywere written down.65.Foot(音步): It is a rhythmic unit, aspecific combination of stressedand unstressed syllables.67.FreeVerse(自由诗:不受格律约束的): V erse that has either nometrical pattern or an irregularpattern.69. Iamb(抑扬格): It isthe most commonly used foot inEnglish poetry, in which anunstressed syllable comes first,followed by a stressed syllable.70.Iambic pentameter(抑扬格五音步): A poetic line consisting offive verse feet, with each foot aniamb—that is, an unstressedsyllable followed by a stressedsyllable. Iambic pentameter is themost common verse line inEnglish poetry.71. Image(意象):We usually think with words,many of our thoughts come to usas pictures or imagined sensationsin our mind. Such imaginedpictures or sensations are calledimages.73.Imagism(意象派:1912年前后源于英美,主张主题和形式摆脱因袭之风): It’s apoetic movement of England andthe U.S. flourished from 1909 to1917.The movement insists on thecreation of images in poetry by“the direct treatment of the thing”and the economy of wording. Theleaders of this movement wereEzra Pound and Amy Lowell.Lost Generation(迷惘的一代):This term has been used againand again to describe the peopleof the postwar years. It describesthe Americans who remained inParis as a colony of “expatriates”or exiles. It describes the writerslike Hemingway who lived insemi poverty. It describes theAmericans who returned to theirnative land with an intenseawareness of living in anunfamiliar changing world. Theyoung English and Americanexpatriates, men and women,were caught in the war and cut offfrom the old values and yetunable to come to terms with thenew era when civilization hadgone mad. They wanderedpointlessly and restlessly,enjoying things like fishing,swimming, bullfight and beautiesof nature, but they were aware allthe while that the world is crazyand meaningless and futile. Theirwhole life is undercut anddefeated.Meter(韵律): Agenerally regular pattern ofstressed and unstressed syllablesin poetry.Metonymy: A figure ofspeech in which something veryclosely associated with a thing isused to stand for or suggest thething itself.Myth:A story, oftenabout immortals and sometimesconnected with religious rituals,that is intended to give meaningto the mysteries of the world.Myths make it possible for peopleto understand and deal with things that they cannot control and often cannot see. A body of related myths that is accepted by a people is known as its mythology. A mythology tells a people what it is most concerned about. Narrative poem(叙事诗):A poem that tells a story. One kind of narrative poem is the epic, a long poem that sets forth the heroic ideals of a particular society.Onomatopoeia:The use of a word whose sound in some degree imitates or suggests its meaning.Oxymoron:a figure of speech that combines opposite or contradictory ideas or terms. An oxymoron suggests a paradox, but it does so very briefly, usually in two or three words.Paradox: A statement that reveals a kind of truth, although it seems at first to be self-contradictory and untrue.Parallelism:(a figure of speech) The use of phrases, clauses, or sentences that are similar or complementary in structure or in meaning. Parallelism is a form of repetition.Poetry: The most distinctive characteristic of poetry is form and music. Poetry is concerned with not only what is said but how it is said. Poetry evokes emotions rather than express facts. Poetry means having a poetic experience. Imagination is also an essential quality of poetry. Poetry often leads us to new perceptions, new feelings and experiences of which we have not previously been aware.Psychological Realism(心理现实主义): It is the realistic writing that probes deeply into the complexities of characters’ thoughts and motivations. Henry James is considered the founder of psychological realism. His novel The Ambassadors is considered to be a masterpiece of psychological realism.Realism (现实主义): The attempt in literature and art to represent life as it really is, without sentimentalizing or idealizing it. Realistic writing often depicts the everyday life and speech of ordinary people. This has led, sometimes, to an emphasis on sordid details.Rhythm(节奏;韵律): It is one of the three basic elements of traditional poetry. It is the arrangement of stressed and unstressed syllables into a pattern. Rhythm often gives a poem a distinct musical quality. Poets also use rhythm to echo meaning.Sonnet(十四行诗;商籁体): A fourteen-line lyric poem, usually written in rhymed iambic pentameter. A sonnet generally expresses a single theme or idea.Stanza(诗节): It’s a structural division of a poem, consisting of a series of verse lines which usually comprise a recurring pattern of meter and thyme.。

英美文学选读英国部分第五章现代时期

英美文学选读英国部分第五章现代时期

英美文学选读中文翻译及重点习题答案英国文学(AMERICAN LITERATURE)第五章现代时期(The Modern Period)一、背景知识(Background knowledge)1、历史背景(Historical background)(1)一般认为第一次世界大战是英国历史的分水岭,因为这场战争给英国社会的各个领域带来了急剧的变化。

暴风骤雨般的第一次世界大战极大地削弱了大英帝国,使英国有史以来第一次成为债务国,伦敦失去了其世界金融中心的地位。

战后经济的混乱和精神的幻灭对英国人民产生了深远的影响,他们开始认清资本主义普遍存在的罪恶。

(2)第二次世界大战标志着大英帝国的最终瓦解,在这场战争中英国损失惨重。

更糟的是随着战争的结束,英国的殖民地掀起了声势浩大的独立运动。

到1970年,英国几乎失去了所有的前殖民地,昔日的“日不落帝国”终于瓦解。

(3)大英帝国的结束极大地削弱了它的实力和对世界的影响,战后英国对其国际地位的改变所作的调整是艰难、痛苦的。

这几乎用了二十年的时间才让大多数英国人真正理解和接受英国不再是世界事务的中心这样一个事实。

然而,英国成功地度过最困难的时期,今天它依然是世界上主要的资本主义国家之一。

2、文化背景(Cultural background)(1)19世纪后半期以及20世纪头几十年,欧洲自然科学和社会科学得到巨大的发展。

在意识形态方面,自然科学的发展产生了各种各样的悲观论和宿命论。

自然主义是这些论点在文学上的一种反映。

达尔文的进化论、爱因斯坦的相对论等等理论在20世纪的头几十年对塑造人们的心理状态产生了极大的影响。

然而,更重要的是弗洛伊德的分析心理学,因为这种心理分析的方法在现实生活中以及在文学中极大地改变了人们对人类本性的看法。

(2)在社会科学领域,马克思和恩格斯提出了科学社会主义理论,事实证明这种理论不仅是一种指导原则,而且鼓励着劳动人民为自身的解放而斗争。

同时,唯心主义哲学也蓬勃兴起,叔本华、尼采、伯格森等名列本时期最著名的人物之中。

英美文学练习试题库及答案

英美文学练习试题库及答案

《英美文学》练习测试题库及答案本科I Of the four alternative answer, choose the one that would best plete the statement:1.Benjamin Franklin was born in the family of a small _____________.A. LandlordB. merchantC. lawyerD. clergyman2.Ralph Waldo Emerson’s leading reputation began with the publication of_____________.A. EssaysB. NatureC. OversoulD. Self-Relience3.Ellen Poe was both a poet and a _____________________.A. dramatistB. essayist C actor D. fiction writer.4.Nathaniel Hawthorne’s view of man and human history originates in __________________.A. PuritanismB. SocialismC. TranscendentalismD. naturalism5.Walt Whitman was born and brought up in a family of a ______________.A. PeasantB. carpenterC. captainD. printer6.Mark Twain’s first successful literary work is _____________________________.A. The Celebrated Jumping Frog of CalaverasCountyB. Life on the MississippiC. The Adventure of Tom SawyerD. The Adventures of Huckleberry Finn7.Closely related to Emily Dickinson’s religious poetry are her poems concerning _______________.A. ChildhoodB.youth and happinessC. lonelinessD. death and immortality8.Among the works of Dreiser, the bet known to the Chinese readers is _________________.A. An American TragedyB. Sister CarrieC. Th FinancierD. The Titan9.Robert Frost’s works mainly focus on the landscape and people in _________________.A. the WestB. American SouthC. New EnglandD. Mississippi10.Most of the plays Eugene O’Neill wrote are _______________________.A. ediesB. . romancesC. historical plays D tragedies11.Scott Fitzgerald is often acclaimed literary spokesman of the ______________________.A. modern timeB. young AmericansC. Jazz AgeD. Guilded Age12._______________________________ is Hemingway’s masterpiece, which is about the old fishermanSantiago and his losing battle with a giant marlin.A. Farewell to ArmsB.For whom the Bell TollsC.The Sun Also RisesD. The Old Man and The Sea13. As a great fiction writer, William Faulker devotes most of his works to the description of the life and the people in the __________________________.A. American WestB. New England in AmericaC. American SouthD. American North14.When he was young, Benjamin Franklin became an apprentice in a __________________.A. printing houseB. storeC. Tailor’s shopD. factory15.Ralph Emerson was born in a family of a _____________________.A. merchantB. businessmanC. clergymanD. writer16.Ellen Poe began his literary career by writing ___________________;A. short storiesB. playsC. essaysD. poems17.According to Nathaniel Hawthorne, there is _________ in every hearer, which may remain latent, perhaps,through the whole life; but circumstances may rouse it to activity.A. evilB. virtueC. kindnessD. tragedy18.Whitman is radically innovative in term of form of his poetry. What he prefers for his new subjects and newfeelings is _____________.A. blank verseB. free verseC. heroic coupletD. sonnet19.Mark Twain shaped the world’s view of America and made a bination of serious literature and _______.A. American folk humorB. English folkloreC. American traditional valuesD. funny jokes20.Altogether, Emily Dickinson wrote ______ poems, of which only severn had appeared during her lifetime.A. 1145B. 1775C. 897D. 78521.Theodore Dreiser is generally acknowledged as one of America’s literary ________________.A. realistsB. naturalistsC. romantistsD. modernists22.In Frost’s poems, images and metaphors in his poems are drawn from _________________.A. the simple country lifeB. the urban lifeC. the life on the seaD. the adventures and trips23.Scott Fitzgerald never spared an intimate touch in his fiction to deal with the bankruptcy of the_______________________________.A. American DreamB. ruling classesB. American Capitalists D.American bourgeoisie24.Eugene O’Neill is regarded as the founder of American _____________________.A. poetryB. dramaC. fictionD. literature25.___________________ is Hemingway’s masterpiece, which tells a story about the tragic love of a woundedAmerican soldier with a British nurse.A. A Farewell to ArmsB.The Sun Also RisesC. For Whom the Bell TollsD. In Our Time26.William Faulkner was born in a family of a _______________________.A. merchantB. colonelC. managerD. doctor27. In his essays, ______ put forward his philosophy of the over soul, the important of the Individual and Nature.A. Nathaniel HawthorneB. WashingtonIrvingC. Mark TwainD. Ralph Waldo Emerson28.The chief spokesman of New England Transcendentalism is __________A. Nathaniel HawthorneB. Ralph Waldo EmersonC. Henry David ThoreauD. WashingtonIrving29.______ literary world turns out to be a most disturbed, tormented and problematical one, which has much todo with his “black” vision of life and human beings.A. Herman Melville’sB. Washington Irving’sC. Nathaniel Hawthorne’sD. Walt Whitman’s30.Most of the poems in _____ sing of the “en-masse” and the self as well.A. Leaves of GrassB. Drum TapsC. North of BostonD. The Cantos31.In _____, Whitman airs his sorrow at President Lincoln’s death.A. “Cavalry Crossing a Ford”B. “A Pact”C. When Lilacs Last in the Dooryard Bloom’dD. There was a Child Went Forth”32.In _____, Whitman’s own early experience may well be identified with the childhood of a young growingAmerica.A. “A Pact”B. “Song of Myself”C. “There was a Child Went Forth”D. “Cavalry Crossing a Ford”33.In ______, Hawthorne sets out to prove that everyone possesses some evil secret.A. “The Custom-House”B. “Young Goodman Brown”C. “Rappaccini’s Daughter”D. “The Birthmark"34.______ is called by Hemingway the one from which “all modern American literature es.”A. The adventures of Huckleberry Fin nB. The Adventures of Tom S awyerC. The Gilded AgeD. Life on the Mississippi35.Theodore Dreiser’s forgiving treatment of the career of his heroine in ______ also draws heavily upon thenaturalistic understanding of sexuality.A McTeague B. An American Tragedy C. Sister Carri e D. The Genius36._______ is a great giant of American, whom H.L.Mencken considers “the true father of our nationalliterature.”A. Henry JamesB. WashingtonIrvingC. Mark TwainD. Theodore Dreiser37._______ is usually regarded as a classic book written for boys about their particular horrors and joys.A. The Adventures of Tom SawyerB. The Adventures of Huckleberry FinnC. Innocents AbroadD. Life on the Mississippi38._______ is described by Mark Twain as a boy with “a sound heart and a deformed conscience.”A. Tom SawyerB. Huckleberry FinnC. JimD.Tony39._________ is considered to be Theodore Dreiser’s greatest work.A. An American TragedyB. Sister CarrieC. The FinancierD. The Titan40.The leading playwright of the modern period in American literature, if not the most successful in all hisexperiments, is _______A. Arthur MillerB. Tennessee WilliamC. George Bernard ShawD. Eugene O’Neil41.The well-known soliloquy by Hamlet “To be , or not to be’ shows hisA.hatred for his uncleB.love for lifeC. resolution of revengeD. inner- strife42.________ is a play that concerns the problem of modern man’s identity.A. The Hairy ApeB. Long Day’s Journey Into NightC. The Iceman ethD. The Emperor Jones43.In a tragic sense, _______ is a representation of life as a struggle against unconquerable forces in which onlya partial victory is possible.A. For Whom the Bell TollsB. In Our TimeC. The Old Man and the SeaD. A Farewell to Arms44.Faulkner once said that ________ is a story of “ lost innocence,’ which proves itself to be and intensificationof the theme of imprisonment in the past.A. The Sound and the FuryB. Light in AugustC. Go Down, MosesD. Absalom, Absalom!45.In A Rose for Emily, Faulkner makes best use of the _______ devices in narration.A. RomanticB. RealisticC. GothicD. Modernist46._______ is Hemingway’s first true novel in which he depicts a vivid portrait of “The lost Generation.”A. The Sun Also RisesB. A Farewell to ArmsC. In Our TimeD. For Whom the Bell Tolls47.The only dramatist ever to win a Nobel Prize was ___________.A. Bernard ShawB. Eugene O’NeilC. Richard Brinsley SheridanD. William Shakespeare48.By means of “free verse,” _______ believes that he has turned the poem into an open field, an area of vitalpossibility where the reader can allow his own imagination to play.A. Emily DickinsonB. Walt WhitmanC. Robert FrostD. Ezra Pound49.An eccentric woman who refuses to accept the passage of time, or the inevitable change and loss thatacpanies it may probably refer to _______.A. Irene in The Man of PropertyB. Emily in A Rose for EmilyC. Catherine in WutheringHeightsD. the widow Douglas in Adventures of Huckleberry Finn50.One source of evil that Nathaniel Hawthorne is concerned most is overreaching intellect. Which of thefollowing stories is one of this kind?A. Rappaccini’s DaughterB. Young Goodman BrownC. The Minister’s Black VeilD. The Birthmark51. “ In your rocking-chair, by your window, shall you dream such happiness as you may never feel.” This is the last sentence of _______ .A. Sister CarrieB. An American TragedyC. The GeniusD. Jane Eyre52.In Walt Whitman’s “There was a Child Went Forth,”the child refers to ________.A. the poet himself as a childB. any American childC. the young AmericaD. one of the poet’s neighbor53.The _______ techniques are used in some of Eugene O’Neil’s plays to highlight the theatrical effect of therupture between the two sides of an individual human being, the private and the public.A. naturalisticB. expressionisticC. stream-of-consciousnessD. metaphysical54.Which of the following is true as far as Emily Dickinson’s poetry is concerned?A. She seldom uses dashes.B. All her poems are about death or immorality.C. Her poems are very personal and meditativeD. Her poems usually have well-chosen titles.55.In his poems, Whitman tends to use ______.A. oral EnglishB. the King’s EnglishC. American EnglishD. old English56.As far as Nathaniel Hawthorne’s art is concerned, which of the following statement is true?A. His The Scarlet Letter tells a love story.B. His art is deeply influenced by Puritanism because he was a puritan himself.C. Young Goodman Brown is a story about superstition.D. Ambiguity is one of the salient characteristics of his art.57.“I like to see it lap the Miles—And lick the Valleys up —And stop to feed itself at Tanks—And then —…”(Emily Dickinson, “I like to see it lap the Miles—“)Here “it” refers to ______ .A. loveB. deathC. a flyD. the train58.Which of the following statements concerning Theodore Dreiser’s style is correct?A. Dreiser’s Cowperwood trilogy includes The Financier, The Titan and The GeniusB. His novels have little detail descriptions of characters and events.C. His novels are written in refined language.D. His style is not polished but very serious.59.______ has long been well known as a poet who can hardly be classified with the old or the new.A. Ezra PoundB. Robert Lee FrostC. T. S. EliotD. Emily Dickinson60.F. Scott Fitzgerald skillfully employs the device of having events observe by _______ to his great advantage.A. a “central consciousness”B. his double visionC. more than one witnessD. the protagonists61.Shakespeare wrote ___________sonnets.A. 125B. 154C. 245D. 13862.Francis Bacon is not only a great ____________, but also the founder of modern science.A. poetB. essayistC. dramatistD. novelist63.John Milton became blind mainly because of_______________.A. readingB. diseaseC. hard workD. accident64.Paradise lost is a great __________ consisting of 12 books.A.epicB.storyC.lyric poemD.narrative poem65.The most important representative work by Jonathan Swift is “___________________”.A.A Tale of a TubB.The Battle of the BooksC.A Modest ProposalD.Gulliver’s Travels66.The first edy Sheridan wrote is __________________.A.The School for ScandalB.The CriticC.A Trip to ScarboroughD.The Rivals67.”____________________” is the cooperative work of William Wordsworth and Samuel Coleridge.A.Tintern AbbeyB.The Rime of the Ancient MarinerC.Lyrical BalladsD.Prelude68.“The Isles of Greece” is a part of Byron’s masterpiece “___________________”A.Don JuanB.Childe Harold’s PrigrimageC.Oriental TalesD.Manfred69.Percy Shelly’s greatest achievement is his four- act poetic drama “_____________”.A.Men of EnglandB.Prometheus UnboundC.Ode to the West WindD.The Revolt of Islam70.At the age of fifteen, Keats became an apprentice to a ______________.ndlordB.apothecaryC.stable keeperD.doctor71.Jane Austen was the daughter of a ____________________.ndlordB.merchantwyerD.rector72.The novel Pride and prejudice by Austen mainly centres round the relationship between __________.A. Mr.Bennet and Mrs.BennetB. Darcy and ElizabethC. Bingley and JaneD. Sir William and Luccas73.Bronte Sisters are all outstanding ________________.A.essayistsB. playwrightsC.poetsD.novelists74.Most of Hardy’s later works show his ___________ view of life.A.optimisticB.pessimisticC.practicalD.ironical75.Structurally and thematically Bernad Shaw followed the great traditions of _________A. realismB. romanticism.C. modernismD.classicism76.Shakespeare is one of the greatest playwrights and _________________________ the world has ever known.A.poetsB.novelistsC.essayistsD.critics77.The greatest plays Shakespeare creates are________________.A. historiesB. ediesC. tragediesD.tragiedies78. Bacon is not only a essayist and philosopher, but also a _________________.A. lawyerB. scientistC.historianD.dramatist79.John Milton is a great poet in the _____________________PeoriD.A.RenaissanceB. NeoclassicalC.RomanticD. Realist80.The story of Paradise lost is taken from __________________.A. a legendB. BibleC. an epicD. a folklore81.In 1689 Jonathan Swift became the __________________of Sir William.A.House-keeperB.servantC.private secretaryD.steward82. The representative play Sheridan wrote is “ __________________”.A.The School for ScandalB.The CriticC.A Trip to ScarboroughD.The Rivals83. Lyrical Ballads is the cooperative work of William Wordsworth and _________________.A. Samuel ColeridgeB.Robert SoutheyC.John KeatsD. Percy Bysshe Shelley84. The Isles of Greece of Byron is taken from “_______________________”.A. Hours of IdlenessB. Don JuanC. Childe Harold PilgrimageD. Cain85. The first long serious work of Shelly is ________________________.A. The Necessity of AtheismB. Queen MabC.The Spirit of SolitudeD. Ode to the West Wind86. Keats’ father was a ______________.A. landlordB. apothecaryC. stable keeperD. doctor87. Jane Austen was the daughter of a ____________________.ndlordB.merchantC. lawyerD.rector88. As a novelist,Emily Bronte was also good at writing________________.A.essaysB. playsC. poemsD.stories89.The first novel written by Thomas Hardy is “__________________”.A. Desperate RemediesB. Under the Greenwoodc.The Return of the Native D. The Mayor of Casterbridge90.Shakespeare was the son of a _________________________.A. clerkndlordC.traderwyer91.”_______________” is NOT one of the four great tragedies of Shakespeare.A.OthelloB.King LearC.Romeo and JulietD.Macbeth92.The total number of the essays published by Bacon is_________________.A.10B.26C.45D. 5893.John Milton became blind at the age of 48,mainly because of_______________.A.readingB.deseaseC.hard workD.accident94.Paradise lost is a great epic consisting _____________ books.A. 8B. 10C. 12D. 1495.In 1689 Jonathan Swift became the __________________of Sir William.A.House-keeperB.servantC.private secretaryD.steward96. The first edy Sheridan wrote is “ __________________”.A.The School for ScandalB.The CriticC.A Trip to ScarboroughD.The Rivals97.”____________________” is the cooperative work of William Wordsworth and Samuel Coleridge.A. Tintern AbbeyB. The Rime of the Ancient MarinerC. Lyrical BalladsD. Prelude98. The first volume of poems of Byron is “_______________________”.A. Hours of IdlenessB. Don JuanC. Childe Harold PilgrimageD. Cain99. Percy Shelly was expelled from OxfordUniversity because he wrote a pamphlet “On the Necessity of_____________”.A. AtheismB. AestheticsC. AthleticsD. Ethics100. Keats was born in the family of a ______________.A. landlordB. apothecaryC. stable keeperD. doctor选择:1—5 B. B. D. A. B. 6—10 A. D. B. C. D 11—15 C.D. C. A C 16—20 D A B A B21—25 B A A B. A 26—30 A D. B. C. A. 31—35 C. C. B. A. C. 36—40 C. A.B. A. D.41—45 D A. C. A. C.46—50 A. B. B. B. A. 51—55 A. C. B. C.A. 56—60 D.D. D. B. A.61—65 B B C A D 66—70 D C A B B 71—75 D B D B A 76—80 A C B A B81—85 C A A B B 86—90 B D C A C 91—95 C D C C C 96—100 D C A A C判断:1—10 T F T T F F F F T F 11—20F F T T F F T T F F 21—30 F F T T F T F T F T 31—40 F F F T T F F F T F Ⅱ. Decide whether the following statements are true or false and write your answers in the brackets.( ) 1. Leaves of Grass established Walt Whitman as the most popular American poet of the 19th century. ( ) 2. The poem “Song of Myself” got this title from the first edition.( ) 3. Puritanism and Calvinistic doctrine have great effects on Hawthorne’s writing.( ) 4. According to Emerson, man is divine in nature and therefore forever perfectible.( ) 5. Walt Whitman is granted the honor of being “the American Goldsmith” for his literary craftsmanship. ( ) 6. Emersonian Transcendentalism inspired a whole generation of famous authors like Whitman, Dickinson and Mark Twain.( ) 7. As a Puritan, Hawthorne embraced the Puritanical doctrines and expresses them in his novels. ( ) 8. In The Scarlet Letter, Hawthorne intends to tell a love story and a story of sin.( ) 9. Hawthorne is a master of symbolism, which he took from the Puritan tradition and bequeathed to American literature in a revivified form.( ) 10. Walt Whitman follows only one theme in his Leaves of Grass, that is, the burgeoning life in cities. ( ) 11. Most of the poems in Leaves of Grass are written in heroic couplet.( ) 12. Life on the Mississippi tells a story of Henry James’s boyhood ambition to bee a riverboat pilot up and down the Mississippi.( ) 13. Emily Dickinson’s poems are usually based on her own experiences, her sorrows and joys. ( ) 14. Theodore Dreiser is greatly influenced by Darwinism and it is not surprising to find in his fiction a world of jungle, where “kill or to be killed” is the law.( ) 15. In “This is my letter to the World”Dickinson expressed her reluctance to municate with the outside world.( ) 16. Each of Emily Dickinson’s poems has a well-chosen title.( ) 17. Emily Dickinson’s poetry is unique and unconventional in its own way, covering love, death and nature.( ) 18. In Robert Lee Frost’s poems, profound ideas are delivered under the disguise of the plain language and the simple form.( ) 19. Robert Lee Frost has long been well known as a poet who belongs to the new.( ) 20. Robert Frost wrote most of his poems in free verse.( ) 21. Eugene O’Neil, Arthur Miller and Tennessee Williams are together called “founders of the American drama.”( ) 22. Fitzgerald shows an interest both in the upper-class society and in the lower-class society. ( ) 23. Hemingway develops the style of colloquialism initiated by Mark Twain.( ) 24. In his novels, William Faulkner exploits the modern steam-of –consciousness technique to emphasize the reactions and inner musings of the narrator.( ) 25. Benjamin Franklin is a early feminist, because he thinks that women should receive education.( ) 26. Emerson’s lasting reputation was established by his masterpiece Essays.( ) 27. Ellen Poe wrote many poems, so he has a very important position as poet; he wrote about 70 short stories and is regarded as a pioneer of the detective fiction and the horror fiction in the west.( ) 28. In style, her poems are characterized by their brevity, directness and plainness( ) 29. Philosophically, the naturalists believe that the real and true is always pletely hidden from the understanding of the individual or beyond his control.( ) 30. The defining formal characteristics of the modernistic works are discontinuity and fragmentation. ( ) 31.English critical realism found its expression chiefly in the form of drama.( ) 32.The greatest English playwright of the 18th century was Goldsmith, whose best play is "The School for Scandal".( ) 33. In 1805, Southey pleted a long autobiographical poem entiled "The Prelude".( ) 34. The Romantic Age began in 1789 when Wordsworth and Coleridge published their joint work "The Lyrical Ballads".( ) 35. Paradise Lost is Milton's masterpiece; the story is taken from the Old Testament: Satan and other angels rebel against God.( ) 36. George Bernard Shaw was born in Dublin, Scotland.( ) 37. Byron's masterpiece is Tom Jones.( ) 38. Novel writing made a big advance in the 18th century. the main characters in the novels were no longer mon people, but the kings and nobles.( ) 39. Shakespeare'a prime creating period lies in his third period when his greatest tragedies were written. ( ) 40. Tess is arrested and hanged because she murders her seducer Clare.III. Paraphrase the following quotations:1.The Eyes around—had wrung them dry—And Breaths were gathering firmFor that last Onset—when the KingBe witnessed—in the Room—( Dickinson: I heard a fly buzz—when I died )答案:My relatives and friends had cried so that there were no tears any more. I hold my breath and got ready for the last attack of Death when he appeared in the room.2.To go into solitude, a man needs to retire as much from his chamber as from society. I am not solitarywhilst I read and write, though nobody is with me. But if a man would be alone, let him look at the stars.The rays that e from those heavenly worlds, will separate between him and vulgar things.( Emerson: Nature )答案:To be solitary, a man should also leave his room.When I am reading or writing, I amnot alone. When a man looks at the stars, his mind can be purified and above the dirty things.3. I shall be telling this with a sighSomewhere ages and ages hence;Two roads diverged in a wood, and I—I took the one I less traveled by,And that has made all the differenceRobert Frost: The Road Not Taken答案:In the future I shall tell this with some regret: facing the two roads, I chose a road few people had traveled by, and that has decided my whole life.4.Whether ‘tis nobler in the mind to sufferThe slings and arrows of outrageous fortune,Or to take arms against a sea of troubles,And by opposing end them?( Hamlet )答案:We are facing two choices: to endure suffering in our life patiently or to take up arms and fight. Which is nobler?5.Their chief use for delight is in privateness and retiring; for ornament, is in discourse; and for ability, is in the judgement and disposition of business.( Of Studies )答案:To get pleasure of reading, you should be alone; to show your elequence, you should talk with others; to improve your ability, you should use the bookish knowledge in the judgement and arrangement of business.6.Must we but weep o’er days more blest ?Must we but blush ?— Our father bled.(The Isles of Greece )答案:Must we only weep for the past happy time ?Must we only feel ashamed , our fathers fought and died.So we must take up arms and fight.7. When old age this generation waste,Thou shall remain, in midst of other woeThan ours, a fiend to man, to whom thou say’st;“Beauty is truth, truth beauty.”– that is allYe know on earth, and all ye need to know.( Ode on a Grecian Urn )答案:When the old generation die, you shall live in the sorrows of another generation. You tell the people that truth and beauty are one, and that is all you know and need to know.8.The sun illuminates only the eye of the man, but shines into the eye and the heart of the child.Emerson: Nature答案:The sun only lights up the adult superficially, but it lights up both the eye and the depth of the soul of the child .This means the child is purer than the adult.9.It is when the feet weary and hope seems vain that the heartaches and the longings arise. Know then, thatfor you is neither surfeit nor content. In your rocking-chair, by your window dreaming, shall you long, alone.In your rocking-chair, by your window, shall you dream such happiness as you may never feel.Theodore Dreiser: Sister Carrie答案:When you are tired and hopeless, desire will appear in your heart. When you sit in your arm-chair by the window, you are dreaming of the happiness, but you can never get it.10. A wafer of moon was shining over Gatsby’s house, making the night fine as before, and surviving the laughter and the sound of his glowing garden. A sudden emptiness seemed to flow now from the windows andthe great doors, endowing with plete isolatio the fighre of the host who stood othe porch, his hand up in as formal gesture of farewell.(Scott Fitzgerald: Great Gatsby)答案:After the guests left, the laughter and the music faded, but the moon was still thining and the night was still fine. An emptiness overwhelmed the whole place, the figure of Gatsby became very lonely and isolated.11. Crafty men contemn studies, simple men admire them, and wise men use them,…( Of Studies)答案:Men with experience look down upon reading, ignorant people admire reading, wise people make use of the knowledge from books.12.And every fair from fair sometimes declines.By chance or nature’s changing course untrimmedBut thy eternal summer shall not fade,Nor lose possession of that fair thou ow’st.(Sonnet 18)答案:Every beautiful thing and person can not keep its or his beauty for ever, because of the accidents or natural law.13Place me on Sunium’s marbled steep,Where nothing, save the wave and I,May hear our mutual murmurs sweep;There, swan-like, let me sing and die;A land of slaves shall ne’er be mine…( Isles of Greece )答案:Let me stand on the cliff by the sea alone and murmur to the waves. I would die as a swan after I sing my last song, because I would not live as a slave in my country.14. “So much the worse for me, that I am strong. Do I want to live?What kind of living will it be when you – oh, God! Would you like to live with your soul in the grave?”(Wuthering Hights)答案:I am strong, but this is even worse, because after you die, my life will be torture.15.“I love my murderer---but not yours!”(Wuthering Hights)答案:Even if you kill me, I still love you; But you kill yourself. I can never forgive you for that.Ⅳ. Answer the following questions briefly:1.Why did Benjamin Franklin sit up late in his room?Answer: Because he had to finish reading the books he borrowed from the apprentices of the booksellers, so he could return the books in the morning.2.What is Emerson’s great contribution to American philosophy and literature?。

英美文学选读英国部分第一章文艺复兴时期

英美文学选读英国部分第一章文艺复兴时期

英美文学选读中文翻译及重点习题答案英国文学(AMERICAN LITERATURE)第一章文艺复兴时期(The Renaissance Period)二、背景知识(Background knowledge)1、历史文化背景(Historical and cultural background)(1)文艺复兴是从中世纪向近代过渡时期发生在欧洲许多国家的一场思想文化运动。

它是在一些历史因素的合力作用下而引发的,如对希腊罗马古典文化的重新发现,宗教改革运动,地理和自然科学领域的探索,以及资本主义经济的扩张等。

(2)人文主义是文艺复兴的主要特征。

它颂扬人性,强调以“人”为本,宣传个性解放,反对神秘主义和中古神权,反对野蛮和兽性。

(3)16世纪的宗教改革导致了新教的创立。

英格兰同罗马教皇的决裂最初源于国王亨利八世决定与其第一位妻子离婚但遭到教皇否决。

宗教教义的改革则发生在后来的爱德华六世和女王伊丽莎白一世统治期间。

(4)工商业持续发展,中产阶级逐渐壮大,非神职人员获得受教育的机会,王权巩固,宫廷成为文化生活的中心,以及海外扩张和科学探索日益拓展人们的视野,所有这些都为文学提供了新的推动力和发展方向。

威廉·卡克斯顿首次将印刷术介绍到英国,使那里的出版社迅速增加,随之而来的是印刷书籍的繁荣。

2、英国文艺复兴时期文学的特点(Features of English Renaissance literature)(1) 诗歌(Poetry)开创文艺复兴时期一代新的华丽诗风的两个最重要的人物是菲利普·悉尼爵士和埃德蒙·斯宾塞。

在他们的抒情和叙事作品中,展现出一种词藻华丽、精雕细琢的文风。

到16世纪末,出现了两类新的诗歌风格。

第一类以约翰·邓恩和其他玄学派诗人为代表;第二类风格的典范是本·琼森和他所代表的流派。

英国文艺复兴时期的最后一位大诗人是清教作家约翰·密尔顿,他的诗歌具有惊人的震撼力和优雅的韵致,同时传达出深邃的思想。

关于英美文学的英语小短文

关于英美文学的英语小短文

关于英美文学的英语小短文British and American literature is a rich and diverse field that encompasses a wide range of styles, themes, and authors. It has had a profound impact on the world of literature and continues to captivate readers to this day.One of the notable features of British and American literature is its ability to reflect the social, political, and cultural context of the times. From the works of Shakespeare to the modern-day classics, these writings offer insights into the human experience and the complexities of life.The works of British and American authors cover various genres, including poetry, fiction, drama, and non-fiction. Whether it's the romantic poetry of Keats and Byron, the realistic novels of Dickens and Austen, or the cutting-edge contemporary works, there is something for everyone to enjoy.British and American literature also plays a significant role in shaping our language and cultural heritage. Many of the words and phrases we use in everyday conversation can be traced back to these literary works.Furthermore, it provides a platform for authors to explore new ideas and push the boundaries of creative expression. It allows us to see the world through different perspectives andchallenge our preconceived notions.In conclusion, British and American literature is a treasure trove of knowledge, inspiration, and entertainment that enriches our lives and broadens our horizons.中文翻译:英美文学是一个丰富多样的领域,包含了各种风格、主题和作者。

自考英美文学选读 第五章 现代时期(英国)(课文翻译)

自考英美文学选读 第五章 现代时期(英国)(课文翻译)

英美文学选读翻译(英语专业自考)第一部分:英国文学第五章现代时期19世纪末到20世纪初,欧洲的自然科学与社会科学都有长足的发展,物质财富大量增加。

当自由资本主义进入垄断型经济时期,社会化大生产与生产资料私有制之间的矛盾便愈发激化,导致接连不断的经济危机与大范围失业,贫富分化走向极端。

由此引发的第一次世界大战削弱了大英帝国,使人民倍受其苦。

战后的经济萧条与精神失落使人民看清了资本主义背后的罪恶面孔。

而第二次世界大战更大幅度地摧垮了大英帝国,人民伤亡,经济倒退,殖民地在民族解放运动中也纷纷独立。

日不落帝国终于日薄西山了。

这一系列巨变在西欧产生了百花争放般的各家哲学思想。

19世纪中期,马克思、恩格斯开创了科学社会主义,为斗争中的无产资级指明了道路。

达尔文的进化论打击了人们的宗教信仰,"适者生存"说很大程度上推进了殖民主义与沙文主义。

爱因斯坦的相对论也完全更新了时间与空间的概念。

弗洛依德的精神分析法改变了人们对人性的认识。

德国哲学家亚瑟·叔本华的悲观主义与反理性哲学强调了人的意愿与直觉的重要性。

继承了叔本华的理论后,尼采更进一步地反叛理性主义与基督教精神,推崇强权与霸权。

亨利·伯格森在前人基础上创立了非理性哲学,强调创造力、直觉、非理性与无意识。

这些非理性哲学对英国现代派作家影响极为深远。

现代主义起源于怀疑论和对资本主义的幻想破灭。

一次大战的毁灭性灾难摧垮了人们对维多利亚道德标准的信奉。

新兴的非理性哲学与科技进步促使作家们对人性与人际关系进行新的探'索。

19世纪晚期法国的象征主义预示了现代主义的诞生。

一次大战后,所有的现代主义文学潮流都产生了:表现主义(强调自我表现,反对艺术的目的性)、超现实主义、未来主义、达达主义(颓废派文艺〉、意象主义以及意识流等等。

到二十世纪二十年代,这些潮流汇聚成一场浩大的现代主义变革运动,席卷了整个欧美。

这场运动中的杰出人物有卡夫卡、毕加索、庞德、韦伯恩,T·S·埃略特、乔依斯及弗洛尼亚·沃尔夫。

文学翻译练习题

文学翻译练习题

文学翻译练习题文学翻译是一项既具挑战性又有趣味性的任务。

在翻译文学作品时,译者需要将原作中的情感、意境以及作者的用词风格准确传达给读者。

这就要求译者对原作进行深入理解,同时具备出色的语言表达能力。

在本文中,将通过几个练习题,来帮助读者提升文学翻译的技巧与能力。

练习题一:小说片段翻译以下是一段小说片段,请尝试将其翻译成你所熟悉的语言。

"Sitting alone in the cozy cafe, Lily watched the raindrops race down the windowpane. Each drop seemed to carry a world of memories, washingaway the pain and sadness that had haunted her for months. The aroma of freshly brewed coffee filled the air, blending with the sound of quiet conversations and occasional laughter. She sipped her coffee, feeling a sense of calm wash over her. In that moment, she knew she had found solace."练习题二:诗歌翻译以下是一首诗歌,请尝试将其翻译成你所熟悉的语言,并保持其韵律和意境。

The autumn leaves, so golden and bright,Dancing in the wind, a mesmerizing sight.As they gently fall, painting the ground,Whispering secrets, without a sound.练习题三:戏剧对白翻译以下是一段戏剧对白,请尝试将其翻译成你所熟悉的语言,并准确传达角色之间的情感和台词的意义。

MTI文学翻译练习

MTI文学翻译练习

2012年MTI文学翻译第3周练习一、英译汉:AI sometimes think that you boys of this generation are a deal tenderer fellows than we used to be. At any rate you’re much more comfortable travellers, for I see every one of you with his rug or plaid, and other dodges for preserving the caloric, and most of you going in those fuzzy, dusty, padded first-class carriages. It was another affair altogether, a dark ride on the top of the Tally-ho, I can tell you, in a tight Petersham coat, and your feet dangling six inches from the floor. Then you knew what cold was, and what it was to be without legs, for not a bit of feeling had you in them after the first half-hour. But it had its pleasures, the old dark ride. First there was the consciousness of silent endurance, so dear to every Englishman—of standing out against something, and not giving in. Then there was the music of the rattling harness, and the ring of the horses’ feet on the hard road, and the glare of the two bright lamps through the steaming hoar frost, over the leaders’ ears,into the darkness, and the cheery toot of the guard’s horn, to warn some drowsy pikeman or the hostler at the next change; and the looking forward to daylight; and last, but not least, the delight of returning sensation in your toes.Then the break of dawn and the sunrise, where can they be ever seen in perfection but from a coach roof? You want motion and change and music to see them in their glory—not the music of singing men and singing women, but good, silent music, which sets itself in your own head, the accompaniment of work and getting over the ground.The Tally-ho is past St. Albans, and Tom is enjoying the ride, though half-frozen. The guard, who is alone with him on the back of the coach, is silent, but has muffled Tom’s feet up in straw, and put the end of an oat-sack over his knees. The darkness has driven him inwards, and he has gone over his little past life, and thought of all his doings and promises, and of his mother and sister, and his father’s last words; and has made fifty good resolutions, and means to bear himself like a brave Brown as he is, though a young one. Then he has been forward into the mysterious boy-future, speculating as to what sort of place Rugby is, and what they do there, and calling up all the stories of public schools which he has heard from big boys in the holidays. He is choke-full of hope and life, notwithstanding the cold, and kicks his heels against the back-board, and would like to sing; only he doesn’t know how his friend the silent guard might take it….And now they begin to see, and the early life of the country-side comes out—a market cart or two; men in smock-frocks going to their work, pipe in mouth, a whiff of which is no bad smell this bright morning. The sun gets up, and the mist shines like silver gauze. They pass the hounds jogging along to a distant meet, at the heels of the huntsman’s back, whose face is about the colour of the tails of his old pink, as he exchanges greetings with coachman and guard. Now they pull up at a lodge, and take on board a well-muffled-up sportsman, with his gun-case and carpet-bag. An early up-coach meets them, and the coachmen gather up their horses, and pass one anotherwith the accustomed lift of the elbow, each team doing eleven miles an hour, with a mile to spare behind if necessary. And here comes breakfast.“Twenty minutes here, gentlemen,” says the coachman, as they pull up at half-past seven at the inn-door.BIt is not easy to see how this house of mine can make to itself a Sunday quiet, for at all times it is well-nigh soundless; yet I find a difference. My housekeeper comes into the room with her Sunday smile; she is happier for the day, and the sight of her happiness gives me pleasure. She speaks, if possible, in a softer voice; she wears a garment which reminds me that there is only the lightest and cleanest housework to be done. She will go to church, morning and evening, and I know that she is better for it. During her absence I sometimes look into rooms which on other days I never enter; it is merely to gladden my eyes with the shining cleanliness, the perfect order, I am sure to find in the good woman's domain. But for that spotless and sweet-smelling kitchen, what would it avail me to range my books and hang my pictures? All the tranquility of my life depends upon the honest care of this woman who lives and works unseen. And I am sure that the money I pay her is the least part of her reward. She is such an old-fashioned person that the mere discharge of what she deems a duty is in itself an end to her, and the work in itself a satisfaction, and a pride.When a child, I was permitted to handle on Sunday certain books which could not be exposed to the more careless usage of common days; volumes finely illustrated, or the more handsome editions of familiar authors, or works which, merely by their bulk, demanded special care. Happily, these books were all of the higher rank in literature, and so there came to be established in my mind an association between the day of rest and names which are the greatest in verse and in prose. Through my life this habit has remained with me; I have always wished to spend some part of the Sunday quiet with books which, at most times, it is fatally easy to leave aside, one's very knowledge and love of them serving as an excuse for their neglect in favor of print which has the attractiveness of newness. Homer and Virgil, Milton and Shakespeare; not many Sundays have gone by without my opening one or other of these. Not many Sundays? Nay, that is to exaggerate, as one has the habit of doing. Let me say rather that, on many a rest-day I have found mind and opportunity for such reading. Nowadays mind and opportunity fail me never. I may take down my Homer or my Shakespeare when I choose, but it is still Sunday that I feel it most becoming to seek the privilege of their companionship. For these great ones, crowned with immortality, do not respond to him who approaches them as though hurried by temporal care. There befits the garment of solemn leisure, the thought attuned to peace. I open the volume somewhat formally; is it not sacred, if the words have any meaning at all? And, as I read, no interruption can befall me. The note of the linnet, the humming of a bee, these are the sounds about my sanctuary. The page scarce rustles as it turns.CWilliamson was six foot seven tall. He was no effete product of the academies, or Carlton’s literary bohemia, but a lecturer in Thermodynamics and Social Psychology at a technical college. Boyishly handsome, with alert eyes under heavy brows, a ready laugh, and shoulder-length brown curls falling over his leather jacket, he became an instant media identity, readily recognisable from photographs, cartoons and television appearances. He was(as he remains) an interviewer’s dream, readily responsive to questions about himself and his work, while at the same time drawing out the implications of his own experience for the current general situation in theatre, film, and society. His voice was deep and confident, the manner unassuming but quick and decicive, the pharsing eminently quotable. Fluently, wittily, he expounded his views, his gestures indicating the depth of his convictions and his driving energy---an energy that suggested to some early interviewers that he must have felt restless when not writing. (Over the years to come, successive female journalists were to note that his hands were either tensely clenched or gesticulating animatedly.) Humorous and engaging, he was obviously at the same time a very serious and idealistically committed entertainer, someone deeply and critically involved with his own society. He was also well on his way to becoming the most successful Australian playwright, ever.二、汉译英:我在草地上走着,忽然,在鲜嫩的春草上看到一只雪白的蝴蝶。

文学翻译练习4

文学翻译练习4

文学翻译练习4MR. Jones, of the Manor Farm, had locked the hen-houses for the night, but was too drunk to remember to shut the popholes. With the ring of light from his lantern dancing from side to side, he lurched across the yard, kicked off his boots at the back door, drew himself a last glass of beer from the barrel in the scullery, and made his way up to bed, where Mrs. Jones was already snoring.As soon as the light in the bedroom went out there was a stirring and a fluttering all through the farm buildings. Word had gone round during the day that old Major, the prize Middle White boar, had had a strange dream on the previous night and wished to communicate it to the other animals. It had been agreed that they should all meet in the big barn as soon as Mr. Jones was safely out of the way. Old Major (so he was always called, though the name under which he had been exhibited was Willingdon Beauty) was so highly regarded on the farm that everyone was quite ready to lose an hour’s sleep in order to hear what he had to say.At one end of the big barn, on a sort of raised platform, Major was already ensconced on his bed of straw, under a lantern which hung from a beam. He was twelve years old and had lately grown rather stout, but he was still a majestic-looking pig, with a wise and benevolent appearance in spite of the fact that his tushes had never been cut. Before long the other animals began to arrive and make themselves comfortable after theirdifferent fashions. First came the three dogs, Bluebell, Jessie, and Pincher, and then the pigs, who settled down in the straw immediately in front of the platform. The hens perched themselves on thewindow-sills, the pigeons fluttered up to the rafters, the sheep and cows lay down behind the pigs and began to chew the cud. The two cart-horses, Boxer and Clover, came in together, walking very slowly and setting down their vast hairy hoofs with great care lest there should be some small animal concealed in the straw. Clover was a stout motherly mare approaching middle life, who had never quite got her figure back after her fourth foal. Boxer was an enormous beast, nearly eighteen hands high, and as strong as any two ordinary horses put together. A white stripe down his nose gave him a somewhat stupid appearance, and in fact he was not of first-rate intelligence, but he was universally respected for his steadiness of character and tremendous powers of work. After the horses came Muriel, the white goat, and Benjamin, the donkey. Benjamin was the oldest animal on the farm, and the worst tempered. He seldom talked, and when he did, it was usually to make some cynical remark—for instance, he would say that God had given him a tail to keep the flies off, but that he would sooner have had no tail and no flies. Alone among the animals on the farm he never laughed. If asked why, he would say that he saw nothing to laugh at. Nevertheless, without openly admitting it, he was devoted to Boxer; the two of them usually spent their Sundays together in the small paddock beyond theorchard, grazing side by side and never speaking.The two horses had just lain down when a brood of ducklings, which had lost their mother, filed into the barn, cheeping feebly and wandering from side to side to find some place where they would not be trodden on. Clover made a sort of wall round them with her great foreleg, and the ducklings nestled down inside it and promptly fell asleep. At the last moment Mollie, the foolish, pretty white mare who dr ew Mr. Jones’s trap, came mincingdaintily in, chewing at a lump of sugar. She took a place near the front and began flirting her white mane, hoping to draw attention to the red ribbons it was plaited with. Last of all came the cat, who looked round, as usual, for the warmest place, and finally squeezed herself in between Boxer and Clover; there she purred contentedly throughout Major’s speech without listening to a word of what he was saying.All the animals were now present except Moses, the tame raven, who slept on a perch behindthe back door. When Major saw that they had all made themselves comfortable and were waiting attentively, he cleared histhroat and began:"Comrades, you have heard already about the strange dream that I had last night. But I will come to the dream later. I have something else to say first. I do not think, comrades, that I shall be with you for many months longer, and before I die, I feel it my duty to pass on to you such wisdom as I have acquired. I have had a long life, I have had much time for thought as I lay alone in my stall, and I think I may say that I understand the nature of life on this earth as well as any animal now living. It is about this that I wish to speak to you."Now, comrades, what is the nature of this life of ours? Let us face it: our lives are miserable, laborious, and short. We are born, we are given just so much food as will keep the breath in our bodies, and those of us who are capable of it are forced to work to the last atom of our strength; and the very instant that our usefulness has come to an end we are slaughtered with hideous cruelty. No animal in England knows the meaning of happiness or leisure after he is a year old. No animal in England is free. The life of an animal is misery and slavery: that is the plaintruth."But is this simply part of the order of nature? Is it because this land of ours is so poor that it cannot afford a decent life to those who dwell upon it? No, comrades, a thousand times no! The soil of England is fertile, its climate is good, it is capable of affording food in abundance to an enormously greater number of animals than now inhabit it. This single farm of ours would support a dozen horses, twenty cows, hundreds of sheep —and all of them living in a comfort and a dignity that are now almost beyond our imagining. Why then do we continue in this miserable condition? Because nearly the whole of the produce of our labour is stolen from us by human beings. There, comrades, is the answer to all our problems. It is summed up in a single word —Man. Man is the only real enemy we have. Remove Man from the scene, and the root cause of hunger and overwork is abolished for ever."Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals. He sets them to work, he gives back to them the bare minimum that will prevent them from starving, and the rest he keeps for himself. Our labour tills the soil, our dung fertilises it, and yet there is not one of us that owns more than his bare skin. You cows that I see before me, how many thousands of gallons of milk have you given during this last year? And what has happened to that milk which should have been breeding up sturdy calves? Every drop of it has gone down the throats of our enemies. And you hens, how many eggs have you laid in this last year, and how many of those eggs ever hatched into chickens? The rest have all gone to market to bring in moneyfor Jones and his men. And you, Clover, where are those four foals you bore, who should have been the support and pleasure of your old age? Each was sold at a year old — you will never see one of them again. In return for your four confinements and all your labour in the fields, what have you ever had except your bare rations and a stall?"And even the miserable lives we lead are not allowed to reach their natural span. For myself I do not grumble, for I am one of the lucky ones. I am twelve years old and have had over four hundred children. Such is the natural life of a pig. But no animal escapes the cruel knife in the end. You young porkers who are sitting in front of me, every one of you will scream your lives out at the block within a year. To that horror we all must come —cows, pigs, hens, sheep, everyone. Even the horses and the dogs have no better fate. You, Boxer, the very day that those great muscles of yours lose their power, Jones will sell you to the knacker, who will cut your throat andboil you down for the foxhounds. As for the dogs, when they grow old and toothless, Jones ties a brick round their necks and drowns them in the nearest pond."Is it not crystal clear, then, comrades, that all the evils of this life of ours spring from the tyranny of human beings? Only get rid of Man, and the produce of our labour would be our own. A1most overnight we could become rich and free. What then must we do? Why, work night and day, body and soul, for the overthrow of the human race! That is my message to you, comrades: Rebellion! I do not know when that Rebellion will come, it might be in a week or in a hundred years, but I know, as surely as I see this straw beneath my feet, that sooner or later justice will be done. Fix your eyes on that, comrades, throughoutthe short remainder of your lives! And above all, pass on this message of mine to those who come after you, so that future generations shall carry on the struggle until it is victorious."And remember, comrades, your resolution must never falter. No argument must lead you astray. Never listen when they tell you that Man and the animals have a common interest, that the prosperity of the one is the prosperity of the others. It is all lies. Man serves the interests of no creature except himself. And among us animals let there be perfect unity, perfect comradeship in the struggle. All men are enemies. All animals are comrades."At this moment there was a tremendous uproar. While Major was speaking four large rats had crept out of their holes and were sitting on their hindquarters, listening to him. The dogs had suddenly caught sight of them, and it was only by a swift dash for their holes that the rats saved their lives. Major raised his trotter for silence."Comrades," he said, "here is a point that must be settled. The wild creatures, such as rats and rabbits — are they our friends or our enemies? Let us put it to the vote. I propose this question to the meeting: Are rats comrades?"The vote was taken at once, and it was agreed by an overwhelming majority that rats were comrades. There were only four dissentients, the three dogs and the cat, who was afterwards discovered to have voted on both sides. Major continued: "I have little more to say. I merely repeat, remember always your duty of enmity towards Man and all his ways. Whatever goes upon two legs is an enemy. Whatever goes upon four legs, or has wings, is a friend. And remember also that in fighting against Man, we must not come to resemble him. Even when you have conquered him, do not adopt his vices. No animal must ever livein a house, or sleep in a bed, or wear clothes, or drink alcohol, or smoke tobacco, or touch money, or engage in trade. All the habits of Man are evil. And, above all, no animal must ever tyrannise over his own kind. Weak or strong, clever or simple, we are all brothers. No animal must ever kill any other animal. All animals are equal."And now, comrades, I will tell you about my dream of last night. I cannot describe that dream to you. It was a dream of the earth as it will be when Man has vanished. But it reminded me of something that I had long forgotten. Many years ago, when I was a little pig, my mother and the other sows used to sing an old song of which they knew only the tune and the first three words.I had known that tune in my infancy, but it had long since passed out of my mind. Last night, however, it came back to me in my dream. And what is more, the words of the song also came back — words, I am certain, which were sung by the animals of long ago and have been lost to memory for generations. I will sing you that song now, comrades. I am old and my voice is hoarse, but when I have taught you the tune, you can sing it better for yourselves. It is called Beasts of England."Old Major cleared his throat and began to sing. As he had said, his voice was hoarse, but he sang well enough, and it was a stirring tune, something between Clementine and La Cucaracha. The words ran:Beasts of England, beasts of Ireland,Beasts of every land and clime,Hearken to my joyful tidingsOf the golden future time.Soon or late the day is coming,Tyrant Man shall be o'erthrown,And the fruitful fields of EnglandShall be trod by beasts alone.Rings shall vanish from our noses,And the harness from our back,Bit and spur shall rust forever,Cruel whips no more shall crack.Riches more than mind can picture,Wheat and barley, oats and hay,Clover, beans, and mangel-wurzelsShall be ours upon that day.Bright will shine the fields of England,Purer shall its waters be,Sweeter yet shall blow its breezesOn the day that sets us free.For that day we all must labour,Though we die before it break;Cows and horses, geese and turkeys,All must toil for freedom's sake.Beasts of England, beasts of Ireland,Beasts of every land and clime,Hearken well and spread my tidingsOf the golden future time.The singing of this song threw the animals into the wildest excitement. Almost before Major had reached the end, they had begun singing it for themselves. Even the stupidest of them had already picked up the tune and a few of the words, and as for the clever ones, such as the pigs and dogs, they had the entire song by heart within a few minutes. And then, after a few preliminary tries, the whole farm burst out into Beasts of England in tremendous unison. The cows lowed it,the dogs whined it, the sheep bleated it, the horses whinnied it, the ducks quacked it. They were so delighted with the song that they sang it right through five times in succession, and might have continued singing it all night if they had not been interrupted.Unfortunately, the uproar awoke Mr. Jones, who sprang out of bed, making sure that there was a fox in the yard. He seized the gun which always stood in a corner of his bedroom, and let fly a charge of number 6 shot into the darkness. The pellets buried themselves in the wall of the barn and the meeting broke up hurriedly. Everyone fled to his own sleeping-place. The birds jumped on to their perches, the animals settled down in the straw, and the whole farm was asleep in a moment.。

英美文学题库有中英文解释

英美文学题库有中英文解释

-Chapter I An Introduction to Old and Medieval English Literature & The Renaissance PeriodI. Choose the right answer:1. Dr. Faustus is a play based on the _____legend of a magician aspiring for ____ and finally meeting his tragic end as a result of selling his soul to the Devil.A.British/ immoralityB.French/moneyC.German/knowledgeD.American/political power Answer: C (可参考课本P21)2. _____, is a typical example of Old English poetry, is regarded today as the national epic of the Anglo-Saxons.A.The Wife’s ComplaintB.BeowulfC.The Dream of the RoodD.The SeafarerAnswer: B (可参考课本P1)3.It’s Chaucer alone who, for the first ti me in English literature, presented to us a comprehensive realistic picture of the English Society in his masterpiece__________.A.The Canterbury TalesB.The Legend of Good WomenC.Troilus and CriseydeD. The Romaunt of the Rose.Answer: A (可参考课本P4)4. The Essence of Renaissance, the most significant intellectual movement, was_____.A. Geographical explorationB. Religious reformationC. Publishing and translationD. Humanism. Answer: D (可参考课本P8)5. “Prince Arthur’s greatest mission is his search for Gloriana, with whom he has fallen in love througha love vision.”The two figures come from_____.A.Paradise LostB.Dr. FaustusC.The Faerie QueeneD.HamletAnswer: C (可参考课本P13)6.In “Sonnet 18”, Shakespeare_________________.A.Meditate on the destructive power of time and eternal beauty by poetry.B.Satirize human’s vanity.C.Predict the eternity of love.D.Eulogize the power of the beauty. Answer: A (P37)7. ____ gave new vigor to the blank verse with his “mighty lines”and make ’blank verse’ the principle vehicle of expression in drama.A.SurreyB.WyattC.MarloweD.SidneyAnswer: C (P21)8. Shakespeare’s greatest tragedies are the following works except____.A.HamletB.King LearC.Romeo and JulietD.OthelloAnswer: C (P33)9. The Renaissance refers to between 14th----mid-17th century, which was under the reign of Queen___and absolute monarchy in England reached its summit, and in which the ’real mainstream (真正的文学主流)’ was ____.A.Victoria/poetryB.Elizabeth/ dramaC.Mary/ novelD.James/ dramaAnswer: B (P11)10. In The Legend of Good Women, Chaucer used for the first time in English the rhymed couplet of iambic pentameter, which is to be called later____.A.The Spenserian stanzaB.The heroic coupletC.The blank verseD.The free verseAnswer: B (P5)11. The Redcrosse Knight in “The Faerie Queene” stands for_____, and Una stands for_____.A.bravery/ chastityB.holiness/ truthC.error/ deliveryD.true gentleman/ lady.Answer: B (P16)12. Which of the following is NOT regarded as one of the characteristics of Renaissance?A.Rediscovery of ancient Roman and Greek culture.B.Attempt to remove the old feudalist ideas in Medieval Europe.C.Exaltation of man’s pursuit of happiness in his life, and tolerance of man’s foibles.D.Praise of man’s efforts in soul delivery and personal salva tion.Answer: D (P7)13. “The slings and arrows of outrageous fortune” is an example of ______.A.MetaphorB.SimileC.IronyD.PersonificationAnswer: A (P55)14. _____ introduced the Petrarchan sonnet into England.A.Anglos/ SaxonsB.Normans/ Anglo-SaxonsC.Greeks/ RomansD.Romans/ NormansAnswer: B (P11)15. It is ___ alone who, for the first time in English literature presented to us a comprehensive realistic picture of the English society of his time and created a whole gallery of vivid characters from all walks of life.A.Edmund SpenserB.Geoffrey ChaucerC.William ShakespeareD.John DonneAnswer: B (P4)16. The following belong to the characteristics of ’metaphysical poetry’ represented by ’John Donne’ except___.A.ConceitsB.Actual imagery and simple dictionC.Argumentative formD.Elegant styleAnswer: D (P63)17. Paradise Lost is actually a story taken from____.A.Greek MythologyB.Roman legendC.The Old TestamentD.The New TestamentAnswer: C (P73)18. In “Paradise Lost”, Satan says “We may with mo re successful hope resolve/ To wage by force or guile eternal war, / Irreconcilable to our grand Foe” What does the “Eternal war” mean?A.To remove God from his throneB.To burn the Heaven DownC.To corrupt God’s creation of man and woman-----Adam and EveD.To beguile into a snake to threaten man’s lifeAnswer: C (P71, 节选部分在P75)19. _____, the first of the great tragedies, is generally regarded as Shakespeare’s most popular play on the stage, for it has the qualities of a “blood-and-thunder” thriller and a ’philosophical exploration’ of life and death.A.The Merchant of VeniceB.HamletC.King LearD.The Winter’s TaleAnswer: B (P33)20. It was ___and ___ the two conquests that provided the source for the rise and growth of English literature.A.Anglos/ SaxonsB.Normans/ Anglo-SaxonsC.Romans/ NormansD.Greeks/ RomansAnswer: B (P1)21. Paradise Lost is ___’s masterpiece, which is an epic in 12 books, written in blank verse, about the heroic revolt of Satan against God’s authority.A.John DonneB.Christopher MarloweC.John MiltonD.Edmund SpenserAnswer: C (P71)22. The following description fit into Milton ’except’_____.A.a great revolutionary poet of the 17th centuryB.an outstanding political pamphleteerC.a great stylist and master of blank verseD.a kind of elegant and refine style.Answer: D (P70---73)23. _____is not written by John Milton.A.Samson AgonistesB.Paradise LostC.Paradise regainedD.TamburlaineAnswer: D (P71)24. Marlow’s greatest achievement is that he perfected the ’blank verse’, and he is regarded as ’the pioneer of English drama’, which of the following is not written by him?A.TamburlaineB.The Jew of MaltaC.The Passionate Shepherd to His LoveD.The Sun Rising Answer: D (P20)25. ____Essays is the first example of that genre in English literature, which has been recognized as an important landmark in the development of English prose.A.John Milton’sB.Francis Bacon’sC.Montaigne’sD.Thomas Gray’sAnswer: B (P58)26. _____Was known as “the poets’ poet”.A.William ShakespeareB.Edmund SpenserC.John DonneD.John MiltonAnswer: B (P15)27. “And we will make thee beds of roses / And a thousand fragrant posies/ A cap of flowers, and a kirtle/ Embroidered all with leaves of myrtle.” The above lines are probably taken from______.A.Spenser’s The Faerie QueeneB.John Donne’s The Sun RisingC.Shakespeare’s Sonnet 18D.Marlow’s The Passionate Shepherd to His Love.Answer: D (P28)28. Which of the following statement best illustrates the theme of Shakespeare’s Sonnet 18?A.The speaker eulogizes the power of Nature.B.The speaker satirizes human vanity.C.The speaker praises the power of artistic creation.D.The speaker meditates on man’s salvation. Answer: C (P37)II. Read the quoted part and answer the questions:1.“For herein Fortune shows he rself more kindThan is her custom. It is still her useTo let the wretched man outlive his wealth,To view with hollow eye and wrinkled browAn age of poverty; from which ling’ring penanceOf such misery doth she cut me off”因为命运在此已经对我眷顾有加了。

英语专业课程文学作品翻译练习

英语专业课程文学作品翻译练习

英语专业课程文学作品翻译练习IntroductionIn the field of English literature, translation plays a vital role in introducing foreign literary works to a broader audience. It requires not only linguistic proficiency but also a deep understanding of cultural nuances. This article aims to discuss the importance of translation in English literature courses and provide some practical tips for improving translation skills.I. The Significance of Translation in English Literature CoursesTranslation serves as a bridge between different cultures and allows students to explore a wider range of literary works. By translating literary texts, students can gain a deeper understanding of the original work and the cultural context it represents. It offers insights into the linguistic and stylistic choices made by authors, providing valuable opportunities for language and literary analysis.II. Challenges in Literary TranslationTranslating literature involves various challenges that require careful consideration. One significant challenge is the accurate conveyance of cultural references and idiomatic expressions. Translators must find appropriate equivalents that resonate with the target language and culture while maintaining the essence of the original text.Another challenge lies in capturing the stylistic aspects of the original work. Translating poetry or prose requires an understanding of the author's unique voice and writing techniques. Translators must strive to recreatethese elements in the target language, while also ensuring fluency and readability.III. Tips for Improving Translation Skills1. Enhance Language Proficiency: A solid foundation in both the source and target languages is essential for effective literary translation. Regular practice in reading, writing, and speaking will help improve language skills and expand vocabulary.2. Cultivate Cultural Awareness: Understanding the cultural context of both the source and target languages is crucial. Researching the historical background, social norms, and literary traditions of the original work can provide valuable insights into the author's intentions.3. Read Widely: Immersing oneself in various literary genres and styles will broaden translation skills. Reading different authors and periods helps develop an appreciation for diverse writing techniques and enhances the translator's ability to adapt to different contexts.4. Seek Feedback: Sharing translations with peers or experienced translators allows for constructive criticism and valuable insights. Feedback from others can help identify areas for improvement and enhance the overall quality of the translation.5. Stay Updated: Keeping up with the latest developments in both the source and target languages is crucial. Language evolves over time, and staying informed about contemporary usage, idioms, and literary trends ensures more accurate and relevant translations.ConclusionTranslation is an integral part of English literature courses, enabling students to explore foreign literary works and deepen their understanding of language and culture. Overcoming the challenges of literary translation requires a combination of linguistic proficiency, cultural awareness, and creative adaptation. By following the tips mentioned above, students can improve their translation skills and contribute to the enrichment of the field of English literature.。

英美文学100题翻译

英美文学100题翻译

英美文学100题翻译1.the work that presented,for the first time in English literature,a comprehensive realistic picture of the medieval English society and created a whole gallery of vivid character from all walks of life is Geoffrey Chaucer's The Canterbury Tales.在英国文学里提到的作品里,第一次全面逼真地刻画了中世纪英国社会,创造了一个来自各行各业的生动画面的作品是杰弗里·乔叟的坎特伯雷故事集。

2.Geoffrey Chaucer is regarded as the father of English poetry.乔叟被视为英文诗歌之父,3.The verse form of heroic couplet was introduced into English poetry and employed in the poem with true ease and charm for the first time in the history of English literature by Geoffrey Chaucer. 在英国文学史上,第一次在英文诗中引入英雄对联诗体,真正方便和体现了诗的魅力,是有乔叟开始的。

4.The Canterbury Tales presents a whole gallery of vivid characters,the team of pilgrims,people from all walks of life,including 31 members altogether.坎特伯雷故事集呈现的是从各行各业的所有人的生动的人物形象,比如朝圣者的队伍,其中一共包括31名成员。

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1.Renaissance humanists found in then classics a justification to exalt human natureand came to see that human beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy.2.Humanism is the essence of the Renaissance3.The goals of humanistic poetry are: skillful handling of conventions, force ofking1970uage, and, above all, the development of a rhetorical plan in which meter, rhyme, scheme, imagery and argument should all be combined to frame the emotional theme and throw it into high relief.4.Shakespeare’s sonnets are the only direct expression of the poet’s own feelings.5.Shakespeare’s history plays are mainly written under the principle that nationalunity under a mighty and just sovereign is a necessity.6.In his romantic comedies, Shakespeare takes an optimistic attitude toward loveand youth, and the romantic elements are brought into full play.7.The successful romantic tragedy is Romeo and Juliet, which eulogizes thefaithfulness of love and the spirit of pursuing happiness.8.Shakespeare’s greatest tragedies are: Hamlet, Othello, King Lear, and Macbeth.They have some characteristics in common. Each portrays some noble hero.9.The most import works of his first group include The Advancement of Learning,Written in English; Novum Organum, an enlarged Latin version of The Advancement of Learning.10.One is the knowledge obtained from the Divine Revelation, the other is theknowledge from the workings of human mind.11.According to Bacon, man’s understanding consists of three parts: history to man’smemory, poetry to man’s imagination and creation, and philosophy to man’s reason.12.Bacon, as a humanist intellect, shows the new empirical attitudes toward truthabout nature and bravely challenges the medieval scholasticists.13.Bacon’s essays are famous for their brevity, compactness and powerfulness.14.The mid-century was, however, predominated by a newly rising literaryform---the modern English novel, which, contrary to the traditional romance of aristocrats, gives a realistic presentation of life of the common English people. 15.This urgency was provoked by two important revolutions: the French Revolutionof 1789-1794 and the English Industrial Revolution which happened more slowly, but with Astonishing consequences.16.The Romantic Movement, whether in England, Germany or France, expressed amore or less negative forward the existing social.17.The Romantics demonstrated a strong reaction against the dominant modes ofthinking of the 18th-century writers and philosophers. Where their predecessors saw man as a social animal, the Romantics saw him essentially as an individual in the solitary state.18.Thus, we can say that Romanticism actually constitutes a change of direction fromattention to the outer world of social civilization to the inner world of the human spirit.19.Wordsworth defines the poet as a “man speaking to men,”and poetry as “thespontaneous overflow of powerful feelings, which originates in emotion recollected in tranquility.”20.The major theme of Jane’s novels is love and marriage toward which she holds ona practical idealism---love should be justified by reason and disciplined byself-control. She chooses to stay within the tiny field that she knows best. she has become a popular classic and has been admired for her wit, her common-sense, her insight into characters and social relationships.21.Gothic novel, a type of romantic fiction that predominated in the late eighteenthcentury, its principal elements were violence, horror, and the supernatural.22.Shelley held a lifelong aversion to cruelty, injustice, authority, institutionalreligion and the formal shams of respectable society, condemning war, tyranny and exploitation.23.Her first novel, Sense and Sensibility, tells a story about two sisters and their loveaffairs: Pride and Prejudice, the most popular of her novels, deals with five Bennet sisters and search for suitable husbands; and Northanger Abbey.24.The works of Jane Austen, at once delightful and profound, are among thesupreme achievements of English literature. With trenchant observation and in meticulous detail, she presents the quiet, day-to-day country life of the upper-middle-class English.25.Because of her sensitivity to universal patterns of human behavior, Jane Austenhas brought the English novel, as an art of form, to its maturity, and she has been regarded by many critics as one of the greatest of all novelists.。

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